#vajra chandrasekera

[torpublishinggroup]

Celebrate Pride with Tor Publishing Group!

Rakesfall by @adamantine

They met as children in the middle of the Sri Lankan civil war. Later, in a demon-haunted wood, an act of violence linked them and propelled their souls on a journey through the ages. As they reincarnate ever deeper into the future, a truth emerges: Some stories take more than one lifetime to tell.

Running Close to the Wind by @ariaste

In this queer pirate fantasy, Avra Helvaçi has accidentally stolen the single most expensive secret in the world. To avoid capture, he flees to the open sea, where only his on-again, off-again ex aka pirate Captain Teveri az-Ḥaffār can help him survive, profit, and become a legend.

Cuckoo by Gretchen Felker-Martin

Something evil is buried deep in the desert. It wants your body and wears your skin. Welcome to Camp Resolution, a queer conversion center where everyone leaves a different person. In 1995, seven queer teens were abandoned here by their parents, but survived. Sixteen years later, they’re scarred and broken, but back to face an evil that threatens the world. 

Kinning by Nisi Shawl

In this alternate history where barkcloth airships soar and former colonies claim freedom from imperialist tyrants, the identity of the island of Everfair still wavers. Victorious in the wake of the Great War, a new threat looms. Can Everfair continue to serve as a symbol of hope for anticolonial movements around the world, or will it fall to forces within and without? 

Can’t Spell Treason Without Tea by @rebeccathornewrites

Can one of the Queen’s private guard and the most powerful mage in existence leave their lives behind to settle down in their new bookshop that serves tea? This cozy fantasy is steeped in sapphic romance and nestled on the edge of dragon country. 

The Fragile Threads of Power by V. E. Schwab

Once there were four worlds, nestled like pages in a book, each pulsing with fantastical power and connected by a single city: London. After a desperate attempt to prevent corruption and ruin in the four Londons, there are only three. Now the worlds are going to collide anew—brought to a dangerous precipice by the discoveries of three remarkable magicians.

Now available in paperback!

The Archive Undying by @emcandon

This is a story about misplaced faith, complicated love, so much self-loathing, and yeah—giant robots. Plugged into his AI god when its apocalyptic corruption renders him unfortunately immortal, sad gay disaster Sunai takes a die-again-or-die-trying approach to things. Unending life’s tough when intimacy is somehow scarier even than either of the warring police states set on turning you into a weapon or the rogue undead mecha-fragment of your old god that wants to eat you. 

Now available in paperback!

The Bell in the Fog by Lev AC Rosen

A dazzling historical mystery that dives into the shadowy, closeted world of the Navy, emerging in the gay bars of the city. It’s a whirlpool of missing people, violent strangers, and scandalous photos in 1952 San Francisco. 

Now available in paperback!

Celebrate Pride with more titles from Tor Publishing Group here!

[aroaessidhe]

Rakesfall, Vajra Chandrasekera

[queer-book-character-tournament]

Character, book, and author names under the cut

Fetter- The Saint of Bright Doors by Vajra Chandrasekera

Xie Lian- Heaven Official's Blessing / Tian Guan Ci Fu by Mo Xiang Tong Xiu

Magnus Chase- Magnus Chase and the Gods of Asgard series by Rick Riordan

Benjamin/Benji Woodside- Hell Followed With Us by Andrew Joseph White

[bigcats-birds-and-books]

Books of 2025: Daisychaining!

So when I get into a state of TBR Overwhelm, I like to daisychain my way between books with similar vibes--making connections is how we have fun (ADHD, whomst??). Since this particular batch was largely Of A Color Family, I figured they needed a family portrait!

HAMMAJANG was Big Crime: Hawaiian Edition, so next up is NEON GOD, which is Small Crime: Australian Edition (do you see what I did there). Then I'll head back to my list of 25 in 2025 with CATCHPENNY, which is Crime: Weird Magic Edition, and from there I'll stick with my 25 list for SAINT, which is Not Crime: Weird Magic Edition (as far as I know, anyway!).

[wizardsvslesbians]

We go along despairing about the state of the publishing industry and bemoaning the lack of artistry and strangeness in modern SF and then in defiance of all logic someone drops a first novel like this.

[adamantine]

There's an interview with me in the December issue of Locus, and here is a substantial excerpt from it: I talk about The Saint of Bright Doors and Rakesfall, and fantasy in general.

[bread-lowph]

idk i think about this a lot

[literary-illuminati]

2024 Book Review #16 – The Saint of Bright Doors by Vajra Chandrasekera

I grabbed this on a recommendation I now forget the specifics of, but which I am incredibly glad I listened to. Not a perfect book, but a beautiful one. It really does immerse you in a capital-w Weird setting in a way I haven’t gotten to enjoy in a while, and might the best in years at really weaving it in with a sense of the mundane and the bathetic. Pacing and character development and plot are a little all over the place, but still a great read.

The story follows Fetter, the only child of the Perfect and Kind, anointed messiah of the Path Above. His mother tears his shadow off of him at birth, and forever after he must choose to remain tethered to the earth and not float away into infinity. He is raised from birth as a tool to take vengeance on his father by committing each of his five unforgivable sins – culminating, of course, in holy patricide. His childhood is spent in indoctrination and murders – and oh, he’s also the only one he knows who can see the monstrous devils who share the world with humanity.

So anyway, all that gives him a lot to talk about in therapy.

The actual book follows Fetters’ life as an aimless young adult in the city of Luriat, with its layers of impenetrable government and byzantine system of castes and races inherited from successive colonizers, its regular pogroms and plagues, and its tendency for any doors left closed and unwatched for too long to instantaneously become permanently shut portals to Somewhere. Over the course of the book, he is dragged into a revolutionary conspiracy, learns his father is coming to the city, learns deep metaphysical secrets, is a pretty terrible boyfriend, becomes a suicide bomber, and learns to fly.

To start with the negative, the pacing of the plot is...okay, maybe not bad, but it’s really not trying for the things I’d expect it to. A whole act of the narrative is spent meandering through an absurd purgatory of refugee/prison/quarantine camps Fetter has been consigned to. Lovely writing, thematically important, does eat up a lot of page count which then leads to rest of the book being things happening very quickly one after the other with very little in the way of buildup or reflection. Time is enjoyably spent just detailing the experience of Fetter’s day to day life, but much of the supporting cast feel more like plot (or thematic) devices than characters. The book ends with the protagonist loudly reciting the big lesson he’s learned from the events of the book. So yeah, less than perfect book. Still, I found all the sins very easy to forgive.

As mentioned, this was the first fantasy book I’ve read in a while that felt properly fantastical, like it was created from first principles rather than being the latest in a hoary old lineage stretching back generations. Which might be complete bullshit, I don’t know – not like I’ve read a great deal of other South Asian fantasy to compare it to – but it worked for me. A big part of which is how very modern it is. This is a secondary world with prophets and plague-bearing anti-gods, forgotten timelines whose ghosts leak into the world, and a whole plethora of almost- and not-quite- messiahs. And also one with cellphones and UN-administered refugee camps, labyrinthine bureaucratic politics and scandals over inappropriate allocation of imported medical devices. It all feels like a reflection of the present and its own concerns rather than the thousandth-generation pastiche much of the genre does, I suppose – which is something I really did appreciate.

The world of the book – or, at least, the little slice of it the story is concerned with. There’s clearly grander and stranger things happening off in the distance – is one intensely concerned with caste and class, race and religion and breeding. Luriat is weighed down with the architecture and high culture of successive waves of colonialism, and its elites organize and govern the population according to a syncretic mix of all of their ideological castoffs. Politics – and in particular the use of plague and quarantine on one hand and sectarian pogroms on the other to control the populace – is pretty key to the whole book. It’s also just about entirely beyond Fetter. Not that he’s dumb, just that he’s apolitical, in the sense of treating government like an inexorable and inevitable fact of life to be worked with/around or avoided, not something you can understand or change. Which makes for fun reading as there’s clearly a whole Les Mis thing happening like 0.5 degrees to the left of the book’s plot.

Anyway, I’m still sad Pipra didn’t get more screentime, and the whole ending feels almost comically rushed, but absolutely a worthwhile read.

[banalhorrors]

I’m reading The Saint of Bright Doors and I went to look at the author’s other book Rakesfall and discovered that both of the libraries I have access to have over 60 copies of the audiobook? What? The usual amount of audiobook copies is somewhere in the 4-12 range. I found a popular YA romance that has 30, the first Harry Potter book has 46. I did not think Rakesfall was this popular. Does anyone know why my libraries have mountains of this book?

[myriad--starlings]

There is no sense that there is a difference of kind between a harsh word and a saw to the limbs; in the sermon, these are only differences of degree. The response to all insult, to all violence, is sympathy for the devil that does it to you. Whether you are struck with hand or stone or club or knife, or carved up with a saw, you must not hate.

But what about the hand that strikes? What about the hands that hold the stone or the club or the knife? What of the hands upon hands needed for the saw? What of the state and the death politics? What of the hierarchies of power that organize and direct this violence? What about the givers of orders, the payers of bills? Is this not an engine of hate, deriving from hate, designed with hate, operating on ancient principles of hate?

The simile is told with a purpose. It teaches the hated to hold still. To not buck under the saw’s teeth.

— Rakesfall, Vajra Chandrasekera

[hussyknee]

I woke up to the news about Refaat Alreer. I still feel cold. Imagine seeing someone talking on your TL every day, narrating what the genociders are doing, counting the dead and telling their stories, amplifying his colleagues in Palestinian activism and academia, advocating and pleading endlessly for a ceasefire, delivering blistering witticisms about Zionist propaganda and then...he and his whole family are dead.

Two of my favourite tweets by him, calling out the craven Western media for never naming Israel.

It feels like a funeral today. My whole TL full of his students and Palestinians mourning Refaat alongside writers and journalists and academics from all over the Global South. The only people who matter to us is us.

Meanwhile, Zionists are attacking us under our mourning tweets, circulating the tweet where he laughed at the monstrous lie of Hamas cooking a baby in an oven during Oct 7th, one of the lies that fuelled the slaughter that eventually killed him too.

This was his last tweet.

USAmerican disability activist Imani Barbarin's tweet today was partially motivated by Refaat's death.

I need to go offline for a while.

I leave you with Refaat's last poem that was his pinned tweet for over a month. When a storyteller dies, generations are robbed of universes. When a poet dies, the world loses a piece of its soul.

You can find Refaat's book "Gaza Writes Back" in my gdrive folder of Palestinian literature. I don't know where the royalties will go now, but please also try and find it in a bookstore or library.

[torpublishinggroup]

GET BOOKT

A guide of books to gift the people in your life and yourself!

For the person who made a 200+ slide powerpoint about Neon Genesis Evangelion for a presentation party… Also for those who attend presentation parties…

The Archive Undying by @emcandon

For all former and current theater kids (affectionate)...

Will Do Magic for Small Change by Andrea Hairston

For the reader who prefers their off-the-wall science fiction tempered with social commentary, or enjoys social commentary in a space opera font…

The Jinn-Bot of Shantiport by Samit Basu

━ ˖°˖ ☾☆☽ ˖°˖ ━

For the friend with the SHUDDER account…

Piñata: A Novel by Leopoldo Gout

For the burned-out chosen one who’s so, so tired…

The Saint of Bright Doors by @adamantine

For the tumblr mutual that fell down the wuxia cdrama hole…

The Water Outlaws by S. L. Huang

━ ˖°˖ ☾☆☽ ˖°˖ ━

For the gamer who fondly remembers their confrontation with Rayquaza atop the Sky Pillar…

Untethered Sky by Fonda Lee

For the “smash first, questions later” friend in your life…

Ebony Gate by Julia Vee & Ken Bebelle

For a tragic superwholockian in dire need of restorative sapphic fiction…

The Mimicking of Known Successes by Malka Older

━ ˖°˖ ☾☆☽ ˖°˖ ━

For the reader who wished Jonathan Strange & Mr Norrell was actually Jonathan Strange/Mr Norrell…

The Last Binding trilogy by @fahye, including: 

● A Marvellous Light

● A Restless Truth

● A Power Unbound

━ ˖°˖ ☾☆☽ ˖°˖ ━

Not enough books? We agree. Check out our other GET BOOKT guide.

[ilikereadingactually]

Rakesfall

Rakesfall by Vajra Chandrasekera

i'm honestly not sure where to begin with this book, except that i really liked it, and also i had a glitch in the NetGalley app halfway through and thought it had disappeared, so i read two other books in between. the many layers of this story would have fallen together a little easier for me if i had read the whole thing consecutively, so i'm looking forward to an enlightening reread at some point! but i also think, as Molly Templeton pointed out in this great column, that i can't possibly understand everything happening in this book, and i'm not meant to. i don't have the necessary cultural context about Sri Lanka, but i can ride along and thoroughly enjoy myself, and i can learn!

i really dig a lot of what i do understand that's going on in this book though; the layered, looping structure is really exciting, and the way Chandrasekera weaves speculative elements into so many different settings—iterations of the past and the future and the even farther future—is unique each time, with some connecting elements that carry you through from one story to the next. and there's so much incredibly striking imagery, visuals that are going to stay with me for a long time. my reading experience of this book was weirdly drawn out through my own ineptitude with the app, but i would keep reading about Annelid and Leveret through so many more of their strange lifetimes.

the deets

how i read it: as i said, i had a weird experience of this one in the NetGalley app, but as always i'm delighted to have the access.

try this if you: love to float on a book like floating on the ocean and maybe go down rabbit holes afterward, dig reincarnation stories, or are into things that span huge swaths of time and wander all over the speculative genres!

some bits i really liked: i have so many more screenshots than i could possibly include here but this is a selection of things that made me gasp

We know another year has passed when the new year birds hoot in the background. Leveret and Annelid will grow older, too. This is that kind of show. There are only two kinds of show: the kind where people grow older and the kind where they don't. We, the fandom, love the first kind best. We love this show so much.

___

I am reborn, but not in a womb; I pass into this life midstride, walking on the street. I stumble, trip over myself, nearly faceplant. I am in media res, trying to swallow what for a moment seemed to choke in my throat. Is that true, or had I forgotten myself until this moment?

___

I voted for him myself, in the parliamentary election earlier this month where sixty people died. I voted for peace, even though peace seems like the kind of science fiction that posits a future utopia, sleek and bald and rational, without satisfactory explanation of how we get to there from here, this convoluted, bloody, tainted here, except by appealing to our better natures at critical moments, a long arc bending toward justice. It seems like science fiction, wrapped in a pulp cover.

___

Be anything other than a man, I tell my younger self now through the akashic record; be a mother of witches. My parents didn't want the devil in me out. She was already almost out; that was the problem. No, they wanted her sealed, stitched in tight. My unhealing wound.

___

I love, the Rake whispers like thunder, rattling her bones. I forgive. Embi stares at them. "You...forgive. I've left you trapped in a foreign poetic regime for ten thousand years. It should have been otherwise." There is no other wisdom, the Rake says. "You don't have to protect me," Embi says. "If protecting the world means that I need to be sacrificed, I'm ready. It took me a while to get ready, but I'm ready." You are the world, the Rake says. There is no difference.

___

The difference is that stories have endings, and histories understand that nothing ever ends. The difference is that stories are made and histories are told.

___

You and I are a we right here and now, whether we like it or not.

pub date: June 18, 2024! Go read it!

[crowns-of-violets-and-roses]

The Saint of Bright Doors

Fetter has been raised from birth to commit the five unforgivable sins set out in his messianic father's religion, to culminate with patricide. After being trained for this throughout childhood his mother sends him out into the world as a teenager to fulfill the mission she has set him. This is all largely backstory, dispensed of in just two short chapters. The bulk of the story follows Fetter after he has abandoned following his mother's instruction as an aimless 23 year old (by his best estimate at least) in the city of Luriat.

Fetter now has a therapist (who he has been seeing "ever since he learned what a therapist was") and a boyfriend, attends a support group for unchosen ones and helps new immigrants adjust to living in the city.

Taken out of context a lot of elements of the books sounds like they're from a novel that's doing self conscious genre commentary or is even verging on parody but the book is really nothing like that. It's a unique fantasy world that is genuinely fantastical. I find that modern settings with a high level of magic often struggle to convey a sense of wonder and this was a welcome exception to that.

It's possible it's just drawing inspiration from books I'm not familiar with but the setting felt fresh and original.

The prose is enjoyable. It occasionally tries a little too hard to be clever but that's a rare problem and for the most part it's a joy to read. In particular Chandrasekera is very skilled at shifting registers; there are moments that in the hands of a less skilled would play as comedic juxtaposition (either intentionally or worse unintentionally) but his writing makes it seem natural

As the book continues Fetter gets involved with political radicals, goes undercover as a researcher, reconnects with his dying mother and gets drawn back into his past. The book becomes more plot heavy as it continues and it's not entirely to it's benefit. It's most often at it's strongest when focusing on individual in the course of ordinary life (or well ordinary by the standards of this world).

We learn more about the history of the world and Fetter's parents throughout the story and these parts have some of the best writing in the book. One chapter is taken up by Fetter's Mother, Mother-of-Glory, relating the story of how Fetter got his name and it's one of my favourite sections of the book.

Throughout the book caste and class and the experience and perception of immigrants are constant factors which are never far from the surface.

The book does weaken towards the end. Fetter leaves and returns to Luriat and after his return it somehow feels simultaneously both unfocused and too tightly focused. Towards the very end the narrative distances itself from Fetter and we're disconnected from his inner thoughts. I understand why Chandrasekera made this choice but it's something difficult to execute after following Fetter so intimately up until then and I don't know that it is entirely successful. The latter chapters would have benefited from more room to breathe.

There's no real way she could have appeared for more than the brief period that she did but Ordinary was great and I would have loved to see more of her.

The Saint of Bright Doors is Chandrasekera's debut novel and it is impressive for a first book. As much as I thoroughly enjoyed it, I'm even more excited to see what he'll write in the future.

[bigcats-birds-and-books]

Books of 2025: May Wrap-Up.

Good reading month, in terms of both quantity and quality (many four-star reads, good daisychain flow between books)! Great adulting month (more on this later)!! Even got some good knitting and writing in!

Here's what I read (photos/reviews linked):

GHOST OF THE NEON GOD ★★★★ Impulse buy; wasn't expecting it to worm into my brain but it did. Not perfect, but I had fun! Funny, fucked up, weird--you know my lifestyle.

CATCHPENNY ★★★★ Kitchen sink book (affectionate) about a washed-up thief who can travel through mirrors and doomsday cults and art and a missing teenager, exactly tickled my ODD THOMAS buttons, fucked up and funny and weird.

THE SAINT OF BRIGHT DOORS ★★★½ I really wanted to love this, but it didn't quite stick the twist!ending landing for me. I admire his ambition and his worldbuilding; excited to see how the author grows. Overall a good time.

MINIMIZING MARRIAGE ★★★ Snagged this from the library for Aro Reasons (Brake coined the term "amatonormativity" and discusses its implications with regards to marriage specifically). Chapter 4 was excellent; the rest of it was interesting but not what I was after. Very readable volume in a Feminist Philosophy series.

BRIGHT ★★★★ Thai novel in translation (first one written by a woman!), been on my radar for years. Lovely translation, lovely tonal balance (sweet moments + melancholy; it's a story about an abandoned 5/6-year-old, but it felt Authentic instead of Saccharine or Depressing). Definitely keeping an eye out for her other work in English.

THE LUMINOUS DEAD ★★★★ I didn't mean to binge this in less than 24 hours on a three-day weekend, but Here We Are. This is We Support Women's Wrongs: Cave SF/Horror Edition. Propulsive, tense, claustrophobic, deeply fucked up.

Under the Cut: A Note About ~*★Stars★*~

Historically, I have been Very Bad™ about assigning things Star Ratings, because it's so Vibes Heavy for me and therefore Contingent Upon my Whims. (Example: I don't like that stars are Odd, because that makes three the midpoint and things are rarely so truly mid for me)(I have hacked my way around this with a ½, which is really only applicable for me at ★★★ and up). Here is, generally, how I conceptualize stars:

★ - This was Bad. I would actively recommend that you do NOT read this one, no redeeming qualities whatsoever, not worth the slog. Save Yourself, It's Too Late For Me. Book goes in the garbage (donate bin).

★★ - This was Not Good. I would not recommend it, but it wasn't a total waste or wash--something in here held my interest/kept my attention/sparked some joy. I will not be rereading this ever. Save Yourself (Or Join Me In Suffering, That Seems Like A Cool Bonding Activity).

★★★ - This was Good/Fine/Okay/Meh. I don't care about this enough to recommend it one way or another. Perfectly serviceable book, held my interest, I probably enjoyed myself (or at least didn't actively loathe the reading). I don't have especially strong feelings. You probably don't need to save yourself from this one--if it sounds like your jam, give it a shot! Just didn't resonate with me particularly powerfully. I probably won't reread this unless I'm after something in particular.

★★★½ - I liked this! I'll probably recommend it if I know it matches someone's vibes or specific requests, but I didn't commit to a star rating on Goodreads. More likely to reread, but not guaranteed.

★★★★ - I really enjoyed this!! I would recommend it (sometimes with caveats about content warnings or such--I tend to like weird fucked up funny shit, and I don't have many hard readerly NO's). Not a perfect book for me by any means, but Very Good. This is something I would reread! Join me!!

★★★★★ - I LOVED THE SHIT OUT OF THIS, IT REWIRED MY BRAIN, WILL RECOMMEND TO ANYONE AND EVERYONE AT THE SLIGHTEST PROVOCATION (content warning caveats still apply--see 4-star disclaimer). Excellent book, I'll reread it regularly, I'll buy copies for all my friends, I'll try to convince all of Booklr to read it, PLEASE join me!!

[haveyoureadthisfantasybook]

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