#thunderbolts (1997)

[age-of-moonknight]

“Storm Clouds Gathering,” Thunderbolts (Vol. 1/1997), #57.

Writer: Fabien Nicieza; Penciler: Patrick Zircher; Inker: Al Vey; Colorist: Hi-Fi Design; Letterer: Richard Starkings, Albert Deschesne, and Comicraft

[avengerscompound]

Clint Barton & Natasha Romanoff

Thunderbolts (1997)

[thischristianguy]

The Hulk has a tendency to “Smash”

Gee!

From Thunderbolts #9 (1997)

[jihef03]

“-Release Venom. -I’d strongly advise against that.”

[oflgtfol]

venom symbiote in the early 90s comics:

venom symbiote by 2007:

[alightinthelantern]

Movies on Youtube:

Brief Encounter (1945, David Lean)

Opening Night (1977, John Cassavetes)

Close Up (1990, Abbas Kiarostami)

Taste of Cherry (1997, Abbas Kiarostami)

The Song of Sparrows (2008,  Majid Majidi)

Russian Ark (2002, Alexander Sokurov)

Dreams (1990, Akira Kurosawa)

Dersu Uzala (1975, Akira Kurosawa)

The Idiot (1951, Akira Kurosawa)

Drunken Angel (1948, Akira Kurosawa)

Tokyo Story (1953, Yasujirō Ozu)

Early Summer (1951, Yasujirō Ozu)

Late Spring (1949, Yasujirō Ozu)

The Flavor of Green Tea over Rice (1952, Yasujirō Ozu)

Good Morning (1959, Yasujirō Ozu)

An Autumn Afternoon (1962, Yasujirō Ozu)

Sword for Hire (1952, Inagaki Hiroshi)

Rebecca (1940, Alfred Hitchcock)

Thunderbolt (1929, Josef von Sternberg)

Larceny (1948, George Sherman)

Among the Living (1941, Stuart Heisler)

Andrei Rublev (1966, Andrei Tarkovsky)

Mirror (1975, Andrei Tarkovsky)

Solaris (1972, Andrei Tarkovsky)

Ivan’s Childhood (1962, Andrei Tarkovsky)

Aguirre, the Wrath of God (1972, Werner Herzog)

Fitzcarraldo (1982, Werner Herzog)

Medea (1969, Pier Paolo Pasolini)

Medea (filmed stageplay)

Is It Easy To Be Young? (1986, Juris Podnieks)

We'll Live Till Monday (1968, Stanislav Rostotsky)

Ordinary Fascism (aka Triumph Over Violence) (1965, Mikhail Romm)

Battleship Potemkin (1925, Sergei Eisenstein)

The Third Man (1949, Carol Reed)

Johnny Come Lately (1943, William K. Howard)

Mister 880 (1950, Edmund Goulding)

Beethoven’s Eroica (2003, Simon Cellan Jones)

Katyn (2007, Andrzej Wajda)

Lemony Snicket’s A Series of Unfortunate Events (2004, Brad Silberling)

Mean Girls (2004, Mark Waters)

The Neverending Story (1984, Wolfgang Petersen)

The NeverEnding Story II: The Next Chapter (1990, George T. Miller)

The Thief and the Cobbler (Richard Williams)

Osmosis Jones (2001, myriad directors)

Megamind (2010, Tom McGrath)

Ghost in the Shell (1995, Mamoru Oshii)

Ghost in the Shell 2: Innocence (2004, Mamoru Oshii)

Steamboy (2004, Katsuhiro Otomo)

Badlands (1973), Terrence Malick

Wargames (1983, John Badham)

By the White Sea (2022, Aleksandr Zachinyayev)

White Moss (2014, Vladimir Tumayev)

The Theme (1979, Gleb Panfilov)

The Duchess (2008, Saul Dibb)

Bed and Sofa (1927, Abram Room)

Fate of a Man (1959, Sergei Bondarchuk)

Ballad of a Soldier (1959, Grigory Chukhray)

Uncle Vanya (1970, Andrey Konchalovskiy)

An Unfinished Piece for Mechanical Piano (1977, Nikita Mikhalkov)

Family Relations (1981, Nikita Mikhalkov)

The Seagull (1970, Yuli Karasik)

My Tender and Affectionate Beast (1978, Emil Loteanu)

Dreams (1993, Karen Shakhnazarov & Alexander Borodyansky)

The Vanished Empire (2008, Karen Shakhnazarov)

Winter Evening in Gagra (1985, Karen Shakhnazarov)

Day of the Full Moon (1998, Karen Shakhnazarov)

Zero Town (1989, Karen Shakhnazarov)

The Girls (1961, Boris Bednyj)

The Diamond Arm (1969, Leonid Gaidai)

Operation Y and Shurik's Other Adventures (1965, Leonid Gaidai)

Ivan Vasilievich Changes Profession (1973, Leonid Gaidai)

Unbelievable Adventures of Italians in Russia (1974, Eldar Ryazanov & Franco Prosperi)

Office Romance (1977, Eldar Ryazanov)

Carnival Night (1956, Eldar Ryazanov)

Hussar Ballad (1962, Eldar Ryazanov)

Kin-dza-dza! (1986, Georgiy Daneliya)

The Most Charming and Attractive (1985, Gerald Bezhanov)

Autumn (1974, Andrei Smirnov)

War and Peace: Part 1 (1966, Sergei Bondarchuk)

War and Peace: Part 2 (1966, Sergei Bondarchuk)

War and Peace: Part 3 (1967, Sergei Bondarchuk)

War and Peace: Part 4 (1967, Sergei Bondarchuk)

The Red Tent (first half) (1969, Mikhail Kalatozov)

The Red Tent (second half) (1969, Mikhail Kalatozov)

Sherlock Holmes: The Hound of the Baskervilles (1939, Sidney Lanfield)

The Adventures of Sherlock Holmes (1939, Alfred L. Werker)

Sherlock Holmes and the Voice of Terror (1942, John Rawlins)

Sherlock Holmes and the Secret Weapon (1943, Roy William Neill)

Sherlock Holmes in Washington (1943, Roy William Neill)

Sherlock Holmes Faces Death (1943, Roy William Neill)

Sherlock Holmes: The Spider Woman (1944, Roy William Neill)

Sherlock Holmes: The Scarlet Claw (1944, Roy William Neill)

Sherlock Holmes: The Pearl of Death (1944, Roy William Neill)

Sherlock Holmes: The House of Fear (1945, Roy William Neill)

Sherlock Holmes: The Woman in Green (1945, Roy William Neill)

Sherlock Holmes: Pursuit to Algiers (1945, Roy William Neill)

Sherlock Holmes: Terror by Night (1946, Roy William Neill)

Sherlock Holmes: Dressed to Kill (1946, Roy William Neill)

If any of the links don’t work, try looking up the film in this playlist: link

[namorthesubmariner]

Namor, was I born Avenging Son

Black Panther: Wakanda Forever Saga of the Sub-Mariner (1988) #1 Motion Pictures Funnies Weekly (1939) #1 / Marvel Comics (1939) #1 Marvel Comics Presents (2019) #1 Saga of the Sub-Mariner (1988) #2/King in Black: Namor (2020) #4 Thunderbolts (1997) #165 Atlantis Attacks (2020) #2 Agents of Atlas (2009) #0 Uncanny X-Men (1963) #528

[sebastiansource]

Sebastian Stan to star in Marvel’s ‘Thunderbolts’

Exclusive: Marvel Studios’ President Kevin Feige introduced the leads for the studio’s upcoming film Thunderbolts at Disney’s D23 Expo today, with David Harbour, Julia Lewis-Dreyfus, Wyatt Russell, Florence Pugh and Sebastian Stan among them. Their characters were not revealed.

The film understood as the MCU’s version of Suicide Squad is based on characters first introduced to Marvel Comics in 1997, following a group of supervillains who are recruited to go on missions for the government.

Source: DEADLINE

[samasmith23]

Thunderbolt's Moonstone: A Case Study in Psychiatric Villainy...

Throughout my read-through of Kurt Busiek & Mark Bagley's classic run on the Thunderbolts so far, easily one of the most uniquely fascinating yet terrifying members of this team of supervillains disguised as superheroes has undoubtedly been Meteorite, aka Dr. Karla Sofen, aka Moonstone!

Essentially serving as the team's second-in-command underneath Citizen V (aka, Baron Helmut Zemo), Moonstone was formerly a renowned psychiatrist who frequently engaged in unethical practices with her patients in order to gain power over others while advancing her own career. For instance in the Thunderbolts (1997) #-1 as part of Marvel's "Flashback Month" (wherein all of the company's titles released a special "-1" issue which flashed back to the early history of the Marvel Universe), its revealed that while Dr. Sofen was working with a woman suffering from low self-esteem due to her husband cheating on her, Dr. Sofen was secretly the one sleeping with said-patient's adulterous husband. In addition to citing the expansion of her psychiatric business as the motivation for manipulating her patient, Dr. Sofen also implies that she feels a sense of power through manipulating her patients, that it "just feels wonderful" to "make enormous changes in this woman's life -- in the way she sees the world.... with just words and suggestions."

Part of what makes Karla Sofen especially terrifying as a character to me is that in addition to being an expert psychological manipulator, she's able to easily deceive others by presenting herself as a kindhearted and benevolent figure who merely wants to use her expertise to understand and help others. But this benevolent facade underlies Dr. Sofen’s desire to possess power over others, obtaining said-power through her keen understanding of the human mind and how to exploit it. It was this willingness to violate ethical medical boundaries for her own personal gain which eventually led to Dr. Sofen becoming the assistant of the notorious Captain America villain and HYDRA leader Dr. Faustus. It was during this time that Dr. Sofen became even more skilled as a psychological manipulator, and she utilized Dr. Faustus' techniques in order to trick the original Moonstone (aka Lloyd Bloch) into surrendering the Kree device which granted him his super-strength, flight & energy projection abilities to her.

Moonstone plays an incredibly fascinating role as the Thunderbolts' member "Meteorite." Its revealed in Thunderbolts Annual 1997, Moonstone was the last member that Zemo "recruited" into his new Masters of Evil. During a mass-prison breakout at the the Vault (a maximum security prison specifically designed for supervillains), the Thunderbolts made their public debut by recapturing the majority of the escapees. Unbeknownst to the the prison guards however, the Thunderbolts secretly abducted Moonstone, and Zemo blackmailed the former psychiatrist turned supervillain into joining the group in exchange for her freedom. And if Moonstone refused Zemo's officer, the Thunderbolts would have turned her back to the Vault where she would undoubtedly receive an increased prison sentence for participating in the escape attempt (Moonstone was previously close to finishing her sentence).

But while Zemo recruited Moonstone due to her psychological expertise and ability to help her fellow Masters of Evil in successfully fooling the general public with their superhero disguises, writer Kurt Busiek portrays Moonstone as having her own secret agenda which threatens to undermine Zemo's master plan with the Thunderbolts. Staying true to her background as a psychological manipulator, Moonstone is portrayed as an opportunistic schemer who's "nature is to watch, and think, and consider."

This observant and manipulative behavior is effectively demonstrated through Moonstone's interactions with her fellow Masters of Evil, whom she quickly recognizes are becoming too accustomed to their new disguises as superheroes. As early as the first issue of Thunderbolts, Moonstone is shown to be secretly monitoring and observing her teammates behavior when she witnesses the developing romantic relationship between fellow teammates M.A.C.H.-1/Beetle & Songbird/Screaming-Mimi. Its through their romance that Songbird is able to gradually overcome her own personal insecurities which have made her susceptible to Zemo's manipulation, while M.A.C.H.-1 begins to enjoy the public recognition and appreciation that being a hero grants him. Similarly at the end of Issue #2 , Moonstone notices that Atlas/Goliath is developing feelings for the Thunderbolt's city liaison for New York's mayor's office, Dallas Riordan. As the Thunderbolts become more widely embraced by New York City, Atlas continues to get closer to Riordan, even though he recognizes that pursuing a relationship with her would easily risk exposing the team's status as the Masters of Evil in disguise.

The relationships between M.A.C.H.-1 & Songbird and Atlas & Dallas respectively help to expose a growing rift between Baron Zemo & Moonstone's in-relation to their individual goals. As the son of the notorious Nazi war criminal of the same name, Zemo views his subordinates purely as mere tools which can help him fulfill his ultimate plan for world domination. And as such, Baron Zemo begins to fear that the Thunderbolts are "enjoying their roles too much," that their relationships are "softening them -- making them more human," which in-turn weakens them as living weapons that he can easily exploit. Conversely, Moonstone allows M.A.C.H.-1, Songbird, and Atlas' relationships to continue naturally developing, even actively encouraging said-relationships under the guise of fulfilling her responsibilities of "keeping the team functioning and convincing in their roles" as superheroes.

The tension between Moonstone & Baron Zemo's is further increased through the Thunderbolts' recruitment of the newly empowered meta-human, Jolt (aka, Hallie Takahama). An orphan whose parents were killed during the Onslaught incident, Hallie ended up becoming a surrogate big sister figure to several other fellow orphan children who were forced to survive on the streets following the disaster. Hallie and the other orphans were then kidnapped by Captain America villain and Hitler's chief-scientist in the Marvel Universe, Arnim Zola, whose experiments resulted in Hallie being granted electrical superpowers while the other children were sadly mutated into monsters who were then killed. Hallie managed to escape captivity and assisted the Thunderbolts in putting a stop to Zola's barbaric experiments.

However, due to Baron Zemo live-broadcasting the battle in order to increase the Thunderbolts' positive PR, Hallie was seen fighting alongside the team as the new super heroine Jolt. Realizing that the public loved Jolt and that it would make the team look bad if they turned her away, Moonstone encouraged Zemo into recruiting Jolt into the Thunderbolts. Consequently, this forced the Thunderbolts to continue acting like superheroes 24/7 and to hide their past lives as supervillains in front of Jolt, much to Zemo's dismay and to Moonstone's satisfaction.

Moonstone's interactions with Jolt in particular also serve to highlight the unsettling ambiguity behind the former's schemes and manipulations. For instance, in their civilian identities Dr. Sofen not only tries to get some insight into Hallie's recent traumatic experiences while offering her emotional support (just like a therapist would), but even makes significant strides to help make the Thunderbolts' headquarters a new home for Hallie.

What I find so unnerving about these interactions however is that Busiek leaves it intentionally vague as to whether or not Moonstone is being sincere in her actions. Is she telling Jolt that she views her like a daughter because she genuinely means it, or is she saying it just because she views Jolt as yet another individual to manipulate and take advantage of? Or is it a little bit of both? I ask this because while Busiek clearly portrays Moonstone's as seeing Jolt's recruitment as an opportunity to undermine Zemo's plans, the narration at the end of Issue #2 indicates that similar to M.A.C.H.-1, Songbird & Atlas, Moonstone is similarly beginning to feel a sense satisfaction at playing the hero:

"It's a heady feeling to play hero -- and to be accepted. She felt it herself -- in the heat of of battle, she forgot the role she was playing, forgot everything but the need to save the boy -- and the rush that came with victory. It feels good that rush. Maybe too good."

Its the combination these various factors that easily make Moonstone one of the most disturbingly intriguing members of the Thunderbolts. From her characterization as a manipulative and conniving psychiatrist who's willing to unethically exploit others for her own agendas, to the ambiguity surrounding her embracement of being a "superhero," to the nature of relationships with her fellow teammates, and her efforts to subtly undermine Baron Zemo, Dr. Karla Sofen is easily one of the most compelling and scary supervillainesses that I've recently encountered in superhero comics. And I am very curious to witness how Moonstone's arc progresses throughout the rest of Kurt Busiek & Mark Bagley's original Thunderbolts run!

[haveyoureadthiscomic-poll]

[age-of-moonknight]

“Storm Clouds Gathering,” Thunderbolts (Vol. 1/1997), #57.

Writer: Fabien Nicieza; Penciler: Patrick Zircher; Inker: Al Vey; Colorist: Hi-Fi Design; Letterer: Richard Starkings, Albert Deschesne, and Comicraft

[avengerscompound]

Clint Barton & Natasha Romanoff

Thunderbolts (1997)

[ultrameganicolaokay]

Thunderbolts #1 ‘Justice... Like Lightning!’ (1997) by Kurt Busiek. Mark Bagley, Vince Russell and Joe Rosas. Edited by Bob Harras. Cover by Bagley and Russell.

[mastcrmarksman]

Where did I go wrong? I lost a friend Somewhere along in the bitterness And I would have stayed up with you all night Had I known how to save a life

@gammaragee. a gift. real. not an april fool's joke. what's great is one (thunderbolts 1997 #34) is to save his life. the other one ends his life (civil war ii 2016 #3)

[hawkzeyes]

This feels incredibly passive aggressive like they did not have to do that 💀💀

Thunderbolts #48 (1997-2012)

[oflgtfol]

why are they making venom look like this. </3