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#tina turner book
thechanelmuse · 2 years
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My Book Review
Tina Turner: That's My Life is a gorgeous collection of candid photos through the decades, personal letters, and an intimate look into some of the living legend's most cherished items, which includes sculptures from around the world, fashion pieces, and her gold ring. Fellow singers, friends and even Tina's daredevil moments grace these pages. But the photos of her in her home are the ones that stick out for me the most.
"I spent several years turning the house into the refuge of my dreams. My work is noisy, but my life is quiet. I need nature and solitude—they nuture me. My idea of a vacation is reading a book on the terrace while Erwin cooks us dinner."
The photo alongside those words shows Tina standing on the edge of her infinity pool with the mountains and other scenery in the distance, engulfed in fog in some areas and peering through in others. Simply serene.
I began this oversized coffee table book 2 days prior. It was only right that I finished it on November 26th. Happy 83rd Bornday to the incomparable Queen of Rock & Roll!! 💃🏽
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justforbooks · 1 year
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When Tina Turner, who has died aged 83, walked out on her abusive husband Ike in Dallas, Texas, she feared it would spell the end of her showbusiness career. It was 1976, and she had been performing with Ike for two decades, since she had first jumped onstage and sang with his band at the Manhattan club in East St Louis, Missouri. Yet, although she was desperate and had only 36 cents in her pocket, she was on her way to a renaissance as one of the most successful performers in popular music during the 1980s and 90s.
She had to endure several lean years, but a turning point came in 1983, when David Bowie told Capitol Records that she was his favourite singer. A version of Al Green’s Let’s Stay Together followed. Produced by the electro-poppers Martyn Ware and Ian Craig Marsh from Heaven 17, the track went to No 6 in the UK, then cracked the US Top 30 the following year.
Turner cemented the upturn in her fortunes with the album Private Dancer (1984). Driven by the huge hit What’s Love Got to Do With It? (her first American No 1), the album became a phenomenon, lodging itself in the American Top 10 for nine months and going on to sell more than 10m copies. Suddenly Turner was one of the biggest acts in an era of stadium superstars such as Michael Jackson, Dire Straits and Phil Collins.
In 1985 she was recruited to play Aunt Entity in the film Mad Max: Beyond Thunderdome, for which she recorded another international chartbuster, We Don’t Need Another Hero. A second Thunderdome single, One of the Living, won her a Grammy award, and she was an automatic choice to join the Live Aid benefit concert in that year, as well as to participate in its American theme song, We Are the World.
Her follow-up album, Break Every Rule (1986), launched Turner on a global touring campaign, during which a crowd of 184,000 watched her in Rio de Janeiro. The tour spun off a double album, Tina Live in Europe (1988).
The album Foreign Affair (1989) sold 6m copies and generated another trademark anthem, The Best, which was subsequently used to add oomph to numerous TV commercials and adopted both by the tennis ace Martina Navratilova and the racing driver Ayrton Senna. The subsequent Foreign Affair tour ended in Rotterdam in 1990, after which she duetted with Rod Stewart on the old Tammi Terrell/Marvin Gaye hit It Takes Two. Designed as the theme for a Pepsi advert, the track was a chart hit across Europe.
Turner was born Anna Mae Bullock in Nutbush, Tennessee, to Zelma Currie, a factory worker, and her husband, Floyd Bullock, a Baptist deacon. Abandoned by their father and temporarily by their mother, in 1956 Annie and her elder sister, Alline, moved to St Louis, Missouri, where they encountered Ike Turner and his band the Rhythm Kings. After Annie had talked the initially reluctant Ike into letting her sing with the band, he recruited her as one of his backing singers.
It was in 1960 that Tina – who had by then changed her name because it reminded Ike of the cartoon character Sheena, Queen of the Jungle – first sang a lead vocal with Ike’s band. A session singer failed to turn up, and Tina’s stand-in performance of A Fool in Love was a hit on both the pop and R&B charts. Ike immediately rebuilt his act around Tina, and christened it the Ike and Tina Turner Revue. They married in 1962.
Featuring nine musicians and a trio of skimpily dressed backing singers, the Ikettes, the Revue took the R&B circuit by storm. Tina rapidly developed into a mesmerising performer, radiating raw sexuality and bludgeoning audiences with the unvarnished force of her voice. They began to pepper the charts with hits, including I Idolise You, Poor Fool and Tra La La La La, and even if they only intermittently crossed over from the R&B charts to the pop mainstream, the band’s performing reputation was second to none. Evidence of their stage prowess was preserved on the 1965 album Live! The Ike and Tina Turner Show, recorded on tour in Texas.
However, the seeds of the couple’s destruction were being sown in their successful but intense lifestyle. Ike was a habitual womaniser, and also developed a destructive cocaine habit. This provoked violent outbursts against Tina, who, as she later revealed in her 1986 autobiography, I, Tina, was beaten, burned with cigarettes and scalded with hot coffee. She gained a glimpse of what life beyond Ike’s intimidating orbit might be like when she worked with the “Wall of Sound” producer Phil Spector in 1966. To Ike’s frustration, Spector refused to allow him in the studio while he worked on the single River Deep, Mountain High, which subsequently became regarded as a high point of both Spector’s and Turner’s careers.
The Turners’ work won them the admiration of many of their peers, not least the Rolling Stones, who invited them to open a UK tour for them in 1966, then to join them on their American tour in 1969. Mick Jagger was regularly spotted at the side of the stage during Tina’s performances, fascinated by her stage presence and dance routines. One of the high points of Live Aid in 1985 was Tina and Jagger performing together at JFK Stadium in Philadelphia.
Working with the Stones prompted the Turners to import a rock-orientated edge into their work, a ploy that worked most successfully when they recorded John Fogerty’s Proud Mary in 1971. It was their first million-selling single and a Top five hit on the American pop charts. In 1973 they notched up another landmark with Tina’s feisty composition Nutbush City Limits, inspired by her Tennessee origins. She took the role of the Acid Queen in Ken Russell’s film of The Who’s rock opera, Tommy (1975): her performance was one of its few critically acclaimed moments, though her spin-off solo album, The Acid Queen, made little impression on the charts.
After her split from Ike, Tina stayed with friends and was forced to survive on food stamps. When their divorce was finalised in 1978, she preferred to take no money or property from the settlement, to establish a complete break from her husband. She earned cash from TV guest appearances on the Donny & Marie and the Sonny & Cher shows, but her late-70s albums Rough and Love Explosion sold poorly.
In 1980 she signed a management deal with Roger Davies, an Australian promoter working in the US, who secured some lucrative engagements in Las Vegas. The following year the Rolling Stones galloped to the rescue once again by booking her as the opening act on their Tattoo You tour of the US, and she also appeared with Stewart in a California concert broadcast internationally by satellite.
By the time she was inducted (with Ike, though he was then in jail) into the Rock and Roll Hall of Fame in 1991, Turner had little left to prove. She was able to spend more time at the homes in Switzerland and the Cote d’Azur that she now shared with the German record executive Erwin Bach. A singles collection, Simply the Best (1991), reeled in more platinum discs as Turner entered the senior stateswoman phase of her career.
In 1993, as she launched her first US tour in six years, her film biography, What’s Love Got to Do With It, based on I, Tina, was released, starring Angela Bassett as Turner. The film brought forth a bestselling soundtrack album and another hit single with its opening track, I Don’t Wanna Fight.
A three-disc anthology, The Collected Recordings – Sixties to Nineties, appeared in 1994, and the following year came Turner’s recording of GoldenEye, the theme tune of the eponymous James Bond movie. The tour that accompanied her eighth studio album, Wildest Dreams (1996), became another record-breaker, grossing more than $100m in Europe alone. Twenty Four Seven (1999) teed up what Turner announced would be her last major arena and stadium tour. She had intended to tour with Elton John, but the idea was scrapped after she argued with him about the piano arrangement for Proud Mary during rehearsals for a TV special, Divas Live ’99. Her subsequent solo dates became the top-grossing tour of 2000.
A quiet period ensued, during which Turner confined herself to hand-picked events, such as a 2005 performance on the Oprah Winfrey Show. She contributed a version of Edith and the Kingpin to River: The Joni Letters (2007), a tribute album produced by Herbie Hancock. She performed alongside Beyoncé at the Grammy awards in 2008.
That October she went back on the road with the Tina! 50th Anniversary Tour, synchronised with the compilation album Tina: The Platinum Collection. In 2010 she became the first female artist to score top 40 hits in the UK in six consecutive decades (1960s-2010s) when The Best bounced back into the UK Top 10. Her Love Songs compilation appeared in 2014, and her remix of What’s Love Got to Do With It with the Norwegian DJ Kygo in 2020 made for a seventh decade containing UK hits.
Between 2009 and 2014 Turner appeared on four albums by Beyond, an all-woman group formed with her neighbours in Küsnacht, near Zürich. The music reflected the spiritual and religious beliefs of the participants, with Turner considering herself a Baptist-Buddhist (she was raised as a Baptist, but began practising Nichiren Buddhism in 1973).
In 2013 she married Bach and gave up her American citizenship to become a Swiss citizen. Three weeks after the marriage she suffered a stroke, and in 2016 she was diagnosed with intestinal cancer, then suffered kidney failure when “the toxins in my body had started taking over”, as she put it in her second autobiography, Tina Turner: My Love Story (2018). Her husband volunteered to give her one of his kidneys and a transplant operation was carried out successfully in 2017.
The following year, the biographical stage musical Tina opened at Aldwych theatre in London, directed by Phyllida Lloyd and starring Adrienne Warren in the title role. Turner received a Grammy lifetime achievement award, to go with her existing tally of eight Grammy awards and three Grammy Hall of Fame awards. Among her vast collection of honours, Turner also had five American Music awards, two World Music awards and three MTV Video Music awards.
In 2021 she joined the Rock and Roll Hall of Fame as an outright solo performer and sold the rights to her music catalogue to the publishing company BMG for an estimated $50m. Ready to retire fully, she bade farewell to her fans with the two-part HBO documentary Tina.
Alline died in 2010. Tina’s eldest son, Craig, from a relationship with the saxophonist Raymond Hill, took his own life in 2018. Ronnie, her son with Ike, died in 2022.
She is survived by Erwin and two sons, Ike Jr and Michael, from Ike’s first marriage.
🔔 Tina Turner (Anna Mae Bullock), singer and songwriter, born 26 November 1939; died 24 May 2023
Daily inspiration. Discover more photos at http://justforbooks.tumblr.com
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fashionbooksmilano · 1 year
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Allure   Collection Susanne Von Meiss
Edited by Birgit Filzmaier and Felix Hoffmann
Kehrer Verlag, Heidelberg 2016, 256 pages, 58 color and 121 duotone illustrations,  22,8 x 31 cm,  Half-cloth hardcover,   ISBN  978-3868287134
euro 32,00
email if you want to buy [email protected]
"Allure is something that does exist. "Allure holds you...whether its a gaze or a glance in the street or a face in a crowd...it pervades...you are captured by it." Diana Vreeland, Fashion journalist Two vintage photographs by Richard Avedon from the 1950s were the initial inspiration for the Susanne von Meiss Collection. For 25 years now, the Swiss journalist, publicist and entrepreneur has been collecting photography with the special focus on "allure". The Susanne von Meiss Collection representatively covers all genres and styles in the history of photography — from the 1920s through to the present. It includes works by internationally renowned photographers, however for the main part it does not give preference to the iconic photographs but rather to unknown classics. The personal selection ranges from Diane Arbus, Richard Avedon, Rene Burri and Henri Cartier-Bresson through Horst P. Horst, Irving Penn, Paolo Roversi and August Sander to contemporary artists such as Tracey Emin, Nan Goldin, Daido Moriyama, Richard Prince and Juergen Teller. The collection was presented to the public for the first time at C/O Berlin  28.05. – 04.09.2016
27/01/23
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lil-doodles · 2 months
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The finished comic about the song Sweet Soul Music (sung by Arthur Conley Jr). This is for one of my projects called Album that will be filled with art inspired by music.
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How I spent my Hanukkah Barnes and Noble gift card
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mmaosa · 1 year
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source: Rock and Royalty by Gianni Versace
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yourcoffeeguru · 11 months
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Vintage ROLLING STONE Magazine 1997 WOMEN OF ROCK SPECIAL ANNIVERSARY ISSUE || autradingpost
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sbrown82 · 2 years
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Is it true that Tina left her best friend Eddy when she got with her new husband in the 80s (read it on IG) ? Was he bitter towards her? Are they still friends? Idk much about Tina’s best friend didn’t read the book either, but most said he was depressed she left him. What happened?
I don't know much about him either! Lol I never read his book. But, he did do an interview recently about how the two of them fell out:
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youremyonlyhope · 1 year
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Stupidly I decided to watch this video just now.
Today would have been my Grandma's birthday, but we lost her last fall and then my Nanna in the winter.
I did not think that a commentary video on Rugrats would make me uncontrollably sob. But I blocked out how sad the Mother's Day episode was. And combining it with Grandma's birthday...
I've spent the last 10 minutes or so doubled over crying.
#i kind of knew some sort of emotional outbreak was incoming soon but i didn't know when#that time ended up being now#because the start of this week was emotional since a show i was working on ended#and for some reason that show ending just felt way more emotional than other shows i've done ending#so many people were crying. but i didn't cry.#we had had a performance on mother's day and our director had lost her mother recently#so she was upset that whole day and so was so much of the cast and crew. i still didn't cry.#while holding a crying friend at the closing party i told another friend that the emotions will hit me later.#i didn't know when but i knew it was going to. at some time.#both my grandmothers had passed while i was working on different productions with this group#and both times i came to the theater hours later and it had been emotionally healing to be there.#this was the first production i worked on after losing both of them so it felt a little weird.#(plus the color purple trailer came out and that book and musical makes me SOB and i refuse to watch the trailer)#(also add in Tina Turner's passing and her birth name being the same as my grandma's)#and basically all of those feelings and having these other theatre experiences mixed up with my losses#combining with it being my grandma's birthday AND i happened to be crocheting when i watched this video#which is a defining skill that Grandma taught me... i was SUCH a mess. i just could not stop crying.#i had mentioned backstage that i can't rewatch moana because i can't handle the storyline anymore.#and just now while in the middle of this emotional explosion i thought of moana and cried HARDER.#this is a good commentary but GOD i did not expect it to trigger all of this.#when i say doubled over i mean literally doubled over and shaking.#anyway. i think i feel better now. i think i needed this crying session.#in sims your sim can have an 'emotional bomb' quirk. they freak out uncontrollably for 30 seconds then they're fine.#i've never really hated that quirk because that is literally me.
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thechanelmuse · 2 years
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My Book Review 
In her interview with The Atlantic, veteran music journalist, Danyel Smith, said: "To just shine bright on behalf of myself is new." A number of our musical greats never experienced that lasting impression in the end on a timeless centerstage or their light was dimmed in exchange for their obstacles being elevated instead. This book presents them their vibrant bouquet as a start.
Shine Bright: A Very Personal History of Black Women In Pop is the music biography I’ve always longed to see as a book pay homage to our stapled Black American female powerhouses — from ‘60s girl groups to solo acts (not limited to those pictured above) — who head their own chapters in this book, with many of the other iconic songbirds weaved throughout to create a beautiful tapestry that holds each other’s imprints at some point in their own musical journey.
Danyel manages to tie in her own story as well, shaping this into an unconventional, fitting read. We see the pivotal stages of her blossoming into a young music enthusiast leading to her coming-of-age and veteran career in music journalism. Peeling back the layers of our highlighted vocalists that experienced pivotal highs and dipped lows, Danyel never shies away from their lasting impact and the beauty of their humanity and incomparable craft. She also unveils many intimate moments of her own journey where our legends are taken along for the ride, playing a part in her life that's highly relatable in so many ways because haven't we all done it? The song that got us through dark times? Takes us back to a nostalgic moment?
In the concluding chapter, she affirms a stance that is undeniable:
“There is this deep fear of stopping. Of resting in the rests. [...] Because if we stop, we will be forgotten. That is the fear. And it’s not an irrational fear, because so many Black women and so much of Black women’s work is undervalued and strategically un-remembered. We cannot sit quietly while everyone dresses like us and sings like us and writes like us and just kind of steals us from ourselves. That’s the part that makes us tired. But what’s even more heartbreaking than that is the thought that people may not truly know us, or the details of our lives. What if no one ever gets us right? What if our spirits and stories are never truly known? It could so easily be that we—except for our songs, our art, our children—were never here at all.”
We must take the lead in upholding our stories, especially those that are the history of our lineage, to sustain our presence for future generations even after we've passed on. A firm platform with an endless spotlight. Shine Bright is a celebratory playlist that I will cherish in my collection. Thank you, Danyel. Now if only this can be turned into a documentary as well. *cough cough* 👀 
Photoset: The Dixie Cups, Etta James, Leontyne Price, The Supremes, Labelle, Phyllis Hyman & Aretha Franklin, Donna Summer, Tina Turner, Dionne Warwick, Whitney Houston, The Sweet Inspirations
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maryxoliver · 3 months
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books i read in 2024: i, tina: my life story by tina turner & kurt loder
My career is still in bloom, and I'm not ripe enough to teach anybody. When I'm ready, I will devote all my time to that—I'll tell what I've learned. Many of you will listen, and some will hear.
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fashionbooksmilano · 1 year
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Avedon The Sixties
Doon Arbus ,  Photographer Richard Avedon
Random House, New York 1999, 240 pages, 26 x 33 cm, ISBN  978-0679409236
euro 80,00
email if you want to buy [email protected]
The Sixties is the product of a 30-year collaboration between photographer Richard Avedon and writer Doon Arbus, whose images and words combine in this volume to create a compelling portrait of one of the 20th century's most tumultuous decades. Avedon, the celebrated photographer whose portraits of some of the best-known personalities of our age have graced the pages of Harper's Bazaar, Vogue, and The New Yorker magazines since the early 1950s, was prolific during the '60s. Looked at together, his images from those years create a visual time capsule. This large book is filled with a cacophony of Yippies, Black Panthers, Weathermen, Hare Krishnas, Andy Warhol Factory Superstars, pop artists, rock musicians, astronauts, pacifists, politicians, electroshock therapists, media correspondents, civil rights lawyers, antiwar activists, and more--all shot against his signature white background. Arbus, a novelist and writer for magazines including Rolling Stone and The Nation (and the daughter of photographer Diane Arbus), conducted interviews with many of the subjects. Snippets of those conversations provide an intimate and unforgettable document of the tension, vulnerability, anger, recklessness, hope, and empowerment many people experienced during that era. Brief biographies of the portrait sitters, as well as a chronology that spans the first signs of the war in Vietnam in 1960 to its final conclusion in 1973, provide excellent context for the images. The Sixties is riveting.
26/01/23
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lil-doodles · 2 months
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A drawing from another project I'm working on called Album that will be full of art inspired by music. This is, of course, the legend, Tina Turner!
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ragnarockz · 4 months
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anyone have any band/musical artist written biography/autobiography they would recommend?
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yourcoffeeguru · 7 months
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Mick Jagger Live In Australia and NZ 1988 Tour Programme Guide Book Music Book || autradingpost - ebay
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