#twin peaks lore

[vaporlocke81]

DERELICTメガタワー from death's dynamic shroud

🔳👄🕳️⸮ɘmɒᴎ ɿuoʏ ꙅi ƚɒʜw☕🫦🔲

[show-tunes]

Quick post this old man while no one’s looking

[chiomaus]

@scuffedcore this look is everything...

[foolshoujo]

i think it's so interesting how p3 & p5 sort of lend themselves to being so hilariously similar to each other that its a sort of shame p4a, which dont get me wrong i love the arena games, ties p3 with p4 thru the sheer fact that the two games were easy to mash up at the time. sure p4 canonically takes place 3 years & u visit tats/umi port n such but man the shadow ops as a whole idea work so much better as an adult foil to the phantheivs. kids, now adults who understand wholeheartedly the raison de terre behind the thieves of heart & would side with them unanimously. they understand first hand the feelings of betrayal by an adult figure they were meant to trust, not just with ikuts/uki but no doubt with mits/uru & the entire kir/ijo family( while all was done in her fathers name, take/haru is no fuckin saint ). yaldo is so er/ebus coded its silly, like its soooo silly. i even go as far as to say they are the same, ere/bus evolving through the apathy & negativity from humanity into this new stage of it's existence still reaching out to nyx to destroy our world & create anew as yaldabao/th. mementos = inferno, tarta/rus = greekoroman underworld which both are so much the same because the tale of orphe/us is the tale of da/nte. i argue that. yall just havent seen my unhinged rant that tartarus once destroyed manifested itself into the bowls of meta/verse transforming itself corrupted by the people's will. m/aruki is a lazily rewritten ikut/suki. is sa/tanel not just the foil to me/ssiah ? did min/ato not pass the baton in saving the world to a/kira, his successor ?

[fujimen]

I dont know about you guys but I pretend borderlands 3 doesn't exist

[anemicroyaltea]

my evening 📖

[humonculuss]

lol closet cosplay

[bernadettavonaegir]

not to combine my two most favorite series/hyperfixations together (madoka magica & twin peaks) as if it makes any semblance of sense to anyone other than me, but reading all the theories about the multiple homuras in walpurgis no kaiten gives me twin peaks the return vibes for real. mostly regarding agent cooper and his doppelganger(s).

[rotalone]

if you read all of josey’s biography and/or lore. i love you so much and i’m gonna kiss you on the forehead.

[wormworker]

alastor from hazbin hotel is like if david lynch remade twin peaks with furries

[mountain-in-springtime]

so i finally finished my first watch of fire walk with me. i am sad and unsettled

[emptyjunior]

It looks like with the movies taking off, everyone is on the Dune train now!! Which is very exciting, I’m glad a bunch of new people are discovering this media and reading the books, but can I recommend you the David Lynch, Dune (1984) movie.

First of all, if you are invested in the lore of the books and the deeper messaging of the story, you’re going to need to turn that part of your brain Off. If you love kick ass shit and are willing to be slightly tipsy while you watch and have a great goddamn afternoon, this is the flick for you.

Now first fun fact I’m going to share with you. David Lynch (twin peaks, eraserhead director, celebrated surrealist) turned down the opportunity to direct Return of the Jedi for this film. A film that was devastatingly slow to make, changed hands multiple times, had a pricy VFX budget of $40 million and then made barely $31 million, David Lynch turned down Star Wars to work on it. And he did this when he had never read the novel, and did not even like or engage with sci fi media. THAT’S how you know we’re really in for something.

Now this film has some big names in it! We’ve got a young Kyle MacLachlan who is rocking some Devastating outfits:

We’ve got Sir Patrick Stewert as our Gurney and Sting, lead singer of the police, playing the 15 year old Feyd Rautha! If you wanted to see a grown man, sprayed orange, basically naked playing a free wheeling maniac you are in for a treat! And another fun fact, David Lynch also did not know who these actors were, he made a mistake and thought Patrick Stewert was someone else and when Sting said he was in the police he assumed he was in an organization of lawmen.

Now these characters are familiar to you, but let me get into the unfamiliar. Lynch made some directorial executive decisions throughout this film, for I suppose the ease of the viewer? I mean an adaptation is supposed to adapt so he went let me change some stuff up👏👏👏.

Those who paid attention to Jessica’s backstory may know about the Weirding Way. This is a martial arts style created by the Bene Gesserit, and practiced by Paul. It is more than just a fighting style but also an important philosophical concept, like Aikido or how Kung Fu has foundations in Buddhism.

You may also be familiar with the quote “My name is a killing word.” This inner monologue of Paul’s refers to how his title Muad’dub will be used to spur a holy war. A simple name is what people will die and bleed for, it will be what they scream as they cut down enemies.

Dark! Intense! That’s Dune, anyways in the novel it’s easy to take your time exploring these concepts. Introducing the audience to the religious ramifications of a simple name and fighting practice and how these things can have rippling repercussions upon a society like the Freman.

Now David Lynch didn’t have time for that! He had the belief (that may be right🤷‍♂️!) That watching a bunch of people kick each other on top of a sand dune would be Lame😭😭

So he made the choice for his film that “My name is a killing word” was to be taken Absolutely Literally and invented a device where if the freman said the name Muad-dib, shit would explode.

If they said Paul’s name, they could Explode Stuff. Let it sink in how rad that is. Hell yeah man, hell yeah. Imagine me interpreting religious text that way, imagine if I made a bible movie and the moral I took from a parable is that when Jesus asked for food and everyone donated fish, I concluded that Jesus was a mutant who had fish powers and could immediately conjure fish with magic and gave him fish death rays that shot out of his hands.

So that’s what you can expect from this interpretation, the weirding way now means everyone has Lasers its rad as hell.

Some other incredible choices made! This is a spoiler, but in the novels and the new films you can see the Freman collecting every scrap of water they can. Dr Liet-Kynes, the planetologist, reveals to us it’s because they have a long, multiple generation spanding plan to fix the planet. By introducing this water back they hope to reset the ecosystem over centuries of work. The reason they have been unable to do this is because a green planet would obviously not have worms and sand who produce spice, the most coveted drug in the empire, so imperial and harkonnen forces have been stopping this from ever happening. They want to be free from oppression so that they can start to work on slowly fixing their world, a project that plays out in Paul’s adult life and has its own dramas and complexities.

In Dune 1984??? The moment, the Moment Paul lays out his cousin and throws the final punch, it begins to rain in Arrakis. As if they were all under a magical curse and were just waiting for a teenager to come fight another teenager and then the water will come back. It’s so good, it’s so funny.

Also Pugs! House Atreides official Pugs! Paul has pugs in his lap!!

This is honestly an adaptation choice that I really really like! Paul is the result of centuries of selective breeding, this practice is an artform to the Bene Gesserit and a skill that they monitor closely. It produces bizarre and sometimes terrifying results and is the reason for Paul’s existence.

I think having an animal that was also created through selective breeding, was engineered from a wolf into an animal that can hardly breathe is an incredible metaphor! A smart and identifiable symbol for the audience, I think it’s a slam dunk and the new movies should have done it to.

Anyways can not recommend this film enough.

-The body suits the bad guys wear are made out of real body bags, that actually had been used.

-David Lynch to this day hates it.

-The original cut was four hours.

-The cast and crew were sick the Entire shoot with something they called Montezuma's Revenge, which was probably just food poisoning, side effects from the constant smog because they shot the whole thing on backup generators, illness from the cockroach infestation and terrible morale.

-Frank Herbert saw it multiple times and said he absolutely loved it.

-When they ride the worms, sick rock jams play.

If you love electric guitar, lasers, worms and will forgive me for not including all the trigger warnings cause Yes this film will gross you out, then go watch this movie.

[midwesternvibes]

Alright people, it's time for more Villain Leo lore!!!

Today we are diving into Leo and Splinter's relationship!!!

Read under the cut because this got so LONG, these two have so many issues and there was so much to work with.

Alright, so it's no secret that Leo and Splinter have a....less than ideal relationship. You can see throughout all of TMNT history that Leo looks up to Splinter an insane amount, and Rise Leo is no different.

This boy looked up to Lou Jitsu his whole life, and we can often see him doing the same movements and catchphrases that Lou did. Granted, all the boys do, but Leo seems particularly attached to Lou

And we've all seen the smile comparisons, it's insane how similar his grandiose smile is to Lou Jistu's.

The point is, Leo really looks up to his dad, and we can see this in his actions and attitudes towards not only Lou Jitsu, but also Splinter in canon.

"Trust me pops!"

I mean, just look at how happy he is to be there with his dad, in his element. This episode is Leo at his peak, outsmarting everyone and predicting his family's moments to the letter.

Also, idk about you, but that smile seems incredibly genuine. That's not even a Lou Jitsu smile, that's a 100% Hamato Leonardo smile at his dad whom he looks up to so much.

And what does Splinter say to his son's ask for trust?

"I knew I should have brought Purple!"

....what.

That is his SON. His 14, maybe 15 year old son, who is asking for his father to trust him.

....and he responds by saying that he wishes he had brought his more intelligent twin brother instead, who he has already shown an implied favoritism towards in the past

"And I thought Purple was the funny one!"

"Told you guys I was the funniest."

This is a pretty harmless comment tbh, but Leo takes so much pride in his quips, one-liners and puns that this had to sting a little bit.

There's such a huge amount of content to sift through when it comes to these two, and that fact actually saddens me because I had SO MUCH to pick from when making this post, but here's some highlights.

One thing that I noticed while watching a Splinter and Leo compilation is that during the memory episode, Leo is the only one Splinter directly hits

NONE of the other three were directly hit like this is any point in the episode and yeah, this could totally be played off as a bit or just a case of wrong place, wrong time, but we'll get to my theory later, right now I'm just laying out the facts.

An important detail I'd like to point out here too is Leo's face after the first hit.

Guys, he looks HURT. Donnie and Raph are looking at him, checking that he's okay, but he is looking right past them at the shadow Splinter, who is dressed and looks just like his childhood idol, who just hit him specifically right in the face.

Not only his idol even. No, the most pure and unfiltered representation of his father, the man who's raised him his whole life.

And he just got hit in the face.

Ouch. For a kid as emotive as Leo (who I honestly think feels his emotions even more intensely than Mikey when he lets them out), this is a devastating blow. Literally.

Then, let's talk about this scene, you all knew it was coming.

"Can someone tell my son I am NOT TALKING TO HIM!!"

"You got this pops! I love you!"

Guys this scene hurts my heart. Like, once again, he can't be older than 15 at this point. Yeah he's being a badass stratigiser this whole episode, but you cannot convince me that he wasn't at least a little excited to see his dad, his HERO in action, and wearing a matching outfit as well, and show his dad, his idol and hero, exactly what he's capable of. Leo absolutely worships the ground Splinter walks on and what does his father have to say to his son"s encouragement??

"NO!"

GAHHHH like yes, Leo was kinda being a little shit this whole episode and could have clued his dad in on the plan a little bit, but honestly that could have ruined everything if Splinter had any holdbacks.

Not to mention, this is the only Leo and Splinter episode we get. Donnie gets the derby, Mikey gets the Hidden City bonding, even Raph gets the ending of the memory episode, and in each, they have a genuine moment of bonding with Splinter.

Splinter never ONCE apologized for his actions in this episode. Not once. RAPH is the one who tells Leo in this episode later on that he trusts Leo, something he's been begging Splinter for the entire time.

All of a sudden, this moment doesn't seem so out of place.....

"I love you soooo much!" "No, no you don't, I'm your least favorite!!"

This line could totally just be a throwaway line, but as it was pointed out to me by the wonderful @nardos-primetime, the alarms that the boys did for Google home have a REALLY upsetting one for Leo

Go to about 1:57 and listen to that one and just......cry.

NOW that line in "Rat Flu" makes a LOT more sense. Splinter LAUGHED at Leo when he asked if he was his favorite. LAUGHED at him.

But wait, you may ask. What about the ending? Splinter made Leo the leader, obviously he trusts him!

....yeah, just take a look at their faces here.

Donnie and Mikey are basically horrified beyond belief and in complete shock

Raph is.....blue screening, honestly

And Leo looks completely taken aback and shocked and scared and honestly, I don't blame him. There is absolutely NO precedence for Splinter to do this. He has proved time and time again that he does NOT trust Leo, he never ONCE tells Leo that he trusts him even though he asks for that trust during the entirety of "Unhappy Returns". NONE of them look happy about this new change.

You could see this as Splinter finally giving Leo a chance, but I see this a lot more as one of the more popular Fandom interpretations of Splinter wanting to give Raph a break. Raph had a huge breakdown during the finale and I don't think it's unreasonable for Splinter to have heard of that and decide that his beloved eldest needed a chance to recover.

Who better to pass this burden on to than his least favorite son!

We also see in the movie that this shift in power dynamics really doesn't do much other than create a lot of interpersonal conflict between Leo and Raph, something Splinter does absolutely nothing to help out with, other than telling them to quiet down.

Now that we have all of our evidence (and I put more work into getting evidence for this than for the English project I'm supposed to be doing right now can I just cite this as a source for me being capable of gathering evidence???) we can actually get into the analysis of how this all would affect him.

First of all, I mentioned that I would discuss the repercussions of the memory episode. This analysis is more for Splinter, but I feel like it's still important. We've seen time and time again that Leo is very similar to how Splinter was as a young teen in both looks and attitude. If Splinter truly resents his younger self and how he acted, it would make a lot of sense for him to also subconsciously resent his son who acts a lot like himself at that age. This would cause him to lash out at Leo in his subconscious, the one place where his true thoughts and feelings are on full display.

I just wanna point out his face again here, Leo looks so hurt. He definitely already knows that he's not anywhere near Splinter's favorites at this point, but it still hurts him to see that get confirmed.

This brings me to my next point of Leo's psyche. He is a very confident, witty, smart teenager, but he's still just that. A teenager. He's anxious, insecure, and very self-reliant. He looks to others for praise often and rarely receives it, usually having to hype himself up. His relationship with Splinter only emphasizes these qualities about him and makes Leo look so much worse in Splinter's eyes because his son is just a modern-day representation of his past self.

Now let's put this into perspective of Leo's decent into villainy.

If Leo is hurting and under the impression that his brothers are maybe starting to dislike him, even hate him, adding Splinter on to this can only make it worse.

Maybe he goes to his dad for tips on how to lead when he feels like he can't talk to Raph anymore and needs his father's advice.

Maybe he sets up a dinner for him and Splinter to just chat and bond instead of sitting at the dinner table with another one of Mikey's meals that he feels too sick with anxiety from his little brother's disappointed looks to eat.

Maybe he goes to his father crying from another nightmare after not feeling welcomed in Donnie's lab anymore after they fought for an hour the day before.

And maybe, just maybe, Splinter waves him off every time.

Forgets.

Laughs at him.

I mean, this is a kid who relys on others to build him up, to praise him and love him because after all....

Who is he without his family?

Maybe it's time to find out.

First // Previous // Next

Link to an AMAZING ficlet by the FANTASTIC @beetleviolet

[malicesuccubus]

New Creepypasta comic

Small town. Missing people. A young detective is going to investigate what is going on.

I don't know how to explain that, just wanted to spice up Marble Hornets with some Twin Peaks lore :)

[inbetweenhours]

Because I am obsessed with this one line from Battle Cries by The Amazing Devil and will continue to reuse it in artwork I of course had this though for using it in comparison to the twins of Rivendell, Scott and Xornoth. As I though more about the piece it evolved into a study of the cycle of corruption and hate between brothers within Rivendell’s leadership. This fight that was born in Rivendells foundation and which died only with the kingdom itself.

Doing this I managed to put a lot more thought into my actual ideas about how the majorly slumbering pantheon that the Stag Gods herald from operates its history especially. I revisited my concepts of Alinar and Cohnel, and I made sure to keep in mind the key differences in all the brothers relationships, as well as how the corruption and championship affected them. 

Below the cut im gonna ramble about the lore both canon and MOSTLY my won fanon that provides background to this piece and how it came together in my head :]

I am going to go through each set of brothers and describe their history. From their conception, to their finality, in the context of being a pair. 

The Stag Gods are unique in their conception. For the sake of ages they are affectively twins. The pantheon they hail from was born in the time after the titans fell. As Pixlriffs describes in his opening to season 2, mighty titans once roamed the earn and when they fell their bodies became the lands that empires now rise and fall on today.  The era of gods that Exor and Aeor were conceptualized in were some of the first creatures to evolve to inhabit the lands that these titans bodies became. The first stags, the first serpents, the first flora. The first seasons, of winter, to spring, and summer. Wilderness was born and from it rose divinity in its first era. That of the Stag gods.

When Aeor and Exor were young fawns they were nothing more than animal. Young and reckless, exploratory as they took on their responsibilities. Bringing order and chaos, winter and summer. A cycle  ever chasing one another. They were so different, but they were brothers. They could not be without the other, as is their cyclical nature.

They are affectively the same age. And they grew up in a time where they and the other gods were the only sentient life around. They are neither benevolent nor malevolent gods. No deity is, because those are mortal terms. Their understanding of mortality is comparable to human understanding of ants. They work, and they have built great things have systems. But everything looks so simple from the gods view. 

The gods take care of mortality in the same way a man may take care of his dog. The dog is loyal and loved and cared for, but it is still only a dog. When the corruption first rose it ugly red shades across the land the gods grew weary. It threatened their precious pets, destroying mortalities hard work and making them ill and crazed. So the pantheon banded together and supposedly defeated The Corruption. It took the full strength of most, and so most of the pantheon fell into slumber. The Stag Gods among the few who continued to stand.

The brother stags founded Rivendell high in the mountains, a place to protect and watch over the mortals they personally  had found preference in, the elven civilization. For a long time the elves worshiped both stags, but as time went on a preference for Aeor and his orderly ways grew. Exor grew jealous, and emboldened by the last remnant of The Corruption which has laid in wait for it time to rise again, he acted out. And as more and more conflict grew between the brother stags, the corruption took its hold in Exor, turning him cruel and greedy, and in turn twisting up all the gods followers as well.

We all know how this story ends. Aeor and his brother fight, divided finally, futile, by The Corruption, and Exor alongside his followers are banished to the mountain peaks to waste away in the caves.

Alinar and Cohnel are the next of the brothers. They are third generation Rivendells citizens. Alinar is older than Cohnel, by some years. They come from a comfortable family, nothing so noble, as the country  flourishes around them. They play together in the streets, Alinar leaning Cohnel by the hand too keep him from running off. The play in the snow and as thy grow older  dare to hike further and further into snowy peaks. Till one day they would discover the ruins of where Exors fanatics were one sealed away. 

Alinar would urge them to leave, taking Cohnel home. Enough warning in old tales told as bedtime stories enough to ward him away. But not Cohnel. Ever cursed with youthful curiosity he would return alone. And he would not be seem for many months. Declared missing Alinar would mourn, grow, and push himself to help others where he could not his brother. He would join the council leading Rivendell, where he would be in a position to see the rampant increase of missing persons. The unease and fear it drew throughout their kingdom.

And  under oath to protect the people Alinar would set out, meet his brother again on the battlefield. Now corrupted from his once boyish youth Cohnel is nothing of the baby brother Alinar once guided. Still, the boy has their mothers nose, and the same eyes. Alinar is weak in one moment and decides he cannot kill his baby brother. But he is a member of the council and a hero of the people. Aeor gives him help, guides him as his champion and  brings him to the conclusion of a banishment spell. So he does just that, never to see his brother again, and goes on to become the champion of Rivendell. Heralded as its first king.

The final set of brothers are best known I presume. Scott and Xornoth, twins of Rivendells monarchy. Xornoth is older, and that is important to me as I often debate giving them a real age gap but I will stick with the twins lore for now. Descendants of Alinar. As members of the monarchy these brothers lives are different to the others. They found more solace in one another as refuge from responsibility and ridicule from their parents. 

Both princes grew well educated, and with that they knew even more of their history than perhaps the general public were privy. Their ancestry, and that of the gods more available. Both were devout in their academics and their religion, as they were brought up to be. However a key difference was Xornoths ability to push boundaries, push questions. Always a thirst for more, more more- especially in the way of knowledge. They drudged up arguments with mere curiosity and while Scott entertained his brothers thoughts, he was much more well behaved. Not risking mentors or parents good temperament for answers when he could easily keep his mouth shut. 

Still, he encouraged Xornoth’s curiosity, even as it grew more fascinated with more forbidden insight. More curious to Exors scorned history. With so much historical documentation of devotion to Exor destroyed out of fear a long, long time ago Xornoth only grew more despertaly curious. And when they found note of old banished groups of ollowers in the mountains he pleaded with Scott for a coverup. 

Scott allowed it, the two sneaking away and Xornoth returning with an ancient tomb. Obsessive was what Xornoth was turning into, red glint in their sharp eyes growing more by the day till finally  something gave. Where there was once passive irritation and distain Xornoth grew quick to anger and  violence. Till finally the ysnapped, and in a late, fitful arguement with their parents they killed them both.

Scott had not an idea what happened. Not until he awoke the next morning to maids screams. His parents dead, and his brother gone- nothing more than a banishment sigil burned into their bedroom floor as indication to where they had went. Scott would be coronated, and with his kingship he only became more devout to Aeor. 

Scott believed his brother dead, and moved on for over a decade till the events of season one as we know it. Xornoths return, the understanding of what had happened to them. Being championed, and capturing his brother. Hoping dearly to find a way to undo Exors influence. Till finally out of time the two battle on Rivendell peaks, overrun with corruption.

Scott decides to be selfless, killing himself on the rune blade. and As he bleeds out Aeors presence withdrawals from him. As Aeor withdrawals, so does Exor. Until it is only Scott, delirious with bloodloss and pain. Until it is only Xornoth, finally in their right mind after decades of corruption and divinity puppeteering them. And they see their little brother, and know they had failed to protect him from themselves when they ran away. There is nothing left to be done as Xornoth moves to hold Scott in their last moments. Offering the smallest comfort as death takes them both by virtue of their connection.

The cycle of brother, loved and corrupted, which started in the seeds of their kingdoms foundation and that has withered with its end. It is all finally over.