Would it be bad to say that I don’t really care that much about the keeper graphic novel? Like don’t get me wrong it looks cool and it’s pretty neat that we’re getting a graphic novel but I think I’m at the point where I just want the story to continue ykwim. Like keeper will always have a special place in my heart but I’m not as obsessed with it as I used to be so at this point I just wanna know what happens and how this story is gonna end cause it’s been many years of waiting
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I honestly love the clothing styles of each of the turtles in this show and I love how these styles really incorporate their personalities as well.
Like, obviously Donnie has the best sense of style, yeah? Think that’s something pretty agreed upon here. Everything we see him put together is very meticulously crafted and clean. That goes with his personality because Donnie is a very meticulous person in general, and he knows what he likes very, very well, and knows how to flaunt it in turn. Him commenting on colors he enjoys or disapproving of outfits that the others see no problem with also shows how he just generally has an eye for this kind of thing. He doesn’t just know what looks good on himself, but also what looks good on others - and I think this ties into his love of gift giving too. Donnie also has a flair for making sure that his things have his “mark” on them, and his clothing is no exception. All that he wears and how he wears them screams “Donnie.”
Mikey is really fun because his styles are honestly a pendulum between super simplistic and incredibly out there. And often, you’re going to see a lot of color or patterns to both. And in my opinion I think that all reflects really well on Mikey’s character - he’s got a colorful personality but even more than that he’s incredible sure of who he himself is. Mikey’s style, I feel, is less what looks good as clothes and more what sparks joy in Mikey himself. His bright stickers he wears are a testament of that! He’s comfortable in his own skin and his style reflects this perfectly, whether he goes for a more out-there look or a more toned down one.
Now, for Leo. Okay, I think I’m actually in the minority here I feel because Leo’s style isn’t really that bad? Hear me out- if you actually look at what he wears, try taking out, like, one accessory. Suddenly, that outfit works! He even manages to put together many good outfits in the series, but his “bad” ones are the ones that tend to stand out, alas (just like how his mistakes tend to be big ones oop-) Basically, my personal look at him is not that he’s inept at styling at all, but that he has a “too much” gene. And like everyone else, this sense of style is completely like him, too. Going too far to impress when all he needed to do was slow it down some to think things through. (And funnily enough, a lot of his outfits take random aspects from his brothers too - “nothing without them” huh?)
For Raph, I feel bad for him since pretty much all of his clothes are inevitably going to be ripped, but he makes them work pretty much each time. Like Leo, Raph tends to go more sporty with his looks, but I also noticed that his stuff often goes in that in between of comfy, cool, and cute. His pajama suit in particular comes to mind in terms of “cute” as it’s more something you’d see younger children in rather than older kids, and I think it can be a subtle nod to the fact that for all Raph tries to seem older, he’s still just a kid too.
I could probably go on, but these are just all off the top of my head - I love how the boys’ personality’s come out in so many different ways.
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Dreams just like us fr
He really saw Hob Gadling in 1589 and went: “You’re stable?? Happy?? Heterosexual*???
Boring.
I’ll be over there chatting with the art twink if anyone needs me.“
Then Hob comes back in 1689 like “I’M FILTHY, TRAUMATIZED, MISERABLE, YET FULL OF HOPE” and Dream is really like:
“At last. A blorbo.”
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I literally woke up in the middle of the night like God will dark rise is so fucking screwed. The line that’s like. “Everyone wanted to kill the Dark King.” What’s the part where he looks at Violet helplessly, haunted, almost pleading for mercy? But of course he reveals nothing of substance to anyone. Elizabeth is too young to understand but the reader knows what “Her relationship with that boy was…unnatural” can mean. Tying him to bedposts? Failing to strangle him? What else? Never not even once seeing beyond a mythological identity Will himself didn’t know he had? What did he think was the reason? That he was just intrinsically hateful? Of course he says nothing. Of course Violet can’t trust him- he’s given her nothing as painfully real as what she’s given him. So he gives her the sword hoping at least he can die at the hands of someone he loved, but even that doesn’t work out - she gives the sword to a Visander still furious at SARCEAN. The pattern continues; no one looks at Will, who vomits when he realizes what’s happened to James, Will who is much of a liar and killer and sneak as Elizabeth accuses but nonetheless wants to be different. Even when he doesn’t remember his own past. There’s no way out for him that doesn’t hurt. Hope this obsession passes soon given the one and a half years of waiting required for book 3
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what are your thoughts on Madoka and Sayaka's relationship? I always thought it was underrated for how complex and tragic it is.
Madoka and Sayaka's relationship function similarly to that of a knight and a princess, so both their friendship or couple pairing are interesting to me. It seems to be intentional that Sayaka was crafted with a knight motif in mind to click with Madoka's vulnerability. The tragedy is that Sayaka was way too young and inexperienced to be shouldering such expectations in a friendship. Taking up the role of a protector at every turn because she wanted to protect everyone has always been a contributing factor to how fast Sayaka burned out.
Contrarily, Madoka's struggle with her own helplessness throughout the show was also part of the reason why Sayaka said a lot of terrible thing to her, but deeply regretted her actions to the point where she succumbed to Witching out away from Madoka. Madoka, at least in this "final" timeline, was not there to see her own childhood best friend change into something else. To, in a way, "die", and be reborn as the same monster that all magical girls were hunting after in a frenzy. Homura was right that Sayaka brings Madoka grief — it seems that in almost timeline, since Sayaka becomes a Witch as long as she becomes a magical girl unlike Mami or Kyoko, Sayaka is a consistent source of Madoka's grief. Whenever Madoka becomes a magical girl, then, her aspirations are based on Sayaka's sacrifice and ideals, except Madoka actually has the power to "save everyone". I believe Madoka loved Sayaka as Sayaka may not have been an "effective" magical girl, but she was the one who was willing to sacrifice her soul for her ideals, regardless of how naïve they were. To Madoka, who was so ensnared by her sense of uselessness, Sayaka was the closest thing to an idol or a star for the courage required to be a magical girl. Sayaka's desire to make the world a safer and justified place for people was so inspiring to Madoka that even when Madoka becomes Kriemhild Gretchen, the Witch's whole gimmick is "creating heaven on earth, a Witch content only if there is no more grief in existence". A prospect deeply held onto by Madoka that even Gretchen embodies it.
It's probably why Madoka's wish to save all magical girls would definitely sound equally impossible to he audience and the incubators, but Madoka herself says, "If someone says it's wrong to hope, I will tell them that they're wrong every time." Sayaka was often called foolish for her ideals and hopes, and Madoka was the only other person aside from Kyoko who understands Sayaka's struggles so much that she outright tells people that Sayaka was never wrong — this is how Madoka protects Sayaka. Madoka would never want anyone to say any of the magical girls' wishes were wrong or foolish. It was how Sayaka also found her peace at the end of the show: to be understood and not viewed as an object that would eventually be replaced in the cycle of magical girls and Witches.
Madoka and Sayaka eventually learned how to protect each other. Sayaka doesn't need to suffer from her own overbearing expectations anymore, and Madoka can finally be something even more to protect her angel: A God.
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