#wul art :)

[jaywul]

i haven’t drawn bugsnax stuff in a long while so i drew some blorbos to readjust :3

[filmjet]

Art by Moebius for Time Masters (1982)

[funwithfilmora]

These Top 10 FREE Effects in Filmora produce Stunning Visuals

https://www.youtube.com/watch?v=G75c7_diSuU Use Filmora's Top 10 FREE Effects to spice up your videos? Our newest upload highlights the 'Filmora Top 10 FREE Effects' that are sure to impress. Say goodbye to bland content and hello to eye-catching visuals that captivate your audience. ✅ Subscribe To The Channel Fun with Filmora To Create Amazing Videos With Wondershare Filmora Video Editing Software: https://www.youtube.com/@funwithfilmora ✅ Wondershare Filmora links: 👉 Download and try Filmora 13: https://filmora.wondershare.com/topic/sign-up-get-free-export.html 👉 Learn more in the Creator Hub: https://bit.ly/3ssiU9V 👉 Expand your creativity with creative assets in Filmora: https://bit.ly/3SLP1MK ✅ Stay Connected With Me. 👉 Website: https://funwithfilmora.co.uk/ 👉 Instagram: https://www.instagram.com/funwithfilmora/ 👉 Facebook: https://web.facebook.com/funwithfilmora1/?_rdc=1&_rdr 👉 Twitter: https://twitter.com/FilmoraFun 👉 TikTok: https://www.tiktok.com/@funwithfilmora?lang=en ✅ For Business Inquiries: contact@funwithfilmora.co.uk ============================= ✅ Recommended Playlists: 👉 Tutorials: https://youtube.com/playlist?list=PLt5FyPoxYDE3v8kU94PE26eGvX0yhbIP3 👉 Creating Intros & Outros That Wow Your Audience in Filmora: https://www.youtube.com/playlist?list=PLt5FyPoxYDE0VK8brlxXYPYL-ABsuUh-R 👉 Creative Videos: https://www.youtube.com/playlist?list=PLt5FyPoxYDE2WFeMnYyMmOxt_-vt42SZj 👉 Shorts: https://www.youtube.com/@funwithfilmora/shorts ✅ Other Videos You Might Be Interested In Watching: 👉Creating Stunning Videos with Filmora Text to Video in just 3 CLICKS https://www.youtube.com/watch?v=6kC3fBjJ6vo 👉 Elevate Your Video Editing with Filmora Effects! Easy Tutorial https://www.youtube.com/watch?v=wUL-o6ZA100 👉Filmora 13 Compound Clips Tutorial: Edit Faster and Easier https://www.youtube.com/watch?v=QcUwLqg0Z48 👉 Filmora 13 YouTube Thumbnail Creator Tutorial: Master the Art of Click-Worthy Thumbnails. https://www.youtube.com/watch?v=ixW-30H0cYA 👉 Filmora Tutorial: Creating YouTube Shorts From Widescreen Video Made Easy https://youtu.be/LFFDZswNIpg ============================= ✅ About Fun with Filmora. Fun with Filmora is about creating videos with the easy-to-use yet powerful Wondershare Filmora video editing software and having fun at the same time. I will show creative videos edited with Filmora and tutorials on how to use this amazing piece of software. For Collaboration and Business inquiries, please use the contact information below: 📩 Email: contact@funwithfilmora.co.uk 🔔 Subscribe To The Channel Fun with Filmora To Create Amazing Videos With Wondershare Filmora Video Editing Software: https://www.youtube.com/@funwithfilmora ================================= #FilmoraCreatorHub #FilmoraCertifiedCreative #WondershareFilmora #Filmora13AI #MadeWithFilmora #Filmora #Filmora13 #Filmora12 Disclaimer: We do not accept any liability for any loss or damage which is incurred by you acting or not acting as a result of listening to any of our publications. For all videos on my channel: This information is for general & educational purposes only. Always consult with an attorney, CPA, or financial professional for advice based on your specific situation Copyright Disclaimer: Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, via https://www.youtube.com/channel/UCDiv61hEGgjC1JWO79J02Fg April 06, 2024 at 06:00PM

[welovetheoldestparents]

New Wul Tope Gallery (Deviant Art)

[balu8]

Niourk by  Stefan Wul and  Olivier Vatine

Datk Horse Comics

[nearche]

La planète Sauvage (fantastic planet), Gandahar, Les Maîtres du temps ( Time Masters) and La prisonnière. Fantastic french cult films by René Laloux.

[arcadequeerz]

Matora |Non Fandom OC|

THIS IS, the first oc I ever made, he means a lot to me, n i love him so mch c:b Matora is...sweetheart...

Matora is a 10ft tall wolf anthro looking creature. He has long, floofy black fur covering his body, it has darkish, golden colored speckle markings on it. These markings are on his forehead, under his eyes, down his muzzle, down his arms, shoulders, back, down his sides, hips, thighs and on his stomach. He has a mane of fur, its around his neck and goes onto the top of his head. The mane also goes down chest as a streak, stopping at his lower stomach. it also goes down his back stopping right at the base of his tail. The fur the manes made of is black and is quite fluffy and long, almost gives him the look of a head of long semi, curly hair? His ears are quite long and are wider then normal wolves ears. His nose on the end of his muzzle is a darkish brown with a black spot on it. His tail is pretty long and very bendable, covered in very floofy fur, the fur along the underside of his tail is longer and the fur at the tip of it is longer too. His tail has faint grey speckles that go down it. His hands are semi paw like, have five fingers on them with longish curved claws. They have paw pads on them, the paw pads are the same color as his nose. His legs are digitigraded, and have large paws n them with claws like those on his hands, and the fur on his ankles are a lil longer.

Body wise, Matora’s pretty chubby, has kind of wide set hips and biggish thighs, but still seems pretty muscular, (This is a horrible description of his Bodytype, I ho n estly can’t describe body types, so forgive me HGFDSHG d:xc

His eyes are a bright almost neon blue and his eyes glow quite brightly at night

Its quite hard to find clothes to fit his ten foot self, lucky he has a friend who makes them for him(Zeno makes em). Usually wears loose fitting kind of clothes, hoodies, sweaters, loose fitting pants. Often times he’ll keep the hoodie up over his head because people tend to be quite afraid of him ao he likes to cover his face. He’s very fond of earthy colors, like browns and dark greens. But he also loves the color yellow or light pinks. Sometimes he wears a lot of hair pins or bows in his mane.

Matora is the living embodiment of the saying “Gentle Giant”. Kind down to the core and as gentle as can be. He is very timid and often has trouble talking and interacting with others because of this. He is very quiet and doesn’t talk much. He trusts people easily, maybe a bit TOO easily, and that often leads to trouble. He’ll help anyone that needs help, no matter how big or small their problem is, he’ll help someone no matter what. Tends to be very nervous around people when he first meets them, but is kind to strangers nonetheless. EXTREMELY protective of his friends. He is very affectionate to friends and can be very sweet. If your a friend of his expect him to give you lots of hugs and always be a shoulder for you to cry on. He is generally a very sweet, and caring person to others and friends as long as they’re kind to him. When someone threatens his friends or someone he considers family he will not hesitate to “bite” back at the harasser. Sticking up for his friends is one of the only things that makes him push his timidness to the side to do. He will not take someone threatening the people he holds dear. At times Matora can seem very sad, mostly because he is, he is a very melancholy person and has much trouble dealing with depression and lots of self hatred. Most of which is centered around his appearance which hes often told looks monstrous and scary. This causes him to wish he wasn’t so big and intimidating, he wishes people could see past his appearance and get to know him, not be afraid of him. He’s happiest surrounded by his friends and hates to be alone.

He is passionate about caring for the woods he calls home, Darkwood, and is very found of animals of all kinds. His favorite animals are dogs/wolves. If he finds a sick or injured animal he’ll nurse the animal back to health and release them back into the forest. He loves to garden, he has a garden which he grows all sorts of veggies and flowers in. He also carves little figurines or statues out of wood, a lot of times their very detailed and he’ll sometimes paint them. The figurines are usually animals or flowers. He even carves some out of the crystals you can find in the caves around the woods. He also loves collecting lil trinkets he finds while wondering around the forest. Things like old jewelry, pretty rocks, or old toys. He is a very skilled hunter, doesn't use guns but instead sticks to using his claws, or his teeth to take down prey. He kills humanely and does it quickly to not prolong the animals suffering. Usually hunts small rodents, birds or deer and sometimes will eat fish from the lakes or rivers in the woods. He only kills what he needs to feed himself and no more and never kills just to kill. Hes actually able to eat raw meat, and usually prefers to eat it raw rather then cooked. He also likes eating fruits and enjoys certain veggies, but his diet mostly consists of meat. He sometimes goes out blueberry picking and strawberry picking when its berry season. Most human food makes him ill or not feel well. He is a fan of sweets though, and might eat some even if it does make him feel a bit sick later.

He has a very beautiful singing voice, sometimes while he’s alone, like walking through the woods, he’ll sing a lil tune to himself. He doesn't like to sing in front of others though. Too scared of hearing people tell him he sounds awful, which he believes he does, even though Zeno(who has caught him singing a few times) keeps telling him hes amazing at it, and very talented.

He lives in a old cabin in Darkwood at the very edge of a village/town of people. He visits it occasionally to buy groceries or things he needs. Sometimes he’ll bring what vegetables he grows to the farmers market and sells them there and also sells the lil figurines he makes there too. Most of the people in the village find him very scary, most tend to stay away from him, and some of the more Asshole people like to harass him when he comes around. He does his best to just ignore them and not let them get to him. Zeno is usually the one to tell people off and tell em to leave him alone. There are some people in the town that he does consider friends, but their far out numbered by those that dislike him.

He hates confrontation and hates fighting, even though he could Quite easily hurt someone, or kill them if he wanted to, he chooses not to. He usually lets people walk all over him and push him around, and rarely ever sticks up for himself. He’ll just sit there and take peoples abuse. He gets Very nervous and upset when people start to yell, doesn't like when people get mad because it scares him and usually leads to him believing its His fault and sometimes start crying, and apologizing even though something might not be his fault. You could Hit him, and even though he’d cry he’d still apologize like it was his fault. He basically walks on eggshells around Everyone out of fear of being yelled at or hurt.

Usually hides how he feels, keeps all his anger and frustration, and sadness all on the inside rather then talking to anyone about it, cus he doesn't like to burden people with his problems, pretends a lot of times to be happier then he really is.

He cries very easily, but doesn't like when people see him cry. Usually hides his face when he cries.

Hes able to make lots of wolf/dog like noises, and makes a low purring like sounds when happy. He also makes squeak like noises, hisses, growls and snarls as well. And he can howl too.

He loves to be pet, even though hes nervous/shy to admit it, favorite spot is his ears, having his cheeks pet and sometimes even belly pets(only allows people he loves/are his SO to give him belly pets though, hes very shy about it though)

Often wraps his tail around himself to keep himself arm, likes to have it wrap around his waist. Wags it really fast when happy or excited. When scared the fue on his tail puffs up big. He also likes wrapping his tail around people hes very close to/loves.

When angry, the fur along his back bristles/stands up. Usually growls/hisses/snarls and bares his teeth if angry.

His sense of hearing and smell is very good, and he can see very well in the dark.

He gets flustered very easily and not good at taking compliments. Often doesn't know how to respond and blushes very easily. When blushing the markings on his muzzle and under his eyes will turn pink. Hides his face in his tail when flustered.

Hes a very cuddly person, and if you were his SO expect him like to cuddle with you, and hug on you, and wrap his tail around you. Hes very affectionate and just super cuddly.

Matora stutters sometimes when he talks, hes very self-conscious about it, and when nervous/scared/upset his stuttering gets worse.

Matora’s genderflux and his pronouns are he/him sometimes they/them and she/her and hes pansexual!

[fhtagn-and-tentacles]

LA MORT VIVANTE 

Art by Alberto Varanda

[proverbios-del-infierno]

PLANETA SALVAJE – René Laloux

Planeta salvaje es una película animada oriunda de Francia, dirigida en 1973 por René Laloux, basada en el libro de Stephan Wul, “Oms en serie” de 1957, y realizada con la técnica de animación Cut – Out.

La película nos ubica en un principio en el extraño planeta Ygam, en donde conocemos en primera instancia a los Draags, seres gigantes de piel azul y ojos rojos, quienes usan a los seres humanos, traídos del planeta tierra, como simples mascotas. Es así como la historia nos lleva hasta Ter, un ser humano, quien será nuestro narrador y protagonista, que es adoptado como animal de compañía por Tiba, una joven Draag, quien le coloca una especie de collar con el cual Ter no podrá huir ni escabullirse, pues pude controlarlo con un control remoto y, aunque incómodo, es por medio de este collar que nuestro joven protagonista recibe, accidentalmente el mismo conocimiento de las lecciones de Tiba – Pues los Draags, con su tecnología avanzada, reciben el conocimiento a través de una especie de audífonos, dejando implantado en su cerebro la información –. Con el tiempo, y debido a que una semana Draag equivale a un año humano, el pequeño Ter se vuelve un joven, un tanto rebelde, con ansias de conocimiento, y es así que decide huir, no sin antes llevarse consigo la fuente de conocimiento, los audífonos de Tiba, y esta, al no encontrar a su mascota, decide, tras orden de su madre, usar su control remoto y traer de vuelta a Ter, aún con la probabilidad de lastimarlo. Para fortuna del joven humano, queda atascado entre unas ramas, dándole tiempo para que otra ser humano lo libre del collar, es así como esta joven lo lleva hasta una colonia de humanos que residen en el parque, donde Ter comparte los audífonos para que el conocimiento sea recibido por sus nuevos compañeros, de esta forma logran organizarse aún mejor e incluso, adaptarse mejor a aquel mundo. Los Draags, a su vez, están preocupados por el crecimiento constante de la población humana, además de los constantes robos que sufren a manos de estos; llegando a la conclusión de que el ser humano es una plaga y se decide hacer una depuración de esta especie. Ter, al ser el único capaz de entender la escritura Draag, se da cuenta de las terribles intenciones de estos, pues lee el aviso de exterminación en las paredes del parque. Aunque intenta prevenir a todos los humanos del parque, es demasiado tarde, sufren un ataque a manos de los Draag y unos pocos sobreviven y huyen, no sin antes acabar con la vida de uno de los gigantes azules, hacia un cementerio de cohetes abandonado. Este incidente del asesinato Draag, hace que se tome la decisión de acabar en su totalidad con la raza humana, implementando diversas maneras de exterminación. A su vez, los humanos que logran llegar al cementerio de cohetes toman como nuevo objetivo llegar al único satélite que posee el planeta Ygam; el planeta salvaje, lugar que se usa solamente con motivos de meditación. Al llegar al misterioso planeta descubren, sin querer, el secreto de los Draags y su meditación; gigantes estatuas blancas sin cabeza sirven a estos como medio para compartir con seres de otras galaxias y así preservar su especie, siendo esta su debilidad, los humanos llegados al planeta comienzan a destruir aquellas estatuas, haciendo que la sociedad Draag entre en una grave crisis. Finalmente, tras concluir que ninguna de las dos especias quería guerra, hacen un acuerdo, en donde el planeta Ygam termina poseyendo dos satélites en lugar de uno solo; el primero natural llamado Planeta salvaje y el segundo artificial, llamado Tierra, en donde viven los seres humanos.

En cuanto a mi opinión, es una película muy interesante, empezando por la estética surrealista, por la que debemos agradecer a Roland Topor, encargado del arte gráfico en esta producción; y terminando en la historia persé, ese cambio de papeles, en donde el ser humano es una especie inferior, incluso aborrecida, que debe luchar en contra de la especie dominante para evitar su extinción y constante maltrato, se entiende como una critica a nuestra sociedad actual, en donde el hombre ve como inferiores a todas las demás especies, destruyendo sus ecosistemas y pensando solo en el beneficio propio. Tal vez mi única queja frente a este filme, y sin demeritar esta gran obra, es la falta de profundidad, desde los personajes como en el desenlace de la historia, me hubiera gustado ver un poco mas de desarrollo de personajes, conocer mas al joven Ter, a sus compañeros o a las criaturas del lugar, así como también en el final, que, teniendo en cuanta el resto de la película, es bastan simple, no en cuanto a los acontecimientos, sino, a la narrativa de este punto, pues solo escuchamos a Ter contar el final con muy poca información visual. Sin embargo, esto no le quita su merecido lugar dentro de las películas de culto. Es una obra que recomiendo ampliamente si se es fanático de las historias poco convencionales y de una estética diferente y llamativa.

[frenchscificovers]

[jaywul]

I of the mourning

[smashpages]

2019 Eisner Award nominees announced

The nominees for the 2019 Will Eisner Comic Industry Awards have been announced by Comic-Con International. Image Comics received the most nominations with 19, while DC Comics received 17 nominations (not including the “shared” categories, like colorists who work for multiple companies).

On the creator end, Tom King received the most nominations with six, followed by Alex de Campi and Jeff Lemire with four. Also, if you’re of the betting persuasion, here’s a tip: put your money on an Image series walking away with the Best New Series Eisner.

The announcement follows the list of nominees for the Will Eisner Hall of Fame, which was released in January. The awards will be announced in July at Comic-Con International in San Diego. Check out the complete list of nominees below.

Best Short Story

“Get Naked in Barcelona,” by Steven T. Seagle and Emei Olivia Burrell, in Get Naked (Image)

“The Ghastlygun Tinies,” by Matt Cohen and Marc Palm, in MAD magazine #4 (DC)

“Here I Am,” by Shaun Tan, in I Feel Machine (SelfMadeHero)

“Life During Interesting Times,” by Mike Dawson (The Nib), https://thenib.com/greatest-generation-interesting-times

“Supply Chains,” by Peter and Maria Hoey, in Coin-Op #7 (Coin-Op Books)

“The Talk of the Saints,” by Tom King and Jason Fabok, in Swamp Thing Winter Special (DC)

Best Single Issue/One-Shot

Beneath the Dead Oak Tree, by Emily Carroll (ShortBox)

Black Hammer: Cthu-Louise, by Jeff Lemire and Emi Lenox (Dark Horse)

No Better Words, by Carolyn Nowak (Silver Sprocket)

Peter Parker: The Spectacular Spider-Man #310, by Chip Zdarsky (Marvel)

The Terrible Elisabeth Dumn Against the Devils In Suits, by Arabson, translated by James Robinson (IHQ Studio/ Image)

Best Continuing Series

Batman, by Tom King et al. (DC)

Black Hammer: Age of Doom, by Jeff Lemire, Dean Ormston, and Rich Tommaso (Dark Horse)

Gasolina, by Sean Mackiewicz and Niko Walter (Skybound/Image)

Giant Days, by John Allison, Max Sarin, and Julaa Madrigal (BOOM! Box)

The Immortal Hulk, by Al Ewing, Joe Bennett, and Ruy José (Marvel)

Runaways, by Rainbow Rowell and Kris Anka (Marvel)

Best Limited Series

Batman: White Knight, by Sean Murphy (DC)

Eternity Girl, by Magdalene Visaggio and Sonny Liew (Vertigo/DC)

Exit Stage Left: The Snagglepuss Chronicles, by Mark Russell, Mike Feehan, and Mark Morales (DC)

Mister Miracle, by Tom King and Mitch Gerads (DC)

X-Men: Grand Design: Second Genesis, by Ed Piskor (Marvel)

Best New Series

Bitter Root, by David Walker, Chuck Brown, and Sanford Green (Image)

Crowded, by Christopher Sebela, Ro Stein, and Ted Brandt (Image)

Gideon Falls, by Jeff Lemire and Andrea Sorrentino (Image)

Isola, by Brenden Fletcher and Karl Kerschl (Image)

Man-Eaters, by Chelsea Cain and Kate Niemczyk (Image)

Skyward, by Joe Henderson and Lee Garbett (Image)

Best Publication for Early Readers (up to age 8)

Johnny Boo and the Ice Cream Computer, by James Kochalka (Top Shelf/IDW)

Petals, by Gustavo Borges (KaBOOM!)

Peter & Ernesto: A Tale of Two Sloths, by Graham Annable (First Second)

This Is a Taco! By Andrew Cangelose and Josh Shipley (CubHouse/Lion Forge)

Tiger Vs. Nightmare, by Emily Tetri (First Second)

Best Publication for Kids (ages 9–12)

Aquicorn Cove, by Katie O’Neill (Oni)

Be Prepared, by Vera Brosgol (First Second)

The Cardboard Kingdom, by Chad Sell (Knopf/Random House Children’s Books)

Crush, by Svetlana Chmakova (JY/Yen Press)

The Divided Earth, by Faith Erin Hicks (First Second)

Best Publication for Teens (ages 13–17)

All Summer Long, by Hope Larson (Farrar Straus Giroux)

Gumballs, by Erin Nations (Top Shelf/IDW)

Middlewest, by Skottie Young and Jorge Corona (Image)

Norroway, Book 1: The Black Bull of Norroway, by Cat Seaton and Kit Seaton (Image)

The Prince and the Dressmaker, by Jen Wang (First Second)

Watersnakes, by Tony Sandoval, translated by Lucas Marangon (Magnetic/Lion Forge)

Best Humor Publication

Get Naked, by Steven T. Seagle et al. (Image)

Giant Days, by John Allison, Max Sarin, and Julia Madrigal (BOOM! Box)

MAD magazine, edited by Bill Morrison (DC)

A Perfect Failure: Fanta Bukowski 3, by Noah Van Sciver (Fantagraphics)

Woman World, by Aminder Dhaliwal (Drawn & Quarterly)

Best Anthology

Femme Magnifique: 50 Magnificent Women Who Changed the World, edited by Shelly Bond (Black Crown/IDW)

Puerto Rico Strong, edited by Marco Lopez, Desiree Rodriguez, Hazel Newlevant, Derek Ruiz, and Neil Schwartz (Lion Forge)

Twisted Romance, edited by Alex de Campi (Image)

Where We Live: A Benefit for the Survivors in Las Vegas, edited by Will Dennis, curated by J. H. Williams III and Wendy Wright-Williams (Image)

Best Reality-Based Work

All the Answers: A Graphic Memoir, by Michael Kupperman (Gallery 13)

All the Sad Songs, by Summer Pierre (Retrofit/Big Planet)

Is This Guy For Real? The Unbelievable Andy Kaufman, by Box Brown (First Second)

Monk! by Youssef Daoudi (First Second)

One Dirty Tree, by Noah Van Sciver (Uncivilized Books)

Best Graphic Album—New

Bad Girls, by Alex de Campi and Victor Santos (Gallery 13)

Come Again, by Nate Powell (Top Shelf/IDW)

Green Lantern: Earth One Vol. 1, by Corinna Bechko and Gabriel Hardman (DC)

Homunculus, by Joe Sparrow (ShortBox)

My Heroes Have Always Been Junkies, by Ed Brubaker and Sean Phillips (Image)

Sabrina, by Nick Drnaso (Drawn & Quarterly)

Best Graphic Album—Reprint

Berlin, by Jason Lutes (Drawn & Quarterly)

Girl Town, by Carolyn Nowak (Top Shelf/IDW)

Upgrade Soul, by Ezra Claytan Daniels (Lion Forge)

The Vision hardcover, by Tom King, Gabriel Hernandez Walta, and Michael Walsh (Marvel)

Young Frances, by Hartley Lin (AdHouse Books)

Best Adaptation from Another Medium

Anne Frank’s Diary: The Graphic Adaptation, adapted by Ari Folman and David Polonsky (Pantheon)

“Frankenstein” by Mary Shelley, in Frankenstein: Junji Ito Story Collection, adapted by Junji Ito, translated by Jocelyne Allen (VIZ Media)

Out in the Open by Jesús Carraso, adapted by Javi Rey, translated by Lawrence Schimel (SelfMadeHero)

Speak: The Graphic Novel, by Laurie Halse Anderson and Emily Carroll (Farrar Straus Giroux)

To Build a Fire: Based on Jack London’s Classic Story, by Chabouté (Gallery 13)

Best U.S. Edition of International Material

About Betty’s Boob, by Vero Cazot and Julie Rocheleau, translated by Edward Gauvin (Archaia/BOOM!)

Brazen: Rebel Ladies Who Rocked the World, by Pénélope Bagieu (First Second)

Herakles Book 1, by Edouard Cour, translated by Jeremy Melloul (Magnetic/Lion Forge)

Niourk, by Stefan Wul and Olivier Vatine, translated by Brandon Kander and Diana Schutz (Dark Horse)

A Sea of Love, by Wilfrid Lupano and Grégory Panaccione (Magnetic/Lion Forge)

Best U.S. Edition of International Material—Asia

Abara: Complete Deluxe Edition, by Tsutomu Nihei, translated by Sheldon Drzka (VIZ Media)

Dead Dead Demon’s Dededede Destruction, by Inio Asano, translated by John Werry (VIZ Media)

Laid-Back Camp, by Afro, translated by Amber Tamosaitis (Yen Press)

My Beijing: Four Stories of Everyday Wonder, by Nie Jun, translated by Edward Gauvin (Graphic Universe/Lerner)

Tokyo Tarareba Girls, by Akiko Higashimura (Kodansha)

Best Archival Collection/Project—Strips

Pogo, vol. 5: Out of This World At Home, by Walt Kelly, edited by Mark Evanier and Eric Reynolds (Fantagraphics)

Sky Masters of the Space Force: The Complete Sunday Strips in Color (1959–1960), by Jack Kirby, Wally Wood et al., edited by Ferran Delgado (Amigo Comics)

Star Wars: Classic Newspaper Strips, vol. 3, by Archie Goodwin and Al Williamson, edited by Dean Mullaney (Library of American Comics/IDW)

The Temple of Silence: Forgotten Words and Worlds of Herbert Crowley, by Justin Duerr (Beehive Books

Thimble Theatre and the Pre-Popeye Comics of E. C. Segar, edited by Peter Maresca (Sunday Press)

Best Archival Collection/Project—Comic Books

Action Comics: 80 Years of Superman Deluxe Edition, edited by Paul Levitz (DC)

Bill Sienkiewicz’s Mutants and Moon Knights… And Assassins… Artifact Edition, edited by Scott Dunbier (IDW)

Dirty Plotte: The Complete Julie Doucet (Drawn & Quarterly)

Madman Quarter Century Shindig, by Mike Allred, edited by Chris Ryall (IDW)

Terry Moore’s Strangers in Paradise Gallery Edition, edited by Joseph Melchior and Bob Chapman (Abstract Studio/Graphitti Designs)

Will Eisner’s A Contract with God: Curator’s Collection, edited by John Lind (Kitchen Sink/Dark Horse)

Best Writer

Alex de Campi, Bad Girls (Gallery 13); Twisted Romance (Image)

Tom King, Batman, Mister Miracle, Heroes in Crisis, Swamp Thing Winter Special (DC)

Jeff Lemire, Black Hammer: Age of Doom, Doctor Star & the Kingdom of Lost Tomorrows, Quantum Age (Dark Horse); Descender, Gideon Falls, Royal City (Image)

Mark Russell, Exit Stage Left: The Snagglepuss Chronicles, Green Lantern/Huckleberry Hound, Lex Luthor/Porky Pig (DC); Lone Ranger (Dynamite)

Kelly Thompson, Nancy Drew (Dynamite); Hawkeye, Jessica Jones, Mr. & Mrs. X, Rogue & Gambit, Uncanny X-Men, West Coast Avengers (Marvel)

Chip Zdarsky, Peter Parker: The Spectacular Spider-Man, Marvel Two-in-One (Marvel)

Best Writer/Artist

Sophie Campbell, Wet Moon (Oni)

Nick Drnaso, Sabrina (Drawn & Quarterly)

David Lapham, Lodger (Black Crown/IDW); Stray Bullets (Image)

Nate Powell, Come Again (Top Shelf/IDW)

Tony Sandoval, Watersnakes (Magnetic/Lion Forge)

Jen Wang, The Prince and the Dressmaker (First Second)

Best Penciller/Inker or Penciller/Inker Team

Matías Bergara, Coda (BOOM!)

Mitch Gerads, Mister Miracle (DC)

Karl Kerschl, Isola (Image)

Sonny Liew, Eternity Girl (Vertigo/DC)

Sean Phillips, Kill or Be Killed, My Heroes Have Always Been Junkies (Image)

Yanick Paquette, Wonder Woman Earth One, vol. 2 (DC)

Best Painter/Multimedia Artist (interior art)

Lee Bermejo, Batman: Damned (DC)

Carita Lupatelli, Izuna Book 2 (Humanoids)

Dustin Nguyen, Descender (Image)

Gregory Panaccione, A Sea of Love (Magnetic/Lion Forge)

Tony Sandoval, Watersnakes (Magnetic/Lion Forge)

Best Cover Artist (for multiple covers)

Jen Bartel, Blackbird (Image); Submerged (Vault)

Nick Derington, Mister Miracle (DC)

Karl Kerschl, Isola (Image)

Joshua Middleton, Batgirl and Aquaman variants (DC)

Julian Tedesco, Hawkeye, Life of Captain Marvel (Marvel)

Best Coloring

Jordie Bellaire, Batgirl, Batman (DC); The Divided Earth (First Second); Days of Hate, Dead Hand, Head Lopper, Redlands (Image); Shuri, Doctor Strange (Marvel)

Tamra Bonvillain, Alien 3 (Dark Horse); Batman, Doom Patrol (DC); Moon Girl and Devil Dinosaur, Multiple Man (Marvel)

Nathan Fairbairn, Batman, Batgirl, Birds of Prey, Wonder Woman Earth One, vol. 2 (DC); Die!Die!Die! (Image)

Matt Hollingsworth, Batman: White Knight (DC): Seven to Eternity, Wytches (Image)

Matt Wilson, Black Cloud, Paper Girls, The Wicked + The Divine (Image); The Mighty Thor, Runaways (Marvel)

Best Lettering

David Aja, Seeds (Berger Books/Dark Horse)

Jim Campbell, Breathless, Calexit, Gravetrancers, Snap Flash Hustle, Survival Fetish, The Wilds (Black Mask); Abbott, Alice: Dream to Dream, Black Badge, Clueless, Coda, Fence, Firefly, Giant Days, Grass Kings, Lumberjanes: The Infernal Compass, Low Road West, Sparrowhawk (BOOM); Angelic (Image); Wasted Space (Vault)

Alex de Campi, Bad Girls (Gallery 13); Twisted Romance (Image)

Jared Fletcher, Batman: Damned (DC); The Gravediggers Union, Moonshine, Paper Girls, Southern Bastards (Image)

Todd Klein— Black Hammer: Age of Doom, Neil Gaiman’s A Study in Emerald (Dark Horse); Batman: White Night (DC); Eternity Girl, Books of Magic (Vertigo/DC); The League of Extraordinary Gentlemen: The Tempest (Top Shelf/IDW)

Best Comics-Related Periodical/Journalism

Back Issue, edited by Michael Eury (TwoMorrows)

The Columbus Scribbler, edited by Brian Canini, columbusscribbler.com

Comicosity, edited by Aaron Long and Matt Santori,  www.comicosity.com

LAAB Magazine #0: Dark Matter, edited by Ronald Wimberley and Josh O’Neill (Beehive Books)

PanelxPanel magazine, edited by Hassan Otsmane-Elhaou, panelxpanel.com

Best Comics-Related Book

Comic Book Implosion: An Oral History of DC Comics Circa 1978, by Keith Dallas and John Wells (TwoMorrows)

Drawn to Purpose: American Women Illustrators and Cartoonists, by Martha H. Kennedy (University Press of Mississippi)

The League of Regrettable Sidekicks, by Jon Morris (Quirk Books)

Mike Grell: Life Is Drawing Without an Eraser, by Dewey Cassell with Jeff Messer (TwoMorrows)

Yoshitaka Amano: The Illustrated Biography—Beyond the Fantasy, by Florent Gorges, translated by Laure Dupont and Annie Gullion (Dark Horse)

Best Academic/Scholarly Work

Between Pen and Pixel: Comics, Materiality, and the Book of the Future, by Aaron Kashtan (Ohio State University Press)

Breaking the Frames: Populism and Prestige in Comics Studies, by Marc Singer (University of Texas Press)

The Goat-Getters: Jack Johnson, the Fight of the Century, and How a Bunch of Raucous Cartoonists Reinvented Comics, by Eddie Campbell (Library of American Comics/IDW/Ohio State University Press)

Incorrigibles and Innocents, by Lara Saguisag (Rutgers Univeristy Press)

Sweet Little C*nt: The Graphic Work of Julie Doucet, by Anne Elizabeth Moore (Uncivilized Books)

Best Publication Design

A Sea of Love, designed by Wilfrid Lupano, Grégory Panaccione, and Mike Kennedy (Magnetic/Lion Forge)

The Stan Lee Story Collector’s Edition, designed by Josh Baker (Taschen)

The Temple of Silence: Forgotten Worlds of Herbert Crowley, designed by Paul Kepple and Max Vandenberg (Beehive Books)

Terry Moore’s Strangers in Paradise Gallery Edition, designed by Josh Beatman/Brainchild Studios/NYC (Abstract Studio/Graphitti Designs)

Will Eisner’s A Contract with God: Curator’s Collection, designed by John Lind (Kitchen Sink/Dark Horse)

Best Digital Comic

Aztec Empire, by Paul Guinan, Anina Bennett, and David Hahn, www.bigredhair.com/books/Aztec-empire/

The Führer and the Tramp, by Sean McArdle, Jon Judy, and Dexter Wee, http://thefuhrerandthetramp.com/

The Journey, by Pablo Leon (Rewire), https://rewire.news/article/2018/01/08/rewire-exclusive-comic-journey/

The Stone King, by Kel McDonald and Tyler Crook (comiXology Originals)  https://cmxl.gy/Stone-King

Umami, by Ken Niimura (Panel Syndicate), http://panelsyndicate.com/comics/umami

Best Webcomic

The Contradictions, by Sophie Yanow, www.thecontradictions.com

Lavender Jack, by Dan Schkade (WEBTOON), https://www.webtoons.com/en/thriller/lavender-jack/list?title_no=1410&page=1

Let’s Play, by Mongie (WEBTOON), https://www.webtoons.com/en/romance/letsplay/list?title_no=1218&page=1

Lore Olympus, by Rachel Smythe, (WEBTOON), https://www.webtoons.com/en/romance/lore-olympus/list?title_no=1320&page=1

Tiger, Tiger, by Petra Erika Nordlund, (Hiveworks) http://www.tigertigercomic.com/

[funwithfilmora]

Master the Art of Memes in Filmora: A Step-by-Step Tutorial! | FunWithFilmora.co.uk

https://www.youtube.com/watch?v=m7K1hn4UOxk Unlock the secret to meme magic with Filmora! Join us in this tutorial where we'll teach you what you need to know about creating memes for in Filmora. So let's dive into the world of memes with Filmora in this fun and informative video. From adding witty captions and overlaying funny images to your memes, you'll learn all the tips and tricks in Filmora. Title: Master the Art of Memes in Filmora: A Step-by-Step Tutorial! | FunWithFilmora.co.uk ✅ Subscribe To The Channel Fun with Filmora To Create Amazing Videos With Wondershare Filmora Video Editing Software: https://www.youtube.com/@funwithfilmora ✅ Important Links To Follow: 👉 Wondershare sign-up link: Sign Up To Get Free Export (No Watermark): https://filmora.wondershare.com/topic/sign-up-get-free-export.html 👉 – Get a FREE 30 Day Trial with a TubeBuddy Paid Plan to optimise and grow your channel https://www.tubebuddy.com/freetrial?a=FunWithFilmora 👉 – Looking for unlimited downloads of stock videos, royalty-free music, photos, graphics, graphic templates & more then why not get a paid subscription to Envato Elements https://1.envato.market/0JaNME ✅ Stay Connected With Me. 👉 Website: https://funwithfilmora.co.uk/ 👉 Instagram: https://www.instagram.com/funwithfilmora/ 👉 Facebook: https://web.facebook.com/funwithfilmora1/?_rdc=1&_rdr 👉 Twitter: https://twitter.com/FilmoraFun 👉 TikTok: https://www.tiktok.com/@funwithfilmora?lang=en ✅ For Business Inquiries: contact@funwithfilmora.co.uk ============================= ✅ Recommended Playlists: 👉 Shorts: https://www.youtube.com/@funwithfilmora/shorts 👉 Tutorials: https://youtube.com/playlist?list=PLt5FyPoxYDE3v8kU94PE26eGvX0yhbIP3 ✅ Other Videos You Might Be Interested In Watching: 👉 Creative TEXT ANIMATIONS in FILMORA 12 : A Step-by-Step Tutorial https://www.youtube.com/watch?v=ufgMeIW79W4 👉 Elevate Your Video Editing with Filmora 12 Effects! https://www.youtube.com/watch?v=wUL-o6ZA100 👉Mastering the Art of Text Behind Objects in Filmora: Expert Tips and Tricks https://www.youtube.com/watch?v=c7zty5w-05M 👉 Create Stunning Videos with Filmora: Step-by-Step Editing Tutorial https://www.youtube.com/watch?v=KkGh1Nqb0sw 👉 Filmora 12 Tutorial: Creating YouTube Shorts From Widescreen Video Made Easy https://youtu.be/LFFDZswNIpg ============================= ✅ About Fun with Filmora. Fun with Filmora is about creating videos with the easy-to-use yet powerful Wondershare Filmora video editing software and having fun at the same time. I will show creative videos edited with Filmora and tutorials on how to use this amazing piece of software. For Collaboration and Business inquiries, please use the contact information below: 📩 Email: contact@funwithfilmora.co.uk 🔔 Subscribe To The Channel Fun with Filmora To Create Amazing Videos With Wondershare Filmora Video Editing Software: https://www.youtube.com/@funwithfilmora ================================= #Filmora12 #Filmora12.3 #FilmoraCertifiedCreative #madewithFilmora #WondershareFilmora #Filmora Disclaimer: We do not accept any liability for any loss or damage which is incurred by you acting or not acting as a result of listening to any of our publications. For all videos on my channel: This information is for general & educational purposes only. Always consult with an attorney, CPA, or financial professional for advice based on your specific situation Copyright Disclaimer: Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational, or personal use tips the balance in favour of fair use Affiliate Links: This page contains affiliate links. If you choose to purchase after clicking a link, I may receive a commission at no extra cost to you. © Fun with Filmora. via https://www.youtube.com/channel/UCDiv61hEGgjC1JWO79J02Fg October 01, 2023 at 09:29PM

[everyanimatedmovie]

217. La Planete Sauvage (Fantastic Planet) (1973)

8/10

On the planet Ygam, in the far future, giant blue natives ("Draags") keep the imported humans ("Oms") as exotic pets. However, many humans escape captivity and live in parks as an invasive species. Terr, a pet Om, learns to read the Draag's language, and must find a way to bring human intelligence to the Draag's attention, or else escape the planet altogether, before they exterminate all wild Oms.

By portraying humans as animals, it turns the tables on us in terms of cruelty and so, like Bambi, it is very successful at teaching kids to feel bad for tormenting animals - that is, if you can get a kid to watch this crazy shit. (My brother and I liked this movie when we were children, so it's not impossible.) Based on a French novel, Oms en Serie by Stefan Wul, the alien landscape and animals Fantastic Planet contains are strange without surcease, and the music sounds like late Pink Floyd. The art is extremely unusual, and appears to be drawn with pen and ink or graphite, rather than painted on cels. This movie is very easily available in English, and for some reason it played on TV a lot in the 70's and 80's. I highly recommend guilt-tripping your favorite children in your life by making them watch this movie.

[reallyreally-remade]

MINO's last ig post

since a lot of you will be liking the thing, you should know what is it about: 

it's a screencap from animated movie Fantastic Planet/La Planète sauvage, production design was made by Roland Topor, i've seen the whole thing and it's one of the weirdest things trust me

it's a story about giant aliens living on this strange planet together with tiny humans and they are basically treating them like animals/insects? it's pretty brutal and it's definitely not an animation for kids

it's based on the novel Oms en série written in 1957 by Stefan Wul and it was ranked 36th by Rolling Stone on the list of greatest animated movies ever, it also receiver special jury prize at the 1973 Cannes Film Festival

it's very surreal and full of pretty disturbing images, also very allegorical, but the way it's made makes the whole animation really worth watching, i watched it as a part of my design class and it's a must see position for everyone interested in art imo if not for the plot or the message then just for the sake of the images

also, the screencap mino chose to post is the scene when the Oms (little humans) are called "really cold-blooded/cruel animals" (cr.)

[hetaothers]

APHorizon(偽 Pixiv ID: 5261733 Member: 219624 - _吳WuL樓_

※Posted with the artist’s permission ~Please ask the artist first if you want to repost the artist's art~