#tomorrow theory

[tio-trile]

6 Days Until Jurassic World: Chaos Theory premiere!

No text version:

[sualne]

modern au dragon and luffy get to meet each other eventually

this is also legally blind dragon btw, luffy gave him his sunglasses because he saw him squinting and thought it was because of the sun.

[annoyingvoidzombie]

The Best Thing I Saw, Enjoy It 💙

[track-staryaz]

Happy Pride to one of the bi characters of all time

[lucraven]

It used to be so easy. I never even tried.

But the last day of summer never felt so cold.

Alt versions

[originalaccountname]

I made some funny comics a little while ago about the potential effects of Fukuzawa's ability on Chuuya's, and how it perhaps could make it revert to a pre-Arahabaki state.

I realized later that some of you lack the context for where that came from, and that I might be creating confusion, so this is a (hopefully) comprehensive walkthrough of things we learned in Storm Bringer that lead to this conclusion.

tldr; The lab created "Arahabaki" by manipulating an ability into a destructive force. That ability existed before the lab, and the nature of that ability is heavily implied to be the power to enhance other abilities through touch.

Explanation and sources below (so you can judge yourself) ⬇

- spoiler warning for Storm Bringer, hopefully written in a way that you'd understand even if you haven't read it yet -

In Storm Bringer, Chuuya meets the scientist that was responsible for Project Arahabaki, Professor N.

Project Arahabaki, N explains, was the Japanese government's secret project to create an ability singularity they could have control over and freely use as a weapon.

What are singularities? Singularities are what happens when abilities clash in specific ways and create a new, unforeseen reaction. The easiest way to create a singularity is to pit two contradictory abilities against each other to create a paradox; examples included the ability to always deceive and the ability to always perceive the truth, and to have two ability users who can see into the future (*coughs* Oda and Gide) try to one-up each other. The result is usually much more powerful than the original abilities on their own.

Some singularities are said to have been explained as god-like interventions, because of their often destructive nature. This is what inspired the name "Arahabaki", after the mythical being (here's a post of the subject and I'll it link at the end too) These events are described as very rare.

Like mentioned in that passage, there is another way to create a singularity: to have a single ability user use their ability in a way that contradicts itself. This is what the lab was trying to do.

For that explanation, Professor N gives an example. He first shows a video of a child, whose face is hidden from the camera, holding a coin (described as having a certain melancoly to it), with a moon and a fox engraved on it. The video is from one of the lab's tests. The child is made to recite some activation lines, which are directly taken from one of Nakahara Chuuya's poems, Upon the Tainted Sorrow (which does mentions a fox, as a fun fact).

The coin then starts glowing, the glow turns into a black mass, and from there the experimentation goes bad: the coin starts attracting things and absorbing them, the space gets distorted, the child's vitals flatline, panic spreads and someone calls for an emergency stop, we hear a scream. The video ends.

N explains that the child in the video had the ability to enhance the ability of others. That child then used that ability on themselves, effectively enhancing the enhancement which enhanced the enhancing, in an infinite loop. That loop created a lot of energy; the surplus of energy was so intense its mass deformed space (physics!) and it created a black hole.

Here's where it gets tricky: N claims that child died during that accident, that the child was absorbed by the black hole created by their ability. We never actually learn their identity.

But N is a lying liar who lies; he said about one and a half truths the entire book. The only reason he was telling them any of this was that he thought he'd get rid of all of them within the next few minutes. His objective was always to regain control over Chuuya, his pet project.

Plus, during the epilogue, we learn that Chuuya was assumed to have died during the war. That's what his parents think. That's what is officially recorded.

Furthermore.

Project Arahabaki was based off French research papers; someone else had done this kind of experimentation before, and their result was Verlaine.

-

Verlaine's gravity-manipulation is a singularity. Better yet: Verlaine also has a Corruption state, named Brutalization. Their abilities are the same, because the lab copied the techniques that were used to create Verlaine when they worked on Chuuya.

Here's a passage of Dazai nullifying Corruption, at the very end of SB:

"The self-contradicting skill, which was supporting the energy of a singularity". This passage confirms that the source of Chuuya's ability is, in fact, like the child's and Verlaine's, if any doubts remained. "[...] weakening the singularity's output. It wasn't long before it returned to its normal state, and the Gate closed." The Gate refers to releasing Arahabaki, it's basically a limiter, just like the passage above when talking about Brutalization. When Dazai nullifies Corruption, he gives that limiter the opportunity to come back and seal Chuuya's power away again, but does not stop the singularity, only allows it to go back to its stable state.

From all that, we can say that Chuuya's ability wasn't always gravity manipulation, but that it was another, unconfirmed ability that was exploited in such a way that it became a permanent, stable singularity that allowed him to have control over gravity.

-

Bullet point recap:

Chuuya's gravity manipulation comes from a singularity, like Verlaine, like that child;

You need a self-referencing/self-contradicting ability to create that singularity;

Such an event is rare;

There is a substantial amount of time spent describing a "random" child that was experimented on during the war;

That child created a black hole through their singularity;

That singularity was activated using a passage from Nakahara Chuuya's poems, while holding a coin that references it;

That child supposedly died;

Chuuya's parents think he died during the war;

N is a pathological liar with an agenda.

So no, there is no "confirmation" that Chuuya's ability was ability enhancement before the lab took him. But an author writes a story with an intent, so I am asking what Asagiri's intent was when writing all this, and if perhaps we weren't indirectly given the answer already.

-

What is Arahabaki (Fifteen and Storm Bringer lore, with too many citations)

My own perceived timeline of the true events behind Storm Bringer (was originally gonna be part of this part, also with too many citations)

[n0picturespls]

OK my friend brought up a very interesting point. Through what we've seen so far, everyone has something that lets Showfall control them remotely.

Sneeg with his hat, Charlie with his glasses

They don't seem to have wires that run through them like the workers. They do have wires, but they see very surface level, staying by the head.

But what about Ranboo? They are the only one we haven't seen so far, and although it is obviously the mask that controls him, how far do the wires go?? My friend suggested that there are wires throughout the whole body because we literally control him remotely. He is the vessel through which chat gets to play the game. He needs such detailed wiring because people all over the world are tuning in to watch and play. Not only that, but he seems to be the one that fights back the most. Sometimes Showfall literally had to use his own body to stop them from doing something.

[mangosaurus]

THE NUBLAR 6 in Jurassic World: Chaos Theory (Coming May 24th)

[egophiliac]

new ride kamens dropped, rui, who is definitely a horobi homage; another cool choice, but at the same time, kinda wish it was someone else 'cuz now we got two zero-one homages with hayate's jin, when the trend had been one rider for each season until him, and people started claiming that takahashi must be playing favorites

aw, I was actually pretty jazzed to see it was Horobi! I think it opens up some interesting possibilities if it isn't only one-per after all, and I'm excited to see if there's gonna be something with him and Hayate or not. plus I just really like his design

(also, not to be all cynical, but. this exists because of a corporate trend-hop with a franchise that is already sorta notorious for executive meddling. I would be...let's say very surprised if Takahashi had that level of control over what riders were included, versus being handed a list to work off of that the execs had already determined would appeal to their target demographic. c'mon.)

[lionheartedmusings]

i will say big fucking props to the qsmp team bc yeno what? our collective reaction to egg a1 is a testament to the beauty of the egg storyline and to their conditioning of us as an audience to respond to stimuli

seeing an egg, especially armourless, leaves us on edge. seeing an egg armourless in a very dangerous situation, leaves us scared... watching an egg die is horrifying.

we look at a pixel egg and we instantly recognise that it's a being with feelings, thoughts, a personality — it's a scared little baby who no one got to know, or love, or hold... so we do it now.

it's a brilliant way to paint elquackity and the federation was clinical, emotionless, detached.

it's also a brilliant way to use the audience as a parallel and a substitute to the islanders in a moment they can't be privy to — us vs them, emotion vs "order", cruelty vs compassion.

[dawnbreakersgaze]

NOPE

NO

NO THANK YOU

I don't like the way those are lining up AT ALL.

"Broken free of the shackles of natural law"

We've heard/seen Zayne be referenced as "shackled" at least 3 times before at this point. By Raymond, by the 'Narrator' ("remains shackled to time"), and in reference to the Foreseer myth. This makes the 4th. I genuinely hurt every single time the story so heavy handidly reminds me that Zayne really is a dog on a chain. The Foreseer robes even have a LITERAL collar of thorns over the neck of it ffs. It's painful to watch at this point and it breaks my heart.

"Why persuade Zayne? What he really needs is a pair of hands. Ones that can carry out God's mission and allow for God's descent."

Between this, and the one below of-

"At least he has another option. His last one"

I'm torn on which one is referencing Astra. On one hand, Astra really could be a modern made "God". An elevated man of great power, someone Zayne turned to in his 11th hour to try and save MC (though we all know how that turned out, unfortunately). It would seem that Xander Sciences is playing at God, and if we know anything about the sci-fi scene, it's that human experimentation ALWAYS ends up going ~soooo well~ and nothing ever goes wrong there 👀

On the other hand, the "last option" really gets my gut feeling going. My theorist brain is telling me Zayne is gonna go full Warlock pact and make a deal with an entity in exchange for MC's life. Only it's gonna go tits up and be a Fey pact, and because we all know how MC and he end up, clearly Zayne did NOT read the fine print (or more likely, Zayne thought he could out maneuver the rules). Ever since I read the Mt Eternal anecdote and realized the Tower and Mt Eternal are in the same location, I could not shake the feeling that Zayne already has made contact with whatever "Astra" is. Be it a very powerful person, an actual God, or someone else entirely different (like another time traveler, such as Xavier and the backtrackers). We know he's traveling back there multiple times by himself, conducting research of an unknown variety, that only he and Dr. Noah are privy to. I'm just saying if ever there was a cover up for having contact with a supernatural being/aliens/a God, that's a really fucking good one.

Whatever it is, this new lore drop has really really spelled out in big bold letters, that Zayne is thought of as a tool by a LOT of people. Xander Sciences, Astra, even the Dean of the medical academy had a moment there. My poor man even thinks of himself as a tool, one that is meant to save MC (from himself he even says at one point 😭😭😭 like oh my God Zayne stoppppp). He literally considers himself expendable so long as he saves her. Once he's done his job and secured her future, even if that means passing on the ability to save her to someone else, he's fine laying down his life for that.

And that's seriously the saddest part of this whole fucking game imo.

[albino-parakeet]

Jwct countdown May 10-11 prompt: Favorite character Drawing Darius taking a well deserved nap for the first day of the Chaos Theory countdown.

He's so exhausted from the survivor's guilt and being the kind of involuntary leader of a group of teens while being the youngest. He needs to hibernate.

[blueepink07]

Yuno: her struggling relationship with autonomy

(character analysis)

One aspect I have always loved about media characters is their attempt to be perceived as mature, despite their young age. Some succeed, others struggle to hide what they see as their childish side.

Yuno is no different in this context and I'm surprised that people don't talk about it enough.

Beginning with her age 18, it's truly a controversial age, if I may say. It's a confusing age, because you are technically considered an adult, but, at the same time, your mind is not fully developed to actually be one. In the end, you are still a child at heart and mind, despite the fact that you are legally an adult.

We don't know much of her home life and honestly I don't think it would do any good for me to make assumptions, since it's pointless in the long run and it would just lose credibility. However, one thing it's for sure based on Yuno's actions. She desires autonomy.

Yuno: Despite that, you arbitrarily assumed things about me and sympathized with me. Even though all I did was make a rational decision of my own free will.

I'm the one who chose, let you and you and you all in ~🎵

She highlights quite a lot with these phrases… She chose for herself, she is an adult who willingly decided to partake in compensated dating. Being called naive or innocent, two words that usually are used to describe little children, surely infuriated her… and she shows it.

It's funny now that I think about it. Fuuta also has the same problem, but his reactions are more childish, in the end, not doing him any justice. However, Yuno is no different. Of course, she does it in a more subtle manner, but she really does get worked up quite a lot when it comes to her being perceived more as a teenager than an adult. Her whole song it's literally about this idea. Yuno being infuriated that she is infantilized by the audience, making a sad backstory for her so they can dismiss the idea that there wasn't necessarily a big factor that provoked her to partake in compensated dating, but it's only her own free will.

I might add that the compensated dating itself is a way for Yuno to feel that she has more autonomy and she no longer needs to be treated as a child.

"An adult is a human or other animal that has reached full growth.[1] The biological definition of the word means an animal reaching sexual maturity and thus capable of reproduction." ~ wikipedia

Moreover, even the media promotes the fact that sexual content should strictly be watched by adults. And Yuno does end up having sex during some of these dates…

And if this idea isn't convincing enough… I think that Yuno likes to partake in compensated dating, because she knows the clients don't consider her a child. They are interested in her, in a way that makes Yuno feel satisfied with herself (at least, for a short period of time, when she is in their presence) she feels grown up and mature. She also receives money for her services, providing her with enough financial resources for Yuno to consider that she finally managed to complete one of the first steps of adulthood, to be financially stable.

Doing something that is not really socially accepted, again, can be considered as autonomy, because you do not follow the same rules that the society obligs. Yuno knows how compensated dating is perceived, but she still does it, because she thinks this action provides her "warmth".

The "warmth" that Yuno speaks about is a vague term to describe her desires. Based on her interactions, I would like to think that this term refers to genuineness and mutual understanding. Yuno, in the first VD, describes the society as being a place where "everyone eats each other". People need to point fingers at others who made a mistake, who did something that's not socially accepted to make themselves feel better.

Yuno: That’s right. You know those people who just wanna convince themselves, so they intrude in other people’s affairs even though it’s not their place—I despise them. That’s what I was saying. They only do that to make themselves feel better, don’t they? Those people don’t actually end up doing anything.

And you know what is interesting? The fact that Yuno finds more closure being in the company of some murderers. Why? Because they can also be considered some outcasts of the society that she pretty much dislikes.

Es: However, it also explains why you’ve given up. About yourself, human beings, even the whole of society, you’ve realised everything—that’s why your expression is so cold.

Teenagers usually have little power in our society. They can achieve great things, but have to go through more hardships due to the limited freedom. They need an adult to actually help them. That’s just how society is built.

Yuno's distaste for the society can explain why she has grown so fast, or, at least, thinks that she has matured enough. She was tired of the society inflicting on her rules that she, as a simple teenager, had to oblige. So, going into Milgram, starting to hear people crafting a sob backstory for Yuno, treating her like a child, despite the fact she has already done a few steps in order to sustain herself financially and emotionally as a young adult, it's truly insulting.

Es: This is just popular belief, but the law is also something the people have decided. There’s nothing, which can satisfy every single human being, now is there?

Yuno: That’s right.

However, even after all these, that doesn't mean she doesn't actually struggle with this new found autonomy that she craves.

I actually think that this autonomy is the cause of most of her suffering.

As I stated before, compensated dating is something that she decided to partake in, in order to prove her independence. She thinks that what she has chosen for herself is healing, helping her. But, if it's that the case, then why do we have these scenes?

It's difficult to admit that one of your decisions was actually… Quite wrong. Especially, when it's one of your first one's as an official adult, in the very first stage of your life when you finally have enough independence.

“Cognitive dissonance is what we feel when the self-concept — I’m smart, I’m kind, I’m convinced this belief is true — is threatened by evidence that we did something that wasn’t smart, that we did something that hurt another person, that the belief isn’t true,” said Carol Tavris, a co-author of the book “Mistakes Were Made (But Not by Me).”

She added that cognitive dissonance threatened our sense of self.

To reduce dissonance, we have to modify the self-concept or accept the evidence,” Ms. Tavris said. “Guess which route people prefer?”

So which one does Yuno prefer? To convince herself that what she is doing makes her happy.

Yuno: Despite that, you arbitrarily assumed things about me and sympathized with me. Even though all I did was make a rational decision of my own free will.

Yuno: I’m not pitiable. My family gets along super well. And I’m not particularly struggling for money. I decided, of my own free will, to do it because I felt that it was necessary for me.

Sometimes, considering how many times she mentions it, for me it feels like Yuno tries to convince herself that what she is doing is good for her.

But you know what is funny to me?

She is good at making herself enjoyable for others as well as giving somewhat good advice:

Mahiru: My birthday…… the day I was born……But was there really any reason for me being born? Lately I’ve started to wonder that. Do you ever think about stuff like that, Yuno-chan?

Yuno: Eh? Not really. I mean, Mahiru-san, you’re really the romantic type, right? Not that I have anything against that. But isn’t it a bit much to think that everything in life has a meaning? If it makes you happy to think like that then go ahead, but if it doesn’t, then isn’t that in itself meaningless?

Mahiru: : ……you might be right. I’ve always just lived my life like this, so I don’t really know.

Yuno: We’ve all just gone through a bunch of things in life that happened to lead us here. It’s nothing more than a coincidence. Definitely not fate or anything. Probably. Even if there isn’t a meaning, you can still be happy that it’s your birthday. That sort of thing’s all you need in life really. So happy birthday, Mahiru-san.

Mahiru: ……no, I’m fine. As long as I don’t move too much I don’t even feel any pain. Sorry for making you worry.

Yuno: Oh, really? That’s good then. Mahiru-san, if there’s anything you want then just ask. It’s not like it’s a huge burden, I can just ask for it along with my own stuff.

Mahiru: Ok…… I’m fine for now. Sorry, for making you worry. Ah, Yuno-chan…… Today’s your birthday, right? Happy birthday.

Yuno: …Haha, thanks. Thank you, but y’know. Is it really ok for you to be saying that to me when you’re in that situation?... you really aren’t suited for Milgram, huh, Mahiru-san.

Amane: What is it… Kashiki Yuno. Don’t sit so close to me. Go away.

Yuno: Sorry for barging in when you’re getting into your worldview thing. But Mahiru-san’s finally managed to get to sleep. Humour me with some small talk while I take a break. By the way, Amane. Have you ever wished you were never born? I’ve thankfully lived a pretty fun life so far, so haven’t really. But you seem to be struggling with something. So I kinda wondered if you thought like that.

Amane: ……I don’t think that. Being born into this world is the first miracle any person experiences, and is something to celebrate. Even if after birth I was put through trial after trial, the value of that will never disappear.

Yuno: Hmm. Ok…happy birthday, then. It’s good that you were brought into the world, I guess.

But Yuno has a big, and I mean a BIG tendency to self-destruct, not intentionally.

Wanting to be independent comes with its own downfalls. At the beginning of the trial, Jackalope states that Yuno has distanced herself from social interactions. So much so, that we have never seen her actually confiding to someone else, in any of the portal timeline translations. She might have her reasons, either minimizing her problems, and using her energy to help the ones she deems to have worse than her, or, this is simply her nature to bottle up her own sadness. This again might also be the cause of her wanting autonomy and proving to herself and others that she is mature enough to manage her emotions.

Not confiding in someone else for a long time can cause depression. Something that Yuno might be struggling with during trial 3 or she is already struggling with it a bit.

Furthermore, it's interesting that Yuno admits disliking behaviors that she deems childish. For example, she doesn't like the way Haruka and Muu behave, because they are ignorant of the problems in prison and have a really childish way of thinking. Amane's hate towards Shidou, might be often wrongly interpreted as a simple child's tantrum. Kotoko's actions, responding with violence to violence, it's again, an aspect often deemed as childish and immature.

Yuno: Really? If you ask me, Kotoko is someone I would never want to make my friend, though. She’s the type who picks a conclusion from the very beginning and won’t actually talk with you.

Yuno: Well, I guess it’s arbitrary who one gets along with. But Mahiru-san in particular is something. I think both her body and mind are at their limits. Also, Mikoto-san was also attacked but apparently it ended up in something of a draw. That guy was strong, huh—how unexpected. Also Haruka and Muu-chan have become kind of bothersome. And additionally, Amane-chan and Shidou-san too, huh.

Lastly, her second MV also shows her desire of autonomy in Milgram, not only through lyrics, but through visuals too.

Beginning with her door, it looks a lot like a medieval castle door.

Her room, the way it is designed, especially the bed and the chair, also resemble a princess' room.

However:

Despite the important role that princesses played in courtly life, they had limited personal freedom. They were often kept under close guard and were rarely allowed to leave the palace or castle where they lived. This was done to protect them from danger and to prevent them from engaging in political activities that might undermine the authority of the king or prince.

Medieval princesses had little to no autonomy most of the time. Their life was dictated from the start, having the only purpose to be betrothed and give birth to children.

That’s why the design choice is intentional. Yuno feels like a princess trapped in her pretty room (the MV is quite claustrophobic, the only outside elements being a few memories), exposed to the world (the many windows imply this), the voices that keep demonizing her.

That’s why the scene where she starts breaking things in her room is so important. It serves as a sign of rebellion, to show that she is not the perfect, helpless princess that people like to portray her as. She is an adult who makes bad or good decisions, who thinks for herself. She is proud of her autonomy and is tired of constantly proving to others that she is not capable of taking care of herself.

[fewderpewders]

READY, STEADY, ROLL!!

[accirax]

with many people speculating that the identity of the culprit will finally come to light next episode and many theories running abound, i'd like to make a masterlist of all of the theories people have written out guessing who the culprit will be. that includes the main murder of Arei, the attempt on Ace, and any theories synthesizing the two. i think it would be fun to read up on before the episode, and fun to look back at once all is said and done :D

so, if you've made a theory speculating about the murder, please leave a comment on this post (preferably with a link to the theory)! i'll only be adding the theories of those who comment on the post, just so that i don't accidentally make anyone feel excluded/highlight someone's post that doesn't want to be shouted out.

all i ask is that you only submit whatever the most current version of your theory per character/combination of characters. for instance, if you wrote a theory based on the evidence from part 1, but wrote a new version taking into account what happened in episode 12 or 13, i'm only going to add the newer one. if you only have a version from part 1, though, that's fine!

(also, for all theoretical theorists out there, a reminder that i made an episode guide that breaks down all the episodes into easier-to-find sections. i just updated it for 2-13!)

[arthur-lesters-left-arm]

yeah yeah, yorick was being ominous in 44 and it makes sense to suspect him. but have we considered?

OH AND