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buckleysevan · 6 months

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FALLING LETTERS ANIMATION tutorial

hello! @kimmomi asked for a tutorial on how i made the letters "fall" in this gifset and so i figured i would make it and post here! this effect isn't hard to achieve but it might get a little tedious if you have a lot of letters.

note: you will need photoshop with a timeline!

STEP ONE: create your base gif! be mindful of number of frames in your gif. the number of frames doesn't really matter here, altho the longer the gif the better the effect. i'd say try to limit it to 60-70 frames, depending on how big your final gif will be.

STEP TWO: make your text the way you want it to look. this effect is basically the last step of your gif making process. (i will be using the typography from my set as an example as i already have that psd saved)

this is what my typography looks like now.

STEP THREE: i would recommend that the word at the bottom be the word that "falls". for me that is forever.

now, you will have to duplicate the "forever" layer and make your non-copy forever invisible.

what you will want to do now is delete all the letters but the first one in the duplicated layer. for me that is f. then you just duplicate the f layer and write your second letter instead of it, in my case o. you will have to do this for all letters. also as you do that make sure to move them a bit away from each other.

now, what helps to align those letters where they start off, is making your non-copy layer to be visible again.

after you've aligned your letters, make the non-copy layer invisible again.

STEP FOUR: so now we come to a bit of a tedious part.

what you will do now is move the playhead (blue timeline arrow) a bit further from the beginning of the gif (this allows for the text to stay still a bit before it starts "falling") and click on the first letter.

next step is to click on the little arrow next to your letter and clicking on the stopwatch next to Transform.

then, you will take the playhead and drag it to the end of the gif where you will start with transforming your letter with Free Transform tool (shortcut ctrl+T on windows). and what you will do is, while in Free Transform mode, drag your letter to the bottom of your gif while also rotating it a bit. when you're happy with your placement of the letter, hit enter. see below gif for how i did it.

you will have to do this for every letter, but make sure to rotate some in the other direction. also make sure that the beginning of the stopwatch mark is the same for every letter.

and that is basically it! after you transform every letter, you can go and save your gif.

this is my final result:

for some extra dramatic look, you can duplicate your initial layer with the whole word on it, drag it above all layers, clear layer style and add a stroke and make sure its FIll is at 0% where you will get the outline text that stays behind.

i hope this was helpful and understandable. if you have any questions, feel free to send me an ask or dm me <33

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manyfandomsonelog · 6 months

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PHANDOM DASHBOARD SIMULATOR

phannie 1: I hate them

phannie 2: I hate them

phannie 3: I hate them

phannie 4: genuinely I am so proud of Dan and Phil and how far they have come

phannie 4: nvm just saw the new post I hate them

phannie 5: *gifset from new video which was uploaded 2 seconds ago*

phannie 6: They are SO married

phannie 7: They need to STOP talking. Forever

phannie 8: *cool fanart*

phannie 9: All jokes aside, I am so genuinely grateful to be a part of this community. Dan and Phil and the Phandom have gotten me through so many hard times, and I am so glad to have found such a loving, unabashedly queer online community with so many wonderful people. We have grown so much as a community over the years, as well as Dan and Phil, and I am so incredibly proud of how far we have all come. 💖💖💖

phannie 10: I am going to kill them

phannie 11: wait guys what happened what did i miss

#anyways. love you phannies #phandom #dan and phil #log’s logs #this is just from my observations as a longtime phannie (often lurker)

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inklore · 2 years

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Dilf! Namor...so tempted to write hcs for that

well let me inspire you with this hot mess bestie 👀

pairing: dbf!namor x (f)reader warnings: eighteen+ content, unedited because it’s late and i’m lazy so beware of hella spelling mistakes, lowercase, sexual tension to the max, alcohol mention, pining, and kissing, that’s literally it but it’s more inner monologue and tension heavy than anything honestly. note: bro this was supposed to be multple hcs but turned into one long ass tension filled mess lmao, i’m sorry but dbf!namor took over, it’s just perfect for him!!

part two | feel free to send me thots on these two!

i saw a gifset where tenoch was riding a motorcycle so obviously that's dbf!namor get's around, and he's giving brooding, grumpy, man who is always scowling at you and you're not even sure if he really likes you. if he is only polite for your dads sake

but one night you go out with your friends and have a little too much to drink-and using uber right now with your vision blurry and fingers key punching so bad your messages look like a toddler did them-namor is the first person you think to call. why? you're not sure. and you almost regret it, retreat into yourself-sober up-when you hear his rough voice answer, the "hello" landing heavy in the pit of your stomach

it take you a few deep breaths and closing your eyes to steady your tipsy mind on why you even called, your name on his lips sounding stern, adjacent to being worried you think

"where are you? stay where you are." and he's there before you realize it. the loud rumble of his bike as he pulls up in front of you making your entire being vibrate with nerves. "you need better friends." he says as he hands you the helmet that was just on his head, pleasantries dead as always

"what about you?"

"just get on." it's a command, rushed, demanding, as he helps your wobbly limbs onto the bike. wordlessly pulling your wrist to have your arms wrap around his midsection. and it's probably the liquor in your system that has every bump, the vibration of the bike, the wind whipping against the tops of your thighs-or maybe it's the heady affect his cologne that engulfs the inside of the helmet-how you almost feel completely compliant and light to lay your head on his shoulder. to let your palm spread flat against his rib bone

the heavy thump of his heart matching the same speed of the thumping that leads from your chest cavity to regions it has no right to be in. and when you expect him to fix your hold on him, to shrug off your head from his shoulder, he gives you no reaction. something that both makes your nerves burn and grow cold at the same time

when he pulls into your driveway, pulling himself off of the bike first, his fingers rubbing against your chin as he undoes the clip keeping the helmet steady on your head. helping your drunken hands pull it off your head-there's a moment where his eyes catch on your outfit. like he's really taking it in now, letting his eyes drag along your exposed thigh, before that signature scowl is pulling a shadow over his eyes again

"your father home?"

"no."

"do you need help inside?"

yes. is the first thing that comes to mind. yes, please. a heat bringing itself to your cheeks when you internally shame yourself for it. lock away somewhere in your brain that tipsy you cannot be trusted to think clearly-normally. and there's a split second where you think maybe he's shaming himself for something, that the two of you are sharing the same thought, the same link to something that maybe has always been there but you've stuffed away because it was better that way-proper, normal. with the way he's just staring at you

"no." you say again. your tongue feeling heavy and dry in your mouth as you swallow and force yourself to look away from him. brace your hands on the bike to pull yourself from it but end up catching your foot and ending up where you shouldn't be: in his arms. your palms once again finding themselves pressed to his front as he wraps an arm around you to stop you from planting yourself on the harsh pavement

"let me walk you inside." he says low and gruff against your temple. your insides turning into liquid compliance as you nod without a second thought. his breath heavily fanning itself across your skin as it takes a minute, two, three, before he's pulling you from his chest and holding your wrist to help you inside

once you're inside he drops your wrist, doesn't speak, just watches as you move on wobbly legs to the stairs. the pathetic thought to trip, to plummet yourself down the steps in hopes he'll touch you again, is volleying itself back and forth between just running up the stairs and sleeping this off and waking up to whatever this tension-filled-air-and insanity going on in your head-is gone

"thank you," you send over your shoulder as your fingers have a death grip on the railing. forcing yourself to surface a smile that you know probably looks as ridiculous as it feels to your burning cheeks

namor hums, nods, keeps his eyes on every step you take up the stairs, hype focused incase you fall-you assume. "do you need me to stay?"

you know he means it politely. not in the way your body is currently taking it, he's your dads friend, besides tonight he's barely shown you a kindness besides a pressed smile. you really need to sleep. need to reset your mind back to normal because his words shouldn't stop you in your tracks. have your body internally clenching at the intensity of his stare, from the glint in them that you're definitely imagining when you watch him move closer to the bottom of the steps-because you probably look like a tripping hazard right now

"do you want to stay?" the words leave your mouth before that last sober cell in your body can stop them-stop you from making a fool out of yourself

"i want you to be safe." he replies simply. you don't know why the answer only fills you with disappointment. i'll be fine, leaving your lips as you quickly take the rest of the steps up to your room. ignore the way you feel foolish and silly as you slip into bed

a silly feeling that still lingers when you walk down stairs the next morning to see a rumpled sheet and blanket on the couch deserted, and the smell of food coming from the kitchen. a sticky note stuck to a plate covered in foil on the counter: eat. simple. to the point. but still bringing a smile to your lips and those silly feelings imbedding themselves into your marrow

turning into something burning and aching when you see him again. when he drops something off for your dad and he's nowhere to be found in sight. when the two of you are stuck in the kitchen together, a heavy silence weighing down the air that seems to suck itself from your lungs the longer the two of you just stand here. the longer he keeps looking anywhere but you as his grip tightens on the neck of the beer you offered him-mentioning your father would be home any minute now

"thank you for staying, and for the food."

a nod. curt. ever him.

"you didn't have to help me-"

"think so little of me?"

"that's-i didn't mean it like that-i-" you want to state how he's avoided you like the plague before that. how his face morphs into a scowl when you enter the same room as him. how you are certain he hates you, still think that, just maybe a little less after helping you

"you need better friends." he repeats himself from the other night. making an annoyance shift your emotions

"so does my father."

the snort he lets out from under his breath shocks you, as does the pull of the corner of his mouth in the smallest-genuine-smiles you've ever seen him give you. it makes your stomach swoop

"i'm glad you called me."

"that's hard to believe. i'm confident this is the most you've spoken to me in a span of minutes." you joke, the corner of his mouth pulling into a full grin that makes you upset you've never seen him smile before this-has he always been this handsome?

"and here i thought you were a smart girl." the words would wound you if he wasn't staring at you like that over the bottle pressed to his lips. how even when he sets it back on the counter his eyes are still boring into your very being, right to that part of your body that you're understanding now has always wanted him. that you slowly realize, after much analysis to everything that happened the other night: the look in his eyes, the grip he had on your body to make sure you were kept safe, how he didn't even second guess or ask questions when you called, just demanding to know where you were, and to wait for him-that he was coming to get you and that was that

and it’s like a domino effect because now all you can think about is the stolen glances you’ve let go unnoticed, that you’ve chalked up to some festering dislike he may have had for you. how quickly his eyes shifted away from you when your father was in the room, how you’d look over and see him already looking at you when your father was distracted-that scowling coming back, the swivel of his head away from you almost something you’d see a frustrated animal do

maybe you weren’t as smart as either of you thought. or maybe being blind to something you both ignored was better than doing something you’d possibly regret later

if it were that, the fear of betrayal and regret, it didn’t seem to have any place in the room as you watch him finish his beer, walk around the counter to stand in front of you. reaching past you-your chests touching for half a second, your breath getting caught in your lungs-as he sets the empty bottle beside the sink behind you. and when you expect him to move away, to bid you goodbye, you feel his finger under your chin lifting your gaze from the floor. his deep brown eyes sucking every last potential breath from your lungs, your back digging into the edge of the counter as you try to ground yourself, try to settle the burning nerves that are making it hard for your brain to function right now

“if it was only me, all this time, tell me right now.”

you don’t need him to elaborate, there’s no need for explanation, you read through his words, the knowledge sitting heavy in your lower belly; the fear of shaking your head and having him stop touching you stops you from moving, a barely audible “no. not just you” falling from your parted lips

lips that his thumb presses into, your bottom lip met with the pad of his thumb as he rubs along it. throat bobbing with a hard swallow, eyes flashing from your mouth to your eyes. you want to ask why now? what changed? why throw both your dignities to the wind and say fuck it? but the look of stern-protection he showed the other night each time he looked at you, like he was fighting with himself with being upset at himself and upset at you for not having better friends, for putting yourself in a potential bad situation. you know why now

“if i keep touching you-if i let myself cross that line-i’ll never stop.”

“what if i don’t want you to stop?”

“you’ll have to beg me to.”

“i won’t.”

his front is completely pressed to yours, a thigh between your parted legs, forehead on yours as you see the internal battle going on in his expressions, in his heavy breaths, in how he keeps dipping his mouth down to yours only to pull it away at the last minute, “you need to.”

“i need you.”

and it’s those magic words that have him cupping your face in his hands and pressing his lips to yours in a rough kiss of passion-every lick into your mouth, every bite at your bottom lip, the moans he swallows down from your throat, speaking silent words of how long he’s waited to have you like this.

#namor x reader #namor x you #namor x y/n #namor fic #namor x fem!reader #namor headcanon #namor x f!reader #namor imagine #black panther fanfic #namor headcanons #black panther imagine #namor fanfic #namor fanfiction #black panther fic #dbf!namor

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sansaorgana · 8 months

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It's not caused by any recent situation, I've been thinking about it for a long time now but I have some things to say about fic writing.

Being a fic writer in a fandom might be the most ungrateful "job" in the community. I have lots of gif maker friends and I make mediocre gifs myself so I will compare these two a lot but I want to make it clear I don't want to say fic writers are more important or suffer more or anything like that because I value gif makers more than you can imagine.

– First of all, the whole cringe status around fic writing – especially x reader fanfics – is awful. I often see posts that whine about the fact that these fics even exist. People don't think twice, they just hit "post" and in result they are shaming other people for having innocent and creative hobbies. We spend real time of our real lives writing fics we love for ourselves but also for other people's enjoyment. For free. I really don't want to see posts about how cringe and silly fic writers are just because someone thinks they're superior in a fandom. It's a fucking Tumblr. Also, would you say the same about a person drawing fan art? I don't think so.

– I know there are some gifsets that take literally weeks to make but in most cases fic writing takes more time to create and at the same time it takes more time to consume. It's easy to hit a like or a reblog button under a gifset that you consumed in under a minute just like it's easy to ignore a fanfic because consuming it would take you more time. It's understandable but at the same time, if you read fanfics, reblog them at least. Leave some sort of feedback. Even one word or a reaction image. It really means a lot... And, once again, the lack of reblogs bothers gif makers as well, but I think in the case of fic writing it's mostly caused because y'all ashamed of admitting that you read these fics. Like who the fuck cares? It's not Facebook, no one here knows who you really are, who the fuck cares?

– Speaking of reactions under fics. Being like "Part Two" is considered to be extremely rude. We are not AI bots and we certainly won't force ourselves to write a second part because you demanded it without even commenting on the work itself or hitting a reblog button. If "Part Two" is all you have to say, then it's better to stay quiet.

– Also, readers who comment rudely under fics written for free like ??? So what he's out of character? So what he's a sad little meow meow in the movie but a ray of sunshine in this fic? You are not being forced to read it and there's a whole community of people preferring fluff to angst. If some fic is not your type, just ignore it. I guarantee you, there are other fics that are your type and if there are not, you're welcome to start writing yourself. I've also seen people starting dramas about some details in the smut fics. Like Jesus fucking Christ... Go touch some grass.

– What hurts the most is the prejudice from other content makers. I've seen some posts hating on/mocking fic writers that are coming from gif makers themselves. We're all on the same boat, we create fan art for the media we love. Why do we have to bring each other down? I am aware of the problem of gif stealing in the fic writing community but it mostly is caused by the fact these people don't know how to properly credit gifs with the gif tool. Believe me, most of the fic writers have a huge respect for the gif makers and I wish it went the other way around as well, even if you don't read fanfics, you don't have to be rude about people who do.

– Fan fiction writers are not desperate ugly teenagers locked in their parents' basement. Some of them are mothers, some of them have PhDs, some of them are doctors, some of them are just simple people who want to relax after a stressful day. The same things y'all be thinking of fic writers can be said about any content maker on this site because they also spend hours in front of a computer making fan arts or gifs of their favorite characters.

#sansaorgana's shitpost #***#fic writing #fan fiction #fan fic writing #fan fic stuff #fan fic things

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esmes · 5 months

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don't mind me - just some rainy day musings bc sweeney todd 2023 has rotted my brain

someone's tags on a gifset got me thinking about 2023 revival lovett and todd and the special something their dynamic has. there's something about this particular iteration of these characters and their relationship, especially as we see it evolve throughout the show (even as we've seen it evolve throughout the show's run), that just makes mrs lovett's betrayal and her death at his hands hit hard. i know, i know - she deserves it. she lies! she's a lying liar. her deceit is no small thing. any one of us would be incensed to have been misled the way she misleads sweeney. even if a small part of her may have done it, as she says, to spare him having to see what became of his lucy, the larger part was certainly to serve her own interests.

but there's something about how close mrs lovett gets to bringing sweeney around to her this time that just gets me carried away. they're not just business partners - they're lovers, they're co-conspirators, and they're sort of each other's only friend in the world. at this point, he indulges her flights of fancy. they know each other intimately. they joke with each other! he's likely had to listen to countless hours of her prattling on about her thoughts, hopes, and wishes. this is a man who, at this point in the show, is slitting people's throats without remorse. and yet he spends the evening on the sofa cleaning his pipe while he patiently listens to his girlfriend rave about a seaside wedding. when she takes his hand, he doesn't wrench himself from her grasp like he used to. he doesn't get up and walk out, which he could do. he accepts her - her presence, her company, her warmth. he may struggle to admit it to himself, but he does. he can concede that he loves her - just a little bit, though he can't quite bring himself to say the words. sweeney is fiercely loyal to lucy's memory, so much so that he clearly couldn't ever wholly give his heart to someone else, but, in that moment after "by the sea", you can see that he's softened toward lovett. they were both alone a long time before this, after all.

it's not the stuff of great love songs, but it's something. it's almost enough.

this is what ultimately makes the final living moments between them all the more heartbreaking. mrs lovett has always been a sympathetic character to me - a villain, sure, but not without her reasons. she's a woman alone in a brutal world. whether the character is an older or a younger iteration, she's been alone for a desperately long time. when sweeney returns to her after all this time, she sees her moment and she takes it. she's not letting her second chance at life get away from her without a few claw marks.

when sweeney kills her, he sheds no tears over it - but the grudging fondness we'd seen him beginning to feel toward her only serves to emphasize how monstrous of a deception it is. his "you LIED to me" comes out in an anguished roar. when he throws her in that oven, all the light goes out from the world. it takes my breath away every time. though it should, it doesn’t quite feel like justice.

i know not everyone loves annaleigh's interpretation, but i have maintained from the first time i saw this revival that the warmth she brings, the honeyed, deluded, comical sweetness that lures sweeney into believing life with her could be tolerable, if not ideal, was a brilliant choice.

that's why the leap into hell together works for me. some productions have had sweeneys that barely tolerate their lovetts, so a cold diverging of paths makes sense. these two definitely fall into a different category. it makes sense to me for this sweeney and lovett's ultimate fate to be each other. who else would it be? lucy did nothing wrong - she's not going where he's going. having made lovett pay for her lies, they can head on down (hand in unlovable hand!!!!!!!) to live out the almost-enough life they created with each other. and sure, her chirping his ear off for eternity would certainly make an appropriate punishment for his crimes.

#sweeney todd #long post #lord but i do go on!#mrs lovett and i have this in common #i've enjoyed them since i discovered the show in 2006 and they are very much My Brand #but i really do just feel a deep fondness for j&a's todd/lovett antics #and any other production whose sweeney/lovett Go There #also soz to reference the movie but #the moment where hbc's lovett echoes sweeney's 'life is for the alive my dear' back at him? perfection #'maybe not like i dreamed. maybe not like you remember. but we could get by.' perfection. no notes.#anyway the girlies that get it get it #otp: if you only knew

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weylerwritingevents · 3 months

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🌿Wyler Spring Fest 2024🌿

We are finally back with another wyler event - this time, in celebration of spring!

In spirit of spring, the event will revolve around change, transformation, bloom and renewal. All entries must be posted by March 20th - spring equinox.

Here are some FAQs regarding the event; for any others, feel free to shoot an ask! 💚

HOW DO I SIGN UP?

no sign up needed! this event is meant to be fun and casual. Simply create and share with the fandom!

WHAT ENTRIES ARE WELCOMED?

All kinds: fanfictions (no word limit - write as little or as much as you'd like), fanart, gifsets, moodboards, playlists, prompts and all other types of creations are considered a participance.

WHAT SHOULD I CREATE THOUGH?

Ah, NOW we're getting to the good part. This event invites you to create anything that comes to mind when you think about the themes of spring, change, transformation, and renewal - but since these themes are a bit broad, here is a list of non-mandatory prompts to help you get inspired:

Changes, transformations, bloom etc. 🍃Tyler's transformations into the hyde 🍃Wednesday and Tyler adjusting to... (their new relationship, to Tyler going to Nevermore, etc) 🍃Bodyswap 🍃 Genderswap (for example Girl!Tyler) 🍃Stories (or other creations) focused on trans characters 🍃Pollens of all sorts (sex pollens, truth pollens, go crazy!) 🍃Canon divergence

Reverse tropes (the ones we know and love... reversed) ☘️too many beds ☘️fake breakup (instead of fake relationship) ☘️divorce of convenience ☘️stuck apart ☘️love/hate at second sight ☘️fuck or... live? (instead of "we have to do it or we'll die", it's "if we do it, it'll kill us") Reversal AUs 🌵Normie barista Wednesday, Nevermore student Tyler 🌵Wednesday Galpin and Tyler Addams 🌵Power swap (Wednesday becomes a hyde while Tyler gets visions) 🌵Wednesday helps Gates while Tyler is the sacrifice 🌵Thing is Tyler's. Elvis is Wednesday's

...and any other idea that comes to mind 💚

with any entry you post, make sure to tag #wylerspringfest2024, and mention the @weylerwritingevents blog. And most importantly: have fun!!!

#wylerspringfest2024 #wyler #weyler #weyler fanfiction #wyler fanfiction #wyler writing event #writing event #fandom event #tyler galpin #wednesday fandom #wednesday addams #wednesday netflix #wednesday x tyler

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notyourmajesty · 8 months

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"I Can't Believe I Was So Wrong About You": Parallels between the Love Scene and Alex and Henry's First Meeting.

CW: I talk about a part of the love scene in a bit of detail here.

So thanks to this amazing post and reblog by @sylvidra and @manic-pixie-fever-dream, I've been thinking more and more about the Paris Love Scene. Particularly the shots that precede this moment:

Gif by @gay-bucky-barnes

When I first saw this scene I thought of this dialogue as more a general, romantic observation Alex makes of Henry - a result of months and months of being with him and seeing him in a way that very few do. It was only on rewatches that I was able to recognise why he says it in this exact moment.

We know, from the way Henry uses his hand to gently press the small of his back, that he is guiding Alex. But the extent to which Henry guides him, aware that it's his first time with a man, comes from small gestures that are easy to miss because a lot of it is out of frame.

Gifs (from the same gifset as above) by @gay-bucky-barnes

These two moments follow the shot where Henry presses down on Alex's back. In the second shot here, if you look closely enough, you will notice Henry's thumb below his knee, leveraging his thigh to make access for Alex easier. In the first, you see his other arm slightly raised, carefully guiding Alex inside.

Not physically easy to work both your hands when you're so overwhelmed yourself by the sensory and emotional impact of what's happening, but Henry is determined to make Alex's first time an unforgettable one.

At the very beginning of this scene, Alex tries hard to "play it cool" the moment Henry requests they make love - first by simply agreeing (with a catch in his voice), then by breaking into a joke. It's only as they kiss - signifying the start of the lovemaking Henry's proposing - that he admits that he has never had sex with a man before. Alex is nervous and insecure and afraid to show it, but trusts Henry enough to confide in him.

When Henry comforts him and lets him know that he is in good hands, this - this gentle, loving guidance that will not scoff at their partner's inexperience, that is patient and will ease him into the process - is what he means.

That Henry will care for and help him. That it is okay for Alex to ask when he doesn't know. That Alex doesn't have to feel scared, or feel insecure or inadequate. Not with him.

The more I think about that, the more it brings me back to the first time they had met. Not the royal wedding, but the Melbourne Climate Conference that happened years before (according to the film - in the book it was the Rio Olympics).

Gifs by @chiefnooniensingh

Alex is - in his own words - a formerly anonymous working class kid whose mother became President. Someone who always fears putting the wrong foot forward, who feels the weight and responsibility of the platform and position he has, who moves around all these elite spaces feeling a little out of place.

At the very beginning of the film he grimaces when the British press calls him "The American Prince Henry", admitting to Nora that unlike Henry, he wasn't born into this life and "...if I use the wrong fork at dinner, they'll just...eat me alive". Nora is shown helping him with his anxiety just before they enter the palace, reminding him that "you're handsome and charming and everybody loves you". It's pretty clear that a lot of Alex's bravado and humour hide his very deep-seated fears that he won't be good enough, and he's had those fears for a long time.

So when a guy his age - who was born into literal royalty, and who he clearly looked up to - looked at him like he "had head lice" and seemed to not even want to be in the same room as him, you get why he held on to his resentment of Henry that long.

Henry understands this the moment Alex admits the truth, and even offers his perspective of that night so Alex will know that it wasn't him - it was the pain and stress of having to pretend everything was normal, while he was still grieving his father's death. (There is also the fact that he possibly fell for Alex that same night...but of course Alex doesn't get to know that until the State Dinner)

And from this point on, Henry makes sure that whenever Alex reveals his insecurities and self-doubt to him without the varnish of humour, he is there to help him.

Sometimes it's in the form of his letters - reassuring a worried Alex who thinks he's letting his mother down, by telling him about Imposter Syndrome and reminding him of the incredible work he has done so far.

Sometimes it's in holding Alex's hand even when he's shit scared himself, and telling his grandfather and King that he loves the man next to him, deeply, and they are committed to each, deeply.

Sometimes it's in the simple act of wearing a tie that represents Alex's home state, and showing it when Alex feels nervous and scared and regretful, wondering if he is responsible for the (possible) failure of his mother's campaign.

And sometimes it's like this - reassuring a nervous Alex, letting him feel safe both sexually and emotionally, putting Alex's needs first, making him feel safe.

Making sure that when Alex asks for his help, he doesn't regret it.

#rwrb #red white and royal blue #alex claremont diaz #henry fox #henry fox mountchristen windsor #henry george edward james hanover stuart fox #rwrb movie #firstprince #taylor zakhar perez #nicholas galitzine #rwrb thoughts #rwrb meta

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lizziethat · 1 year

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let me tell you, I did not ge the "i owe her" scene at first lmao. i was like what?? he owes her what does he mean?

and then I saw a gifset of it and I realized what was happening and I love john b for getting it

I think in the strictest sense, this is just JJ saying "nope, we ain't doing this without her. i'm not leaving her. we're not leaving her. that's not how this Pogues thing works," but it's also JJ saying "she didn't turn her back on me when i was being an ass, i cannot turn my back on her now." So in a sense, he does feel like he owes her. She's part of this, he can't not try. I don't think this is JJ in any way, shape, or form, telling John B. "look, I can't leave Kiara because I love her."

But that's exactly what John B. hears.

And it's true, so there's that. But no, I think that's one of those moments only people who know each other really well, people who get each other really well, can have. And to be honest, at that point, it feels waaaay overdue. It's just that John B. hasn't really been paying attention. And the first time he does, for even a few seconds, he literally sees it on JJ's face. And it clicks. Of course, JJ is in love with Kiara.

Hilariously, the rest of the exchange is JJ basically admitting it (lack of denial is admitting things when it comes to your best friend) and John B. taking a little moment to just tease his best friend. It's a scene that works really well because the actors sell it -- since the words aren't really expressing what they're truly telling each other. And when John B. makes a quip about JJ's honesty, he isn't even joking either ...he's seeing right through JJ, yes, but JJ is also letting him see. He's not shutting down, or putting up walls, because that's the moment JJ goes all in. It's the moment he makes his choice.

A little bit later, with the Carreras, that solidifies that maybe he truly is better for Kie than the life she has, but that moment with John B. is the real moment for JJ. He's felt the thing for a while, but no one has truly seen it but Kie (I don't think he really let Pope see the full extent of it, either). Now, he's putting it all out there for the one person who knows him better than anyone else. Of course John B. saw it once he actually looked.

#outer banks #jj maybank #john b routledge #jiara

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thefirst3chapters · 4 months

Text

There is so much going on with the parallels in this gifset (Rory and Jess's first kiss and Jess's infamous "I love you"). This got long so it's under the cut.

Both of these scenes happen after Rory or Jess's parent(s) announce a new relationship: For Rory, she just talked with Christopher and is happy about the prospect of her parents being together. This family reunion is seconds away from being over, but Rory is hopeful that it will last. For Jess, he just met TJ, was not impressed, and does not want to be a part of the situation at all. He is jaded from seeing Liz repeatedly getting involved in destructive relationships and is frustrated that Luke thinks they can change her mind. It is interesting that both Rory and Jess's history of abandonment is highlighted as they abandon each other. (Similar to how Jimmy showed up and ran out on Jess in the same episode that Jess left.)

Both of these scenes happen at an event that commemorates love: The kiss is at Sookie and Jackson's wedding, and the "I love you" is at the Firelight Festival, which celebrates a star-crossed love story from Stars Hollow's history. The wedding is joyful and marks a beginning while the festival has a more bittersweet undertone. This holiday is when Dean breaks up with Rory in S1 and when Rory is heartbroken by Logan's disinterest in S5, but the scene with Jess is the only one of the three that happens at the festival itself. (Rory really can't catch a break with this holiday.)

Both of these scenes have surrounding events that contrast their aesthetic: The scenery of Rory and Jess's first kiss is of course beautiful and is fit for an Austen-esque drama. It's springtime, and Rory and Jess are both wearing blue. The beauty is undercut by the impending Lorelai/Christopher fallout, Rory’s inner turmoil and disloyalty to Dean, and Jess’s pain as he moved back for Rory only to see her run away; the seeds of communication problems and abandonment that will plague their relationship have been sown among the blossoming flowers. The "I love you" scene happens on a cold, dark winter night. Rory and Jess are both wearing neutral colors, and it's clear from their facial expressions that despite what they both told Lorelai, they are emotionally torn up by their estrangement. The darkness is undercut by the Firelight Festival’s faith that love will eventually conquer its obstacles; among the twinkle lights, Luke and Lorelai find each other (it’s not their time, yet) and Liz tells Luke she is hopeful that Jess will be okay and TJ will be a good partner for her (the rest of the show proves that this faith was well-placed). Rory and Jess's obstacles of failed communication and abandonment remain, but so does hope.

Rory and Jess respectively reveal what they did to their parental figure when they return to town months later. The aesthetic contrast is interesting. Lorelai and Rory have this conversation in public and in broad daylight. Lorelai and Rory's "default setting" is being best friends, but this is something significant that Rory kept from her. Lorelai, who is still upset over what happened with Christopher, tells Rory that the situation isn't fair to Dean but ends up focusing more on Dean's feelings than anything else. Luke and Jess have this conversation alone and in the dark. It's their breakthrough moment where they realize how much they really care about each other, and Jess divulging something so personal is a big deal. Luke just had the revelation that he loves Lorelai, and his advice is more focused on trying to help Jess. The dialogue is so similar:

Lorelai and Rory in S3 E1: "Well, I thought it was over. I mean, you haven't talked with him since..." / "Sookie's wedding." / .... / "Okay, so he crashed Sookie's wedding, and..." / "And nothing. He told me he was back in town, that he'd moved back, and..." / "What, Rory? Come on." / "And we kissed, okay?"

Luke and Jess in S4 E21: "No. Rory, still? That's ancient history. You haven't seen her in a year." / "I saw her when I was here a few months ago." / "I didn't know that. So, what happened?" / "Nothing... I told her, uh..." / "What?" / "I told her I loved her."

Both of these reunions bookend a third Literati reunion (of sorts) at the End of Summer Madness Festival: In S3 E1, Rory just told Lorelai that she is joining her in not speaking with Christopher, which contrasts her talking with him at the wedding. Rory was surprised to find Jess under a tree at the wedding, and here she is surprised to find him under a tree kissing Shane. The setting here is also a stark contrast to the other two scenes. It is late summer, the music is loud and irritating, red is a prominent color, and lots of people are present. The body language of Jess and Rory's first kiss was so affectionate, but Jess and Shane appear far less emotionally invested. These contrasts all enrich the comparison of Rory’s clandestine enchantment at the wedding to her disappointed jealousy at the summer festival.

Looking at all three of these scenes together, there is this poetic sequence of Rory and Jess's relationship from a beautiful spring day to an overbearing summer afternoon to a bleak (but not entirely so) winter night, and it's really compelling.

It is notable that all three of these reunions happen outside, and so do a lot of their other scenes together. The idea that Rory and Jess find freedom to be themselves when they are together is brought up often, and the fact that so many of their scenes are outside could be reflective of that. Being outside gives them space to breathe and grow away from the confines of what other people expect of them, but it also leaves them more exposed to the elements and more at risk of being left out in the cold, which makes vulnerability frightening for both of them. They don't quite have the emotional skills to weather those challenges (yet).

#gilmore girls #gilmore girls meta #rory gilmore #jess mariano #literati #rory x jess

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sophiainspace · 3 months

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Hello!!! For the character asks game, I’ve got four for you for your icon there, Mick Rory: 2, 7, 8, and 21, if you feel so inclined!

Aww, my icon indeed <3

2. Favorite canon thing about this character?

His loyalty. An underrated thing about Mick Rory. If he’s on your side, he’s never leaving it, and he would die for you. I just queued a gifset of the season 6 (I think?) scene where Mick persuades Sara to come home and tells her she’s his oldest friend (the ‘Rogue Canary with the missing member’ feels, I swear) and it’s like. He was devoted to Len for 20 years, in whatever way you want to interpret that devotion, and he gave that loyalty to Sara - who he calls Boss just enough times that you feel it - and that was no small thing for him. But he would defend her life with his, along with the rest of the Legends. And he did, a lot.

7. What's something the fandom does when it comes to this character that you like?

The sheer weight and quality of creative fanon means we have so much history to draw on for Mick in fic. And it all comes from very few references. Burning down his house. The fight in juvie. The 30-year partnership with Len. And that’s… about it, I think? But look at the amount of young coldwave/young Mick fics and headcanons those lines have spawned. Incredible. I’ve never written a character (or pairing) with so much glorious fanon backstory. It is a gift. (And the fandom didn’t even do all that much with the rich vein of everything we learned later about his family. We had already had given ourselves so much to work with!)

8. What's something the fandom does when it comes to this character that you despise?

It’s kind of related to my answer to question 2. I’m not a huge fan of the general fandom opinion that Mick was only ever mistreated by the Legends (or the writers) and hated every second of his time on the Waverider. Opinions will vary, of course, but I adore that found family for Mick. We do not speak of season two, which was poorly written and used Mick as a plot point, but for the most part after that I think it was clear that Mick loved the Waverider crew and vice versa. He grew as a person a lot on that ship, and he had an arc that I liked a lot overall, with some fantastic unlikely friendships. We got writer!Mick, and dad!Mick, and right-hand-man-to-Sara!Mick, and the growth of so many relationships we never could have predicted (don’t tell me he didn’t freaking adore Ava by the end, after the inevitable rocky start between them), and I loved it all. At times the writers liked to use him for a source of quick comic relief, and at other times his storylines were weird or nonexistent, and there was a little too much ableist writing there, but I still liked where he went on that show. I suspect it comes down to people who only like Mick with Len (romantically or otherwise) who didn’t like to think that Mick could have - and did have - a life beyond the Rogues. And I say all of this as a still deeply devoted coldwave fan, for they are truly my OTP. But still. I love Legends Mick, in a very different way from how I love Flash Mick, and I love the way he grew beyond Len.* Is a lot of my Legends Mick headcanon? Yep. Do I care? Nope. They gave me just enough to work with. :)

*I’m so tempted to get into how, while I love Mick with Len, their relationship was deeply codependent and Len clearly kept him from growing because he was a possessive bastard who loved Mick but also wanted to control his partner on his own terms. And how, even though it took Mick a while to realise he could be his own person outside of that partnership, he grew in some directions he never could have if Len hadn’t died. But that’s off topic - and hey, that headcanon is already in quite a few of my fics, with room for more… P.S. Did I mention I love coldwave and am also quite fond of Len (the possessive bastard) okay good

21. If you're a fic writer and have written for this character, what's your favorite thing to do when you're writing for this character? What's something you don't like?

I love autistic Mick headcanons and playing with them. And of course, I love everything you can do with coldwave, because of all the fanon stuff I mentioned above. Hey maybe it’s time for another coldwave fic…

Character ask meme

#thank you for the Qs!#ask meme #mick rory #meta #legends of tomorrow #the flash tv

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inception-bigbang · 14 days

Text

Inception Big Bang 2024

Schedule/Rules/Guidelines/FAQ

Sign-ups May 13-20 Author summaries due May 29 Artist claims start June 1 Pairing announcement June 15 First check-in July 1 Second check-in July 15 Posting date July 31

A Big Bang is a fandom event where authors and artists work together on a two-part project. When signing-up, authors submit a summary of the fic they’ll be working on during the event, as well as the rating and relevant tags. Fics are later claimed by artists during two rounds (if needed) of fic claims.

(Details below the break)

For authors:

Your final piece should be:

an Inception fanfic

written for the Big Bang (no reposting of old works)

at least 1500 words

Other than that, we are open to all ships and gen stories!

IMPORTANT: During sign-ups and fic claims the authors are anonymous. This keeps things fun! We want artists to choose based on the fics alone. Don’t make posts that give away which fic is yours. After claims talk to your artist! Keep each other updated - the best thing about a fandom Bang is working with each other!

Frequently asked questions of authors:

1. How much do I need to write before signing-up?

We recommend writing a summary of your story, the rating, and a couple relevant tags. Remember, what you submit is what we send to the artists! Make it easy to understand your story.

2. Can I change my mind about my submission?

Before fic claims you can send us updates or even send us a different story altogether. All’s fair.

After fic claims, any big changes should be discussed with your artist. You cannot change the rating from G, T or M into explicit. If you believe your fic might go down that road submit the tag before fic claims.

3. Can my fic be a crossover?

Sure!

4. Can it be a continuation of an older work?

Yes, as long the original fic’s name is not included on new piece and the part submitted for the Big Bang has never been shared anywhere else before. Big Bang projects are secret until the reveal date.

5. Can it be OT3 / Major Character Death / Kink ?

Sure! Just keep in mind that the more specific your work is, the harder it may be for one of our artists to connect with it. This is true for anything you may come up with - crossovers, PWPs, squeamish themes, you name it. We encourage creativity! But use the appropriate tags when you send us your summary and consider being flexible if our artists might have a hard time with that one.

6. Can I submit multiple stories?

Nope!

7. Is there the possibility of my fic not being claimed?

We work with artists interested in all different kinds of fics! We also have very cool and open-minded pinch-hitters. In our recent years all fics were claimed.

That being said, yes, there is the possibility. It ties back into the OT3 / major character death / kink topic – the more specific your work is, the harder it may be for our artists to connect with it. Also, the harder it may be to actually depict the story. Be considerate of our artists when picking the fic to submit for the Big Bang.

8. Can I sign up as both author and artist?

Of course! Just make sure you have the time and resources available to fulfill all the roles you choose!

For artists:

You will be choosing one (or more!) fics to make art for. Between fic claims and the final posting date you and your author will have one and a half months to work on your collaboration.

Your piece should be:

Art drawn or painted, including digital art

Photo manips

Original music

Gifsets (if you’re making them! don’t steal gifs)

Fanvids of at least 45 seconds

Physical crafts like sculpture, knitting, and embroidery

If you want to create something we haven’t mentioned here, check in with us first, but chances are you’re fine. As long as it's something you can submit within the deadline it’s fair game.

Frequently asked questions of artists:

How do claims work?

We will make an anonymized master post of all the story summaries available for the Big Bang. To make claims on them, send us an email with your top 3 picks. Fic claims happen on a first come first served basis so try to respond as soon as you can. If needed, we will have a second round of claims.

2. I'd really like to participate but I'm not sure of my availability - can I still sign-up as an artist pinch-hitter?

Absolutely! We can always use an extra help. If you sign-up (only) as a pinch-hitter we will contact you after both rounds of fic claims, or later in the event if we’re needing back-up.

3. Can I sign-up as both artist and author?

Of course! Just make sure you have the time and resources available to fulfill all the roles you choose!

Most asked question for everyone! XD

Panic time, I won’t be able to make the deadline! What now?

Hey, it’s okay! Life happens, we get it. But keep us updated. Send an email to [email protected] or drop a message to @stormofsharpthings.

We can work out extensions, or if you can’t complete your piece, we can talk to pinch-hitters. It’s okay, really, as long as you let us know what's up!

#inception #inception big bang #inception big bang 2024

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beachy--head · 5 months

Text

I didn't plan on writing a Christmas drabble this year, but then @babyjapril posted the most perfect gifset and it inspired this little Japril Christmas movie AU. Hope you'll enjoy, and happy holidays to you all!

___

Christmas in Bozeman, Montana, is always a treat, and even more since April moved away for med school and then for work. Seattle is not that far, and she tries to visit her family as often as she can, but there’s something special about the town during the Christmas season. She absolutely loves spotting the Christmas lights in the streets as she makes her way to her parents’ property, the snowy mountains offering a picture-perfect background for the season.

This year is no exception, meeting all her requirements for a perfect Christmas. At home, the lights in the Kepner’s Christmas tree are sparkling, there are so many wrapped gifts under the stockings that opening them on Christmas morning would surely take hours, and her mother spends most of the time in the kitchen, making treats and baked goods at the speed of light.

A few hours after she arrives, April finds herself already in the kitchen. As she helps her mother add a layer of white frosting on some cookies freshly out of the oven, Karen Kepner starts listing a few last-minute details about the festivities. “Oh, and you know Robert Avery, who owns the Jefferson grill in the city outskirts? Tall, blue eyes, makes the most perfect cup of coffee? Well, his son is visiting him for the holidays, for the first time in forever, apparently. He’s a doctor too, you know! Lives in New York, or Boston, or somewhere East. So I invited them both for Christmas Eve, because the man shouldn’t have to cook on Christmas, he already does it enough during the year, and he helped your dad once with the tractor, remember? So I thought–”, and at that point, April, used to tune her mother out when she starts rambling, offers a few “yeah” and “is that so?” now and then, and thinks no more of it.

The next day, she meets Jackson, Robert Avery’s prodigal son. At her mother’s insistence, she plays the part of the perfect tour guide and shows him everything Bozeman has to offer, she takes a few walks with him around town and laughs when he admits he’s not much of an outdoor man, they even sit down once in the cold, watching people skate on the ice rink and sharing stories about surgeries and their respective hospitals (Boston’s Mass Gen seems way more peaceful than Seattle Grace Mercy West) before she dutifully walks him back to the Jefferson Grill. Robert Avery is a sweetheart, so she’s not surprised that his son is as charming, and they hit it off as much as two big city outsiders in a small town can. His laugh when she offers him anecdotes about her years in Bozeman warm her heart, and she finds out she actually looks forward to Christmas Eve, even if it means her sisters taking a dig at her for daring to be a single, twenty-something surgeon living alone a few states away and her mother insisting she eats her weight in stuffing.

Christmas Eve is magical, Robert Avery regaling them with tales from his youth, Jackson complimenting her mother’s cooking skills and having a second helping of everything, her father looking at the whole family with a wide smile, and for a few perfect hours, she truly feels the Christmas cheer she always hopes to find when she comes back home.

And then her overactive imagination just has to ruin it.

After dinner, everyone gathers around the fireplace, swapping stories she must have heard a hundred times. She loves her family, she really does, but she needs a break, so she goes to the kitchen and sets out to get a head start on the dishes. Jackson volunteers to help out, drying the plates she washes, and they soon talk and laugh like they haven’t just met four short days ago. They only stop when she washes the last of the plates, and she doesn’t know what happens, but his fingers lightly brush her arm as he takes the plate from her hands, and she shivers. His touch is electric, and she raises her head, finding his eyes already on her. His hand find her again, tucking a strand of hair behind her ear, and she can’t help but stare at him.

From the living room, she hears her parents exclaim that it’s time they get a move on or they’re going to be late for midnight mass, another cherished Kepner tradition, and the moment is gone. Jackson snaps out of his trance and steps backwards, shaking his head, and it’s not long before he and his father leave, his eyes avoiding her as he profusely thanks her mother for her generosity.

So much for a perfect Christmas holiday.

She goes to bed, feeling confused and, she’s adult enough to admit it, disappointed. And because she’s April Kepner, she soon starts to feel extremely annoyed with herself. She always does this, having huge expectations that don’t go well when confronted to reality, and she’s a fool for thinking that this time would be different. That a fancy, handsome surgeon would play his part in the Christmas movie she’s apparently written in her head, and act out cliché moments under the Christmas lights.

The next morning, waking up before everyone else, she quickly dresses up and goes for a short walk to try to clear her head. Still replaying the moment in the kitchen in her mind, she takes comfort in the fact that she’s due to go back to Seattle in a few days. She’s not going to let her delusional brain ruin what is otherwise a perfect Christmas, thank you very much, and she can easily avoid Jackson Avery until then and not make a fool of herself.

Well, it would be easier to avoid him if he wasn’t standing in her parents’ driveway as she comes back from her walk.

His eyes seem clearer than ever, and she manages a small smile, hoping he’ll credit the cold for her blushing cheeks. She stares at him a few seconds too long before she remembers her manners.

“Hi, um, did you forget anything yesterday?”

“Actually, I did,” he answers in the low voice he seems to use just for her, and she really wishes her body would stop reacting so strongly to his presence.

The snow starts to fall just then, but she barely registers it, because she can’t tear her gaze away from him. He gets closer to her, shakes his head with a soft smile on his lips, as if he can’t believe what he’s doing, and slowly raises his hand to hold her neck.

Their lips touch, hesitantly at first, then more insistently, and as they kiss for what seems like hours under the falling snow, she can honestly say that this Christmas is definitely a perfect one.

#japril #drabble #jackson avery #april kepner #babyjapril i hope you don't mind #but this gifset wouldn't leave my brain

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lavender-gayz · 6 months

Text

Lizzie the musical at Southwark Playhouse Elephant - some little moments that I loved, part 1/?

Background: This production originated at Hope Mill Theatre in Manchester. It features Lauren Drew as Lizzie; Maiya Quansah-Breed as her neighbour, Alice; Shekinah McFarlane as Lizzie’s sister, Emma; and Mairi Barclay as the Bordens’ housekeeper, Bridget. Esteemed tumblr user thegirl20 has many lovely photosets and gifsets of the cast, including this high-definition one where you can see the faces of everyone in the main cast (and also the set!)

I was lucky enough to catch this show with the main cast in London at the Southwark Playhouse Elephant a couple of times (plus once with Emma Louise Hoey as Lizzie and Ayesha Patel as Bridget) when they went on a mini tour in Nov/Dec 2023 :)

1. The House of Borden:

Bridget ladles out impressively gloopy gruel while singing about all-purpose mutton. Both Lizzie and Emma give it a wide berth (and say no to breakfast for the rest of the show).

Emma goes, 'we’ve no personal objection BUT SHE CAN'T HAVE WHAT'S OURS' – an increasingly-concerned Lizzie rushes over and shakes her head and Emma is temporarily mollified. Fair is fair in the House of Bordennnnn!

The way their voices go up in the last ‘let us take you to an August back in 1892’ – MUAH.

2. This Is Not Love:

Lauren Drew performs the majority of this song while sitting uncomfortably in an ornate armchair where something horrifying routinely happens. It’s very effective.

She really conveys the despair and the agony Lizzie feels – there's one bit in the final verse where she gasps out, 'this is not love' and she sounds so incredibly broken.

(“I want…to see arms outstretched to hold me / wanting nothing in return / but only for me to feel safe and secure”

She’s literally next door, Lizzie.)

And at the end she tears herself out of the chair with the line ‘I don’t know what it is, but I want out of it.’

3. ‘I love you too, Father.’

4. Gotta Get out of Here:

Lizzie absently trails her hand along Alice's arms and shoulders in this one bit at the start - Alice never stood a chance tbh.

Maybe I'll do a separate Alice x Lizzie highlights thing.

LOVE the energy in this song and how Lizzie almost seems possessed when she sings about something hanging over her and how she physically throws her body around.

Alice's higher 'stay here longer' when she joins in on the chorus is what angels dream of.

5. If You Knew:

Let's have MAXIMUM YEARNING

To set the scene: we’ve just come out of ‘Gotta Get out of Here’, where Lizzie expresses her need to get out of here and is hindered by Bridget, Emma and Alice (with some very cool dance breaks). Lizzie finally breaks free and Alice chases after her but loses her. We’re now in Alice’s bedroom where she’s thinking about Lizzie.

Lizzie is just off to the side (presumably in her own home or in her yard) looking sad and letting down her hair.

Alice is singing to herself about how much she loves Lizzie and wondering how Lizzie would react if she knew about this.

(She thinks a secret’s just a lie! This may or may not come back to bite us!)

Her voice just SOARS when she sings about dreaming about having Lizzie in her arms.

I like that this song expresses the pretty relatable concern of ‘oh no if you knew I had a big gay crush on you would you still let me touch you and comfort you’ but it doesn’t come with a side of ‘oh no it’s so wrong and gross for me to have feelings for another woman’. Thanks, Steven Cheslik-DeMeyer and Tim Maner!

And good news for Alice: YES Lizzie will let you hold her close when she knows about your secret gay feelings AND she will make out with you and hold you close too! You will get to be happy for approximately seven seconds before Bad News Bridget interrupts.

6. Soul of the White Bird:

'the violence of freedom'

Emma joins in with Lizzie from the side at ‘oh if I had wings like a dove’ - the harmonies!!

Bridget knits and goes la la la in counterpoint while Lizzie slowly falls apart.

7. ‘Lizzie, don’t!!’

8. Maybe Someday:

The FIRST iteration of this song and it’s Alice singing to Lizzie about how maybe someday her heart will be open. They may not get a conventional happy ending together but by god their story is integral to this show.

It is so sweet and then they end up cuddling and falling asleep!

I was going to save this for the Alice x Lizzie highlights, but this was too cute to leave out so I guess I'll just include it twice: Lizzie is the big spoon!!!

9. ‘Her bed is freshly made, as if she hadn’t slept in it at all!’ – Bridget, relishing her role as a gossipmonger-in-chief

10. Who hasn't had to kick a girl out in the morning because your sister needs to vent about developments in your father's will and is threatening to go to Fairhaven? Sisters, amirite?

11. ‘Emma, wait! What if Mrs Borden…dies first?’

12. Sweet Little Sister:

It has been said before and it bears saying again: vocals for DAYS.

The little lyric change to “I look into your cold dark eyes” to suit Lauren’s eye colour!

Bridget and Alice pop up with mic stands to sing along.

And then Emma fucks off to Fairhaven even though her sweet little sister was begging her to stay.

13. Mairi's delivery of 'oh Miss Emma you've forgotten your book! And she asked me to pack it S P E C I A L.' is so deeply funny.

14. Also hilarious: the very un-suspicious way Bridget slides the book of household poisons over to Lizzie.

15. ‘…time for Mrs Borden’s tea!’ I love Bridget.

This feels like a good time to take a break!

#i sure hope the readmore works #i would love it so much if they did a proshot #not sure if i’ll ever quite return to the euphoric high of the eight-day stretch where i watched this show five times #and spent each trip home frantically jotting down notes on my phone #lizzie the musical #lizzie the musical uk 2023 #lizzie the musical southwark playhouse #lauren drew #maiya quansah-breed #shekinah mcfarlane #mairi barclay #lauren lizzie #maiya alice #shekinah emma #mairi bridget

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matan4il · 1 year

Note

Hi, I’ve seen some gifs of that Thai show, but are those two actors together in real life too?

Hi lovely Nonnie!

Oh wow, I did not expect an ask about Kinnporsche The Series / Mileapo, but I probably should have since I went off a bit in the tags of that gifset reblog, didn't I? XD Please never take me too seriously whenever I claim two specific individuals have invented love, I'm just joking around. Unless I'm talking about David and Jonathan, because they totally did. ;p

But if I'm to try and answer seriously, I would say that officially, the last time either Mile or Apo have addressed the issue of their romantic status, they both said they're single (Mile in Aug 2022, Apo in July 2021 if I'm not mistaken). Of course, that's also the response I would expect from them if they were together. Because just like there are opposite sex couples who meet on the sets of movies and TV shows, and fall in love or just have an affair, there are same sex couples who go through the same thing. The difference is that society (and the entertainment business even more so) is still so homophobic, that these same sex couples often can't come out. I mean, if opposite sex couples sometimes feel they need to keep it to themselves, and we only find out about their romances decades later, like in the case of Jane Seymour and Christopher Reeve (if we find out about them at all), then imagine how much harder it is for same sex couples who fall in love as co-stars... (or even when there's a same sex celebrity couple, period)

Other than Mile, Apo and the people they trust, no one really knows if Mileapo actually are a couple and have to be closeted, or if they're just truly the best of friends who bonded so much as co-stars on the set of KPTS that their behavior is hard to distinguish from the way lovers act towards each other. We also have to take into account that they're from Thailand, and the cultural norms for how men are allowed to interact can be very different. Especially when we remember that they starred in a BL (gay themed show) together, and the norm for that is heavy fan service. I AM convinced that even then, their bond runs deeper than fan service, especially since the original production of KPTS was canceled, and the production company that was set up instead explicitly said it would not require fan service. Plus, this company was co-founded by Mile to save KPTS and give Apo his second chance to shine as an actor, after he had been previously bullied by homophobes into leaving the acting world. So yeah, I have every reason to believe their connection is real.

And the fact that this is a part of their unhinged story (that they met briefly as models 7 years before they auditioned for KPTS, that they obviously thought the other one is an attractive man and remembered each other all of these years, that Mile watched Apo's shows, that they re-connected at the auditions and seem to have been inseparable since, for over 2.5 years now, that they fought together for KPTS to be made and then gave us on screen an astounding love story, that they chose to go on working together on their next projects, including the upcoming queer film Man Suang, and continue to hang out even outside of their busy schedule together) brings us to what is most meaningful to me about them. Whether their bond is romantic or platonic, it's clearly so deep that I wouldn't hesitate to call them soulmates. They love and care for each other, support one another, and I think they healed each other in ways that make me feel soft and happy to know that such love exists in the world. So I'm going to continue rooting for them, and possibly joke about it like I know that they're a couple, because in a very profound sense of the word, even if it's not romantic, they are.

This was probably way too long, my apologies. Okay, have a Mileapo being in sync gif just to make it a bit better...

Have a good day! As always, my ask tag. xoxox

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