#this show is a visual bonanza

[a-romantics-guide-to-life]

╰┈ 𝐭𝐡𝐞 𝐧𝐢𝐠𝐡𝐭 𝐰𝐞 𝐦𝐞𝐭 ┈➤

𝐬𝐮𝐦𝐦𝐚𝐫𝐲 : liam could’ve sworn this was the first time you’d met, so why does he feel like you know him better then he knew himself?

𝐭𝐫𝐢𝐠𝐠𝐞𝐫 𝐰𝐚𝐫𝐧𝐢𝐧𝐠𝐬 : reincarnation modern!au, billy isn’t billy but rather liam, and he’s an actor, this part is pretty long

𝐚/𝐧 : inspired by my friends shenanigans and talks of reincarnation! hope you enjoy!!

𝐬𝐞𝐫𝐢𝐞𝐬 𝐩𝐥𝐚𝐲𝐥𝐢𝐬𝐭!

William loved Billy the Kid.

Your very own kid brother, WIlliam, had declared his own nickname to be Billy because of just how much he loved the famous western legend. Ever since you had told him of the old famed outlaw, he’s been obsessed. He changed his nickname, his clothing style, he even tried speaking in a drawled western accent like they did the old black and white cowboy shows, which Billy also loved.

He printed and weathered his very own copies of the Kid’s wanted posters, decorating our small ranch house with homemade wanted posters of me, himself, and our Pa. He printed vintage movie posters and the famous old photo of Billy the Kid to show off to anyone who'd visit your little gem in the middle of nowhere in Southern California. He even begged you and your father to teach him how to shoot just so he can connect with his hero. 

Billy had also coerced you into sewing him trousers and a blouse just like the Kid wore in his iconic wanted poster. He would steal your fathers hats and boots as well as your wine red cardigan, walk outside, toothpick in mouth, playing pretend.

Billy’d pretend that he was in the famed Lincoln County War, surrounded by Jesse Evans and his gang of misfits employed under Murphy and the House. He’d use his pretend gun and shoot all the bad guys down just as Billy the Kid had at the burning McSween house.

Of course, as Billy grew up, so did you. You had left your father’s ranch, your home, and moved to Los Angeles to finish high school and attend university. 

In university, you ended up studying history and visual communication. You loved history, tales of old, myths and legends, all of it. You were the one who taught your kid brother about the famed Billy the Kid on a road trip through the American South-West once after all.

It was your senior year of high school when you had finally found your calling. During that school year, you had found yourself signed up for a theater class. However, you were terrible at acting. You couldn’t memorize lines and your singing voice was locked up in your shower, the key thrown away and never to be found. 

Of course, your best friend, Lucy, had gotten the lead role of the play. She was born and raised in Hollywood, the land of movie magic. She was a natural, her improv and memorization skills making her one of the top people in that theater class. Her voice was akin to a sweet angel which is why the musical theater club always cast her as the lead, even in musicals such as Shrek where she played the big, burly green ogre to perfection. 

However, Lucy was very particular about her costumes. She loved you for that exact reason. You, ever since you were a child, had been talented at sewing and costume making. And on top of that, you loved historical processes and authenticity. So, of course in an attempt to include you in their play, Lucy sang praises about your skill as a designer and a historian to your teacher who had awarded you with the title “Art Director”, whatever that meant.

What did matter was that you had the time of your life. Being an expert on history, especially the Wild West which was where the play was set in, you were considered the saving grace of the play. You had led the costume department, aka you and one other classmate, in creating historical-ish costumes for each and every one of the 21 different characters. You had also led the stage crew in creating the backdrops and settings with props which all were weathered by you to look as if you had plucked them straight out of Gunsmoke or even Bonanza. 

You had discovered your love for design and history there, carrying that love with you as you went on to enhance your studies in college. As time passed on, you started to post your creations online, oftentimes getting commissioned to create costumes and even design pro global pieces based on time periods or films. Most of these posts of course were of Lucy in her costumes she asked you to make for her for her plays and musicals as she went on to professionally act and perform in live performances and movies. 

Naturally, as your account and following grew, so did your opportunities. Soon, you found yourself being contacted by actors and actresses alike, asking you to design their premiere looks. Even movie studios contracted you as a consultant to help with their movies. Of course, you accepted the position. Even your papa and Billy had been ecstatic to hear about your new passion, especially so when you told them about your new consultant gig.

After accepting the job as a historical design consultant for movie studios, you often found yourself working with costume departments, helping make sure the costumes seemed plausible for their time period. You were consulted with on set designs, making sure furniture and other items on set actually existed during that time period. Everyday, you were working on something new, using history and your knowledge to bring cinematic artworks to life, transporting actors and viewers to a time or place.

Needless to say, you loved your job.

Even more so, the perks of said job.

You were paid a handsome check every month for just doing what you loved. You were invited to gala’s and dinners alike to celebrate the movies and shows you worked on. And not only that, because you were a consultant, you worked primarily from home only and for the most part, on your own time. 

You were provided with the lush fabrics and delicate threads to create costumes and pieces. You were able to use a plethora of old sewing machines from one of the very first manual spinning ones to one of the most rare, a model from 1938 of which only 43 remain.

Your ‘office’ had to be your favorite perk of working in the movie industry though. It was located on the movie studios backlot in a building called ‘Creator’s Heaven’ because it was one of the largest creative spaces in all of Hollywood. It was an upscale warehouse with shelves towering with different fabrics, lace, and threads. It had rooms called “Makers Space” dedicated to sewing with TV’s and speakers fit for a movie theater to help with boredom when sewing by hand (although it does nothing for concentration especially when one’s favorite actor is on screen). 

You also were given permission to create your own private projects in the Maker Spaces, even if you had to lug all your own materials to the rooms yourself. You loved putting on your favorite movie or show while you created costumes as a private designer or even for yourself. Of course, that’s how you found yourself in one of the rooms one warm night in late July. 

You had promised your brother that you would make him a new costume for the Old Lincoln Days festival in New Mexico you went to every year. It was always one of the highlights of your lonely summers in LA. Your papa and lil Billy still lived on your darling little ranch which always made you homesick when your Pa would video call you and show you how much the cattle had grown or how full the fields were.

But every summer, you drove down south, picking up Billy, costumes in hand. You would then endure the incredibly dull landscape of the South-West for three days, stopping along other towns every now and then to rest, eat, and even stay the night. 

You spent the drive singing to the songs on the radio in your little SUV, AC on full blast, the cool air would sting your noses but keep you from roasting alive in the heat of the sun. You would talk with Billy about his schooling, how life was going for you too. But by far, your favorite part had to be about how Billy’s eyes lit up at every mention of the movies you helped make. Truth was, while Billy still loved Billy the Kid, he also has fallen in love with many many other movies. 

Sometimes, when your father would drive all the way to LA with Billy to visit you, you would also take Billy with you to work as an assistant of some sorts. Billy always was so energetic and buzzed with happiness whenever you did bring him along. 

You always enjoyed seeing your Papa and Billy, even if it was only ever on a video call. You loved getting to see your baby brother grow up into middle school then to high school. He had decided to stay with your Pa, helping out on the ranch and attending school in town. He had grown so much too. He nearly towered over you at the tender age of 15. His legs may have grown longer but his smile still stayed as boyish as it always was.

Which is why you loved your road trips to New Mexico. Even if it was only for a little under a week, you loved getting time to spend with your kid brother. Billy and you also loved getting to dress up like they did in the Wild Wild West too. You always made sure to update Billy’s costume because of how much he grew in a year. But you? You always always wore the same get up. Dark chestnut trousers that met your hips, straps pulled over your shoulders which lay on top of your deep red blouse. Even a gun belt, the leather hanging a little loose on your waist.

You never knew why you always wore the same old clothes but it always felt right to wear when you visited New Mexico. 

Liam loathed driving to New Mexico. 

He didn’t understand why but it always felt wrong. And yet here he was, Garett and Evan in tow, his best friends in the entire world. 

Growing up, Billy didn’t have much. His family moved from the big city to New Mexico in fact. His Ma worked night and day as part of the local Inn’s housekeeper. His Pa worked out on the ranches and farms, helping whoever would pay him while Liam stayed home in their small two bedroom cabin with his baby brother Jo. 

Naturally, as both Jo and Liam got older, they too started to work. Liam helped his Ma and Pa however he could. He learned to ride a horse to help herd the cattle, harvest wheat and grain, how to herd cattle, how to sew, clean, and cook. He worked hard at night, helping his Ma at the Inn while going to school in the morning with Jo.

And that’s exactly how Liam’s life went on for the next ten years. Slaving the day away at school, trying to get an education while working at night to try and help pay the bills. 

Yet it was in New Mexico that Liam had found his passion.

It was Liam’s 17th summer alive when his Pa had surprised him with a trip to Lincoln. The occasion? It had been a celebration of the official end of the Lincoln County war. The festival had been held for many years now, many tourists coming to visit the famous Old Lincoln Days festival where they celebrated Billy the Kid and his famous legend. 

Little did all those tourists know, drive a little more North and you’d find that the Lincoln days weren’t too far gone.

Of course, Liam’s Pa didn’t do anything without good reason. It had taken Liam a little over five years to convince his father that they needed a car, the reason his Pa finally cracked? Liam told him that it had an A/C. 

Turns out, the real reason that Liam’s Pa had taken him to Lincoln that fateful summer was all because he had signed up Liam for the lead role in the famous shooting reenactment. Every year, the first weekend of August, the festival would kick off with it’s old timey cantina’s and saloons. They even had elaborate Wild West costumes and ‘cowboys’ that would ride their steeds up and down the street, talking in drawled accents and jumbled up lingo that had to have been made up. They would take swigs from flasks and chew on long stems of wheat that rested in between their teeth.

Liam hated it. It sends shivers down his spine every time he even feels a whisper of a memory of that first time he played the Kid in the festival his father had volunteered him for.

Liam had only had three days to practice the scene, yet it was almost like muscle memory for him. They were reenacting the scene where Sheriff Pat Garrett shoots and kills the Kid. 

It truthfully felt as if he had been in that exact same position. Why or when? Liam could never figure it out, no matter how much he wracked around his jumble of memories.

It was as if he had actually been walking down the streets of Lincoln, after dinner presumably. It was as if he felt the malicious eyes of Garett staring him down as he asked 

“¿Quién es? ¿Quién es?“. 

It almost felt right to fall to the Sheriff’s gun, almost as if he truly was William H Bonney who had lost everyone he’s ever loved to death who also begged for the sweet relief that he would find in the afterlife.

It always irked Liam. Nevertheless, he was just grateful that he got paid. 

As the years passed, Liam started to fall in love with the role, volunteering every year up until he moved away for college. He wasn’t Billy every year, once he was actually Sheriff Garrett, but he always got to work with his best friends Evan and Garett, who he actually met at 17 while volunteering. In fact the three were so close that they all moved together to sunny California from arid New Mexico. 

And they have been together ever since. They all fell in love with theater and acting, especially during the re-enactments they all did in the festival back home. The trio attended community college together, renting a small two bedroom apartment together. They all worked their asses off to make rent each month while studying Trigonometry and American History.

As for how they survived in a two bedroom apartment? Well, thanks to their very special schedules with work and school, only two of them would ever be sleeping at one time. Evan couldn’t properly function until at least 2 PM which meant that he slept through the morning and was out late at night. Garrett also had a very unique schedule, rather than sleeping ten hours at once, he split it up. He’d wake up bright and early at 4 AM, leaving for his morning job down at the police station where he helped sort paperwork and whatever, come back to the apartment to nap from a little after lunch till 6 PM where he and Evan would usually go out for drinks before attending class together.

Liam never really understood how those two functioned drunk on beer, learning in the middle of the night, and working odd hours. Liam had prided himself on being the most responsible of course. He’d wake up early as well, attending classes in the morning until lunch rolled around where he’d go to his job at an old family-owned diner. 

He loved working at that little diner, it never failed to remind him of his Ma who also ran a diner and bakery back in New Mexico. She’d even open up a little pop up shop in Lincoln in time for the festival where she attracted tourists and locals alike with her delightful baked goods and savory dishes she spent hours on preparing.

It was moments like those that Liam thought of on the hard days. As the trio worked through community college, they also all started auditioning for other roles and jobs. Of course, being young and new to the whole acting scene, rarely did anyone choose the kids from the middle of nowhere New Mexico.

That is, until they held auditions for a rendition of the famous Billy the Kid story. Garett had been talking to an agent who had managed many many famous actors who were looking for new blood. It was through that agent that he had found the audition which he told the boys. Of course, Liam was ecstatic. At 20, Liam had been faced with countless empty email inboxes when it came to roles he auditioned for. Even Evan and Garett had consistently pulled Ad and modeling gigs. So, as one does when one is down on their luck, Liam remarked,

“Fuck it, what do I gotta lose?”

Liam regards that moment of uncertainty when he closed his eyes and clicked ‘Sign Up For Audition’ as the best thing he’s ever done. 

He had driven to the theater where they were holding auditions all by himself since neither of the other two were gonna audition for any of the roles since they had booked another Ad campaign the week before. 

In honesty, Liam was so nervous waiting in that line that slithered through the hallways filled with other boys and men around his age, height, and build. He could still feel the way that his hands nervously shook as he reread the script over and over and over again. He was usually good at memorizing things like math formulas and other lines of plays and musicals yet he just felt so jittery. Perhaps it was because he was playin’ Billy the Kid, a character he’s played before. Perhaps it was because he was from New Mexico and he had a hankering to do one of his states heroes good.

Regardless, Liam still walked straight ahead onto the stage, performing the lines as best as he could without choking on the words. Of course, Lady Luck refused to grace Liam at that moment where he had forgotten the line. He panicked and scrambled to recall all those years of playing Billy, speedily racking his brain for any form of assistance it could relay him with. 

Of course, his brain ran on empty, nothing came out of his mouth. Or well, nothing came out of his mouth but his hands moved on instinct. Liam had quickly raised his gun from the belt they had given him to use as a prop. He channeled each of those years of learning how to actually shoot a gun as well as how to quickly draw it to move his arm at lightning speed. 

And it must’ve worked because the casting directors yelled cut on the tape, urging Liam to come close to the table they sat at. They then truly surprised Liam by asking where he had learned to draw that fast. Liam explained that he had grown up in a small town just a bit away from Lincoln where he had learned almost everything he knew from his loving Pa.

He told them about his family, the farm he grew up on, and his experience on stage as Billy. They applauded him and snag praises of his ability as well as his knowledge on the outlaw. In truth, Liam was relieved that the casting directors had been impressed with his quick draw.

The pride Liam felt as the casting directors sent everyone else in line away as they started sharing the timeline and filming details. He felt his chest swell with happiness and giddiness as they began discussing the script and how the hours were gonna look while filming. 

That day has truly been one for the books, seeing as Liam did journal. 

He loved recounting and writing about his days and feelings. He always felt it was right from when he was younger till today, it just felt right. Yet, it was the one thing he couldn’t explain, it felt as if he had done it before. 

But when?

The streets of Lincoln were alive with the buzz of laughter, happiness, and the allure of the Wild Wild West. The streets were filled with people who had arrived early to celebrate the Old Lincoln Days. 

Of course, that group of people also included you and your brother.

You two would consistently try to get to the event early to enjoy all the festivities that were available. You would take your eager brother to the shooting range where you could shoot pellet shotguns at cans as they did in the old days to practice their aim. You would drag your poor brother to each of the shops to look at the lovely pieces of jewelry that artisans made.

Walking around the small town, you truly felt transported into the Old Lincoln days with people dressed up in all sorts of get ups from modern day cowboys, to old American debutantes. You loved the aura the town held as they celebrated their past. No matter how dark it was.

“Hey sis?” Billy's meek voice pulled your attention from the third jewelry store of the night. You loved looking at the dazzling gold and silver, you especially were fascinated by the deep dark blue sapphires that were lined up on the display.

“Yea Billy,” you turn to him, looking into his eyes that mirrored your fathers own. “Something wrong?”

“Nothing, just wonderin’ why you never buy anything from these jewelry stores that you visit every year.” You chuckled. Billy asked that every single year and every single year your answer was the same,

“Cause Billy, I got my trusty necklace. What else would I need? You know I just like browsing.” You smiled, slowly walking away from the stall. Your fingers instinctively found their way to your neck where lo and behold, your necklace was still hung loose from your neck.

Truth was you never could remember how you came into possession of the lovely chain. All you knew is that ever since you were young you remembered wearing the chain with a charm of a worn bullet swinging from the end of it. Even your father couldn’t recall when you had started wearing the necklace, it was as if it had been with you since the beginning of time.

“Well, can we start un-browsing and get some food at that one pub inside that old hotel?” He looked at you in his dapper new get up consisting of a simple dark striped blouse and trousers. However, the new gun belt around his waist was very much not simple. It had nearly taken you three hours alone to prep the tough leather you had used to create it. You could still feel the rough texture of the leather underneath your fingertips, the feeling of having to push and pull the thick needle up and down through the strong material. It had been a pain to make but seeing how happy your brother had looked when he wore it for the first time was worth it. 

“Sure, why don’t we even grab some of those pastries you love so much while we’re at it?” You sling an arm around Billy’s tall frame, walking towards the small pop-up bakery your brother adored.

“Yes!” He laughed, sprinting to the shop in three seconds flat thanks to his inherently long legs. He quickly picked up his favorite pastry, turning to you once he got to the young boy at the cash register who couldn’t have been more than three years older than your own brother.

You smiled as they started talking, looking at the other wonderfully tasty looking breads that were on display.

“See anything you like dear?” You looked up at the woman behind the counter, her dark hair and warm eyes inviting you into conversation.

“Well, everything looks very delicious ma’am. I’m guessing you’re the mastermind behind these amazing pastries?” You smiled warmly at the woman.

“Why yes I am, my lovely son Jo is manning the register this year too. He's grown up so well, just like his brother.” 

You turned to look at the two boys again, Billy showing Jo something on his phone.

“My own brother, Billy over there, absolutely loves your baked goods. Every year when we’re here, he has to come here to buy something at least once a day.” 

“What loyal customers you two are! Your brother there reminds me of my ow-”

“MA!” Jo’s voice carried from the register, “can I go with Billy here to the pub? Liam texted and told me to meet him there and Billy here said he and his sis are already gunna go.”

Jo’s Ma sighed and chuckled at her son, her head shaking as she smiled, “Yes of course you can go meet up with your brother at the pub.” She quickly folded a box up, filling it to the brim with pastries. Nimbly, she folded the lid before walking to her son, taking his un-tied apron from him. 

“Here, since you two have been coming here for years, why don’t you take this box of pastries, on the house.” Billy lit up, singing thanks ecstatically. He and Jo rushed out of the small shop, running towards the pub. You quietly thanked the lady for the pastries as you followed the two trouble makers out and back into the hustle and bustle of Lincoln.

You quickly catch up to the boys who have already pushed open the doors of the small but packed pub. There were tables crowded with people dressed as cowboys and sheriffs all toasting to the Regulators, people dressed as debutantes munching on tamales made by locals, and even people just in plain tees knocking down shots of tequila. 

It was a very familiar scene and most definitely a welcome sight.

Billy and Jo sat down at one of the tables, further away from the bar of course, eagerly discussing their clothes which Jo was wearing a very similar version of. You sat down next to Billy, looking around as they happily chatted their head off in the already loud space.

They placed their order, continuing to chatter off about Billy the Kid and the reenactment happening tomorrow. You looked around, observing the costumes people wore.

“Hey Jo, who’re these folks?”

Your head snapped up at the sound of a rich, deep voice. You raised your head to look at the man who had just strolled on over to your table.

Liam had walked into the pub expecting his younger brother to be seated at their usual booth. What Liam hadn't expected was for his lil’ brother to be accompanied by another boy around his age and a woman. Where had a boy as young as Jo even found a girl to pick up already? 

Liam walked on over only to be met with a view like no other. You were no girl, you were an angel. And when you looked up at Liam with those bright round eyes, Liam could have died a happy man. Everything caught his attention, your wavy hair in an updo, your soft lips which were begging to be kissed, and your necklace, a bullet hanging in between the valley of your chest. 

“Liam!” Jo jumped, startling you out of your trance. You had been shocked by Jo’s older brother, Liam. His hair was the loveliest chestnut waves that begged for fingers to run through. He wore a dark blue blouse and deep burgundy trousers. His eyes were what captivated you the most. His deep blue eyes reminded you of the beautifulest sapphires that even the color of the ocean and night sky couldn’t even hope to beat.

Jo stood up, sending his chair back as he hugged his brother’s torso. Liam chuckled, sending shivers down your spine, committing the sound to memory. You smiled at the interaction which reminded you so much of yourself and Billy. 

All four of you sat down again as the food arrived. You all shared the food, Jo and Billy continuing to chatter leaving you and Liam to your devices as you sat across from each other. You two averted your eyes from one another, heat rising to both your cheeks nervous to talk to the other. 

Liam tried not to stare, really, but you were mesmerizing. You shined brighter than any star could, and your smile? Liam only caught a glimpse of it and yet he knew that the warm feeling he felt in his chest was not heat exhaustion.

“Sooo,” you started, trying to get the man across from you talking again,” I’m Billy here’s older sister, by the way. I don’t know if you need to or even want to know but my name’s,” you drawled, your voice getting quieter and quieter until you uttered your name.

Liam perked up at that, meeting your eyes once more. Where had he heard that name before?

He whispered your name and you could have sworn that the room had gotten 100 degrees hotter from the way his deep voice drawled the syllables of your name. “ As in the famous Billy the Kid’s lover?”

You shook your head chuckling. In all the years you have been alive, there has never been a moment where the first connection someone made with your name was the ill fated lover of William H Bonney. 

“Yes, exactly that. How do you know that?”

“Well it ain’t that hard to connect darlin’, your kid brother’s the outlaw ‘n your his girl. Your parents must’ve loved the Kid.”

“Well actually, it was me who sparked Billy’s nickname, his real name’s William though so I guess he is the Kid. isn’t he?”

Liam laughed at that, small world isn’t it?

“Hey! What’s so funny over there mister?” You sternly gazed at the man. From afar, one could argue that Liam looked young and spry but once you take a closer look, he isn’t a boy at all. He's pure man, all six feet of him. Taut muscle toned his body which was broad and clean. 

“Nothin’ darlin’, just, it’sa small world ain’t it? My name’s William too.” He smiled and your heart skipped a beat. You felt your lips turn upwards at the man in front of you.

“Well then, Mr. William, what do you do for a living?”

You smile as Liam happily responds, continuing the conversation late into the night. Even Billy and Jo had left to go roam around the festival. You and Liam continued your happy chatter, a small tug pulling at your heartstrings.

You’ve met before right? That's impossible, you two clearly have never seen each other. Yet why was it like Liam knew you better than anyone? Why did it feel as if you had already shared these smiles and laughs?

Was this even the night you two had first met?

sorry that its so long and it TOOK FOREVER to post, just been real busy anyways, i hope you enjoyed!

[shuttershocky]

Truly incredible now how both Sonic and Mario have had movies and Sonic's was the slower, simpler, smaller film with a plot summary of two paragraphs but with a lot of heart while Mario's was the hyperspeed visual bonanza whose sole goal was to show you as many things as possible within a 90 minute runtime without a moment to breathe

[absolutebl]

Kpop end of 2022 shows

In which I mostly slam 4th gen boy groups, so if you’re a stan skip this post or go in prepared to be offended. I am aware that this is off brand for this blog. But I’m also aware that I have a number of followers who are as deeply into Kpop as me, and...

who probably will unfollow me after reading this. Oh well, I’m gonna do it anyway. This is my tiny corner of the internet. MINE I tell you!  

Look, there was no Between Us airing today, and so nothing for me to get my watch-along snark out on except for the 2 Kpop shows that Viki popped into my feed. So skip this post if that’s not your thing. 

2022 Gayo Daejeon (stadium event) 

OMG! Either mic them properly or don’t mic them at all! This is a music concert, right? Why can’t Korea ever fucking get the sound right in these goddamn bonanza shows? I had this problem with Kingdom (arguably more of an issue since that was supposedly made for TV) but it’s 100 times worse with this show. It’s so frustrating. 

For example, with NCT, why is Johnny’s the only hot mic in the group? Sound tech on stuff out of Korea is mind numbingly confusing and ear wrenchingly annoying. I am reminded why I never watch the live shows and never go to Kpop concerts.

And now, here’s some offensive thoughts and unpopular opinions:

Yeonjun of TXT is one of the best 4th gen dancers ever fielded, and one of the better all rounders. But Kpop stylists gotta learn how to dress a dancer so that they can be properly watched, ya know, WHEN THEY ARE DANCING. No puffer vests, you brainless fashionista numb-nuts. Poor thing kept having to do wardrobe adjustments. Honestly, this plus their red carpet looks this year? 

TXT desperately needs a new stylist.

Stray Kids

As a group? They really can’t sing very well or consistently, their strength is in their performance and rapping. And their rappers MUST to be micced hot for live - just KILL 3racha's backup recording, okay? They can handle it. Otherwise please just let them all lip-synch so we can watch them perform. It’s a much better experience.

NCT

Yuta has more charisma in his little finger than Taeyong has in his whole entire body. Doyoung is an incredibly underrated vocalist. Their’s was some of the worst miccing and sound of the night (which is saying a lot considering how terrible it was the whole time). Fantastic use of the stage tho. One the best stadium performance I’ve seen since GOT7. Also, 2 Baddies is an objectively terrible song - which is probably why it’s so popular.

The Boyz

Definitely the prettiest, how are they consistently so glorious on their visuals? Sunwoo keeps getting hotter, it’s patently unfair. But, oh my god, if you are going to have a group sing ballads, then bring 2nd (Highlight) or 3rd (BTOB) gens up there don’t use The Boyz (or SK for that matter). No one wants to hear unstable vocals, even if it’s a CNBLUE cover. Is it weird that The Boyz make me miss Seventeen? Same vibe... better syncopation. 17 is not as pretty tho.

Who is? 

Well, UNIQ of course. But I don’t wanna talk about that. 

Ateez

Jongho is the only 4th gen idol in existence who doesn’t need a mic even in a goddamn stadium. He is insane. But there is a reason the boy likes a handheld mic, because he takes his vocals seriously. And still the sound tech didn’t trust him enough to leave that mic hot? Frankly, it’s a crime that Jongho’s voice is wasted on a performance group. (Yes, I said it.) But Ateez did give the best stage of the night. They really are one of the industry’s hardest working groups at the moment. I’m a little worried they’re being pushed too much.

Enhyphen

Actually singing for a change *gasp* what will they do without auto tune? Ooof, I’m hella mean tonight. And... they seem to have been practicing their vocals since last time. Honestly? They lack the stage presence of some of the more experienced 4th gens. NCT fucking EATS up a stadium. Enhyphen looked a little sad up there by comparison.

MBC 2022 (New Year's showcase) 

Much better sound (mostly lip-synching) and most groups handle a showcase stage better than a stadium. 

The MC team was better on this one. 

Any time the Boyz and Ateez would like to dance together, I will be happy to watch it happen.

I’m not particularly interested in either of them, but Tempest and Kepler covering Pretty U was pretty damn cute. But younger boy groups + younger girl groups intermixing on stage always comes off as awkward. Dancers should be dancing together when they share a stage together. It’s weird when they are clearly afraid to touch each other. 

Hanbin is such sunshine, so pleased to see a Vietnamese idol at last.

As expected the bands doing live Krock had the best music performances. Well and the opera singers, of course. 

NCT’s Jungwoo is Taemin’s little brother, they look too much alike, you cannot persuade me otherwise. 

It’s a sin that Jeahyun hasn’t has a break away acting role yet. No babies, he really isn’t going to do us a BL. 

It’s always great when the surfeit of music shows at the end of the year forces a group like NCT to divide and conquer, because we get to see some of the lesser publicized members do some killer performing. 

NCT’s choreographer is phenomenal. Best in the biz? 

A sexy cover of Love Killa is fine but if you can’t go hard on Monsta X’s raps then why bother? This only made me want to go watch the original. Which I did. 

I’d like to see SK cover Monsta X but that’s about it. Maybe P1H.

Speaking of MX. Why did they cover a song where Kihyun (one of the most consistent voices in Kpop) mostly has to sing falsetto? What a damn waste. 

Fun to see IM getting more confident in his vocals but I’d still rather see the MX maknae line rap. 

And… thank you for doing an end of year stage Monsta X! Holding onto my beloved 3rd gens by the skin of my teeth here. Look I just love them, okay? Even down 2 members Monsta X goes harder than other groups, but effortlessly. They gave the best performance of my whole night, both shows, 6 hours of content and I’m just left wanting to watch MX comeback stages.  

Am I 3rd gen biased? 

Probably. 

Bite me. But only if you can do it as hard as Monsta X would. 

[crusherthedoctor]

For the top 5 prompt: Top 5 Eggman boss battles.

This is yet another list that probably shifts depending on the day, because there's a lot of good ones.

5.

An underrated one. Like Rush Adventure in general.

There's no deep reason, I just think it's a neat fight, and since it uses the Jeweled Scepter, that grants it a plethora of unique magical attacks that you don't often see in an Eggman battle.

4.

I couldn't decide between these two, so fuck it, they're both here. Can you blame me? They're both well-known, and for good reason.

The Egg Walker marks the end of Tails' story, and it follows up the race to the missile in the city. The battle itself is fine, if perhaps a bit easy, but Eggman's tranquil fury in the cutscene prior really sells the mood. Shame he's rarely been given opportunities to show that side of himself since then. But that's where Stellar comes in. Either way, between that and Tails standing his ground, it's a great moment for both characters.

As for the Viper, we all love the obvious meme, but like the Walker, the fight is also fun in itself, and is reasonably tricky for a final boss. But as weird as it might be to say, the ending is what really makes it for me. The way the music stops the instant you get the last hit in, the way Tikal warns you about his kamikaze dive, the way the lonely sound and visuals of the explosion lingers before culminating with what could be mistaken for a volcanic eruption... awesome.

3.

It's an awesome mech. It's an awesome battle. It's an awesome moment for both the hero and the villain. Capped off with descending towards the center of the earth. As someone who considers Unleashed flawed in ways that I can't ignore, even I can't deny that this is one of the game's standout moments, and it deserves all its praise. I'd argue it's a better final boss than the actual final boss, and I'm not just saying that because the latter is another giant monster... okay, maybe that's part of it.

Shout out to the Generations version, because I really enjoy that one in its own right.

2.

Oh boy, here comes the controversial one. How dare I put anything from Forces on a top five that isn't derogatory, amirite.

In all seriousness... look, say what you will about the fight itself. I think it's alright, but I get why it might be considered perhaps a little anti-climactic compared to what it could have been as far as gameplay goes. And you guys know that I always consider gameplay to come first and foremost, no matter how good or bad the story of the game in question is, so it's not like I'm ignoring that part. And of course, there's the Nega-Wisp Armor reskin aspect that everyone complains about, which caused Twitter to throw the baby out with the bathwater and consider Eggman's position as the final boss to be the true problem. Which is probably why the final boss of Frontiers ended up being a talking ballsack. Thanks, everyone.

Anyway, all that said, I think there are certain elements that elevate it in spite of its ultimately okay status. There's the music, but that goes without saying for a Sonic game that isn't Chronicles. But another factor is the combination of the seriously underrated sound design, with the complete and utter silence on Eggman's part, which like @skaruresonic, I interpret it as the doctor being too focused on killing your ass that he disregards his usual banter, and like the Egg Walker cutscene in SA1, I think the effect really works, regardless of the actual intent or reason behind it.

So yes, I'm putting it as #2 for these overlooked attributes. I'm not sorry.

1.

The finale of S3&K will always be particularly special to me. There have been many great Eggman throwdowns, but this one illustrates how the doctor's high octane levels of pure determination rival Sonic's own; perfect for an arch-nemesis. There have been godlike figures who go down after a single fight, meanwhile this mortal man belts out a bonanza, because the mere concept of giving up the Master Emerald does not compute.

The build-up also goes a long way: S3&K as a whole establishes and maintains this aspect of Eggman's character throughout. He's going to get the Death Egg back up and running, and nothing is going to stop him. His robots set the jungle on fire. He himself destroys the ruins in Marble Garden, in the hopes that Sonic will get killed in the process. He's not even phased when the Death Egg falls smack dab into a volcano; his dedication never wavers. Then come the endgame, where he finally fucks off with the Master Emerald after telling Knuckles it was Nothing Personnel Kid, which is followed up with a dramatic chase through the crumbling Sky Sanctuary, which then culminates in the final showdown aboard the eponymous vessel... and then continues even after it blows up.

It's iconic, it's fun, it's climactic, and Eggman's ridiculously exaggerated refusal to quit being on full display cements it as one of my favourite Eggman portrayals, despite hailing from a 2D game with no dialogue.

Honorable mentions (that currently come to mind):

Death Egg Robot, cause c'mon, it's a classic. This mostly refers to the original Sonic 2 version as well as the variations in Generations and Mania.

Egg Shrimp (Sonic Advance 2), for being petty enough to abduct Vanilla after his plan's been foiled, and for the badass moment afterwards in which Sonic narrowly saves Vanilla.

Egg Emperor, because I don't care if it's Metal Sonic, it's an Eggman mech, he's trying to mimic Eggman, shut the fuck up or I'll do a in-depth Shadow the Hedgehog level tier list. The design is rad as hell, and it has the iconic TAKE THI-TAKE THIS, TAKE THI-TAKE THIS.

Egg Salamander (Sonic Rush), for capping off the dynamic between Sonic and Blaze... and because Wrapped in Black.

Nega-Wisp Armor, because the fight is fun despite its simplicity, and it's noteworthy because Eggman finally got to be the true final boss of a 3D mainline installment for the first time. And it only took a decade...

The endgame for Mania, in which Eggman menacingly jumps around in a Pokeball and then holds his own in a three-way standoff instead of being tactlessly upstaged like he's nothing.'

The one in IDW that doesn't exist.

[thirdendeal]

Thursday, July 4.

Dear Tumblr, I failed a lot indeed.

I couldn't live up to what I'd like to. I should've been able to keep up with game development, but I couldn't.

My personal life has been going downhill for way too long now. But more recently, I had to move from where I lived, in somewhat of a forced way. I'm safe now. I'm going to turn things around.

The bright side of all that is that I never really let go of anything, but rather kept failing on it all. Which in the long run amounted to where I'm at.

Right now I have a plan, and its first step is a game called Napolitano: Heaviest in Town.

I've been working on it for about six months at this point, inconsistently and inefficiently, but working on it nonetheless. As for my princess game, unfortunately, I reached the conclusion that I had to put it aside, and focus on something else instead.

Napolitano, for short, is just that something else for me. I also believe that Napolitano can be my path forward to becoming a full-time game developer.

I came up with it by obsessing over VEXED's art. VEXED is a fantastic artist who's work I just couldn't get out of my mind. As a consequence of that, I eventually came up with a game in VEXED's 8 by 8 pixel art style.

These are the assets I'm using, all made available by VEXED under a CC0 license:

Paper Pixels - 8x8 Platformer Assets (CC0) by VEXED

Bit Bonanza - More 10x10 RPG Assets (1Bit, CC0) by VEXED

Pattern Panic - 10x10 Top-Down Tiles (1Bit, CC0) by VEXED

Retro Lines - 16x16 Platformer Assets (CC0) by VEXED

I'm confident in its development due to what I've accomplished through all that failing. Namely, my plan, its design and a concluded pre-production phase.

I'm using LÖVE, its Box2D bindings and Tiled to create Napolitano. About the game itself, I don't have a lot to show yet. Even though I'm already in production, I've mainly dealt with code up to now.

There are my commit messages at least. I'll be sharing them throughout development, here they are:

My next steps in development will be much more visual; so, soon I'll be able to show an actual game here. (That is, a game in pre-alpha, but still.)

I'm sorry for having disappeared. I had to figure out a whole lot in order to actually be here. I got through it, and I'll get through more and more.

I cannot wait to have more to share. I'm on it.

That was a lot of my past six months or so, thanks for reading.

[clapperboardtalk]

MINDWARP (1992)

Mindwarp (1992): Buckle Up for a B-Movie Bonanza!

• Title: Mindwarp

• Year: 1992

• Genre: Sci-Fi/Horror/Psychedelic Mindtrip

• Country: USA (with a heavy dose of DIY ingenuity)

Plot Twist: Imagine a world where everyone chills in a blissful VR utopia, except Judy. Yeah, she's allergic to fake happiness and prefers the post-apocalyptic wasteland outside. Think "The Matrix" took a wrong turn at "Mad Max" and ended up in a B-movie fever dream.

Genre Blender Gone Wild: This film throws genres at the wall like a toddler with a paintbrush. Sci-fi? Check. Cyberpunk? You bet. Gore galore? Oh, honey, you haven't seen anything yet. It's a beautiful mess, like a glitter bomb exploded in a comic book store.

Acting: B-Movie All-Stars: Let's be honest, the Oscars ain't calling these thespians anytime soon. But hey, they bring the camp with enough enthusiasm to power a small village. Plus, Bruce Campbell shows up, reminding us that even B-movies deserve cult heroes.

Visuals: Practical Effects Paradise: Forget fancy CGI, this film is all about good old-fashioned practical effects. Think rubber monsters that would make your grandma faint, buckets of ooze that would impress a toxic waste dump, and costumes that scream "made from my neighbor's curtains." It's charmingly low-budget, like a high school play on acid.

Sound and Fury: The soundtrack is a synthwave assault on your eardrums, perfectly capturing the film's gloriously cheesy sci-fi atmosphere. The sound effects are, well, let's just say you'll know exactly when someone meets their splattery demise. Think Gallagher watermelon-smashing level of impact.

Themes: Don't Trust the System (or Your Brain): Deep down, Mindwarp is more than just gore and giggles. It explores themes of individuality, rebellion against the status quo, and the dark side of technology. Think "1984" meets "Total Recall," but with a B-movie twist. Just don't overthink it – the fun is in the absurdity.

My Verdict: A Cult Classic in the Making: 2 out of 5 star. Mindwarp isn't your typical Hollywood blockbuster. It's a love letter to B-movies, a testament to practical effects, and a hilarious reminder that sometimes, the most fun comes from films that don't take themselves too seriously. So grab some popcorn, dim the lights, and prepare for a wild ride. Just remember, this ain't your grandma's sci-fi – it's a VHS treasure from the bargain bin of brilliance.

General Reception: Critics Shriek, Fans Rejoice: The suits in ivory towers weren't exactly thrilled with Mindwarp, but who needs them when you have cult followings? Over the years, it's gained a loyal fanbase of B-movie aficionados and sci-fi fiends who appreciate its unique blend of cheese, gore, and heart.

Budget vs. Box Office: Made for the price of a used car (and probably some duct tape), Mindwarp never graced the silver screen. But thanks to the magic of VHS and the power of the internet, it's probably earned its creators several lifetimes' worth of pizza and rubber monster parts.

Trivial Tidbit: The film was originally titled "Brain Slasher" and featured an ending so graphic, it would make Freddy Krueger blush. Thankfully, they toned it down for the faint of heart (and MPAA ratings).

So, if you're looking for a polished, high-brow sci-fi experience, head elsewhere. But if you're craving a B-movie adventure overflowing with laughs, gore, and enough cheese to fuel a nacho bar, then Mindwarp is your cinematic soulmate. Just remember, buckle up, hold onto your brain, and embrace the glorious absurdity. You might just have the best bad time of your life.

[unikbet-slot]

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Jangan salah paham bahwa jika Anda menemukan 3 Scatters, Anda akan menggali kotak 3×3 yang berputar, memperlihatkan antara 9 hingga 27 putaran bebas. Alam liar dapat menjadi lengket selama putaran bebas dan mengaktifkan pengganda. Setiap anjing mempunyai harinya masing-masing!

[astinggracieosborne]

Kenneth Strickfaden

An American inventor who worked on movies building elaborate props before CGI and blue screen was even invented. He worked for Universal Studios and began building machines and other apparatuses to craft movie magic.

Following the success of Tod Browning’s Dracula (1931), Universal Pictures wanted to produce another gothic literature classic, Mary Shelley’s Frankenstein, but this time the film would be filled with whiz-bang laboratory machinery that would lob sparks, simulate lightning, and offer a sensory bonanza for the audience. Director James Whale turned to Strickfaden for the eccentric design of Dr. Frankenstein’s laboratory.

Of the all the apparatuses Strickfaden invented and constructed for Frankenstein, his pride and joy was a colossal Tesla coil he called the Megavolt Senior. This machine could spew bolt-like lightning and a form of generator, all capable of bewildering visual effects. These machines heightened the visual ambience of the film by embracing technology as yet another tool in Dr. Frankenstein’s kitbag. In the novel, there is little or no inclusion of machinery, electricity, or technology. Mary Shelley relies upon the electricity generated by lightning on that stormy night to bring the Creature to life. The machines that Strickfaden invented provided visual excitement and showed the audience that Dr. Frankenstein was a modern man of science who embraced technology.

[charulein]

After spending most of yesterday playing ffxiv with my free trial ending and all, I had decided to see how far in shadowbringers I can get and...

It's not looking good lads

Look, I love G'raha - I mean the Exarch, as much as anyone, right, but after sitting through what felt like hours of exposition and worldbuilding I was exhausted. Picking up Alisae was at least a little reprieve from all that, with more emotional beats to it, though of course the one character I actually start liking dies to show us what the deal with the sin eaters is...

Then came Alphinauds exhausting exposition bonanza, and at this point I just read the dialogues and clicked on to be done as fast as possible - Norvrandt isn't particularly pretty and extremely depressing, and the music too dissonant and eerie to want to listen to it longer than is absolutely necessary.

Then you get inside this filthy kingdom blablabla king bad blabla alphinaud sad blablabla

At least the dungeon broke up the tediousness. I think it was pretty decent, the battle music went off, and I can't help but adore the visual design of the Sin Eaters - eery and statue-like, with eyes of bleeding darkness. Since my friends weren't around, I did it with the npcs and I have my complaints, but that system isn't really all that relevant.

What is, is the fact that only the Warrior of Light can absorb the light aether, which makes sense with the Echo and all, and everyone acting... Surprised? Like, wasn't that supposed to be the working part of your plan? I also don't particularly like being called Warrior of Darkness, but alas, that's not too annoying in the big picture.

Amd then comes the part that will make or break this expac for me: my beloved Minfilia.

I really hated the matter of factly exposition on her, how she saved this sorry world and keeps suffering for it. Like, i think this would have been a lot more emotionally impactful to experience firsthand, and not for a boring npc to read from a book....... Another thing that riled me up immensely was the twins being more worried about Thancred reacting to the news about Minfilia than the WoL.

It was my impression that during ARR, Minfilia and the WoL grow close, Minfilia even choosing to confide in you personally time and time again - and all this gets ignored by the narrative. Oh the WoL doesn't care, oh the WoL got over it etc. Honestly, the scions don't quite care about Stubborn too much, compared to Aymeric or Hien...

Anyways, despite knowing that this isn't Yucca's Minfilia, I couldn't help but shed tears at the prospect of seeing her again. I really really miss her, and ffxiv just isn't the same with her absence... I know it's not her, but I hope that she can come back home to Eorzea with Yucca, that she can finally see her family again!!!

So yeah, so far I'm absolutely not impressed with Shadowbringers, but I'll continue once I resub in September, so let's see if the writing improves after this ambling introduction.

[giftlayaofficial]

Oyo Room Decoration for Birthday

Birthdays are special occasions that call for celebration and creating unforgettable memories. Whether it's your own birthday or you're planning a surprise for a loved one, choosing the right venue plays a crucial role. Oyo Rooms, renowned for their comfortable and affordable accommodations, provide an excellent option for celebrating birthdays. To make the celebration even more memorable, decorating the room in a festive and personalized manner can transform an ordinary space into a magical birthday haven. In this article, we will explore various ideas and tips for Oyo Room Decoration for Birthday.

Theme Selection:

Selecting a theme for the birthday party sets the tone for the entire decoration. Consider the person's interests, hobbies, or favorite colors when choosing a theme. Whether it's a princess-themed party, a superhero extravaganza, or an elegant black-and-gold affair, ensure that the theme reflects the celebrant's personality and preferences.

Balloon Bonanza:

Balloons are a timeless decoration element that adds joy and vibrancy to any birthday celebration. Create a balloon arch at the entrance to welcome guests. Balloon bouquets tied with ribbons can be placed strategically around the room. You can also spell out the birthday person's name or age using balloon letters or numbers. For an extra touch of whimsy, fill the room with helium balloons, allowing them to float gracefully from the ceiling.

Mesmerizing Backdrops:

Setting up an eye-catching backdrop is a great way to create a focal point for photographs and enhance the overall ambiance of the room. Use vibrant and complementary-colored curtains, fairy lights, or paper fans to create a visually appealing backdrop. Personalize it further by adding a customized birthday banner with the celebrant's name or a meaningful quote.

Table Decor:

Decorate the dining or cake-cutting table with elegance and style. Adorn the table with a beautiful tablecloth that matches the party theme. Place themed centerpieces, such as floral arrangements, candles, or decorative figurines, to enhance the visual appeal. Don't forget to add a personalized birthday cake topper or candles for a festive touch.

Lighting Effects:

Lighting can dramatically transform the ambiance of any room. Opt for soft, warm lighting to create a cozy and intimate atmosphere. String fairy lights around the room, drape them across the ceiling or place them in glass jars for an enchanting effect. Additionally, candles and tea lights can provide a romantic and soothing ambiance.

Personalized Touches:

Adding personalized touches to the decorations makes the birthday celebration even more special. Display framed photographs capturing precious memories of the celebrant. You can also create a collage of photos and hang them on a designated wall. Additionally, consider leaving small handwritten notes or personalized party favors for the birthday person and guests to show your thoughtfulness.

Conclusion:

Decorating an Oyo room birthday celebration allows you to create a magical and personalized atmosphere for the special occasion. From choosing the right theme and incorporating balloons and backdrops to adding beautiful lighting effects and personal touches, there are numerous ways to transform an Oyo room into a memorable birthday haven. Let your creativity soar and surprise your loved ones with a breathtakingly decorated room that they will cherish for years to come. Happy birthday, celebrations!

[petnews2day]

Born Free claims Dalton Zoo's 'bangless' fireworks made noise

New Post has been published on https://petnews2day.com/pet-industry-news/pet-charities/born-free-claims-dalton-zoos-bangless-fireworks-made-noise/

Born Free claims Dalton Zoo's 'bangless' fireworks made noise

FRESH allegations have been directed at an under-fire zoo following a controversial Bonfire Night event held at the attraction.

South Lakes Safari Zoo in Dalton hosted its ‘Bonfire Night Bonanza’ which advertised the use of ‘bangless’ fireworks within the zoo grounds.

After the event, wildlife charity Born Free said they were contacted by several attendees who highlighted their concerns that a number of the fireworks were not silent and made comparable noise to regular fireworks.

Further research has revealed concerns being voiced on social media and review sites, said the charity.

Born Free also claim they have seen footage from the event, which appears to show fireworks being let off in the zoo making considerable noise, and in close proximity to the zoo’s Africa House, housing its giraffe, zebra and rhino.

Born Free is urging the zoo management to reconsider their use at another upcoming festive event advertising the use of ‘bangless’ fireworks.

Chris Lewis, captivity research officer at Born Free, said: “Although the zoo intended to use silent fireworks, it must be questioned why a facility whose main objective should be to ensure the welfare of the animals in their care would jeopardise that through unnecessary actions. The evidence and testimony we have received that suggest some of the fireworks were far from silent only compounds the issue further, and calls into question the judgement of zoo management and the zoo’s ethics committee.”

READ MORE: Born Free are concerned South Lakes Safari Zoo’s inspection will not show ‘true running’ of facility

The negative impact that fireworks have on animals is a long-standing issue and has for many years been highlighted by Born Free and other animal welfare organisations such as the RSPCA. In recent years a number of animal deaths in zoos across the world have been blamed on fireworks.

Even when fireworks are silent, the visual aspects can still be extremely stressful for animals at the zoo and those within the surrounding area, said the charity.

These allegations come weeks after Born Free visited South Lakes Safari Zoo following multiple public reports of concern relating to animal welfare and the general running of the zoo.

READ MORE: Born Free investigation finds South Lakes Safari Zoo ‘fails to meet basic standards’ of animal welfare

The charity alleges the zoo ‘fails to meet even basic standards’ of animal welfare and has written to Barrow Borough Council with their concerns.

South Lakes Safari Zoo refuted all allegations made by Born Free.

After relaying their findings to Barrow Borough Council it was announced a team from the town hall will be visiting the zoo alongside a specialist vet, who is also a DEFRA zoo inspector, for an inspection set to be carried out on November 17.

A number of allegations made by animal charity Born Free, and also separately by a private individual, will be fully investigated as part of the inspection during which the zoo’s in-house vet will be interviewed and animal records examined.

Born Free has written again to Barrow Council, urging them to include consideration of the impacts of the use of fireworks at the zoo.

The charity said inspectors should investigate what measures were in place to ensure the welfare of the animals during the firework display and whether the noise and disturbance of fireworks were compatible with the legal requirement for the zoo to protect their animals from fear and distress.

READ MORE: Council to carry out Safari Zoo inspection following welfare concerns

The Mail attempted to contact South Lakes Safari Zoo about the fireworks but had not received a reply by the time we went to press.

[nerdishpursuits]

Rings of Power is unbearably pretty 🥹🥹🥹🥹 Galadriel, Arondir, Nori, Durin and Disa and Elrond. All the feels, alright? ALL THE FEELS 👀😍🥹❤️‍🔥

Honestly. I hadn’t realized how starved I was for this aesthetic until I saw it. It feels whimsical and mythical and an homage to beauty. It has a dreamy, fairytale like quality. I’m so sick of the gratuitous gore a la GoT. This feels like a breath of fresh air, for now. Has its flaws, sure, but so far I’m glad to back in Middle Earth.

[beardedmrbean]

Feb. 15 (UPI) -- The family of the late Rust cinematographer Halyna Hutchins filed a wrongful death suit Tuesday against the suspended western film's lead actor and producer Alex Baldwin.

Hutchins' family is suing Baldwin and others in the film, alleging that recklessness, including ignoring safety protocols and complaints about danger on set to cut costs on production, led to their daughter's death, according to a copy of the lawsuit obtained by Variety.

A live bullet in a prop gun handled by Baldwin, 63, killed Hutchins, 42, on Oct. 21, on the New Mexico set of the 19th century western film at Bonanza Creek, Santa Fe.

The same bullet hit camera operator Joel Souza, who has since appeared on the mend, in the shoulder.

Baldwin, in particular, ignored at least 15 basic gun safety protocols, according to the suit, with failure to use a replica or rubber prop gun, failure to treat the gun as if it were loaded and failure to refrain from pointing a firearm at anyone being among them.

"Defendant Alec Baldwin recklessly shot and killed Halyna Hutchins on the set of the movie Rust," the suit stated. "Defendant Baldwin and other defendants in this case failed to perform industry standard safety checks and follow basic gun safety rules while using real guns to produce the movie Rust, with fatal consequences."

"Halyna Hutchins deserved to live, and the defendants had the power to prevent her death if they had only held sacrosanct their duty to protect the safety of every individual on a set where firearms were present instead of cutting corners on safety procedures where human lives were at stake, rushing to stay on schedule and ignoring numerous complaints of safety violations," the suit added.

Baldwin aimed the revolver "directly at Ms. Hutchins while drawing back the hammer on the revolver," and the live bullet from it fatally struck Hutchins in the chest with enough force to go through her body and also strike Souza in the shoulder, according to the lawsuit.

In a press conference, Hutchins' family lawyers showed a nearly 10-minute animation video, including a bone-crunching sound effect and reddening with blood as the bullet sears through Hutchins chest and skeleton.

Baldwin told ABC News in December that he doesn't feel "responsible" or guilty for the shooting, and he has denied pulling the trigger, but an independent gun expert in the video animation said that Baldwin would have had to press the trigger at some point for it to fire.

Before the incident that killed Hutchins and injured Souza, crew members reported two previous incidents of guns on set being discharged unsafely "while loaded with ammunition," and "these complaints were ignored," as production continued being rushed to cut costs, the suit said.

Movie sets should never have live ammunition because it "could mistakenly be loaded into a gun," the lawsuit said.

The lawsuit added that "dummy" bullets that appear to be real for cinematic purposes usually contain a small metal ball, which can be distinguished from live ammunition through visual inspection or shaking to hear the ball inside.

The live bullet was not detected on the Rust set because of failure to follow basic safety checks, according to the suit.

"The aggressive cost-cutting measures of the Rust Production Companies resulted in the Rust Production being riddled with breaches of safety protocols that resulted in the presence of live ammunition on the set of Rust and unsafe handling of firearms," the suit stated.

In particular, the suit said that Lane Luper, a local camera operator, made safety complaints to producers a few days before Hutchins' death from injuries sustained in the shooting, citing three "super unsafe" weapon discharges.

Unit production manager for the Rust Production Katherine Walters responded "with callous sarcasm," to Luper's complaint, according to the lawsuit, by saying the accidental discharges were "awesome," and "sound[ed] good."

The suit also said that Baldwin and other producers knew that Hannah Gutierrez-Reed, who had dual roles of armorer and assistance prop master was "inexperienced" and "unqualified for the degree of skill required on the Rust set.

They also ignored her concerns that performing the dual roles "would result in lapses in basic firearm safety."

Baldwin and other defendants knew about unintentional firearm discharges that occurred on set because of Gutierrez-Reed's failure to perform her duties, but didn't replace her, the suit said.

It also said they were aware of multiple written complaints about dangerous conditions on set and didn't require new safety measures to correct dangerous conditions.

"Had Defendant Baldwin, the producers, and the Rust Production Companies taken adequate precautions to ensure firearm safety on the set of Rust or if basic firearm safety rules had been followed on the set of Rust on October 21, 2021, Halyna Hutchins would be alive and well, hugging her husband and 9-year-old son," the suit stated.

[mst3kproject]

Godmonster of Indian Flats

If I had a dollar for every movie I’ve seen about a bloodthirsty mutant sheep, I would have... two dollars.

I was entirely willing to feature Godmonster of Indian Flats based on its strangeness alone, but it does have one connection to MST3K in that actress Peggy Browne was also in Avalanche. Another performer here, Kerrigan Prescott, also had a part in previous Episode that Never Was Fiend Without a Face, so hey, close enough!

Dr. Clemens and his assistant Mariposa discover a mutant lamb on Eddie the Rancher’s sheep farm, and take it up to a secret lab at Indian Flats for study.  This seems somewhat outside of Clemens’ claimed purview as an anthropologist, but whatever, I’m just here to watch the movies.  While the monster grows to maturity in a tank, the mayor of a local tourist town, Mr. Silverdale, is refusing to sell land to a Mr. Barnstable, who is interested in the mining rights.  We soon get the idea that Silverdale is less interested in tourism than he is in having his own private Wild West LARP, and the townsfolk have an almost cult-like reverence for him.  Eventually, their increasingly violent attempts to run Barnstable out of town cross paths with Dr. Clemens’ pet mutant, and all hell breaks loose!

Well, maybe not all hell.  This movie hasn’t got the money for all hell.  Rest assured, though, that they unleash all the hell they could afford.

The hell in question takes the form of a lumpy hunchbacked sheep creature with a rubbery sock puppet head, one long dangling arm, and a huge Kim Kardashian ass.  It interrupts a picnic, and blows up a gas station by knocking over a pump with its bubble butt.  It may or may not understand English, and it breathes poisonous gas when injured.  The puppet is pretty weird and scary-looking in the darkness of Clemens' secret lab, but out in the full light of day it is ridiculous.

Any movie with a mutant sheep monster is going to be weird, and the monster is the weirdest thing in the movie, but make no mistake – Godmonster of Indian Flats sans monster would still be a weird fucking movie. The other story going on here, Silverdale vs Barnstable, is thoroughly bizarre in itself.

Apparently it's not enough for Silverdale and the townspeople to simply refuse to sell Barnstable their mining rights.  Instead, they have to totally ruin his career and both his physical and mental health! First of all, they invite him to their 'Bonanza Days' and have him take part in a shooting contest, where the whole town conspires to make it look like he accidentally shot the sheriff's dog.  Then they hold a funeral for the dog as if it were a person.  The whole time the dog is fine – it was just playing dead, and afterwards the sheriff sends it to live with a friend.

When Barnstable still doesn't leave town after this, Silverdale's toady Phil whacks him over the head with a bottle, then shoots himself in the shoulder and puts the gun in the unconscious man's hand.  Barnstable wakes up in jail and demands a lawyer, but everybody ignores him.  Eddie and Mariposa help him escape, and the sheriff then forms a posse to hunt him down and lynch him!  At the end of the movie Silverdale triumphantly tells Barnstable that he's going to lose his job because his boss is embarrassed by all these goings-on.  At this point Barnstable also has a cracked skull and a broken arm.  He's a PTSD-ridden shell of a man and yet Silverdale is still yelling “I've beaten you, Barnstable!” as the end credits roll.

All of this might become a little less weird (but way more horrible) when I mention that Barnstable is the only black character with dialogue.  And yet, none of it is ever overtly framed as racist.  Nobody ever uses a slur – in fact, Barnstable's race is never once referenced in dialogue, not even obliquely.  You could cast a white actor in this part and nothing would have to be changed. What Barnstable seems to represent, and what Silverdale and the townspeople claim to be fighting against (Silverdale declares that he is 'the custodian of an era'), is decadence and capitalism, concepts traditionally associated with a white elite.

This in itself should be read as a commentary on race.  It's notable that Barnstable is playing by white rules.  He's a smooth businessman representing the interests of his presumably white boss.  When Silverdale invites him to Bonanza Days, he is happy to step into that role, too.  He dresses the part and takes up the six-shooter, and does a pretty good job with it.  Barnstable is a 'model minority' figure, a black man with the trappings of white success... and in spite of that, he is still abused.  Hard as he tries to fit into the white people's world, he is not welcome there.

I don't think that's actually what Barnstable is supposed to represent to the viewer, however.  The people of this town are described in the opening as 'living in the past' and we see that they're very dedicated to it.  Silverdale dresses the part of a nineteenth century gentleman even when he's at home.  Everybody dresses up in period costumes for occasions like parties and church, and the town's status as a tourist attraction requires many people to play such a role full-time.  There's a dark underbelly to this quaint little world, as we see in the opening when a barmaid steals Eddie's casino winnings, but even that fits their chosen period.

Barnstable intrudes into this world as a representative of modernity and reality. If you're paying attention, you soon realize that the 'past' the townsfolk are living in isn't like the real past at all.  The real history of this little mining town would have involved filthy, back-breaking work in the mines, and saloons full of drunks, prostitutes, and crime.  The modern town has adopted the pretty trappings of the 19th century – the clothes, the horses, and nice little shows of piety like the dog funeral – while sweeping the dirt and violence under the rug.  The latter are only to be turned on outsiders.

This fantasy version of the old west is also very, very white.  In the real world, history is always more diverse than we usually think it was – one of the historical figures who inspired the character the Lone Ranger, for example, was Bass Reeves, the first black US Marshall in the west.  The people in Silverdale's town have no interest in that.  There is not a single Native American character in the movie, and I've already mentioned the lack of other people of colour, except for a couple of background tourists.  This is an essential part of throwing away the ugly parts of the past – race brings conflict, and Silverdale and his followers want none of that. Barnstable's race makes his status as an outsider all the more obvious, both visually and as a reminder that the world these people are trying to live in never really existed.

This puts Barnstable in a very strange place in this movie.  He's definitely a victim, but never a hero – in fact, Godmonster of Indian Flats is yet another movie that doesn't have a hero – yet he is not a villain, either.  He's just some poor bastard who wandered into a horror movie and now he can't find his way out of it.

So... what does any of this have to do with a mutant sheep monster?

I dunno.  There seem to have been mutants in this area for a long time, since Clemens talks about legends of a 'mine monster' and even shows off weird fossils he's found, but how does that tie into the theme of clinging to the past?  Maybe it's supposed to be about history repeating itself, since new monsters are being born just as the mines are about to re-open?  I have no idea.

Does the monster die at the end?  I cannot tell you.  I think it dies when the truck it was caged in blows up?  The movie ends with an angry mob pushing the truck over a steep slope where they dump their garbage, while Eddie, Clemens, and Mariposa try to reveal Silverdale's own land-grab scheme.  This all degenerates into chaos and people tumbling down the hill and shooting each other, while Silverdale stands there yelling about how violence controls the masses and how he's beaten Barnstable. It's an ending that seems calculated to leave the audience going, “... huh?”.

Why is it a God monster? Now this, I do have a theory about.  I don't think the sheep is actually the godmonster – I think the titular menace is actually Mr. Silverdale! He wields a god-like authority within the town, even when his evil scheme is apparently exposed at the end, and uses it to do monstrous things!  If that's not what they were going for... then I have no idea.

I mentioned in the opening that I've seen two movies about mutant sheep monsters.  The other is Black Sheep, which is one of those off-the-wall movies they make in New Zealand when they're not doing Tolkien-related stuff.  Black Sheep was apparently inspired by Godmonster of Indian Flats, but it throws out the race relations stuff and runs with the 'mutant sheep' thing to make on of the most perfect dark comedies I've ever seen.  I would recommend it to the strong-stomached in the same way I recommended The Valley of Gwangi to anyone disappointed by Beast of Hollow Mountain – it is everything the older film should have been but was not.

[sanstropfremir]

the hotly anticipated kingdom episode 7 review is here!!

this episode was a lot less spectacle-y than the last one (the last episode with stages, i mean), and i think that was a good choice for all the groups on the whole to tone it down on the run up to the finale, because at the rate everyone was headed there would be no room to go any higher. i'm very glad that there was actually a collab stage and not just a song swap, especially because it gives a chance for the boys to work together and make friends when they otherwise arent going to be able to interact much. love love love to see them making friends and having fun doing these stages!

i'm not really sure why mnet didnt put the vocal stage this episode, because what on earth else are they going to put in the next episode with it??? i know it's a content stretch but still, it seems like a weird choice to me. anyways, there’s four stages for me to talk about this time and i'm going to try to not ramble out of control, but we’ll see. i did enjoy watching all of these, but we’ve all got favourites and i'm going to rank by which group i liked better out of the two for each stage, and then i put a few conclusions at the end. strap in folks this is another long one.

rap stages

skz + btob + atz

i was actually really surprised at how much i liked this stage. i would not classify myself as a rap fan and believe it or not i actually do not place a lot of importance on lyrics when enjoying music. although i have very high lyric retention and comprehension, i focus more on the sound than the literal words, so a fair amount of rap is swing-and-a-miss in my personal listening. plus when you add a language barrier on top of that, a lot of the nuance and technical skill of it just flies over my head. so i really dont have much to say about the sonic elements this time around, sorry. also.....i know i joked that nobody from the kingdom staff is reading my reviews.....but is someone from the kingdom staff reading my reviews????? i specifically mentioned that i think skz should do an art themed stage and then we got one????? i know i manifested the punk ateez stage but did i manifest this also??? am i just that powerful???

costume

obviously these are pretty basic rap/hiphop stage looks, but the white was a really good choice for visibility’s sake, and also thematically: it reflects the colours in the lighting really well.

i am DYING to know who the designer of minhyuks jacket is. if somebody knows please tell me i love it so much. it looks like some of the recent belted jackets that dior was putting out, but the drawing on the front armscythe piece reminds me of the superm/kim junggi collab for tiger inside. say whatever you want about superm, but you cannot deny that that is not some of the coolest merch on the kpop scene.

loved the traditional korean elements that came through in addition to the western references: the screens, hongjoong’s fan, minhyuk’s big fuckoff brush, the masks, and the sleeves on the dancers at minhyuk’s bit. those are a costume feature from a style of korean traditional masked dance called bongsan talchum. the masks themselves are versions of hahoetal masks, which are used in a very specific archetypal ritual dance in andong. i think these are imae masks, who is the servant/fool archetype that mocks the nobleman and the scholar. i suspect that was a deliberate choice, but i can only speculate.

another point about the masks which is not relevant but maybe a fun fact for people who don’t know. i actually thought at first that they were western theatre half masks, which are a very old style of mask that, like with hahoetal masks, represent a number of archetypes/stock characters. maskwork is a very common training practice in theatre schools, because it teaches body language and control, because half your face is covered and you cannot speak in your own voice (sometimes you cannot speak at all, this is one of the rules of full mask). the tradition of usings masks to portray emotion goes all the way back to the ancient greek chorus, but more commonly people in the west sometimes know it from the italian commedia dell’arte, of which you will have definitely seen some of the character archetypes before. i just find it neat that the same types of art pop up in different places seemingly independently of each other. humans are cool.

set

not much to say here, it's pretty bare with just some propwork. thought the screen use was fun and they used it smartly in a couple of transitions. 

thought changbin’s bit of ‘interrupting’ the artists was cute and fun. there’s obviously a picasso reference there, and the four technicolour paintings are a reference to andy warhol’s pop art silkscreen portraits, most famously of marilyn monroe, but he also did many other celebrities in the 70s and 80s.

lighting

i LOVED this lighting. super bright and fun, lots of use of colour, obviously. the projections were there to enhance the visuals and weren’t distracting in any way. i thought the transition to black and white/ink with minhyuk was smart and had good contrast, it gave a strong rhythm to build back up to for the climax.

sound

bang chan’s ‘spelling colour with a u’ bit had me SCREAMING with laughter. we spell colour with a u normally bang chan, the americans are the ones that are wrong. 

staging

i don’t really have a whole lot to say here, it was pretty straightforward and fun. like i’ve said in previous reviews, i wish they were more conscious of the steadicam direction and would stop showing extended bits of the production crew. at least everyone was wearing full blacks this time.

fun use of the upward angle combined with the groundwork/leg choreo during hongjoong’s verse, that was a highlight for me.

sf9 + tbz + ikon

nothing against this stage, the other one just hit harder for me. bobby is the best rapper on the show and he really carried this stage with his charisma. he’s a fun performer to watch and he knows how to command a space. i'm sure there’s technical notes that people have about the raps themselves, but i'm here looking at visuals as a priority, which i'm sure you’ve all grasped at this point.

costume

these were clearly extensions of these idol’s personal styles, with is a perfectly fine choice, especially for a rap stage where the emphasis is more on authorship. LOVED bobby’s 11yro girl at recess look.

amusing that both rap stages involved paint in some way? loved the backup dancers shooting supersoakers filled with paint at them, but i wish i knew the reason for it? i'm glad i saw this stage first because i would have been underwhelmed by the paint throwing if i had seen this after rainbow bonanza.

set

almost no set at all here, just a few props. i'm not judging as harshly on lack of set this round because these stages are meant to be more about skill than anything else. 

lighting

i loved the projections, i thought they were unobtrusive and i admit, i LOVE outer space themed anything.

i liked that they did more concert lighting and had no projections in the first half to put more focus on the performers, it really highlighted the fact that this stage was about them, and not about anything extraneous.

sound

it was indeed a song.

staging

i do wish there had been a bit more control of the space, because it did look very empty at some parts and they could have staved that off by keeping tighter camera shots. this stage is so fucking big, holy shit.

they really brought their onstage chemistry and they looked like they were having a blast, which FINALLY!! 

i actually really liked hwiyoung’s opening, i think there was a lot of potential there for some sharp contrast work that i wish had been played through a little more, especially with the cool white light overtop the black costumes. it actually reminded me a bit of the intro in the music video from a rapper i do actually listen to, bewhy’s gottasadae.

glad to see some more use of camera effects with the black and white, but why did they do it over the paint throwing? it just made the trajectory of the paint invisible because there was no colour contrast.

performance stages

sf9 + tbz + ikon

ok obviously im gonna have a lot more to say about the performance stages, nobody is surprised there. this one was the better constructed of the two and my personal pick for better stage, but i actually liked watching the both of them equally.

costume

king shit, literally. we love contemporary hanbok in this house. there was good colour and style distinction between the three of them without clashing. 

costume change was fun and neatly blocked, it's pretty common to see backup dancers and chorus hiding quickchanges but i liked how this was a more unusual formation.

taeyang rocking the organza skirt and the big purple eyeshadow, thank you for keeping it cunty as always.

i really liked juyeon’s underlayer look. finally we get a good tbz costume look thats thematically relevant!

set

like all the stages this round, pretty minimal. the setting was almost entirely established through the costumes and the projections, which is some really good designwork. it's pretty much just the litters (the lifted chairs they entered on), and some smaller props. they managed to not make the stage feel empty because there was a lot of projection visuals to compensate, which is difficult to do without being overbearing, but i think they mostly pulled it off.

i originally thought it was gonna be weird to try and mesh the traditional korean architectural aesthetic with the weird mnet deco, but i ended up not noticing it as much as i thought i would.

lighting

like i just said, projections very well done and do a fantastic job of conveying setting without being overly distracting. like with the atz/skz/btob rap stage there’s a really broad range of colour use here that they offset by brightening and properly fill lighting the faces so you can actually see what’s happening.

the use of the strobing lasers and more concert style lighting fit really well with the change in the music from traditional instrument sounds to electronica and the more hiphop/isolated movements.

sound

i liked it well enough! i think it had a good arc that we can see echoed through the rest of the piece, like previously stated in the lighting and movement style. 

staging

like i mentioned with the quickchange, there was some really interesting formations using the backup dancers here, especially as a lead toward/away from the camera

having the three of them enter on litters; again, literal king shit, love to see it.

this has a pretty clear narrative that doesnt really need an external explanation, which is good. i have to assume that the burning of the paper with 妃 (concubine) is intended to be a gesture of ‘burning’ the love out of their hearts, but that was the only thing i'm still confused on. this may very well turn out to be a reference to a specific story that i just have no idea what it is, but we’ll see once the subs are out!

i loved juyeons solo bit with the alcohol drinking and the table flip, that was the choreographic highlight for me. i just really wish he would use the other muscles in his face more often. we know youre pretty, you dont have to blue steel your way through all your performances!! take a page out of donghyuk’s book and make some ugly faces, it's good for you!!

i though taeyang’s swordwork was fine, but since i do actually have a decade of sword training i'm very judgemental. it's not bad, he obviously has practiced with the weapon and he knows how to control it, but he doesn’t have the same understanding as someone who has trained with a sword as a weapon and not just as a prop. if we hadn’t seen another stage with swordwork in it i probably wouldn’t have brought this up (that's a lie, i still would have brought it up, i have a third dan), but you can really see the difference between how minhyuk moves with his sword and how taeyang moves. a lot of this has to do with the proper weighting of the blade, which i mention briefly in my second episode review in btob’s section (and also this ask here, where i talk about properly weighted weapons in relation to the gun choreo in sf9’s and ateez’s previous stages); minhyuk is likely using a ‘real’ sword (it’s blunted but still made using proper methods and materials), and taeyang is using a cheaper-made replica (unless you’re doing full contact striking a LOT there’s no way a properly made blade breaks like that. also you would never tape it together hello??? respect the blade). if you know what you’re looking for, you can tell from the movements themselves when someone has training. minhyuk did a load of real training for a film where he was a swordsman, and you can tell; the sword is an extension of his arm, all the movements lead with the tip of the blade first, because that’s your first, your fastest, and your most dangerous point. you do 90% of your cutting with the first eight inches of blade, but it takes a lot of specific training to get your hands and arms to a place where that kind of movement is possible. taeyang’s movements are driven from his hands, which is unsurprising, because that’s where he’s used to his extensions stopping. the tip follows rather than leads. wow this got insanely sidetracked i hope you liked this crash course on swordwork.

this is pretty much what i expected to see from this unit. these three groups all have standout soloists, so i wasn’t surprised to see these three boys as the picks. juyeon and taeyang especially, theyre both from groups that are more likely to do experimental stages and choreography that highlights them as soloists and skilled dancers.

skz + btob + atz

this was a letdown from ateez’s last two stages, because they knocked those out of the park, but it's only fair that they have a bit of a fall. that being said, i did really enjoy watching this for its sheer ridiculousness; i’m forgiving the wolf concept this time because well, it’s wolf. you can't cover wolf and not do a wolf concept, that’s against the law. also, like i’ve said before, i'm all for dark concepts IF you give them thematic weight. is it on the nose? yes. is it thematically relevant? also yes. is it dumb? also also yes, but that’s never stopped a single kpop group in the history of ever.

costume

friendship restored with ateez stylists, rivalry started with skz stylists. the fur shoulder fluffs??? stupid and i love them. perfect in every way. however i keep seeing the same fucking costumes on the skz boys and i will come directly for the stylists at jype if they dont get their shit together. be! more! creative!!!

i really really wish they had gone more 2013 kpop with it, we need more of that ugly ridiculous styling. peniel was actually pretty close, with the overly long tunic and those yellow lenses. very vixx on and on (yes i know they were vampires from outer space, let me live)

i actually thought the wolf gloves were fun? the small bits of uv paint actually worked instead of looking out of place, and i'm glad they put them on wooyoung because the uglier an outfit, the better he pulls it off. 

set

same dice, just the long table and the camo net at the beginning, which i thought was unnecessary. the table was useful for levels though, so happy to see they utilized that.

lighting

there is so much happening all the time. lots of lasers. it's definitely aiming for camp territory, and i dont actually hate it as much as i did on my first watch. it actually wasn’t as dark as i thought either, because its mostly lit with blue and amber. but it doesn’t really have that great of an arc and its not really that good on the whole.

the projections are a bit much for me, but that’s only when i'm actually looking at them. true to form, i didn’t even notice the excess of red slashes until like my fourth rewatch because i was too busy watching the performers.

sound

rookie exo my beloved. the original wolf goes so hard for absolutely no reason, so i’m not knocking this stage for being ridiculous. in fact it should have been more ridiculous. i think they did a fine job updating the song for a.....less 2013 sound. 

i like that they didn’t bother to live sing the stage even though they recorded vocals for it, it gave them all a chance to actually focus on just the dance.

that being said, i am kind of missing all the adlibs from the original. but even though there’s some strong vocalists in this unit, they aren’t made of the same stuff as baekhyun, luhan, chen, AND d.o.

i literally just realized that peniel had already debuted when this song came out AND is technically exo’s senior because btob debuted like two weeks before exo officially did.....oh no

staging

choreographically this feels a lot more like the skz stages that we’ve seen rather than the ateez ones, so i'm curious as to who the choreographer was. 

the tricking was definitely more ridiculous in this one, but i can't really say any of it was there for no reason because it all had elements of fighting in it. the scale of the tricks was quite large though and not very well blended with the rest of the choreo, which ending up making them look awkward. i thought it was a nice detail that they shone a green toplight on the dancers that made up the cliff wooyoung climbed up so that it looked like there was grass on it. cute.

the blocking is lacking a lot of fluidity, and i think that’s partially the scale of the tricking and also the editing, because this editing is TERRIBLE. there’s so much cutting, why is there so much cutting!! haven’t we already learned that longtakes are the best for this???

there’s a lot of stuff here that had good potential but could have been pushed a little farther. i feel like i say this for every mediocre stage, but what can i say, i'm good at constructive criticism. 

they should have given more showcase to the tree and the scratching arms; it's the most iconic move!! i also wish they had kept some kind of iteration of the different unit ‘leaping’ in over the exiting one, i always thought that part of the original choreo was really fun and did a lot for establishing them as wolves. 

i LOVED peniel entering with all those backup dancers in chains, thats some fucking iconic shit. very ‘im the alpha wolf,’ which is valid because he’s like at LEAST five years older than everyone else on the stage. i wish that instead of being the backup dancers it was the actual members, because THAT would have been an image. theyre all wearing harnesses and collars anyways, just clip em in! he’d be like one of those dogwalkers!

me last week: specifically talking about how krump is an uncommon style in kpop and it's very hard to get right kingdom, throwing the manifesting dodgeball at me for the third time: here would you like a KRUMP SOLO?

if you didnt believe me before that krump is hard to get right, i sure hope you do now. peniel did fine, but you can see how easily you can veer off into looking ridiculous.

some conclusions

i mentioned this really briefly in an ask i got earlier today, but i do think it's important to establish that the two performance units are doing two different types of performances. i can understand why people are underwhelmed by the atz/skz/btob stage and wanted it to be less of a traditional kpop dance stage and more like the experimental stages we’ve been seeing for the last few weeks. and i agree! i think they could have done more with it. but i also think that this kind of stage was a good choice for this particular subunit. unlike with the sf9/tbz/ikon unit, there are not really any standout technical soloists in ateez or skz. ateez has, in my opinion, the highest ratio of dancers with actual stage presence of any of the 4th gen groups ive seen. they’re at a solid 75% for any given performance, and occasionally they can bump that higher depending on the stage. that high of a stat is rare. it's extremely rare for a group to have all its members have good stage presence (i can think of like, maybe two or three?), and to get over 50% is pretty damn impressive. but ateez’s strength isn’t in how good they individually are as dancers, but it's in how well they work together. there’s a reason why they put FIVE of them in the performance unit. one of the first things i said about ateez to hanya is ‘i love wooyoung but he doesn’t stand out when he's not centre.’ which is for good reason!! he’s not supposed to! they all willingly give up centre and take it back when they need to, because they have that charisma. there’s a very cohesive push and pull to watching ateez that speaks to their strengths as performers. dancing in a group where you are all meant to be equal is a very different skill than just being a talented soloist. you have to understand what to prioritize in a different way. taemin dances differently with shinee that he does in his solo career, especially since they’ve been back. he understands when to step back; more often than not i find key to be the standout dancer in shinee choreo.

this is a very long winded way of saying that wolf was a good choice for them even though the stage didn’t turn out as well as it could have. also the fact that they made a cohesive performance at all, with a week of rehearsal and while working with essentially strangers is a feat and speaks to all of their skill at their job. performing in a group is a huge part of kpop, and they did call this the performance stage, and not the dance stage.

i'm not entirely sure on what the breakdown is on why each of the subunits were formed. i know the team sizes are extremely uneven, with sf9/tbz/ikon clocking in at 26 people and atz/skz/btob clocking in at 17 (i'm not counting changsub because he's not there and probably has a scheduling conflict), which is like, a whole extra group of difference. but atz/skz/btob utilizing their whole groups for each of the units (5/3/1 for performance, 1/3/1 for rap, and 1/1/1 for vocal, for 7/7/3 total), verses sf9/tbz/ikon only bringing out six people for these two stages and then six for the vocal stage is......weird? that's over half of their group number that’s not performing. i do think the groups brought out their standout performers and made smart choices with the stages but the balance still strikes me as odd. i do wish tbz had actually done some group choreo because they are very strong group performers and it would have been fun to watch.

ateez really played the long game here, good job boys. teaming up with the group who gets the highest fan votes AND the group with the strongest technical skills? i see you.

i think this is probably too wild of an assumption and is only based on circumstantial evidence but.....i think hongjoong might actually have a lot more creative sway than i previously thought. all the stages he’s been a part of have been very well designed, and i know he provided suggestions for the two ateez stages prior to this... i’m probably thinking too much. 

ok you know what i know there were some other points in my brain somewhere but this is already 4000 words so i’m going to stop. if i remember anything else its probably gonna end up in the answer to some of the asks i’m inevitably going to get because i think my opinions on these ones are a little bit more controversial, whoops!

not entirely sure if ill do an extensive review for next week’s stage, because i'm not really a ballad fan and i dont really do vocal reviews, but i could do a quick one. i guess it also depends on what else they put in the episode. we’ll see!!

[leanderqueenie]

Skrumpen - from outer space (1983)

I was browsing through some tv shows from my childhood and found this peculiar danish 1983 series; Skrumpen from outer space. What does Skumpen mean? Well, it's the name of an alien! It uses it/its pronouns most of the time, as it was created by multiple aliens merging. The host, Gunnar Wille is writing a book about a genius called Gustav, who is good at whatever he does, but his Skrupen ruins his plans. Meanwhile, Gunnar is also getting bugged by Skumpen.

every episode is about 8 mins long, and there are 13 episodes.

The series is linked below but sadly, it's in danish. I personally believe that the series is comprehensible by visuals alone and the visuals sure are groovy imo.

Colours and stripes!

https://www.dr.dk/bonanza/serie/690/skrumpen-fra-det-ydr/71221/skrumpen-fra-det-ydre-rum-01