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[luna-azzurra]

12 Emotional Wounds in Fiction Storys

Betraying a Loved One. Your character made a choice, and it backfired, badly. They betrayed someone close to them, maybe on purpose, maybe by accident. Now, the guilt’s eating them alive. They might try to fix things, but can they even make up for what they did?

Guilt Over a Past Mistake. They made a mistake, one that cost someone else. Maybe it was reckless, maybe it was a dumb decision, but now it haunts them. They can’t stop thinking about it, and no matter how hard they try to make things right, the past keeps pulling them back.

Survivor’s Guilt. Imagine surviving something awful, an accident, a disaster, but someone else didn’t make it. Now your character is stuck asking, “Why me? Why am I still here?” They push people away, convinced they don’t deserve to be happy or even alive.

Feeling Powerless. Your character is trapped, maybe in an abusive home, a toxic relationship, or just in life itself. They feel stuck, with no control over their own future.

Being Wrongly Accused. They didn’t do it. But no one believes them. Your character has been falsely accused of something serious, maybe even a crime and now they’re fighting to clear their name. It’s not just about proving their innocence, though. They’re also battling the pain of being abandoned by people who were supposed to stand by them.

Public Humiliation. They’ve just been humiliated in front of everyone, maybe it’s a video gone viral, or they were betrayed by someone they trusted. Now, they can’t even look people in the eye.

Living in Someone’s Shadow. No matter what they do, it’s never enough. Someone else, a sibling, a friend, a partner, always shines brighter. They feel stuck in that person’s shadow, invisible and overlooked.

Abandoning a Dream. They had big dreams, but somewhere along the way, life got in the way, and now they’ve given up. Maybe it was because of fear or circumstances beyond their control, but the loss of that dream has left them feeling empty.

Childhood Trauma. Something happened to them when they were young, something painful that still affects them today. Whether it was abuse, neglect, or a significant loss, the trauma follows them into adulthood, shaping how they see themselves and the world.

Being an Outsider. They’ve never felt like they fit in, whether because of their background, their personality, or something else. They long for acceptance but fear they’ll never find it.

Struggling with Addiction. They’re caught in a destructive cycle, whether it’s with substances, behaviors, or even people. The shame and struggle to break free from addiction are real and raw.

Living with Chronic Illness. They’re living with a chronic illness or disability, and it’s not just the physical challenges that weigh them down, it’s the emotional toll, too. Maybe they feel isolated, or like they’re a burden to others.

[luna-azzurra]

Forced Proximity Prompt

A: "You seriously need to move over. You're, like, taking up the entire seat."

B: "Where exactly do you expect me to go? We're stuck in this tiny space."

(A shuffles closer, their leg brushing against B’s.)

A: "Fine. I’ll just squish in here."

B: (heart pounding, avoiding eye contact) "Yeah, just… stay on your side. Don’t make it weird."

[luna-azzurra]

Love Triangle Gestures

You watch them laugh together and pretend it doesn’t bother you, but your heart is racing, and you can feel jealousy creeping in.

You can’t help but secretly want him/her, even though He‘s/She‘s giving someone else all his/her attention. It’s like a punch to the gut every time.

You try to act chill, but those side glances when they flirt with the other person? Yeah, they hurt way more than you’d like to admit.

Little things start happening, one of them touches your arm just a little longer, the other texts you late at night. You’re torn between both, and it’s driving you crazy.

Guilt hits you out of nowhere because maybe, just maybe, you’re falling for the one you’re not “supposed” to have feelings for.

The realization hits, no matter what, someone’s going to get hurt. And it’s not going to be pretty.

You keep stealing small moments with each of them, sharing secrets, laughing, and getting closer… but every time, you’re left more confused than before.

[luna-azzurra]

Writing isn’t about waiting for some magical burst of motivation to hit you. If you’re sitting around waiting for the perfect moment, you’ll never get anything done. Writing is showing up on the bad days, when the words feel like they’re dragging through mud. It’s not glamorous, it’s work. But here’s the thing, every time you push through that struggle, you get stronger. You don’t write because it’s easy or fun all the time. You write because the story inside you needs to be told. So sit down, put in the hours, and watch what happens when you refuse to quit.

[luna-azzurra]

Summer Romance Dialogue

A: "This summer has been... perfect."

B: "I know. I wish it didn’t have to end."

A: "It doesn’t. We can still see each other after."

B: (quietly) "But it won’t be the same. Will it?"

A: "Maybe not. But I don’t want to let go of this. Of us."

B: "Neither do I. Let’s make the most of what we have, right now."

[luna-azzurra]

Cozy September word prompts

Sweater Weather

Pumpkin Spice

Crunching Leaves

Bonfire Nights

Flannel and Fuzzy Socks

Cider Mornings

Golden Sunsets

Warm Blankets

Candlelit Evenings

Caramel Apples

Chilly Breezes

Cozy Nooks

Apple Picking

Forest Trails

Warm Scarves

Fireplace Glow

Rainy Afternoons

Baking Cookies

Fall Markets

Autumn Skies

[luna-azzurra]

Just two things:

What are some body language for a small sickness, such a cold?

And what is the body language for a much bigger sickness, such as a really bad fever?

When someone has a small sickness like a cold, their body language can be subtle but still easy to spot if you're paying attention. They might be a little more slouched than usual, like their body is tired even if they’re trying to act normal. They’ll sniffle a lot, maybe rubbing their nose or using tissues constantly. There’s also this thing where they’ll keep swallowing, like their throat is scratchy. You might notice them shivering slightly, like they’re cold even if it's not that chilly. And their eyes? They can look watery or just a bit out of focus, like they’re struggling to keep up with everything going on. Now, when someone has a much bigger sickness, like a really bad fever, their body language changes a lot more. They’ll look exhausted, like every movement takes too much energy. You might see them constantly touching their forehead, trying to check their own temperature or rubbing their head because they have a pounding headache. They’ll move slower, almost like they're weighed down, and sometimes they’ll clutch their stomach or chest, as if it hurts to breathe or even stand. Their skin could be pale or flushed, depending on how bad the fever is, and you’ll definitely notice their eyes, they’ll look heavy, almost like they’re burning or barely staying open. And when they talk, it’s quieter, sometimes raspy or uneven because they’re struggling to get their words out without feeling worse.

In short, a cold can make someone seem just a little off, but with a serious fever, it's like their body is fighting a battle, and you can see it in every small, exhausted gesture.

[luna-azzurra]

hello! I don't know if you've done something like this already, but do you have any tips on writing inner conflict in a character, specifically doing something that goes against their values but could help a lot of people? Thanks!

When you're writing about a character experiencing inner conflict, especially when they're about to do something that clashes with their values, it’s all about digging deep into the emotional tension. Imagine a moment where your character feels pulled in two directions. They know what’s right in their heart, but something (or someone) is pushing them to act against it. That’s the sweet spot for inner conflict.

To make this really hit, start by showing your character’s core beliefs early on. What do they stand for? What’s important to them? That way, when they have to make a choice that goes against those beliefs, it feels like a big deal, both to the character and the reader.

Then, focus on their internal struggle. Get inside their head. Show their thoughts racing, maybe even contradicting themselves. One moment they might justify the choice, telling themselves it's necessary, but in the next breath, guilt or doubt creeps in. This back-and-forth builds tension and makes readers feel that tug of war inside the character.

You also want to make sure their external actions don’t always line up with what’s going on in their head. Maybe they’re putting on a brave face, trying to convince others or even themselves, that they’re fine with what they’re doing. But in private, that inner turmoil eats away at them, whether through sleepless nights, regret, or self-loathing.

Just Give the consequences weight. Whether your character goes through with the action or not, let it change them. Inner conflict should have lasting effects. Maybe they question who they are, or maybe they try to bury the guilt. Either way, that decision should stick with them, shaping future choices and how they see themselves. The more you make them feel the consequences, the more your readers will, too.

[luna-azzurra]

Dunno if you already did this, but can you do one about showing characters processing something or in deep thought. I always fall into the trap of "their eyebrows furrowed".

Oh, I totally get that! It’s so easy to fall into the whole "their eyebrows furrowed" thing, but there are way more ways to show a character deep in thought.

First, try switching up their body language. Instead of focusing on their face, have them fidget, maybe they’re tapping their fingers, messing with the hem of their shirt, or pacing a little. These small movements show they’re distracted or thinking hard about something without always going for the obvious expression.

Example "She twisted a strand of hair around her finger, eyes locked on the floor as if the answer might appear there."

Next, think about their eyes. Are they staring off into space, completely zoned out? Maybe their eyes flicker back and forth, like they’re mentally working through something. You can use their gaze to show that their thoughts are elsewhere, without even needing to mention their face.

Example "His eyes drifted past the window, staring at nothing, the world outside a blur as his mind raced." Or "She narrowed her eyes, her gaze shifting from one corner of the room to another, piecing together the clues in her head."

Another good trick is to dive into internal sensations. You can describe how their thoughts are racing, their chest feels tight, or their stomach twists with uncertainty. Maybe their mind is replaying a conversation or trying to make sense of something confusing. Little details like that can really pull the reader into their head.

Example "His thoughts were a tangled mess, one question bleeding into the next until he couldn’t keep track anymore." Or "She kept replaying his words in her mind, over and over, trying to figure out what he really meant."

Also, silence can be super effective. Maybe they stop talking mid-sentence or give short, distracted responses to people around them. It’s like their brain is too busy to focus on the conversation, and that can show how deep in thought they are.

Example "When Jake asked her a question, she didn’t even hear it. Her mind was too far gone, trapped in a spiral of what-ifs." Or "He nodded absentmindedly, not really listening, his focus somewhere far from the conversation."

And don’t forget about small physical reactions! Maybe they’re feeling a weird heaviness in their chest, or a knot in their stomach forms as they overthink. Physical sensations tied to emotions can really ground the moment and make it feel more real.

Example "Her chest tightened as the weight of the decision settled over her, heavy and unavoidable." Or "A dull ache formed behind his eyes, the pressure of too many unanswered questions closing in."

So yeah, there’s lots of cool ways to show deep thought without just saying "eyebrows furrowed", Mix it up and it’ll feel way more natural. :)

[luna-azzurra]

If you write a fearless hero, let them feel afraid.

If you write a confident leader, let them doubt themselves.

If you write a rebellious teen, let them follow the rules, just once.

If you write a wise mentor, let them be wrong.

If you write an independent loner, let them need someone.

[luna-azzurra]

How to Write a Ruthless Character

A ruthless character is all about the endgame. They don’t care how they get there, lying, cheating, using others, it’s all fair game as long as they win. When writing them, show how they can cut off any distractions or emotions, making decisions that others would hesitate over.

These characters don't let feelings get in the way. Compassion, guilt, regret? Nah, they don’t have time for that. Show how they can turn off their emotions and make choices purely based on logic. They’ll do things that seem heartless to everyone else, but for them, it’s just another part of the plan. It’s not that they don’t feel anything, they just choose not to.

Boundaries? What boundaries? A ruthless character doesn’t care about rules unless they can bend them to get ahead. They’ll do things no one else dares, crossing lines others are too scared to even approach. The more uncomfortable their actions make people, the more it emphasizes just how far they’re willing to go. For them, pushing limits is just another day.

They don’t act on impulse. Every move they make is planned, and every risk they take is calculated. They weigh the pros and cons before acting, and they’re always three steps ahead of everyone else. Writing a ruthless character means showing that they’ve already figured out how to win while everyone else is still trying to figure out the rules.

Betrayal is their go-to move when things get tough. Friends, allies, even people who trust them, no one is safe. They’ll turn on anyone if it benefits them. And the best part? They’ll sleep just fine afterward. Show how others react to their betrayals, shocked, hurt, furious, while your ruthless character shrugs it off like, “It had to be done.”

[luna-azzurra]

Childhood Friends Prompt #1

You’ve been friends since you could walk, but something changed over the summer. Now every time He/She looks at you, your stomach twists in knots, and you don’t know why. You’ve always been close, but lately, it feels like you’re both afraid of what might happen if you get *too* close.

[luna-azzurra]

Don‘t Give Up My Dear Writer

Writing is a skill and like any other skill, it takes practice to improve. Set aside time each day or week to write, even if it's just for a short time.

Reading is essential for improving your writing. Read widely in different genres and styles, and pay attention to how writers structure their sentences, develop characters, and create plots.

Don't be afraid to try writing in different styles and genres. Experimenting can help you find your voice and develop your skills.

Write about topics that you are passionate about. When you write about things that interest you, your writing will be more authentic and engaging.

No writer gets it perfect on the first draft. Take time to edit and revise your work. You'll be surprised how much your writing can improve with a few rounds of editing.

Share your work with others and get feedback. This can be invaluable for improving your writing and gaining new perspectives.

Writing can be frustrating and challenging at times, but don't give up. Keep writing, keep learning, and keep improving.

[luna-azzurra]

Body type and shape

Lean Having a slender and toned body with minimal body fat.

Muscular Having well-developed muscles and a defined physique.

Slender Having a thin and graceful body shape.

Curvy Having an hourglass figure with well-defined curves, particularly in the hips and bust.

Athletic Having a fit and muscular body, often associated with participation in sports or physical activities.

Petite Being small and slender in stature, usually referring to height and overall body size.

Voluptuous Having full and shapely curves, often emphasizing a larger bust, hips, and thighs.

Stocky Having a compact and solid build with a sturdy appearance.

Thin Having a slim and slender body shape with little body fat or muscle definition.

Well-proportioned Having balanced and harmonious body proportions, with each body part in good proportion to the whole.

Toned Having firm muscles and a defined physique resulting from regular exercise and strength training.

Chubby Having a plump or rounded body shape, often with excess body fat.

Pear-shaped Having a body shape where the hips and thighs are wider than the shoulders and bust.

Hourglass figure Having a curvy body shape characterized by a well-defined waist and proportionate bust and hips.

Apple-shaped Having a body shape where weight is primarily carried around the midsection, resulting in a broader waistline.

Broad-shouldered Having wide and well-developed shoulders in comparison to the rest of the body.

Long-limbed Having long and slender limbs in proportion to the body.

Stout Having a sturdy and robust build, often characterized by a solid and thick physique.

Plump Having a pleasantly full and rounded body shape, often indicating a higher percentage of body fat.

Tall and slender Being tall in height and having a slim and elongated body shape.

[luna-azzurra]

Two Types of Love

Eros 💕

Eros is that fiery, passionate love that sweeps you off your feet. It’s the kind of love that makes your heart pound and your palms sweat, where every touch feels electric, and every glance sends a thrill down your spine. Eros is often what we feel at the beginning of a romantic relationship, when everything is fresh and exhilarating, filled with a burning desire and intense physical attraction. It's the love that makes you stay up all night just thinking about the person who has captured your heart, dreaming about the next time you’ll be together. Eros is intoxicating and all-consuming, making you feel alive in ways you never thought possible.

Philia 🤝

Philia is the deep, soulful love between friends. It's not about passion or romance but about a genuine bond that forms through shared experiences and mutual respect. This is the love that grows when you laugh together, cry together, and support each other through thick and thin. It’s the comforting feeling of knowing there’s someone who understands you, who gets your jokes, and who will be there no matter what. Philia is built on trust and loyalty, the kind of love where you don’t have to say anything, and yet, you feel completely understood.

[luna-azzurra]

Dialogue Prompts for Unrequited Love

"I love you... but not the way you love me."

"You deserve someone who can love you back."

"I wish I could be the one for you."

"Seeing you with them breaks my heart."

"I’ll always be your friend, but nothing more."

"You mean everything to me, but we can't be together."

"It's not you, it's me."

"I don’t want to lose our friendship."

"I can’t force my heart to feel something it doesn’t."

"You’ll find someone better than me."

[luna-azzurra]

Dialogue Prompts for Friendship

"You’re the best friend I’ve ever had."

"I’ll always have your back."

"You mean the world to me."

"We’ve been through so much together."

"I don’t know what I’d do without you."

"You’re like family to me."

"Thanks for always being there."

"I trust you more than anyone."

"You know me better than I know myself."

"Our bond is unbreakable."