#tonight at the london palladium

[fuckyeahbradleywalsh]

[lovewilltellamillionstories]

Years of following Darren's career through my entire teenhood from my oh-so dedicated double life on this Tumblr.. this afternoon I finally shared space with the man himself. In the most vibrant, emotional concert - perfectly and humbly encapsulating his career. Thank you Darren, for everything.

[poorlittlevampirebaby]

for @iwtvfanevents REWIND THE TAPE: a playlist masterpost

SPOTIFY QUICKLINKS: ONE | TWO | THREE | FOUR | FIVE | SIX | SEVEN

tracklists beneath the cut

I. "IN THROES OF INCREASING WONDER"

haunted by american dreams

music box — MICHAEL RIESMAN AND THE WESTERN WIND ORCHESTRA

ascension — SARAH KINSLEY

the man that got away (live) — JEFF BUCKLEY

i'll go running — SQUIRREL FLOWER

ghost — LIANNE LA HAVAS

things that scare me — NEKO CASE

old devil moon — ELLA FITZGERALD

crying — MADISON VIOLET

funeral bell — PHILDEL

to die today — CAROLINE ROSE

pointed at the sun — HURRAY FOR THE RIFF RAFF

anger as beauty — HAWKSLEY WORKMAN

cocaine and abel — AMIGO THE DEVIL

so in love — KISS ME, KATE (marin mazzie in the new broadway cast recording)

II. "AFTER THE PHANTOMS OF YOUR FORMER SELF"

little lonely habits turn into sins

skydiving (acoustic) — LIGHTS

the day i drove the car around the block — INDIGO SPARKE

tears in reverse — LUCIUS

hungry ghost — JOHANNA WARREN

you do something to me — ELLA FITZGERALD

so afraid — JANELLE MONÁE

misguided angel — COWBOY JUNKIES

it's alright ma, i'm only bleeding — THE DUHKS

little lonely habits — EMILY BROWN

tonight will be fine — CHRISTINA MARTIN

where i want to be — FRANCES RUFFELLE

truth be told — SKYE WALLACE

clever meals — TEGAN AND SARA

all mirrors — ANGEL OLSEN

III. "IS MY VERY NATURE THAT OF THE DEVIL"

anger pure and real and sticky and moving and sweet

all along the watchtower — JIMI HENDRIX

never say die — CHVRCHES

merrily we roll along — MERRILY WE ROLL ALONG (the new cast recording)

entertain — SLEATER-KINNEY

american dream — ONDARA

what a little moonlight can do — BILLIE HOLIDAY

tooth for a tooth — JOHANNA WARREN

don’t let me be misunderstood — NINA SIMONE

fire — SARA BAREILLES

state — LAURA STEVENSON

trouble — THE NEW RESPECTS

a burning hill — MITSKI

don’t forget — SKY FERREIRA

looking for knives — DYAN

IV. "THE RUTHLESS PURSUIT OF BLOOD WITH ALL A CHILD'S DEMANDING"

i shine only with the light you gave me

my baby wants a baby — ST. VINCENT

if you could read my mind — ROSE COUSINS

wolf like me — TV ON THE RADIO

all the things you are — ELLA FITZGERALD

daughter — PEARL JAM

oh no darling! — SARAH KINSLEY

children will listen — ELERI WARD

adam’s ribs — JENSEN MCRAE

the moon will sing — THE CRANE WIVES

light of love — FLORENCE + THE MACHINE

diaries — MARTYNA BASTA

isn’t it a trial? — ALICE BY HEART (grace mclean & company in the original cast recording)

dress yourself — SLEATER-KINNEY

doll parts — HOLE

V. "A VILE HUNGER FOR YOUR HAMMERING HEART"

what if birds aren't singing they're screaming

salt and vinegar — LIGHTS

the wetlands — AIOFE WOLF

death of me — SKYE WALLACE

like a child hiding behind your tombstone — SLOTHRUST

nine lives — ODIE LEIGH

what if birds aren’t singing they’re screaming — ALDOUS HARDING

let me stay — JOHANNA WARREN

pushing the needle too far — INDIGO GIRLS

every day a little death — A LITTLE NIGHT MUSIC (patricia elliott & victoria mallory in the original broadway cast recording)

any way the wind blows — HADESTOWN (original broadway cast recording)

special death — MIRAH

the kick inside — KATE BUSH

my least favorite life — LERA LYNN

stormy weather — ETTA JAMES

VI. "LIKE ANGELS PUT IN HELL BY GOD"

after midnight

phantom limb — SKYE WALLACE

black star — JADE BIRD

send in the clowns — ELERI WARD

as long as he needs me — OLIVER! (sally dexter in the 1994 london palladium cast recording)

stuck in the south — ADIA VICTORIA

chess — CHESS (the original recording)

walkin’ after midnight — PATSY CLINE

what’s the use of wond'rin’ — CAROUSEL (jessie mueller & renée fleming in the 2018 broadway cast recording)

these days — ST. VINCENT

:/ — JOHANNA WARREN

devils — AMELIA CURRAN

i don’t like mondays — TORI AMOS

looking for trade — SHOCK TREATMENT (jessica harper & cliff de young in the original soundtrack recording)

gimme gimme — DAMHNAIT DOYLE

VII. "THE THING LAY STILL"

the party's over

blood — MARIKA HACKMAN

his kiss, the riot — HADESTOWN (patrick page in the original broadway cast recording)

paint it, black — CIARA

love will tear us apart — AMYTHYST KIAH

new year — BIG JOANIE

it’s a man’s, man’s, man’s world — JAMES BROWN

angels in cages — CARAVAN OF THIEVES

the party’s over — LAURA BENANTI

if the poison won’t take you my dogs will — LINGUA IGNOTA

the wheel — LAURA STEVENSON

house of mirrors — JOSEPHINE ONIYAMA

shock treatment — SHOCK TREATMENT (original soundtrack recording)

the liars club — AMIGO THE DEVIL

the vampyre of time and memory — QUEENS OF THE STONE AGE

thanks for listening

[d-criss-news]

hamzajahanzebuk: Darren Criss singing a beautiful acoustic rendition of “I Dreamed A Dream” from Les Misérables — live at the Palladium 15.10.23 #darrencriss #lesmis #idreamedadream #fantine #glee #concert #livemusic #london #londonpalladium #livemusic hamzajahanzebuk: The immensely talented @ masonalexanderpark joined @ darrencriss tonight to sing “I Don't Care Much” from Cabaret. Chillsssssss, what an incredible duet. Thank you both, I found it sublime. #DarrenCriss #masonalexanderpark #cabaret — 15.10.23 📍London Palladium #musicaltheater #musicaltheatre

[liroller]

复习很久以前Tonight at the London Palladium ITV节目里，JeremySecomb饰演沙威，唱完Stars后跟主持人说话时，忽然露出一个非常可爱的笑容。立刻暂停视频，抄起我心爱的iPad Pro和笔就是一顿速写！2小时后的我：啊！Jeremy叔真是太可爱了！

[starlightmay]

Roger and Sarina at the London Palladium tonight!

©️ Sarina's IG

[satashiiwrites]

Snippet sunday

Tagged by @monsterrae1 for a seven snippet sunday. Thanks for the tag Rae! I’m pretty sure @outtoshatter also tagged me for a wip whenever earlier this week when I was mostly focusing on surviving the work week (so thanks Gia!).

Low pressure tagging @outtoshatter (you never said no tag backs!) @tkwritesdumbassassins @alyxmastershipper @westernlarch @missanniewhimsy @whimsyswastry @rosieposiepuddingnpie @quietborderline and whoever else wants to play along

From my rough trade project that I’m yeeting tonight.

Title: Scintillation (excerpt from chapter 3)

Fandom: MCU

Pairings: Winteriron, Erik Killmonger/T’Challa, one sided Stucky. Tony Stark & Ho Yinsen.

Tags/warnings: panic attack this chapter. Erik is a warning in and of himself. Deals with canon events with canon level violence + added sex (not this snippet).

Through the bond, Tony can feel that James is… happy. 

He doesn’t know what to do with this feeling and it’s very distracting. 

“How am I not boring you?”  He doesn’t mean for it to sound defensive but it does. 

James is amused instead of offended. “You’re passionate about figuring things out and it animates you.  Why would I not like something that you find interesting?”

Tony is perplexed. “Most people don’t?”

“I am not most people.  I’m your sentinel.”

If he’s telling the truth, Tony’s often been told to get to the point.  He’d been coached on how to make business presentations and had maybe self-medicated with alcohol for years.  Extremis had put a final kibosh on what little drinking he’d done after the whole palladium-poisoning pity party had blown up in his face. 

What was the point of drinking if you couldn’t get drunk unless you actively were trying to poison yourself?  He’d noticed that James didn’t mind a beer or two but otherwise didn’t really touch the stuff. 

“You don’t drink do you?” Tony asks, already onto the next topic. 

“It doesn’t really do much for me and… well….”

“Well what?”

James’ eyes go unfocused, like he’s seeing straight through Tony.  “We used to party when we were on leave—didn’t get too many of them.  One time me and the Howlies were in London and Steve was spending time with his dame, Peggy, and Howard was with us too… it was a bad bombing that night.  I haven’t… I didn’t like those memories and I associate it with being drunk.”

“When exactly did you become a supe?”

“A supe?” James arches an eyebrow playfully and Tony can feel the teasing tug on their bond. 

“A super soldier.  Like Steve.”

James frowns, thinking which feels like an itch at the back of Tony’s brain now that he’s focusing on how the sentinel feels through their bond. “I… things weren’t normal after he rescued me.”

“You mean the first time?”  Tony doesn’t think that James means Steve’s most recent rescue attempt. 

“Yeah. I mean, I could get drunk but it took a lot.  Was told I was being a right unfunny bastard by Dum Dum because I was hogging the liquor and he wanted me to share.”

“So you were showing signs of the serum?”

James shakes his head minutely, rubbing his hands through his hair and tugging on it to show the question was difficult for him to answer. “I… I think I was starting to come online as a sentinel.”

Tony considers this information which is new.  There’d been many failures over the years to reproduce the super soldier serum that had made Steve. Hell, Extremis’ fix had used his dad’s VitaRays as a starting point to solve the energy overload problems. Tony knew the VitaRays weren’t the part that had worked to make Steve into Captain America, despite some other research to the contrary that SHIELD may or may not have funded. 

“Was Steve online before the serum?”

James’ attention refocuses on Tony.  “Yeah.  I’m pretty sure he came online when his mom died.  She was just like him and both of them wouldn’t stand for any sort of thing they thought was wrong.  I spent a lot of time rescuing Steve after he picked a back alley fight with someone twice his size and three times as mean.”

“I’ve seen pictures of what he looked like before the serum.  It really transformed him.”

“I didn’t recognize him at first when he showed up in Austria. He… it wasn’t just how he looked.  He smelled different.”

“Well he’d been running around dodging bullets and bombs so it makes sense that he’d smell like a war.”

“I’m not talking that.  I’m talking… everyone smells slightly different.  It’s… it’s your smell,” James tries to explain, wrinkling his nose and rubbing it. “Steve smelled different after he became a super soldier.”

“Huh.  What do I smell like?”

James’ smile takes on a hungry edge.  “Darling…”

“What do I smell like to a sentinel?”

Instead of answering, James rolls them so that Tony is beneath him.  Closing his eyes, the sentinel breathes in deeply through his nose twice before he lowers himself to settle his weight between Tony’s legs and press his nose to the angle of Tony’s jaw.  It’s not sexual, the bond hums with intense focus and Tony doesn’t feel trapped so he lightly rests his hands on James’ back. 

“Babe?”

James’ inhale in noisy because he does it with his face pressed against Tony’s, eyes fluttering open as he stares right into Tony’s eyes.  “You smell like home.  Like you’re mine,”

The tenderness of his sentinel’s affection laps at the bond like waves breaking on a distant shore. 

Tony’s never been someone somebody permanently wants.  He’s a one-night stand kind of guy because he gets too attached and then relationships implode—for example Pepper.  With Pepper he’s been able to keep their friendship but it’s not the same as it was.  He can tell sometimes that he tries her patience more than he used to, that he scares her when he does what he has to as Iron Man. 

He’s scared to take that final step with James.  To let him in all the way.  Nobody has liked what they’ve seen when they really look at Tony. They like the shiny baubles and the money.  The things he can do for them or give them.

Everyone tires of him eventually. 

“Darling—I don’t know what you’re thinking about right now but stop it,” James growls and it pulls Tony out of the maelstrom of pity and self-hatred he’d been sinking into. 

James’ hold is now claustrophobic and Tony pushes at him. “Can you please…?”

The sentinel rolls away as if burned and sits up next to Tony.  “Tony?”

“Sorry.  I know it’s too much,” Tony has climbed out of bed and is standing awkwardly next to it. James and Elsa—who he’d forgotten—are both watching him with matching expressions of concern. It’d be funny if Tony wasn’t holding on by his fingernails to stop the panic attack threatening to overwhelm him from taking over. 

Before he can completely shatter, T’Challa’s shields cover his, filling in the widening cracks. He hears a snarl of a big cat and Erik’s concerned “Tones?” before he passes out, overwhelmed. 

[broadwaydivastournament]

Audra McDonald at the London Palladium premieres tonight, Friday, May 17, 2024 at 9:00 p.m. EST as part of PBS's Great Performances.

About the Episode

Premieres Friday, May 17 at 9 p.m. on PBS (check local listings), on pbs.org/gperf and the PBS App

The winner of a record-breaking six Tony Awards as well as two Grammy awards and an Emmy, Audra McDonald performs a repertoire of classic Broadway songs, including “I Am What I Am,” “Cornet Man,” “Summertime,” “I Could Have Danced All Night” and many more. Recorded from the London Palladium, musical director Andy Einhorn leads the 40-piece London Musical Theatre Orchestra to accompany McDonald.

AUDRA MCDONALD VS BERNADETTE PETERS: VOTE HERE

[normalaboutdntm]

Signed programme from the London concert of Death Note the Musical ^.^ It reads right-to-left so this is the front cover!

[ID: a black programme which reads Death Note the Musical In Concert above the show's logo of an apple resting on an open Death Note. Ryuk's silhouette can be seen in a reflection on the apple and while the writing in the notebook isn't fully legible, one can tell it's the rules of using the Death Note. At the very bottom in small text it says copyright Tsugumi Ohba, Takeshi Obata Shueisha, Horipro. There are five autographs in golden sharpie. End ID]

They started selling autographed programmes on Saturday at the Lyric for not much more than the non-signed ones. I can't read the handwriting very well but I'm pretty sure they're signed by Light/Joaquin Pedro Valdes, Rem/Aimee Atkinson, Ryuk/George Maguire, and Misa/Jessica Lee. This particular programme is also signed by Sayu/Rachel Clare Chan, as I met her at stage door and she happened to have a pen. :) I really wish I'd thought to bring one so I could have gotten L/Dean John Wilson's autograph as well (I'm not sure why he didn't sign the programmes - maybe because Carl Mann also performed the role?) but you can't win them all I guess.

More described images of the programme and commentary below the cut. I am only including the "articles" so to speak and excluding the actor bios/ad pages because I don't have it in me to type up every bit of information in here. If you would like to see the extra pages and are willing to write image descriptions, DM me.

[ID: a text box that says "Welcome to Death Note: the Musical at the London Palladium! Tonight, we invite you to immerse yourself in the gripping world of Death Note, a story that has captivated hearts globally. With mesmerizing music, stunning performances and thought-provoking themes, our talented cast and creative team will lead you through a thrilling journey of morality, power and justice.

"As we make history at the iconic London Palladium with what will be the first ever English language performance of Death Note, we thank you for joining us on this unforgettable adventure.

"Prepare to be spellbound as the curtain rises, the music swells and Death Note unfolds before your eyes. . .

"Enjoy the show!

"Carter Dixon McGill Productions"

After the text box is a rehearsal picture. Light sings wearing a backpack and two femme actors who are also singing stand in profile next to him, holding books and wearing backpacks as well. Someone stands behind JPV almost completely blocked by him. End ID]

Two things to note here: the use of the manga font and the welcome message that specifies the Palladium. The rest of the programme mentions both the Lyric and the Palladium, so I'm not sure if the absence of the Lyric here is a mistake or if they wanted to preserve the original intent of the message, which is that the first performances at the Palladium were a really big deal.

[ID: A rehearsal pic of Light holding up the Death Note while L, Ryuk, and other cast members look on. A text box says " A message from Horipro, the original producers of Death Note: The Musical.

"The project to adapt the internationally acclaimed manga Death Note, published by Shueisha and created by Tsugumi Ohba (original story) and Takeshi Obata (illustrations), into a musical, began in 2011. Composed by Frank Wildhorn, who has collaborated with our company on numerous productions since Jekyll & Hyde in Tokyo in 2001, and directed by the renowned Japanese director Tamiya Kuriyama, Death Note: The Musical had its world premiere in Tokyo in 2015. Since then, it has garnered passionate, enthusiastic fans and has been performed multiple times in Japan and South Korea.

"Currently, HoriPro is presenting Harry Potter and the Cursed Child and School of Rock in Tokyo. Over the years we have had the pleasure of bringing numerous wonderful works born in London, such as Mary Poppins, Matilda and Billy Elliot, to Japan. It brings us immeasurable joy to now introduce a production originating from Japan to audiences in London.

"To everyone witnessing the start of Death Note: The musical as it ventures into the world, we express our heartfelt gratitude.

"We hope you enjoy the show!

"Yoshitaka Hori, HoriPro Group Chairman, President & CEO" End ID]

[ID: the panel from the manga of Light's heart attack. Text box that says, "Death Note Between Entertainment and Culture by Filippo Cervelli

"When Death Note originally appeared as a manga in 2003, it took its audience by surprise. The story of the genius high-school student Light Yagami chancing upon the magic titular Death Note, giving him the power to kill everyone on the planet just by writing their name on its pages, was a compelling tale interweaving magic with the urban Tokyo everyday environment. Dissatisfied with the judicial system, Light takes the matters of justice into his own hands, placing himself above the law and embarking on a journey to purge the world of evildoers. From this enticing premise Death Note then evolves into a psychological thriller, epitomised by Light's cat-and-mouse battle with his main antagonist, the brilliant and mysterious detective L. The numerous panels alternating the two characters playing mind games against each other, brilliantly written by Tsugumi Ohba and vividly drawn by artist Takeshi Obata, have left a long-lasting impression on the manga's readers. And yet, together with the compelling drama and carefully crafted dialogues, Death Note also struck a powerful chord in its audience, because no reader could remain insensitive to the simple yet fundamental question it asked: "What would you do if you had the power to change the world?" end ID]

[ID: the manga panel where Soichiro has just fired an empty gun at Light in the car and Misa and Light both look terrified but relieved. There are two pull-out quotes that say "Death Note has sold more than 30 million copies worldwide, making it one of the bestselling manga of all time" and "Death Note has successfully shown that manga aimed at 'kids' can treat very serious matters, too." The rest of the article reads: "Not only was Death Note a successful story, the context of its publication was conducive to its great impact. Japan's comics industry is heavily focused on serialisations in dedicated magazines, of which there exist a plethora, divided by frequency of publication (weekly, biweekly, monthly, etc.) and genre. Death Note was in fact published in weekly instalments in Shonen Jump, Japan's most popular and iconic manga magazine which, in its 55 years of history, has published global hits such as Jojo's Bizarre Adventures (1987-2004), Dragonball (1984-1995) and the more recent Demon Slayer (2016-2020) and One Piece (1997-). While the popularity of Shonen Jump contributed to the visibility of Death Note, it also placed the story in an unusual context. As the above examples show, Shonen Jump is famous for action, comedy and sports manga catered to an audience of mainly adolescent boys. Although the categorisation does not of course preclude readers outside of this demographic, Japanese magazines do take their target audiences into serious consideration when choosing their contents. It was therefore striking that a manga not based on humour, romance or battles, which focused instead on murder and psychological thrills, could find a space among the pages of Jump. However, this supposed misplacement worked in the manga's favour, inducing in readers a sense of wonder and curiosity towards a new publication that seemed so different from its neighbours. In the end, with a serialised run of three years (2003-2006), later collected in twelve volumes (plus one with extra contents), Death Note has sold more than 30 million copies worldwide, making it one of the bestselling manga of all time. It has successfully shown that manga aimed at 'kids' can treat very serious matters, too.

"Beyond the numbers, Death Note has left an indelible mark on contemporary Japanese culture. Its great success solidified the reputation of Oba and Obata as one of manga's most appreciated duos, who later produced other hits such as Bakuman (2008-2012), which takes an insider's look into the world of manga publiishing in Japan, and Platinum End (2015-2021), a fantasy manga following the stories a group of contenders who are granted angelic powers in a race to become the next God. Death Note proposes a protagonist who chooses to fight for his values in a society that does not seem to give any solid models of prosperity and fails to ensure individual happiness. While Light's motives might be despicable, his actions ask fundamental questions about right and wrong and about what justice really means, which may not find immediate answers. This is possibly Death Note's deepest strength.

"All these factors have assured Death Note's success. While the original manga is read avidly around the world even today, 20 years after its original serialisation began, the story has also been expanded and adapted into various media. Together with the animated series following the original story, a live-action film version was released shortly after the manga's conclusion in 2006. Split into two parts, the films starred internationally renowned Tatsuya (Battle Royale) and Ken'ichi Matsuyama (Norwegian Wood, Gantz) as Light and L, respectively. The films, featuring a different ending from the manga version, enjoyed such popularity that they spawned a spin-off film in 2008, L Change the WorLd, focusing on the titular awkward and brilliant detective. In 2016, another spin-off film was released. Titled Death Note: Light Up the New World and set ten years after the confrontation between Light and L, it imagines a new case in which six new death notes have appeared. Filmic adaptations have also crossed Japanese borders, with a US-produced film released by Netflix in 2017. The film transposes the story to an American high school setting, changing characters' names accordingly. The TV format has also proved particularly fruitful for Death Note, with the story adapted into a series of 11 episodes in 2015, featuring in the role of L Kento Yamazaki, known to Western audiences as the lead in the Netflix show Alice in Borderland.

"With countless adaptations to other media, including novels, videogames and trading card games, Death Note's cultural impact is still strong. Together with reading the original manga and watching the various cinematic versions, London audiences now have the possibility to enjoy the musical adaptation of the manga series, adding another precious layer to the multimedia experience of this staple of contemporary Japanese creativity.

"Filippo Cervelli is a Lecturer in Modern and Contemporary Japanese Literature at SOAS University of London." End ID]

This is all I can manage tonight. . . I'll be back with more later.

[lululawrence]

16

i saw this ask and was so confused like... what did i do without realizing?? hahaha and then i remembered i had added a list thing to my queue. FUN!! thank you for sending this! haha

an artist whose work you like

here's the thing with this question, i don't know what kind of artist you're asking about here haha so if we're talking about what you'd think of with traditional artists, i'm gonna be a DORK and say two of my friends' art is absolutely up there. one of them actually was able to quit her "day job" a few years ago and set up a studio to do art full time and i'm so happy for her! she's so amazing. her name is Erin Birum and you can find her website here. The other is Dane Terry, and he legit just sells his stuff on his FB page haha he started with selling a lot of penis art, and he's incredible honestly, but what my personal vibe is his oil pastel landscapes. it's just BEYOND incredible the shit he can do and capture. it's gorgeous. if i remember, i'll post photos of the art i've gotten from him later. maybe same with erin, actually. ANYWAY. Dane actually is a musician who tours his music as well! he was without a piano for the last while, but he just got it back and is back on his shit so i'm loving it. you can find him on spotify! he had a few nights sold out at the palladium in london on his uk tour last year and i've never been so fucking proud.

NOW as for fan artists?? i cannot name a favorite. i'm horrible with favorites anyway, but there's seriously so many incredible fan artists here! to choose one would be impossible. how about instead i'll name some of the incredible lovelies who have worked with me for collaborations or commissions? is that okay? cause obvs i love their work haha @ialwaysknewyouwerepunk, @moon-sun-thyme, @londonfoginacup, @hrrytomlinson, @pasmwa, @harrehleh, @harrygotthebee, @rishimaaaaa, @fallinglikethis, and GAH there are so many others! i know i'm forgetting some, i'm so sorry. but just. so many different kinds of art and so many different artists who are all so incredible! love love love.

thank you for participating! i hope this was... waht you wanted in answer to this question lmao

send me a number and i'll try to answer before going to sleep tonight

[ewweird]

🍫🏭：MUSICAL （🇬🇧West End）

チャーリーとチョコレート工場のミュージカル作品のリンクやらをまとめた記事です。

🇬🇧ウエストエンド公演 （West End）

2013年6月～2017年1月 Willy Wonka Actor：Douglas Hodge

・告知トレーラー

・トレーラー

・ロンドンキャストによるCDのレコーディングの様子

・Amazon Music：Charlie and the Chocolate Factory（The Original London Cast Recording） Amazon Musicリンク Amazonリンク（CD）

・インタビュー記事 リンク

⋱⋰ ⋱⋰ ⋱⋰ ⋱⋰ ⋱⋰ ⋱⋰ ⋱⋰ ⋱⋰ ⋱⋰ ⋱⋰

Willy Wonka Actor：Alex Jennings

・トレーラー

⋱⋰ ⋱⋰ ⋱⋰ ⋱⋰ ⋱⋰ ⋱⋰ ⋱⋰ ⋱⋰ ⋱⋰ ⋱⋰

Willy Wonka Actor：Jonathan Slinger

・トレーラー

・テレビ番組"Tonight at the London Palladium"でのパフォーマンス

個人的に、02:50辺りの司会者にcharlieが順々に握手されていき、wonkaの所での握手の茶目っけが好きです。

⋱⋰ ⋱⋰ ⋱⋰ ⋱⋰ ⋱⋰ ⋱⋰ ⋱⋰ ⋱⋰ ⋱⋰ ⋱⋰

🇬🇧イギリスとアイルランドのツアー （UK and Ireland Tour）

Willy Wonka Actor：Gareth Snook 2022年11月18日～2023年1月28日、2023年2月～

・衣装などを紹介するGareth Snook

・リハーサル風景

・トレーラー

[thelensofyashunews]

LIZZY MCALPINE’S NEW ALBUM OLDER OUT NOW

Older, the highly anticipated new album from singer, songwriter and producer Lizzy McAlpine is out today on RCA Records—get it here.

In celebration of the album, Lizzy will embark on “The Older Tour,” an extensive headline run hitting North America, the U.K. and Europe. The dates, which kick off this month, will see Lizzy playing back-to-back nights at New York’s Radio City Music Hall, Los Angeles’ Greek Theatre, Washington D.C.’s The Anthem, Boston’s MGM Music Hall at Fenway and Philadelphia’s The Met. Additional stops include Toronto’s Budweiser Stage, Seattle’s WaMu Theater and San Francisco’s Bill Graham Civic Auditorium as well as performances at Bonnaroo and Hinterland festivals. See below for a full itinerary.

Recorded and produced in Los Angeles by Lizzy with Mason Stoops (Ryan Beatty, Del Water Gap), Ryan Lerman of Scary Pockets, Jeremy Most (Emily King, Norah Jones) and Tony Berg (Taylor Swift, Boygenius), Older finds the 24-year-old rising star stepping into newfound confidence, discovering her voice and defining her artistry with profound simplicity. It’s a notable departure for Lizzy, who wrote the LP’s deeply personal 14 tracks during a transition into adulthood.

Lizzy’s eagerly awaited third studio album features previously shared singles, “I Guess” and the record’s title track, which she performed for the first time on “The Tonight Show Starring Jimmy Fallon” last month—watch here.

Older is the follow up to Lizzy’s widely successful album, five seconds flat, which was released to critical acclaim in the spring of 2022. The record features hit singles “all my ghosts” and “erase me (feat. Jacob Collier)” as well as the Platinum-certified track,“ceilings,” which debuted at No. 75 on the Billboard Hot 100 chart.

Born outside Philadelphia, Lizzy gained recognition when she began to share original songs and covers on Soundcloud and YouTube. In 2020, Lizzy released her debut album, Give Me A Minute, solidifying herself as a rising force and amassing thousands of devoted fans. She has collaborated with some of the industry’s biggest names, most recently featuring on Niall Horan’s “You Could Start a Cult” and Noah Kahan’s “Call Your Mom.” Watch Lizzy perform on Jimmy Kimmel Live!, The Ellen Show and NPR Music’s Tiny Desk, where her set was voted in the Top 5 Tiny Desks of 2022.

THE OLDER TOUR

April 21—San Diego, CA—Cal Coast Credit Union Open Air Theatre

April 24—Morrison, CO—Red Rocks Amphitheatre

May 11—Seattle, WA—WaMu Theater

May 13—Portland, OR—Alaska Airlines’ Theater of the Clouds

May 16—San Francisco, CA—Bill Graham Civic Auditorium

May 18—Los Angeles, CA—Greek Theatre

May 19—Los Angeles, CA—Greek Theatre

June 11—Washington, D.C.—The Anthem

June 12—Washington, D.C.—The Anthem

June 14—Manchester, TN—Bonnaroo*

June 18—New York, NY—Radio City Music Hall

June 19—New York, NY—Radio City Music Hall

June 21—Boston, MA—MGM Music Hall at Fenway

June 22—Boston, MA—MGM Music Hall at Fenway

June 24—Philadelphia, PA—The Met

June 25—Philadelphia, PA—The Met

August 1—Chicago, IL—Lollapalooza*

August 3—Saint Charles, IA—Hinterland*

August 6—Detroit, MI—Masonic Temple Theatre

August 7—Toronto, ON—Budweiser Stage

October 13—Brussels, BE—Forest National

October 15—Amsterdam, NL—AFAS Live

October 17—Berlin, DE—Uber Eats Music Hall

October 19—Cologne, DE—Palladium

October 21—Paris, FR—Zénith Paris - La Villette

October 24—London, U.K.—Eventim Apollo

October 25—London, U.K.—Eventim Apollo

October 27—Manchester, U.K.—O2 Victoria Warehouse

October 28—Birmingham, U.K.—O2 Academy

October 31—Dublin, IE—3Arena

*festival performance

[piasgermany]

[Video] IDLES und Coldplays Chris Martin präsentieren Video zu "Grace"!

Bevor morgen am 16. Februar das fünfte IDLES-Album "TANGK" erscheint, teilt die Band noch das Musikvideo zu "Grace". Das Ganze ist eine Nachbildung des ikonischen "Yellow"-Videos von Coldplay, mit moderner Deepfake-KI-Technologie angereichert, die den Eindruck erweckt, dass Chris Martin höchstpersönlich den Song singt.

IDLES-Frontmann Joe Talbot sprach nach einem intensiven Traum mit dem Coldplay-Songwriter über die Idee, woraufhin dieser nicht nur seinen Segen gab, um die spannende Idee in die Tat umzusetzen, sondern half später auch dabei, die KI weiterzuentwickeln, um das Video noch realistischer aussehen zu lassen.

Nach ein paar turbulenten Tagen in New York letzte Woche, wo die Band bei Jimmy Fallons Tonight Show vorbeischaute, um dort "Gift Horse" zu performen, sind IDLES nun zurück auf heimischem Boden in Großbritannien, wo sie einen Pop-up-Shop eröffnen und ein Wochenende lang Special Shows in London und Bristol spielen, um die Veröffentlichung von "TANGK" zu feiern. In genau einem Monat steht die Band dann auch hierzulande bei ihrer bisher größten Tour auf den Bühnen.

Live: 15.03.24 Berlin - Max-Schmeling-Halle 16.03.24 Hamburg - Sporthalle 21.03.24 Köln - Palladium (SOLD OUT) 22.03.24 München - Zenith 23.03.24 Frankfurt - Jahrhunderthalle 21.06.2024 Scheeßel – Hurricane Festival 22.06.2024 Neuhausen ob Eck – Southside Festival Booking: FKP Scorpio

[seelahmuh]

anyone else going to the Garth Marenghi book tour at the london palladium tonight?

[trinasleeps]

Hey all! Just posting again to say I’m selling 2x tickets to see Darren Criss at the london palladium tonight. At this point I’ll accept anything from around £50 for them. They are live on twickets.

It would be a shame to see great tickets wasted!

[pcnmagazine]

In conversation with Cutting Crew rockers Nick Van Eede and Gareth Moulton

Last night, many people’s memories in Boisdale, Canary Wharf, were of the Cutting Crew performance, in March 2022, at the London Palladium. Joined by Go West, both bands captivated an excited audience, backed by Southbank Sinfonia. Tonight was a more intimate experience, and before the show, we exclusively spoke with Nick Van Eede and Gareth Moulton. Interview: Miriam and Steve…