I find this highly interesting:
She hunkered down in the dark against a damp stone wall and listened for the pursuit, but the only sound was the beating of her own heart and a distant drip of water. Quiet as a shadow, she told herself. She wondered where she was. When they had first come to King's Landing, she used to have bad dreams about getting lost in the castle. Father said the Red Keep was smaller than Winterfell, but in her dreams it had been immense, an endless stone maze with walls that seemed to shift and change behind her. She would find herself wandering down gloomy halls past faded tapestries, descending endless circular stairs, darting through courtyards or over bridges, her shouts echoing unanswered. In some of the rooms the red stone walls would seem to drip blood, and nowhere could she find a window. Sometimes she would hear her father's voice, but always from a long way off, and no matter how hard she ran after it, it would grow fainter and fainter, until it faded to nothing and Arya was alone in the dark. - Arya III AGOT
Evenfall found them still trudging toward the Green Fork and Lord Frey's twin castles. I am almost there, Arya thought. She knew she ought to be excited, but her belly was all knotted up tight. Maybe that was just the fever she'd been fighting, but maybe not. Last night she'd had a bad dream, a terrible dream. She couldn't remember what she'd dreamed of now, but the feeling had lingered all day. If anything, it had only gotten stronger. Fear cuts deeper than swords. She had to be strong now, the way her father told her. There was nothing between her and her mother but a castle gate, a river, and an army . . . but it was Robb's army, so there was no real danger there. Was there? - Arya X ASOS
This could definitely be just a tactic of foreshadowing, but I do find it interesting how it’s Arya we see who seems to be having stressful dreams full of foreboding and symbolism right before the deaths of Ned and Catelyn and Robb. Makes me wonder if Arya’s blood is even more magical (via the Warg King’s daughters) than we think.
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ppl who larp about the Revolution™ almost seem to expect someone *else* to take the leading role in it all so they can sit inside on their asses and do jack shit, they know they have no meaningful skills to offer and would only slow people down, but expect to *somehow* magically radicalize most americans into doing all the work for them because awww dey're just such a weak wittle babu that needs to be pwotected and defwended awlways uwu
like. come on. get a grip. if everything went your way and someone actually stronger than you came along to take the lead, you're likely not being invited, and you'll likely be left behind... which means left to the alt right, who will no doubt come to your house to see if you're perpetuating anything "woke", and you gotta know they wont just ask, they'll barge in and look through everything even your computer.
though, you should really focus on your plan. your first step: get along with people enough to even actually convince them its a good idea, and we all know you'll never dare to try that shit. you cant even be on here w/o blocking someone like me for even suggesting you are approaching this like a child playing war and you have NO FUCKING IDEA WHAT YOU'RE DOING.
you think you want a second holocaust (which is essentially letting trump win, i mean hitler got the majority vote in germany. thats how he rose to power. didn't just materialize out of thin air), but you dont seem to grasp the gravity of what that entails, or even that you'd be thrown in the camps with everyone else, all to stick it to jewish ppl and "the libs", even if it means you and all the ones you love die along with them. you are a net negative to humanity and quite frankly should be on a fucking watch list.
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Today Caiti announced she's not coming back to streaming. I want to highlight why the #MeToo movement in 2018 was such a big deal.
This girl was sexually assaulted by a powerful man in her career. No matter what would have happened or how much proof she had, speaking out would ruin her career.
She would be known for the most traumatic event in her life. Strangers would constantly gossip about it, and other men would make their opinions known.
She's young; she can quit streaming and pursue other ventures. This decision will not ruin her life. But if she were older, she would either have to be forced to come back and endure relentless harassment, or step away and accept a financial crisis. This would have ruined her life.
This is public because these are public figures, but for millions of women, this is their lives. Powerful men can abuse countless women and stay in power because speaking out about it ruins lives.
This was Caiti's first Vidcon as a streamer. She was 18 and so excited to see all of her friends. She was ecstatic to meet bigger streamers and make connections. This was such a pivotal moment in her career. And now it's gone.
If you still support George, Dream, or anyone that was in that fucking room, I don't have a single shred of fucking respect for you. You are promoting a culture that ruins lives. That man doesn't deserve anything but the damn streets. He certainly doesn't deserve money or influence. He doesn't deserve a single damn woman in his life willing to call him a friend. I only hope his current supporters are too young to understand what happened.
I hope Caiti finds fulfillment in her new ventures, and I hope she leaves all of this behind. And to anyone reading who has been assaulted and is too afraid to speak out, I hope you find peace and people who see you for more than your trauma.
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So you choose not to step through the door, after all why mess with nonsense when you're already in nonsense? You check the items in your pockets, your phone you shut off to conserve power, the dog tag, key and top clink together but offer no help, and when you fiddle with the walkie-talkie you manage to get it to turn on, excitedly you call out to the void but only static responds, which is disappointing but predictable, so you put the items away and hunker down for the night, looking at the sky you can see that the stars seem strange, though you're no expert, and the moon seems to have a second smaller moon near it which looks pretty cool but is a stark reminder of how not on your own world your predicament has landed you.
In the morning you begin looking through the nearby bushes and plant life taking note of anything strange, you notice the berries you had been picking before you stepped through the door are also growing around here, they look and taste the same, and some other plants seem pretty similar to the forest from before as well, although the further away from the door you go the more unfamiliar plants you come across (of course that may just be your lack of familiarity with plants) and the few animals you have noticed are bizarre in a way that you can't explain, like the people from town, they seem almost perfectly familiar, just a little off and the noises they make have you thinking they wouldn't be able to communicate with their counterparts either, brushing aside another branch you come across a strange funnel made of metal which you pocket and what looks to be a regular whistle, you wipe it down and blow but hear nothing aside from the air going through, you consider it is either broken or maybe a dog whistle, as you go to put it away you hear something big running in your direction, before you can decide how to react a large creature storms out of the bushes and stops in the clearing before you, it's huge as a horse with paws and sharp teeth it licks as it looks around and spots you, it shakes its head again reminding you of a horse, then steps closer before turning and staring expectantly, you get the feeling it's waiting on you, impatiently, and you realize it seems to expect you to get on its back. Do you get on?
Yes.
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Mikey from rottmnt
I see we're just going down the list of ROTTMNT characters and tbh I'm not mad okay here we go
How I Feel About This Character:
I have always loved Mikey in general (he's usually my second favorite in most iterations if Leo isn't), but this version of him....so fun. So good. I love that they gave him a personality beyond being childish and liking food, but they also kept those core parts of him and just. Accentuated him. Just having finished rewatching the 2012 series, I could go on so many tangents about Michelangelo
Romantic Ships:
Nah. But that boy is absolutely pan.
Brotp:
Said it before, but him and Donnie. I love their relationship
Unpopular Opinion:
Once again, I don't actually think I have one? I really like most of the headcanons I see of Mikey.
One Thing I Wish Would Have Happened:
I kind of wish we could have seen Mikey finding out HOW his future self died in the movie. I think knowing that it's possible to overexert himself to that point is a crucial piece of information to know. He wouldn't change a thing, ofc, but I feel like it's a benefit to him and to his developing powers to know that he has a limit. (On that note, on the off chance of a season 3, I want to see those powers develop and the hardships that would come with them)
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there’s a reason why the entire story of avatar the last airbender begins and ends with katara. there’s a reason why we are introduced to katara first before we are introduced to any other character. there’s a reason why katara is the narrator. there’s a reason why the creators have emphasized over and over again that katara is just as titular to the story as aang - she’s the other main character.
when you water down katara - remove her compassion, her ability to connect with others, her nurturing role, her ANGER and RAGE and DRIVE - you water down the very fundamentals of the story. you drastically and severely alter the core dynamics of the gaang, because katara was so important to the development of every single one of them. she was the rock and glue that held team avatar together.
katara was unlike any other character to ever appear on television; she was a young brown girl who took no shit from anyone, yet at the same time remained kind and compassionate and nurturing. katara was a force of nature; proud of her heritage and culture, burdened by the responsibility of being the last southern water bender of the water tribe, angered over the death of her mother and everything that the fire nation took from her, determined to help every single person in need, determined to change the world, angry and resentful because old men and rules and laws kept telling her what she could or could not do, thus, she was determined to restructure thousands of years of patriarchy that stood against her from accomplishing her goals and dreams.
watering down katara into at most 2-3 tangible characteristics, stripping her away of all her motivation and agency and nuance, telling the audience that she wants to help and change the world only to have her stand in the background with an air of grief, demonstrates that the writers of the live action fundamentally misunderstand the spirit of avatar. and that’s something so unforgivable. no matter how many changes they decide to make, or how much they decide to stay true to the original story in other areas, no matter how many flashy VFX fight scenes we get - if you fail to properly understand katara, you fail to understand the heart and soul of avatar the last airbender, everything that makes avatar such a timeless classic.
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Represention of Autistic Frustration in Laios Dungeon Meshi
Like many other autistic people, I related strongly to Laios Touden while reading Dungeon Meshi. This post isn't going to spend time disputing whether he displays autistic traits or not—while I could do that, I want to focus on why specifically his portrayal struck a chord with me in a way the writing of most other autistic-coded characters has not.
Disclaimer: as the above suggests, this post is strongly informed by my own experiences as an autistic person, as well as the experiences of my neurodivergent friends with whom I have spoken about this subject. I want to clarify that in no way am I asserting my personal experience to be some Universal Autistic Experience. This post is about why Laios' character feels distinct and significant to me in regard to autistic representation, and while I'm at it, I do feel that I have interesting things to say about autistic representation in media generally. This also got a bit long, so I'm sticking it under a read more. Spoilers for up to the end of chapter 88 below.
The thing that stands out most to me in regard to Laios' characterisation is the open anger he displays when someone points out his inability to read other people. This comes up prominently in his interactions with "Shuro" (Toshiro Nakamoto):
The frustration pictured above (Laios continuing to physically tussle with Toshiro, using crude language toward him) becomes even more notable when you remember that this is Laios, who, outside of these interactions, is not easily fazed and often exists as a lighthearted contrast to the rest of the cast. Then we get to Laios' nightmare.
In Falin's words: "Nightmares love emotional wounds. Wounds you hold in your heart. Things that give you stress, or things that were traumatic for you. They aggravate memories like that and cause the dreamer to have terrible dreams." (chapter 42, page 10.) (damn. i'm properly citing for this post and everything.)
Thus, Laios' nightmare establishes an important fact: even if he is unable to recognise social blunders while he's making them, he's at least subconsciously aware that other people operate on a different wavelength to him, and that he's an outsider in many of his social circles (both past and present). His dream-father's disparaging words stress the impact this has had upon his ability to live up to the expectations set out for him, and we also get a panel of kids who smirk at him (presumably former bullies to some degree). Toshiro's appearance only hammers home how much Laios is still both humiliated and angered by his misunderstanding of their relationship.
I've thought a lot about anger as concomitant to the autistic experience. When autistic representation portrays ostracization, it's generally from an angle of the autistic character being upset at how conforming to neurotypical norms doesn't come easily to them; as a result, they express a desire to 'get better' at meeting neurotypical standards, a desire to become more 'normal' (whether the writing implies this is a good thing or not). In contrast, not once does Laios go, "I need to perform better in my social interactions, and try to care less about monsters, because that's what other people find weird." His frustration is directed outward rather than inward, and as a result, it's the people around him who are framed as nonsensical.
The Winged Lion starts delineating Laios' anger, and Laios' reaction is to think to himself, "It can sense all my thoughts, huh?" (chapter 88, page 16.) This is the scene that really resonated with me. I'm not saying I have never felt the desire to conform to neurotypical norms that is borne from insecurity, but primarily, I know that I don't want to work toward becoming 'normal'—I don't want to change myself for people who follow rules I find nonsensical. It's the difference between, "Oh god, why can't I get it," and, "WHY CAN'T YOU GET IT?" (phrasing here courtesy of my friend Miles @dogwoodbite). And for me personally, Dungeon Meshi is the first time I've seen this frustration and the resultant voluntary isolation from other people portrayed in media so candidly. Laios' anger is not downplayed or written to be easily palatable, either.
The culmination of Laios' frustrations in this scene wherein we learn that Laios has fantasised about "a pack of monsters attacking a village" drives home just how alienated he really feels. I need not go into his wish to become a monster himself, redolent of how many autistic people identify/have identified with non-humans to some degree as a result of a percieved disconnect from society (when I was younger, I wanted to be a robot. I still kind of do.)
Obviously, wishing death upon other people is a weighty thing, but the unfiltered nature of this page is what deeply resonated with me. The Winged Lion is laying Laios' deepest and most transgressive desires bare, and they are desires that are a product of lifelong ostracization by others (whether intentional or unintentional). This is the brand of anger I'm familiar with, and that my neurodivergent friends express being familiar with, but that I haven't seen portrayed in writing so explicitly before—in fact, it surprised me because most well-meaning autistic representation I've experienced veers toward infantilisation in trying make the autistic character's struggles easy for neurotypicals to sympathise with.
Let's also not neglect the symbolism inherent to Laios' daydream. "A pack of monsters attacking a village". Functionally, monsters are Laios' special interest—he percieves everything first and foremost through his passion for monsters. His daydream of monsters attacking—killing—humans, is fundamentally a daydream of the world he understands (monsters) overthrowing the world that is so illogical to him, that has repeatedly shunned him (other people). I joked to my friends that it's an autistic power fantasy, and it actually sort of is. And in it, his identity is aligned with that of the monsters, while his anger manifests in a palpable dissociation from the rest of humanity. This is one manga page. It's brief. It's also very, very raw to me. I think about it often.
To conclude, I love Laios Dungeon Meshi. This portrayal of open frustration in an autistic character meant a lot to me, and I hope I've sufficiently outlined why. Also, feel free to recommend media with autistic representation in the notes if you've read this far—I would really like to see if there is more of this nature. Thank you for reading. I'm very tired and should probably sleep now.
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