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#which i was told it still has another ep!!
aeroplaneblues · 2 years
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Anime I was watching that had their season finale, SPOILERS
✨ Tomo-chan is a girl: I really like this one, every episode was entertaining or really sweet (excepts about the cousin we are ignoring that) the main couple is nice, but what I loved more about this was the friendship between the girls. Personally having an acknowledgement that Tomo doesn't have to change to be in a romantic relationship is nice, she is a girl no matter how she acts or presents herself. If she wants to wear dresses it should be because she wants to not because she needs to fit in some weird idea of what a girl is. There is a good amount of this and characters learning how to build/maintain relationships. Anyway I do rec it! Its fun but yeah cousin love is the *
✨Sugar Apple Fairy Tale: The art is great, I like that MC has a goal, how fairies are born/die is probably my favorite thing after the MC's name lol. The story has its ups and downs because of how melodramatic it can get, it feels like the MC is letting herself fall into these circumstances and others are like "please just talk". I get it, its a shoujo, its not baaad I just wish it was a little less dramatic and the MC got a little more idk street smarts? There is a second cour in July and I'll watch it bc I like hearing my name, lol nah I want the happy ending you cant leave me like that now im invested. I want Annes around the world to get the fairy ikemen. I think its early to rec, I do like it give it a chance if you don't mind the drama.
✨The Magical Revolution of the Reincarnated Princess and the Genius Young Lady: Yes I wrote everything so you know its an isekai, HOWEVER we never talk about being isekai again until the last ep. Not solid story imo but quite entertaining anyway! Plus the girl gets the girl who cares about anything else. There is a lot of crying bc girls i guess and some fanservice bc girls? I mentioning this as its * if you don't like that. But I can say the characters do have their emotional mini personal arc then it ends in rainbows, they do kiss and its explicitly said not as "friends" or whatever and there is a literal rainbow. I do rec it as the isekai that isn't an isekai and its short fun.
Thats it, the other ones have more episodes or I haven't watched them yet. Thanks for reading!!✨✨
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holyviolence · 11 months
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crazy how my dad is critical of literally everything i doooo :)
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i-heart-hxh · 1 year
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So, a few days ago I found this post on Reddit from 2 years ago (that sadly barely got any attention at the time) that sheds a ton of light on the separation scene between Gon and Killua, and my mind is blown! I've known for years that there was some sort of Togashi "coding" in the dialogue and it was always like I could get halfway to understanding, but this post gives the rest of the puzzle pieces that I was missing, and ties into other scenes that I was uncertain about the meaning of as well. It's heartbreaking, but also hopeful for their future! I had to share it with you all. Please read it!
The original Reddit post has been deleted, but here is a link to the author's Reddit profile. (I received permission from the original author to post this here.)
In-Depth analysis on the Hidden Reasons behind Gon & Killua's separation scene (ep 147) Why Gon is 'Number 2'
The translations across the separation scene in both manga (chp 338) and the anime (ep 147, 2011) have some shortfalls. These dialogues are vital for understanding even the first layer of reasons behind this separation.
REASONS FOR KILLUA'S DELICATELY PLANNED SEPARATION 
1. WHEN -
There are very important reasons why Killua picked a specific timing to tell Gon about Alluka. It was Killua's plan all along, to only tell Gon at a moment's notice, to make sure Gon won’t get time to ask any DETAILS. He is deliberately downplaying the seriousness of everything he’s been through to heal Gon, so it will have less impact on Gon, and at the same time, avoid Gon asking details. Prior to healing Gon, Killua specifically asked Morel and Leorio to promise not to tell Gon that he saved him. After Gon was healed, there was a scene in the anime (ep 148) which showed the three spent a night together before reaching the World Tree. During that time, Killua still haven't said anything. It wasn't until the moment when they were literally saying the last goodbye, Killua casually brought up:
“Oh, by the way, this guy healed you."
I want to emphasis the word Killua used to address Alluka was “こいつ”. This is a very light and overly casual word used to address someone you know, and usually a playful guy friend (e.g. “This guy used to be my neighbour.” type of feeling). The manga and anime translation, “She’s the one that healed you,” did not clearly depict the intentional casualness.
2. WHAT was SAID -
If Killua just doesn’t want to burden Gon with guilt and responsibility, then why not just keep his mouth shut and say nothing? That’s because Killua found a better option than not telling Gon anything. Killua shifted the “priority of reasons” a bit, so the VERSION OF EVENTS he told Gon, was PRIORITIZED on Alluka’s rescue rather than healing Gon. This way, they will also get to THANK Gon, and put an emphasis on thanking Gon because Killua make it SEEMED like it was more important to rescue Alluka, that the INITIAL REASON for Killua to go home, was to rescue Alluka. Only AFTER Alluka was freed, they came to the hospital to heal Gon, out of convenience, since only Alluka has the ability to do so, and since she’s now outside. The MAIN motive for these past events has been delicately swapped around by Killua, so the focus switched to the rescue of Alluka, rather than healing Gon. Hence Alluka is “No. 1”, Gon is “No. 2”. Downplaying it so healing Gon was just a bonus convenience (ep 147, 19:12 to 19:51).
Killua then goes on another level to make this version of events seem even more realistic, by saying “….You owe me a lot now,” in a teasing and playful tone of voice. This is to again, downplay the seriousness of everything he’s been through, to comfort Gon that "Yes you owe me one now, but don’t you worry! I will make sure you pay it back okay?! Hehe!”
3. WHY -
The fight with Pitou allowed Killua to witness Gon's ultimately immature mind set when it comes to “repaying someone, and redeeming himself.” Kite lost an arm and his life to protect him. So Gon gave his life and was even more happy when Pitou took his arm too. Gon will always want to “match” what was sacrificed by another, by throwing away AT LEAST the same. Not “sacrificing”, but THROWING AWAY. It’s so immature, so dangerous, no one will be able to keep up with him. Killua was very confident with how much he could take, but even Killua himself is at limit. This ultimate baka!! (ep 136, 17:50 - 20:17)
If this is how far Gon will go for Kite, he can only imagine what Gon would go recklessly into if he knew the DETAILS. This is when Killua decided on a way to part with Gon the way they did, and to PROVIDE him a particular REASON.
“I’m prepared to spent the rest of my life protecting her.” 
This is the reason Killua wants Gon to know, but NOT what he actually wants to do with his life. Although it’s true he feels responsible and genuinely wish to protect Alluka and Nanika, but it’s not what he ultimately WANTS to do. He NEEDS to protect Alluka, but he WANTS to spent his entire life by the side of a certain baka…
After the previous events, Killua was traumatized, especially when he saw Gon's twisted decaying arm. That was a breaking point for him, after that, the only thing that matters THE MOST for him is for Gon to be safe. He also realized that in order to protect this baka... it’s better if he keeps a distance for now, until he finds a solution to keep Alluka safe from Illumi and his family.
4. THE PARTING -
By planning this parting with Gon, Killua hopes Gon will become detached from him. And that time and distance will slowly render him less important to Gon. So if he was to die... (because Illumi is hunting them down) he did for Alluka, he did it for the vow to protect Alluka, not Gon. We knew Killua always plans ahead, and here, he plants this reason for Gon in the future so he won’t need to feel responsible if he was to die protecting Alluka (or die with Alluka while Illumi is hunting them). This is what’s going through Killua’s head:
“If I die, you’re not responsible for anything. You don’t owe me anything, so NEVER throw your life away again. My only one wish, is for you to be safe. So here I am. I’m parting ways with you... Because I SAID you are only ... No. 2 ... I SAID you are not the most important to me.. So don’t think of me as the most important to you too….”
This, is Killua’s eternal Devotion. 
5. THE RESULT -
As a result of this deliberate planning by Killua,
Gon was made to believe:
While I was recovering in hospital Killua had to go home and rescue his sister 
Alluka is such a cute sister and she can grant Killua any wish?!!! Wow…that’s one cool sister…
Well… no wonder Killua thinks his cool sister is more important than me, it’s only natural. 
Looks like Killua finally found what he wants to do. He will enjoy traveling the world with such a cool sister, it will be so much fun. I should be happy for him, I can’t hold him here... I have to let him go…
VS
The DETAILS omitted:
Gon was not recovering at all in the hospital. Killua RESORTED to USE Alluka in order to heal Gon. 
Alluka’s blood stained dark past and the risks and uncertainty that still involves.
Baka Gon is always No. 1 !
Killua and Alluka are desperately trying to find a way to out of Illumi’s grasp. Illumi is hunting them down and trying to make Killua his puppet again. And this time it's not going to be just a needle in the head... Killua can feel it. And if things doesn’t work out, he will just kill Alluka.
These Reasons are the core of the separation. We have a song named “Reason”… aren’t the lyrics shedding a new layer of light now?
6. IMPORTANT WORDS ALLUKA USED TO FACILITATE A BETTER RELATIONSHIP AFTER REUNION -
Killua promised to “always be together” with Alluka.
But to this promise, Alluka’s response was always silent (episode 145, 3:32 to 4:19). She looked at Killua with deep thought. Because even in such a short amount of time, she realized Killua is doing all this to ALSO or MORE SO protect Gon. It was never just for her, it will never be just for her, and there will never be anyone more important than Gon for Killua. She’s moved by Killua’s devotion and resolve, and she can also feel his sadness…   
If, the situation was different, if Gon was never there to begin with, and Killua just happened to solely come to Alluka’s rescue, and then make a promise to stay together with her forever, Alluka’s natural reaction will be melting with happiness, she’d be crying tears of joy, and hugging Killua. But in this instance, she was composed, she sensed her brother’s deep seriousness and sadness. That’s why later on, she reassured the two at parting, that they will see each other again, without disclosing Killua’s true REASONS. 
The Exacted words Alluka used (Manga chpt 338, 2011 anime epi 147)
a. Manga translation: “I’m going to HUG my brother for a while and then I will LET HIM GO.”  
b. Better translation: “I’m going to have my brother all to myself for a while and then I will let him free.”                            
c. The exacted phrase: “I’m going to Monopolise my brother Exclusively for a period of time, then I will Release him.”
独り占 (Monopolise Exclusively) 
Very strong characters with Explicit meaning. Have it all to oneself. Same characters and meaning used in Chinese as well. (独占)
解放 (Release) 
This is much more formal and serious than “let go”. It implies the subject was initially bound/locked/restricted. Also the same characters and meaning used in Chinese.
Alluka employed these words to imply a forceful lead in this “deal” of owning Killua exclusively. These words have an underlying tone of enslavement. 
Why? Because Alluka knows, the harder she IMPOSES herself on Killua during their time together, the more effective it would be on the easing of Killua’s own guilt. 
Killua felt immensely guilty.
No one will enjoy a relationship bound by guilt. 
Alluka knows clearly that part of her brother’s promise, was formed with guilt, from using her and Nanika, that he was having fun with Gon while Alluka was literally forgotten. Although it's true that this was largely due to Illumi's manipulation, but the fact that he did just left her in the basement all this time was both unacceptable and unforgivable to Killua himself (episode 138, 13:28).
Therefore apart from protecting Gon, this was the other important reason for this separation. Almost as if Killua has accepted this as a befitting price to pay in order to redeem himself as a brother.
Alluka and Nanika have no condition nor demand in return for Killua’s requests. But Killua imposed a price on himself for having Gon healed. Out of guilt. Alluka knows, Nanika knows. That’s why Alluka used the word 解放 (release), because it will make Killua feel better, that he has complied with her ‘enslavement’, so when the time comes, Killua will be able to release HIMSELF from guilt, and go back to Gon, properly. Alluka loves her brother, and she’s prepared to help him towards a better relationship with Gon in the future, by helping him to eliminating this chain of guilt.
lol Alluka totally ships Gon and Killua ! XD
Thank you for reading.
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buddiebeginz · 4 months
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I know not everything the actors say in interviews is accurate but I’m pretty sure in the beginning of the season Oliver talked about how Buck was going to have to work for his next relationship. He talked very deliberately about how Buck has always had relationships come easy. In that he’ll like someone and then end up with them without having to really fight for them. He said Buck's next relationship was going to be different, yet things with T*mmy feel exactly the same as how it’s felt with most of the women Buck's been with. Where the relationship comes easy and it’s mostly based on sex and the person doesn’t really know who Buck is at his core.
I can’t help but wonder if Tim told Oliver that he was planning on making Buddie happen this season or at least moving them closer to happening and it got pushed into s8. In the beginning of this season we had a lot of joint Ryan and Oliver interviews more so than in previous years. Oliver also did a lot of posting/liking about Buddie and Ryan on insta. He also talked about Buddie in all his interviews more than in previous seasons. Given how Oliver has said multiple times in the past that he didn't want to lead people on about Buddie I can't help but feel like he thought things were going to play out differently.
If you watch the beginning of s7 it feels like we’re heading towards something important happening with Buddie. We had a lot of Buddie scenes including the locker room scene, the scene where Buddie talk about underlying sexual tension, the scene where Buck is showing how much he's like Chris' other dad, Buddie working together on multiple calls including rescuing Bobby together. Then of course there was 704 which was like a flashing neon sign saying Buck has feelings for Eddie and is scared Eddie is going to replace him.
Then in 705 it was Eddie who interrupts Buck's first date with a guy. It's Eddie that is the focus of the conversation where Buck comes out to Maddie, where she tells him that if he has something he needs to tell Eddie he will in his own time. Then we get a very intimate scene where Buck comes out to Eddie, including a lot of shared looks between them and a hug. Also of note that Buck only had two coming out scenes in the whole season and Eddie was chosen to be one of them. There was also the gym scene where they talked about Eddie's sex life.
To me it feels like Tim changed course around 706 when he cut a lot of Buddie stuff from the ep especially the karaoke scene. I know a lot of things were likely cut for time but still they shot a scene of Buddie being all touchy feely singing a karaoke love song for the Madney wedding ep. Karaoke was one of the first things Madney did when they were falling for one another it was too much of a parallel for it not to mean something.
I think 706 was really supposed to be a bigger Buddie episode than it turned out to be. This may also be why so much of the promo stuff was about Buddie. I think originally this was going to be the episode to start officially letting the audience know there was something there between them. You can also see parts of the original story where they had Buddie joined at the hip after the bachelor party (helping Maddie and looking for Chim) everything came off very coupley.
This may also explain why Abuela is at the wedding and Marisol isn't (more about Marisol later). I wonder if originally we were going to get some kind of scene with Abuela and Eddie where she says something about Buck. There's no way they brought her in to just stand in the background like an extra there had to have been a purpose for her character originally.
I think Tim changed course when he decided he wanted to do the Kim/Shannon Vertigo mess. Which I don’t get why someone didn’t step in and tell him how ridiculous this idea was especially in this short of a season. I feel like Tim wanted to do something artsy and also get Devin Kelley back on the show and this was how he chose to do that. Unfortunately though the story turned into a mess and worse I feel like parts of Eddie's emotional journey that deserved more focus were lost. Like even the general audience didn't know what to make of that scene where Kim was dressed up as Shannon.
The Vertigo story might also be a part of why there were rumours that Edy had finished filming prior to this storyline starting in 707. Maybe she thought she had but was brought back in for this storyline. Who knows? This season was basically being written almost as they were filming it and I'm pretty sure Tim was changing things left and right. You can see that more in some episodes vs others and definitely more the later the season goes on.
I also think that would explain why so little thought and time was put into both Eddie's relationship with Marisol and Buck's thing with T*mmy. I don't think either relationship was supposed to last the entire season. There was talk early on in s7 that Lou was only supposed to be around for something like four episodes definitely a short run. In interviews Oliver also made it seem like B/T wasn't going to last and that T*mmy eventually was going to be more of a mentor type figure for Buck.
Lou also used the word rom-com when referring to B/T. Although take that with a grain of salt because it may have been on one of his cameos and he said all kinds of stuff on there. But you can see rom-com love triangle type stuff being set up in 704/705/706 between Buck, Eddie, and T*mmy and then T*mmy just kind of disappears (until 709) and the Kim/Shannon thing happens.
This would explain why there is so little development in s7 for T*mmy and B/T's relationship to the point that they never even defined that relationship by the end of the season. They never even had Buck call him his boyfriend. Which I'm glad for that in a way but it just goes to show how bad the writing was this season. And as much as I want Buddie and as much as I dislike Lou and T*mmy I'm also really sad for Oliver because this is not the coming out storyline Buck deserved.
In 707 there was zero mention of T*mmy and this is also when the Kim/Shannon storyline started so I think this is when we see some significant changes to the storyline from wherever things were originally set to go. Though the scene with Buddie and Chris I think some of that was from whatever had been originally planned. It's too flirty to explain otherwise. Maybe originally it was going to be something where Eddie and Chris spend time at Buck's loft but because there was the Kim storyline they wrote it with Eddie leaving for the date.
The thing is Buck's feelings for Eddie throughout this whole season have been louder and more apparent than we've ever seen them be before. Oliver is clearly playing Buck as in love with Eddie. Go back and watch the scene in 704 where Eddie talks about clicking with T*mmy and see how Buck looks like his heart has broken into a million pieces. Or the way Buck watches Eddie in the coming out scene in 705. Or Buck's face in 709 after he said he was worried about Eddie. It's just so obvious that man loves Eddie and would do anything for him.
This is why I really thought there was a good probability of us getting an oh moment feelings realization from Buck in the finale or at the very least a moment where they hugged and consoled each other over losing their son. But we didn't even get that.
I'm honestly not surprised that Oliver went quiet on social media during the back half of s7. Throughout the whole season Oliver wasn't really showing support for B/T and he talked very little about the ship in his interviews. I think this was originally because the plan was for B/T only to be a short term thing and Oliver didn't want to lead anyone on about that ship. I also personally think Oliver has wanted to see Buddie happen for years so he's not going to be rooting for another ship.
I also get the vibe Oliver's not crazy about working with Lou. Anytime you see behind the scenes video and pics of the cast Lou isn't in them or if he is no one is interacting with him. You can also see in the one interview Oliver did with Lou that the chemistry between them just isn't there. They feel more like coworkers just doing their job vs how Ryan and Oliver always appear like giggling besties in every interview and behind the scenes thing we see them in.
Like others have said I'm just sad for Oliver. I think once Tim told Oliver about them wanting to do the bi Buck storyline he must have been so excited. He's talked in interviews about how he's always seen Buck as bi so he must have been thrilled when they said they were finally taking his character there. And for all the issues this season Buck's coming out is still an incredibly important storyline and has meant a lot to so many people. Oliver has even talked about all the people that have messaged him and how deeply they've been affected by a character like Buck coming out.
Still I'm sure Oliver wants more for Buck's love life than the lackluster relationship that he's been stuck with. You can tell in how he talks about Buddie that he wants to see that relationship happen and that he wants to make sure it's done right and doesn't play into stereotypes.
I just hate that T*mmy is the first guy they've stuck Buck with. I hate that Tim and the show have done nothing with this relationship. We don't even really know by the end of s7 how Buck feels about T*mmy or how he feels having been dating a guy for months. Some of that should have been revisited maybe with a talk between Buck and Maddie. But it's like others have said they made Buck bi and then just kind of forgot about him. I think though that's because like I said Tim pushed everything to the side to focus on the Vertigo plot and also all the stuff with Bobby to the detriment of everything else. Buddie was the original plan and Tim didn't really have much else for Buck to do so they left him in this nothing relationship.
I really hope s8 is better all around not just for Buddie but for Buck and Eddie as characters. I hope that Tim plans to follow through and actually make Buddie a reality not just because so many people ship them because of how important for queer representation a ship like Buddie becoming canon could be. I also want to see Oliver actually get to play Buck in a relationship he's proud to talk about.
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0ciestiel0 · 8 months
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Hazbin Hotel has given me a new ship. Ok hear me out. RadioApple or Alastor/Lucifer. If you bear with me I think I can even make this work within a canon context. Alastor in ep 7 was told he’s an ace in the hole (tho he had no idea what she meant) but Rosie which is the audience clue to him being asexual but that’s also a spectrum.
I think Alastor lacks interest in sex and love and relationships because he is a complex psychopath. He very much gives me Hannibal Lecter vibes. In particular NBC’s Hannibal Lecter. He sees everyone as beneath him. Pawns, food, or both. How could he ever feel something for others when he has no equal. People are just means to an end for him. A tool to aid him in gaining more power. He understands putting up a facade. But underneath is something much more sinister.
Now. Lucifer. Lucifer has the potential to be his equal in Alastor’s eyes. Lucifer has the power that Alastor wants. The freedom Alastor wants. That’s also why I think he provokes Lucifer so much as well, because Lucifer has all those things but he’s wasting it in Alastor’s eyes. But we (not Alastor unfortunately) see in episode 8 just how powerful Lucifer can be. If that was the Lucifer Alastor saw I think he could see him as an equal. Or it could lead to that path. Give it another season maybe.
And like Hannibal with Will develop feelings for Lucifer. Well as much as a complex psychopath cannibal turned demon could anyway. If all we have in canon is an offhand comment by a friend of Alastor, I think it’s fair to theorize he could be demisexual. And if he found someone who he could see as his equal, much like Hannibal did, he could have a kind of romantic (loving to the best of his ability) and possibly even sexual relationship.
(Tho it’s fiction, if people wanna still ship him with people and draw fanart, write fanfic, have all the headcanons, regardless of canon I think that’s totally fine as that’s what people do with fictional characters. Most ships I see don’t follow canon anyway. And the canon will always be there.)
I really love these two as a ship. Such enemies to lovers vibes. And the way they provoke each other is gold. I love that Alastor the only one who wasn’t Adam to have no fear or admiration of Lucifer. Also because he’s a cannibal I’m very amused by how much RadioApple shippers have decided Alastor bites.
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jirsungs · 1 month
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ep 28: no girls allowed at rockway rehearsals!
word count: 1.8k
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As against your will, you pull up to Ningning's apartment, letting out a begrudging sigh as you wait for her in your car. You send her a quick “i'm outside” text before turning up the volume of the current song on Aux. Creep by Radiohead, Jisung sent you the Spotify link a couple of days ago, telling you to think of him whenever it comes on. 
As corny and somewhat cute as it is, you do think of him when you hear the song's melody, and you can't stop the blushing smile that forms on your face when it does. You sing along to the music, occupying yourself as you wait for Ningning.
I want you to notice
When I'm not around
You're so fuckin' special
Not even five minutes later, your eyes catch your best friend running down the stairs of her apartment complex. You assume she rushed out because of her hurried appearance; her hair was still left unbrushed, and her right Doc Martens shoe was untied, making her almost trip down the stairs. You stifle a laugh. 
But when she enters your car, you notice her makeup is still fresh, and her eyeliner is precise and properly taken care of. 
Your smug smirk has Ningning breaking the silence first. “What?”
Her pretending to be clueless makes you smile, "Oh, nothing, nothing. You just look… very pretty today.”
Ningning squints her eyes at you, already knowing that a tease from you is on its way, so she starts it for you.
“I wanted to look presentable!”
This, you laugh at. “The Rockway guys have seen you worse, well, except him.”
You send her another smirk, to which she whines at your attempt to tease her about her little crush. Feeling a bit of sympathy for your best friend, you start the car and begin to drive off.
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The scream of “Y/N!” from Mark and Haechan is the first thing to welcome you and Ningning when you both enter the old garage or, to be specific, Mark's parents’ garage. The said band members are the only ones there at the moment, and they immediately run up to give hugs. 
Haechan engulfs you first; he lifts you off the ground, causing you to smack his shoulder to put you down. When he does, Mark takes his turn hugging you, and you glimpse at Ningning and Haechan doing their designed handshake.
Soon after, the rest of the Rockway guys walk in with water bottles and snacks in their hands, provided by Mark's mother. But once Jisung takes notice of you, he messily drops the snacks he was holding into Chenle's arms. Before the poor guy can react, Jisung's already pushing through to quickly get to you. 
“Baby!”
While Jisung runs up to you, the band pays no mind to it as Chenle and Jeno set the snacks down on the table in the corner, and Haechan takes a bite of the assorted crackers as Mark double-checks the sound of his guitar.
A smile is plastered on your face at the sight of your boyfriend. “Hi, Ji–” 
His sudden embrace cuts you off, and instead of saying anything about it, you just let it happen. You love his hugs; he's the epitome of warmth and comfort, plus, he always smells nice.
Your hug sadly doesn't last long before Ningning cuts in, “Gee, hello to you too, Jisung.”
But you don't take her petty commentary to heart, especially since you're used to it. Jisung rests his arm around your neck before he apologizes and greets with a “What's up, Ning,” to which she replies cheekily at the acknowledgment. 
When Ningning walks over to Jeno and Mark and is out of earshot from the two of you, Jisung leans his head down to whisper, “Is it just me or does she look more put together than usual?”
You smack his chest gently at this: “Park Jisung, you’re so mean,” but your boyfriend isn’t affected because, from the raise of his brows, he’s not convinced, so you continue. “She texted me if I was free to hang out, but I told her you already invited me, so… She joined along because of you-know-who.”
Jisung’s mouth forms an O: “Ohhh, that explains it.”
You chuckle and lift your hand to gesture for his black glasses that are resting on the bridge of his nose. Upon seeing his approval, you happily remove them from his face, put them on yours, and look up at him with an excited smile. He looks at you like you’re the only girl in his world. You love it when he looks at you like that, despite it making you weak in the knees every single time. 
“Don’t look at me like that, you weirdo.” You smack his chest again, but just like before, he pays no mind to you trying to hide your flustered state. If anything, he’d like to see more of it, which explains why he gives you a quick kiss on the lips.
“You look pretty in my glasses.” 
To Jisung’s happiness and your dismay, he was able to see more of it. But, as always, you can’t stay mad at him. 
Plus, thanks to his nod toward Ningning, you don’t miss the awkward tension between her and Jeno after being left alone by Mark, who quickly gets the hint. From your observation, Jeno either complimented or embarrassed her with the way her face grew pink. But your small worry about it possibly not being the first reason disappears once you see Jeno make her laugh. 
“Something tells me that this rehearsal will end up being a love fest,” Haechan says disgustedly, which Chenle laughs at. From the corner of the garage, they eye their two band members, who are in different stages of love. Jisung is deep into his super-whipped-and-would-do-anything-for-his-girlfriend, while Jeno has just entered his awkward-like-high-schoolers-in-love stage. 
Luckily, Mark notices the attention shift in the room and brings the band back to focus. “Alright guys, let’s start this up!”
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Surprisingly, Rockway’s able to rehearse for three hours with no distractions; it’s only surprising because Jisung and Jeno aren’t going completely heart-eyes for the girls and are focused on their task at hand. 
The gig they were practicing for was said to be a big one. You remember Jisung gushing about how excited he was once he found out that a music producer reached out to Mark and talked about potentially signing them if they could surprise them again.
After those three hours, Jisung and Jeno found themselves starting to get handsy, which was unfortunate for the rest of the Rockway bandmates. They’re positively sure that it wasn’t intentional by the two guys, but once Mark called for a ten-minute break, everything went south. Ningning, who was highly encouraged by you to walk over to Jeno, became a stuttering mess around him, leading them both to become awkward again, while Jisung pulled you onto his lap, messing around with his drums.
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Mark walks over to Haechan and Chenle, who are back in the corner. “Okay, new rule: no girls allowed at Rockway rehearsals.” He sighs exasperatedly, his two fingers on the bridge of his nose, as he tries to calm himself down. “As much as I love them, Jeno is embarrassing to watch, and Jisung is… also embarrassing.”
Haechan snickers and takes a sip of his water, and Chenle pats the stressed Mark on the back. “Oh, come on, man. Rehearsal’s been going great. We already lost Jisung to Loverboy Land, but—” He motions for the two guys to look over at Jeno, who was sending them a desperate eye signal of help: “We can help Jeno.”
“You know, it’s kind of funny seeing Ning get all quiet around a guy she likes when she’s literally the scariest woman we know,” Mark adds.
Mark and Chenle jog over to the awkward pair and Haechan stays behind, telling them he’ll catch up after he’s finished drinking his water. When he’s done, he grumbles, “I knew this was gonna happen,” and rushes to the rest of the group.
When you call Ningning over and she’s left occupied, Haechan, Mark, and Chenle take their opportunity to snag Jeno away with the remainder of the ten-minute break to stop this awkward madness from continuing. 
Mark’s the first one to start it with a smack on Jeno’s arm: “Dude, what the hell are you doing? I thought you were good with girls!”
Jeno winces in pain while Chenle inputs, “Where’s your supposed Jeno charm, or whatever you call it? You look like an idiot out there!”
Anticipating another scold, Jeno looks at Haechan, who raises his hands in defense. “I dunno, man, I just followed them.” He puts his hands down and continues, “But since you’re already waiting for advice, Ning’s already opened up to you; stop acting scared and let her in.”
Jeno sighs, already familiar with the advice given: “Guys, I’ve been trying! I thought we made progress when I made her laugh earlier, but I doubt she found it that funny…”
"Oh, puh-lease, did you not hear her? She was still giggling over it when we started rehearsal.” Chenle says.
Haechan butts in, pouting, “Jeno gets funnier and attracts women... Oh, Lord, how sad has my life become?”
The said man rolls his eyes, and Mark takes this time to advise more: “Jeno, you like her, don’t you?”
“Of course I do, but I don’t want to make her uncomfortable if she doesn’t feel the same way.”
Once hearing Jeno’s idiotic response, the boys reply with Haechan’s “Oh my God!” while Mark and Chenle face-palm. How could someone be so oblivious?
The commotion sparks Jisung’s interest, leading him to excuse himself from you and Ningning and join his friends. He adds himself to the small huddle between Haechan and Chenle. 
“Hi, guys. What’re you talking about?”
Startled by the younger one, Haechan puts his hand on his chest and says, “Geez, Sungie!” 
But Jisung only giggles, “My bad. But if we’re lecturing Jeno on how horrible he’s doing with Ning, please fill me in.” He ends with a cheeky smile. 
Sensing Jeno’s annoyed whine at the mention of his current dilemma, Mark beats him to it. “You know what?” he eyes Jeno and Jisung. “Band meeting after the girls leave.”
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From Mark’s stern attitude, the rest of the band rehearsal was a little bit rocky. No one dared to cross a line with him, keeping their mouths shut unless Mark asked for input on any potential improvements.
After the guys said goodbye to you and Ningning and Jisung gave you his regular goodbye kiss and “text me when you get home,”  you left, leaving the Rockway guys alone. With Mark. And he was scaringly over the edge. 
After calling the end of rehearsal, Mark huddles the band together. Before he speaks, he puts his hands together, almost in prayer, and exhales, “From now on, NO GIRLS ALLOWED AT ROCKWAY REHEARSALS!”
To this, Jisung pouts, “Can Y/N be an exception though?”
But all Jisung gets is a combined “no!” from the band. 
The younger whines in response, “Then, is Ning included in that?”
His whine leads everyone to turn to Jeno, whose face has turned a bright shade of pink. “She's… different and doesn't count.”
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note: ning lore is now revealed, and jaem finally got the answer!!! 😍🙏 i can't believe this chapter marks three chapters left until i have to officially say goodbye to this smau 😭
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birinboom · 5 months
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The Luck-Bringing Cat
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Jing Yuan x Fem!Reader; a shy former imperial concubine
The Apothecary Diaries-esque AU (I am kinda-sorta stealing this plotline from ep. 3), arranged marriage, budding romance, domestic fluff, pet names (JY calls Reader my dear, my love), Reader is also referred to as ‘my lady’ 🌸 3.162 words
Jing Yuan, a famed general and childhood friend of the emperor, has yet to take a wife. The emperor decides to solve this by giving one of his least favorite concubines to his best friend. Even though Jing Yuan is against this practice, he can't help but fall head over heels in love once he meets you.
Thank you so much to @a11eya for beta-reading this for me!
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Only one man had managed to stay at the emperor’s side through most of his life. Jing Yuan, the son of imperial scholars, made friends with the crown prince early in their lives, and they quickly became inseparable. As they aged, Jing Yuan became an asset to the newly crowned emperor; a seasoned warrior, an accomplished general, a brilliant strategist, and one of the few people who dared oppose the monarch when needed. 
The emperor loved him like a brother. And it worried him that Jing Yuan never seemed interested in taking a wife. The general was far from blind to the longing gazes of the women of the court, he accepted their offers on occasion but he never seemed to want more than one or two nights with any woman. The emperor did not see anything wrong with this as he himself split his time more or less equally between his favorite concubines. But any man who was less fortunate than the emperor should surely want something more stable, especially a man who was slowly getting through his best age.
When Jing Yuan was pressed about why he did not want to marry, he stated with a lazy smile that he had neither the time nor the energy for that kind of courtship. But the emperor saw the slight downturn of the corners of the general’s lips. He saw through the facade of his best and oldest friend. 
I have neither the time nor the energy for that kind of courtship. But I desperately wish I did.
The emperor thought deeply about this issue. Then he remembered someone in the inner court. A concubine who had fallen from his favor at their first meeting. He had never spent time with you after that. Why, he had barely thought about you in years. Still, you were a beautiful woman, well-educated, and, from what he had been told, quite quick-witted. You would make a good gift for his best friend.
Now he just needed to convince Jing Yuan that he would not take no for an answer.
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Jing Yuan was still unable to fully understand how everything had come to this. He could not fathom why the emperor suddenly wanted to give him one of the imperial concubines as a wife. Giving an unfavored concubine to a newly appointed officer as a reward was far from an uncommon practice, Jing Yuan was well aware of that. But he had never expected it to happen to him, not after so many years in service of the emperor. He had been lucky to manage arranging a meeting with you before the wedding. 
This practice seemed so wholly unfair in his mind. Unfair to you and any other concubines affected by the custom. You had already been given as a gift to one man, now you were being given to another, neither of whom you had chosen for yourself. Jing Yuan knew there was little he could do about the situation, but he did not feel right accepting another human being as a gift.   
He continued towards the palace gardens which had been chosen as the meeting place, still in deep speculation about whether he had any chance of changing the emperor’s mind. 
Turning a corner, he was torn out of his thoughts when he came upon a small gathering of women, all of them wearing identical robes. One held a folded-up parasol. They were all calling out to someone in voices too hushed for Jing Yuan to discern any words. 
Ladies-in-waiting, he thought, paying them little mind. Then, his eyes fell on you.
The emperor had shown him a painting of you, commissioned shortly before you had begun your journey to the palace. Even if some years had passed since then, Jing Yuan still instantly recognized you.
You stood at the top of a small bridge crossing one of the many creeks in the garden, your face tilted up towards a nearby tree. The setting autumn sun fell upon you at an angle that made your skin and hair glow. Tearing his gaze away from you, Jing Yuan looked towards the tree as well, his trained ears picking up the song of finches. For a moment he wondered if it might be the same flock that visited the small garden of his own residence. Turning his eyes back to you, he watched as you lifted a hand, holding it up towards the tree. A finch took off from a branch and landed on one of your outstretched fingers.
Until now your face had been mostly devoid of emotion, eyes fixed on the tree. But when the finch landed on your hand, looking calmly at you with one black eye, your features softened, a fond smile gracing your face like the sun appearing from behind rain clouds. 
Jing Yuan watched you lift the bird closer to your face, whispering to it, your other hand coming up to gently scratch the top of its head. He unconsciously raised a hand to his lips in an attempt to hide the smile blooming there. If this was how you behaved with one of his beloved finches (and he was certain at this point that the bird was indeed from the flock he possessively thought of as his), if you acted so kind and loving towards the smallest of creatures with no prompting, then marrying you could quite possibly be one of the best things to ever happen to him. The thought of having you gifted to him still felt wrong, but… perhaps he did not need to dread it as much as he had at first.
Stepping forward, he cleared his throat, trying his best to school his features into a pleasant, if slightly detached, expression. 
You gasped, raising your arm to hide your face behind your long sleeve. The finch took off, frightened by your sudden movement, and the rest of the flock followed it. The flapping of their wings filled the air, drowning out your greeting as you and your ladies-in-waiting bowed to him.
Jing Yuan felt another smile tug at his lips. He managed to hide it behind his hair as he returned your bow.
Your ladies-in-waiting quickly moved to one side of the walkway, letting him pass. He looked at you as he ascended the bridge. The way you peeked shyly at him over your still-raised sleeve made his heart clench. He sent you what he hoped was a pleasant smile, and nodded towards the path on the opposite side.
“Shall we, my lady?”
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The two of you strolled along the garden path for a while, Jing Yuan filling the air with what idle conversation he could think of, and you giving brief, shy answers.
Then, he heard the flap of wings and felt the touch of tiny claws digging into his hair, brushing against his scalp. Soon, he felt a small tug as the finch began to preen him. He could barely help but chuckle when another finch landed on his shoulder. He felt your gaze on him, then your eyes moved to the bird on his far shoulder.
“Oh!” you exhaled.
Raising his opposite hand, he gently encouraged the bird to hop onto one of his fingers, then moved the hand -with bird- closer to you.
“I have worked quite hard on taming them over the years,” he said. “The most recent brood is the tamest yet; they are the only ones so far to actively seek my presence. Though I suspect they only come to me in hopes of food. Would you like to hold it again?”
You looked away, your sleeve rising once more to hide your face. “Again…” you said, sounding very put on the spot.
Jing Yuan tried to quell his laughter. “I must admit that I was watching you for a moment before making my presence known. What I saw was very… endearing.” 
You were silent for a while, then you peeked at him over the top of your sleeve. “May I be frank with you, General?”
He nodded. “Please.”
Staying quiet for a few seconds, you then drew in a deep breath. “I was rather nervous about this meeting. I have heard quite a few rumors about you, about your excellence at anything you do. And I was worried that I might not be able to live up to the expectations of the august general. But… You handle these birds with such tenderness and care. They trust you. Maybe they can trust me too, in time.”
Looking off to the side, you finally lowered your sleeve, clasping your hands in front of you. “I am very fond of small animals. My family owned a couple of tame nightingales when I was a child; I used to love falling asleep while listening to their singing.”
He felt another smile tug at his lips. He too had pleasant memories of falling asleep to the sound of bird song as a child. Though in his case it had been the wild birds outside his windows lulling him to sleep. Sharing such a similar memory with you only made him feel delighted.
Briefly peeking at him, as if to judge his reaction to your words, you then continued, “I have always yearned for a cat too, but my parents would not allow it because of our birds. And I never mustered up the courage to request permission to keep a cat after I arrived at the inner court. Though I doubt the emperor would have indulged me.” You sighed ruefully. “I suppose even now, since birds are favored once again, a pet cat will be impossible. The birds will be enough.”
Jing Yuan looked at you for a moment, stroking his chin. “A cat is a pleasant idea. As the saying goes, ‘a cat well cared for may bring luck to its owner.’ Though if I had my way I should like a lion instead!” When he saw your eyes widen, your mouth starting to open in surprise, he could not stop himself from laughing once more. “I jest, I merely jest! A house cat will suffice! Perhaps we can teach it to leave the birds in peace, or keep it indoors at all times.”
The thought of keeping a cat locked inside, though he doubted it was truly achievable, brought his thoughts back to the way you had been hidden away in the inner court for years. His smile faltered. Would it be right for him to mention his hesitation? Would it assuage you to know that he was far from satisfied with how the situation was handled?
“If I may be so bold, my lady… You were not the only one who had a certain level of apprehension about this meeting.”
You shrank back a little, shoulders slumping. “I… see.”
Jing Yuan saw you raise your hand again, he could only assume to hide your face once more. Without fully realizing what he was doing, he reached out to take your hand in his.
“Please, do not misunderstand me, my dear! It is not because of you, it is the entire situation. I do not much like being given another person as a gift. And I find it wholly unfair to you to be given away once again.” 
He had so much more to say on this subject, so many points to make about how the former concubines nearly always came out as the losers in these circumstances. And yet he felt his mind go blank. He brushed his thumb over the back of your hand in an attempt to gather his thoughts. It had the opposite effect. Your hand was softer and more delicate than he could have ever imagined; so different from his own strong, calloused hands. It took every last shred of self control to not raise it to his lips. 
Releasing your hand with great reluctance, he forced himself to finish his thoughts. “I am loath to receive a wife under such circumstances, even if she is one I should have quite liked to court of my own volition, had I been allowed to. But in the end it is His Majesty’s decision. Even so, I can promise you this, my dear: No matter what may come, I will always do my utmost to ensure that we are both happy with this union.”
You grasped the hand he had held with your free hand, rubbing the skin, your head bowed enough that he could not see your expression.
“I-I…”
Then you raised your head again, a small smile tugging at your lips. “I must admit, I am quite relieved that you feel that way. That you understand the situation from my point of view too.”
Jing Yuan returned your smile. “As much as I am against this entire circumstance, I must admit… the more I get to know you, my dear, the more I am looking forward to you becoming my wife.”
The two of you talked for a while longer, then Jing Yuan escorted you and your ladies-in-waiting back to the inner court. Seeing the gate leading to the inner court left him with a sense of melancholy he could not quite place. Perhaps he had already grown so accustomed to your presence that the thought of being without you left him empty. It made him look forward to your wedding day even more.
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One early morning, some six months later, Jing Yuan was found crouched over a rosebush in the small garden of his residence, pruning shears in hand. It was something he refused to give up, no matter how many people told him it was below his rank to tend to his own garden. Gardening was one of the few things that truly cleared his mind, one of the few still moments of the day that allowed him to relax. And today, he needed it.
He had already spent several hours lying awake, tossing and turning, his mind whirring, until finally giving up on sleep once he heard the first birds singing outside. Rolling over, he pressed a kiss against your bare shoulder, then left the bed to start his day.
The air outside was cold enough that his breath created little puffs of mist, the remnants of frost biting his cheeks. He paid it little mind; it helped clear his head. And so, he crouched over the few bushes that needed pruning this early in spring, settling into a calming rhythm as the world around him slowly grew from a milky gray to pink and orange.
His rhythm was disturbed as something brushed up against his knee. Looking down, he spotted the white kitten he had presented to you on your wedding day, just a few days before the new year began. You had been infatuated with the cat (as had he, as were both of you even now), and you had aptly named it Snowmoon in honor of the full moon hanging in the sky, casting lambent light over the snow-covered ground of the garden outside your windows.
The memory of that night still made him smile.
Snowmoon raised itself on its hind legs, the little bell on its collar jingling. It propped its front paws against his knee, and chirped imploringly. Jing Yuan could only assume that he had been so engrossed in his gardening that the sound of the bell had gone unnoticed.
How did you get out? he wondered as he picked up the kitten, holding it up in front of him. 
The kitten returned his gaze evenly with its brilliantly blue eyes and began to purr. Cradling it to his chest, he stood, intending to put the cat back inside. It had yet to learn that the birds of the garden were off-limits. And the birds had yet to learn what the sound of the bell signified.
But as he stood, he caught sight of another figure in the morning light. You were bundled up in several layers of clothing, seemingly ready to spend a while outside.
Jing Yuan frowned. “What are you doing out of bed, my love?” he asked. “It is still so early.”
You looked away, trying to hide the shy smile forming on your lips. You were still not used to the terms of endearment which he favored.
“I wanted to lend you a hand,” you said.
He appreciated the sentiment. But he found it difficult to imagine you crouching in the dirt like he had been. 
“There is no need, my dear, I am almost finished.”
Your mouth set in a stubborn line. “Then I will help with the last of it.”
The firmness in your voice made his heart flutter. He enjoyed all the work you put into getting to know him better. And he made sure to return it tenfold.
“Very well, my love. Let me just put this little rascal back inside.”
As he came outside once again, he found you crouched over the rosebush he had been working on, your long sleeves almost trailing in the dirt.
That will not do.
Jing Yuan pulled out the long ribbon holding his hair as he moved closer. Crouching behind you, he deftly wound it first underneath one sleeve, across your back, then underneath the other sleeve, tying it at your shoulder. His actions left your arms bare, sleeves far out of harm’s way. 
You shivered in the cold air, goosebumps forming on your newly exposed skin. 
Jing Yuan rubbed your arms, trying to get some warmth into your body. “You are still free to go inside.”
You huffed. “I will not.”
He chuckled, pressing a kiss to your temple.
Handing you the pruning shears, he showed you where to prune, guiding your hands. The two of you chatted idly about the roses for a while, when he expected them to bloom and what colors he had planted. Then the topic moved to the future as a whole.
“Tell me, my love,” Jing Yuan said, wrapping his arms around you, “I know you have only been with me for a few short months, but how do you like it so far?” 
You leaned back against him, nestling further into his embrace.
“I enjoy it so very much. I appreciate the freedom I have, compared to the inner court. And…” You turned enough to meet his gaze, raising a hand to caress his cheek. “I have grown quite fond of the master of this house.”
He felt a smile tugging at his lips. “Oh? Do I need to be jealous of this man?”
“Perhaps,” you said, a smile lingering on your own mouth. “He has been very kind to me.”
“I suppose I shall have to be even kinder, then,” he said, before leaning in to press a kiss to your lips.
Maybe there really was something to the saying of ‘a cat well cared for may bring luck to its owner.’ Jing Yuan was certainly feeling very fortunate at that moment.
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Thank you so much for reading! Likes, comments, reblogs, and asks (on and off anon) are always greatly appreciated! If you like, you can check out my other works here. Love, Em 💖
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novantinuum · 7 months
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mmmmmmm. messy ass ramble thoughts ahead. this is not coherent, it is 1am, you have been warned.
so i've been thinking about that "i can fix anything! i can just keep messing up and fixing things forever, and you'll never have to know or think about any of it!" line during steven's lil manic panic moment in the ep everything's fine in the context of like... og SU episodes
this whole lil manic slip is one that's like... it seems a little extreme for him as a character at first, when one looks at the situation on surface.
but i think it really does shed a LOT of light onto one of his deepest fear. the same fear he's harbored for a good damn deal of the show.
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"i didn't wanna hurt anyone!"
this moment comes just a few eps after the S3 finale 'reveal' of rose shattering pink diamond. in that final scene of the season, steven gets 'confirmation' from garnet that this happened, and seems to accept it for what it was- a difficult decision made amidst a treacherous war.
but also, he Doesn't.
because he's the legacy rose left behind. because each and every day he's growing more into his power. because now, with this reveal of rose's decision to shatter on the table, he's putting each and every decision he makes under a microscope.
he had no choice, he claims. she wouldn't let him help her.
he had no choice. it was self defense.
but is that true?
isn't that the same thing his mom probably told herself before ending a gem's life forever?
even though she poofed bismuth and holed her away for suggesting the very same idea??
rose became a hypocrite... so what if HE becomes the hypocrite, too?
see, with steven... i think it's really easy in the main show to sorta... observe all his actions on the mere surface without considering the deeper tickings of his psyche. like... take lars being brought back to life. from audience POV, that's a good deed. steven just saved someone with his magic! positive moment.
but genuinely... i think this was one of the worst moments of his entire life. i think he's still haunted by it- by the fact that he can just "fix" people in that way. and i think fixing jasper's shattered gem only made the specter of that day worse.
steven believes his role is to be the Shield.
the protector.
the one who is willing to do whatever it takes- even up to turning himself in for a crime he didn't commit- to protect his family and his friends.
and like, we all know that it's not steven's FAULT that lars died. BUT- he still died while under steven's protection.
and so the same way steven blames himself for "hurting" bismuth, jasper, and eyeball, he blames himself for killing lars. mentally, he Takes Responsibility for his death. yet another tick mark in the box of horrible "mistakes" he's made, yet another tick mark landing him just a little closer to the rose he's desperately trying not to become.
and worst of all... it's a mistake he "covers up."
because his tears are able to bring him back from the dead entirely.
and years later he realizes this is true for gems as well ;-;;;
so yeah, i absolutely think lars' death was also at the back of his mind when he said that line at the beginning
what steven saw in the depths of his mind as he was panicking there was him slipping down a slippery slope of violence that he couldn't escape from
first, causing harm to other gems and calling it self defense...
then, letting your friend die protecting YOU when you're the one who should be protecting him and facing NO consequence for this misgiving because you bring him back to life
then, expressing anger so visceral it can shatter floors, destroy whole rooms, flip vans. out of control. inexcusable.
then... outright shattering a gem in a duel while training to hone that anger. once again, facing NO consequence because you bring her right back.
then, that sudden, terrifying thought of "what if i shattered white diamond"
like, steven has absolutely no framework by which to separate his actions from genuine desire or just plain abstract thought.
he has no framework by which to understand the beautiful tool of adding a "man would it be fucked up or what-" to the beginning of those sorts of intimidating, dark musings.
he has no framework by which to understand the complexities of his trauma, and the way in which genuinely fighting back against someone he once called an enemy might feel empowering- instead, it would seem he's disgusted in retrospect with how deep he pressed into that fight, how much a part of him ENJOYED it, all because of the horrid destination it led to.
anyways at this point steven thinks he has now become the Hypocrite like his mom, and that he's just destined to hurt everyone around him forever but never be punished for it and Ouch
this post has no end, these were just ramble thoughts, the end. goodnight. i am sleepy and need to prepare to make Wig tomorrow bc OH boy i am con crunch.
yeehaw .
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prapaiwife · 7 months
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I'm back with another lita post😁, but this time on episode 13 cause I'm rewatching it, and im stunned each time with fortpeat performance in these heart-wrenching scenes. I mean, if you've watched, we've seen Sky's journey of allowing himself to trust and fully love pai allow himself to be happy be selfish and have this, which was the scariest thing to do cause of his past.
And peat wow🤧 his portrayal of Sky here, and later in the next scene when he goes to tell his story of what happened. It is the highlight of his acting! *makes me so excited for Love Sea* but Sky isn't crying. He looks so drained, and Prapai asks for him to cry, not to hold it in, but as he starts to cry himself, Sky asks him why. And then these lines!! If you can't cry, I'll cry for you. If you suffer, I will suffer with you, if your in pain, I'll be in pain too. Let me cry in your stead.
Pai is so emotional here, but he needs to have Sky see him like actually see him! He doesn't want to lose him again he isn't gonna leave him he wants to if anything be barrier for the pain he's feeling right now 😭😭😭😭Yet he's trying his best hold up but can't help but to cry
He doesn't want Sky to think this is something he has to face on his own, and what just happened won't make him change his mind. He's gonna listen and always encourage Sky to feel whatever it is he's feeling to him.
Which is so good cause in the special ep sky does that tho he feels already securee in his relationship with pai at this point of their relationship he says he knows how much pai loves him and knows his heart 🤧,he doesn't feel uncomfortable to express that discomfort of having his exes being around. And pai takes full responsibility for that and acknowledges it. He's sorry his past still is getting in the way of their relationship. And that's something sky shouldn't have have bear with constantly of his ex flings. Healthy communication at it's finest!!!
Even as back in ep 12 for sky to admit to himself that he actually loves pai as sad as it was to see sky break from this wall he was trying to keep up, a wall that protected him and told him that it was too good to be true and pai didnt really love him at all. But i think sky already knew he loved him and he lenaded into it but like i said seeing pai prove his point that made him retreat. But pai being there and reading all the things sky wrote about him making him see that this isnt really what you want and though u cant tell me yet how you really feel about me. It's okay cause I love you and you can too tell me you love me. like 😭😭😭😭😭
l'm probably rambling but like their relationship is just everything to me i can't put into words lol
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doublel27 · 24 days
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I have to say, I really love the balance and parallels The Trainee is pulling off with their interns. Specifically though, the focus on BaMhee and Ryan as our central leads, because they directly parallel each other in this story.
Of our interns, BaMhee and Ryan are the ones that didn’t really mean to be there. BaMhee is there following Tae with no real aspirations of her own outside of being close to him. Ryan is there because his only friend encouraged him to try it and he got pulled into the wrong interview. They both show up relatively aimless and without a real objective which is contrasted by Tae and Pie who are so focused on their dreams/objectives they have a hard time seeing around their own plans. Pah has a dream, like Pie and Tae, but he lacks confidence in his ability to complete his dream, in the way that Ryan struggles with his confidence.
And throughout the story, they’ve allowed Ryan and BaMhee to start finding themselves within the story. Both have become more involved and valuable to production as time has gone on. In the early episodes, BaMhee was usually texting Tae and Ryan was often silent and confused. Now BaMhee takes initiative and makes her own decisions. Ryan has taken to coming up with his own ideas and sharing them, as well as getting involved in scene set up and being better at handling extras.
Both had very significant revelations in today’s episode about who they actually want to be or might be that were explored in 4/4.
BaMhee realized she was still in love with Tae and while she likes Judy, she doesn’t like her enough to want to have a full relationship. I was always worried that BaMhee liked the attention and the confidence of Judy because we didn’t get to see much of Judy beyond her work persona (unlike Jane who we saw behind the curtain much earlier). I actually loved BaMhee’s speech to Judy about how no one person is an exact fit (which is why you cannot survive on one relationship alone - romantic, familial, friend - a person needs multiple people) and how both Tae and Judy have things that fit her and things that don’t. But it’s the love and feelings that she has for Tae that make her want to try.
And I find this evolved for BaMhee because it often felt, in the early eps, that she just wanted to be with Tae to be with Tae and not for her relationship with Tae. Like it didn’t feel like a thing she was choosing so much as clinging to. I know she knows that because she told Tae flat out what she wants, which BaMhee never did before. She laid out she doesn’t want grand gestures or big surprises; she just wants time.
Directly paralleled with Ryan, who has now had Jane in his home, and is finding his footing. We saw it some the last two episodes, but this episode had Ryan contemplating his dreams, and who he is, and what persona he might wear, or not. I loved the throwback to the interview and him explaining while he didn’t want to be porridge with side dishes then, just a person in the background supporting, now he does want to be porridge with side dishes because he wants to figure out what fits him best. Who he wants to be as a grown up.
I love that Jane pointed out earlier in the episode that no “adult” has it all together and even asked if people need big dreams. His own contemplation of his dreams and where he is over where he thought he might be was a lovely reflection in the conversation with Ryan. It’s beautiful how they talk about these things.
And @lurkingshan has a beautiful post on BaMhee’s relationships with Judy and Tae respectively, and how Ryan and Jane are slower, but Ryan and Jane are also deeper. Judy didn’t really listen to BaMhee, not really, or ask probing questions. Judy and BaMhee both operated separately, sometimes in concert and sometimes in opposition, whereas Jane and Ryan communicate about ideas and feelings and dreams. Another contrast I’ve enjoyed was Jane let Ryan in first, with the feeding and bringing him home, before he crossed into Ryan’s world in episode 10. Which is a contrast to Judy showing up at BaMhee’s family restaurant (entering her space first) and having BaMhee feed her while we still know very little about Judy. Yes she talks BaMhee out, later, but she doesn’t ask first. Jane always asks. It’s a very cool contrast of how both of their relationships with their mentors have helped clarify things for BaMhee and Ryan in multiple ways, while being very different.
Anyway, while I am sad my sapphic plans didn’t pan out, I still love this show dearly and it’s so well written and beautifully shot.
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matan4il · 2 years
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Buddie 610 meta
Holy shit, this ep.
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Okay, what shall we start with? Maybe with what 911 itself starts, lots of foreshadowing. At the beach call, we have Eddie looking at Buck and replying to him (about the lightning), “I really hope it doesn’t strike twice, though.” Which, of course we know it will. But the foreshadowing continues, as Buck talks to Omar about unexpected things in life coming out of nowhere. That suggests we need to pay extra attention to other elements in this ep that might act as foreshadowing for later events along 6b. ~~
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That kind of connects to me with Buck being closely tied to Ely, the pregnant lady (he saves the day there twice, first by realizing the oil is dripping and if they use the saw, it might prove fatal, then by helping Bobby with the baby). First off, it made me chuckle when we learned that, despite being driven to the hospital by a man, he’s actually not her partner. 911 made sure we knew Ely has a wife, and that she has another kid with her. Is it a coincidence when Buck, who practically has a husband and a kid with him already, is the main firefighter taking care of her? Maybe, but it still amused me. What really made me take note is when he told her not to push, trying to stall her childbirth, and she replied that it doesn’t depend on her. That made me wonder if perhaps this is also in a way foreshadowing what we might end up seeing with the sperm donation storyline. I’m not sure, I can’t be, but I was not surprised to see that storyline brought up later in the ep. ~~
In general, this ep’s title, “In a Flash,” might seem to refer to the lightning storm the team experiences, but the real tempest is the havoc our families can wreak on us, tied to the unexpected nature change can sometimes take on. Chim’s dad suddenly shows up, raining on his parade. Albert suddenly thinks Chim should give their dad a chance to be Jee Yun’s grandpa, but decides against giving his brother a warning. The Buckley parents are suddenly making an effort, yet leaving everyone suspicious and unnerved. Albert suddenly leaks Buck’s sperm donation to everyone and unleashes hell between the in-laws. Denny’s changes, probably influenced by getting in touch with his dad, come as a surprise to Hen. And of course, at the climax of the ep, Bobby as the unofficial adoptive father of Buck might lose his son in a flash. The whole ep is filled with these parallels of abrupt familial disquiet, especially in relation to dads, on all 118 fronts. And as Buck deals with maybe the biggest of these questions, because he doesn’t even yet know what he wants for himself and how does the life he helped create (but only as a donor) fit into that, it’s no wonder his life ends up hanging literally in the balance. ~~
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One of the most painful things in this ep for me was seeing how much Buck’s parents are willing to accept him as a donor, because not for a second do they think he can be a father. That would be the natural conclusion from him looking at a sonogram on his phone, but his parents find it easier to believe their daughter is pregnant again than to think Buck would be a dad (ironic, because he already is one. Just not to the baby in the sonogram). It reminded me of how Eddie’s parents also didn’t believe in his ability to be a dad, and actively petitioned to have Chris taken from him to be raised by them in 315. It amazes me every time anew just how much Buddie are compatible, because their stories parallel so much that they can understand each other in ways most other people can’t. ~~
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And it gets to me that this whole episode also insists on reminding us how good Buck is with kids, first with the ones on the beach, calming them down and answering their questions to help them make sense of the whole ordeal. Then with Ely’s baby, a callback to how we saw him with the pipe baby in 101. It connects to him looking at the baby sonogram, all excited, once again acting so much like an expectant dad would (parallel to him and the firefighter onesie in 609), when we know he’s not actually going to be that baby’s father. It very much does feel like 911 is signaling to us Buck has some realizations coming his way in this context. ~~
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Speaking of the kids on the beach, Buck telling the boy he wants to fix everything, then adding that Buck gets it, had me screaming into my fists, because hey, remember who said that to Buck? That’s right, his Eddie, back in 504. A reminder of how much Eddie sees Buck, accepts him and allows him to be himself, enabling Buck in turn to reflect that back to that kid. Of course, in the context of the sperm donation, Buck’s tendency made him want to help “fix” things for Connor and Kameron, and we might learn in 6b that Buck comes to realize he sometimes lets this tendency take him to places that aren’t actually good for him, without fully considering the consequences, and then hopefully, he’ll get to find a way to balance this, to be himself, but not derailed from his life goals by this part of himself. ~~
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At the same time that the ep shows us how good Buck is with kids, it also serves to remind us of the one kid that we’ve seen him co-parent all along, the one who has always demonstrated what a good, loving dad Buck is, Christopher. Yes, when we see Buck working on his cooking with Bobby, it’s a part of the many parallels revolving around dads in this ep, so Buck and Bobby’s r/s is the immediate focus, but at the same time, we know who Buck is learning this FOR. Lazania kitchen scene from 601, anyone? Oh, but the best part? It’s when Buck tells Bobby, “Something’s missing.” He can’t quite put the finger on what, but he knows something in his domesticity isn’t fully there. I wonder what, Buck... And this is again in an ep full of foreshadowing! ~~
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It may seem like a minor thing, but remember how in my past meta, I was more or less losing it over the many times Buck and Eddie did rope rescues together as their own team within the 118 team, even having their assigned roles where Eddie connects Buck to the line and then becomes an anchor himself to keep Buck safe, to the point where I wrote a smut fic involving this very meaningful act? Yeah, so imagine me seeing that the most intense Buddie call we’ve had since the end of 413 starts with them doing this subtextually intimate thing, Eddie hooking Buck up to the rope, becoming his literal life line, and even teasingly calling him “cowboy” while at it. No, I was not breathing for a full minute at least. ~~
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But since I brought up the shooting in 413, can we talk about the insanity of the parallels? Take the meaningful staring once disaster strikes. Back in s4, it was mutual, right before Eddie collapsed. In 610, Buck is unconscious, so you wouldn’t think they could stare at each other at this moment, right? Plus, back in 413, it was just the two of them present at the scene out of the 118, the other members of the team weren’t there. The lightning strike seems a lot less intimate in comparison... But in this ep, the camera plays a role in recreating that same dynamic, singling out the connection between Buddie. Because when Buck is hit by lightning, we get shots of every 118 member looking up and being terrified of what just happened to their friend.
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The only exception in terms of this shot? Eddie. He’s the only one that isn’t being filmed from the side as he looks up, he’s filmed from above as he looks straight into the camera. Essentially, the shot recreates Buck’s POV for Eddie, and for him alone. It shows us what Buck would see and how he would stare down, back at Eddie, if he only could. The fact that the camera has to do this instead of Buck himself further emphasizes the horror of Buck being unconscious, but the choice to do this only with Eddie highlights their connection and makes it clear that Buddie’s bond IS different to what the other team members have with Buck, no matter how close the others are to him or how much they love him. What’s insane is that DESPITE having all of the 118 there, there is still a bubble within this whole situation that is Buddie and Buddie’s alone, even as Buck himself is unconscious. It’s no wonder Eddie jumps up that electrocuted ladder without even thinking about it, it’s no wonder no one even tries to stop him or warn him of the danger in that. That is a man on a mission to save the other half of him, and the show tells us that in more than one way.
That’s gonna continue through Eddie’s attempts (and eventual success) in getting Buck away from immediate danger, as well as when the team tries but then fails to revive Buck, because Eddie will be the one to push past Bobby to see Buck, and Eddie will be the one Bobby has to keep in line by assigning him driving duty, maybe the most important thing anyone can do for Buck once all the medical assistance they can give him in the field is of no further use. ~~
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One more thing regarding the comparison with the shooting arc in s4, as well as talking about camera shots, is that we get to see the difference between a platonic friend resuscitating his teammate and a man desperately trying to keep the love of his life alive. If you look at Chim doing compressions on Buck, he’s giving it his all, because he DOES love Buck, Chim’s doing his best for his friend and brother in law. But the shot is not an intimate one, we don’t get close ups, we don’t get to focus on the eyes and see the frantic look of a man who knows he CAN’T fail, we don’t see the intimate touch of a hand laying a gauze on an exposed chest and trying to keep this treasured body together, we do get “come on, Buck,” but we don’t get personal speech, begging the other man to hold on and just “stay with me.” While back in 414, in the ambulance, we had ALL of those as Buck, almost on the verge of losing his sanity, fought for Eddie’s life. ~~
Lastly, I’ve made in the past a gifset of times when we’ve seen Buck screaming Eddie’s name in horror at the face of danger (including in 413), and I love that we can finally add to that Eddie doing the same thing for Buck. But I think it’s particularly meaningful that it happened not as a matter of when Buck would be in danger, but rather it was a question of just how significant Buck had to become to Eddie for this former, highly decorated soldier to go from the stoic man he was in 218 to what we see in 610 (as seen in my latest weekly gifset). Because Eddie WAS incredibly worried back in the s2 finale. He was gritting his teeth, you can see the tension on his face, and the second it was safe, he sprang to Buck’s side. Eddie also held on to him while everyone else was lifting the truck (even though Chim, as a medic, would have been a more natural choice to hold on to Buck, while Eddie the firefighter helps lift engine 118). And Eddie wouldn’t even let go of Buck’s hand on the way to the truck. HE WAS DISTRAUGHT. But the man who kept his facade up in the hospital after Shannon, his wife and mother of his son, died just one ep earlier, did the same thing with Buck. What I find so telling is that he can no longer do that by 610. Buck has become such an integral part of his life, of his family, of who Eddie is as a person and how he deals with life, way more than even Shannon managed to be. And that’s why Eddie loses it, confirming what we’ve known for a while: Buddie are life partners. ~~
I now have direct links to my weekly meta posts, my Buddie gifs and more of my content in my pinned post. Loads of love to @whosoldherout​​ for making unbelievable gifs for my very unique requests. You’re a star! Tag list will follow in the reblog. Thank you in advance for any reblog and like! I’m operating on 1.5 hours of sleep to get this posted ASAP, so I really appreciate any and all encouragement to keep doing this. xoxox
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Am I the asshole for using old conversations to confront someone?
My friend, for an odd reason, has decided to start standing her ground and giving extreme detailed explanations of events that have happened years ago. It started to bother me, because I've been with someone who would mentally abuse me and deny things happening and I was starting to see those red flags with my friend. So, she tried saying I somehow was an avid watcher of this precure meta youtuber, (I'm sorry, I think it's stupid being meta or whatever you want to call it for animes, I couldn't give two shits about it) I asked when did this happen. She started saying it was years ago and I'm confused cause I actually hate precure and think it's stupid sorry not sorry to the fans. She was relentless and tried saying I was a fan of her, which isn't true, I've only saw 3 eps of one season and hated it and never gave it another chance and now even less. So, earlier this year I told her I was playing nintendogs, a copy I got off ebay, despite us still having our copy from when the game was released. (I'm sorry everyone, we're 25+, not a bunch of middle schoolers). She got mad at me and said why am I playing the game despite being a cat person. I told her the game is fun to play and helps distress me. So I asked her how was her play through going since I only bought one off ebay after she told me she got one from ebay. She denied it, she said that never happened that I'm mistaking it. So I pulled up screenshots from discord that were from 2021 and she got angry with me. So apparently I've been trying to gas light her and use things against her, and I'm very confused since it feels like she's trying to manipulate me with events that have happened. Either way, I haven't spoken to her as much, but I think her getting mad I pulled up discord receipts is stupid when she tried claiming I was a fan of a youtuber for an anime I hate and trying to shove it down my throat.
What are these acronyms?
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buddiebeginz · 2 months
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So thoughts on the deleted scene:
First I think Tim has been very strategic about these deleted scenes. Which ones he chose to cut and which ones he’s choosing to release and when. More so than in previous seasons. Like obviously certain things were cut for time but I also think he filmed some of them knowing they could be used later. Like the one with T*mmy didn’t even need to be released or if it did they could have done it when the ep aired but instead they chose to release it much closer to when season 8 is coming. They’re trying to prep the audience for the fact that the B/T relationship isn’t going to last.
Similar to that this deleted scene with Chris and Eddie I think was supposed to be a part of episode 9. They could have released it before ep 9 aired so we would have understood more about why Eddie took Kim on the boat or even after the episode had aired would have worked too but they didn’t. I think that's because the scene isn’t really about Shannon it’s about Eddie and how he views relationships and it’s also about Buck.
Eddie talks about how Shannon wasn’t his first girlfriend. I've seen a lot of people say that's just because the writers fucked up. Especially given the convo that happened with him and Buck in 701:
Eddie: "I married the first girl I dated."
Buck: "Think you might mean slept with. "
Eddie: "Point is, I'm a nester. I nest."
I mean it's possible it was a continuity error but I don't think so. The thing is if Eddie has dated or had a crush on a guy before Shannon he likely hasn't told Chris or maybe anyone that. So it's possibly that's what he was talking about when he said, "your mom wasn't my first girlfriend". It's true they didn't use gender neutral pronouns but given his whole mood when he was talking about this even beforehand it makes me wonder.
He says, "I know the first one's hard to get over but you will." And the way he seems a bit emotional when saying it you'd think he's talking about Shannon initially but then Chris says, "did you get over mom?" That's when Eddie says, "your mom wasn't my first girlfriend."
His emotional response initially could have been him thinking about the first boy he had something with but wasn't allowed to be with.
Then he talks to Chris about meeting Shannon for the first time. I've seen some people say that this is reinforcing Eddie's heterosexuality and his attraction for women and love for Shannon (and no doubt the B/T stans are saying that too). But I don't see that.
He talks about looking at Shannon the whole day but the focus in his his retelling of how he met Shannon is primarily on his time spent with her and how she made him feel. It's not on the physicality of their relationship or how she looked. It's actually Chris that even asks "was she pretty" it's not Eddie who initially brings up her appearance. Eddie responds, "la chica mas guapa del mundo," which I believe translates to "the most beautiful girl in the world". To me the way Eddie talks about Shannon just reinforces what I've always believed and that's that he loves her but was in never in love with her and definitely not sexually attracted to her.
Now obviously he was talking to his teenage son and there's a certain way you're going to talk about relationships to your teenage son than you would to another adult. He's also talking about Chris' deceased mother so that's also going to color how he thinks and talks about Shannon but I still think it's very deliberate in how the show is choosing to have Eddie think about women and Shannon in particular that is connected to his sexuality.
Think about too that this conversation with Chris happened around the time Eddie was seeing Kim and we know that Eddie never made that relationship physical even though Kim likely wanted it to be (she asked him why he didn't kiss her). Eddie also explicitly told Buck that the thing between him and Kim wasn't physical. I say all this because listen to what Eddie choses to highlight about his earliest memory of Shannon:
"We spend the rest of the day hanging out, talking, sitting on a boat out on the water, away from our friends. To be honest she did most of the talking. I was just happy to be near her. We talked until it got dark and everybody went home."
He doesn't say he couldn't wait to hold her hand or we held hands or I walked her home and we had our first kiss or anything about the physical part of that relationship. Just the stuff you'd usually associate with two teens who were falling for one another. I just think it's very telling that his sole focus was on talking with Shannon and that's the same thing he did with Kim.
And then the most important part of this entire conversation comes at the end.
Chris responds, "Penny didn't make me feel like that."
Eddie then says, "Exactly. Someday somebody will and you'll never let them go."
This line to me isn't about Shannon because that relationship just never really worked with them at any time. It was something Eddie was always running from and then even when he wasn't he was using it as place to to hide behind. As the performance of what he thought he was supposed to be. Like playing at a picture perfect family when that was never how things were with them and it wasn't what he wanted. Not with Shannon anyway.
The person he has never run from or let go of is Buck. Him and Buck have chosen one another time and time again. Eddie is talking about a soulmate in that line and that person for Eddie wasn't Shannon. I'm not saying his relationship with Shannon wasn't important it was and it will always have an important place in his life but she isn't the one who knew him the best. Who he could really be his true self with. The person who has seen all of the worst parts of him and loves him regardless. Who pushes him to be the best version of himself. That person is Buck. This is why I think they held off and released that scene so close to when season 8 is coming. This is the season when Eddie will realize that his person his Buck and this conversation will hold even more meaning.
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dangermousie · 9 days
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I swear I wasn't gonna wade into this but...you all know the saying about hell and good intentions.
I didn't even like Queen Woo (enjoy? sure. It was the definition of trashy fun especially with all the massive ff I was doing. But a good drama it was not) but the puritan hand wringing about the sex stuff (people on MDL, never a font of sanity, are discussing that only porn addicts could like this or that this is all a part of evil westerners to pervert pure Korean culture - no really!) has gotten to me.
First of all, I will never understand why all the complaints are about tits and sex scenes and not ALL THE SERIOUS CARNAGE. Like, surely murder and torture are a worse sin than fornication seeing that the former kills people. (We are not even getting into the fact that this is all fictional so like - no real people were harmed or fucked during any of the filmed scenes.)
Second - the concept of don't like don't watch seems to have gotten lost utterly. NOT EVERYTHING IS MADE TO CATER TO YOU AND THAT'S OK. No maker, let alone an entire entertainment industry owes you to make what hits the spot for you. I don't like (most) romcoms and I don't like those 8 ep shows netflix/disney tend to put out, so I don't watch. I don't sit around feeling entitled about being catered to (there is a difference between being wistful a particular drama or a genre doesn't cater to you and entitlement of "how dare they!")
Third - the argument that all the T&A is new in k-ent seems bizarre. In dramas, sure (because before streaming which is a relatively new phenomenon, it was all on TV only and if you go back far enough, there wasn't even cable and they have regs about what they can and can't show. Still, Yaksha was made in 2010 and had plenty T&A because it was on cable.) But have all those people complaining about all that new perversion never watched movies? I remember watching Untold Scandal, made all the way back in 2003 and starring the then delight of Japanese ladies' hearts Bae Yong Joon and the amount of naked sex scenes!!! Or think of A Frozen Flower from 2008 - it has het sex scenes so explicit it makes Queen Woo look like a church picnic and a gay couple making out on screen (another thing I see MDL peeps complain about - I will never be over some genius saying that the gay king in Goryeo Khitan War was evil addition of evil Western values and having to be told the king was actually historically gay.)
None of that is new. The only difference is that now some dramas have that too not just movies because they are on streaming only platforms and thus having the same lack of restrictions movies have done for a long time.
And finally - there are plenty of legitimate criticisms to be leveled at Queen Woo (or pretty much any other show.) Sex is evil is a bad hill to die on. None of the posters would be around to complain if someone somewhere didn't have sex at least once.
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heich0e · 2 years
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bittersweet - vash the stampede/f!reader (trigun stampede): 7k, listen there's only been 2 eps and i don't know the lore so i am loudy and emphatically declaring creative license, in my mind this is set before the start of stampede but not by much, heavy on the wild wild west core here, light angst, smut, fingering, needy vanilla sex, domesticity, mentions of alcohol/alcoholism, boot-throwing related violence. 18+ NSFW MINORS AND AGELESS BLOGS DO NOT INTERACT
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The desert smells bitter.
You wouldn’t think that sand would smell like much at all, but the fragrance that hangs perpetually in the air is heavy, singed, and acrid with the heady scent of life and its misery. Waste and runoff make their unpleasantness acutely known on the hottest days, and the fumes from old machinery that’s barely functioning thanks to age and disrepair—that no one can afford to fix, so they have to hold out hope it keeps running—clogs up the already noxious atmosphere as it rattles on throughout the day. 
Mama used to tell you that outside of Jeneora Rock, the world smelled different. There’s somewhere else past the walls that mark the edge of the only town you’ve ever known, even past the wastelands—a place where almost no one ever goes, but that your Mama saw once. Or at least she said she did.
She told you it smelled clean. Sweet. Untouched by anything but the sun’s heat and the five moons’ glow. 
Mama’s gone, has been for a long time now, and even though she never had much to give to you in the first place, that story is the most precious thing she left behind. You think about it almost as often as you think about her. 
The end of another long day is marked by a familiar heaviness to your bones. Between the suffocating heat that makes you groggy and a hard day's work, there’s a palpable weight that bears down on you as you climb the never-ending metal stairs to your front door—your feet drag a bit more with every step.
The lock to your home is getting hard to turn. You’ve noticed it a few times now: a resistance as you slip your key into the keyhole, a pressure as you urge the mechanism to turn and let you in. There may be sand built up in there to clean out, or maybe it needs some oil.
But oil costs money, of which you don’t have much, so you really hope that it’s the former rather than the latter. 
You examine the keyhole once you manage to force the lock open, dropping to your knees outside your door to peek into the narrow opening on the tarnished face of the lock. It doesn’t do you much good because the sun’s already dropped dark, and even if the light of day still hung overhead you doubt it would be enough to make the issue any clearer. You drag your thumb idly along a little scratch beside the keyhole that's probably been there for years; the metal is still warm to the touch from the heat of the day that still hasn’t quite broken, the surface a little rougher where the score is chipped in.
You sigh, picking yourself up off the ground and dusting off your skirt, and turn the knob into your home. 
It’s dark when you get inside, but something feels wrong.
You shut the door behind you as you enter, pressing your back flat against it as your eyes struggle to adjust to the dark. Your home, like every other one in town, isn’t really much to look at even in the plain light of day. You’re luckier than lots of people though, you’ve got a couple rooms all to yourself where some families have no choice but to cram many people into just one. Papa left you this house, cause now he’s gone too just like Mama, but not much has changed since the day he left it to you—except now there’s less empty bottles rolling around underfoot, and you get to call the little bedroom off the main room yours.
It takes a second for your eyes to get used to the dimness with the door shut tight behind you, so you blink hard to make it happen faster. You see the rickety little table against the wall near the door, and the chair on the other side of the room where you sometimes sit by the window to mend your skirts when they wear and tear—but only when you get home early enough to catch the last few moments of sun, cause Mama always used to warn you about sewing by lamplight. The shutters on the window are closed and locked now, but there’s no light outside them to let in anyway. 
Something shuffles in the dark.
Papa left you a gun, too. Even taught you how to shoot it. Mama hated that. She hated how good you were at it even more. She used to say that shooting was gonna be your husband’s job someday, and that even in a world this wicked Papa was teaching you things you didn’t need to know.
But now Mama’s gone. And Papa’s gone. And the world is still wicked. And you’ve got no husband, but you have a gun you know how to shoot.
You keep it and a little stash of 7 bullets underneath your bed where you can get to it quick, but it’s on the other side of the house, and even though that’s not very far away you don’t know what’s waiting for you between the door and your bed. You don’t know if it’s faster than you are, either, so running for it would be a fool’s errand. 
Inside your chest, your heart starts pumping a little harder, ‘til you can feel the wet thump, thump, thump right in the back of your mouth.
You know you need light. You need to be able to see. You can’t make any decisions until you know what’s between you and your Papa's gun tucked up safe underneath your bed.
Slowly your eyes flicker over to the lamp on your table, just within reach. 
You suck a little gasp into your lungs to steel your nerve. The air is less sour in here—more familiar, a little more comforting—but the acrid scent of the desert still lingers on the edge of each breath. Slowly you reach towards the lamp and flick it on.
“PLEASE DON’T SHOOT ME!”
The frantic plea frightens you so terribly that it sends you tumbling to the hard floor, landing flat on your ass with your back thumping painfully into the wall beside your door. In front of you is a face that has no right being as familiar as it is; eyes wide in panic beneath a round pair of glasses, blonde hair tousled in disarray, two hands (one flesh and one crafted) lifted in innocence. 
Your heart is beating even faster now under the tight pull of your laced waistcoat. 
“Are you an idiot?” you hiss, instinctively tugging your boot off your foot and lobbing it forcefully at the unexpected intruder. “You scared the daylights outta me!”
The man sidesteps the projectile easily, and it clatters to the floor. The expression on his face morphs from one of panic to something a little more chagrined.
“Sorry, sorry,” he says, drawing out the word. His tone sheepish, and his lips pull into an apologetic little smile.
You place a trembling hand on your chest, pressing down on the spot where you feel your heart thumping the hardest and willing it to slow. You stare at your scuffed floorboards and take a few breaths to ease the frenetic beat of your pulse, and feel yourself begin to wilt as the adrenaline in your veins starts to fade. 
“How’d you get in here, Vash the Stampede?” you ask, looking up again at the man in front of you from your place on the ground.
“I knocked first,” he says with a grimace, “but you weren’t home and I…”
“Broke in because you’ve got someone looking for you?” you finish his explanation for him, your tone flat and entirely unsurprised.
He sighs, shoulders slumping dejectedly as his head hangs forward. 
“I didn’t know where else to go.”
He lifts his chin only enough to guiltily meet your gaze.
“It’s just for one night,” he murmurs the plea, his bottom lip weighed down by a pout.
You shut your eyes tight, hands balling into fists over your skirt to hide the way they tremble.
“Fine.”
Vash falls to his knees in front of you, hands pressed to the floor as he gets right up in your face with a wide, cheerful grin. He’s almost nose to nose with you, the light of the lamp glinting in his glasses.
“Thanks so much! I promise I’ll be outta here before you know it!”
He doesn’t need to tell you that, because the pang in your empty stomach tells you that, even unspoken, you already knew it to be true. 
Vash is travelling light again, just like the last time you saw him. He’s only got one bag that he begins to unpack onto the rickety table in your kitchen, leaving you to quietly go about your own business like you would if you hadn’t found him in your home that night. On the other side of the kitchen you unpack the meagre amount of food you’d managed to buy for yourself that day from little satchel you carried it home in. It’s barely enough food for one, and now you’ll have to stretch it between two. 
“Where’s your father?” Vash asks as he fiddles with his gun at the table behind you. “I thought it was him coming through the door, and I thought for sure he was gonna blow my—“
“He’s dead.”
The silence that follows is heavy. Uncomfortable, even. Vash’s hands still even as yours keep quietly peeling the sad, withered skin from the vegetable in your hand with the blade of a half-dulled knife. 
“I’m sorry,” his next words are quiet. “Your father was a nice man.”
“My father was a drunk who got himself shot in a bar fight with a merchant who came to town and was talking big. He just worshipped you because you saved the plant.”
That same uncomfortable silence creeps in again in the wake of your words, but after a few moments you hear Vash pick up his tools and start tinkering away at whatever he’s working on once more. 
“Is the plant still running?” Vash is the first to speak again, though a fair amount of time passes before he risks another attempt at conversation.
“More or less,” you remark, setting a little pot on the stove to boil with whatever ingredients you’d been able to scrounge together into a meal. You watch the flame of the element burst to life as you flick the switch, a little hiss as the fire licks at the edges of your only copper pot. “Some days it’s more reliable than others. But whatever you did seems to be holding up all right.”
“Good!” Vash says behind you. “That’s good.”
You turn to face him, the unevenly mended hem of your skirt swishing around your ankles. You lean against the little countertop behind you, with your arms crossed behind your back.
“I’ll pop by the plant before I leave town—” 
You watch as Vash’s fingers nimbly fiddle with his gun, broken down into its component parts to be cleaned and maintained. You’re sure it doesn’t need it—are certain he’s fired less shots from that gun in the two years since you’ve seen him than you’ve heard in town this week alone—but it’s kind of nice to watch him work, to appreciate how certain and precise his every move is, and to see how concentrated he is while he goes about it. 
“—just to make sure everything’s still in good shape.”
He looks up at you, like for the first time he feels your gaze as it traces the lines of his profile. He smiles again, that same wide, willful expression of cheer that he always endeavours to wear even though he might be the person least entitled to it.
You hum. “I’m sure everyone would appreciate that. You should stop by to see Rosa too, she’ll box my ear if she finds out you blew though town and didn’t go see her.”
The two of you eat across the table from one another in silence. Just the scrape of cutlery and the occasional loud swallow passing between the two of you. Vash seems hungry, but appears to be trying his best to be at least a little restrained as he eats with you. Even though you’d given him the larger of the two portions, he’s still finished his plate before you’ve finished yours, but he sits patiently across from you waiting for you to swallow your final bite.
“I’ll take these,” he jumps to his feet before you have the chance to even push your chair back from the table, snatching both of your dishes up into his hands. “I’ll clean up, since you’re letting me stay.”
You don’t deny him, and instead slump back into your seat, dragging your wrist along your forehead. Your skin feels grimy from the hot day and the filth outside. Normally you would have bathed before you cooked, but you hadn’t eaten a proper meal all day—and Vash looked like it may have been even longer than that. 
“I’m gonna wash,” you say, standing from your seat. You pause, your fingertips tracing against the rough, rutted surface of the tabletop. You know you don’t have enough water for two baths in your tank. You used to bathe with your mother when you were little, then once you were older and Mama was gone, you got the bathwater first and Papa would get in after you were done. It’s never been an issue until now. “Er—Vash?” 
At the sink where your uninvited house guest is scrubbing at the dishes in the washbasin that you’d filled ahead of time, Vash pauses, glancing at you over his shoulder. He’s taken off his familiar red coat, left hanging off the chair he’d been seated in at the table, and the black turtleneck he wears beneath it stretches taut over the musculature of his back as it faces you.
“The bath… there’s only enough water to fill it once. I don’t…Do you want…?” you aren’t sure what you’re even trying to ask him, but whatever is coming out of your mouth is even less clear than the thoughts running through your head.
“I’ll bathe second, don’t worry about me.” 
Vash’s smile is gentle and obliging, his eyes crinkling at the corners as they narrow into little crescents. You nod stiffly, feeling heat flush through you at the softness in his expression, and shuffle off towards the other side of your home while avoiding his gaze.
The walls of your home are paper thin, and you’re certain that Vash can hear the splash of water in the tub as clearly as you can hear the scratchy, garbled sound of his radio from the other room. Once your skin’s been scrubbed clean of the day, you sit in the water with your knees pulled to your chest and your chin tucked between them. You strain to try to make out what’s being broadcast, but it’s difficult to hear since the reception in town is always so piss poor, and whatever coherent bits of news you manage to catch are just as abysmal as always.
It’s strange, hearing someone else in the house. It’s something you didn’t realize had become so foreign to you in the time you’ve learned to live alone. The idle puttering in the other room is a sound you didn’t realize you had missed. You lean back and dunk yourself into the water, where everything goes quiet. 
The bathwater never gets very hot to begin with—tepid at the best of times, which seems unfair given the climate—but you know it’s not fair to waste time in the tub when someone else is waiting for it. You pull yourself up out of the metal basin, careful not to disturb the stopper in the bottom of the tub, and dry as much water from your skin as you can. Once you’ve deemed yourself sufficiently towelled, you pull on your nightdress and a threadbare housecoat overtop.
Vash looks up from the chair in the corner by the window when you emerge from the bathroom, and he meets your eyes so unwaveringly it feels decidedly like he’s trying hard not to let his gaze wander elsewhere. You fidget under his stare, fiddling with the fraying ends of the towel around your neck that’s catching the droplets that fall from your hair. He must realize that he’s unnerving you, because he averts his eyes to a point on the wall over your shoulder after a moment. 
“My turn?” he asks, his tone chipper but polite.
“All yours,” you nod, stepping into your bedroom and leaving him to his business.
There’s an old trunk at the bottom of your bed where you keep some of the things your father left that you haven’t yet been able to sell or make use of. You find an old shirt of his near the very bottom, soft and worn-thin from years of washing. It’s something you could have easily sold or traded by now, but that you couldn’t quite bring yourself to part with—though you’re certain the day will inevitably come when sentimentality can no longer outweigh your basic needs.
You stand outside the bathroom door for a moment, your father’s shirt clutched tightly in your hands. You can hear the splash of bathwater you’re sure has gone cold from where you stand, only a few feet and a thin door between you.
You muster your nerve and tap your knuckles lightly against the door.
“I have a shirt if you need something to���“
The door opens, and you find yourself unexpectedly facing the bare chest of your one-night housemate, still damp and glistening from the bath, lined with silvery scars that the low light catches on.
You toss the shirt at him unceremoniously and turn quickly away, and Vash himself makes a little sound of surprise.
“Sorry, I didn’t expect you to be—“
“It’s fine,” you answer before he can even finish his apology, still refusing to meet his gaze. You gesture vaguely over your shoulder without turning. “Just take that.”
The bathroom door clicks closed again, and you clutch the belt of your housecoat over your diaphragm. 
You need a drink. 
You cross your home to the cabinet in your kitchen, reaching to the back of the nearly-bare shelf and pulling out a dusty old bottle that’s been there since your father died. It wouldn’t have lasted a day if he were still living, and you’ve made it years without ever so much as cracking it open. 
Today however, you feel it’s well-deserved. 
The dust caked on the bottle smears against your palm as you open it, and you wipe the grime furiously against the material of your housecoat as you pour a long glug of the amber liquor into a waiting glass. It’s vile, lukewarm from the constant heat of your home, and burns every inch of the way down—but as you set the empty glass back onto the counter, you still find yourself grateful for it. 
You pour another drink. 
“Take it easy,” you hear a voice say behind you, accompanied by a breathy little laugh.
You turn and see Vash hovering not far from you, his black turtleneck folded over one arm and your father’s shirt over his no-longer-bare chest. His hair is wet, a towel draped around his shoulders just like yours, and he’s taken off his usual eyewear. The mole underneath his eye seems more prominent now that he’s scrubbed himself clean.
Your empty glass dangles from the tips of your fingers, the acerbic taste of the liquor lingering on your tongue. You hold it out to him in offering, and he scrunches up his nose a little bit. 
“I really shouldn’t—“
“It’s rude to turn down a drink your host is offering you, y’know.”
Things like rudeness don’t mean anything to anyone these days, least of all yourself. Decency is a luxury few people can afford. 
Vash sighs, still smiling, and takes the glass from you. Your fingers brush as it passes from your hand to his, and then you take the bottle and pour another healthy splash into the waiting cup. He brings it to his lips, wincing against the fumes alone that waft up from the glass. 
“It’s better if you don’t sip it,” you offer him, though even then you know the guidance doesn’t help much.
He tips it back and drains it.
Two drinks were enough to have you feeling woozy, but you pour yourself a third for good measure. You spare Vash the pain of another, much to his apparent relief, and let him off with just the one before tucking the half-drained bottle back into the cupboard you’d dug it out of. 
When you turn around again, Vash is crouched down, examining something on the ground. 
Your boot. The one you’d thrown at him earlier. 
He peers up at you from the floor, he lifts the shoe slightly. 
“It broke again.”
A memory floods back to you then, unbidden. 
Sitting side by side with Vash on the edge of the steps outside the same house you live in now, but when the way you lived was different. The plant had just been repaired, and there was a palpable feeling of effervescent joy sizzling through the town around you. An uncharacteristic camaraderie amongst the people of Jeneora Rock as the celebration of Vash’s handiwork spreading through the narrow, grimy streets. The two of you were away from it all, sitting quietly together in a strange sort of celebration of your own.
You were less a woman than you were a girl back then, but still somehow neither. He’d patched the sole of your boot back on when it had ripped loose. And you’d laughed when he handed it back to you with an endearingly clumsy flourish, the sound as high and bright as the sun that hung in the sky overhead. You still remember the way your laughter had made his smile grow.
The patch job had lasted a year. You’d sobbed the day it came loose again, just shortly after the death of your father. You’d been using twine tied tightly around the toe of the boot to hold it together ever since.
Vash blinks up at you from the ground as you stare down at him with what you’re sure is a vacant look in your eyes. 
“I brought you something,” he says, hopping up and skittering over to his rucksack with your boot still in his hand. He rifles around in the bag for a moment, his mechanical arm shoulder deep as he roots for what he’s looking for. His eyebrows shoot up and he grins when he locates it—a wide, brilliant smile splitting across his face as he pulls his arm out. 
He holds his find up in triumph. 
You look at it with narrowed eyes.
“What… is it?” you ask, after a moment of trying to identify the small, relatively unremarkable little container in his hand.
“Boot glue!” he says excitedly, waving it in front of your face. “I thought of you when I saw it! The merchant wanted an arm and a leg for it but I managed to—”
Tears have sprung up in your eyes against your will, and you quickly turn away from him to hide them from his sight. 
“Hey, are you okay?” Vash’s voice is softer now, less enthusiastic and more concerned. 
That softness is what upsets you more than anything. Tenderness is a foreign thing in the desolation of the wastelands.
“Thank you,” you say quietly, scrubbing your hand over your stinging eyes. 
For thinking of me.
For knowing that you’d come back.
You leave that part off, but you feel it just as much as what you say.
You drain that third glass that’s been sitting on the counter waiting for you, hoping the burn of the liquor as it sloshes down your throat to your stomach will give you something else to focus on. Or, if nothing else, that it might numb the sudden pain that’s laid roots down in your core.
Vash sits at the table as he patches up your boot under the lamplight, much like he had the first time. You watch him from the chair in the corner, under the shuttered window, with your knees drawn up into your seat with you. You’re more shameless now than you had been while he cleaned his gun, observing him keenly as he scrubs your boot with a rag and leftover water from the dish pan. He makes sure no more grime clings to it before he carefully smears a thick layer of the glue along the sole, pressing down firmly to make sure the adhesion takes. He holds the boot up in front of him when he’s done, his tongue poking out from the corner of his mouth, eyeing it from every angle to survey his own work.
You watch him just as raptly. 
He turns in his seat once he’s satisfied, holding the boot up. 
“All done!” he says, hopping up to his feet and shuffling towards you. He crouches down in front of you and holds out his hand expectantly. Slowly, you stick your foot out, and he cradles it gently in his roughened palm.
Carefully he slips the boot onto your foot, tightening the laces once it’s fully in place. 
“How’s it feel?” he asks you, peeking up at you from his place on the floor. 
“Feels good,” you reply, with an equally breathy tone. 
The lamplight doesn’t reach this corner of the room quite as brightly as it does at the table, but you can still make out a blush that sits high and pretty at the top of Vash’s cheeks. You wonder if he’s starting to feel the flush thanks to the liquor, or if maybe it’s something else entirely. 
“G-good!” he stammers a little, fiddling with the laces at your ankle. “I’m glad!”
“That glue must have been expensive,” you say. “Thank you, Vash.”
He shoots you a smile as he loops his fingers through the laces. “It's the least I could do, especially with you putting me up for the night.”
For the night. 
Just for the night. 
The reminder makes you ache a little.
Vash helps you slip your boot off again, carrying it over to the door and setting it down beside its mate.
“I’ll leave this here for you, in case you need it again,” he says, screwing the top back onto the little pot of adhesive at the table. “There’s not much left, but there’s some.”
You nod from your seat in the corner, one leg up and one leg still down—your nightdress drawn up to your knee from when he’d helped you into your boot. 
Vash ruffles the hair at the nape of his neck, dry now after his bath. Yours remains a little damp, but you’re sure it won’t last long as the residual heat from the day still hangs in the air even though the sun has long set. 
“It’s late,” he finally says after a moment. “You should sleep.”
You hum in agreement, moving to stand from your chair. The room spins slightly around you, those three glasses you’d knocked back sneaking up on you while you’d been sitting down. Your foot hooks in the hem of your nightdress because of the way you’d been sitting, but before you can stumble theres a strong arm wrapped around your waist to keep you steady. A warmth pressing into you as your face meets a heaving chest.
“Let’s get you to bed,” Vash murmurs, his grip on you tightening for the briefest moment. 
Your hands clutch at his shirt, and you don’t meet his eyes as you nod, letting him lead you towards your bedroom. 
Your hands fumble at the belt of your nightdress, pulling it off and tossing the garment across the end of your bed as Vash helps you onto the mattress. You tuck your feet under the thin sheet before leaning back against your pillows, and Vash is quick to turn and head towards the door after helping you pull it up to your waist.
“Wait,” you call to him before he can retreat. He pauses in the doorway, glancing at you over his shoulder. “Where are you going to sleep?”
You hadn’t thought much about this, and you ought to have considered it earlier. You only have the one bed, but you have two pillows you can share and a spare blanket in the trunk at the end of it that you could offer him if he wants to sleep on the floor. 
But you don’t want to tell him that.
“I’ll just take the chair,” he says with a blithe smile, jutting his thumb towards the armchair in the other room. 
It won’t be comfortable. You know that from experience, having fallen asleep there a few times yourself after a particularly gruelling day. The stuffing is lumpy and the springs are painful if you press against them the wrong way. You know he won’t complain about it. You even know that it’s probably still more comfortable than lots of other places he’s rested his head over the past two years. 
But you want to be selfish.
For once you don’t want to be alone. 
“Vash,” you say quietly, and you watch his entire body go rigid at the sudden bare vulnerability of your tone. “Please stay with me.”
You’d asked him the same thing once before, but different. The words once murmured desperately against his lips as you clung to his red jacket. Staring at him with eyes full of hope and a freshly patched boot on your foot. 
He’d looked at you the same way back then too. That smile that doesn’t reach his eyes. As gentle of a no that he could ever offer you.
“I know you have to leave,” you murmur, eyes downcast to your hands as they rest atop your lap. “I don’t expect anything like that from you. I know it’s just for tonight.”
“Please don’t cry.”
The bed dips beside you, and Vash tilts your face up towards him. He looks troubled when you meet his gaze, even in the dim light of your bedroom you can make out the conflict on his features. It’s strange to see him not smiling, wrong almost.
But your eyes are dry.
“Stay,” you repeat yourself, meeting his gaze resolutely. You swallow hard over the lump in your throat, bracing yourself for the impending sear of rejection. 
Vash cups your cheeks in his hands, and you can’t tell if it’s your cheeks or his touch that feels so warm.
“You deserve someone that can say yes to that and mean it properly,” he says ruefully, not dissimilarly to what he’d said the first time you’d asked the very same thing of him.
“I’m not asking anyone else,” you whisper, “I’m asking you."
You wonder if your mouth still tastes like liquor as Vash’s tongue dips inside of it, hovering over you as you lay sprawled across your bed. 
It didn’t start like this, of course. The first kiss had been gentle, hesitant even—like Vash wasn’t quite sure if he was going to see it through at all, poised to flee at any moment. But neither of you could deny how right it felt when his lips brushed yours, an immediate wash of relief and of unadulterated want inundating you all at once. You’d been the one to crane up and bridge the gap, but soon Vash was crawling into your bed overtop of you, easing you back to lay flat as he succumbed to the same need you felt thrumming through your veins.
Your hands are tangled in his hair now—a gesture that earned you a pitchy, needy little groan from him as your fingers twisted through the blonde strands. It only seemed to make him more eager as he parted his lips against your own in a deeper kiss.
There’s something a little clumsy about it all, an eagerness and inexperience to every touch and graze. But it’s not the same as it was at first, no longer hesitant or wary—his reservations have been peeled away as surely as the clothes the two of you are wearing, until you feel nothing but his skin against your own.
Vash’s hands are as greedy and rapacious as his mouth; touching, grabbing, grazing anything he can reach. His calloused fingers cup themselves around the swell of your chest, squeezing lightly, and when you reward him with a little moan it stokes the flames of his curiosity, and his touch moves to the pebbled bud of your nipple next. He rolls it tentatively between his fingers, pinching ever so slightly, and when you gasp against his mouth, arching further into his touch, he makes his own little pleased sound of surprise before lavishing your other breast with equal attention. 
His metal hand touches you more gingerly than the other, and he tends to favour the one made of flesh and bone. The contrast in sensations is a little disorienting—smooth, hard metal versus the life-roughened heat of skin on skin. It’s dizzying. You want more.
“Vash,” you murmur against his mouth. 
Your lips are stinging now from the constant kissing. He’s scarcely left your mouth uncovered by his own since they first connected, but at your hoarse whisper of his name he pulls back slightly, watching your face for any sign of reproach. 
“Touch me more, please,” you say to him, cupping his cheeks as he presses his forehead into yours, both of you sharing the same breath in the little space between you.
He makes a sound halfway between a grunt and a hum, nodding a little, and kisses you again as his hands slip further down your willing, waiting form.
If he’s surprised by the wet wet heat he finds between your legs, it doesn’t stop him. One finger and then two find their way inside you slowly; he moves in gentle thrusts and scissoring motions that have your jaw going slack. His palm presses against the swell of your clit, and each time your hips jump it grinds into the heel of his palm, earning a keen from the back of your throat.
“Feels good?” Vash trails kisses up the top of your cheek until his lips are by your ear. His breathing is laboured and the air of each breath is hot as it ghosts across your skin. Your tongue feels leaden, but you nod repeatedly, wrapping your arms around his neck and keeping him close.
“Yeah,” you finally manage to breathe out, “’s good.”
It’s even better when you feel the stretch of him pressing himself inside.
The sound that’s pulled from the depth of Vash’s broad chest as he carves his way into you makes your toes curl—high and sweet and desperate.
“’S hot,” he slurs, his hips giving a shallow, desperate thrust.
He’s needy, pulling you closer as he moves you how he wants you. He loops your knees up over his elbows, his mouth frantically finding it’s way back to yours as the weight of his entire body bears down on you. 
The next thrust is harder, deeper. And the pace only increases after that.
The rickety headboard of your old bed knocks against the wall each time he brings his hips down against yours. It’s loud, but so is the sound of skin on skin, and you have the distant thought as the bed frame creaks that it sounds like it might splinter underneath you—but you don’t find it in yourself to care as the pressure in you core steadily builds, threatening to burst. It blinds and deafens you to anything but the pulse that pounds in your throat. It makes your fingers curl against the skin of Vash’s shoulder blades until your nails dig into skin.
He’s still kissing you, wet and messy and noisy as his tongue presses into your mouth. He never stops kissing you.
It's nice to be with someone. To be touched. To feel wanted and needed.
Especially by him.
Your eyes flutter open, and as though he can sense your gaze on him Vash’s do the same. His expression is heavy-lidded as he pants, a little drop of sweat sitting high on the edge of his blushing cheek. He smiles a little, a soft, gentle expression you’ve never seen before.
A tenderness in his gaze unlike any you’ve ever experienced.
The pressure in your core comes undone.
He takes your face in his hands as pleasure rips through you like a sandstorm, blistering and unescapable. He’s still kissing you. Keeping you so near. In the haze it’s hard to tell where you end and he begins, everything clouded into something thats both and somehow neither. Something new.
“Close,” Vash whines, grinding his hips down against your own.
Your muscles ache, the pleasure has worn you raw, and your lungs are pricking with the need for a full deep breath you haven’t been able to draw into them now for some time. But even so, you don’t want it to be over. Can’t bear the thought of being apart.
The headboard rattles a few more times, and then the pressure between your legs is gone as Vash pulls out and spatters his spend across your stomach with a long, low groan.
It’s hot. The mess on your skin, the sweat that clings to you, the paltry breaths of air you draw into your lungs. Even the sheets of your bed have absorbed the heat from both of your bodies, sticking to your skin as you collapse into them in boneless heaps, chests heaving and hearts racing side by side.
You tilt your face towards the boy crowded into your narrow bed beside you, and find him watching you expectantly.
“You okay?” he asks, brushing a piece of hair away from your eyes.
You hum, leaning into his touch.
Vash’s gaze travels down your body, eyeing the mess he’s made of you with wide eyes. He pops up suddenly, clambering out of bed and tripping clumsily over the sheet that’s fallen half-way off the mattress as he skitters out the door. You’re not too worried that he’s going far, considering he’s still stark naked, but you watch the doorway curiously as you wait for him to return.
When he does, he has a cloth in hand—still damp from your bath earlier in the evening. As gently as he can, Vash cleans you up; the cloth cool is against your sticky skin, and feels nice. Once he’s satisfied with his handiwork, he presses a kiss to the valley between your ribs, lifting his face to smile up at you.
You shoot him a feeble smile back.
He slips into bed beside you once more, crawling up towards the pillows and pulling the rumpled sheet up to your chins as he goes. He settles in, and with one sweep of his arm he tucks you safely against his chest, with your ear resting over his heart. His hand pats gently along the back of your hair down your spine, keeping you close to him.
Vash smells good. Clean and comforting. It makes you think of the place your mother told you about once. You wonder if he smells like that place, or maybe even better.
You wonder if he’s ever been there before.
You wonder if he’d tell you if you asked.
You open your eyes, though the effort pains you in your exhaustion, and you see him peering back at you. Vash’s lips pull into a smile, but it's one of the ones that doesn’t quite meet his eyes. An expression that you know is more for you than it is for himself.
You think the two of you have a lot in common, then. That maybe the two of you understand the same loneliness. The same feeling of being haunted.
Your ghosts live on in the trunk at the end of your bed and at the back of your cupboard, covered in dust, tucked away out of sight. 
Vash’s live on inside of him, and it’s where he seems determined to keep them. 
In that moment you know that even if you were to ask, he’d tell you nothing—and he’d do it for your own sake.
Tomorrow you’ll wake and the air will smell bitter and burnt, and he’ll be gone, but your boot will be mended, and the little pot of glue will remind you he was there. But tonight you’ll dream about the place your Mama told you about, and tomorrow you’ll still have the smell that clings to your sheets. So for now, the world smells different. 
And that has to be enough.
1K notes · View notes
brekwrites · 3 months
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Moon’s deterioration as depicted in the thumbnails
So, I don’t claim to know what’s going on in the current SAMS arc bc I truly have no idea, but I have seen some people mention some of the glitch effects and how Moon has gradually acquired a purple glow and thought it was interesting. So I went back through the thumbnails and noticed some stuff that I’m gonna dump under the cut. Fair warning, this is long.
So, starting all the way back with the ep where Dark Sun gives Moon an ominous hint and then fucks off:
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Dark Sun drops this info, which he already knew and could have revealed at any time, and keeps it purposely vague so there’s still some confusion and no immediate action taken. Then he gets in his purple portal and fucks off.
The delay in him giving the information and purposeful vagueness almost make it seem like he’s stalling for time so Ruin can complete his plan, but we know he’s not actually working with Ruin because they don’t interact until later, and even then he’s using Ruin against his will as a pawn more than anything else. If he’s not working with Ruin, he must still have something to gain from his plan working; either the death of the creators, the death of Solar, or both.
After this, Ruin’s true nature is revealed and yadda yadda:
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These are both action packed thumbnails with big shocking reveals, and I want to use them to illustrate a point. Despite the fact that there’s lots of stuff happening visually, there’s a difference between these thumbnails and this one:
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The thumbnail for the episode with Solar’s death has a big heart monitor/heartbeat symbol. Also, Solar is glowing a slight purple color as he fades away (and missing two fingers). I’m not entirely sure if either of those facts are significant, but I do think the heartbeat symbol is.
After Solar’s death, the next big plot points are:
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Dark Sun planting the idea that Moon’s proposed way won’t bring Solar back, but there’s another way that will, and then telling Eclipse that method and jamming a chip in his head to 1) slow him down and keep him from bringing Solar back too quickly, and 2) keep Moon from being able to sacrifice him for the equivalent exchange method.
So, Dark Sun just planted the idea of bringing Solar back, while also ensuring it only happens when and how he wants it to. Considering he also took measures to make sure the events leading to Solar’s death occurred in the first place, this is interesting.
While this is happening:
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Moon talks to his old self, which punches him right in the insecurities and kickstarts his obsession with keeping his family happy. It also gives him a connection to Old Moon that he didn’t have before, which becomes more of a thing later.
While Moon is doing this:
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Molten steals Ruin, so when Moon wakes up he realizes he’s lost the resource he was using to research ways to bring Solar back. On top of that, he finally realizes what exactly bringing Solar back will entail—a sacrifice. And he’s just lost the most morally justifiable person he could’ve sacrificed. So he loses it.
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In this episode, Moon breaks down bc he’s been pushing himself to bring Solar back. He misses him and just wants to see his family happy and whole again. He’s also upset about the fact that he’d have to kill someone to get Solar back because he DOESN’T want to do that.
When Eclipse wanted to kill Ruin after finding out he’d build him, Moon told him no and specifically said who are we to decide who lives and dies. This was right after Solar’s death, and he still didn’t want to kill him. Now, he has a logical reason to do so and is STILL incredibly conflicted about it. He’s crying and breaking down like he knows he’s already lost Solar for good because he lost Ruin, who is one of his only options for bringing him back. (Also, it's possible that he knows deep down that he wouldn't be able to bring himself to sacrifice him even if he was there, or that his family wouldn't want it.) After this breakdown...
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Moon has the hallucination/waking dream where he sees what could have happened if Solar survived, which is the beginning of the end for him. After this, he struggles to figure out what's real and takes a turn for the worse. And here, in the first (lore) episode Solar has been in since his death, we see the little heartbeat symbol again.
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Meanwhile, Dark Sun rescues Ruin, sticks a chip in his head, and sends him back knowing that Moon won't be able to use him to bring back Solar. (Also, Ruin is glowing and flaking like Solar was, but his glow is teal. Teal seems to represent star power, possibly, because it's often there when Lunar uses it and it's present in the thumbnail of the later episode where Moon uses it. Not sure if this is relevant tho or if it was just a fun design choice here.)
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Moon is starting to lose it, decides he'll do what he has to do to keep his family happy regardless of whether they actually want it and even if it makes them hate him. This is also the first time we start to see the glitchy imagery used in the background.
Importantly, this is when his actions start to contrast his earlier feelings. He decides to bring Solar back by any means possible and to sacrifice Ruin, which he specifically did not want to do before.
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After he makes this decision and realizes Ruin is back, he goes to recapture him, initially with the intent to use him as a sacrifice. When he finds out he can't, he's livid. This is the first time we've seen him act on the violent impulses he's had, and it's also the first time we see the eye on the darker half of his face hidden.
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After that, Moon starts to gradually get... purpler. Here, he's surrounded by it, but not really purple himself, and both eyes are normal as he keeps up the facade around his family.
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But Eclipse gets a glimpse of what's actually happening when he goes to get evidence for Earth. Moon threatens him, and he reveals the Dark Sun did something to him, too, so he also can't be used as a sacrifice. This is when Moon sets his sights on Bloodmoon. Even more glitch imagery and purple shading that's starting to creep across his body, little red corruption lines on his face, and once again his left eye is obscured.
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Once Sun realizes just how bad things have gotten, he starts to plan against Moon. Here, Moon is fully shaded purple and both eyes are obscured. (Maybe possibly because this is technically Sun's mental image of him, and Sun isn't entirely sure what he's dealing with yet and doesn't know what Moon is thinking?).
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Then, in the episode where Moon sees Old Moon, he's finally glowing. As Old Moon grabs him, the eye on the lighter side of his face glitches. Also, we see the return of the little heartbeat symbols because this is the first episode where Moon sees the hallucination of Solar, even though he's not in the thumbnail. This picture is also good for contrasting Moon's typical color pallet with his purple-hued one.
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Moon resists the advice of his conscience and goes to harass Eclipse. He breaks his fingers (noticeably the same ones Solar was missing), which is arguably the cruelest thing he's done yet (considering he choked Ruin, who murdered his friend, but he ripped off Eclipse's fingers when this version hasn't done anyone any bodily harm and was helping Earth). He's still glowing purple, and his shadow shows TWO red eyelights.
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Once Sun captures him, their conversation is at least somewhat civil, even if it's not great. Moon is still glowing here, and we see one red eyelight on the dark side of his face, but his light eye is normal. This is also another episode where his conscience argues against him in the form of Solar, and he struggles to rationalize what he's doing.
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After escaping and fully committing to being the villain, he's glowing an even darker purple and both eyes are glowing red.
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When he tries to kill Bloodmoon, he's still glowing purple, and his eyes are still glowing red. This is also where he realizes he doesn't care if he hurts Earth (hence no normal eye on his lighter side). He admits that he was bluffing a bit before when he said it, but not anymore.
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Finally, Dark Sun convinces Moon to go with him. He's still glowing purple here and one eye is glowing red, but the eye on the light side of his face is normal. This makes sense, because we see him fighting with himself over what he did in the beginning of this ep. He allows Dark Sun to remove the chip and even suggests for a moment that they could be brothers, which I feel speaks to how much he does want his family deep down, even if he says he doesn't.
While we can't say for certain that the removed chip was Old Moon, I think it's a reasonable theory considering they've started talking about the chip in relation to Old Moon and how Monty said he'd need to make a replacement chip, which Dark Sun also mentions. Once the chip is gone, Moon feels free of his inhibitions, which would make sense if Old Moon was trying to stop him and fits the eye imagery. Finally, I think it's interesting how Dark Sun is glowing yellow in this thumbnail and how he's been depicted with red irises on white sclera, while the corrupted half of Moon's face is depicted as red irises on presumably black sclera. Parallels, and all that.
So, yeah, I think it's a good bet that whatever is going on with Moon was Dark Sun's goal all along, although idk for what purpose. Also, I'm not sure if he did anything to Moon, either by giving him a virus/program or by triggering some of his hallucinations, or if it was the situation itself (which he engineered, but not completely) that caused Moon to snap without any direct interference. Either way, I think that Moon is being taken over by 'the Purple,' and that whatever it is, it's beneficial to Dark Sun's plans.
Finally, one last thing I noticed is that the Purple is not just Moon indulging in his more destructive tendencies alone, because he looks perfectly normal during the rage room episode.
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So I do think that this is likely something more than just Moon himself falling off the deep end. That definitely doesn't excuse his actions, but it does suggest that there might be something more going on and he might not be fully in control of himself.
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