#wes the editor

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[professorcalculusstanaccount]

I decided to redraw one of my earliest Tintin fancomics! I've been drawing Tintin fanart for a bit before I started posting online.

I can imagine Tintin having a tumultuous relationship with his editor, hardly ever being in the office and having a very low rate of writing articles. Tintin's increasingly liberal politics also clash with the newspaper's conservative values. Tintin and his editor frequently argue over this but Tintin almost always wins out, as he is aware that it is his articles that sell the paper. His editor is reluctant to let go of his golden goose.

More headcanon under the Read More! It's background stuff and things about his editor.

Tintin started his journalism career at just 14, and seeing the dangerous situations he is sent into in his early stories suggests to me that whoever hired him didn't have his best interests at heart. I can imagine his editor taking advantage of Tintin's ambition and naivety, while styling himself as a sort of father figure to the newspaper he runs. I based him off of the editor we see at the very start of Tintin in the Land of the Soviets!

His editor hires him after Tintin demonstrates remarkable skills in investigative journalism, uncovering local corruption for his school paper. He takes advantage of Tintin's naivety, sending him off to various countries to write conservative propaganda pieces for the paper. He hopes Tintin will be easy to groom into a conservative pundit, but after witnessing atrocities and coming into contact with people from different walks of life, Tintin finds himself unlearning a lot of harmful beliefs he was raised with. After he earns global recognition in Tintin in America, Tintin leverages his star power to ensure less editorial interference with his work. His journey away from conservatism is kickstarted upon befriending Chang, who directly challenges a lot of his preconceptions.

Tintin stays with the paper under the misguided belief that he can steer the publication in a better direction with his influence. Deep down he also feels he owes his editor, as it was him who gave Tintin a platform and an oppurtunity to escape his situation, being raised in an orphanage and being deeply unhappy in school. His editor also frequently points out that other papers will not be as lenient with his low turnover rate of articles, and that he's lucky he's still with them.

After Tintin gets Chang a job there as his photographer, Chang ends up befriending a lot of the staff. He's one of the few non white staff members there, which causes quite the stir. While Chang is grateful for the job, he becomes increasingly uncomfortable with working for them the more he learns about the paper. He tells Tintin that by staying there, he's only legitimising the publication.

Tensions at the paper start rising as political tension rises in Europe. Tintin, Chang, and a lot of staff notice their editor acting erratically and making strange demands...

[amat3ured1t0r]

IN THIS BLOG, WE LOVE AND CHERISH BIG RED.

@dinosaur-nuggets

Without anything:

[fiepige]

Compilation of EVERY single time they changed Hobie's filter in the digital version:

Left: Theatrical release Right: Digital release

You might have to click on some of them to get a better look at Hobie, sadly I don't have a video editor that allows me to make better edits than these :')

[humming-fly]

Just like Justin Mcelroy's callbacks to the chilean miners I have once again emerged to deliver this, More Team Greed Nonsense, this time featuring stupid questions ed asks to get out of work

ngl drawing this is the most clear headed I've felt in weeks if i go longer then seven days without drawing greedling I start going through withdrawl

to that end have a second bonus:

Team Greed Doodles Masterlist

[dailybrennanleemulligan]

I cannot stress enough that I did not add those hearts

[kvtnisseverdeen]

THE ERAS TOUR - US Leg (March 17, 2023- August 9, 2023)

[daisywords]

I personally know there are multiple types of editing but I've never seen anyone explain it in a way that actually made me understand what the types of editing actually were (yeah cool that you say {}editing is different from []editing but *how*). So if you wanna explain, feel free to.

Your handy-dandy guide to different types of editing

disclaimer: writers, you can literally edit however works for you. these distinction can be useful to your process, or just if you're looking to hire an editor. Not all editors make distinctions in this way; there are various ways of dividing. But no matter what vocabulary you use, it's best practice to start with broad, big-picture stuff and move towards narrower issues. Some editors do all levels of editing, while some specialize.

Developmental Editing (Is it a good story?)

Developmental editing has to do with the content. For a novel, that means working on the bones of the story. The plot. The pacing. The characters. Do their motivations make sense? Can the reader understand why things are happening? Does the story drag in places, or seem to brush past important elements? Do all of the subplots get resolved? etc. etc. (At this stage an editor is mostly going to be offering suggestions, pointing out issues, and throwing out potential solutions. Beta readers can also be very helpful at this stage to get a reader's perspective on the story beats and characters.)

Line Editing (is it well written?)

Sometimes called substantive editing, line editing is zooming in a little bit more to focus on scenes, paragraphs and sentences. Once we've decided that a scene is going to stay, lets look at the mechanics of how it plays out. Does the scene start to early or too late? Does the writing style communicate the emotions we want the reader to feel? Does the dialogue match the characters' voices? do any of the sentences sound awkward or ugly? Is the movement being bogged down by too much purple prose anywhere, or is there not enough detail? (This can get pretty subjective, so it's important that the writer and the editor are on the same page with taste, style goals, etc.)

Copy Editing (is is correct?)

Copy editing is all about the details. Think grammar and punctuation. Do the sentences make sense? are they grammatically correct? Is the dialogue punctuated correctly? Any misspellings? Should this be hyphenated? Should this be capitalized? Should we use a numeral, or write out the number? etc etc. A significant part of copy editing is matching everything to a style manual (like Chicago or AP) a house style guide (individualized preferences from a publisher, for example), and a project's own internal style sheet (are the character's names spelled the same every time? if we used "leaped" in chapter 4, we shouldn't use "leapt" in chapter 7) Copy editing is still subjective, but less so than the earlier levels, so a copyeditor will be more likely to just go in and make a bunch of (tracked!) changes without consulting the author for everything.

Bonus: Proofreading (did the copyeditor catch everything? are there typos? formatting issues? have any errors been introduced?)

Lots of people say editing when they really mean proofreading. Proofreading is the absolute last thing to get done. It's the one last pass just before something is published. It's important, but as you can see, there's a whole lot more to editing than just checking for typos.

[radioactive-earthshine]

NGL I have STRONG opinions about digital releases omitting the letters to the editor section of older comics. I feel like the letters are a part of comic history and should be aggressively preserved.

[bulbabutt]

sorry if this is old news but doing an 03 rewatch made me remember what the hell it is that draxums lab (home?? whatever) looks just like

and oh yeah who'd the 03 turtles meet down there

this weirdo mage dude trying to repopulate the hidden city (w what they originally thought were good intentions) whos outfit and silhouette and colour palette is very visually similar to draxums

anyway theres so many similarities between 03 and rise its wild to think people thought this show was nothing like the others lmao

[spicygambles]

EX-QUEEZE ME??? MISTER IMPULSESV???

edit: just in case this wasn't clear, I didn't edit this in any way. The pink filter? the music? was all Impulsesv himself.

[juststuffshere]

this came to me in a dream

[eightyuh]

glen and harry pre-story

[samijey]

this clip will be playing on loop at my funeral

[fumifooms]

Laios Touden and autism; admiring the non-human

Do you think people exaggerate when they scream about Laios being autistic? Do you feel like it’s weird that so many people including autistics are so set on Laios, the problematic (but incredible and kind) king TM, being the most autistic that has ever autisticed? Why do we cheer on autistic people wanting to be monsters?? Isn’t that weird?

Well, of course it depends on the way it’s done, it can be done quite offensively, but long story short Kui blew it out of the park. The thing is, autistic people really do like monsters and animals and robots. Nonhuman does not mean subhuman, it just means Other. Feeling a connection with them has been shown to be an extremely common autistic experience for that very reason.

Because some people don’t understand why we autistic Tumblr Laios stans cheer “autism! Autism!” whenever he talks about monsters and feeling alienated to humans so! Here’s a post about how yes even research papers are analyzing the special connection we form with animals. I’m not even joking but Laios Touden & the mass cries of relatability with autistic people he gets and all the love for him could be used as study material and evidence for future papers because the link is that strong. Oh also I think it’s notable that being autistic and undiagnosed vs diagnosed makes a huge difference. In my experience as someone who was undiagnosed up until 18, it’s even more alienating to not know that there’s a reason why you’re different, being gaslit that you’re ‘normal’ and you just need to try harder and get with the program, etc. Personally when getting diagnosed I went through the 5 stages of grief because the thought of having been fundamentally different all your life (a difference which you will never be able to change) and mistreated for it when you weren’t “wrong” all along makes you unload all the anger and sadness and loneliness and sheer trauma you’ve built up over time. Like it’s world shattering.

So! Back to seeing dogs as family. Also I implore you to value experiential evidence when it comes to autism and other neurodivergences because brains are complicated and neurotypicals not being able to understand us well even with scientific research is like, a whole thing even though we’re right there speaking about how we feel and being right every time because the topic is literally us and how we experience the world. 

Disclaimer for this whole post that, of course, no group is a monolith and everyone has different experiences or can diverge from the norm of the group, and that doesn’t diminish the validity of either side! Like, I know autistic people who have trauma with dogs and hate them. But, trends do happen, and in this case... Autism is very “My experiences with humans make me feel dehumanized in a bad and lonely way so instead I’ll dehumanize myself in a good and inspiring way”.

“I was treated like a failed human my entire life and you’re surprised that my response was to become a dog.” -Patricia Taxxon

It’s literally well recorded that autistic people relate to animals more than humans globally. With this post, besides spreading autistic Laios truthism and explaining why the portrayal hits so deep for so many,  I want to show in what way this is a very specific experience and not looking at his character through an autistic lense really misses a lot of why he’s everything that he is. (Tacking allegedly onto here for legal reasons, different interpretations are valid etc etc /gen). This honestly isn’t super long though.

To define an important term, anthropomorphism in the studies and in this post means to attribute human traits to the nonhuman, which not only includes anthro furry designs but also animals irl, inanimate objects, and animated media as opposed to live action, to humanize them and empathize with them.

Paper: https://www.liebertpub.com/doi/10.1089/aut.2019.0027 

“Dogs taught me how to hunt and socialize and work in groups”, Laios having internalized body language... So real so real. I, too, make a great dog impression. And I want to emphase the part that it helps greatly develop a sense of emotions and relationships! For Laios, he didn’t get along with kids his age, it was him, Falin and the dogs against the world. Since it’s a group of dogs too, it taught him group dynamics and social hierarchies (like with Falin being considered as being below the dogs in authority according to the dogs rip), and the importance of group coordination when hunting.

For me, I cannot like, concisely explain just how much animals were important to me developmentally. I also grew up with dogs, but like I vividly remember encounters with like hamsters as well just radically shaping my understanding of boundaries, the importance of giving something space and the way you interact with them and respect their side of it. Unlike humans they don’t really mask how they feel, it’s direct cause-effect reaction and data gathering. There are no words involved, so the focus on having a perfect phrasing and tone is gone, leaving just pure interactions. 

There’s also no reason to mask how you feel either, and you don’t have to feel silly over wanting to form a connection and it showing, what, is the dog gonna laugh at you because you obviously want to make friends with it? Toshiro or Kabru might, but dogs and cats will just tell you to fuck off and leave it there worst case scenario. I often say that I think one reason Marcille is special to Laios and he feels comfortable around her is because she emotes INTENSELY, she gestures, she puts her whole body into it, her facial expressions are pretty exaggerated and her ears even emote too- like with a dog’s ears!

I think there’s def also things to be said about how he gravitated towards Izutsumi at first, all excited, was eager to sleep in the same bed as her, but in the Izutsumi sleep rating chart we see they really just casual and chill so it’s not a Laios talking to Shuro deep into the night situation just a “I like sleeping besides animals” situation and that is enough to hype him up. I love how he pet her in the extra about why Chil let her sleep with him too. He’s just so transparently eager to befriend her, even if in the end they weren’t all that compatible and he accepted that.

There are honestly so many examples I could give for this. Like Grandin the famous cow lady.

More about autism & empathy:

https://www.spectrumnews.org/news/double-empathy-explained/ (Also mentions a study in which groups of autistic, allistic then a mixed group played a game of telephone and both singular groups had similar levels of information retention, but the mixed group was significantly worse. As an autistic person yeah duh, obviously autistic people are different from one another and can have plenty of interpersonal issues, but communicating with other neurodivergent people feels pretty intuitive and straightforward and comfortable. One of the reasons why neurodivergent people tend to naturally gravitate towards each other I suppose.) 

^ Paper: https://www.ncbi.nlm.nih.gov/pmc/articles/PMC5932358/  For good, extensive summary of why we relate to animals so much you can go to the “anthromorphizing and asd” section of the paper. This paper extends to our widespread liking of cartoons and robots as well. Ok so this is a whole thing I won’t get into here but this is a big reason why a lot of autistic people are agender leaning as well. Genders and queerness in general is a lot about social constructs, and being queer is being marginal to these, not fitting into boxes or challenging those social norms and conventions. Queerplatonic relationships are a great example of this, where the framework of the relationship is platonic but the intangible nature of what it is exactly is the point, not familial not anything but everything at once too, just adoration, I like to say having pets is a bit like it as well, bc obvi it’s not romantic and often not fully familial, very platonic but also sooo much cuddling and adoration and kissing and whatnot that you wouldn’t typically do with a friend or family member. I’ll talk about qpr and labels another day though.

I got carried away but queerness in Dunmeshi is something I 100% want to make a big post on one day. Experiencing the world with different guidelines and not registering things to have the same boxes, sigh. Personally I also relate to Laios on a gender level, “cis by default because I don’t care all that much but if I were to dig deeper I’m probably otherkin and I want to be socially associated with traits of monsters and animalistic rather than man/woman” sighh hard to be a cryptid in this day and age. I wish we had a term like furry but for monsters, I want to be in the fantasy or folk tale genre ty, like changelings. Goshh changelings... You know, the irl myth where people said their neurodivergent kids were fairies’ children instead of human. Diminished physical sense of self means I see myself as some unknowable black  void aesthetic wise, but like in a way that simultaneously makes me feel seen. Like becoming a monster, losing your sense of self but also somehow just being simplified and seen for what you are, it’s weird to try and explain. This post is more about relating to the nonhuman than about seeing yourself as such, but like connect the dots right, that IS an important point of Laios’ character. It’s because our brains literally work different than allistics which makes us feel as other, but also because of social ostracization and functioning in a different way than society at large, living in the margin of society, being weird and non-conforming.

Meanwhile, animals and social norms... Like ok, showing your neck and rolling on the ground to show that you’re friendly and harmless and play biting might not be proper. But have you considered that it’s also fun and feels very intuitive. Play with a dog in the dog’s way I promise it is so nice and freeing. Play tug of war and growl back when they growl. Hiss at your cat to tell them they do something wrong, engage with them on their level.

Autism made social life hard, but it made animals easy. Do you have anyyy idea how good it feels to mask all day every day and feel constantly misunderstood or like you’re doing a performance but then you can just, drop all of that in the company of animals and they understand you. They understand you. You form an understanding and rapport so easily.

And this whole thing with Laios is so explicit too, with the Winged Lion saying “You’re sick and tired of the human world”. Notice the choice of words. Sick and tired of the human world. Exhausted from the constraints, sick of the mind games. It really isn’t as much about loving monsters as it is about loving the nonhuman. Relating to them because you feel that you can actually understand how they work and think, and feeling like they could understand you back as well. Animals are safe.

Like I could go on about how Laios admiring even just demi-humans like orcs is because they’re socially seen as non-humans more than any true physical thing, that they’re not bound by human society and its rules and live with their own lifestyle. But it would deal myself 1000 points of psychic damage and I am not ready to cry today. It’s idealization 100%, and like, Laios DOES want to be treated as human, to be valued, but it feels like an unreachable thing meanwhile becoming a monster is instant gratification and freedom and a sense that now no one will be able to hurt you in a way that reaches you, never again shall you be defenseless, and then if people dehumanize you then that only strengthens your sense of identity as a monster and UGHH ugh ugh.

And like. This post is a mess at this point but if you want to kinda delve into the more “why” then I recommend this Patricia Taxxon video essay. It starts out on a very different topic, but it’s all about autism and finding comfort in the inhuman. Long story short is othering made us like this also animals are just simpler to intuitively get along with.

So when I post this

I mean it. I really mean it when I say he’s me. I have never felt so seen. So many conflicting emotions all wrapped so concisely yet so intangibly woven into the whole storyline so subtly. 

Not being depicted as a monster of an human being for feeling/having felt that way?? The manga understands you. The world can understand you. Other humans can understand you. You can bond with them. You can. And I think that’s a big part of Dungeon Meshi too- Laios opening up to others about how he really is and his interests, and all the bumps on the way but how it was the only way to truly get to know each other and bond. With the climax being Laios confronting head on his complex with monsters and humans, and his monster-loving side and animalistic side being exactly what saves the whole world, what saves humanity. Because Laios does value his friends, does think humanity has beautiful sides to it, he wants to help it thrive and eat and become more accepting, carving out a kingdom for misfits and demi-humans. At the end of it, transforming into a monster and being free is a daydream fantasy, and the reality of it is that Laios does belong in the world as he is, and does receive and give out love.

If you enjoyed this you’ll probably like some of my other Laios analysis!  Here’s an analysis of his succubus and what it says about his relationships with other humans. And here’s an analysis about his relationship with Shuro from his perspective.

[mrghostrat]

Okay so. Author/editor au. I was thinking of the angry texts in the middle of the night, and then imagined crowley being one of those writers (aka bascially every writer) that writes rlly well but texts without a care (and of course aziraphale texting professionally).

Then I made this

(I don't have an iPhone so pretend those aren't Samsung emojis lmao)

AHAHAH ITS PERFECTTTTTT