#whether it will be bluegrass inspired or not

[no-0ne-0f-consequence]

After reading The Ballad of Songbirds and Snakes, I just want to say how happy I am to know that after the apocalypse we will still have bluegrass music. When all other traces of our lives have been washed away in the violent fall of civilization, the fiddle and the banjo will not be defeated yes I know there is no banjo in the book. Our societies may be temporary but bluegrass is eternal.

[thebowerypresents]

Willie Nelson Brings Outlaw Music Festival to Forest Hills Stadium

Outlaw Music Festival – Forest Hills Stadium – September 17, 2023

You don’t so much attend a Willie Nelson concert these days as you conform to its warmly understated, sometimes leisurely, sometimes-invigorating pace. Then again, he’s always seemed to have that pause-a-sec-and-listen effect: Whether 30 or 90, delivering sad-eyed, tear-in-beer weepers, tender folk, inspiring hymns or outlaw country rousers, he’s got you. Hearing him play, surrounded by his adoring band, still has that time-stopping quality, and Forest Hills Stadium was in thrall to one of American music’s true and unimpeachable legends on a rainy but warm Sunday evening. 

The Outlaw Music Festival, a going concern for a while now, is Willie’s eclectic seasonal caravan, loading up a sprawling six-hour bill with a range of artists that don’t sound quite like Nelson but are at the same time just right for a show like this, underscoring his own lineage and place in the history of many potent strains of Americana. As ever, he and his impressive band crowned the show with an hour-long set of their own, setting a brisk but not workmanlike pace through his classics (“Whiskey River,” “Mammas Don’t Let Your Babies Grow Up to Be Cowboys,” “On the Road Again,” “I Gotta Get Drunk,” “Always On My Mind,” “Roll Me Up and Smoke Me When I Die”) and those of friends and favorites, including Billie Joe Shaver’s “I Been to Georgia on a Fast Train,” “Stay a Little Longer” from the Bob Willis catalog, “Move It On Over” from Hank Williams, and the immortal “Georgia on My Mind.” Willie’s sung these songs thousands of times, but each one still felt like a warm embrace, even the wistful ones, and even the ones for which he wouldn’t need to do more than go through the motions but is just too classy for that.

About the bill: There were plenty of willing conspirators and indeed, half the fun of a tour like this is the cross-pollination and spirit of collaboration that happens throughout. No less than Norah Jones — a surprise guest, unannounced — low-key sat in on keyboards for most of the Willie set. (It wasn’t even clear it was her until she took a few backing vocals and then a full verse of “I Gotta Get Drunk.”) Harmonica ace Mickey Raphael — a stalwart of Nelson’s band — joined for sections of earlier sets from Los Lobos, the String Cheese Incident and Bob Weir & Wolf Bros using a range of harmonica modes, from sawing roadhouse blues to sweet-’n’-tender folk. And as ever, Willie made his customary invite to many of the musicians, including a game and all-smiles Weir, to join in for the rootsy, hymnal “Will the Circle Be Unbroken” and several more selections, hootenanny-ing up the stage to close the night.

Weir’s Wolf Bros — one of the most interesting post–Grateful Dead bands and as oddly compelling a capture of Weir’s Weir-ness as any other group he’s been part of — got about 90 minutes to roam as the night’s coheadliner and more than made the most of it. The core trio of Weir, Don Was and Jay Lane has mushroomed on the road into a full ensemble, including Weir’s longtime swingman Jeff Chimenti on keys and ace pedal steel from Barry Sless, plus a sturdy horns-and-strings section called the Wolfpack. That bigness was well used here: “Jack Straw,” “Estimated Prophet” (neatly segued into its forever companion, “Eyes of the World,” which itself neatly segued into Marvin Gaye’s “What’s Going On”), the Sunday-special “Samson & Delilah” and a rollicking “Turn On Your Lovelight” were Grateful Dead staples all getting jammy workouts.

Earlier came a potent set from jam-bluegrass stalwarts the String Cheese Incident, somehow now approaching their own 30th anniversary. And earlier still came the mighty Los Lobos — themselves, whoa, 50 years along! — who played a ripsnorting 45-minute frame full of cumbia and full-boogie rockers, including the beloved “Georgia Slop.” 30 years? 50 years? So much beautiful longevity here, but the bar appears to be 90 years, gang. —Chad Berndtson | @Cberndtson

Photos courtesy of Silvia Saponaro | @Silvia_Saponaro

[pgoeltz]

1894.....Orville Gibson, founder of Gibson Guitars.

Orville H. Gibson (May 1856 – August 19, 1918) was a luthier who founded the Gibson Guitar Company in Kalamazoo, Michigan in 1902, makers of guitars, mandolins and other instruments.

His earliest known instrument was a 10-string mandolin-guitar, which bears the date 1894. Gibson's mandolins were "unlike any previous flatback instrument," according to music historian Paul Sparks. His company's manufacturing standards were very high, and his instruments heavily marketed.

Early life.....

Orville H. Gibson was born in 1856 and on a farm near Chateaugay, Franklin County, New York. He was the youngest of five children to an English father John W. Gibson and American mother Amy Nichols Gibson from Peru, New York.

Mandolin style......

Gibson began in 1894 in his home workshop in Kalamazoo, Michigan, and patented his idea for mandolins in 1898. With no formal training, Gibson created an entirely new style of mandolin and guitar that followed violin design, with its curved top and bottom carved into shape, rather than pressed or bent, arched like the top of a violin. He applied for and was granted a patent on the design. The sides too were carved out of a single block of wood, rather than being made of bent wood strips. More importantly, they were louder and more durable than contemporary fretted instruments, and musicians soon demanded more than he was able to build in his one-man shop.

n the strength of Gibson's ideas, five Kalamazoo businessmen formed the Gibson Mandolin-Guitar Mfg. Co., Ltd., in 1902. Within a short period after the company was started, the board passed a motion that "Orville H. Gibson be paid only for the actual time he works for the Company." After that time, there is no clear indication whether he worked there full-time, or as a consultant. Julius Bellson states in his 1973 publication, The Gibson Story, that "Orville Gibson had visions and dreams that were considered eccentric."

He and his company used music teachers to market the instruments, and strong print advertisements to displace the round-backed mandolins. They were successful in the mandolin market, eliminating the production of round-backed instruments in the U.S. His guitars were influential as well, and his guitar patterns are still recognizable in modern jazz guitars.

According to George Gruhn, the idea of carving the instrument tops and bottoms appears to have originated with Gibson and is not based on any mandolin or guitar building tradition. Although inspired by the carving of violins, he did not use violin manufacturing techniques or patterns to build his instruments.

His company, with the help of instrument designer and sound engineer Lloyd Loar produced the Gibson F-5 mandolin, which Sparks said was acknowledged "to be the finest flat-back mandolin ever produced the Loar also designed the L-5 guitar.

Among the changes that Loar introduced was the f-hole instead of a round or oval sound-hole, another violin-family feature imported to the mandolin.[The mandolins are treasured by bluegrass musicians, but produce opposite feelings of admiration or contempt among the classical musicians they were designed for.The L-5 guitar has found a home among jazz musicians.

Starting in 1908, Gibson was paid a salary of $500 by Gibson Mandolin-Guitar Manufacturing Co., Limited (equivalent to $20,000 a year in modern terms). He had a number of stays in hospitals between 1907 and 1911. In 1916, he was again hospitalized, and died on August 19, 1918, at 62 years of age, in St. Lawrence State Hospital in Ogdensburg, New York. Gibson is buried at Morningside Cemetery in Malone, New York.

@pgoeltzcookiman

Gibson was born in Chateaugay, New York. According to the 1900 U.S. Federal Census, he was born in May, and his obituary published in The Malone Farmer on Wednesday, August 21, 1918, states he died on August 19 and his funeral was held at the home of his brother O. M. Gibson on August 21.

[krispyweiss]

Sound Remembrance: Dickey Betts: An Allman by Another Name

When the Allman Brothers Band released the Dreams boxset and headed back out on the forever road in 1989, two things happened.

First, their music was suddenly everywhere, sounding fresh and new even though it’d still be awhile before ABB released actual new music.

The second - more-important - thing was that young-at-the-time, nascent blogs like Sound Bites finally got to experience the glory of the Allman Brothers Band on stage.

That mostly meant Gregg Allman and Dickey Betts, who along with Butch Trucks were the only members of the band to appear in every iteration of the ABB up to that point. And Betts, with a new foil in some dude called Warren Haynes, tore that shit up, playin’ his parts, occasionally playin’ Duane Allman’s parts and reactin’ like a guy made hungry again by the still-hungry Haynes.

ABB were playing theaters at this point and seeing the group in these intimate settings was even more of a treat than we realized at the time. As the years went by, the venues got bigger and soon the group’s annual Beacon run was the only opportunity to see the Allmans in such a cozy state. Of the many shows S.B. saw during this period, the most outrageous must’ve been a double bill with the Craig Fuller-fronted edition of Little Feat in Ohio; as soon as this concert let out, he was was on the road to see a couple of Jerry Garcia Band shows in Illinois and Wisconsin in what turned out to be an incredible week of live music.

Ah, to be young.

And alive.

With Betts’ April 18 death at age 80, only Jaimoe survives from the original Allman Brothers Band. But the music - and Betts’ outsized role in it - survives.

Obituaries unfailingly eulogized Betts as a foundational figure in Southern rock. And while he was that, Betts was also a sanctified country singer (“Ramblin’ Man”), a jazz composer extraordinaire capable of drawing inspiration from something as mundane as a tombstone (“In Memory of Elizabeth Reed”) and a top-shelf bluegrass and Americana (which didn’t even exist in ’74) picker as demonstrated by Richard Betts’ stellar solo debut, Highway Call.

And yet, “Blue Sky,” and its latter-day rewrite, “Back Where it All Begins,” are stone Southern-rock classics.

Betts parted ways with his band in 2000 - whether he quit or was fired depends on whom you ask - and my interest waned. When I finally saw the band again at the 2008 Penn State event for then-candidate Barack Obama, I learned why; the group just wasn’t the same.

Even Haynes, the prodigal Brother who returned to the band after Betts’ inglorious departure, knew it.

“As I’ve also said many times, when I think of the Allman Brothers Band, I automatically think of the original band with Duane Allman and Berry Oakley, who unfortunately passed way too soon, and although I’m extremely proud of my work with the band, that will always be the case,” Haynes said in eulogizing Betts.

4/25/24

[lucafinn]

Delve into the soulful melodies of folk and bluegrass with the Tanglewood Union Mandolin in striking Black, complete with a Pickup for amplified performance! 🎶 Crafted with precision and passion, this instrument not only delivers impeccable sound but also exudes timeless elegance. Whether you're a seasoned musician or just starting your musical journey, let the Union Mandolin inspire your creativity and captivate your audience. 🎵

[musicarenagh]

Rene Russell's Ethereal Quest: Unlocking “The Key” In an era where music often chases trends rather than heartfelt expression, Rene Russell and her latest single "The Key" emerge as a refreshing departure, weaving tales of time, love, and life's serpentine journey into an auditory tapestry that defies easy categorization. Inspired by a dream about dolphins—a motif that beautifully encapsulates the song's ethereal quest for meaning—"The Key" stands out not just for its narrative depth but also for its sonic landscape. https://open.spotify.com/album/7ejDiBjBEZjZcBifuzz7nc?si=42hoU-N1RPapuR-7u2sP7g At the heart of this soul-searching expedition is Russell’s signature percussive finger-picking on a Taylor 12-string guitar. This technique, marrying the grit of Americana-Rock with undertones of Blues, Bluegrass, and even a tantalizing hint of Reggae rhythmics, creates an intricate musical backdrop that feels both expansive and intimately detailed. It’s akin to finding oneself wandering in vast open fields under twilight skies — there’s a sense of infinity yet at every corner turn; personal revelations spark aflame. [caption id="attachment_54241" align="alignnone" width="984"] Rene Russell's Ethereal Quest: Unlocking “The Key”[/caption] Listeners familiar with Rene Russell from her days leading Rene Russell and the Bottom End will recognize her knack for fusing diverse American music traditions into something genuinely unique—a skill she hones further in "The Key." Yet despite drawing on such rich veins of genre tradition, one cannot help but be struck by how wonderfully current—urgent even—the track feels. The thematic focus on navigating life with love as our compass speaks volumes in these tumultuous times. "The Key," heralding upcoming offerings from Russell—including collaborations within ‘The HiHearts’ trio featuring Bridget Gossett and Heidi Holton—promises not only more engaging narratives woven through strings but also suggests potential avenues for exploring more profound ecological themes ("Stand (for the Ocean)"). It hints at evolution while staying rooted firmly within realms easy enough to immerse oneself comfortably without feeling lost at sea. [caption id="attachment_54240" align="alignnone" width="1490"] Rene Russell's Ethereal Quest: Unlocking “The Key”[/caption] Whether you’re drawn to it by its subtle genre-blending audacity or the hauntingly beautiful premise inspired by marine dreams doesn't matter. In "The Key," listeners are invited to partake in an introspective sojourn across heartstrings strummed beneath starlit musings—a journey emblematic of Rene Russell's masterful melding of message-driven acoustic finesse with storytelling prowess. More than merely another entry into her already eclectic catalog or a precursor to anticipated releases later this year into next—with “The HiHearts”, notably—"The Key" shapes itself as both portal and path: unlocking doors unopened within souls longing for connection amidst life’s bewildering landscapes. Easy listening it may claim to be—but safe venture far beyond those confines it does indeed; evoking deeper reflections typically reserved for those brave enough to question where truly lies ‘the key’. Follow Rene Russell on Website, Facebook, Twitter, YouTube, Instagram, TikTok and SongKick.

[tennesgifts462]

Tennessee Gifts

Discover the Charm of Tennessee: Why Tennessee Gifts Are the Perfect Choice

Nestled in the heart of the Southern United States lies a state rich in history, culture, and natural beauty: Tennessee. From the rolling hills of the Appalachians to the vibrant music scene of Nashville, Tennessee offers an experience like no other. And what better way to share the magic of Tennessee with your loved ones than through the gift of Tennessee-inspired treasures? In this article, we'll explore why Tennessee gifts are not just gifts, but tokens of the state's unique charm and allure.

Embracing the Essence of Tennessee

Tennessee, often referred to as the "Volunteer State," boasts a diverse tapestry of landscapes, traditions, and flavors. Whether you're drawn to its bustling cities or its serene countryside, there's something for everyone to love about Tennessee. And what better way to capture the essence of this remarkable state than through its gifts?

The Allure of Tennessee Gifts

Tennessee gifts hold a special place in the hearts of both locals and visitors alike. These treasures encapsulate the spirit of the state, making them cherished mementos for any occasion. Here's why Tennessee gifts are the perfect choice for spreading joy and appreciation:

1. Authenticity: Tennessee gifts are imbued with authenticity, reflecting the state's rich heritage and culture. From handcrafted goods made by local artisans to iconic souvenirs that celebrate Tennessee's landmarks, each gift tells a story of tradition and craftsmanship.

2. Diversity: Tennessee offers a wide array of gifts to suit every taste and preference. Whether you're shopping for a foodie who loves indulging in Southern delicacies like hot chicken and barbecue sauce, or a music enthusiast who can't get enough of the sounds of bluegrass and country, there's a Tennessee gift that's sure to delight.

3. Uniqueness: Tennessee gifts stand out for their uniqueness and character. Whether it's a piece of artwork inspired by the Great Smoky Mountains or a vintage record from a legendary Nashville studio, these gifts possess a one-of-a-kind charm that sets them apart from the ordinary.

4. Connection: Giving a Tennessee gift is more than just exchanging material possessions—it's about forging connections and creating memories. Whether you're sharing a taste of Tennessee with a friend across the country or introducing a newcomer to the wonders of the Volunteer State, these gifts foster bonds that transcend distance and time.

Exploring the Bounty of Tennessee Gifts

Now that we've established why Tennessee gifts are so special, let's take a closer look at some of the most popular and beloved offerings:

1. Music Memorabilia: As the birthplace of country music, Tennessee is a mecca for music lovers. From vintage vinyl records to concert posters signed by legendary performers, there's no shortage of music memorabilia to be found in the state. Whether you're shopping for a die-hard fan or a casual listener, a piece of Tennessee's musical heritage is sure to strike a chord.

2. Artisanal Goods: Tennessee is home to a thriving community of artisans and craftsmen, whose talents are showcased in an array of handcrafted goods. From pottery and ceramics to textiles and woodworking, these artisanal treasures embody the spirit of creativity and craftsmanship that defines the Volunteer State.

3. Culinary Delights: Tennessee's culinary scene is as diverse as it is delicious, with a wealth of flavors and traditions to explore. Whether it's a jar of locally sourced honey, a bottle of small-batch bourbon, or a basket of gourmet treats inspired by Southern cuisine, Tennessee gifts are sure to tantalize the taste buds and satisfy the soul.

4. Outdoor Adventure: For those who prefer the great outdoors, Tennessee offers a wealth of gifts that celebrate its natural beauty. Whether it's a guidebook to the state's scenic trails and parks, a set of handcrafted hiking gear, or a stunning landscape painting inspired by Tennessee's majestic vistas, these gifts are perfect for adventurers and nature lovers alike.

Sharing the Magic of Tennessee Tennessee gifts are more than just tokens of affection—they're symbols of the state's rich heritage, diverse culture, and boundless spirit. Whether you're shopping for a special occasion or simply looking to spread a little joy, there's a Tennessee gift that's perfect for every person and every moment. So why wait? Share the magic of Tennessee with your loved ones today and make memories that will last a lifetime.

[perspectivesusa]

Exploring the Vibrant Palette of Paint Stores in Lexington, Kentucky

Explore the vibrant world of paint stores in Lexington, Kentucky, offering a diverse selection of colors, finishes, and brands to suit any project. From locally-owned gems with personalized service to national chains with modern conveniences, discover everything you need to transform your living spaces into works of art. Whether you're a seasoned DIY enthusiast or a first-time painter, Lexington's paint stores provide the resources, expertise, and inspiration to tackle any project with confidence and creativity.

[san96van]

 Kentucky Gate: Enhancing Security and Aesthetics with Kentucky Gate Company

Kentucky gates are a popular choice When securing your property while adding a touch of elegance. If you're searching for a reliable Kentucky gate company, look no further! In this article, we'll explore the benefits of Kentucky Gates and introduce you to a reputable Kentucky Gate company that can cater to all your gate-related needs.

What are Kentucky Gates?

Kentucky gates, also known as horse farm gates, are elegant and sturdy entryways designed to provide security and enhance the overall appearance of properties. Inspired by the picturesque landscapes of the Bluegrass State, these gates feature intricate designs that reflect the region's rich cultural heritage.

Adding Kentucky gates to your property boosts its curb appeal and reinforces its security. Whether you own a sprawling ranch or a cosy suburban home, Kentucky gates can be customized to complement your property's architecture and style.

The Versatility of Kentucky Gates

One of the critical advantages of Kentucky Gates is their versatility. These gates are available in various materials, including wrought iron, steel, aluminium, and wood, allowing homeowners to choose the option that best suits their preferences and budget.

Furthermore, Kentucky gates come in different styles, from traditional to contemporary designs. Whether you prefer a classic look or a modern aesthetic, a reputable Kentucky gate company can craft a gate that aligns perfectly with your vision.

Benefits of Installing Kentucky Gates

Kentucky Gates offers many benefits, making them a popular choice for residential and commercial properties. Firstly, they act as a deterrent to potential intruders, enhancing the security of your premises. Secondly, these gates help control access, allowing you to monitor who enters your property. Moreover, Kentucky Gates can increase the value of your property, making them a worthwhile investment.

Choosing the Right Kentucky Gate Company

When installing a Kentucky gate, selecting the right company is crucial. A reliable and experienced Kentucky gate company will ensure that your entrance is aesthetically pleasing and built to withstand the test of time.

Look for a company that offers a wide range of customization options, high-quality materials, and excellent craftsmanship. Customer reviews and testimonials can provide valuable insights into the company's reputation and customer satisfaction.

Conclusion

In conclusion, Kentucky Gates are an excellent choice for enhancing your property's security and beauty. Whether you need a gate for your farm, estate, or suburban home, a well-crafted Kentucky gate can elevate your property's overall look and feel. To ensure a successful installation, trust a reputable Kentucky gate company to bring your vision to life and provide a secure gateway to your property.

[seomusiciansmobile]

Piano Trainer

Our course starts with the basics and teaches everything from beginner guitar to advanced flatpicking techniques, classic bluegrass tunes, music theory, and beyond. So, whether you’re a beginner, intermediate, or advanced player, all levels are welcome and all students will grow and improve their skills as flatpick guitar players and musicians. Learn how to play guitar right here. Start yosur musical journey by learning the most important basic guitar chords, strumming patterns, and picking techniques through songs you're going to know and love. While working through a guided path of lessons, members are given the option to swap videos with their teacher, ask questions, and receive tailored feedback specific to their needs - guitar lessons los gatos.

Step-by-Step Lessons: Start from understanding the parts of your guitar to mastering your first song. Our methodical approach ensures no stone is left unturned. We offer clear, close-up demonstrations. Watch and replay at your convenience to ensure you master every technique. Interactive Learning: You're not just watching - you're participating engage in practical exercises - piano teacher san jose.

Under the guidance of the acclaimed musician, you'll delve into the essential basics of guitar playing, including chord structures, finger placement, strumming patterns, and playing techniques. Our unique teaching style combines personal insights, professional expertise, and a genuine passion for music, helping students grasp concepts more effectively. Become part of artist works actively online community where you can interact with fellow students, share your progress, and gain inspiration. You'll learn how to play guitar at your own pace, but guidance is at your fingertips. Progress checkpoint videos help you gauge your progress too. For more information, please visit our site https://www.musiciansmobile.com/

[lakshay010]

Colorado Summer Vacation

Embrace the Splendor of Colorado Summer Vacation: An Unforgettable Escape

Introduction: Colorado, with its majestic mountains, vibrant cities, and abundant natural beauty, is a captivating destination for a summer vacation. Whether you seek adventure in the great outdoors or cultural exploration in charming towns, Colorado offers a wealth of experiences for an unforgettable summer getaway. Let's dive into the wonders of Colorado summer vacation and discover the magic this remarkable state has to offer.

Colorado Summer Vacation: Embrace Nature's Playground: Colorado summer vacation is a nature lover's dream come true. With its towering peaks, pristine lakes, and expansive national parks, the state provides countless opportunities for outdoor adventures. Hike scenic trails, camp beneath starlit skies, and witness the awe-inspiring beauty of Colorado's landscapes.

Discover Vibrant Cities on Your Colorado Summer Vacation: While Colorado is known for its natural wonders, its cities offer a vibrant contrast. Visit Denver, the Mile High City, to experience its thriving arts scene, eclectic culinary offerings, and lively nightlife. Explore Boulder's charming streets lined with boutiques and cafes, or soak up the culture and history in Colorado Springs.

Immerse in Outdoor Thrills during Your Colorado Summer Vacation: Colorado is an outdoor enthusiast's paradise, offering a wide range of activities to get your adrenaline pumping. Engage in white-water rafting on the Arkansas River, go mountain biking in the scenic trails of Crested Butte, or experience the thrill of rock climbing in Eldorado Canyon State Park.

Scenic Drives and Iconic Landmarks in Colorado: Embark on scenic drives that showcase Colorado's breathtaking landscapes. The Trail Ridge Road in Rocky Mountain National Park offers stunning views of alpine meadows and snow-capped peaks. Drive along the San Juan Skyway for picturesque vistas of rugged mountains and quaint mountain towns.

Colorado Summer Vacation: A Haven for Water Activities: Cool off during your Colorado summer vacation by participating in water activities. Enjoy paddleboarding on the peaceful waters of Dillon Reservoir or go kayaking in the crystal-clear lakes of Rocky Mountain National Park. For the adventurous, whitewater rafting on the Animas River provides an exhilarating experience.

Unwind in Colorado's Hot Springs on Your Summer Vacation: After a day of adventure, indulge in relaxation at one of Colorado's natural hot springs. Soak in the healing mineral waters of Glenwood Springs, Strawberry Park Hot Springs, or Mount Princeton Hot Springs for a rejuvenating and serene experience amidst nature.

Colorado's Festivals and Events: Adding Flavor to Your Summer Vacation: Colorado's summer calendar is filled with vibrant festivals and events. From the Colorado Shakespeare Festival in Boulder to the Telluride Bluegrass Festival, these gatherings showcase the state's rich cultural heritage and offer memorable experiences for visitors of all ages.

Colorado Summer Vacation: Explore Historic Mining Towns: Step back in time and explore Colorado's historic mining towns. Visit Breckenridge or Leadville to learn about the state's rich mining history, stroll through well-preserved Victorian architecture, and immerse yourself in the charming atmosphere of these historic destinations.

Wildlife Encounters: Colorado's Natural Treasures: Colorado is home to a diverse array of wildlife. On your summer vacation, keep an eye out for majestic elk, bighorn sheep, and black bears as you explore the state's national parks and wilderness areas. Wildlife sightings add an element of enchantment to your Colorado experience.

Unforgettable Memories: Colorado Summer Vacation Awaits: In conclusion, a Colorado summer vacation promises a world of adventure, natural beauty, and cultural delights. From its breathtaking landscapes and vibrant cities to its outdoor thrills and cultural events, Colorado offers an unforgettable escape for travelers seeking to create lasting memories.

Embrace the splendor of Colorado's summer vacation and immerse yourself in the wonders that this captivating state has to offer. Whether you're seeking outdoor adventures, cultural exploration, or moments of tranquility in nature, Colorado has something to captivate every traveler's heart.

[billystringsmerchandise]

Billy Strings’ top 3 t-shirts you’ll wear repeatedly

Billy Strings is an acclaimed singer and guitarist hailing from America, renowned for his exceptional contributions to the music industry. His distinctive melodies, captivating lyrics, and dynamic stage presence have mesmerized audiences worldwide. In addition to his musical prowess, Billy Strings has also garnered a devoted following for his unique fashion sense, particularly his collection of T-shirts. If you're an ardent admirer of his music, you'll undoubtedly adore these top 3 T-shirts that you'll find yourself wearing repeatedly. Not only do these shirts reflect Billy Strings' impeccable style, but they also pay homage to his extraordinary musical talent. Featuring his iconic logo and vintage-inspired designs, these shirts are perfect for donning at concerts, special events, or simply relaxing at home. Whether you're a devoted bluegrass enthusiast or simply appreciate comfortable and fashionable attire, these must-have Billy Strings T-shirts should undoubtedly be a part of your wardrobe. Visit us: billystringsmerchandise.com

1. Billy Strings All Classic T-Shirt:

Billy Strings is a renowned fashion designer who has been creating timeless and cozy T-shirts since 2006. Crafted from 100% cotton, his T-shirts offer a relaxed fit and are designed with a modern touch. With a focus on both style and comfort, Billy Strings strives to provide T-shirts that are perfect for everyday wear.

Billy Strings' classic T-shirts are carefully constructed using high-quality materials, ensuring a comfortable and enjoyable experience. Their relaxed fit and modern design make them versatile for various occasions, whether you're going out for a night on the town or simply hanging out with friends.

If you're looking to upgrade your wardrobe with stylish and comfortable T-shirts, Billy Strings' collection is a must-have. These T-shirts not only make you look great but also provide the utmost comfort throughout the day. Don't miss the opportunity to enhance your style with these remarkable T-shirts.

To explore and purchase Billy Strings' T-shirt collection, visit: https://billystringsmerchandise.com/shop/107497228-wflah/

2. BILLY STRINGS RED ROCK SUMMER TOUR 2022 Classic T-Shirt:

If you're in search of timeless fashion designs that prioritize comfort, look no further than Billy Strings. This renowned brand is celebrated for its collection of stylish T-shirts and other clothing items that are ideal for crafting the perfect summer outfit. Whether you prefer short sleeve T-shirts or trendy tank tops, Billy Strings offers a diverse range of options to suit every individual's taste. Whether you're seeking a versatile basic tee for everyday wear or an attention-grabbing piece to elevate your summer wardrobe, Billy Strings has got you covered.

What sets Billy Strings apart is not only their impeccable style but also their commitment to affordability. Their prices are always reasonable, making them a fantastic choice for shoppers who prioritize budget-friendly options. Whether you gravitate towards trendy fashion or timeless classics, Billy Strings is the brand that caters to all your needs.

Don't miss out on the opportunity to upgrade your summer wardrobe with fashion-forward and comfortable pieces from Billy Strings. Place your order now at: https://billystringsmerchandise.com/shop/114180613-ij6l0/

3. My Favorite People Billy Strings Lucky Gift Classic T-Shirt:

When it comes to timeless fashion, certain pieces always hold their charm. Classic items that are both comfortable and stylish never go out of style, regardless of the season. One such example is the Billy Strings Lucky Gift T-shirt. Crafted from a soft and durable fabric, this shirt offers a comfortable fit that will make you feel fantastic every time you wear it. The distinctive Lucky Gift graphics add a pop of color and personality to this classic piece, making it an ideal gift for any occasion.

Don't miss out on the chance to own this versatile and eye-catching T-shirt from Billy Strings. It's the perfect addition to your wardrobe and guarantees both comfort and style. To explore and purchase this item, visit the store at https://billystringsmerchandise.com/shop/124548106-ij6l0/.

In conclusion, Billy Strings offers a remarkable collection of T-shirts that are bound to become staples in your wardrobe. Here are the top 3 T-shirts from Billy Strings that you'll find yourself wearing repeatedly:

Signature Logo T-shirt: The Signature Logo T-shirt showcases Billy Strings' iconic logo, representing his musical talent and style. Made from high-quality materials, this shirt ensures both comfort and durability. Its versatile design makes it suitable for various occasions, whether you're attending a concert or simply hanging out with friends.

Vintage-Inspired Graphic T-shirt: For those who appreciate a touch of nostalgia, the Vintage-Inspired Graphic T-shirt is a must-have. Featuring retro-inspired designs that pay homage to the golden age of bluegrass, this shirt combines style and comfort effortlessly. Its soft fabric and relaxed fit make it perfect for everyday wear, allowing you to showcase your love for Billy Strings' music in a fashionable way.

Concert Tour T-shirt: Nothing captures the spirit of a live performance like a Concert Tour T-shirt. These limited-edition shirts commemorate Billy Strings' electrifying shows, featuring vibrant graphics and dates from his memorable performances. By wearing a Concert Tour T-shirt, you not only express your admiration for his music but also become a part of the experience itself.

Whether you're a devoted fan of bluegrass or simply appreciate comfortable and stylish T-shirts, these top 3 selections from Billy Strings are sure to exceed your expectations. Don't miss out on the opportunity to add these must-have T-shirts to your collection and showcase your love for Billy Strings' music with pride.

[booksandwords]

Dolly Parton, Songteller: My Life in Lyrics by Dolly Parton with Robert K. Oermann

Read time: 8 Days Rating: 4/5 Stars

The Quote: I'm a singer, an entertainer, and a business woman. But if I had to choose just one thing to be, I would choose to be a songwriter. I could happily just sit in my life and write songs forever, enjoy life, and write songs. The songs lead to everything else. Everything that I am starts with that song. — Dolly Parton

Full disclosure, I'm not known as a fan of Dolly Parton's music, her business acumen and her philanthropic work absolutely but not her music. I come to this something of as an outsider. So why read it? This appealed to it as a unique look at an influential woman, I'm not sure I'd ever seen anything like it anywhere. After reading that opinion didn't change... To me this is a one of a kind biographical work, there isn't exactly a plethora of songwriters who could replicate this. The magic ingredients are a long successful career, variety, personality and some memory of the stories attached to songs (is that really a given?). This is a fantastic book. It is well worth reading even if you aren't a fan. It is a lovely way to see how someone's life can change, how the world can change over time, and the breadth a single person can write.

On the layout of the book and order it is smart. There are 14 sections. While they initially appear to be by time from they develop or actually by a theme. They're Singing My Songs is looking at the covers and collaborations through her career, The Grass Is Blue is a look at her turn to bluegrass after the pop scene turned its back on her, Porter Wayne and Dolly Rebecca is a look at her turbulent times with Porter Wagoner who had a major hand in launching her career. There are some stunning inclusions in the images. Pictures of the original lyrics, costumes, some rare photos and album covers as they will aid the story. It all blends together so very, very well.

Given the personal nature of the stories I'm choosing not to critique the writing or stories at all. Just have some comments from my reading.

The Bridge is a suicide track written quite early and it's beautiful.

My Blue Ridge Mountain Boy has Dolly's husband Carl on the cover and that's fantastic. Most people don't realise he's been on one of her covers. Dolly has been married to Carl Dean since 1966. I appreciate Carl. Carl doesn't go to any of Dolly's black ties events with her, ever since the first one. That's not his scene it's hers. "I was maintaining a home life. It was a good thing my husband, Carl, has always been such a loner. You know, he doesn't want to be around anybody but me anyway, and he loves to be home. So that worked out time." (p.77)

But whether it's a love affair or not, you're all in, in the relationship. Whether it's sexual or whether it's just passionate, you are connected. It's a love-hate relationship. It is a marriage, of a sort. (p.79)

Jeannie's Afraid of the Dark leads to Dolly talking about the loss of one of her younger brothers. The one who would have been "her baby" to care for.

I've killed a lot of puppies and kids and ladies in my songs. I've killed myself a few times. I don't want to do it in real life, but I can do it in a song. You're safe doing it that way. (p.89)

Dolly is an incredibly loyal woman, you pick it up in the people she keeps around her. Dorothy Jo, Judy Ogle, Don Warden. She inspired such loyalty in Warden that he left Porter Wagoner to join her in their acrimonious split.

 I Will Always Love You. It can sometimes be so hard to remember this is a cover. Elvis wanted to cover it, Precilla claims it was stunning. What stopped the recording was surprise, surprise and licencing issue (the company wanted more than Dolly was willing to give).

The sheer diversity of her lyrics was startling as she addressed suicide, adultery, insanity, drugs, illegitimacy, poverty, death and more. Her songs have been populated by orphans, alcoholics, prostitutes, preachers, vagabonds, widows, gamblers, ghosts, moonshiners, senior citizens, outlaws, hermits, and many other assorted characters. — It is this very diversity that makes her music appealing there is a song for everyone. (Robert K. Obermann, p.107)

Alcohol is the number one killer. A lot of people realize that it's like a drug you can become addicted to. It's so easy to get, and it seems so innocent to have a beer or a cocktail. If you have a weakness for it, before you know it you can become an alcoholic. I've seen a lot of sorrows, because alcoholism runs on both sides of my family. An alcoholic might say, "Well, it ain't hurting nobody but me." That's a crock. It hurts everybody and you. (p.109)

Jolene has been recorded over 400 times. I had no idea it was that many. Dolly won a Grammy for it in collaboration with Pentatonix in 2017. May I share a recentish fave cover... Lil Nas X. The is something so different in the delivery, he sounds like he's surrendered to losing. There is no fight in his voice. It's a different way to sing Jolene, a good one.

 Lord Hold My Hand was written with Ginny Dean, Dolly's Mother-in-Law. There is something amusing and sweet about that to me.

There are quite a few songs in here that are strong statements on female agency and female power.

She might have first attracted attention with her voluptuous beauty, flamboyant fashion sense, and one-of-a-kind mountain soprano, but the Nashville music community is built on songwriting. And it was her gift of song that truly made her a country superstar of the 1970s. (Robert K. Obermann, p.159)

The Man is written all about the world's good men in the world. For Dolly that includes her dad and Carl.

There are two songs in here written to melodies I really like. Sandy's Song is written to 'Greensleeves', written in the wake of the death of Dolly's long time manager and friend Sandy Gallin. And Shine On written to 'Amazing Grace', written for the funeral of occasional collaborator Tammy Wynette.

Travelin' Thru... if you are queer and have never heard it please go and find it. It was written at least in part for the queer community. It's on the Transamerica soundstrack.

I adore Romeo, the performance of it is just so fun. The story behind it is cute too. It's written about her nephew. A fact of which he is fully aware.

Eagle When She Flies originally written for the Steel Magnolias soundtrack (which oddly makes me want to do a rewatch) is just a wonderfully strong female song.

Back in my early days when I wrote [Shattered Image]. I was really not used to people saying bad things about me. Especially if they weren't true. And you don't have to be in show business for somebody to shatter your image or ruin your reputation. (p.297)

Hello God is a beautiful song written in the immediate wake of 9/11. As in as it was breaking news. It is absolutely stunning performed with a full choir.

I love the idea of The Secret Song. A song sealed in a box fox 30 years at Dollywood DreamMore Resort.

Finally, some things I need to look up and enjoy later. I Am A Rainbow I am completely unsurprised that Dolly Parton has a picture storybook, given the existence of the Imagination Library a charity dedicated to increasing literacy in children. Dolly Parton's Heartstrings is referred to multiple times. It's a Netflix anthology series with each episode based on a different song (ep 1 Jolene). One other thing. Dolly's life as a musical is coming, but I don't know the title or anything else about it.

I was looking at reviews of Songteller after I'd started reading I was looking at reviews and comments on GoodReads there seems to be a decent consensus that the audiobook and the physical book are substantially different. Dolly Parton reads her own audiobook according to Amy | Foxy Blogs's review the audiobook can feel more like a podcast. It can be more slightly more wandering though it remains naturally positive. Amy suggests both reading the book and listening to the audiobook. There are several playlists on Spotify playlists (including this one by Zachary Hoyt) collating as many of the songs as possible. I would think it might be a potential alternative to the audiobook for those who aren't a fan of that kind of experience. Or possibly just as a different way to experience the book. Especially good for those who aren't die-hard fans or who just want to be reminded of the songs. I will say one thing that may push people to the audiobook (just over 5hrs) while the hardback is 30 x 25cm and 2.5kg, it can be a tad unwieldy, it's more like a coffee table book.

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The Best Things to Do in Lexington, Kentucky

Located in the state of Kentucky, Lexington is a city known for its thoroughbred racetracks, horse farms, and historic sites. This area is also home to the Kentucky Horse Park, which features the International Museum of the Horse. The city is also home to Lexington Cemetery, where 1800s politician Henry Clay is buried. The cemetery features a Romanesque gatehouse and an arboretum.

Mary Todd Lincoln House

Located in Lexington, Kentucky, the Mary Todd Lincoln House is one of the oldest structures in the city. It is a Federal style house dating from the early nineteenth century.

The house was purchased by the state in 1967. It is now operated by the Kentucky State Parks Department. The Mary Todd Lincoln House is open to the public Monday through Saturday. It has an impressive gift shop with items from the region. It is also partially wheelchair accessible.

The house is decorated with furnishings from the 19th century. There is a special children's tour of the house. Visitors can also play trivia games, compose Mary-inspired treats, and listen to period music played by violinist Brice Farrar.

Bluegrass BBQ Fest

Featuring a bevy of bluegrass musicians and a slew of barbecue contestants, the Bluegrass BBQ Fest is an annual event held in Lexington, North Carolina. The show, aptly named, is a two-day event that features the best of the best from the region's best barbecue spots.

The Bluegrass BBQ Fest, which runs on both Saturday and Sunday, is free to attend and is a fun day out for the whole family. There are dozens of food vendors setting up in and around the event, with the best ones invariably located by the main stage.

Gratz Park Historic District

Gratz Park is a historic neighborhood in Lexington, Kentucky. It is a neighborhood that is home to sixteen large historic homes and a city park. The historic district was added to the National Register of Historic Places in 1979. The neighborhood has a rich history, and many houses are open to the public.

Gratz Park was originally built as a lot for the early settlers of Lexington. It was also the location of the city's first public library. After the Civil War, the area fell into neglect.

Keeneland racecourse

Located in Lexington, KY, Keeneland racecourse is a famous thoroughbred racing facility. It is home to four annual auctions, which attract owners from all over the world.

Keeneland is a National Historic Landmark. The facility was created by a group of horsemen, including Jack Keene, Hal Price Headley, and Major Louie Beard. They wanted to improve the sport of Thoroughbred racing. They also wanted to establish a training center. The property that Keene purchased included a mile-and-a-furlong private racetrack and roadway, as well as land for future stables.

West Sixth Brewing

Whether you are a Lexington local or just visiting, West Sixth Brewing is a must. They're located at 501 W 6th St, Lexington KY and have a ton of different types of beer on tap, as well as a plethora of collaborations.

They have a cool, albeit small, barrel room, complete with floor-to-ceiling barrels, clay floor tiles, reclaimed wood accents, and a beer garden. The space is a great location for meetings, parties, or simply a nice relaxing beer.

They have a lot of different types of beer to choose from, including their flagship Amber, as well as seasonals, IPAs, and the Pennyrile Pale ale. They also have a cool little walk/run club, which is great for getting in some exercise.

Kentucky Straight High Rye Bourbon

Using a mashbill of 65% yellow corn, 30% rye, and 5% malted barley, Blue Run Kentucky Straight High Rye Bourbon has been aged in both Bardstown and Frankfort, Kentucky. It is a spirited bourbon, brimming with baking spices, stone fruit, and black pepper.

This bourbon was selected as a finalist at the 2021 San Francisco World Spirits Competition. It is bottled at 111 proof. The mashbill has a sweet aroma, with hints of brown sugar butter, vanilla bean, and ripe fig. It also has rustic notes of fresh cut hay from high rye.

Bluegrass Distillers

Located in Lexington, Kentucky, the Alltech Lexington Brewing and Distilling Company is a newer distillery that produces Town Branch Bourbon, Town Branch Rye Whiskey, Kentucky Bourbon Barrel Ale, and several others. They also produce a variety of gin, including their popular Town Branch Gin, which is made with Kentucky Bourbon. They are now also making a variety of corn whiskeys and spirits.

The Lexington Brewery and Distilling Company is located in a newly renovated distiller's house in Lexington, Kentucky. The distillery produces a variety of distilled spirits and offers guided tours. The company has plans to release several new products, including Lone Whisker Bourbon and Tanner's Curse Bourbon. It will also release a new wheat whiskey.

Plastic surgery in lexington ky can be costly. You'll want to be in good health before considering surgery. You should also be aware of the risks, including bleeding, infection, poor scarring, and more. You may want to ask your surgeon about revision surgery if complications arise.

The majority of breast augmentation Lexington KY patients are happy with their results. The procedure can help to make you feel more attractive, which will give you a boost of confidence. It's important to find a plastic surgeon who understands what you want from the procedure and who will be able to guide you towards the aesthetically pleasing results.

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[epacer]

Story You May Have Missed

Gunnar Biggs, Class of 1971

Gunnar Biggs: Stalwart on the Upright

When asked what inspired him to take up the bass, Gunnar Biggs sums it up in two words: Paul McCartney.

In 1964, Biggs was a fledgling French horn player, following in his father’s footsteps. The late Millard Biggs was a virtuoso of the brass instrument and taught at San Diego State University.

Seeing the Beatles in their debut U.S. TV appearance on the Ed Sullivan Show revolutionized the boy’s perspective.

“When I was 13, I saw the Beatles and I wanted to be a bass guitar player,” he said. “So it started February 9, 1964. …

“The day after that I told my dad I wanted an electric bass. He said he’d get me an electric bass if I learned how to play the double bass at the same time.

“If I have one thing to thank my dad for, among many things, it would be that that was really wise advice because that’s what diversified my portfolio. He was a cool guy. He was very humble and he affected so many students of music in a positive way.”

Gunnar Biggs’ résumé as a virtuoso of the double bass—also called upright bass or contrabass—is vast. For five decades, Biggs has been an ubiquitous presence on the San Diego music scene, whether he plays jazz, classical, blues, or bluegrass on stages, clubs, coffeehouses, or classrooms.

Drummer Kenneth Koch has been a frequent collaborator over the years, especially in jazz settings.

“Whenever I would be on a gig with him, the first couple of measures always put a smile on my face. It just made it easy to play,” said Koch, a veteran of many San Diego-area bands.

As Koch explains, Biggs has a unique rhythmic sensibility.

“My favorite thing about Gunnar: Somebody counts out a tune and we seem to share it in the same place, just where he puts the beat, especially when he’s playing straight-ahead time, quarter notes on bass.

“It’s hard just to play quarter notes and make it feel like it wants to swing. That’s one thing that Gunnar can do really well.”

Biggs has a striking ability to quickly transition from plucking the strings to caressing them with a bow. The “arco” technique is especially effective on ballads, and a necessity for most classical pieces.

“While it is a cliché that listeners’ ears tend to tune out on bass solos, that would be a mistake when listening to Biggs—whose forays shine as much if not more than the soloists he is supporting.

“He seamlessly entwines two- and three-note chords and ventures into the instrument’s upper register while retaining perfect pitch. That is not easy,” Koch said.

The acoustic bass lacks the frets that provide visual guides to the right notes on the electric bass and guitar. Upright bass players must learn to hit the right pitch by ear.

“The placement of your hand and your finger on the strings is all you’ve got to go with to get perfect intonation. So, he’s spent a lot of time on that,” Koch said.

FROM ZANESVILLE TO MONTEZUMA MES 

Gunnar arrived in San Diego at the age of four when his family relocated from Zanesville, Ohio, after his dad landed a position at San Diego State.

After discovering the electric bass and starting to study the acoustic upright, Biggs experienced an epiphany.

“Everybody needs a bass player,” he said. “This one instrument here can open doors for me all over the place. I noticed that right away as a kid. I started playing the big bass when I was 13 and got into the San Diego Youth Symphony way before I was ready.”

His first teacher was Bob Magnusson, one among many extraordinary bass players the San Diego region has produced—a much sought-after sideman and recording artist in his own right. It was Magnusson, Biggs said, who introduced him to essential role models such as Ray Brown and James Jamerson.

“Bob was telling me I should get some Oscar Peterson Trio records and listen to this guy, Ray Brown. The next thing he’d say, ‘You’ve got to learn what funk is, Gunnar.

“‘Start from the beginning. Get some good Impressions, get some good Motown and Stax. Listen to James Jamerson and those guys. Because I wanted to play electric, too. So, he was really helpful there.”

The teenager started playing in local rock combos as well as the bands at Horace Mann Jr. High School, and then at Crawford High School in the State College area of San Diego.

“We had to be in the marching band to be in the jazz band because there really wasn’t a jazz band class,” Biggs said.

  Gunnar is one of the most versatile musicians I’ve had the ongoing privilege to work with—he’s so innately musical, he can go from the SD symphony to a klezmer gig without blinking (but as always, he will be smiling…and telling hilarious jokes). In a town that has a wealth of brilliant, world-class bassists, I always consider myself lucky if we’re on a gig together. I would carry his amp if he asked cme to. (Please don’t ask me to carry your amp).

  —Elizabeth Schwartz

CRAWFORD KIDS

High school buddies, Nathan East and Gunnar

At Crawford High School, Biggs found himself among classmates who would become illustrious in the musical annals of San Diego, Southern California, and the world.

Bassist Nathan East would become internationally renowned for his role in the jazz-fusion group Four Play and in Eric Clapton’s band, among many others; keyboard maestro Carl Evans Jr. was the linchpin of the jazz-fusion-funk band Fattburger, which unintentionally helped initiate the “smooth jazz” movement.

Reed player Hollis Gentry Jr. was a fixture on the San Diego jazz scene for several decades and performed gigs and recordings as part of Fattburger. Gentry had many stints over the years with luminaries such as trumpeter Freddie Hubbard and guitarist Larry Carlton.

East, Evans, Gentry, and drummer Skipper Ragsdale formed the funk-jazz group Power, which was so impressive they were hired by Barry White to perform with his Love Unlimited Orchestra.

Of his relationship with the late Gentry during that era, Biggs said, “We were besties, man.” 

He described the time he spent around the Power band members and other African-American musicians at the El Cajon Boulevard and 54th Street campus as expanding his consciousness.

“I aspired to be black because of all the cool kids at Crawford,” he said. “It was a really fluid, comfortable situation,” he said.

Biggs recalls that he and Gentry went to band camp together in Utah. One day they decided to look for something to eat.

“We were walking around Salt Lake City and we came in [to a restaurant] and it was so hostile, they made us wait. We decided maybe we should just split and get a hamburger somewhere else. But it was a cold thing … and I didn’t understand it.”

On the bright side, Biggs said, he and Gentry won outstanding musician awards and also met Lou Marini, who was renowned for playing saxophone in the Blues Brothers band. Marini would be of help later in Biggs’ musical development.

At Crawford, Biggs played in award-winning stage bands under the leadership of Dennis Foster that have become legendary. In addition to the musicians in Power, the school in the late ’60s and ’70s produced such future stars as pianist Mel Goot, drummer Doug Robinson, saxophonist Paul Bunuan, trombonist Dan Regan, and singer Sandi Patty.

To qualify for the jazz band, Biggs had to participate in marching band, which required him to play percussion and tuba, abetted by his experience on French horn.

“It was the springboard,” Biggs said of Crawford. “People still talk about the Crawford bands. My senior year, I think we won every single Southern and mid-California jazz festival for our division. … People knew us.”

Crawford graduate Dave Drexler, who became producer of the San Diego jazz station KSDS-88.3’s award-winning “Jazz Live” concerts, recalls Biggs from his high school years.

“In fact, Gunnar and my brother were in the band together,” Drexler said. “Gunnar was always a whiz kid.”

Since Gunnar’s father was a stalwart among San Diego State’s faculty, it wasn’t long before the son found himself in older company. 

Gunnar has played several shows with me over the last several years and along with my appreciation of his great playing, reading, listening, and musicianship he continues to surprise me with anecdotes from his past. For example, I wanted to perform an arrangement based off the Nelson Riddle arrangement of “Route 66” from the TV show. I asked Gunnar if he was familiar with that version. He replied that he had once played that arrangement with the Nelson Riddle Orchestra.

Having played many years with Mose Allison, there was a time when somebody told Gunnar that there’ was an English fellow who wanted to speak to him. Gunnar said “yes” and the fellow turned out to be Peter Townshend (from the Who), who is actually a big fan of Mose Allison. Gunnar said he was impressed with how much Peter knew about Mose.

—Robin Henkel

MOVIN’ ON UP

“I actually started when I was a junior in high school, playing bass with the San Diego State Jazz Ensemble because their bass player graduated,” Gunnar said. “So here I was in high school and I was the bass player at San Diego State. That got me in with the older guys.”

A couple of the SDSU musicians were playing in the rehearsal band of orchestra leader and trumpeter Don Ellis, known for his challenging compositions and arrangements, often framed in unusual time signatures.

“They said, ‘You ought to come up with us. Don has this book for three bass players. It was a weird book, man. And they said, there’s only two (bass players).

“So when I was 16 or 17, they started dragging me up to the rehearsal space in L.A. and I played with that for a while. Because of the classical training, I could read really well. So people would throw a chart in front of me and I’d sight-read it down.”

The older musicians urged him to consider attending North Texas State University for its jazz program. Now known as the University of North Texas, North Texas State in the ’70s was one of the few colleges that had a jazz-oriented curriculum, and it arguably was the best of them.

Biggs followed the advice, auditioned for North Texas State, and was accepted.

“They had the award-winning college big band in the nation for years,” he said, referring to the group labeled the One O’Clock Lab Band in reference to its daily rehearsal time slot.

Participating in the celebrated program opened up more doors.

“In my first week at North Texas State, I was walking to my dorm and I heard this killer combo rehearsing in this little building right off campus,” Biggs said. “So I opened the door and looked in, and I heard, ‘Gunnar?’ I looked up and it was Lou Marini.

“He said, ‘Come on in, man.’ We shook hands. He introduced me to the band, which were all the gods from the One O’clock. And the next thing, he says, ‘Are you working Saturday?’ ‘No, I just got here, man,’ I said. ‘I don’t have a car. I’ve just got my bass.’

“He says, ‘That’s okay. We’ll pick you up.’ So I started working with those guys in Dallas.’”

Gunnar and I have worked together over the years here and there. He’s a treasure and we had the love of bass player Preston Coleman in common. He took lessons from him and I had the pleasure of being mentored by him in my band, Tobacco Road, for years. Gunnar has a charming wife, Bonnie. 

—Sue Palmer

CLASSICAL MOVEMENT

During his second semester, Biggs said, he was in his room practicing a classical piece when there was a knock on the door. He opened it to find a young woman there who said, “Play that again.”

“I played it and she said, ‘Follow me. Bring your bass.’ She took me to the office of the [classical] orchestra director. And she said, ‘Play that thing for him.’

“I was working on a concerto and I played it and he went, ‘Where did you come from?’ because I was a jazzer, not a stringer (in the classical program). …

“And he said, ‘Well, how would you like to be principal bass in Orchestra A?’ And I went, ‘Sure.’ I just fell in love with the classical thing.”

At the urging of UCSD professor and contrabass teacher Bert Turetzky, Biggs decided to switch his major from dance band to classical performance. Despite its reputation, North Texas did not have a jazz studies major then.

“He said, ‘What are you going to do with a degree in dance band? Are you going to play bar mitzvahs for the rest of your life?’”

Biggs said he became disillusioned with the prospect of making North Texas’ One O’Clock Lab Band. He and other students in the pipeline were bumped in the pecking order after Woody Herman temporarily disbanded his band and many of his musicians enrolled in North Texas, immediately jumping into the One O’Clock Lab Band.

Returning to Southern California, Biggs auditioned for the San Diego Symphony and was hired as one of the orchestra’s three bass players. He was in rich company. The others were Peter Rofe, now in the Los Angeles Philharmonic, and Mark Dresser, who carved out a career as an innovative improviser and is now on the UCSD faculty. 

RICH EXPERIENCE

Biggs with Mose Allison

After a couple of seasons with the symphony, Biggs was hired to play electric bass for the Buddy Rich Big Band. It was during a phase when the orchestra was playing more rock-oriented charts, following the success of his album Mercy, Mercy. The title came from the band’s arrangement of the Joe Zawinul tune “Mercy, Mercy, Mercy,” a hit while he was with the Cannonball Adderly Quintet.

“So, I flipped back into the jazz thing,” Biggs said. “That opened a lot of doors and closed a lot of emotional doors, working with Buddy. It was ridiculous, wonderful and terrible, the best of times and the worst of times.”

While a drummer of extraordinary prowess, especially in the big band idiom, Rich was notorious for his mercurial, irascible temperament.

“He fired me three times and some people say, ‘Is that all?’” Biggs recalled. “But the third time, I finally said, ‘No, I’m done.’ We were in Chicago.’”

Biggs spent some time in Chicago, then gigged around Minneapolis before returning to San Diego.

Gunnar is not only an exceptional musician, he is a true “khaver,” a compadre you can always count on.

—Yale Strom

BACK IN TOWN

“I moved back here in 1976 and couldn’t believe what a great scene we had going here,” he said.

From the mid-’70s through the early ’80s a number of venues around town featured jazz, including the Crossroads downtown, Chuck’s Steakhouse, the Blue Parrot, Elario’s in La Jolla, and the two Triton restaurants in Cardiff and the State College area.

Ingrid Croce, the widow of pop star Jim Croce, opened Croce’s club and restaurant downtown in 1985. Many other spots, like the Aspen Mine Company in State College and the Halcyon near the Sports Arena, intermittently hired jazz combos.

Back in San Diego, Biggs reunited with Gentry and other old friends. He bonded with pianist Butch Lacy, a virtuoso equally at home playing a sizzling bebop number, a rocking blues or a wistful ballad. He had backed up many jazz luminaries, toured with superstar vocalist Sarah Vaughan, and often teamed in San Diego with Ella Ruth Piggee, who enthused crowds with her gospel-tinged soul-jazz vocals.

Lacy and Biggs formed a duo and got a regular date at the Islandia, where the bassist would meet his future wife, Bonnie.

“That was a ridiculous gig because people would come in from out of town that already knew Butch,” Biggs said. “[The management] paid us very well and didn’t ever tell us what to play.”

Biggs’ friendship with the pianist persisted even as Lacy moved to Denmark. Following Lacy’s death in 2018, Biggs was among those on the bandstand to pay tribute in a memorial concert at Dizzy’s jazz performance space in San Diego.

Remembering Lacy, Biggs said he was impressed by “the magnitude of his presence. He was a big man and he had a big spirit. Everybody was welcome. He came from a place of love and support. He didn’t try to demolish you if you weren’t playing up to what was expected. He would help you play better instead of trying to bury you.”

Koch, who came to San Diego from Los Angeles to play with guitarist Peter Sprague, recalls the Islandia gig and Biggs’ role.

“He was playing there with a duo, with Butch Lacy—just Butch and Gunnar,” Koch said. “I was so impressed with how well these guys sounded, I asked if I could bring my drums in and just play for free. And Butch was like, ‘Yeah, for sure, man.’

“So I would go down there and play for free. Eventually, when they got another gig at Elario’s, they hired me to come and play drums and actually paid me. That worked out pretty well. Butch and Gunnar had a special thing going on back then.

“I was glad they let me (sit in), because I learned a lot doing that. Butch’s time feel was so deep, and Gunnar had a great feel always.”

STRETCHING OUT

Biggs became the regular bass player for the legendary jam session hosted every Sunday by Jimmy and Jeannie Cheatham, nationally renowned jazz veterans who reveled in Kansas City swing. The session was an institution for years from the mid-’70s to mid-’80s, starting at the airport Sheraton on Harbor Island and then moving to the Bahia Resort on Mission Bay. Jeannie Cheatham, who was entrenched at the piano, served as the emcee and gave nicknames to the regulars, labeling Biggs “Grooveman,” he said in an interview with Jim Trageser.

During that period, Biggs would frequently play with alto saxophonist Charles McPherson, another famous jazz transplant who had made a name for himself as a recording artist and band leader back East.

“I did that for two years,” Biggs said of the Cheathams’ jam. “You didn’t know who was going to come through the door. They would have 10 horn players lined up to play and Charles would be one of them.

“The young guys would play 25 choruses until they thought they could get it right. Charles would walk up and just play two, three choruses of the most gorgeous stuff in the world and walk off. The horn players—some of them you’d see packing up right away when Charles was there.”

For a bass player, the Cheatham’s jam was a marathon because of the nonstop blowing.

“It perpetuated a tradition of the jam session being like the main training facility,” Biggs said. “That’s where people cut their teeth. … [Jimmy] would accept everybody on every tune. …

“We’d play a blues to start, either ‘All Blues’ or ‘Straight No Chaser’ or something. It took 45 minutes to get all the horn players out there, right? And then, Jimmy would turn around and say, ‘Take One!’ And I’m like bleeding to death. …

“So I found out what it was like to really get the endurance, the physical aspect—the endurance of playing my bass and playing different tunes with different people.”

Backing up McPherson, Biggs said, was an educational experience in itself, considering the maestro’s vast experience and dazzling virtuosity.

“Charles probably taught me more about playing jazz than any teacher,” Biggs said. “He took the bass out of the picture and just dealt with the music as a whole. He would always come up and have these salient things to say to you.”

TEACHING AND GIGGING

After the Buddy Rich experience, Biggs was reluctant to commit himself to extended road trips and eagerly accepted a position as an educator on the San Diego State faculty with his father. He retired from SDSU in 2005 but still kept teaching in North County.

“Since I taught at San Diego State for 25 years, I couldn’t actually go out on the road and keep my job,” he said. “All through that time I had a lot of offers. I had an offer from Carmen McRae.

“The road was ridiculous with some of these people. They’d be out 300 nights a year. I’d had my fill of the bus life. … There are other places that are better to sleep than a bus.”

Yet, Biggs’ reputation enabled him to get plenty of short-term gigs in the region with such top-notch touring artists as virtuoso straight-ahead pianist Tommy Flanagan and jazz-blues great Mose Allison. Biggs was Allison’s first-call on bass touring this region before his death in 2016.

The association with Allison led to other opportunities, such as backing up the guitar duo of Charlie Byrd and Laurindo Almeida.

Meanwhile, Biggs continued to gig locally with San Diego mainstays Sprague, vocalist Lisa Hightower, trombonist Dave Scott, pianist John Opferkuch, and many others.

While Biggs retired from institutional academia, he still went on to teach bass privately as well as performing in a number of diverse settings.

He formed a bluegrass-cum-jazz duo called Mandobasso with mandolinist Bill Bradbury. They released an album by the same name and perform regularly, pandemic permitting.

In 2009, Biggs released his own CD, Footprint, which features the aforementioned Bradbury, Hightower, Opferkuch and Sprague, plus reed player David Borgo and drummer Duncan Moore.

BACK ON STAGE

These days, Biggs is a regular with guitarist Robin Henkel, violinist Yale Strom and his band, Hot Pstromi, and Opferkuch among others. He remains sought after by classical organizations, including the Poway Symphony Orchestra.

Over the last couple of years, the Coronavirus pandemic has severely constrained performance opportunities for all musicians. Though he did participate in some streaming concerts in coordination with Sprague, the reduced schedule gave Biggs time to reflect on his career path and realize how much he appreciates the live experience.

That led him, with the support of his wife, Bonnie, to keep in-person music alive with a series of low-key monthly concerts conducted from their porch in Carlsbad, events they’ve dubbed “porchellas.”

He also said he has greatly enjoyed playing live recently in club settings with Henkel, particularly his group featuring three horns, and other ensembles.

“That’s one thing I’ve missed the most is playing for people, live,” Biggs said. “You’ve got your band, you go out and play, people respond to it, and there’s that feeling that keeps you going to the next gig. I think I needed more of that.

“That’s another reason about, not necessarily being a bandleader, but taking a little control of my destiny, my direction. It got me back to the feeling I had when I first started. … So I wanted to go back to where people were out front and getting it. It felt really good, really good.”

This article is excerpted from an upcoming history of jazz in San Diego with co-author Jim Trageser.

*Reposted article from the San Diego Troubadour by Michael Williams of June, 2022

[independentartistbuzz]

Indie 5-0 with Vince Vanguard

Vince Vanguard is the americana singer-songwriter who’s getting set to release his debut album, Spirit Blues. His most recent single release, “Broken Bones” is an americana roots rock song that’s the closest Vince gets to social commentary. 

His tuneful, hard-times Americana invites comparisons to Pink Floyd, Allman Brothers, Derek and The Dominos, Grateful Dead, Little Feat, and The Band. The musicians joining Vince in the studio are Colorado-based A-list players including, Adam Deitch, drums (Lettuce, Break Science, John Scofield), Garret Sayers, bass (The Motet), Marcus Rezak, lead guitar (solo artist, Shred is Dead), and Bill McKay, organ (formerly of Leftover Salmon and the Derek Trucks Band), among others.

We got the chance to speak with Vince about his music and career in this edition of Indie 5-0. Let’s get started:

You just released your latest single "Broken Bones." What does the song mean to you?

It's a whirlwind of inner and outer conflict that's fighting to shed the old and usher in the new. Even though it seems like there's no way out, there's a sense that we can realize a different story.

What was the writing process like with "Broken Bones" and how did it differ from your other songs?

The process for "Broken Bones" was pretty standard for me, I usually write the chord structure and lyrics for any given song on the acoustic and then let it come to life in the studio, colored by the musicians playing on the track. Lyrically, the inspiration was a unique fusion between my frustrations and some of the sentiments expressed by other artists I was listening to, including Greensky Bluegrass & Wu-Tang Clan.

Where does your name, Vince Vanguard, come from?

My middle name, Vincent, was given to me in remembrance of a late friend of my dad who was a musician that struggled with mental health and ultimately took his own life. My intention is to find a way to be part of the vanguard embodying a healthier and more mindful way of living.

If you could play alongside any artist, who would it be and why?

As far as artists who are currently touring, it would be either Fruition or Tedeschi Trucks Band. They are both bands I love for their respective brands of live performance energy and songwriting.

Which artist/band is your biggest source of inspiration?

I draw inspiration from every corner of the musical universe whether that be Bluegrass, Hardcore, Hip-Hop, Experimental/Bass Jam/Improv or other, but I'm really drawn to folk narratives and archetypes. Lately I've been diving back into artists like Gillian Welch, Lucinda Williams, Gordon Lightfoot, John Prine, Leon Russell and The Band.

Connect with Vince Vanguard via: Website // Instagram // Facebook // Spotify