Some sketches of Chang throughout childhood to adulthood (according to my headcanons anyway, more in the cut if you're interested)
Chang as a kid preferred to play alone and he loved to pick up rocks from the shore and take them home (his collection only gets bigger and bigger through the years). The Chang family was poor and both parents had to work so the one who stayed with the kid was the grandfather till he died from old age. Chang was still very young though when he lost him and from then on alone. His parents tried to spend more time with him but they still had to work or bring their kid with them as Chang being quiet and not demanding was seen as him being an easy and mature kid.
After losing his parents and going to an orphanage, Chang is still quiet and polite but becomes indifferent to many things and prefers to be alone, spending most of his time reading any book he can find, learning French and English by overhearing the foreigners, wandering around, and mostly at the river. Meeting Tintin changes everything as he makes his first friend and gets a new family but mostly makes him see things differently, finally looking at the world with interest and confidence.
Chang is a top student in high school but his rebellious phase doesn't let either the school or his family rest assured. He no longer obeys or stays quiet, he needs to be heard and most of all to be understood and accepted. His dream is to see the world and hopes to meet Tintin again as he many times still lingers to the past, despite the fact he has new friends and a new life (as well as Tintin). Thankfully, his rebellious phase quiets down in the final year and he manages to become more open and direct to his loved ones.
Chang after being rescued by Tintin and Haddock in Tibet, he returns to Shangai, needing to deal with his traumatic experience in his home and with his family. He's underweight, he feels cold all the time and his mind is stuck to the plane and the mountains. In addition, he tries to deal with the fact that Tintin has changed and that their friendship can never be as it was.
Almost a year after the Tibet incident, Chang manages to go to his uncles in London, where he stays for about 4-5 years, studying archaeology (Professor Tarragon comes and goes at the university and Chang has the luck to be in his class and friend). His friendship with Tintin remains strong and they keep in touch more regularly but Chang doesn't depend only on this friendship and makes new friends.
After university, Chang joins Tarragon's team, and from then on he travels around the world, from one archaeological site to the other, always eager to learn and see more. He frequently visits his family in Shangai and his uncles in London and, whenever he gets the chance, his friends, including first and foremost the Marlinespike family. Close to his thirties, his eyesight shows issues and he starts to wear glasses (he wasn't a fan of this at first but he soon got used to it).
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...that your audience won't hate.
This is a method I started using when NFTs were on the rise - thieves would have to put actual work into getting rid of the mark - and one that I am now grateful for with the arrival of AI. Why? Because anyone who tries to train an AI on my work will end up with random, disruptive color blobs.
I can't say for sure it'll stop theft entirely, but it WILL make your images annoying for databases to incorporate, and add an extra layer of inconvenience for thieves. So as far as I'm concerned, that's a win/win.
I'll be showing the steps in CSP, but it should all be pretty easy to replicate in Photoshop.
Now: let's use the above image as our new signature file. I set mine to be 2500 x 1000 pixels when I'm just starting out.
Note that your text should not have a lot of anti-aliasing, so using a paint brush to start isn't going to work well with this method. Just use the standard G-Pen if you're doing this by hand, or, just use the text tool and whichever font you prefer.
Once that's done, take your magic wand tool, and select all the black. Here are the magic wand settings I'm using to make the selections:
All selected?
Good.
Now, find a brush with a scattering/tone scraping effect. I use one like this.
You can theoretically use any colors you want for this next part, but I'd recommend pastels as they tend to blend better.
Either way, let's add some color to the text.
Once that's finished,
You're going to want to go to Layer Property, and Border Effect
You'll be given an option of choosing color and thickness. Choose black, and go for at least a 5 in thickness. Adjust per your own preferences.
Now create a layer beneath your sig layer, and merge the sig down onto the blank layer.
This effectively 'locks in' the border effect, which is exactly what we want.
Hooray, you've finished your watermark!
Now let's place that bad boy into your finished piece.
You'll get the best mileage out of a mark if you can place it over a spot that isn't black of white, since you'll get better blending options that way. My preference is for Overlay.
From here, I'll adjust the opacity to around 20-25, depending on the image.
If you don't have a spot to use overlay, however, there's a couple other options. For white, there's Linear Burn, which imho doesn't look as good, but it still works in a pinch.
And for lots of black, you have Linear Light
Either way, you're in business!
EDIT since this has escaped my usual circles, and folks aren't as familiar with my personal usage:
An example of one of my own finished pieces, with watermark, so you can see what I mean about 'relatively unobtrusive'-- I try to at least use them as framing devices, or let them work with the image somehow (or, at the very least, not actively against it).
I know it's a bummer for some people to "ruin" their work with watermarks, which is part of the reason I developed this mark in particular. Its disruption is about as minimal as I can make it while still letting it serve its intended purpose.
There's other methods, too, of course! But this is the one I use, and the one I can speak on. Hope it helps some of you!
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