#ugh. sorry this got long

[daily-odile]

AUGH I’d love to see more time looping odile if possible,,,,, how do you think she’d like; “devolve” over each of the acts as compared to Siffrin over time :O

ok im gonna be honest i did like portrait edits months ago and just never finished them. so here you go

act 3:

act 5:

[iwritenarrativesandstuff]

Happy birthday boyo. Your weird family is celebrating about as normally as can be expected.

[kromaticglass]

I've been sitting on this for a while because I'm not usually one for writing out my thoughts on characters in media that I like but honestly I need to yell about just how much I love Wriothesley as a character and how his story is written.

Don't get me wrong, I love Scaramouche, and I love his story arc, but there's something about this absolutely horrific past that Wriothesley grew up in and despite everything that should have made him a bitter person, he's so selfless. Selfless to the point of completely overturning a system that had been working in it's own horrific manner for hundreds of years as a teenager/young adult in order to make it better and actively work on fixing people, not just let them fall between the cracks of a society that sent them away to be forgotten.

Putting this under a read more because I'm going to yell about this a lot.

When we're first learning about Wriothesley we're introduced to the fact that he was an orphan. This brings up questions to start with; how was he first orphaned? By the sounds of things he wasn't willingly given away to the foster family that he ended up living with, he was on the streets or at the very least was on his own for a time before he ended up there. The first thing that my mind goes to is that this means either his parents abandoned him or they died/were killed, which may also be the reason he seemingly was desensitized to death as a kid - I'll get to that point later, it's important.

Just how long he was on the streets before he was taken in by his foster family isn't mentioned, but I'd expect it was at least a year or so, just from some context clues we got from both his story quest and his character stories that you unlock with friendship. When in his foster home, things were supposedly a picture perfect family, a dollhouse where people looking in would only see the perfect picture but as soon as curtains closed it was something very different.

Households like that are traumatising, it's no wonder that Wriothesley's ability to trust in people is shot. The people who were supposed to care for him after promising a good life were nothing but a front and in his eyes he once more was on his own. For a child to decide to willingly orphan themselves a second time is so taxing on the mind, I could only imagine the stress he would've been under.

But what really gets me is the fact that he eventually came to the conclusion that in order to stop the cycle of picking up kids and selling them off to the highest bidder and killing the ones that didn't sell, Wriothesley didn't think about contacting gardes, didn't go to anyone else about it, he took matters into his own hands.

Not just that, but that he had to kill them.

It takes a lot for someone to work themselves up into killing another person. If you've never taken a life before, most people will hesitate, they'll be sick, or they'll completely shut down and remove themselves mentally from the situation, there's a very visceral reaction that happens in the human brain when you're pushed so far into stress responses that you'll take another life, and this was a teenager. This is why I feel like he would've been desensitized to death or at the very least gruesome scenes like this from a much younger age.

One can only wonder just what was going through his mind during the time he was away, taking the odd jobs to create that first prototype of his gauntlets that he used to shoot nails at his parents. It may not be as personal as taking a knife to someone, but using a nailgun is a bloody affair, the wounds needed to make that fatal are grievous if done by an inexperienced hand. And from what we're told in the character story, it sounds like his parents fought back, hard enough that it very nearly killed Wriothesley as well.

It makes me wonder just what he was thinking, or feeling in that moment, was it fear? Anger? A mix of many things? Or was he simply numb to it until he woke up in the hospital bed later? From what we hear in his tone during the story quest, he sounds apathetic about retelling the story, but that could be a result of trying to compartmentalize the renewed trauma that was rekindled thanks to the gem he touched.

And the trial, lets not forget that. On the day he wakes up from his injuries, he's served papers to face in court, and given a timeline for his recovery. The character story says the trial went with little fanfare and that he accepted the charges with little to no protest, it makes me think about just what could've gone through his head during the time he was recovering.

Wriothesley states that he knew he was guilty in the eyes of the law, and that his methods were extreme and he knows that. Because he survived his injuries when he expected to die from them, it makes me think that he knew he would be going to the Fortress of Meropide once he got to the trial. Given how much of a lawless land the Fortress was back then, I wonder if this was Wriothesley's own way of putting himself back into the hands of fate again, or maybe in some way, taking it back into his own hands.

Character Story 2 and his Vision story tells us more about his time in Meropide before taking it over, and how chaotic it sounded. He arrived in the Fortress and found his Vision in his pockets when being processed, and the first thing he's told is "hide it well". This was the only warning he got from anyone about how life in the Fortress was at that time, and he took that to heart in order to not lose anything precious to him.

Meropide was a place you could pay for someone to die in back then, among other things like drugs and probably far more things that Hoyoverse wouldn't mention for the sake of keeping things PG. It certainly doesn't seem like a place a teenager would be safe in and yet despite all odds, Wriothesley thrived and amassed a massive collection of credit coupons in order to make his name known.

It doesn't say much about what a feat that is, especially the line where it mentions that he amassed more coupons than anyone else in the Fortress combined. He figured out how the place ticked and made it sing to his own tempo instead of simply falling in line, that's such an impressive feat for anyone to do, let alone someone who would've had to fight tooth and nail to even get the respect needed for people to see him with as much power as he seemed to gain by the time he took over.

When he challenged the former administrator to a duel, the story mentions how Wriothesley was saved from having to get another person’s blood on his hands because he fled from the Fortress instead of showing up. And sure we could gloss over this as he was glad about not needing to fight him in the end, but this also implies that if the fight had've gone on instead of what happened, Wriothesley would've either beaten that man within an inch of his life or taken it. He would've taken another life for the sake of other people, once again.

This is something I've noticed is a theme with Wriothesley. He has either little regard for or at the very least places his own safety below others, so long as it's doing what he thinks is right or protects other people. During his story quest when he's being shot at, Wriothesley does little to protect himself aside from some minimal protection with his cryo vision against the bullets shot at him, but the moment that the gun is turned to the Traveler, he spent absolutely no time in very nearly killing Dougier (if the Traveler hadn't been there, I think there would've been a 75%-85% chance that he would've killed Dougier) and putting him in his place.

We see this again with the Archon quest where Wriothesley and Clorinde fight back the Primordial Sea. He spend his own safety and energy icing over the doors in order to save people in the Fortress from the Primordial Sea until Neuvillette could get there, at the risk of his own safety and very nearly getting trapped and dissolved by the waters.

That's not even taking into consideration the work he did on the Wingalet. We saw so little of it in the 4.2 Archon Quest, I was almost disappointed, but the fact that instead of staying idle about the prophecy, he spent so much time and energy making a ship like that and keeping it a secret from most parties until the time came all for the reason of saving as many Fontainians as possible just kills me.

Wriothesley has been through so much, and instead of that horrible backstory and all that trauma turning him into a bitter and hateful person, he instead uses it to give others a better life than he had just crushes me. He took over Meropide and reformed it into a place where not only does it help people now, but is such a nice place to be that inmates want to stay afterwards warms my heart. Like, for sure there's the fact that people staying down there reintegrating into society would be a challenge but I love the fact that there's even the choice to stay down there after the term is over instead of simply turning people lose and risking them returning back down after repeating crimes.

Anyway what I'm trying to get at here is that Wriothesley is such a well written character and I want Hoyoverse to give us more characters like this. I'm rambling way too much and I'm sure like 80% is incoherent bullshit but I needed to get my feelings off my chest about this lol.

If you made it this far thanks for putting up with my rambling LMAO.

[kyojuuros]

knowing communication is vital to a healthy relationship but never knowing how to start a conversation or holding back because you don't want to burden them with your emotions or say/do something that will push them away and just generally being socially inadept is such a fun time! :)

[hood-ex]

I have seen you talking about Dick & Dami's relationship and Dick & Tim as well,but what are your takes on Dick and Jason actually?

Like how you wish their relationship should be portrayed today and where are them missing when it comes to making those two acting like siblings?

Do you think in the past their dynamic was better?

How Dick views Jason and how Jason views Dick?

This is difficult to answer because there are like 8 different stages to Dick and Jason's relationship with various dynamics. They also view each other a bit differently depending on which stage we're talking about.

The way I would like their relationship to be portrayed today isn’t necessarily possible thanks to Jason’s integration into the family and acceptance of the no killing moral code. For me, their ideal dynamic is portrayed in Outsiders #44-46. And I know people are gonna find that regressive as hell but, tbh, that dynamic is far more interesting than the kinda awkward thing they have going on now.

Although, I don't mind that they acknowledge their brotherhood in a serious manner now. Like before they'd kinda be like, "Eh... I mean... we were adopted from the same guy but... brothers? Eh..." And now they're more firmly in the, "We're brothers," camp. So that development is interesting.

Character progression wise, it wouldn't feel right for for them to be super close in the way that, say, Dick and Tim are (unless we saw a lot of trust and relationship building between them), but at the same time, there is part of me that kind of wants them to have that older sibling bond (except Jason is closer in age to Tim than he is to Dick sooo actually let's just leave older sibling things to Dick and Cass... not that Cass is much older than Jason though so LOL this is why Dick has to lone the oldest sibling thing by himself... which is funny because Dick is technically no longer the oldest sibling, he's a baby brother now... except Dick and Melinda's relationship really hasn't progressed much sooo you could say they share blood but don't consider each other family yet, in which case, Dick is still the oldest... I mean, regardless, Dick is the oldest sibling of the Waynes... god why did they have to make all of this so difficult 😫).

[metalmaul]

Theo Solomon's first moves in D&D (as Wyll Ravengard of Baldur's Gate 3.)

[from highrollersdnd on Twitch's new one-shot campaign with the cast of Baldur's Gate 3]

[knifemartin]

a choose your own adventure for REAL this time!!!

[cupophrogs]

Updated Ami's dress a little :p

[moth-time]

You know as happy as I am to see a pretty obscure, lost media movie like Goncharov get some traction on tumblr with international audiences, I wish people would consider the historical and cultural context in which it was created at least a little bit before putting their shipping goggles on. Nothing against Andrey/Goncharov shippers, OR against Katya/Sofia shippers, I know it kind of writes itself, but like, guys. You realize the physical intimacy between Andrey and Goncharov especially would have been perfectly normal at the time this movie was made? Like I know in the contemporary context in the USA any kind of affection between men is immediately seen as gay (which, other can of worms), but in 1973 Italy this would have been perfectly platonic to the audience. So trying to pass off the movie as, like, early queer rep?? No! Especially in Italy, one of the most Catholic countries in Europe. Who still doesn't have same-sex marriage, might I add.

But yeah on the topic of what was seen as normal platonic same sex affection, this is from 1979!

And like- idk this bugs me because it is a wider pattern especially with USAmerican audiences of looking at non-USAmerican media and just blithely ignoring the cultural and historical context. For a more well known and modern example, look no further than Intouchables (2011), which got dragged through the coals here on tumblr for being racist, completely ignoring the French cultural context surrounding it. You guys can ship all you want, but can we not make this into something it's not?? The movie is beautiful on its own, and a very important piece of history that is still relevant today (the mafia is still a thing and a major problem for the south of Italy, guys, it's not fucking prohibition gangsters). But it sure as fuck isn't queer, and wouldn't have been read as such by the audience at the time (and, honestly, still doesn't to me).

[rosenkranz-isnt-dead]

I wonder if this "damn, you're watching [insert show that's ended a few years ago] just now?" mindset has always existed or if it's just a recent development in the age of rapid consumption and new shows being released every month just to be forgotten as soon as their one to three short seasons are finished. where did the idea that art has limits come from? would you enjoy Beethoven's music less because he died two centuries ago? is it wrong to appreciate Vincent van Gogh's paintings, after all, there's plenty of modern artists? if you're only watching what streaming services recommend you to, if you try to keep up with the trends, if you only make fan art of something that's currently popular, well. have fun consuming, but I would recommend to try and think for yourself. make your own choices, not the ones that are suggested to you by late stage capitalism

[bulldog-butch]

simultaneously don’t want to be in a relationship but also sick and tired of being the only single person in my house

[luna-loveboop]

How's Twilight Princess??

- hero-of-the-wolf

WHOEVER DECIDED TO PUT A CAVE IN THE MIDDLE OF THE DESERT WITH TWO POES INSIDE OF IT IN CLOSE QUARTERS BETTER COUNT THEIR DAYS BECAUSE THAT WAS TERRIFYING

[celestial-sapphicss]

EXO | STAYC | RED VELVET | TXT

@userdramas 2023 Secret Santa 🎁 ↳ for @jaeewook: Favorite K-Pop Groups! @asiandramanet December Creator Bingo - Typography ☆ ★

[boxwinebaddie]

i forgot how satisfying filling out character sheets is

i'm having sm fun eeeee!!! <3 c':

[uhbasicallyjustmilex]

does anyone have any tips on how not to be a crippling perfectionist about your writing?? i have been staring at the same five paragraphs of the next chapter of four walls for a whole week and i've reached the point where i actually want to defenestrate my own laptop

[brightmalcolm]

I'm so happy I found your blog! This show has been my hyper-fixation ever since it came out and it's nice to find people who still talk about the show :)

ANYWAYS, I just started reading The Count of Monte Cristo (for totally normal reasons, and not so I can deeply analyze S1E13 "Wait & Hope") and I wanted to know your thoughts on the fact that The Count of Monte Cristo was Malcolm's favorite story growing up. Because this book, like said in the episode, is about a man murdering for revenge (take this with a grain of salt I'm on page 73). And I can't help but think about Martins though process of reading this story about murder to Malcolm. Because in the episode, We get a flashback of Martin reading the story to Malcolm, and He's acting out a scene from the book where I think the Count kills one of the men who betrayed him (again I'm only on page 73 I'm not completely sure). And he makes the act of murder seen fantastical, fun, and light-hearted. Which makes me think that when he reads this story to Malcolm, not only to get Malcolm used to the idea of murder, but to also prematurely downplay his crimes. So when Malcolm found out that Martin's a Serial Killer as a kid, Martin could then say, "Well you didn't have a problem with it when I read those crimes to you, why do you have a problem with it now?" And we see the adult version of this when Malcolm is an adult, Martin brings up the fact the he never killed anyone on his operating table, he only killed people when off the clock. Which of course means that his crimes aren't as bad as they really are because he could have done so much worse!

AND THE WAY MALCOLM WOULD HAVE LOOKED BACK AND THOUGHT HE SHOULD HAVE KNOWN BECAUSE OF THE BOOK!!

because of course Martin the Murder would read a murder book instead of a normal Fairytale, of course Martin would only act out the murder scenes from the book. It just gets the trauma ball rolling, like give my guy a break please he's had enough.

hi omg it's nice to hear from you!

so obligatory I have not read the count of monte cristo so take everything I say with a big grain of salt bc I am just going off the wikipedia page and conversations I've had with people who have read it. I like to think everything (or at least most things) with this show are intentional so I enjoy looking in to these kind of details to see what they might mean. I think one way to look at it is the writers trying to do a short hand for malcolm being an intelligent and precocious child and a bit kind of like "ha ha of course malcolm's favorite childhood book was an old french classic about revenge and not like the magic tree house bc he's so eccentric and pretentious." also it ties nicely into a murder investigation that they can base on the story to give malcolm more reasons to know a bunch of random info to help with the case.

but when it comes I think with martin basically anything can be used as a tool for manipulation, even if in another context it wouldn't be by someone else. like the count of monte cristo doesn't seem like something super out of left field for a parent to read their child in my opinion, yeah it involves murder but a lot of books involve heavy subject matter and are still read at any age. so I don't want to imply it's like bad or odd for a child or their parent to read something like that, I was reading things like the outsiders and the hunger games around malcolm's age which are both kids/young adult books but also contain death and violence. BUT I think with martin he definitely could have had some more ulterior motives and again, the show deliberately made reading the book a memory malcolm had with his dad so I think the writers definitely had intent behind details like that.

so yes I get what you're saying and could 100% see it being used that way in martin and malcolm's dynamic. I think it's in the vein of how malcolm collects murder weapons in that it demonstrates how death and murder kind of consume his life even in to his interests and hobbies and how martin's shadow is always there (again, not saying reading about murder or being interested in it mean you're a serial killer obviously but in the context of like themes in the story, a reoccurring one is malcolm's preoccupation with death and how it relates to his trauma from his father). like the example you gave, martin is very good at justifying what he has done, especially and specifically to malcolm bc he knows his son is already traumatized by his actions and desperate for some logical reasoning behind them when there just really isn't one. the way martin acts out the story is also an interesting point. again, not trying to imply this is like inherently something bad or problematic but specifically in the context of this show and this relationship it definitely shows how martin kind of presents murder to malcolm. like it's all about the larger context for me; what does this mean with the information we already know by episode 13 and what conclusions should we draw from it. and I think it makes sense how you interpret the episode!

anyway TLDR the way martin talks about murder with his son is a vital part of their dynamic. martin knows malcolm wants to understand his seemingly incomprehensible actions and he uses this multiple times in the show to try and manipulate him in to thinking different ways about them, whether that is by telling malcolm he is somehow responsible for him murdering people (see 1x02) or that he saved more people than he hurt (see 1x07) or that he has changed completely (see 2x13) ect. ALSO I just remembered how interested I am in how this show portrays the concept of monstrosity and wow this TLDR is getting long specifically in the episode you referenced eye of the needle 1x14 and how martin says something along the lines of "I'm the monster, so vanquish me" as if simplifying the concept down to that of a storybook, like he's a dragon to be slain and how he tells malcolm there's no such thing as monsters in the pilot, conjuring the image of like a child who thinks there's a monster under their bed or in their closet. so the lines kind of get blurred and martin will ultimately use every tool in his disposal to manipulate malcolm in different ways, even using things that are innocuous on their own or in a different context. would love to hear everyone else's thoughts especially if you've read the book :)