#txf recaps

[mulders-too-large-shirt]

my favorite scully and mulder moments from s2

when they aren’t supposed to talk to each other anymore in the first episode because the x files were disbanded, so they came up with a code to know when to meet up

(and mulder at first is very annoyed that she wants to risk being seen with him because she’s deeply concerned about how distant he’s acting… “so what did you want?” “to see if you’re alright”. him trying to grapple with being cared for vs her trying to figure out why he won’t let her in. yeah.)

((and she runs her fingers through his hair at this covert meeting, after he confesses he’s lost all faith))

when she finds him, in the same episode, passed out on the floor of a random puerto rican jungle compound, and he grabs her by the shoulders, saying he saw the same aliens that took his sister

another covert meeting in episode 2, after moody mulder thinks he was moved to a case just to keep him busy: “is this seat taken?” she asks. “no, but I should warn you I am experiencing violent impulses” “well, i’m armed, so I’ll take my chances”

(and right after, when he said he wants to leave the FBI, but working with her is his only reason to stay)

“i’d consider it more than a professional loss if you decided to leave” <- sobbing. for ten thousand years.

episode 3, when she flew 300 miles in the middle of the night to draw his blood. couldn’t anyone else have done that? no. it needed to be Her.

(there’s another, very brief scene towards the end of episode 3, where she peeks over his shoulder and the height difference is incredible)

scully stopping her class because she gets a call from him, then flying up to New York to do an autopsy for him. and when they see each other they both smile SO big it’s adorable, even as she is holding a human stomach. krychek seems confused. he wouldn't understand, would he?

and then flying in AGAIN to try and help mulder during his hostage negotiation with duane barry in episode 5, getting furious when she is told to “calm down” while he is in danger

when she finally wakes up from her coma in episode 8- how she yells at her mom for calling him “fox”, how he brings her a VHS tape of superbowl highlights and she deadpans “i knew there was a reason to live”

(and he finally gives her necklace back- but then he leaves, despite wanting nothing more than to stay by her side, to let her be with family)

in episode 9, when they are finally back together, mulder tries to get her to stay home from this investigation to keep her safe, because he's terrified of her getting hurt again: “scully, i don’t think it’s a good idea for you to go”, he says, but she’s too stubborn to be stopped, and he realizes it’s an impossible fight

(later, they engage in an intense scientific argument over the existence of silicon based life forms, and it feels deeply charged)

another reassurance in episode 9 that she is okay despite what she has gone through: “i’m back and I’m not going anywhere” (shoulder grab!!!!) “i'm counting on you” (lingering eye contact!!!!)

when he returns from his mission to find scully handcuffed, having just saved herself with some quick thinking, and she has to comfort HIM at the sight of her in distress: “i'm okay, i’m okay”, she repeats, while he gently grabs her face, and seems to ignore everything she is saying to ask if she’s alright

(and the month long quarantine that ensued, which we saw none of, but the fact that it happened at all is lovely to me)

sharing an umbrella in episode 10!!!!! it’s really the simple things in life you know!!!

going out on a rib date… he wipes the sauce off of her face, then goes into explaining how a new spirit can take over a body

when mulder’s sense of injustice is going off that episode, so he leaves the restaurant to defend a kid being bullied, and when scully follows the mean kid taunts him by saying “why don’t you run along with the little wife?” and neither of them react (except for a few moments later when he’s staring intently at her, and it looks like he is considering the possibility)

(bursting into her motel room) “scully? you’re not gonna believe this” <- he said the line!!!! (and she could believe it, because she had figured it out on her own)

exchanging theories on murders and repression of memories: “i seem to recall you having some pretty extreme hunches”, she says, and he replies “i never have”. they both smile in the quiet of driving along a small town road.

when mulder narrowly escapes having his throat slit, and after scully nearly shot the woman holding him hostage, she runs to him and carefully cradles his head while he’s still on the floor…. oh the tenderness. i actually might fall apart.

thinking they will have free time on their trip to Minnesota in episode 13, he bought them tickets to a football game <3 and they didn’t get to go but it was SUCH a nice thought

mulder noticing that scully is in extreme distress while looking at the victims of the killings in episode 13,  but trying to give her space to admit that she is terrified; “scully, if you’re having trouble with this case, I want you to tell me” “I’m not having trouble”, she lies, and he answers “i just don’t want you to think you have to hide anything from me” oughhh.... </3

and when the killer who terrified her so awfully kidnaps her, and mulder arrives to find her, she insists that she’s okay despite shaking like a leaf, until he lifts her chin up. only then does she start sobbing into his chest, while he mumbles “it’s alright, it’s alright” to her. ohhh, the vulnerability hits hard here, especially because she had just said she didn’t want him to feel like he had to protect her! as if there was ever going to be any other option; he is the protector and he will protect what he loves, it’s all he knows

taking the little kid they meet at the refugee camp in episode 15 to get lunch, because one thing these two are gonna do is get any youth they encounter some food. and mulder gives him money for extra fries because he WILL spoil any random child.

she cuts her hand on a thorny branch left in their car, and when mulder says “let me see that”, she replies that it is nothing, trying to deny him any chance to be concerned. then when she starts feeling very ill, she keeps telling him its fine, because for some reason the doctor cannot doctor herself.

(he goes off to get the bad guy, and she is in the car hallucinating. when she finally breaks free from the clutches of evil, he’s lying on the ground, having been… like, psychically stabbed? and still. his first question when he sees her is. “you’re okay?” aughhhhhhhhh)

that time mulder was actively dying of alien poison in episode 17, so she barged in and started yelling at the doctor to get his shit together, because she knew what to do and he didn’t. and she manages to save him.

mulder agreeing to trade who he thought was his sister for scully in a hostage deal, then saying he couldn’t have told her it was his sister because he knew scully would never have let him go through with it... the terrible pain of knowing somebody so well, you know they'd endanger themselves for you...

after scully saves his life by figuring out how to treat his alien poison, she stays by his bed and gently strokes his hair. and when he opens his eyes, she was holding his arm. she smiles and says “thanks for ditching me”, to which he replies that he found his faith again (<3)

seasick mulder fumbling for words in episode 19, while she tries to see if he's feeling any better: “you’re lucky you inherited your father’s legs” “what?” “his SEA legs” (scully laughs while he is in ocean-induced misery)

when they take shifts watching the suspicious guy on the boat that makes you old, his alarm goes off to indicate his shift was over. he goes to wake scully up and switch off, she mumbles something about having just fallen asleep, and he offers to give her a little bit longer to rest. so sweet.

exchanging magic tricks while investigating the sideshow performers in florida in episode 20- her making it look like the cricket came from behind his ear, him pretending to make the nail suddenly appear

“we’re exhuming your potato” “may i ask why?” (she goes into a convincing explanation on searching for evidence, he ruins it by interrupting to say “we found out you used to be a dog-faced boy”)

episode 21: “see, this is a helium balloon, and the one thing i did learn in kindergarten is that when you let them go, they float up, up, and away” “did you learn about wind in kindergarten?” (she is funny and she doesn’t get enough credit for that!)

and episode 24: iI just came up with a sick theory, mulder” “ooh, I’m listening”

mulder brushing her hair back, asking if she is okay after nearly getting decapitated

and who can forget episode 25, the season finale, when mulder is collapsing into her arms, delirious with fever and covered in his father’s blood; she lays him down in her bed, placing a cold compress on his forehead. “we’ve got to find out who killed my father” “right now you need to rest. it’s okay” what if i started yelling

him waking up after she had to put him in a coma for damage control: “you shot me >:(” “yes, i did” (patiently explains how she saved his life about 3 times in 72 hours, including by shooting him)

him thanking her for taking care of him; her asking him to find out what the files he's determined to understand say about her disappearance

[soufflegirl]

The Truth part 1 and 2 was messy and chaotic and made no fucking sense, but you can bet your bottom dollar that I wept every tear I had stored in my body

[casuallycryingoverbooks]

S08e20 Essence

I dont usually like those opening monologues but that was pretty good

Wtf is going on with the intro

I dont remember any of the stuff in the recap

Omg baby shower!!! How Scully doesn’t have any friends

Ewww Zeus genetics

Oh yeah, Mulder’s unemployed.

I heart John Dogget.

GERMANTOWN??? Thats from the episodes colony and end game in season 2

Doggets boston accent is perfect i love him (i hated him at first)

I don’t trust this bitch Lizzy, i feel like something happened when i wasn’t paying attention

“I think she trusts me” “we’re almost at the end” NO WAY DOG LEAVE SCULLY ALONE

I may have to dip after season 8 idk how much more of this i can take. What’s worse? Season 9 or the revival?

Oh shit that’s billy miles (im awful with faces)

Guess who’s back- back again- billy’s back- tell a friend

TENDING WOUNDS AAAA

HE READ THEM ALL

Friendly reminder that aliens bleed green and mulder is not color blind

I just accidentally turned the volume of my headphones all the way up and it was not pleasant

“My (our) baby is fine, Mulder.”

“Come on in we just need some space to talk” ?????

Shes staring at his lips

Petition to save Dogget from third wheeling with MSR

Some body kill this Lizzy bitch

Ooooohhhh wtf how did his head just fall off like that

SKINNER

Dad!skinner being like Mulder wtf are you here and are you the dad

A POOL RUNNING AT THE FBI

Why do the keep using the term barren just infertile

Are you the dad, yes or no???

No no no no no leave Scully alone and stop tampering with her pills you freak

“Everything is fine” mhm. I believe you.

“This is all my fault.” Yeah Maggie, it kinda is

Human clones? Dawg? Fr?

Protective!Mulder ❤️

*buzzer noises* you are NOT the father

This isnt about txf scully, its only about you 😭😭😭

I just want this episode to be over the show should’ve ended around at season 5 (although i do love FTF)

“Docta parentayy” i love his fucking accent

Fucking fucking Billy Miles go AWAY

Scully finally wearing a fucking seat belt for once

IS THAT FUCKING KRYCEK NO DO NOT GET IN THE CAR

“You’re all listening to someone he tried to kill me” JOIN THE FUCKING CLUB DOGGET HE’S TRIED TO KILL EVERYONE

AGAIN WITH THAT WORD WHY DO WE KEEP SAYING BARREN

God is real??? That’s what we’re getting from this???

“Why don’t you just shut up?” I ❤️ agent dogget

THE PAKING GARAGE

“Your ass stays here” yeah you tell him skinner

Reyes 🤤🤤

This is shaving YEARS off my life

The only thought going through my head as Scully and Reyes drive away is “let’s go girls” (du du da da du du)

THEY JUST THREW BILLY MILES OFF A BUILDING INTO A TRASH TRUCK WTF

[thatfragilecapricorn30]

Tagged: by @enigmaticxbee -- thank you!! 😊

Last song: she calls me back by noah kahan (the kacey musgraves version!)

Favorite color: yellow 💛

Last movie/show: movie - theater camp, which was so cute and funny. as for last show, i just started watching fringe and still deciding how i feel about it. once i finish s1 i want to write a review comparing it to txf.

Sweet/spicy/savory: sweet or savory though i do like spicy too! i will need to eat something sweet after a meal, but then need to eat something salty lol. i can’t win.

Relationship status: as the two previous, very single

Last thing I searched: if the television without pity recaps are available on the wayback machine. looks like some are. i miss that website so much!

Current obsession: trying to finish this exchange fic that was supposed to be done dec 31. 😅😅😅 I’m working as fast as I can I swear!

tagging @cyb3rpeach, @mandalorianmuffin, @pennyserenade, @gingerteaonthetardis, @bakedbakermom, @cutemothman

[weareheadoverfeels]

All Lies Lead to the Truth – Looking Back on The X-Files, Season Five

Hope you brought your cowboy boots, because we're recapping the blockbuster fifth season of The X-Files with special guest @kbethery. #TheOneWithBad Blood #TXF #TheXFiles

Source: christinaricci/Tumblr Posted by Kim and Sage Once upon a time, I could have told you that we’d reached the midpoint of The X-Files onscreen canon. Well, “The End” is not the midpoint any longer, but the conclusion of Season Five still feels like the distinct end of an era. And it is, with our heroes about to hit the big screen for the first time in The X-Files: Fight the Future and the…

[crossedbeams]

ROSE REVIEWS… THE X-FILES - S1.E11 Eve

<<1.10 Fallen Angel ———————————  1.12 Fire >>

I’m salty today and what better way than to transfer that into something positive than to finish this long overdue and almost certainly irrelevant recap of Eve. Read on for children who are almost as scary as their acting is bad, prison aesthetics and idiotic blithering by me.

THE PLOT

The fathers of creepy children are being exsanguinated on opposite coasts and Mulder wants to know the aliens have upgraded from cows. IVF suspicions run wild and with a little help from good old Deep Throat, the terrific two suspect genetic government experiments gone wrong may be responsible for the shenanigans. When the creepy kids go missing, things escalate and soda becomes a very dangerous refreshment...

Let’s go...

MY STREAM OF SEMI-CONSCIOUSNESS

Ah. The X-Files, the show that is always a scenic autumnal bath for my eyes…. And where under the leaves there is probably a dead person eaten by a molewoman or an alien. Honey? I’m home.

We find ourselves in an idyllic suburban neighbourhood, (always bad news on screen), where very concerned joggers approach an underdressed child and her stuffed animal. It’s hard at this stage to decipher whether the kid is creepy or just a really bad actor but the suspense synth hardly encourages us to give her the benefit of the doubt...

They head to the backyard, where peppy jogging neighbour fails to notice that the kid’s dad is dead coloured, posed like a corpse and basically, stereotypically and obviously dead... until he claps him jovially on the shoulder causing a tragicomic half slump of dead dad, and exposing vampiric looking marks. The kid screams, not sure why, she’s way too far away to see anything. This is the point at which I begin to suspect that she is both a bad actor AND entry #224 in the Vancouver local listing of Creepy Kids for Hire. Move over Conduit boy!

CREDITS!

This week we only wait 2.5 mins for our special baby Agents to materialise, Scully dressed as a Catholic grade schooler and Mulder wearing a tie designed, as far as I can tell, to look like mushroom soup with licorice allsorts floating in it.

Their poor fashion choices don’t seem to put them off them though, and we zigzag between lip biting (Mulder), making weird moany noises (Scully), and the level of inter office eye contact we’ve come to expect from these fluffy baby agents all set to a soundtrack of cattle mutilation chatter. And our series first (!) cow slideshow!

Scully is still naive enough to ask why Mulder believes cattle mutilation is linked to aliens. Give it a few weeks and you’ll realise that aliens is pretty much always the answer to “Why….” on the X-Files and that eyebrow is the only appropriate response before you just go with it.

I can’t wait :D

As Mulds and Sculls traverse some stairs, I realise that creepy kid #1 is called Teena. Spelled the same as Mulder’s mum. Because apparently the X-Files name bank isn’t only shallow in the male department. Also is Teena a normal spelling in the States? Here it’d only really be Tina….

I then get distracted by Scully in the biggest of purple coats. I’d love to see S1 Scully’s closet. A symphony of oversized pastels with overcoats to clash… don’t worry though hon. You’ll get some style later though for the bargain price of two (2) family members and also your ova. Poor Scully.

Scully also looks incredibly young in this scene, speaking all soft to the kid. Moments like this I struggle to believe that Mulder “never saw her as a mom” until Home. She’s all melty round the edges even though the kid is weird and creepy.

When creepy Teena starts talking about red lightning, the massively coached and unnatural pauses in dialogue and the trouble pronouncing exsanguination are just so glaring you can’t believe that this kid’s innocent charade will hold up as long as it does. But it all adds to the creep, just in time for…

**bring bring ** Scully leans in to kiss her spoopy partner tell Mulder there has been another murder. Darn. Seriously though. Close talkin to the power on uuuungghhh right here. No wonder this fandom is so thirsty.

We’re in Vancouver San Franciso, still in giant coats, for another exsanguination and what we now know is death by digitalis. Mulder says that the two estimated times of death were at the “exact same time” and I chuckle to myself like the pedant I am. Estimates cannot be exact dumdum. It also takes the edge off him mansplaining timezones to Scully. SHE IS A MEDICAL DOCTOR DAMMIT. 

This scene has very nice warm, sunsetty lighting which is nice as our Spooksters demonstrate why the X-Files department is always over budget; they’ve flown cross country to do two laps of a crime scene while reading a file aloud and the kid they wanna question isn’t even in town. Where is she? I’m glad you asked, coz remember that sunny warmness? Well it’s over.

Back on the east coast, creepTeena is getting outcreeped by a thunderstorm and what appear to be disembodied footsteps at her door. We see nothing but a flash and then the door is open. It’s tense and I’m pretty sure this is never explained, raised as a concern beyond “she got abducted”?

A new day means new suits, Mulder in a tie inspired by parquet flooring and Scully in eggshell and pinstripes and a brown trenchcoat named regret. It’s a lot to process and they still don’t seem overly concerned about Teena’s kidnapping. Despite his post Samantha abduction PTSD, Mulder’s only contribution is a dramatic sky point and the suggestion the cops need to look up, but then dun dun dduuuuunh - there’s another one.

Sinister Cindy in the house. Literally.

She informs them she has lived there “since she was born eight years ago”. Zero inflection with that info and a sentence structure as unnatural as the phenomena Mulder wants to blame. Deffo a rent-a-creepykid. 100%. The woodenness only adds to it.

Commence super awkward kitchen convo where they Mulder and Scully try and fail to find a tactful way to imply Cindy might not be this grieving wife’s legitimate child. A birthing video is offered and declined. Thank god. Imagine is CHris Carter had to watch rushes of an actual woman’s vagina with a female child emerging. 

Mrs Reardon’s insistence that Cindy was daddy’s girl is pretty horrifying once you know how it ends. Damn creepy kids. Listening in while watching politics, Cindy is infinitely creepier than Teena and I don’t know if that’s a good thing or not for this kid “actor”.

Back in the car and Mulder is still pretty blase about Teena’s abduction/kidnap, though I forgive him because his flippant potato/potahto is adorable and he does hang out in the bushes to try and protect Cindy from getting nabbed sending Scully off to the IVF clinic alone. Ahh... the foreshadowing is out there.

At the Luther Stapes Medical Centre, a doctor mansplains IVF to Scully. She does not punch him. Another way that she is better than me.She does however, maintain super intense eye contact with him for the entire walk and truly it is a miracle she doesn’t fall over.

The next scene is pretty uneventful except that I can honestly say that Sally Kendrick is the last human I would want toying with my cervix. She’s...robotic and it looks like she has to work out how to sit down like a human. She could give Theresa May lessons.

Back at the hotel there’s some funky camera panning that I am here for and also I think there is some dialogue but let’s be honest.... this is more important 

Yes Professor I would like some extra credit and may I also just smooth your poofy hair.

Even Scully knows it. Hence her confusion at being ushered out, for no obvious reason. She just wants to look at him and maybe get inside his shirt and ... and... Mulder’s “what’s a girl” is cute.... but this is cuter. (even more overanalysing of this scene here for ya glasses lovers). 

Instead of meeting a girl, Mulder meets Deep Throat in an excessively aesthetically pleasing place. Honestly, Eve is a beautiful episode. Despite the creepy kids and imprisoned women. (Eve Aesthetic here). DT seems very concerned that Scully not be invited and while I’m sure that this has some link to the possibility of spy!Scully, it reads more as jealous older manfriend wants pretty Mulder to himself. And honestly I get it. God, fic has ruined me. Anyway, enough of that, enjoy this picture of pensive waterside Mulder and try to recall the specifics of the Deep Throat reveal. Project Blah. Boys called Adam. Girls called Eve. Clones. Bad. Disaster. EVE-il is at work. ¬¬ (sorry)

Mulder has brought sunflower seeds because meeting an informant without snacks = rookie error. 

The important thing to note is that Deep Throat basically sets the stage for the Super Soldier Arc and everyone forgets about it when they actually get to the super soldier arc. God, for a continuity pedant, my fave is SO problematic!

Deep Throat finishes by telling Mulder he’s scored him front row seats to what’s left of the whole fucked up thing.

Cut to the most aesthetic Institute for the criminally insane and after some hot DAMN camera angles we get panic buttons and a tromp into the deeps where they keep all the government created monsters, including Eve 6.

I just wanna take a moment away from my snark and give a huge shout out to Harriet Harris who is SO good and creepy in this episode. A lot of the Season 1 extras/bit parts are average to the extreme and honestly, Harris makes this episode. Without her eyeball biting, jerky, wild eyed delivery, this ep would be as mediocre as the creepy twin actresses.

Now we’ve got that out of the way - we find out that Eve 6 screams when the lights are on but is fine with  an industrial sized flashlight being shone all up in her face.  Nobody’s ever got a good look at her... except presumably the person who undoes her straitjacket so she can pee? And now Mulder and Scully.

Eve 6 is my fave Eve tbh. She’s this perfect mix of terrifying and pitiful, alludes to the telekinetic connection that the younger Eve twins later reference, and is the kind of proof of government misdeed that and older Mulder and Scully despair of, delivered while they’re way too young in their partnership to do anything about it. She tells them that Eves are into suicide, psychosis and murder, and on exiting, our baby agents still don’t suspect the kids.

(Break for actual analysis) It struck me during this scene how this case tunes into both Mulder and Scully’s demons. For Mulder, it’s the missing girls and the incarcerated Eve represents a scenario that could explain Samantha’s absence in the most horrifying ways. What if she is a locked up experiment just like Eve 6? For Scully it’s a visceral representation of her struggle between scientific duty and Christian morality. The creation of Eve 6 is an aberration against both good scientific practice AND the divine right of Good to control life and death... and yet she is also a victim who did not choose too be engineered and while Scully tries to question her, maintaining composure, this face/stress swallow really says it all.

Just to double the sucker punch we cut to Cindy asking the lord to take her soul, her mother looking on with a mournful doomladen stare before telling her daughter how special she is. Cindy is unmoved, because she is special(ly evil) and Mama Reardon leaves, bereft of her husband and unacknowledged by her kid. We get it Chris Carter. Genetic experimentation BAD, family GOOD, foreboding, CHECK.... now can we just-

Mulder Scully stakeout! There is no iced tea in the bag and when Mulder posits that the adult Eves 7 & 8 did done the murders, Scully pulls this face, and mutters without much conviction that she was beginning to suspect the girls. 

GOOD CALL SCULLY

Except Mulder then says “no no and here is why” and Scully just goes with it. The whole delivery at set up of this scene feels very Season 1, by which I mean Scully vacillates wildly between submitting to Mulder’s experience and being done.with.his.shit, Mulder gets all the big lines/theories/feelings/hunches and Gillian especially (and David to a lesser degree) seem unsure how to play their nuances and dynamic. Essentially it all becomes irrelevant because CRISIS takes precedent but being the super-nerd I am, this stuff fascinates me as evidence of them still learning their characters. No way S5 Scully gives up on a plausible theory so easily, even if it makes 8-yos into suspects. If cats can be evil, these staring, soulless kids can be too.

Cue Mark Snow jangles and Cindy and her similar to Teena’s bunny rabbit run away from her terrifying wall dolls and many crucifixes towards the window where she makes terrifying eye contact with Scully’s binoculars before getting grabbed by someone who is considerate enough to announce themselves by turning on the lights?!.

Mulder will take the back! (any time Mulder. Any way ¬¬ ) and sets off with his almost convincingly held gun/torch combo while Scully takes the indoors. This is, invariably, only going to go one way.

DOWN GOES SCULLY!

Sally Kendrick/Eve? leaps through the window where Mulder confronts her by asking her which Eve she is, allowing her a chance to pull a gun, shoot at him and escape and this is why you don’t want S1 Muldo and Sculls handling your home invasion. I mean who holds their gun like this, takes out a psychopath and ends the day without a hole in them?

Fox “Thinks he can outrun a car” Mulder is who. 

I love his idiot face though.

Despite the fact that Cindy didn’t struggle/scream/react to her apparent kidnap at all, Scully’s remaining focussed on the adult Eves in support of Mulder’s dismissal of her earlier theory... well I already said it but - *sigh*

After Scully briefs the police and Mulder tries to reassurea distraught Mrs Reardon that her increasingly abnormal daughter will be found we get the kind of side by side, meaningful  moment that I am here for all day long. Except that the height difference is so extreme that they never actually get Scully in focus!

And Scully’s “and then what” brings us back to unsettling truth that even if the kid gets found, things aren’t looking good for her given how much murder is in her genes. Poor Mrs Reardon.

Very X-Files, through-the-motel-sign shot and we see Sally Kendrick taking Cindy into motel to meet Teena. The girls look... creepy... and Kendrick looks weirdly and simplistically happy given that she has multiple abductees, severe genetic issues and the FBI on her back. Maybe poor old Sal just wants a normal life? Unlucky girl, this is the X-Files, no happy ending for anyone EVERR. Except possibly a two-faced rapist who likes Cher but that’s for another time.

Back to Sally Kendrick who is rocking a poloneck and showing a remarkable lack of nutritional concern for someone supposedly a genius. Pretty sure 8 cartons of fries are no better for psychotic murder-kids than regular ones. She begins to explain that she was pretty hopeful that she’s evolved the murdering out of her second batch of Eves but turns out she actually made it worse! Let’s pop a check in the box for “playing into popular concerns about genetic testing” and “reasons you shouldn’t do it yourself”. She tells Cindy and Teena she’s “disappointed” that they’ve done murders ahead of the curve. They are not bothered which is unsurprising given they don’t know her/are psychopaths.

Aesthetically this scene is very pleasing and the lack of stilted kid dialogue “we just knew” vs. long sentences definitely adds to tension. As does the total lack of background music. Hearing even these fairly limited actors candidly and remorselessly admit to murder is effective. And Kendrick’s slightly desperate plea that they not think that way, that they be “better” as she designed has the double effect of showing her own Eve-y instability and her very human desire to not have made a horrible mistake in creating this terrifying she-devils.

Sorry Sal.

Genetic destiny’s a bitch

And the X-Files narrative demands that when you play god you get dead. unless you’re the CSM in which case you probably drink digitalis and kale for breakfast to aid skin regrowth. Bye bye Sally Kendrick. Thanks for the creepers.

On attending the crime scene, Mulder and Scully are midway through being told that the scene is undisturbed when they hear stuff breaking. This prompts some X-Files-Action-MagicTM and some truly outrageous faces by Gillian.

Yup

What is most disturbing on rewatching is that with the scene secured, Scully confirms death and Mulder goes to gaze out the window while the Creeper twins cower and cry on the floor. Noe we know they’re guilty AF by this point, but in the narrative DumbScull and MulderingItOver haven’t quite got there because they’ve been too busy gazing at each other so we have two children just whimpering in the corner while Scully pokes a corpse and Mulder mulders about. 

Scully does eventually go and pat them. And again I say fuck you CC and anyone else who “didn’t see her as a mother”.

Mulder volunteers to chaperone the creepsters to hospital and beyond and the guy in charge kinda just goes “meh”. Pretty sure some liberties have been taken with child service procedures but hey, at least this means we’re almost at the crescendo moment. Right?

Having loaded them into the car, where their spiffy red outfits match the velour upholstery and promised they’ll talk about “what happens next” (again, is this really FBI jurisdiction? Fox Mulder counselling bereaved kids seems like a HORRIBLE plan to me) , Scully and Mulder note the girls attachment and somehow miss the horrifying expressions of murder on their creepy little faces. 

Again though #aesthetic

Cue some spangly night driving music, Mulder looking all pops over a red vinyl steering wheel, Scully playing mom and the creepsters plotting murder in the back. Ver ver X-Files. They pull up to a used car lot masquerading as a rest stop and go for a group wee,Mulder makes the rookie error of a) hyping evil kids with sugar and b) letting them order a murder weapon, and as soon as Scully’s distracted, one of the creepsters, possibly Sinister Cindy creeps out to spike the drinks. 

Now at this point, honestly, I’m questioning the kids narrative motives. Yes they’re murderous, but aren’t they also meant to be hyper intelligent? Amd getting marooned at a nowhere rest stop, with the corpses of two FBI agents seems SUPER dumb. Like they’re a bit small and loudly dressed to hitch a ride to Vegas and make it on the strip. What gives, creepsters?

The waitress tries to stop her plan by insisting she wait to take the soda until it’s paid for, but is way too easily placated by the kids excuse. Stick to your guns lady, you might just stop a murder.

Although apparently nobody is paying any attention because THIS ISN’T SUSPICIOUS AT ALL IS IT?

Apparently Mulder doesn’t think so, even knowing digitalis is sweet and that there is something weird afoot, he doesn’t question his super sweet diet drink or the kids totally normal and not at all weirdly resistant to drinking sugar free soda and just does this. Seriously it’s like he wants to die in agony.

Scully’s not much better, simply commenting on the “syrupy” taste. MMhmm. Bitch. You’re a medical doctor with a previously voiced suspicion. Quit sipping the murder juice.

Fortunately, after some suspenseful drawn out paying and a forgotten key excuse, Mulder FINALLY twigs when he finds some green goop on the table. Apparently murderTwin is cackhanded when she pours and Mulder, having licked the poison just to check it’s murdery enough (I just cant even) rushes outside to karate chop Scully’s drink away from her in a way so unsubtle that the creepers escape.

Which is actually great news because it gives us all the chance for a nice dark, X-Files bread and butter cat and mouse around a truckstop, cool lighting and tubey-arty stuff sequence. Which I’m here for. 

Despite some pants ruining puddles, the twins are quickly apprehended except for some gun wielding truckers interfere because in this universe regular citizens can hold law enforcement at gunpoint and prevent them doing their job/identifying themselves and anyway everyone almost gets shot and the kids run off again. I should probably insert some pithy political point here about arming the kids too but I’ve been writing this review for 84 years and I don’t have the energy.

Fortunately, at this point Mulder and Scully rediscover some investigative nous and having flashed an ID and truckboy, they trick Sinister and Creepy into thinking they’ve sped off after a school bus. Mulder goes full on child catcher and nabs them with a “gotcha” and is finally deaf to their “we’re just little girls” plea.

I’d like to take a second to flag up his response “that’s the last thing you are” because he’s wrong too. They are little girls, as well as psychopaths, and everyone’s insistence that they must be one thing or another is a device for narrative obfuscation as old as the bible. The appearance of beauty/youth/innocence is not mutually exclusive of the presence of malign intent or evil. Just ask Henry James/Oscar Wilde. Or me. I literally wrote a dissertation on this so. Yeah. They can be little girls and killers Mulder. Don’t be reductive.

But I guess we do need the simplicity of “this kid is evil” otherwise Mrs Reardon ripping her daughter out of a picture and burning it would be more conflicting and we’re only on season 1. 

Likewise the disturbing concept of two eight year olds in a secure prison. I mean yes thy’re creepy but - duh duh dunnnnh - rescue is at hand! Eve 8 shows up for them and once again thy “just knew”. This is the kind of X-Files ending I love. This is the kidn of story I would have loved the revivals to pick up. Imagine (recast) grown Cindy and Teena, off doing murdery clone stuff. Yep. Okay. I’m done now. This is the end. 

Except the score. Which is...

A solid “C” Grade (26/50)

Plot 6/10 - It’s entertaining and a good idea but I penalised it because it depends on Mulder and Scully being super slow on the uptake. That said, they do actually solve the case.

Mulder  6/10 - Mulder is in charge (thanks S1) and presents a mess of grieving brother, heroic car catcher and good cop. Good, in character stuff but not exceptional.

Scully  4/10 - Scully seems to forget she’d an MD and a badass here. She lets Mulder talk her out of (correct) suspicions, gets taken down in the action scene and generally second fiddles. She’s a cute mom but not the Scully we want to see.

USP 3/5  - This was an ambitious idea, beautifully presented, and while it didn’t quite get the polish to make it iconic it is memorable, creepy and a good representation of S1 bread and butter eps. 

Other Characters  5/10 - These points are all for Harriet Harris. None for you creeper twins. None for you.

Bonus points 2/10 - One for being aesthetically pleasing. One for the dorky, cute, feeling out Mulder/Scully moments (motel urnghh) and also their mom and pop act at the rest stop.

That’s all for now folks. I’ll probably have the next one done this decade. Fire. Goodie.

<< 1.10 Fallen Angel ———————————  1.12 Fire >>

[mulderitsme]

Essence / Existence recap (i’m finally done with season 8!), and after a pompous and wordy introduction about the meaning of life (i think?), we open with...

some quality mother/daughter bonding, YES PLEASE. margaret is adorable, look at that megawatt smile!! she’s so happy her daughter is finally getting some semblance of normalcy and happiness, and that she gets to share it with her. the whole scene is cute af. and scully wouldn’t be scully without her fond annoyance for the whole thing. the baby shower was margaret’s idea, wasn’t it. 

so much heteronormativity i’m suffocating. scully is right, it is a conspiracy. 

she boops him on the nose! mulder is goofing around!! she’s taking care of him and he’s loving it!! i love them!!  

mulder knows about as much as scully does on this pregnancy, i.e not much. they were told it was impossible, and yet there’s a baby growing inside of her against all odds. he’s pretty sure he’s the only non-alien and/or non-implant option - whether or not they talked about it, although i do believe they did. he and scully are in this together. their main question now is “how a woman who was diagnosed as infertile and unable to conceive is about to give birth in a couple days,” and that is scully’s question too. even if he is the father, it’s not for him to say. this is scully’s business and scully’s alone. when pressed by skinner, he is the one volunteering to call her. he won’t let anyone ask that question but him. 

i just love this shot. did i mention i love it when scully touches her belly? because i do. 

it’s in scenes like this i am reminded how much scully loves her mother, yet can’t tell her anything about her fears and traumas. first because margaret wouldn’t understand, and second because it would mean putting her in danger. “you keep everything so bottled up” and she does. she has to. the minute she opens up and trusts someone it backfires and she’s either in danger or her baby is. which is exactly what happened here. 

scully has sacrificed a lot for this job. she’s become an x-file herself. but her absolute worst fear would be to be convinced that this is all what mulder sees in her. all that he is here for. but scully has always been bigger than everything to him. he only ever sees her. it’s only ever about her.

“you’re never just anything to me, scully”, echoed here, over 15 years earlier.

if someone says “barren” one more time i’m going to fling myself out of the window. 

scully, it’s a nice sentiment, but i really don’t think that’s a good thing. i am very worried. why isn’t she more worried about this?? giving birth is no joke and routinely kills people. like, what kind of plan is “i’m a medical doctor i can coach you through it”? i think she’ll be a little more preoccupied with pushing and breathing and trying to stay alive while giving birth without any medical help or staff around her than giving pointers. this is a terrible plan. 

i just like this shot. also, when did reyes start calling her “dana” and not “agent scully”? while scully insists on the formal “agent reyes”, even in the more pressing situations. 

you guys, i love reyes sfm. she knows it sucks and it’s not what scully hoped for but she’s going to scrub and clean that house to make it feel homey and comfy for the woman in her charge. her shy little smile when she invites her in, waiting for her reaction... adorable. she did her best to make this place look good and it’s not too shabby, tbh. bless her heart. 

and i have to say, my little bi heart is very happy with the reyes x scully content. this episode is so full of little gems between these two. i know the fandom is all over mulder and scully (rightly so), but i’m digging the badass FBI ladies team up. where are the fics of these two?? 

do not touch her squishy or she will end you. 

this ship ships itself monica, that’s really gay.

i don’t even care what’s happening with the guys and all the car chasing, this is where the real action is. the determination. the righteous anger, the protectiveness over this child she hasn’t even seen or held yet, but whom she loves so much already. the fear and the despair, begging monica to protect her baby when they are powerless to stop them and she knows this. all they can do is have her deliver this baby safely. 

i love that they showed the birth as messy and ugly as it can be in real life - i mean, as much as TV allows it. she’s grunting, sweating, her hair is sticky, her face torn into a grimace because fuck yeah birthing a child is no small feat. too often on TV we see clean, perfect births that are over in an instant and the mother doesn’t even break a sweat. i love that they allowed scully to look ugly here. it makes the moment all the more raw and human, all the more desperate. 

and there he finally is. this is doing things!! to my heart!! seeing scully in her PJs and holding the baby she fought for so much. her little smile. the joy radiating from her face. “how is everybody doing” mulder is going to be the dad with all the embarrassing and corny jokes, isn’t he. 

scully literally can’t stop looking at mulder as soon as she sees him with the baby. mulder is entranced, giddy and awed, happy to finally meet their son. william, “like your father” also like your father, scully, and your brother, but ok, let’s say it’s because you want to make it very clear that mulder is the father of your child. anyway, i could watch these two making eyes at each other for hours.

US. EXCUSE ME WHILE I SCREAM 

here is the show dropping yet another plot point because it doesn’t know what to do with it. why didn’t the super soldiers take william? is he normal? scully doesn’t understand, mulder doesn’t understand, and i sure af don’t understand. do the writers? i doubt it. 

EXCUSE ME WHILE I SCREAM SOME MORE isn’t this the first “real” kiss in 8 seasons of this show?? and with a decent lighting, no less?  

“the truth we both know”. the truth is that this show is all about the love these two have for each other and the uniqueness of their bond. forget about aliens and conspiracy and mythology that makes no sense. the truth is in them. they truth is them. we been knew. 

can it end here? 

[scullydubois]

Season 7 Recap

Average rating:  4.181818182 out of 5 stars (nearly as high as season 6-somewhat surprising!)

Highest rated episodes: 

The Sixth Extinction: Amor Fati (5 stars)

All Things (5 stars)

Lowest rated episodes:

Hungry (3.5 stars)

Signs & Wonders (3.5 stars)

Brand X (3.5 stars)

Most memorable/favorite episodes:

Both of the Sixth Extinctions: Very thought-provoking and Diana Fowley is dead!!

Sein Und Zeit/Closure: Super emotional and a well-done conclusion to the Samantha storyline!

X-Cops: So fun! The documentary style is a nice change of pace from the usual episode.

All Things: Do I really need to elaborate?

Je Souhaite: A smart combination of fun, funny, and heartfelt. 

Requiem: This episode for sure broke my heart, but I adore the callbacks to the pilot. 

Favorite scenes:

My constant, my touchstone. That might be my favorite scene of the whole series thus far.

Millennium New Years kiss of course. Super sweet. 

Scully getting her revenge on Pfaster in Orison

Sein Und Zeit apartment scene where Scully confirms that Mulder’s mom killed herself and then comforts him

Mulder reading the diary in Closure...so heartbreaking and yet perfect

All Things beginning and end scene, obviously. GA’s use of music and rhythm, particularly in the final scene, was awesome. 

Anything and everything related to the fake movie in Hollywood AD

Final scene of Je Souhaite, so peaceful 

Requiem bed scene...really feels like a turning point that will guide the final seasons. Also one of my favorite scenes of the series so far. 

Season 7 is definitely the beginning of the end, which isn’t necessarily a bad thing. It served up some really beautiful moments and leaves the characters at a completely different place at the end of it than they were at the beginning. Onward!

[ghostbustermelanieking]

i am a hypocrite who spends every wednesday criticizing a show i don't really watch anymore

[the-years-between-us]

We're kicking off Season 4 of the #XFiles with HOME 😱 Watch Scully interrogate Mulder about the quality of his sperm 💦 Oh, also there's a deformed incestuous family of murderers... So yeah

[mulders-too-large-shirt]

s4 episode 2 thoughts

ah, this episode! i have heard it is very scary. so i’m curious to see how creepy it can be. usually what gets me the most is body horror, at least so far. 

i’m really not a horror fan so i’m interested to see if this will push my limits or just be kinda silly. remember that evil AI in like s1 episode 8? and when it was unplugged it said “noooo, brad :(“ or something like that? yeah that one just made me giggle lol

(author's note after seeing the episode: what...)

(additional author's note: read to the end to see why i think this episode might be actually about the civil war's long-term consequences)

how far we have progressed since then! 

let us begin!!!

we open with a storm and some scary music. pretty intense for the first few seconds. oh, now someone is giving birth. it is very dark and hard to see but it appears these individuals do not look like your average fellow off the street.

GAG! slurping noises are produced as the baby emerges. birth counts as body horror btw i do NOT make the rules. EUGH the umbilical cord…

(sorry y’all pls take no offense to those who have or desire children someday... it’s just something that makes me feel dizzy to watch but i support your dreams and choices i promise 🙏)

okay, but the baby is crying so that’s usually a good sign right? like better than a quiet baby, i think.

but a bunch of people are leaving after the delivery and i thought they would stick around to do things like look at the baby and see if it is healthy and stuff. but no. they’re leaving. where are they going...

they’re digging a hole?????? WHAT DA HELL. BABY IN THE HOLE??!!!!!! while someone cries terribly. OMG the grief…

WHAT THE HELL???

what have i gotten myself into……

intro time. always gonna think about that tweet regarding scully’s glamour shot on her ID. anyway just in case you forgot the truth IS out there.

so we see some kids in a place called home, pennsylvania, and they’re playing baseball. you know how children are, with their baseball. it’s as serious to them as a senator running a reelection campaign. 

kid knocks the ball over the fence, and onto the property of “the peacocks”. the kids will NOT go get the ball, and instead find a spare. seems they prepared for this, or could maybe find a place that isn’t next to a very scary house to play ball, but i understand spacial constraints.

OH???? the kid is digging his foot in to go swing and…. BLOODY PUDDLE???? THIS MUST BE THE BABY FROM BEFORE????

he backs away as we see a tiny hand in the dirt. that poor kid omfg he must have been traumatized… and his sneakers were so bright and white…..

cutscene to mulder in the field after all the kids have fled! ah, mulder loves his baseball. in fact, he even sniffs it. he’s practicing his pitching LMAOOOO please be serious for FIVE minutes. 

scully is measuring the hole while he does all this. in fact, he is not stopping. it just keeps going while she talks about the angle of the shovel.

she makes some quip about quitting the FBI and becoming a spokesperson for the ab roller, when he SHOVES THE BALL UNDER HER NOSE and says “smell that” THIS MAN IS SUUUUUCH A WEIRDO I LOVE HIM

“it’s perfume. eau de ball” (stupid little mulder smile)

very strong juxtaposition between baby death and a daydreaming mulder, but that is the sort of thing we have come to expect from this show. he seems enchanted.

WAIT! he’s talking about his sister… “all-day pickup games out on the Vineyard” and going down to the beach… no cell phones or faxes… oh man, this baseball has him talking about his family :(

“mulder, if you had to do without a cell phone for two minutes, you’d lapse into catatonic schizophrenia” <- WELL GET HIM! it is true. he is always making calls and then abruptly hanging up.

feels weird to be smiling like a fool at my screen as these two talk about their lives after seeing the opening scene... but here we are!

“scully, you don’t know me as well as you think you do. you know my work demands that i live in a big city, but if i had to settle down, build a home, it’d be a place like this” 

OHHHHH MY GOSH

1. he has though about settling down and having a life outside of his work, and this is such a character reveal, and i know he wants like a small army of children, and

2. i just KNOW those words are gonna come back and bite him when this place is revealed to be some sort of cult

she says it would be like living in mayberry which i had to google BUT: it is the town from the andy griffith show. ah, i see. so very quaint.

someone pulls up to see them and i paused at just the right time to see that mulder’s shirt is very baggy and living up to my URL, which is good because sometimes i worry it’s a bit TOO niche, but i made it after watching 4 episodes so i’m too attached to change it now. meanwhile, scully’s coat is wonderfully sleek and it’s a fun little contrast.

this is sheriff taylor, who says this is a very small town, and there are no real suspects. mulder asks about the peacocks next door, and the sheriff goes… quiet. apparently three boys lived there, and their parents were hurt in an accident. the sheriff and his team tried to administer care to the parents, but the boys took the bodies home??? that’s. odd.

so these peacocks have no electricity, grow their own food, and… are inbred. the sheriff says they are feeble and sad, and wouldn’t have any idea what they are talking about. which just makes me think they are the prime suspects.

the sheriff is saying that he loves his town, it is quiet and peaceful, and he knew someday it would change when something terrible happened. when he saw “it” in the ground, he knew that day had come. he seems convinced it’s an outsider but also he is purposefully ignoring all the evidence in the other direction. and he wants their help, but he doesn’t want anything to change. 

(i see... this is about the terrible secrets of small towns and the wish to keep everything quiet and preserve an idyllic image rather than make meaningful change)

apparently they were recommended to help out when “the victim” was described, so mulder says that maybe they should go take a look.

and whew, when they cut to a bundle of blankets next to some cans of spam (that look like they’re partially covered to hide the branding?) it’s a lot. it's a lot to handle, for me, emotionally, but i guess that's a fairly normal reaction. the sheriff just pulled the baby right out of the fridge. we also meet a deputy named barney.

they shove poor scully in a tiny bathroom with just a sink in it to do her work, because they don’t want anyone else seeing the autopsy go down. the sheriff says they can’t do it in his office, because everyone knows he never locks his office door, and they’d start rumors. this whole small town thing is starting to seem quite oppressive.

mulder is also here in this tiny closet-like bathroom, and i can feel the claustrophobia from here. despite the lack of space, scully begins.

and she is taken aback, but not as much by the fact that it is a child but that said child “has been afflicted by every rare birth defect known to science”. mulder has his arm on the wall leaning in and watching in a way that is weird for the space.

we only see a few shots of the baby- thankfully, because i don't think i could handle seeing any more of it than we do- but it’s enough to make me go whew, shout-out to the props department for making something that looks like that, because that is how i cope with seeing things on this show that make me nearly faint

she is reciting the various things that this child has been born with, and mulder says that they can probably rule out murder, right? but scully says idk… it looks like it WAS murder, actually. dirt in the nose.

lord, they walk out after doing that and somehow don’t need to like, down some vodka or something to cope. 

“imagine all a woman’s hopes and dreams for her child, and then nature turns so cruel. what must a mother go through?” oh my gosh is scully gonna make me cry…

“apparent not much in this case, if she just threw it out in the trash”, says mulder, while they sit on a bench on he is manspreading like you would not believe. but i assume they are in a tough spot mentally so manspreading is permitted in this situation.

“i guess i was just projecting on myself”, she says, and oh my gosh does scully want kids someday…. stop i’ll cry!! i’ll cry. 

“well, just find yourself a man with a spotless genetic makeup and a really high tolerance for being second-guessed and start pumping out the little uber-Scullys” he says, rubbing her back.

and i can’t decide if this is funnier if he’s truly and deeply down terrible for her and suggesting subtly that HE could be that man, or if he’s just being a really good pal. so i’m gonna turn around both options in my head for a while and see which sticks.

“what about your family?” “hm? aside from the need for corrective lenses and a tendency to be abducted by extraterrestrials involved in an international governmental conspiracy, the mulder family passes genetic muster” (said with a celebratory flourish of his hands)

oh my gooooooosh i love them both so bad. he is SUCH a nerd. and his constant need to joke about the horrible things… even when they are approaching a serious topic, life ambitions and the desire to start a family, he has to go in there with some sarcasm to avoid getting Too Serious...

see? he has good genes. allegedly. go forth.

but he sobers up, points out that the child they had to just examine is a serious tragedy, and some likely very young parents are probably incredibly scared. but this isn’t really an FBI matter. 10 points to him for being serious for once.

she is brainstorming how such a thing could happen- “now, we all have a natural instinct to propagate” “do we?” <- ace mulder subtext i see you…

scully is convinced that the woman who gave birth to that child did it against her will, and mulder points out that kidnapping is a bureau matter… she seems determined to save someone caught in a horrible circumstance here, and i admire that about her, the sense of justice she has. she gets up to go investigate.

but he calls out: “hey scully- i never saw you as a mother before” <- OH MY GOD??? OH MY GOD. i can’t even begin to process that right now. oh my gosh it seems like he has wanted kids SO terribly… but scully never really brought the subject up, which is fine because not everyone wants kids!! but what does it say about her character if she DOES…? i am analyzing.

i hope she is happy someday with whatever she chooses. music is playing as he looks after her. do not for a second think i missed that little musical flourish and gaze combo.

so, they go to the peacock's farm. where they find a chopped off pig’s head on the steps. it doesn’t seem to bother them at all, which must be a testament to the strength of bureau training.

mulder tries to do his usual “enter first and ask questions later” thing, but scully STOPS HIM, saying there is no probable cause.

WHAT!!! for once they did NOT JUST BURST IN!!??? their random entering of places is one of my favorite running gags and for once they didn’t. oh she is serious about this one…

so they just peek inside instead…. and then they get their guns and go inside after seeing a table covered in blood. oh…. the scissors from before…. yes, bloody table = probable cause

there is blood everywhere, and the footprint from the crime scene matches the footprint in blood on the floor. AND they find a bloody shovel. well!!! we know who did it now!!! but… where are they??

it is soooo dark and creepy as they make their way through the house. and someone is WATCHING THEM THE DARK as they investigate. BLEUGH we get an extreme closeup on their eyes…….

i am spooked.

now scully is on the phone with sheriff taylor, who is describing the warrants for the arrest of the peacocks he put out, while mulder slams a TV in their hotel room, trying to get it to work. typical mulder behavior

(i bet they felt a need to incorporate some silly moments to lighten out the heavy heavy heavy content, and honestly i didn't think it would work, but for me it kinda is. don't get me wrong, it's still VERY heavy, but it's not start to finish just trauma like we got in calusari, which stands out to me as being the darkest and least fun episode in the series so far. but let mulder sniff a baseball a little and smack a TV and our agents talk about having a family and it is slightly less overwhelming in terms of tone)

and she brings up the white cadillac they found there but he says get a lot of abandoned cars. damn, who is abandoning a cadillac...

what is this sheriff hiding…?

he pulls out his gun from a locked box, and seems deeply regretful. before he puts it back in the box… hmm…

back at the peacock farm. the brothers are packing what looks like clubs into the cadillac. and i notice how silent and scary the whole thing is… no music whatsoever.

meanwhile, mulder is doing a little dance to try and get the TV working, which scully is smiling at him in a way that implies long term affection and exhaustion. i want to get those gifs and save them upon my blog forever and ever.

he’s trying to watch the knicks game, but as she heads out, he says “goodnight mom”, and she looks… uncomfortable. i mean, it’s a weird thing to say, but still. he says a lot of weird things and she doesn’t always look sort of… hmm. idk, the only phrase that comes to mind is “cut to the quick”. i WILL be analyzing that.

she tries to leave and the lock is broken, so he places a chair underneath, which might do something but like… probably not a ton.

anyway, back to the cadillac, where the brothers are pulling out while listening to music. where are they going….

sheriff taylor is up late at night, “taking one last look around before it all changes”. oh, he loves his town… but it is rotten, like mulder says. AND HIS WIFE DOESN’T LOCK THE DOOR AS THEY COME IN!!! NOOOO!

the brothers are on the move, while scully sleeps and mulder watches a fuzzy documentary on hyenas?? okay. king behavior.

but back at the sheriff’s house, he can hear the brothers approaching, and pulling into his yard. oh no…. he looks out the window and the brothers aren’t there. so did they already get in…?

he’s going for the gun, he says, and they enter his house. and he’s got a baseball bat, but where is the gun! they have clubs! like the kind the bad guys in zelda use!!! they look very very dangerous!

he hears them approach as his wife is under the bed……… and he swings his bat at the intruder, but he is barreled right over, it’s three on one, and they beat him RIGHT AS HIS WIFE SEES THE WHOLE THING FROM UNDER THE BED. and they sniff and sniff and FIND HER UNDER THERE????????

what the fuck. who came up with this…….. that song is still playing as they get in their car and leave. i'm sure the song also has some significance to the meaning of what these guys are doing but tbh i have never heard it before so it's hard to unpack.

the deputy is at the scene of the crime the next day, smoking a cigarette, hands shaking in terror. he had come over to give the sheriff a report… and found them that way.

so the owner of the cadillac was found in baltimore, she had left it behind after running out of gas. this is not a lead in the slightest.

mulder is investigating the scene while scully pulls out files from the crime lab, and it is. well, it is very bad, to put it bluntly. the crime scene is horrific. 

she says that the crime scene messed up the tests on the infant… but mulder proposes that… perhaps each of the brothers were the father? she talks about how babies are made and how that makes no sense, but he proposes that generations of inbreeding could maybe make such a mutation. but she says that isn’t possible, they’d need a female family member and there aren’t any left. hmm...

scully wants to try and trail them right now and go save whoever it was that was forced to give birth, but mulder points out that they are outnumbered and could further endanger the victim. what to do…? i don’t know the answer. 

oh! the deputy barges in and says he’ll take them up there so it’s three against three. and they have guns, which should give them the advantage. okay. shoutout to the deputy.

mulder seems suspicious however, and says his suddenly entry was a bit “too chuck bronson for me”. so yeah, i had to google that too. this chuck fellow is the guy from machine gun-kelly. and NOT that sleazy rapper one. the more you know.

scully is confused, though, because why would they kill the sheriff? he didn’t even investigate them. unless they somehow overheard them talking about issuing the arrest warrants while in their house… and they are operating under the assumption that the brothers were not in the house when they were…. but we know that someone was in hiding!!!

OH! back to the house. one of the brothers declares he is hungry. we finally get a semi-decent look at them, and they are incredibly gruesome. someone is under the bed still…. 

and when they declare that they are “ready”, they strip down. they knew this day- and change- was coming, and all they can do is be ready for it. this is our home. and this is the way it’s gonna stay. 

again, i ask, who came up with this……

the deputy and our agents are on the property, now. deputy wants to come in from the front and let them take the back. a brave thing to offer, but i am slightly suspicious of him. they have wired headsets on and bullet proof vests on, and he is going in.

so they’re approaching- scully and mulder in the field, the deputy out in front. scully is peeking through binoculars but she doesn’t see anyone inside!!! it has to be a trap!!!!

OH MY GOSH!!! just as scully tells the deputy to not go in, he opens the door and an AXE SWINGS DOWN AND CHOPS HIS HEAD OFF!!!!!

i am sorry for being suspicious of you, deputy. may you rest in peace.

mulder’s reciting his facts from the hyena documentary. they are witnessing something akin to prehistoric humanity. but he has an idea: divert them out of the house, so they don't have to deal with their traps. it is a good idea.

so they are sneaking into the pig pen, which had to be a pain to shoot. “scully, would you think less of me as a man if i told you i was kind of excited right now?” he asks as they try to get the pigs in a line to topple like dominoes or something???

“is there some secret farmer trick to getting these things moving?” “i don’t know!” lmaooo these city slickers...

they’re shoving pigs straight out the gate, and she’s trying to say some magic pig words from babe, which her nephew apparently watches all day. you know what that means...

! SCULLY LORE REVEAL ! she has a nephew!

but there are more pressing matters at hand than a lore reveal as one of the brothers emerges, falling for their piggy trap. we see them in daylight now, and it is an unsettling sight. 

as the brothers try to herd the pigs back in, the agents sneak in, with mulder picking up a giant log to poke open the door. and it is a good thing he did that, because a trap descends right on the log that surely would have beheaded him as it did the deputy if not for the log taking the axe/weapon thingy for him. thank you for your service, giant log.

they sneak in beneath the log and close the door as if nothing went down. scully is yelling to see if anyone is in the house. they’re doing a sweep in excellent coordination. mulder mumbles “oh no” and i’m scared but he just picks up a newspaper that says elvis is dead and frowns 😭 his ass cannot be serious for more than five minutes 

but something approaches!!!! they enter the bedroom and see photos of generations and generations of this family, with varying conditions. and at this moment mulder notices that someone is under the bed!!

he’s trying to say that they’re here to help, but whoever is down there is screaming, screaming at them to go away. so scully tries to move the bed, but she’s strapped to a board underneath the bed, and they pull her out and…. oh my gosh, she has no limbs, i think? it’s dark and hard to tell. they keep her under the bed..........

mulder says they’re going to get her home, but after a glance at the pictures on the wall, scully says that she already IS home. it’s mrs. peacock. the mother of the family that they thought died in the car accident!!!!!!

she is sobbing and they roll her back under the bed, with mulder having a horrific look on his face, unable to process what he just saw. 

mulder is back on the prowl to find the other brothers. and he tasks scully with trying to convince mrs. peacock that she is the only one who can get “her boys” out of here without them being hurt. a mighty task, indeed.

she walks away, and he says “scully, w-watch your step” and he’s worried about her and i want to cry. oh!! we see a trip wire……….

so scully goes back to mrs. peacock, explaining that she needs medical attention, and the agents are here to help. she says that this is their home- why leave it? she has to see if the boys are okay. 

and she lost her limbs in the accident that killed her husband. “sewed me up just like the family learned in the war of northern aggression” OH! so that is an WILD thing to say in pennsylvania. but it was at this point i thought i was putting the pieces together for an extended metaphor...

but she insists she felt no pain, and that no one in the family does. and they’re such good boys. scully points out they murdered three people, and mrs. peacock says she can tell scully has no children, but maybe someday she’ll learn the pride and the love “when you know your boy will do anything for his mother”

well i think you probably just made her swear that off forever!!! so!!!!!

the brothers see mulder in the window, and they start to run in. and as he holds one at gun point, another tries to bash in his head, so scully shoots him. but this isn’t enough to take him down! and the other one joins in on their attack, so it’s two against one tag teaming mulder!!! oh my gosh scully can you use your perfect aim???

yes, she can, but despite emptying the whole clip, they aren’t hurt!!! 

they’re running and running and dodging a whole lot of terrible blows, and scully yells out that she has the mother! she trips over the wire and one of the traps falls RIGHT into one of the brothers, seemingly finally taking him out.

she notices marks on the floor, and when they go back for mrs. peacock, they can’t find the other brother or the mother.

so they put out an APB for them, saying that in time, they’ll catch them. but he counters with “i think time already caught them, scully”

cutscene to the cadillac- where mrs. peacock says that “sherman and george were good boys”- SHERMAN? a union name? edmund, sherman, and george… 

it ends with mrs. peacock saying that there will be more peacocks, and they have to find a new home, make a new family to be proud of. she is in the trunk of the car while she says this.

okay so first thoughts: WHAT THE FUCK.

this episode definitely lived up to its horrific reputation. but i can’t figure out exactly what it is it MEANS!

beyond exploring the horrific topics of generational abuse, i feel that there is something a bit deeper going on here. i actually felt so compelled to see if i was imagining things that i went on the wikipedia page for the episode, which spoke of its themes on the american dream and the nuclear family. those themes i see for sure- how mulder was talking about settling down in a place like this, so quaint and quiet, how they started discussing their own desire for a family, and how every idyllic thought about what a family could be was upended on its head with the peacocks. that made sense to me. but...

that line- “the war of northern aggression”- was what the confederates called the american civil war to justify their rebellion. this is notable for the fact that this whole episode took place in pennsylvania, which was a union state- but somehow, they got so twisted up in their own hatred that they’re parroting the lost cause ideology over a century after the war.

the repeated motifs of “things being the way they are in a small town, in our town, in our home”- is that a symbol for the festering of post-civil war wounds? the inability for the war to make meaningful change when it came to the attitudes of the people on the losing side, who continue- even to this day- to spew their hateful ideology? the inbreeding metaphor- is that a representation of how hate begets hate begets hate, generation after generation, compounding and corrupting by the lack of intervention from outsiders who are too afraid to change “the way things are” and call out harmful behavior? and the newspaper from elvis’s death… is that another allusion to the family (or perhaps certain parts of the country) living entirely in the past, in addition to their lack of electricity and water, just stewing in their own hatred? even the name- home- reminds me of the “house divided cannot stand” rhetoric. is this talking about the rot of "back in the good ol' days" thinking?

or if not a metaphor for the country, and instead just the horror of abuse? of how people can feel that things are the way that they are, and so that makes it correct, no matter what the cost? about how warped perceptions of family can be made and shaped? and the fact that mrs. peacock went along with all of this, despite being the biggest victim of the family... is that to speak on the twisted nature of gender roles and how they are weaponized in familial abuse?

i have to clarify that i am not an expert on abuse in the slightest; i am just trying to work through the themes of what i just saw. you know how it is on this blog; i do my best to interpret the big issues, but also recognize that i can only see and comment upon so much.

i'm really, really curious to hear how you interpreted the episode, though. or how audiences have understood it in the past, or if it has ever been re-evaluated. what did the cast and crew have to say on it? i want to know.

man. this is gonna really make me ponder. i want to know. it was too purposeful to just be a “wouldn’t it be fucked up if…” sort of situation.

regardless of the terror, i actually thought this episode was pretty good. it felt cohesive, not just a sideshow of horrible things to make you feel shocked. and we learned more about our characters- their ambitions in life, the possibility of a family someday dangling over their heads, and the terror associated with everything that could go wrong. i think there is always some fear about starting a family (i wouldn't know, but i do read books and stuff), and for scully to just now vocalize her thoughts on the subject and to immediately see this case- i can only imagine what it did to her thought process.

i thought the more light-hearted elements were working at the beginning- mulder's TV dance, baseball time, the merits of their genetics, family talk- worked well at first. but by the end it was just... damn. that was a lot. maybe that is the indication of a successful episode, that it can take you along heavy subject matter with a sense of character analysis and horror, but end with just terror.

i'm not a horror fan outside of this show, so the balancing of the heavy and the humor always baffles me a little bit. i don't know how other materials do it, so i can't really say if it could have been done better or worse. i think the important part though is that they don't turn the tragedy itself into the joke. it wasn't giving "point and laugh at the horrible peacock family!" it was finding humor in other situations, that ultimately still surrendered to the sober feeling of what humanity can do.

whew. this one is definitely gonna stick with me for a while, and i’ll need like 12 hours to formulate my thoughts into something comprehensible. but, you ask, did you like the episode?

yes! while i'm not sure i'd watch it again for funsies, i thought our agents had to confront some inner demons while also learning a lot about them together and individually, which is exactly the thing i want in an episode. i think it brought them closer and they understand each other better, and i think we're getting into some real juicy parts of their relationship. i can't stop thinking about him rubbing her back- how terribly devoted they are to each other, regardless of if either of them can put that into words. those dynamics of devotion that go beyond words- it's so special to me.

and sure, i'll take the bait, and daydream about them living together... i am not above fan service in the slightest. it is me, the fan, who loves to be serviced.

but again. i'm spooked.

[shania-twain]

mulder, trying to flirt with bambi berenbaum: i have always found insects to be very interesting

scully, into the camera like on the office: he once jumped onto his desk at work when i told him a spider was by his foot

[nfatlitw]

The X-Files 11x02 - recap/notes

I can't write a serious recap for the X-Files. It would end up being just me typing gibberish because I can't form sentences when Mulder and Scully are involved. But here are some of my thoughts on the second episode of the 11th season! Let's pretend like the first episode didn't even air, shall we? - RIP Mulder's apartment. I feel like it always ends up trashed one way or another, but I may be exaggerating. - Mulder just killed a person in cold blood. I need to address the awful first episode here for a moment; when Mulder slashed that person's throat I was unbelievably shocked because, to me, it's so ooc for Mulder to kill somebody like that!! - But, thinking about it, I probably would kill someone in cold blood for Scully too. - OUR home… OUR Office… - Honestly I didn’t give much of a fuck about the plot of the episode, sorry - I wish that it wasn't just Langly that reached out to Mulder... My favourite of the lone gunmen was Frohike - Do I even have to mention the Mulder with hands tied thing? No, right? Here is a list of some top Mulder-and-Scully moments that brought happy tears to my eyes: - Mulder and Scully going to IKEA - Mulder and Scully having breakfast together while investigating - Mulder and Scully flirting - Mulder and Scully on a bus surrounded by unruly kids - Mulder and Scully coming back home TOGETHER and going back to the couch to sleep

[weareheadoverfeels]

Believe the Lie – Looking Back on The X-Files, Season Four

The post-Super Bowl slot, a slew of awards, that Jodie Foster voice cameo...1996-97, amirite? Our X-Files rewatch continues with a comprehensive Season 4 recap! #TXF #TheXFiles #TrustNoOne

Source: dailytxf/Tumblr Posted by Kim and Sage His television is illuminating Fox Mulder’s tear-stained face, and that can mean only one thing: We’ve conquered Season Four of our X-Files rewatch! And it was a busy one, involving everything from a terminal illness for our heroine to an origin story for our big bad that’s epic and a little depressing at the same time. For this post, we’re joined…

[crossedbeams]

Special Agents Glasses Porn - 1:06 x 1:12

[agentelmo]

Well I just spent an hour and a half watching everything Colleen Evanson has ever done related to the X-Files... and it was the best hour and a half of my life.