#unlocated hell

[touhoutunes]

Title: Stay in the Heavenly Hell ?

Arrangement: 天音

Album: B/M EXHIBITOR

Circle: Rolling Contact

Original: Unlocated Hell

[goon-account]

this pokemon's japanese name is a huge win for the bad at spelling but somewhat familiar with japanese and good at mental conspiracy boards community

[real-fire-emblem-takes]

Why the hell is there nothing on AO3 where Edelgard and Idunn interact?

Like yeah sure I understand there being generally less fic about characters from unlocalized games and I get that the people who love Edelgard most are often fans of 3H/Fodlan specifically and statistically speaking they likely haven’t played any pre-localization FE’s if any pre-Switch ones and Idunn is not one of the handful of retro characters FEH singlehandedly made popular but like COME ON PEOPLE.

You have two women who were subjected to unspeakable horrors to dehumanize and transform them into weapons to fight someone else’s war, one who tragically succumbed and one who rebelled against fate to her dying breath. The parallels are RIGHT THERE!

I’m not even a huge 3H fan but I am genuinely upset that apparently no one else sees this. I suppose I have no choice but to attempt to be the change I want to see in the world, grumble grumble

.

[scenetocause]

thinking abt girl oscar and that line you wrote about her "always being committed to wearing shorts regardless of temperature" cus a photo of oscar in random shorts flashed on my timeline and now i cant find it anymore. the gods give (girl!oscar) and the gods taketh away (unlocate-able photo of actual!oscar in tight shorts)

actual oscar is a girl to me, in my heart ❤️ that itty bitty waist in his fireproofs today had me biting, chewing, gnawing, projecting onto lando, etc.

it's criminally australian behaviour to always wear shorts and i respect the hell out of oscar's dedication to that. his australian-ness is as strong as logan's american-ness, if not stronger but no one talks about what a fuckin bogan he is innit.

[emathyst9]

Playing Touhou music on Soundcloud and paused it on Seraphic Chicken for something, and one of my earbuds isn't working anymore, so I played it and it just BLARED right in my ear

That must be the closest thing to a chicken loudly bawking at you

But at least Unlocated Hell came on that's one of my William songs

[broccolini-cellini]

Miwon Kown on Do-Ho Suh

The ascendance of an artist like Do-Ho Suh in the international art scene is not only predicated on the high quality of workmanship, cleverness of ideas, strength and clarity of formal decision, and sophistication of talent. It is also linked to the fact that in the contemporary art world today, a culturally displaced person of adequate means who can navigate a bigger map of the world than those bound to one location, culture, or identity is treated as a representative if not privileged person, able to speak to, speak of, and speak as a retooled nomadic subject of globalization. Suh's recurring trips to Korea, motivated in large measure by the necessities of his production (labour is cheaper there), also mirrors the ongoing uneven distribution of labour, resources, and power in late capitalism. Thus, the attraction that Suh's work draws from a globalized art network of curators, dealers, collectors, and critics lies in the symbiotic fashioning of both the work and the artist within the logic of a new order of mobilized identities. Do-Ho Suh's art eulogizes the older paradigms of subjectivity, identity and space while announcing new versions of them as unlocated conditions of transience.

Selected excerpt from The Other Otherness: The Art of Do Ho Suh by Miwon Kwon (2002)

As I continue to pour over writings on Do-Ho Suh, I have found that no one articulates him better than Miwon Kwon, whose 2002 essay for Suh's show at the Serpentine Gallery, still holds today, over two decades later.

Kwon links Suh's contemporary practice to Minimalism and installation art, primarily in a Western context***. The artist did shift into a sculptural and installation practice after receiving further education in the US. This is always mentioned whenever Suh needs an introduction, because it immediately frames him as a transnational artist, and points to the cultural displacement he experienced, which largely motivates his thematic interests on memory and transience.

Kwon has written extensively about site-specific art and has identified the problematic nomadism artists have adapted, which the art scene greatly rewards. Everyone needs to be jet-setting anywhere and everywhere in order to become a high profile artist. This hurts site specificity, because you can't just parachute onto a site and create watered down artworks in such brief periods. Kwon points out that the peripatetic Suh benefits from this system, but not without merit. She praises Suh's ability to create installations that don't have to be bound to their sites, rather, they are meant to leave.

This made me cuss a lot... when will I find my own succinct intersection

She furthers that Suh's otherness as a Korean implant in the West has (quite ironically) managed to transcend in that it has somehow become universal. She cites his work Seoul Home, which is so specifically Korean but manages to tug at the heartstrings of so many. Displacement, transience, and longing for home (whatever the hell that is) are universal experiences. This is why his installations can occupy various spaces and still be powerful and resonant. While he states that he is selfish in that he primarily makes his works to satisfy himself, he still manages to transform the personal into public. This is what I am trying to resolve in my own practice. How do I go beyond my lived experience? It takes so much sensitivity, skill and nuance to properly contextualise and effectively communicate. I am waiting for my abilities to catch up.

Seoul Home/LA Home installed at the Korean Cultural Center in Los Angeles. 1999. This is one of Suh's earliest fabric architecture works, which catapulted him into the international art scene.

***I am wondering if there are better references to link to Suh, something closer to an East Asian context.

[anueutsuho]

A CYBER'S WORLD? - Deltarune: Chapter 2

Nuclear Fusion - Trials of Mana

Unlocated Hell - Touhou 17: Wily Beast and Weakest Creature

Eternal Shrine Maiden - Dolls in Pseudo Paradise

Unexpectancy (3 of 3) - Pizza Tower

Tonight's A Jazzy Night - Dynamite Headdy

Solar Sect of Mystic Wisdom ~ Nuclear Fusion - Touhou 11: Subterranean Animism

Under My Control - Kirby's Return to Dream Land

Hopes and Dreams - Undertale

Overloaded - Mega Man ZX Advent

PICK A SONG FOR EACH LETTER OF YOUR URL.

Metroid Prime title screen music (Kenji Yamamoto)

Undefeatable (SEGA SOUND TEAM feat. Kellin Quinn)

Green Greens (Melee remix) (Hirokazu Ando)

Greek/Roman Pantheon's theme from Smite (Chris Rockwood)

Starring Wario! (U1-Asami / Yuichi Asami)

You'll Be in My Heart (Phil Collins)

Animal I Have Become (Three Days Grace)

Never Surrender (TEAM BARON)

Deadpool's theme from Marvel vs. Capcom 3

Forces (Susumu Hirasawa)

Rumble (Robin Beanland?)

It's Pizza Time! (Mr. Sauceman)

End Credits of Sam & Max: The Devil's Playhouse Episode 1 (Jared Emerson-Johnson)

New Genesis (Ado (as Uta (One Piece)))

Devil Trigger (Casey and Ali Edwards)

Spaghetti (Mr. Sauceman?)

Tagged by: No One! Tagging: Effectively, everyone! Go ahead and steal this!

[touhoutunes]

Title: Historia

Arrangement: MxRxl

Vocals: ゆずり

Album: Soaring Flight

Circle: CielArc

Original: Unlocated Hell

[touhou-music]

03. Like An Animal (03:58)

Artist: 暁Records

Arrangement: Stack Bros.

Lyrics: Stack

Vocals: Stack

Album: HANIPAGANDA

Original: Unlocated Hell (Stage 4 Theme), Tortoise Dragon ~ Fortune and Misfortune (Stage 4 Boss Theme: Yachi Kicchou)

Source: 東方鬼形獣 ~ Wily Beast and Weakest Creature

Genre: Pop, Rock

[roaringwish]

Gensokyo music

[drizzileiscool]

here's some more tetris trivia that most casual players don't know if you're interested!

The official term for all the tetris pieces is "Tetromino". The tetrominoes also existed before tetris, and wasn't invented by it.

The title "Tetris" comes from the greek world Tetra, meaning four, and Tennis, which is the favorite sport of Alexey Pajitnov, the person who created tetris.

Tetris was created in the soviet union! because of this, Pajitnov was unable to make any money off of it for a very long time.

In the game Tetris Effect: Connected (please buy it also it's an indie game), you can insert the konami code on the title screen to get taken to a screen with another code input. Typing in "06061969" gives you access to a secret stage in the extra modes, which is based off the very first version of tetris created in the soviet union, and is titled 1969! (if you're doing it on consoles, you might need to connect a usb keyboard)

(slightly more known) There is a tetris movie on apple tv that is also a documentary of the creation of tetris! haven't watched it myself, and I've already seen a video on the entire history of tetris so I don't think I need to, but give it a watch if you can! (psst.. and if you don't wanna support apple you can always... you know... yar har har sail the seven seas.)

Before the tetris company was created, any company was allowed to create whatever wacky version or bootleg of tetris they wanted to create, which is why almost every console has had at least one version of tetris.

There is a game series called Tetris: The Grandmaster, and as the title implies, they are extremely hard versions of tetris. The goal is to play fast and earn the grandmaster rank, with TGM2 adding a section at the end where the pieces go invisible. If you want to know just how hard they are, as of 9 months ago, only around 21 people have gotten grandmaster rank in TGM3. And this game was released in 2005. Very hard.

(less of a tetris fact, more of a puyo fact) In 2017, sega released a game titled Puyo Puyo Tetris. This was a crossover between the Puyo Puyo series, and Tetris. However, what most people don't know is that the original unlocalized version was released in 2012! the last puyo game to get localized before this was puyo pop fever in 2007, making PPT the first puyo game to get localized in 10 years!

The names of the tetris side of characters are based off tetrominoes!

Tee is based off the T, Ai is based off the I, Jay and Elle are based off J and L, Ess is based off the S, Zed is based off the Z, and O is based off... well, an O. The characters are shown off in the image below. For more info on them and their personalities, check out their pages on PuyoNexus. And yes, Ai is a dog.

In 2020, Puyo Puyo Tetris had a sequel. And this time, it was a worldwide release, and sega didn't wait 5 years to localize it this time. The sequel was titled Puyo Puyo Tetris 2 (wow what a surprise)

NES Tetris is VERY different from modern tetris, with both having their own separate communities. (Obligatory Tetris Effect shill here! te:c actually has a sidemode that replicates nes tetris! it is called classic score attack and it can be played both singleplayer and multiplayer)

Older tetris games (before the tetris company existed) had different rotation systems, meaning NES tetris, sega tetris, and modern tetris all play differently. Now, each tetris game has to use the super rotation system, which means each game plays the same now. Please watch this video for an explanation on the super rotation system

The SRS (super rotation system) is broken as hell and allows for weird stuff to happen. See this video for a demonstration

i could mention alot more stuff, but this post is long enough already so I'm ending it here. I'm gonna go play ppt1 now also sig is best boy he has all the autism

[jasper-rolls]

Unlocated Hell Fire - Jerico [Beast Meditation]

[capitanmurasa]

honestly. koutetsu's themes. :/

[theglassbell]

My mom: [leaves me in the car for five minutes]

Me: [has an existential crisis, discovers the secrets of the universe, and realizes that I’m unlovable]

[birdgirl-juuni]

So I think I’m gonna take some time to talk about the music in touhou. I have a hard time saying my favorite song, but I can say my favorite for most stages/bosses. Two things I love about the series’s music is that they play with rhythms and run at a certain BPM. Most are at 180 bpm, which is literally the bpm I run long runs at, so having footfalls on downbeats is super satisfying. The songs also establish a certain groove early, then either play with that rhythm throughout the song, or start a variation of it and then switch into a sort of combo between the two. This is why I’ll say that certain soundtrack sound touhou-esque, because they follow that pattern. Here are my favorite songs for each stage.

Stage 1 - touhou 16 stage 1. This song has no right to go so hard, but it does.

Stage 1 boss - because princess inada is scolding me. Also pretty good, keeping it short and sweet as well. Fits Minoriko pretty well too.

Stage 2 - touhou 10 stage 2. Really nice beat, and honestly fits Hina more than her own theme. Anybody get a strong purple vibe from this song?

Stage 2 boss - a tie between beware the umbrella left behind forever and September pumpkin. Both go really hard, but for different reasons.

Stage 3 - touhou 15 stage 3. Really catchy, as well as kinda calming. Honorable mention to walking the streets of former hell and touhou 17 stage 3 as well though.

Stage 3 boss - a pair of divine beasts. Aunn got an excellent theme, with it having an interesting use of guitar in it.

Stage 4 - touhou 12 stage 4 and touhou 18 stage 4. I’ve ran meets to both of these songs, but they also go really hard. Honorable mention to unlocated hell as well.

Stage 4 boss - Captain Murasa. I love both mixes of this theme, and they both have differing tones. Honestly, they both just go super hard.

Stage 5 - touhou 15 stage 5. Really nice theme, following a similar pattern to Clownpieces theme.

Stage 5 boss - three way tie between corpse voyage ~ be of good cheer, crazy back door dancers, and shou’s theme. Each hit like a truck, and have nice grooves to them.

Stage 6 - A sea where one’s home planet reflects. A genuinely great theme among all the other bangers in touhou 15’s soundtrack. Really great for a stage 6 theme too.

Stage 6 boss - now this is a hard one to pick. I’d probably say a tie between shotoku legend ~ true administrator, okina’s theme, keiki’s theme, and Yuuma’s theme. They all hit like a brick tbh.

Ex stage - UFO romance through the night sky. Probably what I would say if you asked what my favorite theme is. Honestly, this one fits me as a person a pretty good deal.

Ex boss - Princess slaying dragon kings. Really cool feel to this one, as well as a interesting space-y feel to it.

[ryozoro]

Hades Playlist - ii.

NOW PLAYING: Vampire [Dominic Fike]

cw; nothing really, very small mentions of manipulation and murder

an: SORRY FOR THE LATE UPLOAD , THINGS GOT BEHIND SCHEDULE :(

“The curious are always in some danger. If you are curious, you might never come home.” – Jennette Winterson

She couldn’t get him off her mind; ever since she met him, all her thoughts have led back to the droopy eyes and the slick back hair that seemed a lot softer than what the gel presented it as. The whole idea of her thoughts tracing back to the eldest of the Haitani’s and her heart beats mimicking each time the octave of his voice dropped with every word he spoke to her, made yn almost forget all the rules her big brother placed when it comes to men.

Why does she yearn to be in the presence of someone who would not hesitate to take her life for a laugh amongst his gang? Why does she want to run into the back allies of each street in hopes of accidentally bumping into him? Why isn’t she able to use common sense and erase the memory of him out of her head? Why does she feel like fate has strung their paths together on purpose? Why – you know what? Maybe she latched onto Ran so fast in hopes of forgetting someone else that continued to plague her mind daily. Maybe she is becoming obsessed with idea of someone not seeing her as a kid. That has to be it, right? Ran, ‘Tani-Senpai,’ shares the same interest and even wants to talk to her later as if they have been old friends. That has to be it —

“Yn!” her brother’s voice snapped her out of her thoughts. “Are you okay, ya idiot?” She took note that everyone at the table was staring at her, waiting for her to answer Draken’s question. “You’ve been spacing out since we got here,” Draken frowned as he plucked a piece of food from her plate, “are you sure that nothing happened on your bike ride to the shop?”

“If you were riding to the shop, I would have gladly picked you up,” Inupi chimed in with a soft smile. “I told you to treat me like I’m another older brother.”

“Hm,” yn hummed while avoiding eye contact with the blonde man, “wanted to surprise my troll of a brother and I figured you were off because its Tuesday.”

“Ah,” Inupi gently laughed as he watched her play with her food, “you remembered my schedule?”

Of course, she remembered his schedule. Yn knew almost everything about him; from the origins of his beautiful burn mark to his favorite snack in the vending machine back at the shop, yn knew and fell in love with it all. Draken always teased her about being in love with Mikey or Hakkai since she always seemed relaxed around them, but little did he know that his little sister was in love with his best friend and business partner.

“I’m honestly shocked that you kept it the way you did,” yn side-eyed him as she raised the other hand to pick at the bandages that wrapped along the underside of her jaw, “but at the same time, I’m not that shocked considering old people love to stick to their schedules. Wouldn’t want you straining your back, Oji-chan.”

Inupi laughed – God, she loved that laugh - whole heartedly to the point he began choking on his food. Of course, sitting with their friends and family, Inupi’s contagious laugh spread amongst the others and the people around them either ignored it very well or gave them silent glares in hopes they would stop; surprise, they did not. Hell, if anything, it got worse – so much worse – to the point that Mikey, Takemichi, and Chifuyu all fell out of their chairs.

“I – what did I say that was so funny?” yn pouted as she fished her phone out of her pocket, “I just called him the old man he was.”

“That’s why, brat,” draken flicked her forehead and chuckled, “we had made a few bets on what you would say when Inupi had talked to you. Surprisingly, Mitsuya guessed you would have called him a grandpa.” Draken and the others proceeded to give Mana’s big brother 200 yen as they got up off the floor and calmed down.

“So, Yn,” Takemichi looked her in the eyes with a dopey flushed face.

“Watch it ‘ Mitchy,” Kazutora playfully warned, “don’t wanna embarrass the poor girl since she just got back.”

“What is it, crybaby,” she asked hesitantly as she scanned over his face, noting signs of mischief lurking in the corners of his smile. “It better not be something stupid, or else I’m telling Hina-san about what you did last time you came over to the shop.”

“Oi, you’re so mean – just like your brother,” Takemichi pouts and fans his hands towards you, “but it’s just a simple question, neh.”

Yn enjoyed Takemichi’s presence more than someone from an outside point of view would have thought. He always served as a hero in her eyes as he saved Mikey from the dark path he began to walk and how he constantly reminded her brother on how much his deceased lover, Sano Emma, watches over him and guides him to all the good things that happens in his life. He was an amazing guy and one that she wished had set her expectations for her taste in men, but her heart yearns for those who are completely out of her grasp.

“Just ask or else I’m calling Hina-san,” yn smirked as she brought her phone screen into view for Takemichi to see that “Hina-san <3” contact was pulled up and only one press away from being dialed.

“Oh, you bully!” Takemichi sighed dramatically, “I was just going to ask how long you have been into gilfs?” Draken choked on his drink and Pah-chin was patting his back in hopes of easing the rough coughs. Everyone at the table began to cause even more ruckus with tears of laughter as yn sat there dumbfounded.

“w-what,” she scratched her head and looked around the table in hopes of someone taking note of her clear ignorance at the word that Takemichi had claimed her to be attracted to. Since no one answered, she decided to speak on her own, “what the hell is a gilf?” Much to yn’s dismay, the table went silent for a brief second before bursting out into an even louder fit of laughter. “Well?! What the hell is it?”

“Yn, love,” Smiley spoke between hiccups and giggles, “it’s the same thing as a Dilf or Milf, but for old people.” After he finally finished his sentence, he leaned against his twin and laughed even harder.

“I-,” yn stood up and threw her dirtied napkin and spoon at the man who made the joke, “I’m not attracted to gilfs you fuckin idiot.” Yn moved behind Takemichi and put him in a headlock, “what made you even think to say that ya CD sellin’ pervert.”

“Oi,” Draken said from above her, “let ‘Mitchy go or else I’m taking you back all the way to Fukurodani and asking them to volunteer you for the summer school tutoring.” Yn dropped her arms in defeat and made her way back to her seat. “And you,” Takemichi looked up at her brother with a teary-eyed smile, “go clean your hair up before your wedding. It’s in three days and anyone can tell you pick at your split ends during your down time at work.” Draken laughed as Takemichi’s expression turned into a pout and he began punching Draken’s solid abdomen.

“Oh,” Angry stood up abruptly, “yn, could I see ya outside really quick?” Despite his rough tone, everyone knew he was asking in the kindest way possible.

“Yeah, sure,” yn got up with a pout and made her way to the exit with Angry trailing her with a hand on her mid-back. She was confused as to why they went outside at such a fast pace, but she just assumed that Angry wanted peace and quiet away from the others. “So,” yn smiled at the younger twin, “what did you – why is your face angrier than usual?” She titled her head at the man but he was quick to grab her hand and guide her towards his bike.

“Hop on,” he straddled the seat and waited for her to do the same, “don’t worry, Draken texted me to take you back to me and Nahoya-nii’s shop. So… hurry up, please.” Souta stopped her right before she got on and placed a helmet on her head, “safety first because I’ll hurt you if you get hurt,” he said as he proceeded to adjust the straps enough to keep her safe and comfortable. “Get on, Princess,” he kicked up the kick stand and took off fast out the parking spot.

“So – uh,” yn spoke aloud as they arrived at a stop light, “why did nii-chan tell ya to take me to the shop… I wasn’t done eating.” She felt her stomach rumble and she pressed her cheek to Angry’s leather cladded shoulder blade and readjusted her grip on his waist as they began moving towards the backroads to get to the Kawata’s Ramen shop.

“I’ll make you a bowl when we get there,” he relaxed his upper body so yn wasn’t laying against hard muscles, “and we left because everyone kept staring at you.”

“Psh,” yn rolled her eyes, “they were staring because I am a strong, independent woman who managed to put a MAN in a headlock like a bad bi-.”

“Enough of your ‘bad bitch’ talk, I believe you, but I promise you that was not the reason.” Angry spoke through a breathy laugh, “the cook and the table in the corner was kept looking over you. Don’t you think it was weird how when they brought our orders out and Draken said your rice was missing an egg and the cook came out and apologized himself?”

Yn pondered on the question for a bit but then shook her head gently and nuzzled inbetween the center of Angrys’s back, “no, to be honest, I thought that the cook just hates when he messes up. It can’t be that deep, yanno? Oh! Maybe they mistook me as an idol?” She felts Angry’s laugh bubble from his chest to his shoulder blades; Souta’s laugh honestly made her feel like her jokes were genuinely funny to listen to.

“Hate to break it to you,” Angry brought the bike to a gentle stop as the arrived towards the ramen shop, “but you don’t present yourself as the ideal image of the idol you probably think you are.” Yn joined Souta in the small fits of laughter as she gently punched him in his side.

“Oh, shut up,” she let out a soft breath as she hopped off and carried the helmet with her as she made her way to the employee back door. “Open up, yeah? ‘M reeeeeally hungry.”

“Already ahead of you, ya dumb brat,” Angry bumped his hip gently against yn’s and unlocked the door and pushed her inside. They placed their helmets and jackets off in the staff room and made their way towards the kitchen where she sat at bar stools and Angry started up the stove to boil a few eggs and moved to chop up some green onions. “You want beef or chicken, idiot?”

“Sheesh, souta-kun, if ya wanted to marry me – just say that,” Yn teased as she propped her head onto her two hands, “your terms of endearment have been getting sweeter and sweeter by the minute~ but! I do want chicken please, been not feelin like eating cow and pigs lately.”

“Yer annoying,” angry threw a small, chopped onion at her, “in your dreams I’d marry you. Plus, I KNOW I’m not your type. You go for mechanics with burn marked boys that work with your brother -,”

“OKAY, NOT NEEDED,” Yn pressed her face to the counter, “asshole… He’s my type, but I’m not his. He’s like, Makima and I’m Denji… please tell me you understand that because it’s the best I got.”

“I understand it, and I just want to say that that is the most tragic thing I have heard from you in a while – oh, but back to the restaurant,” Angry said as he slid a small chocolate mochi from out the freezer and towards yn on a cute, small plate, “there was a customer who went into the back the second he heard that your order was wrong. I thought it was weird because what cook comes out that frightened when they get someone’s order wrong, but then your brother texted me saying that every man there had their eyes on you as if they were in charge of watching your every move. At first, Hakkai noticed some of the men sporting a ‘Bonten’ tattoo on their wrist, so we thought maybe they were after Mikey, but then Mitsuya texted us when he went to the bathroom that he heard some of the guys saying your name. Once that was said, Draken immediately told me to take you away from there… I do have a question for you though.” Angry began whipping up the ramen in the most tasteful way and side-eyeing the young ryuguji, “did you by chance get into it with a few Bonten member’s when you first got here? Is that why you’re all bandaged up?”

“Souta,” yn felt her heartbeat pick up but remained composed, “nothing happened with what ever ‘Bonten’ members… you know how weird some gangs are…”

“I trust you, brat,” Angry’s frown deepened once he noticed that the eggs were ready to be cut and the chicken was ready to be fried, “I just don’t want to lose another family member, okay? We babies have to stick together.” With that, he paid no mind to the situation, making a small mental note to tell Draken that one of the members there probably just thought yn was pretty. “Oh,” Souta looked back at yn, “one more thing.”

“Y-yeah, of course,” yn snapped her eyes to meet his gaze, nervous that he might have picked up on the fact that she lied about not coming into contact with any members when she first arrived, “what’s up stinky?”

“Just be careful,” Angry passed her a water bottle, “don’t trust anyone who isn’t in our toman family; especially not a Bonten member. He’ll take you in, manipulate you into believing you can’t live without him, and sell you off with no cares in the world. That is, if you’re lucky enough not to be killed in the middle of the street for entertainment.” Souta turned back around to finish up the ramen.

“Yeah,” yn felt a chill go down her back, “I’ll be careful… I promise.” She honestly didn’t know how to feel, after all, she just met with the man who presented her with an unrequited love, another man who made her heart yearn to lurk into the depths of the shadows, and someone whom she considered family just told her that one of those men would lead her onto a road of misfortune. Lost in her thoughts, she felt her phone vibrate in her back pocket. She pulled on it and felt her stomach drop as she was greeted with two notifications.

Draken bacon >:D : You okay kid? We’re heading to the restaurant right now, ‘m sure nothing was wrong – just wanted ya to be safe. me and inupi there in a bit, the other boys are getting stuff together for our dinner tonight. don’t annoy angry too much <3

Tani-senpai <3: why did you leave so soon pretty girl? Didn’t mean to alarm you, but I sent your picture to quite a few of my juniors and underlings, delinquents if you will – just wanted them to know not to touch what isn’t theirs. N e Wayz, I have time now, do you want to call now?

Were the gods telling her to remember her caring brother’s rules on men or to listen to faint voice of curiosity that lingered in her young and ignorant mind?

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Taglist: @richiyo @haitanigigi @chifuyusprincess

ryozoro©