#visceral storytelling

[joncronshawauthor]

Dive into the Gripping Post-Apocalyptic Thriller "Black Death Survival" - Read for Free Now!

In a society ravaged by a devastating plague, Liam, Jenna, and their young son Tommy must navigate the dangers of disease, desperation, and a menacing cult known as the Doctors. As the world crumbles around them, they’ll risk everything to stay together and protect what matters most. “Black Death Survival” is a gripping, character-driven thriller that explores the lengths people will go to…

[vibe-stash]

Moonlight (2016)

Director: Barry Jenkins Cinematography: James Laxton Production Design: Hannah Beachler Art Direction: Mabel Barba

[7-ratsinatrenchcoat]

K2.

FARTS.

AND SAYS.

BLIMEY.

[lisafication]

[2th]

for the rest of my life the ending of baroque will probably never stop being one of the most beautiful and poignant displays of hope, action, acceptance, and transition i’ve ever seen in a gothic narrative quite literally sitting beside bloodborne.

[arrowpunk]

I need to make more artist friends for my health and wellbeing but I don't ever wanna come off as parasocial or only wanting to befriend someone just because I like their art

Do you see my problem here

[sandu-zidian]

I am too much removed from Star Wars to really care for many of the future projects it’s got going on but Andor. Andor my beloved. Kissing it on the forehead like this is what good storytelling looks like oh my god. Like it’s a show that makes me think, that reflects our real life in very stark ways and tries to make sense out of that reality. And it does such a good job of highlighting the nuance and intricacies of our lives and the relationships we have and the idea of morality, the relationship between intent and action. How much does intent matter when an action is good or bad?

[essektheylyss]

I had a lot to say about post-canon transformative works after the finale and I have MORE to say now but I will give it some time before I actually write those thoughts out. Gonna let them sit in the stew for a bit.

[triflesandparsnips]

On the one hand, the noises I would make if Stede and Ed have a hot, slow, forbidden-or-is-it kiss that makes my jaded queer heart beat again inside my weathered carapace--

but on the other hand, how amazing it would be if they were just COMPLETELY out of sync because they're both clueless and they want so much and sometimes 'want' can get in the way of 'successful navigation of a physical moment with another human being' and that's it's own kind of powerful, the sheer awkwardness that screams down your bones as you realize that you are watching something so real that your hindbrain starts clawing at your central nervous system because if they're panicking about mouths and you're panicking on their behalf then who's on watch for sabertooths

[oleander-neria]

Remember in Watership Down when they’re in the warren of the snares and the rabbits there have invented abstract poetry and visual arts, and Fiver takes one look at the poet rabbit and goes “this is the most disturbing shit I’ve ever seen and I’d rather sit out all night in the rain than get anywhere near this?” Unfortunately that is kind of how I feel about Neil Gaimen.

[diamondseaside]

i feel like a lot of people tend to write off taylor’s lyrics if they aren’t poetic or shakespearean which underestimates her storytelling and ability to make you feel things imo

[vibe-stash]

Days of Being Wild (1990)

Director: Wong Kar-Wai Cinematography: Christopher Doyle Production Design: William Chang

[angorwhosebabyisthis]

tfw you keep trying to write up a concise Introduction of a Complex and Interesting Concept You Think About a Lot, getting distracted by an infodumping derail about The Breadth of the Subject, and running out of steam and having to start over ashdndmfb

[chewwytwee]

Vince Gilligan uses a lot of the same storytelling devices Lynch uses. The slow zooms which get closer to and therefore emphasize a certain objects metaphorical value to the characters paired with a rise in noise over the soundtrack, sometimes overpowering the diagetic background noise, and then a sudden jump cut with the sound gone or massively decayed to show a ‘snap’ to reality. Long silent establishing shots which pan to slowly reveal a seemingly random and banal everyday object which is recontextualized when it’s use in the story becomes clear. These def aren’t like, exact copies ofc but I can see where a lot of the vocabulary Vince uses is coming from.

[bravadoting]

Black Trans Archive (Desktop only)

CW // flashing images and body horror

[luna-azzurra]

Dialogue Strengthening Methods

Dialogue serves as the lifeblood of any narrative, offering readers a window into the minds, hearts, and souls of characters. When executed effectively, dialogue not only propels the plot forward but also deepens character development and fosters emotional engagement.

Authenticity through Observation

Authentic dialogue begins with keen observation of the world around us. As writers, we are avid listeners and astute observers, capturing the cadences, quirks, and real-life conversations. For example, in a bustling market scene, the rhythm of vendors haggling over prices or the melodic lilt of a street musician's banter adds depth and authenticity to the setting.

Character Voice

Just as no two individuals are alike, each character in a story possesses a unique voice that reflects their personality, background, and worldview. Crafting distinct voices involves delving deep into the psyche of each character, understanding their motivations, fears, and desires. Consider the contrast between a grizzled detective who speaks in terse, cynical phrases and a wide-eyed rookie whose speech is punctuated by eager enthusiasm. By infusing dialogue with these individual nuances, characters come alive, resonating with authenticity and depth.

Subtext

Beyond the surface level of spoken words lies a rich tapestry of subtext—unspoken thoughts, hidden agendas, and underlying emotions. Mastery of subtext allows writers to imbue dialogue with layers of meaning, inviting readers to decipher the unspoken truths that lie beneath. For instance, in a scene where a character offers a half-hearted apology, the tension between their words and body language hints at unresolved resentment or guilt. By harnessing the power of subtext, dialogue transcends mere communication, becoming a vehicle for nuanced storytelling and character development.

Showcasing Emotions

At its core, dialogue is a reflection of human emotion—joy, sorrow, anger, love. Capturing the emotional essence of a scene requires a delicate balance of words, tone, and context. Instead of explicitly stating characters' emotions, skilled writers show them through subtle cues—hesitant pauses, clenched fists, tearful eyes. Consider a scene where a parent confronts their child about a secret they've discovered; the trembling in their voice and the quiver of their lip betray a mixture of concern, disappointment, and love. By allowing emotions to permeate dialogue exchanges, writers forge a visceral connection with readers, eliciting empathy, laughter, and tears in equal measure.

Conflict and Tension

Dialogue thrives on conflict and tension, driving the narrative forward with relentless momentum. Whether it's a heated argument between lovers or a tense negotiation between rivals, conflict infuses dialogue with urgency and dynamism. Consider a scene where two political adversaries engage in a war of words, each vying for dominance and advantage. By pitting characters against each other, whether in overt clashes or subtle power struggles, writers create opportunities for growth and revelation.