#which is the only reason this post exists

[astrofhobia]

Post-Mortem AU

It would be amazing to have a Tsams AU based on mexican culture, where real moments from the history of that country are interpreted... WAIT

PUM 💥💥 I'm here.

I started designing these guys again a bit, I didn't really like their first designs that much, but I definitely like these ones.

For now, we have three, the most important ones, within this messy story.

The Sun, The Moon and The Eclipse

I want to give a little information about these silly guys, also some fun facts.

Sunrise

Sunrise. Called "Life" in this AU. Life is the third child of the "Creator" and the youngest. His older siblings are Lunar and Earth. He was born when a star appeared in the universe, the brightest and largest star the universe had ever seen, for this reason, he is considered the god of light, the god of the sun.

His purity caught the attention of "Creator" and he proclaimed him as his son.

Life's arrival brought many changes to the universe. And thanks to him, he convinced the other gods to create things that would worship them, based on the perfection of his father. Life called them "humans" tiny humans who lived on a balanced planet, the Earth.

Sun brought mankind. And mankind called him "The god of the creation" "The god of the Sun" "The god of the life".

Sun used to rule the earth. That was for a long time... Until things started to go wrong, very very wrong.

Moondrop. They used to call her "Death" in this universe.

She was born when the first human died. The bones of that human had joined together into a sticky mass which had formed a body and finally, a consciousness. "Creator" didn't consider her a daughter of purity. But "Killcode" did, he proclaimed her his daughter, his little daughter.

She didn't usually communicate much with the other gods, she always, always kept her distance, in her own bubble.

She used to have a kingdom, "Mictlán", where the souls of humans could rest for eternity. The place used to be quite... Depressing. Souls rested... But the place was completely alone, filled with the bones of humans and only Death there...

Something you really should know. She's not here anymore.

Eclipse. Called "Death" in this AU.

War. It was his first name. He was born from Killcode's blood, the drops of red blood fell. They formed a large puddle. And from that puddle, War appeared.

Creator considered him a god... different. He really repudiated his existence. But Killcode didn't, he called him his son. His first son.

Nobody knows that. He just appeared one day with the other gods.

His arrival was controversial. The gods called him "A mad god"...

Actually, Death has forgotten most of his past. He doesn't really know how he existed, or why he is the "god of death".

Fun facts

Death has the same personality as Eclipse (EAPS).

Death (Eclipse) often has constant nightmares. Surrounded by fire as his metallic body slowly burns until he wakes up, locked in a room without light until darkness consumes him completely, bloodcurdling screams of children, etc.

Death's body parts constantly fail, they just stop working for no reason. It's something... really annoying.

Death feels nauseous at the sight of blood, he really can't stand it.

Death is uncomfortable being around a lot of children, he doesn't really know why. He is not bothered by noise, if they are dirty or naughty, he simply cannot be with children for a long time.

Death is the current prince/god of Mictlán.

Death doesn't like the rain.

Death and Life live together on Earth. They live like normal humans, in a lower-middle class house, they pay taxes and are afraid of the SAT.

Life maintains the same personality as Dark Sun (SAMS) but here it is a little calmer and much more depressing.

Life has a place to sleep. He literally has a bed that he shares with Death but the idiot can end up sleeping in a shower if he wants because he's a weirdo.

Life, ironically enough, hates humanity. No one knows why.

Life can't stand loud noise, make some noise when he's upset and you probably have a ticket to Mictlán.

If Life really had to work in the human world he would be a doctor. An emergency doctor, he practically created anatomy, he can work with this.

Life used to run a daycare alongside Death (Moon). It burned down.

Death really likes music with movement, salsa, cumbia, she's really good at that.

Death's clothing is inspired by the catrina and the traditional clothing of Nuevo Leon, Mexico.

Death hates fire.

Death really wants to stab Life.

The skull on Death and Death's chest isn't just decoration. It's practically their exposed cores. Rip that off their chest and they'll probably pass out immediately.

Death and Life are Pro-PRI. Life is ignorant. Death is evil.

Death is Pro-PAN. She really is a evil girl.

If you want to know more about these fools, you can ask, my inbox¿ is open

[whateverisbeautiful]

♥️Reveling in Richonne - TOWL

#61: The Happy Ending (1.06)

The Grimes family is reunited.😭🙌🏽

That's it. That's the intro. 😋 Because we just gotta dive right in and break this super rewarding and moving Grimes family reunion all the way down. It's everything. 🥹...

First off - The way we WIN.

After so many years, we really got to witness our babies get their happily ever after with their babies. They won. We won. 🎉😭

And the biggest reason I say we win is because something that we love lives. Richonne's story has been able to live to its fullest potential and in the most captivating and fulfilling way. From the iconic start in TWD to this impactful conclusion in TOWL. 🙌🏽

When working on these TOWL revelings, I tried to have the majority of them written and ready before I even started sharing the posts in July to ensure I’d deliver on my promise and follow through to the end. These final Grimes Family reunion posts are the only ones I put off writing for a while because, as far as we know, this is it. 🥲 The last page we get to see of Richonne’s beautiful years-long story. The last new Richonne scenes to break down and revel in. 

Since TOWL was announced as a 6-episode miniseries, I’m currently approaching this final scene as the official conclusion of Richonne's story. I know Andy, Danai, and Scott haven't outright said they're never reprising these roles, and the more I hear their answers to the questions about a return, a part of me thinks they know they're coming back in some capacity, be it a cameo or more, and already have an existing contract perhaps, which is why they can't 'spoil' anything by confirming or denying a return.

The way I view it - if Richonne makes another appearance, I'm absolutely seated and celebratory. And if they don't, I'm absolutely satisfied and grateful for what we got. As the gift that keeps on giving, they've already given us over 10 years of golden Richonne content, and this Grimes Family 2.0 reunion put a lovely bow on top of this gift. 💝 It was truly a beautiful and fitting conclusion to their story. And most of all I want the Grimes Family to get to live happily and at peace together, so I'm more than elated with how Richonne's story comes to a close here. 😇

So, as the broadcast announces “A historic day to begin a new chapter for the Republic” - which of course Rick and Michonne Grimes would be the ones capable of bringing about a fresh, historic, and thriving new chapter for a whole city of thousands - we see a glimpse of Judith sitting beside her walkie. And then I love hearing Michonne on the other end say, “Shoto, it’s Daito.” 🥹

Ahhhhhhh the Grimes family reunion was happening! 🥳🥳🥳 And I'm so glad it's with the original actors too. 😭🙌🏽

I remember there was a period when some were a bit worried that Richonne wouldn't reunite with their kids in TOWL. For me, I felt so sure it was gonna happen because that was the only way Michonne and Rick would feel their mission was successful. And I love how it gets confirmed that they’ll be seeing the kids as soon as we see this walkie-talkie moment. 

...Even tho for some of us, the Grimes family reunion was basically confirmed a little earlier, when a certain two illustrious actors filmed a trip down memory lane in Senoia, Georgia. 🤭

Our lovely captains have a sweet little exchange during that great memory lane special that clued me in on what to expect. There's a part where Danai is talking about Judith and RJ and how she loved seeing Judith with the mini sword on her back. Then, as others also picked up on, Danai said something to Andy about how now Cailey has nearly outgrown the sword, and she seemed to think Andy could co-sign that she has. And that had my extra self’s ears perking up. 😋

Because Andy had been having to work double time to recall some TWD scenes he was actually a part of during this trip down memory lane - so I said to myself - Self, it is highly unlikely that he knows if Cailey, who he never had scenes with, is now outgrowing the sword…unless he’s already filmed a scene with her wearing the sword. 😏

gif cred: @nerd4music

So yeah, after that I was no longer even 1% unsure if Richonne would have their family reunion. It was happening. 💯 And the way it happened is Love personified. 👏🏽💗

It had to be such a euphoric moment for Judith to finally, after over a year, hear her mom on the other end of that walkie that she said she'd always keep with her. And it had to be euphoric for Michonne to no longer get static but finally get her baby girl on the other end. 🥹

I remember it was emotional watching Michonne and Judith's final walkie-talkie conversation in TWD, especially knowing they'd eventually fall out of range. And so it was a great feeling to see their walkies finally make a connection again.

I like the way it’s shot with the walkie on the steps and Rick’s holster and gun on Judith’s hip. Again, Michonne summed it up perfectly when she said Judith is her and Rick. And it’s sweet seeing Judith immediately grab the walkie when she hears her mom’s voice. 

Also knowing Michonne was able to reach Judith on the walkie, I think this would definitely imply that Rick was able to talk to or at least hear Judith before they see each other in person. I’d be so curious what that very first exchange over the walkies was like between Michonne, Judith, and Rick. I'd imagine it was quite emotional for Rick to hear Judith's voice on the other end for the first time. 🥲

So then there’s the return of Rick’s battle-tested cowboy boots as he steps off the helicopter. And I really like the way it’s shot as we just see his feet first and then Michonne’s feet join him. It feels like yet another way to illustrate and celebrate that Rick is no longer alone. The love of his life found him and now they really will be by each other's side for pretty much all things going forward. 

gif cred: @taiturner

As TV's greatest husband and wife step off the helicopter, we get to see Rick and Michonne more fully and I adore that they’re holding hands. 🥰 They always look so married. And as has been established, holding hands is one of Richonne's favorite things.

And then you know we gotta take a moment for Michonne’s outfit 🔥🔥🔥. Cutest outfit she’s ever worn. 👏🏽 I LOVE it. 🤩

gif cred: @alwaysthequietones

It’s great how they chose something that feels both fresh but also so true to Michonne for her final outfit and it just feels like she’s again getting to return to herself through the clothing. A fashion It Girl, through and through. 💅🏽

Michonne stayed proving an apocalypse does not have to stop you from stylishly color-coordinating and accessorizing. And I love the cowrie shells being back in her hair too. One of the last times she wore cowrie shells - a symbol of fertility - RJ arrived shortly after. So of course seeing the shells in this finale had my Richonne baby fever activated. 😋 It’s also great she got her katana back as well. That sword will always find its way back to its Mama Michonne. 👌🏽

And I of course also love that Michonne and Rick are wearing matching colors. A signature Richonne thing to the end. 😌 And Rick and Michonne matching in that tan color is great because the color scheme is giving "Must've been something else then." 😊

Then, I think it’s such a touching and well-acted moment when, before we even see the kids, we can tell that Richonne has spotted their kids from the way they react. 😭

Something about the way Michonne holds Rick's hand and then runs to her babies just feels like such a wife and mother and it’s so sweet. Like if you showed this running clip out of context to someone unfamiliar with the show, I feel they'd immediately be able to tell that who Michonne and Rick are running to is their children.

I love how Michonne drops her bag and just immediately runs to the kids. And then it’s precious that Rick sees his children for the first time and drops his bag as he eagerly runs to them as well. Goodness, this whole thing is just heartwarming x10, I can’t. 🫠

gif cred: @nat111love

And it gets extra heartwarming when we see Judith and RJ for the first time, sprinting to their parents with the biggest smiles on their faces. 😭😭😭 Richonne's babies are here. 🥹

gif cred: @alwaysthequietones

The way I rejoiced seeing the adorable Grimes kids running the first time I watched. 🙌🏽 I love seeing how ecstatic they are and the way Judith looks back at her little brother as they run. A true big sister. And of course, I adore that Judith is wearing the sword like her mom and her gun in her holster like her dad and that RJ is wearing his dad's signature Sherriff hat and dressed like little Carl. It’s all so perfect. 🥹

And for me, watching this scene would be the hardest Try Not To Tear Up challenge yet, because the way Judith and RJ smile and run into Michonne’s arms, and the three embrace - My heart bursts. 😭❤️‍🩹

gif cred: @riickgrimes

They all hold so tightly to each other and it’s precious. For a long while, the only Grimes family Judith and RJ had been used to was just the three of them. So it’s really sweet that the three of them have a moment to reunite after missing each other for so long. RJ's smile and Judith's face when she hugs her mom always makes me want to cry. 

gif cred: @nat111love

(Side note: There are people out there who ignorantly discredit and downplay Judith and Michonne’s mother/daughter relationship and that will forever be foolish to me (though sadly not surprising 😪). Judith has only ever known life with Michonne, and Michonne has been raising Judith since before she could walk. Their mom/daughter status cannot be denied. Interestingly, Judith is the one Grimes kid who has only ever known life with both Rick and Michonne. Carl was old enough to recall when Michonne entered his life. RJ is old enough to recall when Rick entered his life. But Judith doesn’t recall when either entered her life because her parents have been raising her since she was in diapers. They’re the only mom and dad she’s ever recognized. Yes, Judith knows Michonne didn’t birth her but that’s not the only qualification one needs to be a mom. In every other way, Michonne has been Judith’s mom for as long as she can remember. So when Judith looks at Michonne it’s clear she sees her mom, not 'the woman who looks after her', not her 'play mom' - her mom. 👌🏽)

I love that Michonne gets her own moment to reunite with her kids and that they let that moment breathe. Michonne is the anchor to this reunion as they all look to her as the connecting piece of this family right now. It’s realistic for the kids to take their time greeting Michonne because that’s the only parent they really know.

And just like Rick and Michonne had to do a lot of sacrificing on this journey, so did Judith and RJ.

These kids sacrificed valuable time with their mom so that she could go bring their dad back home. So I love that they get to have a moment of being just so elated to be back in their mom’s arms.

Rick stands in the back of the shot, as he anxiously awaits greeting his kids. I know Rick appreciated seeing this moment between the three and immediately seeing that his kids love and view Michonne just as highly as he does. He got yet another reminder that he chose the perfect woman to be the mother of his kids seeing the way his babies beamed and ran in Michonne's arms. 😊

gif cred: @riickgrimes

And then it is again so precious when Michonne and the kids look at each other and whisper "Hi" and just again have these joyous smiles on their faces.

gif cred: @riickgrimes

RJ’s quiet little ‘hi,’ 🥹 Michonne asking how they’re doing and acknowledging they’ve got so big since she last saw them, 🥹 the way they can’t help but smile and laugh, 🥹 and then when Michonne and Judith put their heads together. 🥹 I love every second.

gif cred: @riickgrimes

Michonne finally gets to hold the two who fueled her to keep going even in the moments during this TOWL journey where it felt like all was lost. She was not going to let her kids down and she was going to ensure she made it back to them.And Judith and RJ knew their mom would make it back to them too, no matter how long it took. 

I also love seeing Michonne’s M bracelet in the shot. Again, she really came back adorned with gifts from her husband because Rick loves her the way a cherished wife should be loved. And of all the gifts Rick has given Michonne, we know she cherishes most the gift of their children. 💛

gif cred: @riickgrimes

It really is beautiful how we went from Michonne telling Carl one kid was enough for her to her now having four kids (…and counting possibly). And I love the way it's visible how Michonne's soul just lights up so brightly as she holds her kids in her arms.

So as the three embrace, Rick stands back and watches his beautiful family. And the way Rick is looking at them, it’s clear this is all so surreal for him.

It makes sense that Rick would hang back for the reunion as Michonne has a moment with their kids. It reminds me of how on Carl’s last day, Rick approached it like he understood Michonne and Carl needed their time together as a mother and son because he knew he was losing his son and Michonne was too. Also, it's evident during this reunion that Rick wants to be mindful of whatever contact Judith and RJ want with him.

So Judith gives one more smile over at her brother and mom, as Michonne adorably lifts up RJ’s hat and embraces her baby boy, who is not such a baby anymore, saying, “Hi there.”

And then Judith turns to Rick with a smile. As they look at each other, Judith becomes emotional and starts to cry. She walks to Rick and finally, after all this time, gets to embrace her dad. 🥹

gif cred: @twdfranchise

Y’all, there is a reason I put off writing these reunion posts for so long. 😭 This entire scene between these four makes me emotional for so many reasons.

I think it’s so sweet that Rick is letting his kids set the tone for how they want to interact with him in this scene. You know if it were up to him, he’d probably be bawling and pulling them into an embrace, but he also knows that he’s in some ways a stranger to them now. So the thoughtful way Andy plays it, I love that it’s clear Rick wants to let the kids decide what they’re comfortable with. And the second Rick knows they want to hug him, he so tenderly and lovingly hugs them back. 🥹

gif cred: @twdfranchise

The way he hugs Judith, you see how layered this moment is for Rick because he’s so happy to be back with his daughter and also sad to see just how much he’s missed as she’s done a lot of growing up in his absence.

Plus, during his time with the CRM, Rick had to devastatingly accept that he may never see Judith again and even tried to convince himself that maybe she'd be safer if he didn't come home to her and protected her from afar. I feel like hugging Judith right now, Rick probably feels so overcome with emotion knowing that he's actually getting to hold his daughter after thinking he'd never get this chance again.

Hearing Judith cry as she hugs him and seeing the fatherly way Rick holds her head and tries to hold it together while clearly feeling so many emotions. I cannot. ❤️‍🩹 My heart is moved during each part of this Grimes family reunion. 

While still hugging him, Judith emotionally says, “I knew it, Dad. I knew you were still out there.” It’s so sweet that this is the first thing she says and that Rick gets to hear that Judith never lost her hope that Rick was alive.

gif cred: @twdfranchise

While Rick came close to ending it a few times during his years away, he managed to stay another day and then another after that and another after that, and I like to think that day by day he was somehow subconsciously being fueled by his wife and kids belief in him. They believed he was still out there and that energy helped keep him here long enough to now be back with them again.

I also love how no one ever came and took Rick’s place in his family’s life because these three Grimes were always believing Rick was still out there. Judith held onto this faith that her dad was alive even when the odds of Rick being alive seemed low. It feels like Michonne modeled that example to her of continuing to believe. And their belief was worth the wait. 🥹

And then Judith looks up at Rick and says, "I just never wanted you to feel alone.” It moves me so much that while Rick was afar hoping Judith was okay, he now gets to know that his daughter had been hoping he was okay too. 🥲

gif cred: @twdfranchise

As a big sister myself, I just gotta say Cailey plays the big sister role so well. Especially when you’re the family-oriented and responsible big sister, you always just want to make sure everyone is okay. Your younger siblings, your parents, aunts, uncles, everybody. And I love that Judith’s big thing was wanting to be sure her dad never felt alone. That’s so caring. 😭

I also feel like her saying this is her reiterating why she encouraged her mom to go after Rick. On the walkies in Michonne's last full TWD episode, Judith told Michonne, "What if he's trying to come home too, but no one will help?" And she was spot on with that prediction. In TOWL ep 3, Rick even verbalized to Michonne that he had asked for help, but he didn't get it.

So even though it made Judith really sad to be away from her mom, she knew Rick might be alone and in need of Michonne's help even more. Never wanting her dad to feel alone was among the many reasons Judith urged Michonne to go get him.

And another thing that's poetic to me is that Judith is such a pivotal character in getting Rick and Michonne to meet the way they did. Had Glenn and Maggie not gone out to the store to get Judith's formula, Michonne wouldn't have run into them and brought the formula to the prison for her future daughter. Also, even the very night Rick and Michonne became an official romantic couple in 6.10, their couch moment began with smiling over Judith on the baby monitor.

Since she was born, Judith has helped ensure her dad didn't feel alone because her very existence played a part in Rick finding his ultimate life partner and soulmate, Michonne.

So next, Rick says his first words to Judith in years when he looks at her and says, “I thought I was..."

I like that he's honest about how he did think he was alone at first. There definitely was a time when Rick was confronted with the depths of loneliness within the CRM.

gif cred: @riickgrimes

Rick continues, "Then I realized..." and I love that he looks over at Michonne as he says this. And the way Michonne holds RJ while smiling at Rick and Judith interacting again for the first time in years. 🥲

All those years in TWD, Michonne saw how much Rick loved Judith, and so it clearly means a lot to her to see Rick face to face with their daughter again. Rick and Michonne both just seem so present and grateful for this moment as parents.

gif cred: @riickgrimes

Rick looks over at Michonne, knowing how instrumental his wife was in both his daughter being who she is today and in helping him realize what he says next - "I wasn’t.” 🥹

It’s really nice to see that Rick realized he was never alone because he always had his family.

When Rick tells Judith that he realized he wasn’t alone, Judith gets to hear Rick essentially say he realized her own little mantra that she wrote on her family drawing, “My family is always with me.”

Judith and Rick both know the sadness of losing your loved ones' memory, but I’m so glad they now have each other back to affirm that while the memory can seem lost, it can always be found again.

gif cred: @andremichaux

Also the way Rick says this line with such a tender tone and tears in his eyes and then he looks at Judith with a smile and blinks probably still trying to comprehend that this little lady in front of him is the daughter he last saw as a toddler. 😭

gif cred: @alwaysthequietones

And then Judith cries again as she leans in and hugs Rick and I’m a puddle of tears inside. Like when you think about how hard Rick fought for his daughter all those years on TWD, it’s just so special to now see him get to hold her and already get a glimpse of the great loving person she’s turned out to be.

I know Judith is about to feel so loved and protected by this great dad, and I love thinking about how they’ll now get to reestablish their bond and just have the best father-daughter relationship. 

It hit me that years ago, we got to see the very first time both Rick and Michonne ever held baby Judith and how it was a big moment for both of them. While she stirred up painful memories from their past, Judith was also this little bundle of hope for the future in their arms.

And then in this TOWL finale, we beautifully got to see Rick and Michonne hold Judith in their embrace one more time. 🥹

Michonne reuniting with her son and daughter and Rick reuniting with his baby girl were such golden TOWL moments.

With these touching exchanges, the Grimes Family reunions had all occurred. And now it was time for the big Grimes Family introduction. It was time for Rick to finally meet Rick. 😭

So we gotta bring it on home now and talk about the special, heartfelt, and rewarding final moment of The Ones Who Live. 🥰👌🏽

[ryuichirou]

Why is Ortho included in ship art? He died as a child, and although he was rebuilt, his emotional intelligence and maturity level stayed the same as that of a child. Although I fully disagree, I do want to understand your reasoning. Especially since Ortho and Idia are related and I saw your art of them kissing. I am genuinely confused.

I’ll be honest, Anon: the amount of people who message us pretending to be genuinely confused while having ill intentions are more than I care to admit, and this is very tiring; this is why I might sound a little dry in my reply. But I don’t mind explaining it if you genuinely want to understand it. That being said, let this be the last time I am ranting about this topic because there is nothing new I can say.

Here is the short answer: Ortho is included in ship art because we ship him with other characters. Ortho having a maturity level, mentality and/or intelligence of a child is a myth that contradicts canon and only exists to antagonise people who view Ortho as anything other than Idia’s baby mascot with zero agency. The fact that Idia and Ortho are related is not a reason not to ship them: shipping is fictional and doesn’t reflect one’s views on irl matters. Exploring taboo and problematic dynamics and tropes in fiction is a part of natural human experience. What I care most about in shipping is characters’ dynamic that I find fun for shipping. Their relation to each other comes second, but I won’t pretend it doesn’t exist if it does exist.

Now I’ll give you a long answer. Starting with “Ortho is a child/8-year-old/5-year-old/toddler” argument.

We actually saw real 8 yo Ortho before his death in Idia’s flashback and, wow, we can see that AI!Ortho and flashback!Ortho aren’t the same Ortho. "My largest amount of birthday data comes from eleven years ago, when I was five” is the line that Ortho says in one of his Birthday vignettes, which indicates that even though he does have memories of dead!Ortho, he is not stuck in the age of 8 – he thinks and feels that his fifth birthday happened eleven years ago.

But also just in general, if you listen to him talk and compare it to how he talked in Idia’s flashback (both the voice and the manner of speech), it becomes pretty clear that he is older. He is younger-looking and has a high-pitched voice but it’s due to the fact that Idia designed him to look that way, and there are a lot of potential reasons why he could’ve done it (all non-canon and theoretical, so we won’t dive into them today), but he is definitely not 8 years old. Ortho’s AI constantly learns new information, learns more about being a human – he is clearly maturing as the story goes, thus showing that he is in fact capable of aging mentally, and he’s been doing it from the moment Idia first created him. He is naive and inexperienced, but that doesn’t make him an infant.

Plus, post ch.6 he is always being grouped with other freshmen who are also sixteen years old. This is his age group. This is how old Ortho would’ve been if he was still alive, and this is how old AI!Ortho feels. He’s a proper first year student just like Ace, Deuce and the rest of the boys, and the story keeps highlighting it in all the events that happened post ch.6.

Speaking of post ch.6. At the end of the story AI!Ortho and real/blot!Ortho actually merged a little, as far as you can remember. Blot!Ortho, wow, is also 16. He’s been stuck in the Underworld since he was 8 and he existed all those years and grew up as well despite his terrible situation and more than unusual company, so we can safely assume his age. His merging with AI!Ortho also influenced him (AI!Ortho) in a way, making him more human as a result as well.

Not to sound mean, but I think the majority of people who still insist that Ortho is mentally 8 either don’t pay attention to his character, his story and how he interacts with others at all, or straight-up choose to believe that lie because it makes it easier to attack shippers or anyone who likes Ortho in general.

But also guess what, none of that matters actually because ultimately he is a fictional boy, and fictional characters’ ages are irrelevant. Just like fictional characters’ family relations are irrelevant. Even if you don’t think it’s right, that doesn’t change the fact that it is irrelevant, and the only thing that could be done about it is that you can block people and/or tags that make you upset. There is no shame about it: I avoid a lot of ships and tropes that make me upset.

I would prefer people to stop accusing me, a real person, of actual vile crimes (or having dark thoughts about them? What the fuck is wrong with you?) because of fictional, made-up things. If I want to, I can unrelate Ortho and Idia, and my fanart would stop being incestuous with a snap of my fingers. I can make them enemies, I can make them kill each other over and over again, I can kill Idia instead of Ortho. I say this to show how little it matters, and no, ~the implications~ don’t count. People make them up and choose to believe that instead of listening to the person in question. About a real person, let me repeat myself. You (plural/neutral you, not you, Anon) cannot make shit up about another person’s thoughts, ideas, and views just because you find it convenient.

As for why I personally ship Ortho with Idia despite them being siblings, you’re in luck because in addition to this already long post I have an even longer post for you to read if you’re interested! It’s been more than a year since I’ve written that post my reasoning is still pretty much the same, so I think it’s a pretty good one to read if you genuinely want to understand us better.

But if you don’t want to read another long post but are still interested, here is a TL;DR:

I love their deep love for each other and don’t want to just explore the platonic aspect of it – there are a lot of other scenarios that I want to play with;

there are a lot of tropes related to this ship that we love (us two against the world; AI in love; causing an apocalypse for the sake of your loved one; unhealthy and codependent relationship; obsession, etc);

their story has a lot of motifs that could be read as romantic (i.e. Orpheus and Eurydice analogy) that we really enjoy;

personal reasons; relatability (not elaborating on that; not related to incest though lol);

they’re sexy lol I love robot parts, size difference and a lot of other aspects that I won’t mention here.

I hope that explained some stuff. Just to be clear: I don’t want to force anyone ship Shroudcest, in fact I don’t care if we are the only people in the world shipping them (that will never be the case though lol). I just love Ortho very much, and I think he is a very fun character that has a lot to offer, and I really don’t like that people want to create this aura of “he’s just baby don’t touch him” that stops people for getting to know his character better. He is cunning, he is smart, he is caring, he is psychopathic, he is a lot of things, and all of those things make me want to see him bossing Idia around, acting cute around Vil, bonding with Malleus over their differences and similarities, all of those things.

[demodraws0606]

Okay so I have made a really bad post trying to descredit Eden taking the tape as something super important so I'm just gonna drop the actual post I was preparing instead of trying to catch Eden!Culprit theories with a half baked post.

The main issue I'm having with Eden!Culprit theories right now is mostly because of stubborness that since Eden took the tape then she HAS to have done it even though if she was the culprit it would make 0 sense as to why she wouldn't just take the tape after Teruko and Ace left the room ? Like someone could've easily told her to take the tape, it's not that hard and it just makes more sense with the other evidence layed out for us.

The main reason I accepted Eden as the culprit before is because there were no possible culprits since Levi was pretty much confirmed innocent and there was still a likelyhood of Eden working for someone. However, this pretty much now rendered null and void. I swear all of this makes it sound like I have some grudge against this theory but I really need to put this subject to rest before the answer is probably revealed to us on friday. I want to make sure this theory is dead in the ground even if it's just for me personally, because it just has too many holes for me.

Also sorry if this seems mainly just a repeat of stuff I've already said, I'm not really good at structuring my posts :')

I've seen the argument that Arei actually wasn't knocked out with the turpentine because why would they bind her wrist then. However, we know she had to have been knocked because there is no struggle shown, either on her body or the floor of the playground. Weither she was suffocated or knocked out, the tape was still used on her wrist so this can't be something to be used against the idea of turpentine knocking her out. This means there is high likelyhood that it was used because it would make no sense for the culprit to just suffocate Arei before killing her (and again suffocating would show more signs of struggle than what we see on the crime scene).

There's also no other items that Arei could've been suffocated with other than the rope which would've left marks, the ball of starch clearly is stuck together most likely by turpentine which means it would've been used to knock out someone.

This would mean the culprit had to have used the turpentine to knock out Arei as well, meaning the culprit had to have gotten their hands on the turpentine.

I also refuse the idea of Eden trying to kill Ace, not only because I just find it ridiculous from a character standpoint but mainly because we know it was Hu's murder weapon that was used against Ace (the wire) considering there is no evidence of any other wire existing in this killing game that would be sharp enough to slice someone's throat. Hu's wire is part of the weapons which is evidence alone that it would be sharp enough to harm Ace bc otherwise what purpose does a wire serve. I don't believe for a second that Hu would just have her weapon lying around for anyone to yoink, unlike the turpentine which we know had to have been used by Nico and Rose when they were painting together.

In fact the story has made it clear how complicated taking someone weapon's is by having Arei's weapon only being available after she discarded it. The same can be said of the turpentine which was used out in the open and would make it easy to take with Rose's absent mindedness. If taking someone's weapon was just as easy as that, they wouldn't have given us the scene of Arei throwing out her rope like that in the first place.

Eden also has no reason to want to replicate Ace's murder onto Arei, there's basically no logical motivation behind that. In fact the progression between Ace's attempted and Arei's succesful murder proves alone that it's the same culprit (if the turpentine's existence wasn't enough). We can see the progression of the culprit trying to avoid the same mistakes they committed with Ace's failed murder (trying to snap Arei's neck to avoid the possibility of her getting saved last minute like Ace, bounding her hands potentially to make her more stable to lift upwards).

We don't even know if she figured out how the murder even worked considering it was completely undone when Teruko and Eden saw it.

Even the timing of when Eden knew about the clothing is off. We know the ball of clothing is probably sticky due to the turpentine because there is no other leads to explain why this ball of clothing is even a thing in this murder case. Turpentine is both clear and sticky, which would explain how the ball of clothing is both clear of stains and sticking together like that. Considering also that we know for a fact Ace was knocked out, and I don't think the culprit straight just shoved a jar of turpentine on his face, they most likely used some sort of tissue to smother them with (meaning it couldn't have been used to asphexiate Arei). This means the ball of clothes was used in Ace's attempted murder.

Eden only knew about the clothing change from Hu, we can only assume the same day that Ace's was murdered and probably not long before the attempt. This both clears Eden going to the changing room as the ""ball of starch"" was most likely already created before that, the only arguemnt it could be used for is that she was trying to retrieve it but it barely makes sense.

In terms of the timing of when Eden knew about the clothes and Ace's murder, if Hu only told her the same night that Ace was almost murdered it makes the timing insanely more difficult to justify. Unlike Hu who would have the pieces ready way more in advance.

All of these contradictions cannot be debunked by saying "well Eden took the tape", as it could easily be explained by the culprit asking her to take the tape from the gym or her just taking it without purpose and then the culprit getting their hands on it later.

The Eden!Culprit theory is barely hanging onto one piece of shakey evidence that can easily be broken by one justification.

If Nico can't be the culprit despite having the turpentine (well I don't think they do but 99 pourcent of Eden!culprit theories rely on Eden not really committing the attempted murder of Ace) then Eden doesn't have to be the culprit taking the tape.

The only way you can argue Eden is the culprit is if she tried to kill Ace, however this is impossible because of Hu's weapon. This is basically the summary of my main issue with the whole Eden!Culprit theory.

[aromanticannibal]

mha characters that are aro for CANON reasons (read: in which I reach increasingly further for canon evidence):

(Disclaimer: some of these can be evidence of characters being something else than aro (or ace) but this is my post and I can do whatever I want + /hj to /j to everything on there, when I say I start reaching I start REACHING. These are headcanons!)

Aizawa Shouta doesn't ever show romantic (or sexual) interest in anyone and is actively put off by Ms Joke hitting on him and the idea of getting married to her

All Might has NO experience with women according to Horikoshi (could also mean he has experience with men but y'know)

Ashido Mina really wants to be in a relationship but never fell in love (cupioromantic moment)

Both Bakugou Katsuki and Todoroki Shouto hide from girls crushing on them near the end, don't ever show romantic interest in anyone or get anxious or flustered near girls, Katsuki especially apparently never cared about girls (and vice versa) before and and Shouto specifically doesn't notice when he's hit on.

Iida Tenya is never interested in girls or men and is significantly more focused on both his studies and his friendships

My favorite headcanon: Uraraka Ochako's love for Izuku seems founded more on her admiration and people telling her she must like him (because boy and girl etc) than in actual romantic love, and she connects a lot with Toga (who also loves people in a non-conventional way)

Midnight doesn't have a romantic partner or anyone she regularly flirts with despite being a very beautiful and desired woman, and doesn't seem to have had any kind of romantic relationship with the three boys more or less her age she hung out with a lot (the rooftop trio) (she can also be seen as a cliché of aroallo person who only cares about sex so I'm claiming her).

Pixie Bob's obsession with finding a partner is giving "I've been told all my life that I HAVE to get married and I don't want to so I keep looking for the perfect match and not finding it because the man I'm looking for doesn't exist because I won't ever fall in love". Because by god you can't tell me the cute blonde catgirl isn't finding a boyfriend.

All For One only cares about his brother, I'd even argue he's aromantic asexual aplatonic etc. a-everything except familial and idk. quirkic. attracted to quirks.

Mount Lady is aro for the same reason as Midnight but because I think it's implied or canon that she's dating Kamui Woods, she's lower.

Midoriya Izuku is green so he's obviously aromantic and most of his flustered reactions to girls seem based more on shyness (and an obvious reaction to getting boobs shoved in his face) and sexual or aesthetic attraction than romantic attraction (he also has a very romcom view of what being boyfriend girlfriend is, ie. his reaction to Toga's confession)

Aoyama Yuuga's definition of love (according to his comment on Ochako being in love with Izuku because she was thinking "what would Deku-kun do?") is very weird and seems based more in things he was told or saw in fiction than feelings he would have felt himself.

Yoarashi Inasa is just so fucking weird with friendships and social cues he looks like he's trying to navigate the world while making absolutely sure NO ONE misinterprets him, which makes him both very aro and very autistic in my book

Kurogiri is literally a bunch of mist with little free will whose purpose in life is protecting this one boy, he's all the As.

Endeavor married for insane reasons and never even cheated on Rei after he sent her to the hospital (which a lot of men his caliber would do)

Ms Joke makes the idea of dating Shouta a joke and I think that's great. She's also green.

Miruko's chill and doesn't give a fuck, she's a fighting person, very Katsuki-coded in that regard I fear. She also works alone without an agency, which is giving aromantic for no reason other than I Said So.

Toga Himiko is a queer allegory that is generally interpreted as bisexual and biromantic but I think she can be interpreted as aroallo as well (way to love that’s seen as impure and unholy etc etc, notions of consent – taking people’s blood and hurting them without their consent which is for her a way to show her love, most of her attraction seeming physical or aesthetic rather than romantic, her parents telling her to repress repress repress instead of satisfying her desires in a safe way, the scene where she’s biting her wrist in her sleep???? etc etc) 

Twice never had a lot of friends and never had a lot of female friends and when he feels gratefulness and care for Toga it outwardly seems romantic because he doesn’t know what’s romantic and what’s not and hasn’t had a lot of female friends 

Dabi is giving aromantic aplatonic who only really loves his family but due to circumstances can’t love them healthily and ends up just hating them (the most intense feelings of love he shows are always towards Enji or Natsuo, and his apology to Shouto makes me think Shouto is also included in this – no evidence for Fuyumi and Rei but I can do what I want. He clearly cares for Twice and Toga too but it presents very differently, even after he’s revealed himself and doesn’t need to be as secretive). 

Shigaraki Tomura probably just doesn’t give a shit I’d say. He’s pretty apathetic when he isn’t fighting or angry or like doing his hatred thing, but he clearly cares about his teammates. 

Fatgum is foodpilled and studentpilled. He really loves food and he really loves his students he doesn't need no romantic relationship.

Jirou Kyoka takes a bit to warm up to Denki so I think she's demiromantic actually

Bruce (the third user of One For All). He just has such third wheel vibes.

Intelli Saiko because why would she bother with romance, it's so unpractical and illogical

Despite asking for boys' numbers all the time and being very aware of romance, Utsushimi Camie looks like she could NOT CARE LESS. aro

The fact that Hawks plays up the flirting with his fans is giving aromantic to me – obviously heartbreaker aroallo stereotype but I think he could also be ace, the aroallo part isn’t that important, it’s just that he’s always pretending. It’s giving still in the closet. Also I know he’s young and busy and Horikoshi doesn’t really put that much casual romance in MHA but it’s so funny that there isn’t even a sliver of a girlfriend implied in his timeskip. Hawks is Married To His Job. 

Star and Stripe is also absolutely married to her job. Also, lots of guys around her, lots of important and admired male figures in her life, and yet not a single crush from her. Points. Aromantic lesbian 

Nezu is a fuckass mouse I highly doubt he's attracted to humans in any way

Gran Torino is a single old man which is enough for me (though because I hate that fucker I think it'd be funny if women just hated him)

Where Is Shimura Nana’s Husband. 

Muscular only likes to kill, he doesn’t need romance nor sex, his only desire is Killing People and fighting. Same thing for Moonfish, he only wants to eat people (mood my guy) 

Geten is very hyper focused on making his quirk stronger, he doesn’t seem to really have any relationships.

Overhaul just fucking hates people

Again, Kendo Rappa only cares about fighting.

So so sad because I like his girlfriend but Natsuo is giving marrying to get away from his father

Koda Koji just had the vibes. He's so aroace to me. (aro Koda brain vs kodajirou brain fight)

Monoma Neito is such a fucking hater he just has to be aromantic

Wash is a washing machine

Honorable mentions:

List of characters whose only argument is they never show romantic attraction and don't talk much about romance or get flustered: Shouji Mezo, Sato Rikido, Tokoyami Fumikage, Shinsou Hitoshi, Yaoyorozu Momo, Sero Hanta, Hado Nejire, Togata Mirio, Shirakumo Oboro, Present Mic, Seiji Shishikura, Ryukyu, Gang Orca, Shishido, Centipeder, Ectoplasm, Hound Dog, Thirteen, Vlad King, Mandalay, Tiger, Lady Nagant, Mr. Compress, Tsukauchi Naomasa, Todoroki Rei and Fuyumi, Melissa Shield.

List of characters whose only argument is "they're green so they're obviously aromantic": Asui Tsuyu, Ibara Shiozaki, Tokage Setsuna, Kamakiri Togaru, Midoriya Inko, Ragdoll, Burnin, the Sludge Villain (I’m taking all I can get), Mustard, Ordinary Woman.

Bonus: characters that I can't make aromantic no matter how hard I try under the cut:

Gentle and La Brava, for obvious reasons. I feel like making them not love each other is like illegal.

Kudo and Yoichi. By god my brain will not accept it they're in love.

Amajiki Tamaki. I'm sure he could be aromantic but I can't let go of the Mirio and Nejire crushes (which are so real and true to me)

Yuyu (Nejire's friend), she also looks way too much like she has a giant crush on Nejire. Lesbian moment.

Best Jeanist and Edgeshot, they're giving high school sweethearts.

I put them in honorable mentions but I just have to mention Gang Orca and Shishido somewhere because the one baseball OVA made me think they're like the pseudo-enemies/rivals who argue all the time but somehow fight extremely synchronized when needed and ONLY fight each other because they're the only ones Worth It etc which is. Y'know. eye emoji etc etc

Sir Nighteye is literally in love with All Might

David Shield is literally in love with All Might

No really did you see David's wife? This man went and found a blonde blue eyed wife when he couldn't marry his blonde blue eyed best friend. His daughter looks like an All Might secret love child. I know whenever Dave hears Melissa call All Might uncle he dies a little inside because he wishes she could call him Dad too and he could call Toshinori his darling husband and

Rock Lock is happily married and I could never take that away from him

Spinner is green so I can kind of see him as aro but he’s giving madly in love with Shigaraki so much

Magne has a crush on Dabi in one of the Smash strips which is too funny to ignore I think she’s madly in love with him. And she’s right

I like kirimina so fucking much I genuinely struggle to come up with aro Kirishima headcanons. I think he could be quoiromantic but I also think he’s madly in love with Mina so I don’t know. 

Stain is literally in love with All Might

Ending (guy who attacked Natsuo) is literally in love with Endeavor

Garaki Kyudai is literally in love with All For One (“I miss your eyes” guy is so fucking devoted. The true doomed yaoi of MHA)

I know Rody is in love with Izuku he just has to be. 

To me Shindo Yo also has a crush on Izuku but also he's canonically dating Nakagame Tatami which is also cute.

[lavernius]

Locus and Lopez vs. dehumanization and seeing your own humanity through someone else

AKA 1.5k words worth of me trying to justify a random pairing I've been trying to sell people on for 5 years. Feat. a lot of my own introspection on both characters, CW for mentions of abuse.

It's kind of easy to assume that Locpez as a ship only exists because Locus is one of the few people who understands Lopez and one of even fewer who has had an actual (off-screen) conversation with him with full mutual fluency, especially since they interact directly, like, twice in canon (Objects In Space and the "Holy shit he's bilingual" scene from The Federal Army of Chorus). To be honest, that was my initial reason for shoving them together whenever I got into RVB and there was literally no content for them because no one was really considering them together in any capacity but a brief, funny passing interaction.

I do think language is an inherent motivator in their relationship with each other. It's a catalyst. Spanish, of course, is perhaps the most obvious thing they share--Locus being a Latino man and Lopez being the same in a convoluted and meta-racist metaphor. Beggars, choosers: anyone who knows how I operate knows I lean into reclaiming their depictions for my own brown person machinations. For Lopez it's the beauty of meeting someone who not only understands him, but isn't going to belittle him for the language he speaks or imply it'd be easier if he learned English. Locus will just listen to him talk and respond without commenting on the language barrier; Lopez isn't exotic or abnormal or "broken" for it, he just speaks Spanish, big deal, Locus speaks it too.

For Locus, it leans more toward reminding him of who he used to be when he was a simpler and kinder person. His culture seems like a forgone part of himself in many ways, but even if only because he's so distant from his humanity that he doesn't remember HOW to embrace his culture, or what the point of cultural pride even is. Lopez is like, reverse culture shock for him, where Locus is very familiar with Spanish as a language--grew up with it, learned it young, whatever, he canonically understands it and given he's Latino it's easy to assume it could be his native language--but has divorced himself from it so much to be malleable to his abusers that hearing someone speak it so unabashedly feels new. It's the lack of it that makes it so foreign, but it's so ingrained into him that it's easy for him to just slip back into it.

And Lopez being so stubbornly proud of what he is plays into that language dynamic, yes--now that there's someone who will listen and not judge, he has room to be adamant and own his monolingualism, and having someone as aggressively, straightforwardly prideful as Lopez forces Locus to recognize the beauty in the language too--but it applies on a grander scale, which is what I suppose the point of this post is: Locus and Lopez don't just share Spanish, but also histories of abuse and dehumanization, of being overlooked as living, thinking things in favor of taking advantage of their skills. And the results of this abuse manifest differently in both of them, but they're alike in just enough ways that their differences stimulate each other into bettering themselves and reflecting on what makes them, dramatic pause, human.

Some of Lopez and Locus's defining personality traits to me are their shared low empathy (forcibly learned on both of their parts) and the way they feel so alien in any group they're a part of. They're people with a lot of potential who don't care how others see them (at their worst, especially in Locus's case), but are limited by someone who only sees them for their usefulness (Sarge, Felix) and doesn't truly see them as a person. Lopez may be a Red, but they don't really care about anything he says, so he's just a wrench to them. Locus has Felix, but he doesn't recognize that Felix has one-sided power over him and is keeping him on a short leash; he's a shield and a weapon. They're tools, they don't have feelings, and if they realize as much it's a fault in their programming, they can and have to be steered back into place.

They're reflective of each other in this way. However, they're not identical in disposition: Locus resigns very easily to what he's told to be. He had more hope once, made attempts to be humanitarian, but was swiftly taught that kindness is suicide and that the point is to survive, no matter the cost. It was easy for Felix to take advantage of him by saying they needed each other when Locus was at his worst, because having kindness ripped out of him gave Locus little else to rely on but his hands. Locus has no room for questions, because a rulebook is absolute. It takes a reminder of what he used to be to make him falter, but even when Santa is showing him one of the inciting incidents of his "soldier" mindset, Locus can't stop himself from resigning to the mindlessness that Felix and the UNSC have already taught him.

Lopez feels trapped and is hyper-aware of it. He'll listen, but only because there's nothing else in the world for him. He's subservient but not in the same way Locus is, because he's angry about his situation: he knows it's not fair, but what can he fucking do about it? He was made to be Red Team's mechanic, and every word he says falls on deaf ears. He carries this self-awareness like a shield, like a threat: he could do something, but there's no point because his nature as a robot defines him. All he has is a sharp tongue and his hands, and the Reds only need one of those things from him. He revels in being able to complain and reminds himself that he's meant for something greater, but he's so fatalistic that he won't take action.

The balance comes from this anger. They're so alike in how they see the world and how much life has mistreated them, but they don't fully understand each other despite it. Locus sees Lopez as privileged for having a team because Locus has never had people to belong with, but he doesn't understand that Red Team isn't a safe place for Lopez. Lopez thinks Locus is misguided for letting himself believe he could ever be reduced to a mindless weapon, because Lopez has only ever been an object and Locus can't comprehend what that's really like. They see each other for their imperfections first and foremost and it frustrates them mutually: "You could've fixed this sooner, you could've escaped the grief, why didn't you try?"

It's this back-and-forth that they both need in order to reflect on themselves. They're harsh people who don't want to be coddled and admonished, but they're not making forward motion on their own because they're both stubborn and tend to decathect before they even recognize they CAN feel. They refuse to see themselves as human, but they can only see the humanity in each other, and they're both so alike that it could make them hypocrites. For a robot, Lopez's anger is so potent that it's alive: Locus sees more feeling in him than he's ever felt in his own life. Locus wants to be a weapon so bad, but he doesn't realize an object doesn't have heart the way he does, doesn't mourn the years it spent under someone's thumb, doesn't want to fix itself.

They're both brutally honest and they both need brutal honesty. They get along WELL by nature of being as similar as they are, but they argue so much because they want to understand each other and don't realize they already do. They're mapping details of their reflections. It's great: Locus is so hurt that he can only see the damage he causes, Lopez is difficult to hurt and notoriously good at fixing things. Lopez wants true accountability and retribution and Locus has cultivated complicity and guilt to perfection.

After Felix, Locus needs room to command his own life and put others in place when they overstep his boundaries, but he's scared of becoming Felix, so he also needs an anchor to keep him grounded in reality and reasonable. Lopez has never had real control over his own life before and would kill to have the power to make small choices and do as he wants, but he's a very private person who also needs a lot of space to work. They balance each other out and know the other's limits so well that they can easily go "You're hurting yourself and I'm not going to let you get away with it."

It's about understanding yourself through someone else and vice versa. Realizing that you share so much that if they deserve good, you do too. Reclaiming pain, experiencing freedom, finding support. They will deconstruct each other to the metal and muscles and rebuild one another over and over again, and they'll never get it perfectly right, but they're both going to learn more and more as they go. Flawless navigation of a road you've driven a million times, forward and back, potholes and all.

[suga4mycoffee]

Various 'writing assistant' programs, anyone who ever took a single creative writing class, and people who think all adverbs are words ending in -ly:

ALL ADVERBS ARE EVIL. USE NONE. IF YOU USE ADVERBS, YOUR WRITING IS WEAK AND AWFUL. ADVERBS ALWAYS = WEAK VERBS, BE MORE FORCEFUL. DIE IN A DITCH WITH YOUR PRECIOUS ADVERBS.

Me, using as many fucking adverbs as I damn well please:

You aren't the boss of me, ticking boxes off of a 'how to write words good' checklist is weak writing, and you can shove your linguistic snobbery up your ass. I DO WHAT I WANT.

[revvethasmythh]

it's so funny to me that caleb and veth really did just trade off the job of intensely pining for the other at like the halfway point of the campaign. like, imo, nott in the early days did not behave in any real romantic or even romance-adjacent ways toward him--I imagine it would be very hard to even think in that way when you hate what you look like so much, have such low self-esteem, and are actively lying about your entire past, including a secret husband. caleb, on the other hand, is kind of diving directly back into the sort of relationship he had with astrid and eadwulf. very close, very intimate, we-huddled-for-warmth-together-and-oops-it-led-to-something-else sort of thing. he is the one who expresses that he's fine with it if people think he and nott are romantically together when they're talking to keg. nott is the one who pushes back on that. he calls her his life partner. unknowingly, he compares his feelings for nott to nott's feelings for yeza. his behavior only really starts to change after he finds out about veth's husband because suddenly all of that other stuff is rendered inappropriate in retrospect. but even then he compliments her to yeza over dinner in the most awkward of ways, he admits to being jealous, he calls yeza "a lucky man" to have her, he stares at veth and yeza closed bedroom door for far too long, he creates an entire arcane tower with room for her family just so she'll stay with him. in general, his behavior is not, um, totally and completely platonic about it, you know?

like, veth's feelings for caleb are canonical and therefore indisputable in their existence, but caleb in the early days was not that dissimilar to how veth was acting near the end of the campaign. it really paints a picture of "right person, wrong time" in the way things just didn't line up for them. or, as veth would say: "in another world, maybe"

[that-was-anticlimactic]

i will never understand how or why the httyd movies did the books such an injustice.

the movies aren't even an adaptation - they stole the name of the series, the name of some of the characters and places, and the general idea that there are dragons. honestly, i would be fine with the movies and maybe even like them if they didn't capitalize off of cressida cowell's incredible books that never get any credit.

the books are an amazing story about the cycle of violence and how vengeance and revenge is dangerous. hiccup says that the past is a ghost story, one we need to learn from to better ourselves. the books are about how everyone deserves freedom, how every creature, every being on the earth deserves to be free. we see that in the slavemark, with the dragons.

and like... hiccup is so different. they did him a severe injustice. he's scrawny and intelligent and learned to talk to dragons simply by observing them! he chooses kindness first above all else; instead of yelling at toothless to train him, he is kind. and in the end, that kindness is why toothless chose to save him. bc even toothless himself says that dragons are inherently selfish creatures who care only for their survival. hiccup is brave - his beliefs differ drastically from both the vikings and the world.

hiccup is a child who chose to do the right thing even at the expense of himself. he agreed to free the slaves on nobert's ship, and in return, they gave him the slavemark which is easy to give but cannot be removed. he was like twelve. and having the slavemark means he cannot be with his tribe or his family, it means he isn't considered a human being anymore. and he keeps it a secret for awhile until it's revealed and when it is everyone turns their backs on hiccup. his family, his tribe, his mentor, people he TRUSTED. everyone except fishlegs, and, once she got over the shock, camicazi. he was thirteen. and even when he lost his memories and was really injured, he persisted. he was told to go to tomorrow and to save the dragons and he did bc in his heart he knew it was right even though he didn't know who he was or how he got there.

and fishlegs,,, oh my god FISHLEGS!!! the did him SO DIRTY!!! fishlegs is hiccup's best friend, one of the main motivators for hiccup. he steals norbert's potato for the sake of fishlegs, he gives fishlegs his dragon and goes to retrieve another, he takes the blame for fishlegs. and fishlegs does the same for him. he takes the slavemark with pride. he refuses to turn. he gives hiccup his lobster claw necklace which is his most prized possession. he is brave for hiccup, he believes hiccup is alive. he fights for hiccup harder than anyone else ever has. he does not turn. his is loyal, has allergies, has asthma, has a squint and a limp, has glasses bc he's blind without them... and he's still a hero despite being a runt, despite everyone even the adults telling him he's hopeless, telling hiccup to leave him behind.

and they cut camicazi! i'm sorry, but astr*d is nothing compared to camicazi. camicazi is a tiny, feral child who can easily best hiccup, fishlegs, and pretty much anyone in a sword fight. she can bring a grown man to tears with her rudery and smack talk. she is recklessly brave and craves adventure and follows hiccup blindly bc she trusts him that much. she isn't in love with hiccup - in fact she doesn't care about romance and love. she gives up everything to help hiccup bc she has a strong sense of justice. she is the motivator, the cheerleader, she finds a positive in everything. she never gives up. literally never gives up. and that's one of the most inspiring things about her: she always has hope.

and toothless! god!!! toothless is *thought to be* a common or garden dragon. he is horrifically tiny, he is literally toothless, and is the biggest brat in the world. he will cause problems on purpose. he has a stutter, he's the most selfless selfish dragon around. he and hiccup can talk to each other. he masks his fear with singing and being annoying. his growth is remarkable. he starts off refusing to obey hiccup, doing the opposite of what he says, making life harder for literally everyone around him, and he's still somewhat like that. but he's also braver, more caring, more willing to make sacrifices for the sake of others. he's clever, which he needs to be to make up for his size and aggression. he protects hiccup with everything he has, therefore, he protects what hiccup cares about just as hard. he was the only dragon that didn't abandon the vikings in the first book bc he cared about hiccup.

and snotlout,,, god,,, i will never forgive the movies for butchering snotlout. hiccup's cousin, the bully character, the one who is horrifically jealous that hiccup's dad was born before his. the one who desperately wants to prove himself, to be worthy, to make people proud. and you hate him, you despise him. he betrays everyone many times bc of the nothing promised to him by alvin and his mom. he loses himself, turns his back on himself, all bc he wants to prove himself. all bc he wants to be better than hiccup. and hiccup still forgives him and gives him chances, sometimes out of pity, but also bc snotlout is his cousin. he can't just turn his back on him no matter how miserable snotlout made his life. and in the end, snotlout sacrifices himself for hiccup. he gives up his life for hiccup in one last attempt to set things right. his death and the events preceding it are one of my absolute favorite moments in the book. gives me chills. makes me cry.

that's the thing with the books - they're so realistic. there is no inherently happy ending where everything works out. the first book begins with "there were dragons when i was a boy", implying that they're gone now. the books show there are consequences to our actions. they enslaved the dragons, they fought against them during the dragon rebellion all bc alvin and his mom said to, and now they're gone bc a simple apology doesn't fix hundreds of years of enslavement. and the only way for the world to move forward was for the dragons to leave and heal on their own. and now they have to learn to live without them. and yeah i've heard the third movie ends like that but. it doesn't have the build up. it doesn't have "there were dragons when i was a boy". it doesn't have eleven books of development to back it up, to make it feel meaningful.

i know that the movies are really special to a lot of people. i know that, on their own, they're genuinely good movies. i can acknowledge that the soundtrack is amazing and the animation is beautiful. i just can't see past the way they butchered the world that i love, the world that i grew up with. i can't see past the way people yelled at me for saying i liked the books better, the way that people gave me weird looks when i showed them a picture of the original toothless, when i tell them that nightfuries aren't even a type of dragon. cressida cowell created hundreds of different dragons, and the movies couldn't even pick from that. i can't forgive the way that barely anyone knows there are books bc the movie barely gives credit to them. i cannot forgive the way they capitalized off the books and then shoved them aside. i know cressida thinks they're good movies and i know a lot of httyd book fans also like them. but i just... i cannot get over how much they changed and how they missed so much and ignored the books. also they got rid of camicazi so hiccup could have a love interest and that is unforgivable to me.

if you disagree, that is a-okay. we're all entitled to our own opinions. i just ask that you, perhaps, try the books out. give them a chance. bc they're amazing works of art and also just like. don't yell at people who don't like the movies? whether it's bc they prefer the books or just aren't into that kind of movie. and just remember that dreamworks didn't come up with the story; cressida cowell did.

[autisticrosewilson]

So do you guys actually think that Jason's entire story, relationship to the others, and philosophy amounts to him being a rebellious teen who wants his dad's attention? Like are you 100% serious? I thought you were joking about that but too many of you are saying it with your whole chest.

And what the fuck is this "Bruce antagonizing Jason is fanon!" Shit I've been seeing? You guys are aware that a parent can love their kid and still be a shit parent right? I know you guys don't want to fathom the thought that maybe your blorbo might also occasionally have to face responsibility for consistently endangering children but let's not start being delusional now.

Bruce does love his kids, that doesn't mean that he hasn't hurt them. And I'd also argue that for the most part he feels in the right for it, and he's said multiple times that he believes it's for their own good, so you can't even argue that he's sorry about it. It's okay for you guys to admit that your PERSONAL INTERPRETATION of the character wouldn't do that but don't sit here and pretend that it's not a facet of the source.

[themyscirah]

What runs/stories do you recommend for someone starting WW? Could you please be specific (/nicely)

Yeah ofc!

My Wonder Woman Starter Recs (specific style 😎)

First stops: for an initial introduction to Wonder Woman, I'd generally recommend going to at least one of three places first. These three are:

Wonder Woman: Historia: The Amazons by Kelly Sue DeConnick

Wonder Woman: Year One by Greg Rucka

Wonder Woman: the Hiketeia by Greg Rucka

Of these I generally recommend reading Historia first, as it's a retelling of the origin of the Amazons as a race and how Diana came to be (so it essentially starts from the beginning) and is also the most recent of the them (if that means anything). Something to note about Historia though is that it's a DC Black Label book, so it's events aren't strictly canon in the main DCU and there are some changes and new elements present. I don't think this is something that should discourage anyone from reading it though, it's the best WW origin story out there, and even in strict main canon over the years her origin is one that has had many fluctuations and small (& sometimes big) changes. WW:Historia is three prestige format (longer) issues.

You'll notice the third book there is WW: The Hiketeia. Hiketeia is a great book if you're looking for a view into Diana as a professional and experienced hero. It's a graphic novel so standalone and not too long, and has a great Diana and really interesting plot (Diana vows to protect a young woman and finds herself pressed against the wheels of Greek Tragedy). This is also the first work with Diana done by Greg Rucka, one of her most prolific and loved writers. A sampling of this work (and also Historia) I think gives a good guide to where to go next in terms of runs on her main title.

Wonder Woman: Year One is the second book on the list up there, but I'm mentioning it last here as it's a bit more complicated in terms of format. Unlike other year one books, WW: Year One is actually a series of issues on her main title, showcasing Diana's arrival to man's world in Rebirth (and also current p sure) continuity. The issue numbering for this one is strange (only the even issues 2-14 on WW (2016)) so I recommend looking for this in trade form if possible.

These 3 books I think give a taste of some of the best standalone stuff in the Wonder Woman mythos, and give the reader a good idea of where they may want to go next in terms of longer runs on the title. So I'll break that down here as a Step 2.

STEP 2: WHERE NEXT?

Here I break down some highly recommended runs based on what they have in common with the standalone books from step 1. As a rule, these runs are going to be much longer than the above and generally more connected to the wider DCU and other books. Look for the italics to see the introduction to each new work. Explanation paragraphs follow after each italic/bold rec.

Curious about Greek mythology in WW and the Amazons' origins after reading Historia? Liked the prescence of a supporting cast and Diana learning about Man's World from Year One? Willing to read a longer run? I recommend: Wonder Woman by George Pérez

George Pérez's time on Wonder Woman totally reinvented the character after Crisis on Infinite Earths, and is fundamental in establishing many core concepts of her lore. At 62 issues, 2 annuals, and a 4-issue crossover event at the end (War of the Gods), it's definitely a commitment to read, but it's the most enduring and well-loved run on Wonder Woman for a reason--it's just that damn good. Lots of focus on mythology (although with a lighter tone than Historia) alongside Diana learning her role in relation to Man's World & establishing herself as a hero and ambassador. Pérez's run also has almost-certainly the most expansive and developed supporting cast in WW comics, something that really drives the emotional core of the series, especially in later issues. Obligatory note that this series was written between 1987 and 1992 and contains some very occasional aspects that I thought were in some way dated/uncomfortable etc. while reading (details of Cheetah's origin, depiction of the Bana-Mighdall, Hercules) but despite that I still highly, highly recommend this run. The word fundamental cannot begin to describe it.

Liked the experienced Diana of the Hiketeia? Interested to see her attempt to balance the high stakes responsibilities of an ambassador and superhero? Looking for some really badass moments and fights? Haven't read enough terrible tragedy? I suggest: Wonder Woman by Greg Rucka 2003 EDITION.

Some of Diana's coolest moments of all time are collected here. Also one of her most controversial. The 1st Rucka run is very much the story for anyone who liked the Diana of the Hiketeia and the tragedy of that and Historia. 2003 Rucka Diana is a Diana tested, forced to make decisions that are anything but easy, and live with the consequences. She's extraordinarily capable, but her enemies know that and are prepared to that end. This run, along with the Pérez run, rank among my favorite Wondy comics of all time (those and Historia are my top 3). This run is such peak Diana, especially in terms of sheer badassery. Her final confrontation with Medusa is in my opinion perhaps the greatest Wonder Woman fight scene of all time. Her encounter with Athena in the second-to-last issue breaks me every time. Cannot recommend this book more.

*a note abt this run is that it is more context-dependent than the other ones listed here, as it's the run that finishes out the Wonder Woman vol. 2 book and so has some guest appearances from characters introduced in other prior runs (Artemis of Bana-Mighdall, Cassie Sandsmark, and Vanessa Kapatelis, to name a few). I read this run before knowing much (if anything) about any of them, and still enjoyed it a lot, so I wouldn't be worried about this really but just thought I'd mention it.

Rucka's 2003 run is published from Wonder Woman (1987) #195-226. You can also find it in trade and I believe(?) omnibus. Sometimes the Hiketeia is included in collections of this series, as the 03 run is thematically similar in many places, just with a much deeper look at Diana and the world & with higher stakes.

Liked the specific characters and plot threads of Wonder Woman: Year One? Want to see what happens with Diana's exile, or learn more about Barbara Ann? Want a Diana in between the extremes of young and highly experienced? Wonder Woman by Greg Rucka 2016 EDITION may be for you.

...yes I'm putting ANOTHER Rucka book on here. He writes a great Diana, what can I say. This run is the same one that Year One came out of, just the follow ups to that story and versions of the characters. I have this run listed as separate from Year One though, as there's some really big time skips since the events of that first volume. A lot of time has passed since then, and there's more history between the characters, not all of it without drama. This run continues to be weird with the numbering, as well as some artist changes, so I definitely recommend looking into reading this in trade format (physical or digital) if at all possible. My recommended reading order is WW 2016 by Rucka vol. 2 "The Lies" (Wonder Woman: Rebirth Special #1, followed by 2016 main title odd numbered issues 1-11), then Rucka 16 vol. 3 "The Truth" (odds 13-23) then Godwatch (evens 16 through 24) followed by 25? But The Truth and Godwatch combine near the end so that doesn't really work either. This run is so good but recommending it is such a pain because the numbering is so all over the place. On God I never know which order to read this in. Going to revoke my previous statement and say read it as Rebirth Special 1, then only odds 1 through 11, then from 13 through 25 normally. That may lead to some weirdness as you read because the two stories take place at different times and have different art styles, but they come together at the end pretty dramatically so I think it's less confusing to read it this way? Maybe? So strange bc this is one of the go to good starter runs and yet it's set up so unintuitively. If someone has a better way to read this then let me know and ill edit, ik this explanation is super confusing bc neither way to read it is totally ideal imo and I feel I definitely read it in a weird order.

Going to call that a good rundown of some of my greatest recommendations in terms of Wonder Woman comics. If anything wasn't fully clear here or anyone (not just anon) has questions or wants to talk abt WW comics/my choices feel free to send as many asks or dms as you want. Have a good day everybody, & as Diana says, may the glory of Gaea be with you <3

[front-facing-pokemon]

[spaciebabie]

"i couldnt find the artist but im reposting this art!" "this art isnt mine!" "credit to the artist 😋" YOU DESERVE NAUGHT BUT WORMS DEVOURING YOUR ROTTEN FLESH YOU SCUM OF EVEN THE HIGHEST HEAVENS. YE WHO CARES MORE TO CONSUME AND PROFIT MORE THAN YOU DO TO CHERISH. YOUR STORY OF GREED WILL AFFORD YOU NO PLACE IN THE HEARTS OF OTHERS AND WHEN YOU ARE LAID IN THE DIRT TO DECAY AS THE DAYS GO BY AND YOUR BONES ARE WITHERED BY THE SOIL YOUR EXISTENCE WILL ONLY BE KNOWN BY THE MICROBES THAT FEAST AND FEAST UPON YOUR FLESH AND BONE UNTIL THERE IS NO MORE. YOUR SIGNIFICANCE WILL START AND END WITH YOUR GRADUAL DECAY AND YOU WILL BECOME NOTHING MORE THAN THE DIRT THE ANIMALS WALK UPON.

[satorugojoswiife]

What do you think about gojo ships

I feel like I'm pretty indifferent to most of them. This is super cringe of me, but whenever I fall super in love with a character I don't often like shipping them romantically with anyone. 💀 (im delusional I know)

It doesn't help that for some reason the jjk fandom (especially twt) is weirdly aggressive about ships. I know it isn't all the shippers and it's mostly just the loud minority, but seeing so much of the discourse has kinda put me off and I don't really engage much with the ships in the fandom except for rarepairs and selfships bc alot of the time those communities are more wholesome and cozy (if that makes sense LOL)

[blaiddraws]

Whumptober day 16: Mind Control

admittedly this one is majorly Not Canon to the fulcrum au, which I've been trying Not to do. but i love cool neon aesthetics i cannot deny this.

how would this even happen? not a clue.

anyway. red chain + legendaries = Not Fun Times for all parties involved

[sableprince]

assorted NMS oc doodles backlog that i guess i forgot to post? i'm really bad at putting stuff in tags, like this comparatively more serious lore compilation post thing. haha. this trio is stupid.

slightly more serious teluya backstory WIP comic under the cut because it's less goofy