#wear ornaments

[chechula]

Since I drew Curufin, I wanted to make some proper designs also for other sons of Fëanor. But I had no time and when I had I didn't liked my sketches and ideas.

But atlast here goes Maglor, playing hudry-gudry♡

[illiaccrest]

W-what if...

What if Sigonia didn't suck and the Avgins weren't persecuted...

What if Kakavasha had gotten a chance to grow up normal..?

[eight-pointed-star]

[gingermintpepper]

hi I love your tags so so much! they were so sweet and so interesting and creative and the whole Aphrodite type of beauty thing sounds really interesting do you have any articles and recommendations to read further into it??

-hogoflight

Hello my fine feathered (I am assuming possession of feathers if you are, indeed, capable of flight) @hogoflight! I'm always always happy to hear that people appreciate my frenzied rambling in the tags :D! I have a lot of articles and recommendations :D!! Ancient Greek notions of beauty and representations of it in their art and sculptures is a pretty well studied topic! There isn't any way for us now to know definitively what the beauty standard was (it varied widely from region to region and culture to culture after all) but here are a couple of my favourite reads about Aphrodite and what her representations tell us about idealised beauty!

Probably the most empirically extensive one I can list is Krönström's thesis which compares statues of Aphrodite and literary text referring to both the goddess and mortal women to determine physical ideals for women in five specific eras of Grecian antiquity. Including measurements of the statues there are many descriptions of Aphrodite as 'curvy' with a 'voluptuous figure' and with 'ample buttocks and bosom'.

"When the beauty traits are described in the texts, they are never extreme or anything that could not be found in normal people just that they are more beautiful in every aspect. Furthermore, the sculptures’ physical forms look healthy, they are tall and have distinct curves. Great examples of this are the Knida sculpture and de Milo (the Melian) sculpture."

Of course, these images are still idealised, and there was still a concept such as 'too fat' or 'too skinny' found in written records (and this thesis even includes analysis of pornographic writings and descriptions of the fashion and stylings of pubic hair of women from different regions!!) but from an interpretational standpoint? There is absolutely no reason why these can't refer to a fuller figure. Height was also a very important factor after all and over the course of many eras, it seems like being well proportioned in addition to the length and appearance of one's hair were the most important factors (and, like Apollo, greater beauty was given to those with curlier hair)

Mireille M. Lee's 'Other Ways of Seeing' essay which talks about the forgotten female viewers of Knidian Aphrodite which is also extremely illuminating on how Aphroditic sexuality and sensuality was perceived totally differently from the well documented male voyeuristic gaze (which was overly preoccupied with the statue's nakedness and therefore over-sensationalised the statue's physical appearance) vs women's perspective on the statue which is more centered on the beauty of simplicity in Aphrodite's garment and decoration and in her power and ability to captivate both in her finery and without it. I think it's especially useful in exploring the importance of finery, jewellry and adornment in representations of Aphroditic beauty.

"Some of the small-scale copies are heavily jeweled, especially those from the eastern Mediterranean, for example the Hellenistic gilded terracotta statuette in the Çanakkale Museum (Fig. 5) in which the goddess wears, in addition to the armband on her (right) arm, the following: a necklace with multiple pendants; cross-bands extending over both shoulders and hips, with a cascading pendant in the center; a coiled snake armband on the left arm and another snake on her left thigh, and a twisted anklet on her right leg. (The left leg has been restored, and might also have featured an anklet.)"

"Jewelry is especially associated with Aphrodite in Greek literature. As seen above, in the Homeric Hymn to Aphrodite, the goddess adorns herself with gold jewelry, dress-pins, and earrings in the shape of flowers (162–3)..."

Finally, and to me, the most important one in the argument for an interpretation of Hyacinthus as fat, beautiful and fundamentally Aphroditic comes from Brilmayer's brilliant brilliant thesis done on Aphrodite's work and influence in Archaic Greek Poetry which does away with all of that masculine preoccupation with physical proportion, measurement and bodily ideals for a focus on a Sapphic Aphroditic ideal centered in clothing, ornamentation and, most importantly cunning as symbols of Aphrodite and ultimately a feminine idealised form of beauty. This paper also discusses Pandora and Helen in these terms and it is just kind of a wonderful read tbh.

"Combining Homeric and Hesiodic elements with her own ideas, she [Sappho] alters the way female beauty is viewed. For example, the Homeric war chariot – a symbol of male, military prowess - comes to symbolise the totality of Aphrodite’s power uniting in itself male and female qualities. Having addressed the concept of beauty directly, Sappho then concludes that beauty lies in the eye of the beholder. With the help of Helen of Troy and her beloved Anaktoria, Sappho sets out to reinvent the concept of female beauty as a godlike, subjective quality that may be expressed in many ways, yet remains inspired by Aphrodite."

The conclusion to all of this of course is that Aphroditic ideal beauty is much more fluid compared to its stricter Apolline masculine standard. The nuances and understandings of both are of course, constantly being studied, analysed and scrutinised but really, if Dionysus who was both bearded and clean shorn, effeminate, birthed and rebirthed (and twice gestated!) and strongly associated with vegetation can be popularly portrayed as fat and handsome, why can't Hyacinthus?!

[viridian-house]

wanted to sketch a scene from the upcoming chapter of my madasaku fic wandering, but I'll confess I'm a bit of a multimada shipper (as much as I am with sakura lol) and ended up a lil off script...

(don't worry, no surprise ships in the fic itself!! just couldn't resist adding some angst to the painting 💅)

[vampiresinthedaylight]

I could make The Plagues from Prince of Egypt about Fëanor and Fingolfin in my mind

[kara-knuckles]

Ines The Dreamer

[impossible-rat-babies]

Eyrie in 👘 for the screenshot meme?

eyrie doesn't have much of the traditional clothes they used to wear, sadly ;--; but it was a lot of natural materials--wool and leathers for keeping the warm in and water + cold out. a fair bit of layers to take on and off as the temperatures changed

[ffxiv screenshot meme]

[splootdoolies]

a lil somethin in between zine stuff!!

[uwudonoodle]

I always feel like Dorothy in Return to Oz on St Paddy's Day. Always trying to spot anything green. 🍀💚

[perhaps-in-anotherdream]

[CN] Victor’s S2 CH 45-48 Karmas

【李泽言·一拥万梦】

“Embracing Ten Thousand Dreams”

“A very long time ago, I saw a beautiful sandcastle.”

“I don’t know how to make your tears stop.”

—

[ratwithhands]

Made these designs very late at night, but I figured I'd try designing the clan leaders as Sapioflores.

Adaman is based on the Japanese iris (Iris laevigata), since it's a flower that grows in water/wet soil and the Diamond Clan lives in a marsh. The ornament he wears on his face is not only a traditional accessory (for Sapioflores), it also acts as a glorified hairclip to hold his long face leaves together. He wears a tasuki if he isn't wearing his coat both so he can get more sunlight and also to hold his sleeves out of the way when working. Speaking of, similar to Ingo, he prefers thick dark clothes to retain heat/moisture (and to mimic the muddy water he spends much of his time in).

Irida is based on the winter peony (Kan-botan), since it blooms in freezing cold winters like the Pearl Clan would see in the icelands. Her face ornament was originally a larger set of accessories, but the stones were removed and put together into one piece instead. The mino and hat she wears are based on the straw tents used to protect winter peonies from snow. Since it's the snow and ice bothering her rather than the temperature, she still dresses pretty light underneath. Her obi is tied to have multiple bows on either side, as a way to mimic the appearance of the actual peony (like a sort of way to say she's constantly in bloom/at her best). Her clothes are cropped at the sleeves and bottom to leave more access for light.

uhhhh other design notes:

I was trying to figure out how to get Adaman's hair to be more blue because without any colour it looks like the left image and I wasn't sure how to feel about it. The current running joke with the writing team is that he drinks dyed water/dyes his hair to be prettier/cooler. Anyways dyed water looks like the right image

The cover on Irida felt like armour when I was sketching it and honestly I kinda want to see her beat someone into the ground with it on (particularly cause while I was trying to look up Kan-botan, I stumbled on Hanakotoba and peonies are supposed to represent bravery according to that)

I ditched Irida's bracelets and anklet in favour of the ornament sorry. They felt a bit clunky and I couldn't figure out how to reasonably fit them on the design so for now they're just not present. If I make a proper battle outfit for her then I might bring them back as limb guards

Adaman is probably soggy a lot of the time since he'll just go chill in the water. Likely just quickly scrubs off any major clumps of silt/mud and heads out if someone calls him during swamp time

Fun fact Volo was gonna be in this design set but I'm too tired. He's likely going to be white spider lily (Lycoris albiflora) mostly because of the whole "death to the universe" plot and also cause he's allies with Giratina. He's probably not gonna be too interesting anyways so it's fine.

Hope you like the art, let me know if you have any thoughts. Have a good night and see you guys later.

[love-for-carnation]

Dolce Gabbana Spring-summer 2015 Ready-To-Wear

[songofstrawhats]

........I want to own this shirt

[ukulelegodparent]

grrrr why did people ever stop wearing mid-renaissance clothes

[journey-to-the-attic]

jtta newspaper club assemble!! 🗞️

designs updated! note: while mephisto is the shortest (standing) member, i also accidentally drew him a bit too small in proportion with the others. i would've resized him but it pixelates the hell out of the poor boy