#tony scaglione

[asphyxiating-endless-darkness]

Slayer

Jeff Hanneman, Tony Scaglione, Tom Araya & Kerry King

Tony was asked to fill in on the "Reign In Blood" tour when Dave Lombardo left the band the first time.

info & pic posted by Reign In Thrash \m/ \m/

[goatilocks13]

Tony Portaro, Tony Bono, Tony Scaglione of Whiplash, "Power and Pain" US Show/Tour, Saturday, April 12, 1986, L'Amour (Rock Capital of Brooklyn), Brooklyn, New York, USA ©Bill O'Leary.

[bretthorton]

[rainingmusic]

Big Pig | Breakaway 

[princesssarisa]

Character ask: Maria (West Side Story)

Tagged by anonymous

Favorite thing about them: The fact that like her inspiration, Shakespeare's Juliet, she's not just a stock ingenue. Yes, she's innocent and romantic, but as Arthur Laurents wrote, she's also "excited" and "enthusiastic," and despite her youth she has "the temper, stubborn strength, and awareness of a woman." She's intelligent, lively, and playful, she makes a surprising number of demands on the people around her (however sweetly), and in the final scene, where she avoids Juliet's fate and becomes Prince Escalus instead, her anger shames two violent street gangs into mute remorse. As a character written by three men in 1957, she could so easily have been a flat ingenue, but instead they made her a dimensional character who's easy to like.

Least favorite thing about them: In the original stage version and 1961 film, the non-emphasized fact that she's willing to abandon her parents by eloping with Tony, on the same night as their son's death no less. Now, I don't judge her too harshly for this: it's a desperate, impulsive decision, and her parents seem to be fairly absentee, since they never even appear onstage/onscreen and mostly let Bernardo control her life. Still, I suspect this is a main reason why the 2021 film has her and Bernardo be orphans instead.

Three things I have in common with them:

*I like to wear red.

*I dislike conflict and bloodshed.

*I like to dance.

Three things I don't have in common with them:

*I'm not from Puerto Rico.

*Physically, I'm not "delicate boned."

*I don't have a brother.

Favorite line: Her famous angry "gun speech" after Tony's death.

brOTP: Anita and (when he's not being controlling) Bernardo.

OTP: Tony.

nOTP: Bernardo or Chino.

Random headcanon: She's pregnant with Tony's child in the end. This doesn't come only from me: there are several fanfics out there that revolve around the idea. Of course her life won't be easy as a young single mother of a mixed race child, but she's strong enough to face it, and the baby will be a symbol of hope and a source of purpose and healing, both for her and for the other characters too.

Unpopular opinion: I don't mind the fact that she so quickly forgives Tony for killing her brother, or that she sleeps with him directly after forgiving him. No one ever criticizes Juliet for so quickly forgiving Romeo for killing Tybalt or for sleeping with him that same night, and I think the difference between "brother" and "cousin" can be overstated: Tybalt has no parents in sight and apparently lives with his aunt and uncle, so he's arguably Juliet's brother in all but name. The entire message of West Side Story is against hate and in favor of love and forgiveness – the idea that it's wrong for Maria to forgive Tony goes against the main theme. As for their consummating their love directly afterwards... well, they're both impulsive teenagers, and they're in a desperate situation where they know that this meeting might be their last. I don't blame them for seizing the moment!

Song I associate with them:

"I Feel Pretty"

Favorite pictures of them:

Carol Lawrence, original 1957 Broadway production:

Natalie Wood, 1961 film:

Josefina Scaglione, 2009 Broadway revival:

Mary Joanna Grisso, US national tour, 2012:

Rachel Zegler. 2021 film:

[danceoftheday]

Performed by: George Akram, Matt Cavenaugh, Cody Green, Joey Haro, Curtis Holbrook, Karen Olivo, Danielle Polanco, Jennifer Sanchez, Josefina Scaglione, and ensemble

Number: “Dance at the Gym” from West Side Story

Choreographer: Jerome Robbins

Style: Broadway

From: The 63rd Annual Tony Awards (2009)

[mysticalhearth]

W

Waiting for Godot - Broadway - November 24, 2013 (Opening Night) (Lanelle's master) FORMAT:  MP4 (HD) CAST: Aidan Gemme (The Boy), Billy Crudup (Lucky), Ian McKellen (Estragon), Patrick Stewart (Vladimir), Shuler Hensley (Pozzo)

War Horse - West End - February 27, 2014 (Pro-Shot's master) FORMAT:  MKV (HD) CAST: Sion Daniel Young (Albert Narracott), Josie Walker (Rose Narracott), Alistair Brammer (Billy Narracott), Alex Avery (Captain Nicholls), Steve North (Ted Narracott), Tom Hodgkins (Arthur Narracott) NOTES: Multi-cam pro-shot broadcast live to cinemas as part of National Theatre Live, Includes interval interview and documentary. 

War Paint - Broadway - March 11, 2017 (Preview) (SunsetBlvd79's master) FORMAT:  MP4 (SD) CAST: Patti LuPone (Helena Rubinstein), Christine Ebersole (Elizabeth Arden), John Dossett (Tommy Lewis), Douglas Sills (Harry Fleming) NOTES: Beautiful HD capture of the Broadway transfer. Some changes for Broadway from the previous Goodman Theater production. Excellent performances from the entire cast with clear picture and great sound throughout; very good video. 2 DVDs. A War Paint - Broadway - April 29, 2017 (Matinee) (NYCG8R's master) FORMAT:  VOB (with smalls) (SD) CAST: Patti LuPone (Helena Rubinstein), Christine Ebersole (Elizabeth Arden), John Dossett (Tommy Lewis), Douglas Sills (Harry Fleming) NOTES: The master gets caught during Face to Face. You can hear someone say “TURN IT OFF”. Blackout during that part. Wasted - Southwark Playhouse - 2018 (Pro-Shot's master) FORMAT:  MP4 (HD) CAST: Matthew Jacobs Morgan (Branwell Brontë), Molly Lynch (Anne Brontë), Natasha Barnes (Charlotte Brontë), Siobhan Athwal (Emily Brontë) We Are The Tigers - Off-Broadway - March, 2019 (StarCuffedJeans's master) FORMAT:  MP4 (HD) CAST: Lauren Zakrin (Riley Williams), Wonu Ogunfowora (Cairo), Jenny Rose Baker (Kate Dalton), MiMi Scardulla (Reese), Kaitlyn Frank (Annleigh), Cathy Ang (Mattie Wheeler), Celeste Rose (Chess), Zoe Jensen (Farrah), Sydney Parra (Eva Sanchez), Louis Griffin (Clark) NOTES: Starts at the beginning of "I Just Wanna" and missing part of "Mattie's Lament." The theater was really full tonight so there are a good number of heads in this video, but they are worked around to the best of my ability. This is a super small theater (less than 160 seats) and at times the cast members were definitely singing to the camera and honestly giving their best performances because of it. All of the things on the upper level (the bathroom, the pathway, and the kitchen) are captured perfectly, and the zooms on the lower level (the living room and bench) look good as well. Obviously because this is a murder mystery kind of show the lighting can get a little bit dark, but my camera handles low lighting incredibly well. This is honestly the best video you could expect from this venue We Will Rock You - Germany (Cologne) - August, 2005 (Pro-Shot's master) FORMAT:  VOB (with smalls) (SD) CAST: Alex Melcher (Galileo), Vera Bolten (Scaramouche), Brigitte Oelke (Killer Queen), Martin Berger (Khashoggi), Michaela Kovarikova (Meat/Oz), DMJ (Brit/J.B.), James Sbano (Pop/Buddy/Bap), Harald Tauber (Teacher), Willemijn Verkaik NOTES: Multicam proshot We Will Rock You - Utrecht (The Netherlands) - October, 2010 FORMAT:  VOB (with smalls) (SD) CAST: John Vooijs (Galileo), Marjolein Teepen (Scaramouche), Pia Douwes (Killer Queen), Paul Donkers (Khashoggi), Floortje Smit (Meat/Oz), Ruud van Overdijk (Brit/J.B.), Rutger le Poole (Pop/Buddy/Bap) NOTES: Good capture. Heads in the way, but also a lot of good close-ups. Dubble DVD! We Will Rock You - West End - February 11, 2003 (Pro-Shot's master) FORMAT:  VOB (with smalls) (SD) CAST: Tony Vincent (Galileo), Hannah Jane Fox (Scaramouche), Sharon D Clarke (Killer Queen), Alexander Hanson (Khashoggi), Kerry Ellis (Meat/Oz), Nigel Clauzner (Brit/J.B.), Nigel Planer (Pop/Buddy/Bap) The Wedding Singer - Broadway - April 1, 2006 (Preview) FORMAT:  VOB (with smalls) (SD) CAST: Stephen Lynch (Robbie Hart), Laura Benanti (Julia), Matthew Saldivar (Sammy), Kevin Cahoon (George), Rita Gardner (Rosie), Amy Spanger (Holly), Richard H Blake (Glen), Felicia Finley (Linda) NOTES: Includes pictures of outside of the theatre and playbill. This was before the changes were made to the production. Blackouts throughout the show. The Wedding Singer - Off-West End - March 1, 2020 (Matinee) (Closing Night) (Highlights) (queenofthedead's master) FORMAT:  VOB (with smalls) (SD) CAST: Kevin Clifton (Robbie Hart), Rhiannon Chesterman (Julia), Ashley Emmerson (Sammy), Andrew Carthy (George), Sandra Dickinson (Rosie), Tara Verloop (Holly), Jonny Fines (Glen), Erin Bell (Linda), Lori Haley Fox (Angie), Andy Brady (David Fonda), Nathan Ryles (Harold Fonda), Jordan Crouch (Donnie), Aimee Moore (Tiffany), Simon Anthony (Shane McDonough), Paris Green (Donatella), Vanessa Grace Lee (Donatella’s Mother), Morgan Jackson (Mookie), Ellie Seaton (Crystal) NOTES: 38 minutes of act 1 of the closing performance, unobstructed. Welcome To The Club - Broadway - April 8, 1989 FORMAT:  VOB (with smalls) (SD) CAST: Avery Schreiber (Milton), Bill Buell (Gus), Jodi Benson (Betty), Marcia Mitzman (Carol), Marilyn Sokol (Arlene), Sally Mayes (Winona), Samuel E Wright (Bruce), Scott Waara (Kevin), Scott Wentworth (Aaron), Terri White (Eve) NOTES: Filmed during previews. Well filmed from the balcony. Mostly a full stage shot. Some generational loss. Wenn Rosenblätter Fallen - Oberhausen - June 13, 2016 (Rumpel's master) FORMAT:  VOB (with smalls) (SD) CAST: Pia Douwes (Rose), Anton Zetterholm (Till), Annemieke van Dam (Iris)  

West Side Story - Hollywood Bowl - July 19, 2016 (SJ Bernly's master) FORMAT:  VOB (with smalls) (SD) CAST: Jeremy Jordan (Tony), Solea Pfeiffer (Maria), Karen Olivo (Anita), Matthew James Thomas (Riff), George Akram (Bernardo), Drew Foster (Action), Jose Moreno Brooks (Chino), Anthony C Chatmon II (A-Rab), Kyle Selig (Baby John), Mike Schwitter (Big Deal), Jeff Smith (Diesel), Kevin Chamberlin (Krupke), Jennifer Sanchez (Rosalia), Erica Dorfler (Consuela) NOTES: This concert version of the show is abridged with shortened scenes, simple costumes, and no sets or choreography, but Jeremy, Solea, and Karen are absolutely phenomenal with soaring vocals and emotional performances. Very well captured with no dropouts, no obstruction, and no washout. The stage is filmed directly most of the time; the screens are occasionally filmed, usually when the actors are not onstage. It’s filmed in 16:9, with a mix of wides, mediums, and close-ups. The sound is excellent. Includes curtain call and playbill scans. West Side Story - Leicester Curve - December, 2019 (queenofthedead's master) FORMAT:  MP4 (HD) CAST: Jamie Muscato (Tony), Adriana Ivelisse (Maria), Carly Mercedes Dyer (Anita), Ronan Burns (Riff), Jonathan Hermosa-Lopez (Bernardo), Isaac Gryn (Action), Damian Buhagiar (Chino), Ryan Anderson (A-Rab), Alex Christian (Baby John), Dale White (Big Deal), Michael O’Reilly (Diesel), Beth Hinton-Lever (Anybodys), Darren Bennett (Lt. Schrank), Christopher Wright (Krupke), Christopher Wright (Doc), Darren Bennett (Glad Hand), Mireia Mambo (Rosalia), Abigail Climer (Consuela), Thea Bunting (Graziella), Katie Lee (Velma), Richard Appiah-Sarpong (Pepe), Dominic Sibanda (Indio) NOTES: Missing 7 minutes at the beginning. No dropouts and no obstruction. West Side Story - Second Broadway Revival - February 23, 2009 (Preview) (SunsetBlvd79's master) FORMAT:  VOB (no smalls) (SD) CAST: Matt Cavenaugh (Tony), Josefina Scaglione (Maria), Karen Olivo (Anita), Cody Green (Riff), George Akram (Bernardo), Curtis Holbrook (Action), Joey Haro (Chino), Kyle Coffman (A-Rab), Ryan Steele (Baby John), Tro Shaw (Anybodys), Steve Bassett (Lt. Schrank), Lee Sellars (Krupke), Greg Vinkler (Doc) NOTES: Stunning production of this revival. Josefina and Karen still steal the show. The cast was on fire and there was a lot of energy in the audience as it was the first performance on Broadway. There are some changes from the DC run, which work better. Beautiful production and capture with no obstructions. West Side Story - Second Broadway Revival - November 16, 2009 FORMAT:  VOB (with smalls) (SD) CAST: Matt Cavenaugh (Tony), Josefina Scaglione (Maria), Karen Olivo (Anita), Wes Hart (u/s Riff), George Akram (Bernardo), Eric Hatch (u/s Action), Joey Haro (Chino), Kyle Coffman (A-Rab), Brendon Stimson (u/s Baby John), Joshua Buscher (Diesel), Mike Cannon (Snowboy), Kaitlin Mesh (Anybodys), Steve Bassett (Lt. Schrank), Lee Sellars (Krupke), Mark Zimmerman (s/b Doc), Lindsay Estelle Dunn (Velma), Michael Williams (u/s Pepe), Kaitlin Mesh (Zaza) West Side Story - Third Broadway Revival - January 6, 2020 (Preview) FORMAT:  MKV (HD) CAST: Jordan Dobson (u/s Tony), Mia Pinero (u/s Maria), Yesenia Ayala (Anita), Corey John Snide (u/s Riff), Amar Ramasar (Bernardo), Dharon E Jones (Action), Jacob Guzman (Chino), Kevin Csolak (A-Rab), Matthew Johnson (Baby John), Tyler Eisenreich (Big Deal), Ahmad Simmons (Diesel), Daniel Ching (Snowboy), Zuri Noelle Ford (Anybodys), Thomas Jay Ryan (Lt. Schrank), Danny Wolohan (Krupke), Daniel Oreskes (Doc), Pippa Pearthree (Glad Hand), Lorna Courtney (Rosalia), Gabi Campo (Consuela), Marissa Brown (Francisca), Alexa de Barr (Graziella), Madison Vomastek (Velma), Gus Reed (Gee-tar), John Snide (Tiger), Carlos Gonzales (Pepe), Ricky Ubeda (Indio), Roman Cruz (Luis), Israel del Rosario (Anxious), Michaela Marfori (Nibbles), Marc Crousillat (Juano), Sheldon True (Toro), Stephanie Crousillat (Teresita), Marlon Geliz (Estella), Satori Folkes-Stone (Margarita), Uni-Seng Francois (Minnie), Jennifer Gruener (Pauline) NOTES: Wideshot. Stage right is slightly obstructed due to where the master was sitting. Good audio. SD M4V (567.0 MB) West Side Story - UK Tour - May 23, 2009 FORMAT:  MP4 (HD) CAST: Daniel Koek (Tony), Hazel Gardner (u/s Maria), Jayde Westaby (Anita), Edd Post (u/s Riff), Dan Burton (Bernardo), Aki Omoshaybi (Chino), Ged Simmons (Lt. Schrank), Martin Chaimberain (Krupke) When We're Gone - Joe's Pub (2014) - March 12, 2014 FORMAT:  MP4 (HD) CAST: Gerard Canonico (Todd), Jeremy Kushnier (John), Luke Wygodny (Ashton), Hannah Whitney (Rosie), Eric William Morris (Colin), Bradley Dean (William) NOTES: Concert performance.   

The Wild Party (Lippa) - Encores! Off-Center - July 17, 2015 (SunsetBlvd79's master) FORMAT:  VOB (with smalls) (SD) CAST: Sutton Foster (Queenie), Steven Pasquale (Burrs), Brandon Victor Dixon (Black), Joaquina Kalukango (Kate), Miriam Shor (Madeline True), Talene Monahon (Mae), Ryan Andes (Eddie) NOTES: Excellent HD capture from the Encores Summer Series! The cast was terrific and full of energy giving everything they had. Great to see these songs performed again by this caliber of talent! A The Wild Party (Lippa) - Off-Broadway - 2000 (Highlights) (Press Reel's master) FORMAT:  VOB (with smalls) (SD) CAST: Julia Murney (Queenie), Brian d'Arcy James (Burrs), Taye Diggs (Black), Idina Menzel (Kate), Alix Korey (Madeline True), Charles Dillon (Oscar d'Armano), Kevin Cahoon (Phil d'Armano), James Delisco Beeks (Max), Todd Anderson (Reno), Jennifer Cody (Mae), Kena Tangi Dorsey (Dolores), Felicia Finley (Rose Himmelsteen), Peter Kapetan (Sam Himmelsteen), Lawrence Keigwin (Jackie), Charlie Marcus (The Neighbor), Kristin McDonald (Nadine), Raymond Jaramillo McLeod (Eddie), Steven Pasquale (Cop), Megan Sikora (Peggy), Ron Todorowski (Kegs), Amanda Watkins (Ellie) The Winter's Tale - West End - November 26, 2015 (Pro-Shot's master) FORMAT:  MP4 (SD) CAST: Kenneth Branagh (Leontes), Dame Judi Dench (Paulina), Miranda Raison (Hermione), Jessie Buckley (Perdita), Hadley Fraser (Polixenes), Tom Bateman (Florizel), John Dagleish (Autolycus) The Winter's Tale - West End - November 26, 2015 (Pro-Shot's master) FORMAT:  MP4 (HD) CAST: Kenneth Branagh (Leontes), Dame Judi Dench (Paulina), Miranda Raison (Hermione), Jessie Buckley (Perdita), Hadley Fraser (Polixenes), Tom Bateman (Florizel), John Dagleish (Autolycus) The Witches of Eastwick - UK Tour - April 4, 2009 FORMAT:  VOB (with smalls) (SD) CAST: James Graeme (Clyde), Marti Pellow (Darryl), Poppy Tierney (Jane), Rachel Izen (Felicia), Rebecca Thornhill (Sukie), Ria Jones (Alex) NOTES: Beautifully filmed from the balcony, with a great mix of close-ups and full stage shots. Crystal clear. Widescreen. The Wiz - NBC Live! - December 3, 2015 (Pro-Shot's master) FORMAT:  MP4 (4K) CAST: Shanice Williams (Dorothy), David Alan Grier (Lion), Ne-Yo (Tinman), Elijah Kelley (Scarecrow), Uzo Aduba (Glinda), Queen Latifah (The Wiz), Mary J Blige (Evillene), Stephanie Mills (Aunt Em), Amber Riley (Addaperle) NOTES: A live production of the 1975 musical The Wiz produced for television; excellent video. A+ The Wizard of Oz (Webber) - First National Tour - September 28, 2013 FORMAT:  VOB (no smalls) (SD) CAST: Danielle Wade (Dorothy Gale), Jamie McKnight (Scarecrow/Hunk), Mike Jackson (Tin Man/Hickory), Lee MacDougall (Cowardly Lion/Zeke), Jacquelyn Piro Donovan (The Wicked Witch of the West/Miss Gulch), Cedric Smith (The Wizard of Oz/Professor Marvel), Robin Evan Willis (Glinda the Good Witch), Charlotte Moore (Aunt Em/Munchkin Barrister), Larry Mannell (Uncle Henry/Philippe/Head Guard) NOTES: Nice capture of Andrew Lloyd Webber's re-imagined classic; no obstruction and very little washout; a few quick dropouts in act one and a couple in act two, only last about three minutes all together; filmed in 16:9 with a mix of wides, mediums,and close-ups. The Woman in Black - West End - July 8, 2001 FORMAT:  VOB (with smalls) (SD) CAST: Christopher Ravenscroft (Arthur Kipps), Sebastian Harcombe (The Actor) The Woman in White - Broadway - November 30, 2005 FORMAT:  VOB (with smalls) (SD) CAST: Adam Brazier (Walter Hartwright), Angela Christian (Anne Catherick), Jill Paice (Laura Fairlie), Lisa Brescia (Marian Halcombe), Michael Ball (Count Fosco), Ron Bohmer (Sir Percival Glyde)  

The Woman in White - West End - February 25, 2005 FORMAT:  VOB (with smalls) (SD) CAST: Maria Friedman, Michael Ball, Adrian der Gregorian (u/s), Oliver Darley, Jill Paice, Elinor Collett (u/s) NOTES: Nice video with good closeups and zooms and great sound. Woman of the Year - Broadway - March 27, 1982 FORMAT:  VOB (with smalls) (SD) CAST: Lauren Bacall (Tess Harding), Harry Guardino (Sam Craig), Eivind Harum (Alexi Petrikov), Roderick Cook (Gerald), Grace Keagy (Helga), Jamie Ross (Larry Donovan), Marilyn Cooper (Jan Donovan), Rex Everhart (Maury) NOTES: Good color video with clear sound with some generation loss, but a nice video. B+ Women on the Verge of a Nervous Breakdown - Broadway - December 29, 2010 FORMAT:  VOB (with smalls) (SD) CAST: Sherie Rene Scott (Pepa), Laura Benanti (Candela), Patti LuPone (Lucia), Brian Stokes Mitchell (Ivan), Justin Guarini (Carlos), de’Adre Aziza (Paulina), Danny Burstein (Taxi Driver), Nikka Graff Lanzarone (Marisa), Mary Beth Peil (Pepa's Concierge/TV and Radio Announcer), Samantha Shafer (u/s Woman at Train/Ana) NOTES: Also includes press reels, cast/creative interviews and video of David Yazbek singing songs from the show.

  Women on the Verge of a Nervous Breakdown - Broadway - January 2, 2011 (Matinee) FORMAT:  MP3 (tracked) CAST: Sherie Rene Scott (Pepa), Laura Benanti (Candela), Patti LuPone (Lucia), Brian Stokes Mitchell (Ivan), Justin Guarini (Carlos), de’Adre Aziza (Paulina), Danny Burstein (Taxi Driver), Nikka Graff Lanzarone (Marisa), Mary Beth Peil (Pepa's Concierge/TV and Radio Announcer), Samantha Shafer (u/s Woman at Train/Ana) NOTES: Also includes press reels, cast/creative interviews and video of David Yazbek singing songs from the show. Wonderful Town - Television Production - November 30, 1958 (Pro-Shot's master) FORMAT:  VOB (with smalls) (SD) CAST: Rosalind Russell (Ruth Sherwood), Sydney Chaplin (Robert Baker), Jacquelyn McKeever (Eileen Sherwood), Joseph Buloff (Mr. Appopolous), Dort Clark (Chick Clark), Jordan Bentley (Wreck), Cris Alexander (Frank Lippencott), Jack Fletcher (Night Club Patron), Michele Burke (Helen Wade), Ted Beniades (“Speedy” Valenti), Isabella Hoopes (Mrs. Wade), Ray Weaver (Shore Patrolman), Gene Carrons (Violet), John Wheeler (Officer Lonigan), Don Grusso (Fireman) Wonderland - Broadway - March 23, 2011 (Preview) FORMAT:  VOB (with smalls) (SD) CAST: Janet Dacal (Alice), Kate Shindle (Mad Hatter), Carly Rose Sonenclar (Chloe/Ellie), Edward Staudenmayer (The White Rabbit), Karen Mason (Queen of Hearts), Darren Ritchie (Jack the White Knight), E Clayton Cornelious (Caterpillar), Jose Llana (El Gato/Chesire Cat), Danny Stiles (Morris the March Hare), Darren Ritchie (The Victorian Gentleman), Karen Mason (Edwina) NOTES: Very limited trade 3:1 at the master's request. Wonderland - Broadway - April 2, 2011 (Preview) (SunsetBlvd79's master) FORMAT:  MP4 (SD) CAST: Janet Dacal (Alice), Kate Shindle (Mad Hatter), Carly Rose Sonenclar (Chloe/Ellie), Edward Staudenmayer (The White Rabbit), Karen Mason (Queen of Hearts), Darren Ritchie (Jack the White Knight), E Clayton Cornelious (Caterpillar), Jose Llana (El Gato/Chesire Cat), Danny Stiles (Morris the March Hare), Darren Ritchie (The Victorian Gentleman), Karen Mason (Edwina) NOTES: Beautiful bright capture of this short lived show that only played 31 previews and 33 performances. I thought this show was very enjoyable and fun with great music. Great performances and voices from the cast! A+ Wonderland - Broadway - May 12, 2011 (juniper47's master) FORMAT:  VOB (with smalls) (SD) CAST: Janet Dacal (Alice), Kate Shindle (Mad Hatter), Carly Rose Sonenclar (Chloe/Ellie), Edward Staudenmayer (The White Rabbit), Karen Mason (Queen of Hearts), Darren Ritchie (Jack the White Knight), E Clayton Cornelious (Caterpillar), Jose Llana (El Gato/Chesire Cat), Danny Stiles (Morris the March Hare) NOTES: Filmed in widescreen with very few obstructions except for a head blocking the farthest corners of downstage stage left and right, but very little is missed there. Very good video and excellent picture and sound. Wonderland - Broadway - May 12, 2011 (juniper47's master) FORMAT:  VOB (with smalls) (SD) CAST: Janet Dacal (Alice), Kate Shindle (Mad Hatter), Carly Rose Sonenclar (Chloe/Ellie), Edward Staudenmayer (The White Rabbit), Karen Mason (Queen of Hearts), Darren Ritchie (Jack the White Knight), E Clayton Cornelious (Caterpillar), Jose Llana (El Gato/Chesire Cat), Danny Stiles (Morris the March Hare) NOTES: Filmed in widescreen with very few obstructions except for a head blocking the farthest corners of downstage stage left and right, but very little is missed there. Very good video and excellent picture and sound. Wonderland - UK Tour - June 10, 2017 (Matinee) (bestworstcase's master) FORMAT:  VOB (with smalls) (SD) CAST: Rachael Wooding (Alice), Francesca Lara Gordon (u/s Mad Hatter), Naomi Morris (Chloe/Ellie), Dave Willetts (The White Rabbit), Wendi Peters (Queen of Hearts), Stephen Webb (Jack the White Knight), Kayi Ushe (Caterpillar), Dominic Owen (El Gato/Chesire Cat), Ben Kerr (Morris the March Hare) NOTES: DVD menu states June 6 2017 matinee, but all other evidence, even the master's weebly claim it's June 10 2017. Good video! Wonderland (Beth Steel Play) - Hampstead Theatre - July 14, 2014 (Pro-Shot's master) FORMAT:  MP4 (SD) CAST: Unknown NOTES: Livestreamed April 2020. The Worst Witch - West End - August 22, 2019 (Matinee) (wheredidtherockgo's master) FORMAT:  MTS CAST: Danielle Bird (Mildred Hubble), Rosie Abraham (Ethel Hallow), Molly-Grace Cutler (Miss Bat/Piano/Guitar/Cello/Dulcimer), Meg Forgan (Fenella Feverfew/Bass Guitar), Rachel Heaton (Miss Hardbroom), Rebecca Killick (Maud Spellbody), Emma Lau (Drusilla Paddock), Megan Leigh Mason (Miss Drill/Guitar/Drums/Percussion/Clarinet/Bass Guitar), Polly Lister (Agatha/Miss Cackle), Consuela Rolle (Enid Nightshade), Lauryn Redding (Griselda Blackwood/Sax) NOTES: A very good show! It’s a show aimed more toward kids so there was a lot of kids in the audience. An amazing performance by Polly Lister as Agatha/Miss Cackle in particular. The Wrong Man - Off-Broadway - November, 2019 (StarCuffedJeans's master) FORMAT:  MP3 (untracked) CAST: Joshua Henry (Duran), Ciara Renée (Mariana), Ryan Vasquez (Man in Black), Amber Pickens, Anoop Desai, Debbie Christine Tjong, Julius Williams, Libby Lloyd, Malik Shabazz Kitchen, Tilly Evans-Krueger NOTES: Near perfect HD capture of this new Off-Broadway show with fabulous performances by the whole cast. There is some wandering throughout but overall a very centered orchestra video with extremely vivid colors. Please do not post screenshots of this video on Twitter ever. Gifs on Tumblr are okay after the NFT date, but don't go linking things to actors and shows. Das Wunder von Bern - Hamburg - July 6, 2015 FORMAT:  VOB (with smalls) (SD) CAST: Ruben (Matthias Lubanski), Vera Bolten (Christa Lubanski), Patrick Imhof (alt. Richard Lubanski), Marie Lumpp (Ingrid Lubanski), Patrick A. Stamme (alt. Bruno Lubanski), Elisabeth Hübert (Anette Ackermann), Florian Soyka (alt. Paul Ackermann), Robin Brosch (Sepp Herberger(Bohse), Jogi Kaiser (Tiburski/Putzfrau/Adi Dassler), Tetje Mierendorf (Pfarrer Keuchel), Alexandra Farkic/Franziska Trunte/Esther Mink (Wunderfräulein), Dominik Hees (Helmut Rahn), Mark Weigel (Fritz Walter), Dennis Henschel (Berni Klodt), Robin Koger (Horst Eckel), Matteo Vigna (Max Morlock), Hendrik Schall (Toni Turek), Matt Cox (Werner Kohlmeyer), Daniel Therrien (Ottmar Walter), Giuliano Mercoli (Josef Posipal), Fabian Kaiser (u/s Karl mai/Fußballartist), Dominik Kaiser (Hans Schäfer/Fußballartist) NOTES: This video was recorded right after some changes on the show were made (doesn't include the new song which will be published on 11th July, 2015). Full show; beautiful picture quality and nice close-ups but rather shaky in the beginning/end of both acts Das Wunder von Bern - Hamburg - July 23, 2015 FORMAT:  VOB (with smalls) (SD) CAST: Tanja Schön (u/s Christa Lubanski), Patrick Imhof (alt Richard Lubanski), Marie Lumpp (Ingrid Lubanski), David Jakobs (Bruno Lubanski), Shari Lynn Stewen (alt Anette Ackermann), Patrick A Stamme (alt Paul Ackermann), Mark Weigel (Sepp Herberger/Bohse), Michael Ophelders (alt Tiburski/Putzfrau im Hotel/Adi Dassler), Tetje Mierendorf (Pfarrer Keuchel), Alexandra Farkic (Wunderfräulein), Amaya Keller (Wunderfräulein), Franziska Trunte (Wunderfräulein), Dominik Hees (Helmut Rahn), Florian Soyka (alt Fritz Walter), Hendrik Schall (alt Berni Klodt), Robin Koger (Horst Eckel), Matteo Vigna (Max Morlock), Fabian Kaiser (Toni Turek), James Cook (Werner Kohlmeyer), Daniel Therrien (Ottmar Walter), Pasha Antonov (Josef Posipal), Adrian Fogel (Kar Mai/Fußballartist), Dominik Kaiser (Hans Schäfer/Fußballartist) NOTES: "Julius" as Matthias Lubanski. Full show. Great picture quality and beautiful close-ups, though some little obstruction due a railing. The last few minutes of both acts are shot blind without zooms but still capturing the action on stage

[rikirachtman]

Whiplash - Power and Pain (1986) review

Great music is often hidden behind horrendous cover art. Nowhere is that more apparent than in “Power and Pain”, the first album by New Jersey thrash metal trio Whiplash, and the second album (that I’m aware of) to feature a screaming pink-skinned bald man on the cover, after "In The Court of the Crimson King”. In the early-to-mid 80′s, thrash metal saw a flood of groundbreaking debut releases, and despite its 1986 release date, Whiplash’s first offering sounds closer to the NWOBHM-laden proto-thrash of three or four years’ prior, combined with the punchy sound and rabid aggression of the more extreme branches of thrash that began to form later in the decade, similar to bands like Canada’s own Razor, and it’s this unique blend that makes it one of my favourite thrash albums of all time.

The three Tonys that comprise Whiplash’s lineup are equally important to this carefully balanced sound. Note that I said “Three Tonys”, by the way; In what is likely a mathematical anomaly that goes against all known laws of probability, every single band member here shares the same first name. Frontman Tony Portaro lays down some VERY impressive and varied guitar work, combining blistering Slayer-esque chugging and tremolo riffing with soaring, often double-tracked half-Maiden-half-Priest leads and melodies. His vocals are a lot more divisive for me, sort of a pukey, throaty bark that sounds like Mille Petrozza swallowed Tom Araya, and Araya is desperately trying to escape from Mille’s stomach because Paul Baloff is down there too and he’s pissed. This vocal style is an acquired taste that I’ve grown to like more upon repeated listens, and is the clearest sign of this album’s year of release, showing a then-recently developed vocal style alongside more traditional instrumental work of the past five-odd years.

Bassist Tony Bono is a little more understated, laying down some decidedly Steve Harris basslines that support Portaro’s guitars well. He occasionally gets lost in the fury of the chaotic riffing, shouting, and drumming going on around his smoother, cleaner bass, but he makes himself known with a few inventive fills when Portaro is taking the occasional break from lighting his guitar on fire with the sheer speed of his playing. Drummer Tony Scaglione is a very entertaining listen, utilizing a high-energy, fill-happy style that unequivocally reminds me of Dave Lombardo (which makes perfect sense, as Scaglione did fill in for Lombardo on Slayer’s “Reign in Blood” tour). Scaglione’s main difference from Lombardo is that his double bass work is a lot weaker, but this is hardly an issue when he supports it with “Seasons in the Abyss”-ish tom breaks and “Show No Mercy” inspired ride beats.

Songwriting is straightforward, but surprisingly diverse for a thrash album. You won’t find any acoustic breaks here, of course, but you will find most styles of metal that existed up to 1986 within this record. This album contains pretty much no filler or wasted tracks; as far as highlights go, “Red Bomb” opens with mid-paced chugging before turning into a speeding monster and launching into a blatantly Priest-inspired solo, “Last Man Alive” is a foot-stomping number with a fantastic crunchy groove to it, and “Power Thrashing Death” is the record’s obligatory “we think that thrash metal is cool” number that speeds by at a million miles per hour. Closer “Nailed to the Cross” strikes me as an odd choice to close the album over something like “Red Bomb” or “Last Man Alive”, but it contains a really catchy chorus where Portaro strains to reach higher up in his limited range and still makes it sound great, as well as an admittedly hilarious trashcan ending with copious nonsensical shouting (”AUGH! AUGH! AUGH! AUGH AUGH AUGH AUGHAUGHAUGHAUANANANANA UUUUUOOOOOOORGH!” etc). Lyrically, it’s...well, it’s mid-80′s thrash metal, so basically just a lot of violence, war, and speeches about metal being the best. The lyrics are also littered with bizarre nonsensical word-salad that makes zero sense grammatically, instead only offering vague ideas of what they’re talking about, which I’d understand from a foreign band but it’s pretty bizarre coming from three New Jersians. The album is strong enough musically for lyrics not to matter too terribly much, and even if it wasn’t, Portaro’s voice is too incomprehensible, so this could be on the same level lyrically as some early Ramones songs and it still wouldn’t negate the quality of the music.

I can’t complain much, for once, on the production front. Perhaps there’s a tad too little focus on the bass at times, but for the most part the dry, crunch-filled tone of this record works perfectly for the type of rampaging speed metal played here. This gives “Power and Pain” a surging, red-hot atmosphere, basically the polar opposite of the cold, grim production found in something like black metal or...well, just black metal, honestly. Portaro and Scaglione both sound monstrous on their respective instruments, and although Bono doesn’t quite measure up in terms of raw power, he doesn’t need to, as his smooth bass work fits the album far better than a meaty Venom/Motörhead bulldozer bass tone would.

Whiplash are not the most popular, most innovative, or most impressive thrash group to hit the scene in the 80′s, but they are damn good at what they do, which is 100% all-natural speed metal with no added preservatives or artificial flavours, barring whatever food colouring they put on the bald guy’s skin to make him turn pink. This is strongly recommended for anyone into thrash metal in general, from Anthrax to Exodus to Dark Angel, as anyone with any interest in the sub-genre likely to find at least three or four tracks here that appeal to their tastes. Pick up “Power and Pain”, allow the Tony triplets to assault your ears, and keep the record hidden in a drawer somewhere out of shame over owning something with that cover art

“I am the master with the iron fist, I am the master no one knows exists”

[jaybe11]

Slayer 1987 Toronto w Tony Scaglione

[fredymetalshow]

23 de julio de 1967 nace en New Jersey TONY SCAGLIONE. Es un baterista de thrash metal y fue temporalmente el baterista de la banda de thrash metal SLAYER, pero es conocido como uno de los fundadores de la banda WHIPLASH. Reemplazó al baterista de DAVE LOMBARDO en 1986, después de que decidiera dejar la banda por malos pagos, según él. LOMBARDO volvió a la banda debido a que su esposa lo convenció en el año 1987. SCAGLIONE retomó su trabajo en WHIPLASH, hasta su ruptura en 1998. Él es el único baterista de SLAYER que no formó parte de TESTAMENT. #FredyMetalShow https://www.instagram.com/p/CDArou4FPgR/?igshid=1k7b9j7sh1g0h

[williamjworld]

Project Brief- Typography part 2

University of Cumbria BA(Hons) Graphic Design/Illustration Year 1 Module: GRAP4070 Communicating Ideas

Project 4 Letter Exchange

“A typographic hierarchy expresses an organisational system for content, emphasising some data and diminishing others. A hierarchy helps readers scan a text, knowing where to enter and exit and how to pick and choose among its offerings. Each level of the hierarchy should be signalled by one or more cues,

applied consistently aross a body of text.” Ellen Lupton, Thinking with Type

Brief

This brief is about extending the typographic knowledge and skills you started to look at two weeks ago into a larger piece of design using more information. You will be creating a typographic image and then combining this with a body of information which needs to be organised using a hier- archical system. You are tasked with producing a poster for a conference on creative typography called Letter Exchange.

Required elements

Your poster must contain: • an image/illustration made from type/lettering, which captures the idea of typography as an exciting, creative, experiemental endeavour • the full text about the conference (see document Letter Exchange Copyon Blackboard) • the poster must be A2 in size • you may use full colour • you cannot include any other kind of images

The brief divides into two parts:

1 The typographic image

We want to see lots of exploration and experimental play here, to develop an engaging and exciting typographic image which makes the audience regard typography as a creative artform and the conference as an inspi- rational event they would like to participate in. This can be made through any medium. Consider analogue materials and processes as well as digital methods: paints, inks, stencils, playing with the scanner and photocopier, projection, cutting, tearing, folding, sticking, collage, monoprinting, mixed media...If you can imagine doing it, then try doing it. This should be FUN! The only criteria is that it should be made from letterforms (which don’t necessarily have to spell anything). There will be studio workshop sessions to help you to develop your image and you may use any of the workshops for which you have had an induction eg. printmaking, metal, photography,wood etc. But don’t spend longer than the first week doing this.

2 The layout and typographic treatment of the information

Once you have your typographic image/illustration you need to turn your attention to the composition and typographic treatment of the information. How are you going to successfully compose the image and text content together? Remember that the overall layout must be well structured

and lead your reader’s eye through the information. As in your previous project, there are headlines, sub-heads, intros, main body text etc. There should be an evident typographic hierarchy to distinguish these levels of content. How do you use the elements within the type family to do this? (size/weight/u&lc/italics and other variants etc.) We want to see lots of control and attention to detail here. Initial layouts and compositions need to be considered as thumbnail sketches on paper before you start working on screen.

There are no restrictions on the number of typefaces, weights or colours you can use, but be discriminating about how many variants you really need. Is working within one type family, or a limited number of typefaces, going to produce a more coherent piece of design than throwing every- thing at it?

Assessment Criteria

1 IDENTIFY – Demonstrate an understanding of the need to identify appropriate research/source material in order to progress ideas/ concepts. 2 STRATEGIES – Select approaches and strategies that communicateideas and intentions to others in an effective manner. 3 SEQUENTIAL – Understand how to visualise ideas/concepts sequentially and selectively in order to arrive at creative solutions. 4 SORT – Identify an evaluative ability in shifting/sorting/testing/examin- ing in order to further develop ideas and concepts. 5 APPROPRIATE – Demonstrate the appropriateness of a design solu- tion to the demands of a set brief.

Deadline

Thursday 14th March 2019

My tutor Tony and Rhiannon, show some of there own of typography, to get some idea of what me and my group could do with our own typography.

There is also some of artwork from college where I did some typography in one or two projects and my Pinterest board with typography ideas.

https://www.pinterest.co.uk/willsjacksonroc/typography-style/

This has given me ideas to do a poster design with what I asked to do in this project with some inspiration from other typography artists: 

Letter Exchange

A design festival for people who use type

7th – 9th June 2019 Cinema Teatro Sarti Via Scaletta 10 FaenzaItaly

Letter Exchange is the first international conference in Italy dedicated solely to contemporary typography, with talks, workshops and tours focusing on where typography is today and where its future may lie. The conference will be held in Faenza, a medieval city in the north-east of Italy, home to an ancient tradition of design and craftsmanship.

Conference Speakers

Sarah Hyndman A British graphic designer, writer and public speaker, Sarah Hyndman asks lots of questions, has become an accidental specialist in multi-sensory typography and is known for her interest in the psychology of type. She is the founder of the innovative Type Tasting studio; driven by her passion for changing the way we think and talk about typography. Sarah is also known for her thought-provoking and highly entertaining typography workshops, events and books including Why Fonts Matter and the type dating card game What's Your Type?

Laura Meseguer A freelance graphic and type designer from Barcelona, Laura Meseguera’s studio works for international and domestic clients but also in self-initiated projects. As a typographer and type designer, she has specialized in all sorts of projects involving custom lettering and type design, for branding and publishing. Her design approach is to create unique solutions for every assignment, based on the concept, the content and the context, always in close collaboration with art directors and designers. She designs and produces typefaces which are distributed through her own digital type foundry Type-Ø-Tones, that is also a member of TypeNetwork. She is the author of TypoMag: Typography in Magazines, published by IndexBook, and co-author of the book “Cómo crear tipografías. Del boceto a la pantalla”, published in Spanish by Tipo, and translated into Polish, Portuguese, English and soon in Chinese. She is a board member of the ATypI since 2017. She also teaches type design and typography in different schools. Laura’swork has been featured in several publications and exhibitions such as Graphic Design Now. She also holds awards from the ADG-FAD (The Art Directors & Graphic Designers Association, Spain), and TDCs for her typefaces Rumba Lalola and Qandus.

Ken Barber Ken Barber is the typeface design director and chief lettering officer at font foundry and design studio, HouseIndustries. His work is in the permanent collection of the Smithsonian Institution’s Cooper-Hewitt National Design Museum and the Henry Ford Museum of American Innovation. Ken has also been honored by the New York Type Directors Club, Association Typographique Internationale, and Design Museum London. In addition to teaching at The Cooper Union in New York City, he regularly leads workshops on the practice of hand-lettering. Ken co-authored House Industries: The Process is the Inspiration (Watson-Guptill, 2017) with Andy Cruz and Rich Roat.

Lance Wyman Design legend Lance Wyman creates graphic systems for cities, events, institutions, and transit systems. Fifty years ago, his groundbreaking identity for the 1968 Mexico Olympics helped establish the modern practice of environmental design. He is a member of AGI, an SEGD Fellow and a recipient of the AIGA Medal. There are three major books published on his work.

Veronika Burian and José Scaglione Choosing and using typefaces has become increasingly complex in recent years. The different kinds of licenses, the large number of fonts on offer, and the variety of pricing structure and language support on the market result in ascenario where type users can get easily lost. In this presentation TypeTogether’s founders, Veronika Burian andJosé Scaglione will discuss how to curate high quality, flexible, and scalable typeface libraries. Learn how to go about selecting and combining fonts, how to judge language support capabilities in an increasingly global market, and how to use typeface customization as a powerful graphic design tool.

Toshi Omagari Toshi Omagari is a type designer at Monotype. He studied typography and typeface design at Musashino Art University in Tokyo, where he graduated in 2008, and went on to obtain an MA in typeface design at University of Reading in 2011. Since he joined Monotype in UK, he has released a number of revivals of forgotten classics such as Metro Nova and the Berthold Wolpe Collection. He has also been involved in many aspects of multilingual typography and font development, including work on various scripts including Greek, Cyrillic, Mongolian, Tibetan, and Arabic.

Ellen Lupton

Ellen Lupton is curator of contemporary design at Cooper-Hewitt, Smithsonian Design Museum in New York City and director of the Graphic Design MFA program at MICA in Baltimore. Her latest exhibition is The Senses: Design Beyond Vision (April–October 2018). She recently published Design Is Storytelling with Cooper Hewitt.

Workshops

Playing with a Heidelberg: Damiano Bandini’s letterpress workshop Damiano Bandini loves letterpress, and movable type. This is why he still runs an old letterpress workshop in downtown Faenza, carrying on the passion and knowledge handed down from father to son. La Vecchia Stamperia isa historic workshop (Bottega Storica dell’Emilia Romagna): everything started in 1920, so this workshop has been printing movable type on paper for more than 90 years – and counting. He has one of the largest collections of very rare metal block-prints and unique artistic wood type in use.

One day workshop, 5thth June 2019, 10.00am

La Vecchia Stamperia

Via Giulio Castellani 25

Faenza (RA)

Straights and Rounds

Richard Bailey and Bruno Maag will explain an effective and efficient approach to designing a typeface (family).

Participants will learn how to define the requirements, aesthetically, technically and linguistically, and how to set up

the design process.

Bruno began his career with an apprenticeship as a typesetter at Tages-Anzeiger, Switzerland’s largest daily

newspaper. He then studied Typography and Visual Communcations at Basel School of Design under Wolfgang

Weingart and Andre Gürtler amongst others. After graduating, Bruno emigrated to England to work for Monotype

where he established their ‘custom type department’, creating fonts for the New Yorker magazine, and others.

Recent highlights are fonts for Rio2016, multilingual type for Nokia and HP, and a lovely serif font for luxury hotel

brand Faena. He is currently investigating type and emotion, with a special interest in the physiological aspects.

Richard Bailey’s background is in corporate services, but since joining Dalton Maag he’s diversified into developing the design service offering and improving the client experience. Recent highlights include Ducati, USA Today, andAmazon. Richard holds the position of Operations Director, and is based in Dalton Maag’s London office.

Sign Painting with John Downer This class will focus on rendering a few particular styles of capital letters and scripts that were commonly used in European sign painting during the 19thth and 20th centuries.

The Original Champions of Design with Bobby Martin and Jennifer Kinon Join Original Champions of Design partners Bobby Martin and Jennifer Kinon and the OCD team for a behind-the- scenes look at their process, their work and their love of type. Since the branding and design agency was founded in 2010, OCD has partnered with a wide range of clients such as the Girl Scouts of the USA, Prospect Park Alliance, The New York Times, the National Basketball Association and The Studio Museum in Harlem to ensure their growth and creative goals. Evening talk, 8th June, 5.oopm Cinema Teatro Sarti Via Scaletta 10 Faenza

Micro Typography with Tânia Raposo In this 1 day workshop you will acquire typographic skills on the micro level — how to solve intricate typographic hierarchies, and how to fine-tune long passages of text. You will learn how and when to use various kinds of dashes, get acquainted with OpenType features and get to know all the strange characters in your glyph palette.

For further information and to register for the conference visit the website at www.letterexchange.com

Two day workshop, 6th-7thth June 2019, 10.00am

Biblioteca Comunale di Faenza (1st Floor)

Via Manfredi 14

Faenza (RA)

Two day workshop, 6th-7thth June 2019, 10.00am

Biblioteca Comunale di Faenza (2nd Floor)

Via Manfredi 14

Faenza (RA)

One day workshop, 8th June 2019, 10.00am

Biblioteca Comunale di Faenza (1st Floor)

Via Manfredi 14

Faenza (RA)

Better get planning.

[goatilocks13]

I have been a fan of Whiplash (aka The Three Tony’s: Portaro, Bono, Scaglione) since their "Thunderstruck" demo, which I acquired as a tape trader and college radio DJ back in 1984. The band were already signed to Roadrunner Records when I joined the label in December 1987, and their killer second album “Ticket To Mayhem” had been released that past October.

My initial job was College Radio Promotion and since “Ticket To Mayhem” was still new, I turned my attention to figuring out how to give it the leg up at college radio. In literally the first thing I ever did at Roadrunner, I decided to bring the band to the office and schedule a couple of days of radio station phoners. That was a pretty standard thing to do back then so I needed an angle to make it fun and get the DJs to engage. I came up with the idea to print up the ticket seen on the cheesy 3D front cover and send it out to my mailing list. I wish I had a photo of the back of the ticket, but it basically told the DJs that they were holding their ticket to interview the band and to call me to schedule a phoner on one of those two days.

What do I recall about the two days? All 3 guys came (including Scaglione’s replacement, drummer Joe Cangelosi) and hysterically every time they would be asked to record an ID for one of the stations they would end it by screaming "Swallow the slaughter!!!" into the phone. That was from Potaro's second line on the album (via the crushing opener “Walk The Plank.”). It’s clearly an expression they loved as they would later use it as a song title on 2009’s "Unborn Again" album.

I still have one of these tickets somewhere but as it would take hours to find so I have included two pics from online. You know who else has one? Joe Cangelosi. One of these pics is from him. The bands will always tell you the label did nothing etc… but the proof exists, ha ha.

R.I.P. Tony Bono.

- Monte Conner, Roadrunner Records.

[bretthorton]

[opsikpro]

Listen to A Full SLAYER Show From 1986

Listen to A Full SLAYER Show From 1986

[ad_1]

The Sacramento Music Archive has just uploaded a (mostly) full Slayer show recorded at the El Dorado Saloon on November 5, 1986. So about a month out from the release of Reign in Blood and potentially without drummer Dave Lombardo, who left the band in late 1986. Lombardo was filled in for briefly by Whiplash drummer Tony Scaglione. Here’s what The Sacramento Music Archive’s Shayne…

[metalmom70]

Not sure if anyone has posted this yet

[thrasheaters]

Epic photo of Tony Scaglione (Whiplash), Tom Araya & Jeff Hanemman (Slayer) ----------------------------- Thrash Eaters for passion!