#tomodachi life made me want to draw these two together

[apavlovs]

silly doodles ft an oc I was obsessed with for like 2 and a half years before Doc existed,, might start drawing him again

SOME INFO ABOUT HIM!!!

His name is Vaughn Delerio, he’s a detective and is a demon from my little heaven n hell universe thing!! He’s from wrath specifically, and is made of smoke and tar :] Also he has about 353749 different AUs because I went a little insane

His husband Enzo (the silly magnifying glass guy) belongs to @dexoro :]]]

[asaka-lucy-dr-rc]

HAPPY BIRTHDAY ASAKA🎉🎉🎉

I don’t know if I’m too late or not but I wanted to say Happy Birthday!!!

I don’t really have much and I didn’t have too much time, so here are some small drawings I did for brainstorming ideas for an English assignment alongside a photo I took of Hajime and Nagito in tomadachi life?

I also have a Small Ramble about Hajime Hinata for you!

Hajime is my one of favorite characters because he's the perfect balance for a protagonist. The story uses the fact he's "basic," and gives it life. His story is of someone who is so insecure, depressed, and feels so inferior about being talentless that he gives up his own life just to be something he can be proud of. Just so he can be something worth remembering. He finds his own strength, not only that but he decides he won't live in the past but rather the future and present. That he'll decide his own future, no matter what happens. In contrast to class 78th they're basically the school dropouts after all, they don't know how life will go, but they'll figure it out. They'll make their own future, together! Out of all of the protagonists and messages the Danganronpa franchise has, Danganronpa 2 resonates with me most. Hajime has a wonderful story, a fun personality, a cute appearance, and is a beautifully compelling and charming character. He’s honestly adorable, he’s such an introverted realist a lot of the time haha!

Hope my Ask is enough to make you smile for your birthday, Sorry if I’m late!!!

sorry I don’t have that much to say about Makoto… I LIKE HIM TOO THOUGH!!!

Ohhhh my gosh your drawings are SO CUTE!!😍😍 Thanks for showing me this, Zen! I knew you had good drawing skills (I must have seen your drawing of Nagito in your YouTube video) but I didn't know you drew such lovely and funny things, so this is a pleasant surprise! 😆💕 hehe, it seems like Hajime is yelling something at Nagito every 5 seconds or so. I’m happy to see these silly boys!

I also didn’t know you have been playing Tomodachi Life! I have never played this game myself, but I love looking at the screenshots of this game. Did they become good friends with each other in that world? It's so nice to see them together on the beach under the stars! (ㅅ´ ˘ `)✧.｡.:*

And thank you for telling me the reason why you like Hajime!💖 I totally agree with you that he has a wonderful story! I didn't notice it the first time I played the game, but when I replayed it and followed the story from the beginning, I found that his sense of inferiority is described well before he knows he's a reserve course student. I haven't checked how it's expressed in the English translation yet, but he tends to use the phrase "俺なんか" a lot more than other protagonists. “なんか�� is an ambiguous word, similar to "some" in English, but it is an expression of self-deprecation to use it after the first person (俺). He has a subconscious tendency to be self-deprecating even though he has lost his memory, but I think that is why he easily falls for people who are kind to him. In fact, he was very shocked when he realized that Nagito might be the culprit in the first class trial, saying, "You were so kind”. It's very cute how he felt that way about Nagito even though they only met for the first time two days ago. ( *´艸`)💖 (He is rather cautious and suspicious of things, but I feel that in relationships he easily falls for others!)

As you say, the process of how he, who originally felt inferior and introverted, becomes determined to make his own future is very touching, and his personality itself is what makes him so cute and appealing. Honestly, when I first saw Hajime, I wasn't attracted to his looks at all, but now I think he's the cutest guy ever. I feel happy whenever I see his cute smile!😊💓

Thank you so much for this wonderful gift and taking the time out of your busy schedule! Your message definitely made me smile! I was actually in the process of preparing a post that would sort of summarize the birthday gifts I received, but your message came just in time for me to post it. So my birthday has passed, but in that sense you made it! 🥳

I'm happy and grateful every time I get a message from you. Hope you have a great day! 🫶✨ And I hope to hear more about your thoughts on Makoto sometime! 😆

[yurimother]

The Best Yuri of 2020

2020 was hell in every way, and many of us are looking forward to new possibilities and advances in 2021. However, the year brought us many small moments and gifts worth celebrating. Among these, the explosive growth and change within the Yuri genre are among the most precious and most outstanding achievements. This second century of Yuri opened with a bang, as phenomenal new works, creators, and moments made their mark and helped change the future genre.

This annual list is a celebration of just a handful of the fantastic titles, people, and events in Yuri. There are likely some even greater ones that did not make the list because there is so much content in both English and Japanese that even I cannot keep up. However, among the troves of treasure, these titles stood out as shining examples of Yuri excellence. Some were released this year, others were recently adapted into English, and still, others are established titles that rose to prominence to dominate the conversation and my mind this year, but every one of them is worthy of being on this list and in your heart.

Here is the Best Yuri of 2020!

15: The Curse of Kudan Remastered

Japanese Yuri visual novel developers show no sign of slowing down as they continue to push to new heights and try new ideas. These are the same amazing people who brought us the delightful educational Yuri game The Expression Amrilato and the hilarious and surprisingly queer OshiRabu: Waifus Over Husbando’s. However, this most recent release, The Curse of Kudan Remastered, is their best work yet. Released near Halloween, this game brings a new edge of dark mystery and the occult to Yuri audiences worldwide.

The Curse of Kudan is available on MangaGamer, JAST USA, Denpasoft, and Sekai Project.

14: Adachi and Shimamura

English audiences were finally treated this year to Hitoma Iruma’s long-running and wildly successful Yuri light novel series, Adachi and Shimamura. Although the story struggles to gain traction, dedicated readers’ have their patience rewarded with a sweet tale full of gay pining. Alternatively, you can jump into its stellar anime adaptation, with gorgeous visuals and realized characters you will actually be willing to put up with the annoying Yashiro just to see where the title characters go. The series shows no sign of slowing down either, as the manga adaptation is coming to Western audiences next year.

Adachi and Shimamura is available to stream on Funimation. The light novel series is published by Seven Seas - https://amzn.to/3rTSZTK

Honorable Mention: Happy Go Lucky Days

The OVA adaptation of Fragtime got most of the attention this year. Still, director Takuya Satou and Pony Canyon also gave us this much-overlooked “love is love” anthology movie based on Takako Shimura’s manga (Sweet Blue Flowers, Wandering Son). The first short in the film, “Happy,” is easily the best Yuri anime of the year. It follows the beautiful yet realistic queer love story of two women hooking up at a mutual ex-girlfriend’s wedding, only for the relationship to blossom and warm viewers’ hearts. Sadly, while stylized, the budget demanded the animation cut a few too many corners. Additionally, the subsequent stories are at best tedious and at worst alarmingly problematic, which is why Happy Go Lucky Days only gets an honorable mention.

The OVA is streaming on HIDIVE

13: Mieri Hiranishi

The Yuri scene has many colorful creators with a breadth of different ideas and stories in the genre, yet few have provided as much humor and joy as Mieri. This talented creator spectacularly tumbled into the scene with her manga essay The Moment I Realized I Wasn’t Straight, which embodies the brutal honesty and realism of Nagata Kabi and matches it with exaggerated hilarity. She continues to chronicle her painful struggles of being a butch girl in love with butch girls in the monthly series The Girl that Can’t Get a Girlfriend. Alternatively, you can follow her on Twitter for just as much heart and laughter.

Read The Girl that Can’t get a Girlfriend on Tapas and Webtoon.

12: My Next Life as a Villainess: All Routes Lead to Doom!

My Next Life as a Villainess has what can only be described as volcanic bisexual energy. Every character protagonist Catarina Claes encounters is entirely enthralled by her. Of course, she is far too preoccupied with her quest to avoid doom flags and change her ultimate fate to notice any romantic interest. The series is rewarding and well structured, as views are just as focused on how Catarina plans to avoid certain doom as they are with the various romantic misses her band of companions cooks up. While the ���friendship ending” did not capitalize on its Yuri potential, it was perhaps the most satisfying possibility for this crazy harem, at least until season two comes out, which looks, unfortunately, to be significantly less queer.

My Next Life as a Villainess is streaming on Crunchyroll

11: Love Me for Who I Am

Kata Konayama’s manga series is less Yuri than a general LGBT work, but it has a lesbian character and explores her identity and struggles in great detail. Few titles before have captured the exciting and nervous waves of emotions that young people feel as they explore gender and sexual identities and try to find themselves. This heartfelt and extremely queer series rubberbands between cute moe dress up to tragic and gripping backstory, keeping readers on their toes the whole time.

Love me for Who I Am is published by Seven Seas - https://amzn.to/3rTSZTK

10: A Summer’s End – Hong Kong 1986

Oracle and Bone’s debut visual novel, A Summer’s End, is set in a vibrant and electric 1980’s Hong Kong. Drawing inspiration from classic Asian cinema, music, and fashion. The worlds of Michelle, a young office worker, and a free-spirited woman named Same collide. The two struggle to comprehend and accept each other’s feelings just as they struggle against society’s expectations and prejudices. An incredibly thoughtful and touching adventure, the creators incorporated vital contemporary elements include Asian LGBTQ rights and growing political unrest in Hong Kong, into this illustrious game.

The visual novel is available on Steam.

Honorable Mention: Goodbye, My Rose Garden

In the same vein as A Summer’s End, Goodbye, My Rose Garden is a beautiful period piece that incorporates LGBT views into its shattering narrative. The story follows a bright-eyed immigrant, Hanako, wanting to make a new life in England as an author at the dawn of the twentieth century. She takes a job as a maid to noblewoman Alice, but their relationship takes a turn when Alice asks Hanako to kill her. This poignant tale is beautiful and an honest depiction of love and its conflict with responsibility and society.

Goodbye, My Rose Garden is published by Seven Seas Entertainment - https://amzn.to/3hFSyaG

9: Shio Usui

Usui’s hit Shaikaijin Yuri manga Doughnuts Under a Crescent Moon could easily take this spot even though it is not even out in English until February 2021. The manga is already making waves and receiving constant praise. The characters and their journey to discover love and self-acceptance are as charming as they are relatable and grounded. However, it is the creator, Usui, who really deserves acclaim. Not just for their work on Doughnuts, but having a second serialized story, Onna Tomodachi to Kekkon Shitemita, in monthly Yuri magazine Comic Yuri Hime simultaneously. It is even more remarkable when you consider these two iconic stories are Usui’s first long-running works, as they only contributed one-shots before.

8: Bloom Into You: Regarding Saeki Sayaka

Bloom Into You is possibly the most iconic Yuri series in the past decade, and while the manga deserves its own place on this list, the best thing to come out of the series as a whole is easily the light novels. This trilogy by Adachi and Shimamura creator Hitoma Iruma dives deep into supporting cast member Sayaka. Readers are treated to a delightful journey as she discovers her sexuality, experiences heartbreak, and finally finds herself breaking free and falling in love. With the help of gorgeous illustrations by Nakatani Nio herself, Iruma masterfully captures Sayaka’s unique voice and emotions in this wonderful series. Whether a fan of the originals or not, every Yurijin must check out Regarding Saeki Sayaka.

The light novel series is published by Seven Seas - https://amzn.to/3hFSyaG

7: Our Teachers are Dating

The best a Yuri can get. This workplace romance follows two teachers at the start of a new relationship taking nervous yet enthusiastic first steps, including saying I love you, going on their first date, and even sleeping together. It is so heartfelt and salacious that readers will squeal the whole time. Additionally, our heroines are supported in their relationship by everyone they know, their students, colleagues, and even the principal. It is a perfect world for these two lovebirds! Our Teachers are Dating would easily be number one or two in any other year, but the competition is fierce in 2020. So even though this is only number seven, it is still a master class Yuri manga.

The manga is published by Seven Seas Entertainment - https://amzn.to/38XY3O9

6: Amongst Us

Who would have thought that a comedy alternative universe story spinoff of a fantasy action series would be the single best Yuri webcomic this year? Shilin’s astounding artwork illustrations the hilarious and irresistible journey of girlfriends Blackbird and Veloce. These two eccentric young women get into all kinds of everyday mischief that bounces between tender and touching romance, completely outrageous comedy, and downright thirst-inducing sorcery. Seriously, you should buy the first volume for Veloce’s back muscles alone. The storyline skips between time, but both their established relationship and their meeting as teenagers are adorkable and captivating.

Amongst Us is available online free on Webtoon and the comic’s website. The first volume is in paperback on Shilin’s site.

Honorable Mention: Éclair

There are a lot of Yuri anthologies out there, and they have done some beautiful things. Many focus on themes like Syrup. Others collect a series of stories by an author into one bound work. However, out of all of them, Éclair is the most successful. ASCII Media Works took some of the genre’s most extraordinary creators and let them do whatever they wanted, and the results are spectacular. The incredible talent behind Éclair somehow packs a full volume’s worth of story and character into just a few pages with every chapter. While the first volume came overseas a few years ago, Yen Press gave Yurijin a gift this year by releasing the entire rest of the series in which readers can get lost.

The anthology series is published by Yen Press - https://amzn.to/38XY3O9

5: I’m in Love with the Villainess

A small trend of isekai Yuri with villainesses emerged recently, and I honestly had few hopes of I’m in Love with the Villainess. The series is pretty popular, but I often find that this does not denote quality, and with isekai having some institutional issues, I suspected this would fall flat. Then the volume three cover showcased an incredible accomplishment, allowing for a lesbian relationship to blossom into a family with children, and it blew me away. Finally, I read volume one and realized that the series has incredible character, some of the best world-building I have ever seen in a light novel, thoughtful discussions of inequality and societal issues, and most impressively, open and frank discussion of queer identity and life Yuri has ever seen! This one is something special.

The series is published by Seven Seas Entertainment - https://amzn.to/3nedvdZ

4: The Last of Us Part II

Yes, I know this one is not Yuri and that a portion of the population despises this game and will likely be exceptionally angry at me for including it. However, I maintain that it was an incredibly challenging masterpiece. Naughty Dog did not take the easy route out and delivered one of the most devastating media experiences I have ever seen. As I said in my article about the game, playing it changed me, and it sticks with me to this day. The Last of Us Part II earns its spot on this list because it pushed boundaries more with LGBTQ inclusion than any other AAA game. From brave inclusion of LGBTQ themes to queer characters and storylines at its center, the game changes gaming and it will never go back.

The Last of Us Part II is available on PlayStation 4

3: She-Ra and the Princesses of Power

She-Ra feels like the culmination of all the LGBTQ progress western cartoons have made over the past few years. From The Legend of Korra to Steven Universe, young people are finally seeing more LGBTQ people represented on the small screen. This epic fantasy concluded with an amazing and powerful lesbian romance, delivering on its queer promise and revolutionized representation in a trope-defying crescendo.

She-Ra and the Princesses of Power is streaming on Netflix

2:  The Conditions of Paradise

The greatest single Yuri work of all in 2020 was the English release of Akiko Morishima’s breakthrough manga, The Conditions of Paradise. Initially released in 2007, this anthology detailed the love between adult women. It was in every way a manga ahead of its time, and seeing it finally get a small piece of the recognition it deserves overseas is a true gift. The fact that we can own this legendary piece of Yuri history and Morishima’s other anthologies is nothing short of a blessing from the Yuri goddess.

The Conditions of Paradise is published by Seven Seas Entertainment - https://amzn.to/38bh4xq

Honorable Mention: Otherside Picnic

This eerie sci-fi horror series combines the best of pulse-pounding thrillers, complex and intelligent hard science fiction, and exciting Yuri romance. Author Iori Miyazawa spends as much time crafting a well-paced and intriguing narrative about a mysterious world where occult creatures roam as he does establishing two believable and grounded heroes in Sorawo and Toriko. The romance between the two may be slow to start, but their chemistry is undeniable and as the stakes and story build, so too does their relationship. Not only are the light novels incredible, but the series’ manga adaptation is coming soon to the West as well as an upcoming TV anime in early 2021.

Otherside Picnic is streaming on Funimation. The light novels are published by J-Novel Club - https://amzn.to/3niiv1g

1. Yuri subgenres

For a long time, Yuri was not a genre of its own, but elements of romances or bonds between women found in other works. Now, thanks to an increasing library of works, the advent of social media, and a wider audience, Yuri is a genre on its own, with many creators telling different stories in different styles. However, 2020 saw the continued emergence of something extraordinary, subgenres. Yuri is now so vast, we can actually categorize the works within. Depending on their characters, like classic schoolgirl romances or spicy shakaijin office affairs, their world, such as fantasy or isekai series and thrilling science fiction adventures, and even other elements within. One of my personal favorites is the feminist Yuri that emerges from titles like Sexiled, where women celebrate the accomplishments of other women and dismantle power structures stacked against them. Now, no matter what kind of Yurijin you are, there is something for you to love.

I am happy to leave 2020 behind, but I bring with me a renewed love and admiration for Yuri. 2021 looks to be a somehow even better year for the genre, and I am thrilled to experience every minute of it that I can. Yuri has transformed into something far greater than I ever thought it would be, and let us all enjoy its evolution and expansion together in 2021.

[kamihoshi]

Sakura and their assistant (and fellow mangaka) Risapaso were interviewed together for Creator’s Voice by Rikiya Kurimata. I don’t think Sakura’s ever done an interview so this was a surprise. Sakura talks a bit about aiming to become a mangaka and all things Yugami.

As this is a Yugami-centric blog, I’m only going to translate the questions and answers related to either the series or Sakura.

Apologies for any mistakes made (there are bound to be some), they are not my intent.

(Note: The interviewer’s name is listed as his nickname 仕掛け番長 but screw it, I’m just gonna call him by his real name. And since I have no idea what gender either Sakura or Risapaso are I’m just gonna use “they” as the pronoun.)

Jun Sakura ✖ Risapaso Interview: Connected by Yugami-kun

A love of drawing since childhood

Rikiya Kurimata: Alright, first question, what made each of you decide you wanted to become a mangaka? Sakura-sensei, you can start, if you please.

Jun Sakura: There wasn’t a particular event that made me want to do it but I’ve liked drawing ever since kindergarten. That never changed and in elementary school, I’d draw manga all over my notebooks.

RK: You were drawing original stuff from the start?!

JS: It was nothing that spectacular, just stuff like copying Doraemon. I remember doing the same with other manga I liked in my later years of elementary school.

RK: Did you like making your own stories back then?

JS: ............Probably, I guess?

RK: That was a long pause (laughs).

RK: What was it like when you were aiming to become a mangaka?

JS: I worked a side job in my hometown at the time. I’d get home from work dead tired and fall asleep before even drawing manga (laughs). After saving up some money from working, I quit my job and started working as an assistant for a mangaka who was publishing in a monthly magazine in my area. As a monthly assistant, you really need to have another job or else you don’t have many days where you’re actually working, so my living expenses were tight at the time but I figured I’d draw manga while living off my savings.

JS: I submitted my work to a competition and even though I didn’t win, I got a call from an editor at Shogakukan who wanted to work with me. After that I was told, “Draw whatever you want” and what I came up with ended up getting selected. It was decided that I’d debut so I moved to Tokyo and got to draw a number of oneshots while working as an assistant for a weekly magazine but I just couldn’t think of a storyboard for a series no matter how much I tried. I drew my last idea thinking I’d go back home if it didn’t get accepted. That was Yugami-kun ni wa Tomodachi ga Inai.

RK: Alright, thank you! Next, Risapaso-san, please.

[...]

RK: Risapaso-san is currently also an assistant to you, Sakura-san. How’s their work?

JS: They’re very dependable and always draw up these awesome backgrounds for me. It makes my art look so much better (laughs)! They’re a real pro and very reliable.

Risapaso: You flatter me.

RK: I think a lot of people aren’t aware of what assistants do - could you fill us in?

RP: I guess you can say we help give form to the what the author envisions. Sakura-sensei basically gives me a drawing as a rough guideline and using that as a base, I draw in the details.

RK: Ah, so you have to be able to read what the author wants and help them complete the drawing! That takes the skill of a professional!

JS: Yes. I'll ask them to spruce a panel up for me and they’ll give me a draw up a really nice backdrop for me.

RK: Sakura-san, what do you think of Risapaso-san’s series, Garyayama Poyomi no Kataomoi?

JS: The black humor and twists are really great! Whether it’s being comedic or serious, it surprises me, like, “That’s how it plays out?!” It betrays my expectations in a good way and the developments are so engaging. Even when the mood becomes serious, it’s well-balanced so I have nothing but glowing thoughts after reading it. Likewise, even when the story gets dark and heavy, there’s always a bit of comedy afterwards. I really like how it’s able to flip the mood back like that. I’m eager to see what happens next.

RK: And how about your thoughts on Yugami-kun ni wa Tomodachi ga Inai?

RP: I love it. I really like Yugami for how he’s the complete opposite of your typical shounen manga protagonist - acting not for the sake of those around him but for himself.

RK: For sure. When Yugami-kun ni wa Tomodachi ga Inai first came out, there weren’t many protagonists like Yugami. I think as the series got popular, we’ve seen an increase in them. How did you come up with Yugami-kun?

JS: It was born from a conversation I had with my editor. We were talking about people that were oddballs yet could also be strangely likable and that’s when I realized there are actually tons of people like that all around me, myself included. I took a bunch of those different aspects, pieced them all together bit-by-bit and made it into a manga.

RK: Wow, from a random chat like that?! When the first volume (of Yugami-kun) came out, my bookstore colleagues talked about it a lot. They were surprised at how well it sold. I think it really changed our image of a shounen manga protagonist and because you modeled the characters after people you know, that might be why a lot of the characters feel so real.

[...]

RK: And do you use Twitter too, Sakura-san?

JS: I do, but I’m no good at social media. I never know what to tweet. I've been like this since my student days so I’m probably just not suited for it. Yugami-kun is being rerun on Sunday Webry right now so I use Twitter to get the series out there while adding some of my own commentary on it. But I’m so stuck on what to say that it takes about three hours just to write three lines...

RK: Three hours?! That time ought to go to working on your manuscript, no? (laughs) But since you’re serializing in a magazine, you must get some fan mail, correct?

JS: Yes! Getting fan mail is so encouraging. I feel bad that I can’t return the favor with anything but new year’s cards... But I treasure every letter I get. When I’m feeling tired, I read them over again and they cheer me right up. Some senders have been writing to me since they were students and as time’s passed, they’ve sent me letters telling me they’ve gotten married. It feels like I’ve really gotten to know these people through their letters.

RK: Well then, Sakura-san, is there a particular chapter of Yugami-kun that sticks out in your mind?

JS: There was a moment when I was drawing up the draft storyboards and felt like I finally understood the characters. So in Yugami-kun, there’s an arc where the hero and heroine sever ties with one another. I wrote it without deciding how the two of them would make up. All I knew was that it would end with them reconciling and I forged ahead without deciding how it’d happen. But once I started drafting the storyboard, the chapter just wouldn’t go the way I wanted it to. Even if the story ended there, it wasn’t over for the characters. Characters were saying things they’d never say and things just didn’t feel right.

JS: I have a habit of cutting up parts of my storyboard drafts and reassembling them and in that mountain of papers was the heroine’s smile. Suddenly it hit me, “Ah, this is it!” and the somewhat sombre end of that arc did a complete turnaround. Just by picking up one piece of scrap from my drafts, all the other aspects of that chapter I was struggling with started to click as I pieced everything together like a puzzle. Like, “Oh, so that’s what he was thinking?” It felt like the characters were guiding me. It took a while to go through all of it but part of me drew the storyboard wanting to know how they all ticked.

RK: It sounds like the characters came to life in that moment!

JS: I discussed it with my editor beforehand but when I went to draw the chapter, something about the characters just seemed off so I submitted a completely different storyboard from the one I discussed with my editor, rewritten even though I’d already gotten the OK for the previous draft... I’m nothing but grateful to my editor for letting me make those changes.

RK: Thank you for all the work you put into this series! Well then, are there any manga you’d like to recommend?

JS: My friend told me I should read Ousama Ranking (King Ranking) by Sousuke Toka. It’s great; it has a kind of warmth to its style like a children’s story but also has these intense scenes that feel straight out of a shounen manga. A lot of times I’ve cried reading it. I love how multifaceted the characters are. Re-reading it and reflecting on the characters thoughts and actions with that hindsight never gets old.

[...]

RK: Finally, is there anything you’d like to say to your fans?

JS: Yugami-kun was really only slated to run for one volume with five chapters but it received a lot of positive feedback on reader surveys so it was given a second volume, and then the first volume got a reprint... And on and on, that cycle repeated. It’s thanks to all of your support that the series is still going and I’m forever grateful. When I was drawing Chapter 1, I’d thought of the ending by then but writing the story up to that point wasn’t possible so I figured that at its slated end, I’d show how the characters had grown in that time frame. But thanks to everyone, it looks like Yugami-kun will be fortuitous enough to finally have the ending I’d envisioned. I’ll be doing my best to make the rest of the ride enjoyable, so I’d be happy if you stuck with me.

[...]

RK: Thank you for doing this, you two!

Notes

Some of the oneshots Sakura has written in the past (all before Yugami began serialization):

こなた彼方の箒星 Konata Kanata no Houkiboshi

ぼくらのヒーロー Bokura no Hero / Our Hero

サンスポット！ Sunspot!

＆スマイリー &Smiley

The development Sakura mentions about Yugami and Chihiro severing ties with one another is a reference to chapters 56-58.