I admit I watched the prequel pilot and if it's okay, I'd like to share my thoughts with you on everything I observed.
1. This is definitely not SPN. This is nowhere in the same universe never mind the same neighborhood. Jensen's "mother ship" really is on point since SPN is in a different galaxy compared to TW. It's obvious that they're trying to connect back to it while also doing their own thing, but this actually might go off a bit better without claiming that connection or inserting "Dean" into it all. Not much better but a little bit better
2. The POC characters are obviously being used to further the protagonist's story line. Every scene they were in was still about John and Mary, or one or the other. We don't learn anything about Carlos or Latika themselves other than Carlos is bisexual & may have a crush on Mary, that Mary is mad at him about something going wrong on a previous hunt, and Latika is not experienced at hunting and is scared (and also has that damsel in distress vibe while Mary is being given the badass and strong vibe). Even when they have a conversation between themselves, it's about one of the leads. When comparing this to let's say WIndy, we did learn something about Calian, something about Kai, within the pilot itself. While we don't learn anything yet about Augustus, we do see other characters mention him (Calian), and we do get to see him featured in other scenes that don't include the protagonist. Not to mention we get that scene between Augustus and Calian alone. They're part of the plot, not furthering it. Where Carlos and Latika are constantly furthering Mary's and now John's arcs as well. Latika is used to make Mary jealous over John, and then is used to mention and hint at the story of Maggie for Mary for her character so the audience can see her have a moment while getting that information that might help to explain Mary's brusqueness. Carlos is used to not only save John with the van in that one cringe moment, but also to back Mary up in everything she does, and then the most incredible part: get the silver blade back to Mary and John so John can then kill the monster in the hole they're stuck in. Even Ada was used to further the story line in this way. She's connected to Samuel, it's her bookshop that the "coordinates" lead to where Mary finds out Samuel has definitely been there (via papers on a board just like, yep you guessed it, the SPN pilot), and the next scene she has after being exorcised: with John talking about the MoL which is once again furthering his story line. We learn nothing about her other than that she owns a bookstore in Lubbock, TX. That's it.
3. So apparently the big bad is the Acreeda (however you spell it) or whatever it's called, a monster not of this world. Again, I couldn't help but to think back to Jensen's "mothership" comment. It would make perfect sense to me if some alien monster hybrid eventually shows up.
4. Speaking of monsters, they were absolutely horrid...in design and execution. Hell, even the Wendigo looked better and that was back in 2005! There is no excuse now with all of this technology and make-up availability, not even with a low budget.
5. There is zero chemistry between Mary and John. All the supposed "cute" moments were instead cringe. You actually find yourself asking out loud when it will all be over and the scene will change to something else.
6. Drake seemed to do a decent job with what he was given. Same for Nida, Ada, and Millie. I feel like Meg has potential but not so much as this character. I'm not sure where I stand on Jojo yet, they did decently with some scenes, where the others it felt like they were trying a bit too hard and there was some overacting on certain lines.
7. In the first scene we see Carlos, I don't know why but he makes me think of Sister Jo in the way he speaks, the way he presents himself, and his overall attitude. I don't know why I had that thought but I couldn't shake it once I had it so I ended up not caring for his character too much honestly.
8. Dean did not feel like "Dean", at all. Not the narration, not even in the one scene he was in. Having Baby there didn't change that vibe for me. Instead, all I saw was Jensen wearing Dean clothes and having let his hair grow out a bit. Dean being connected to this story made it feel very disconnected everywhere else.
Overall, it's blatantly obvious that they're trying to fit a square peg into a round hole. I almost think that had they pitched this idea without "Dean's" involvement, it still would be horrible but at least it wouldn't be disrespecting the "mothership" or tearing down the 15 year legacy of the show it's leeching off of the way that it is. And some might have even given it a chance (though not many because who really wants to see the Mary and John story?). I can see this pushing forward a little, possibly even getting a full season (because since when do AA's or hellers care about quality?), but for it to go the long mile, I'm not so sure about that. Unless people are looking for absolutely mindless television to play in the background while they fold laundry, cook dinner, do something on the computer, or pay bills, then I don't see it lasting.
Perhaps if the Ackles were truthful and just said this is a reboot to appeal to a younger generation of fans. Perhaps if Jensen and "executive producer Danneel" had just admitted up front that this is a ploy for money and to dominate the brand, that they truly don't give a crap about the quality or the story or even the cast, then maybe...no, nope, it still wouldn't work. And it's very evident that the Ackles were on set for the pilot shoot, it's all crap. We'll see what happens with the other episodes they weren't involved in. I never thought I'd say this but I kind of hope that Jensen doesn't get to direct any episodes, not to be petty but because the episode might turn out better if he doesn't (and better is a loose term). Because guaranteed Danneel will be there with him "executive producing" (making playlists and talking about the love of the story and how she knows the 1970's are real) and then it's the pilot crap all over again.
But this is all just my opinion. Thank you for letting me share all of that with you.
Thank you so much for sharing your review! I truly enjoyed reading it.
I wouldn't be surprised if Latika or Ada are dead by the end of the season (Carlos is gaining a following, so I doubt they'll go). But the others are just canon fodder. They go and nothing changes the storyline. Lovely way to treat the POC's.
Rubber monster aliens! I don't know how the cast can act around those without cracking up every time.
It's like they cast Mary and John separately based on what they thought of the characters without realizing they needed chemistry reads. I can't imagine what the failed chemistry reads look like with other actors (if there were any).
"...they're trying to fit a square peg into a round hole." They would have been better off creating a show with brand new characters, just set in the SPN universe. But then, we wouldn't get Beau Dean dealing with amnesia trying to remember that he's from Kansas instead of Texas, or what happened to his parents (or the fact that he has a younger brother, but since he's got heaven-esia and can't even remember how to get to his parent's heaven house so he can just ask them to tell their story, it's understandable.)
Loved reading your opinion, and I agree, honesty would have gone a long way towards tempering people's opinions about this whole mess. (Now it's too late for any kind of honesty... not that we'd believe them.)
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I think that one thing people fail to understand is that unsolicited literary criticism coming from an online stranger who is reading with no knowledge of what the authors intended goal is, is not going to be received the same as say: the authors beta reader or friends who know what the authors intended goal and has the sufficient knowledge and input to help the author reach that desired outcome.
"But I'm only trying to be helpful" How do I know you have the knowledge and literary skill for you to be able to actaully do that when we don't know each other and you are essentially a stranger to me? Are you applying this criticism based out of personal biased experience and desire to see the story or characterization be driven in another direction or tweaked, or do you know the author's intentions for the character? If the story is incomplete, are you basing your criticism of a character on the incomplete narration with only partial information available of them or are you building up a report until the story's completion? Did the author provide you with the information needed to make a fully informed criticism?
Have you discussed with the author what their plans are or are you assuming them based off the narration, especially if the narration is proven or implied to be unreliable or missing key points of the plot? Are you unbiased enough to help them reach their desired outcome for the characters and story regardless of your personal feelings towards the characters/antagonists and setting? Can you handle being told your specific input isn't wanted because you're a reader and/or have no written anything relating to their genre or topic? Do you understand and respect that the author's personal experiences might influence their writing and make it different than how you would have done it personally? Do you understand if an author only wants input from a specific demographic relating to their story?
If it's for fanfiction or other hobby media, are you holding a free hobby to a professional standard? Are you trying to give criticism because you feel like the author has produced 'subpar job performance' of their fic? Are you viewing their work as a personal intimate outlet or something that must conform with mass media? Are you applying rules and guidelines when the fic is shared for simple sharing sake? Is your criticism worded appropriately and focused on the parts where the author has requested input on rather than a general dismissal and or disapproval?
Have you put yourself in a place where you assumed you have the input needed for the story to evolve better, or have you asked what the author needs and what they're having trouble with? Can you handle having your criticism rejected if the author decides their story doesn't need the change and not take it as a personal offense against your character? Are you crossing that boundary because you think you are doing the author a favor? Are you trying to be helpful, or do you just want to be?
I think sometimes when people hear authors go 'please don't give me unsolicited writing advice or criticism' they automatically chalk it up to 'this author doesn't want ANY constructive feedback on their stuff at all' and not "i already have trusted individuals who will help me with my writing goals and- hey i don't know you like that, please stop acting so overly familiar with me'
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you're in the habit of denying yourself things.
if someone asked you directly, you would say that you love a little treat. you like iced coffee and getting the cookie. you drink juice out of a fancy cup sometimes, and often do use your candles until they gutter out helplessly.
but you hesitate about buying the 20 dollar hand mixer because, like. you could just use your arms. you weren't raised rich. you don't get to just spend the 20 dollars (remember when that could cover lunch?), at least - you don't spend that without agonizing over it first, trying to figure out the cost-benefits like you are defending yourself in front of a jury. yes, this rice cooker could seriously help you. but you do know how to make stovetop rice and it really isn't that hard. how many pies or brownies would you actually make, in order to make that hand mixer worthwhile?
what's wild is that if the money was for a friend, it would already be spent. you'd fork over 40 without blinking an eye, just to make them happy. the difference is that it's for you, so you need to justify it.
and it sneaks in. you ration yourself without meaning to - you don't finish the pint of ice cream, even though you want to. the next time you go to the store, you say ah, i really shouldn't, and then you walk away. you save little bits of your precious things - just in case. sometimes you even go so far as putting that one thing in your shopping cart. and then just leaving it there, because maybe-one-day, but not right now, there's other stuff going on.
you do self-care, of course. but you don't do it more than like, 3 days in a row. after that it just feels a little bit over-the-edge. like. you can't live in decadence, the economy is so bad right now, kid.
so you don't buy the rice cooker. you can-and-will spend the time over the stove. you can withstand the little sorrows. denial and discipline are practically synonyms. and you're not spoiled.
it's just - it's not always a rice cooker. sometimes it is a person or a job or a hug. sometimes it is asking for help. sometimes it is the summer and your college degree. sometimes it is looking down at scabbed knees and feeling a strange kind of falling, like you can't even recognize the girl you used to be. sometimes it is your handprint looking unsteady.
sometimes it is tuesday, and you didn't get fired, and you want to celebrate. but what is it you like, even? you search around your little heart and come up empty. you're so used to denying that all your desires draw a blank.
oh fuck. see, this is the perfect opportunity. if you had a mixer, you'd make a cake.
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'It was late spring, the first time all year that the sunshine had any real strength behind it. Satoru was wittering on about something inane as always — Tentomon or something equally ridiculous.
There was nothing special about the moment. Not really. Except for the fact that Satoru had shrugged off his jacket in the heat. It was draped around his shoulders just so, exposing the long column of his throat, pale after a long winter.
Really, there was nothing special about the moment. But when Suguru looked at the boy silhouetted against the spring sky, bright and blue and boundless and beautiful — just like his eyes, Suguru thought — his heart skipped a beat all the same.
With all the sight afforded to him, Satoru never missed a thing. So it was risky, what Suguru did. Later, when he was looking at his new phone wallpaper under the cover of darkness, grinning like an idiot, he'd wonder how he ever got away with it.
Yet, if Suguru's yearning to capture that perfectly ordinary moment forever was stronger than all reason, perhaps it was stronger than the Six Eyes, too. After all, not even Satoru could stop time.'
- by my beloved @fushiglow ♥
(( also glo says: FUN FACT! Tentomon is voiced by Suguru's VA — ergo it's Satoru's favourite Digimon, obviously ))
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freshly added headcanons:
• gojo at some point randomly barged into sugurus room and put glowy stickers all over his ceiling
• suguru has gojo as his phone wallpaper, but keeps it a secret
• suguru is a hamasaki ayumi fan
• the cinnamoroll phone charm is from gojo who spent almost an eternity getting that out of a gatcha machine for him
• they were happy
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