I just saw another ask calling Gemini au Donnie afab, and obviously he does have XX chromosomes in your au (or the turtle/mutant equivalent at least?), but if afab means assigned female at birth and Donnie and Leo were assigned male at birth by Big Mama.... Does that technically make the two of them amab trans men???
Or.... amak? assigned male at kidnapping?
LMAO yeah. I always grapple with the terms because I'm like. WELL... THEY TECHNICALLY... WEREN'T ASSIGNED FEMALE AT BIRTH LMAO,,,, they're both, technically speaking, amab, so yes, they are in fact both amab trans men lmao.
And they weren't TECHNICALLY kidnapped... so... amaa? assigned male at... adoption??? u w u
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Shinsou had a crush on you since like, young kids days and never thought you noticed him, but that was good cause maybe you thought he was a weird kid, so once he beefed up and finally got the confidence to talk to you it gets shut right tf back down when you're like "Of course i remember you!"
I don't know which part is worse............................ Shinso being so absorbed in his own supposed loser-hood in his youth that he essentially ignored you for 5-10 years while he was working out his self esteem issues ... or the fact that you not only DO remember him, berry well at that, but don't really think anything of it because you thought HE was kinda... a jerk for never being nice to you back.
(Cuz on one hand, you're so sweet, smiling at him when he approaches you, genuinely, just like you did back when you were both under ten and you'd smile at him from the other side of the park... but on the other hand, you don't hesitate to turn right back to your own friends after he barely manages to answer your "how have you been" question and you give him pity eyes like you still think he's a shy headass.
It's just... he doesn't want to fuck it up a second time and lose his momentum... but all the confidence he put into the moment deflated the second he realized you were even more beautiful and more kind than he remembered you and it got him tripping over his words)
ANYWAY then there's another 2-4 months of him trying to get your number just to be a fool over text before even managing to convince you he's worth a fucking damn LOL.
(And he is worth a damn, so much more than a damn because he's willing to give anything and everything up for you but... doesn't know how to say it in a way that wouldn't scare you off for good...
Not to mention he's so fucking bad at texting. Yes, his dry humor is funny as hell but he's not trying to be funny with you, he's trying to WOO you and so the whole thing is just him making excuses to reach out to you even tho texting first for him is like plucking ass hair.)
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What is your advice on handling criticism?
I saw your response to a critic on Lore Rekindled in the sub and it's very good and you could say, professional.
I have a big problem of people-pleasing, so if I get critcism (eventhough it's very polite), I get very sad at the fact there's fault with my work (I also suffer from perfectionism). It will drastically change how I see my work, and in the end I give it up 😭
fam i got teased tf out of for making it so wordy LOL
I totally get that struggle though, I know it probably doesn't seem it at times, but I do have the 'ole RSD (Rejection Sensitive Dysphoria) due to being ADHD/autistic, so I totally relate to the whole people pleasing thing. It's hard to feel like something you made isn't making everyone happy! But that's also ultimately not what it's for. You can't make everyone happy, and your art doesn't deserve to exist any less just because some people don't find it their cup of tea.
I've definitely had to like, disconnect my work from myself over the years to get better at taking criticism. Not to the point that I get apathetic, obviously I should be invested in whatever I'm working on, but enough that when people criticize my work, it's not necessarily an attack on my own self.
And if they are clearly just out to attack me, then I dismiss the criticism, it's of no value to me.
Unless it's something that's specifically a result of my own values or biases bleeding into the work, most of the time it's people literally just saying, "I like this work, but I feel like it wasn't as strong as it could have been here and here" and that has nothing to do with me as a person, I'm just still polishing my skills and those outside opinions help to target specifically what needs improving. I think we as artists pour a lot of ourselves into our work, especially when we're just starting out, so it can be hard not to take criticism as an attack or rejection of yourself, but we have to ultimately remember that we are not 100% of our work. Even with works like LO, while some of the criticism I give of it is indicative of Rachel's values and personal preferences as a person, a lot of it is also just about the work itself and how far it's fallen beyond what I assume Rachel intended from the beginning.
I've also learned to separate helpful from unhelpful criticism. I'll use Time Gate as an example because I've gotten way more input on that series than Rekindled (just because I've actually like, intentionally sought out criticism for it). A common criticism in the past was that there weren't enough backgrounds and the story's pacing wasn't concise. It sucked to hear at the time, especially the backgrounds one, because I'd heard that one time and time again... but it was literally because I wasn't doing anything to improve them. You know what stopped those criticisms? Drawing backgrounds more LOL And I still suck at backgrounds tbh but I feel like I've definitely improved compared to the first few volumes when I was just drawing characters on top of white constantly LOL
old and busted:
new hotness:
(i think there's like a 4-5 year difference between these two pages. and the backgrounds STILL aren't perfect in those newer volumes but they still feel more finished than the older panels did)
So that was helpful criticism! My art wasn't as strong as it could be in a few specific places that people were clearly able to pinpoint, so I did what I could to improve those places and I'm still working on it.
Unhelpful criticism has just been either personal attacks (not valuable) or statements that are basically asking the comic to not be what it is, criticizing things that are features, not bugs. Things like "well I think the story is too anime-like", "it's a lot to try and read", "why don't you draw eyelashes on the girl character", etc. which are criticisms of things that I know are intentional. The story's anime-like because that's the story I want to write. It's a lot to try and read because it's intended to be a longform series for people who like reading longform series (people like me!). I don't draw eyelashes on Uzuki because she would look terrible with them LMAO (we even made a joke about that later on):
(the hilarious part is that that comment was definitely made with the idea that all women should have that makeup look, meanwhile mitsuhiro's pulling off the look so much better and he knows it LMAO
And actually, the example you're referring to where I responded to crit in the ULO subreddit, is also an example of unhelpful criticism, though the person who posted it definitely didn't mean any harm by it, but the crit was literally "why aren't Persephone's boobs big enough" which I thought was pretty funny. She still has boobs! I just don't draw them popping out of her top like Rachel does LOL I also don't give her the exaggerated pinched waist or broken spine that Rachel often gives her because that's all just to, again, emphasize her boobs, and it's often unnecessary, especially in a comic that's being marketed as a feminist piece of work, yet is often drawn completely through the male gaze. So yeah, that was definitely crit that wasn't really beneficial because it was literally just about Persephone's cup size lol
I know it's easier said than done, but when you feel that sadness coming on in response to criticism, remember that that criticism exists to help you, not hinder you. Considering you've been getting polite criticism, that means the people giving it likely have your best interests in mind and want to see your work improve. The only way to do that is to learn how to critically analyze your own work, and the only way to do that is to surround yourself with works whose quality you want to achieve, and get outside opinions. And if that criticism isn't in good spirit, then toss it aside. If it's not going to help you, then it's not of any value to you. And yes, it will take practice, there are still times I find myself getting overwhelmed, but ultimately I can't control what anyone else says or does, only what I do. So I funnel that into my work and I always keep moving forward.
Be at peace with the process of learning and improving, because you never stop having to learn, there's always something new to improve, and that shouldn't be taken all doom and gloom "I'll never be perfect", that's literally just the process and beauty of being an artist, there's always something new to learn and that's something that should be exciting!
Think about whenever you give criticism or have personal critiques of other comics. I'm willing to bet most of the time, you have those opinions with good intentions, you're not trying to attack anyone. So why not give yourself the same grace?
...holy shit, I forgot Uzuki's lipstick in the bottom right panel- (;´д`)ゞ
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A little tutorial on how to vote on the popularity poll since @italeteller pointed out to me that some people may not understand with all the Japanese text lmao
It's quite easy. First you enter the link and scroll down til you find your fave. Then you click this blue button
Which will lead you to another page to confirm your vote.
You click this button (it should be *PINK, I can't click on it since I already voted), and that's all! It will lead you to a third page that just tells you to share your vote on Twitter but is not mandatory.
You can vote once daily (at midnight, Japan time zone), and you can use different devices to vote multiple times (I discovered it by accident lmao)
Edit: I think you can vote once every 24 hours. I can vote on my phone where I voted around this time, but not on my PC where I voted a couple of hours later.
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You know I actually never realized this before-- so you remember how tri. retconned Original Chosen fighting and defeating Apocalymon into them fighting the Dark Masters instead? (To be fair it is possible they could've ALSO fought Apocalymon afterwards but that isn't the Epic Final Showdown tri. decided to depict so it's borderline a retcon)
If the Original 5 Chosen fought and defeated the Dark Masters once in the distant past, doesn't that mean that
A) They survived and hid for just a few thousand years until they came back for a Round 2 at conquering the world
B) They died, were reborn, and THEN went for the Round 2
You know I've just DYING with curiosity, desperately wanting to know if any of the villians in Adventure would ever be reborn after Adventure, right. Because according to the lore they should, right (unless their data was like somehow absorbed by Apocalymon and destroyed along with him (though that would still leave Piemon as an exception (and Vamdemon but we all know what happened to him) and the sole survivor))
And what tri. has essentially done is confirm that most of them should, in fact, be reborn sooner or later
But that just raises the question of if Apocalymon was lowkey driving the Dark Masters nuts (as suggested by the novels), and if tri. was kind of about destroying the last remnants of Apocalymon's data (within Meicoomon), if they were reborn this time would they be free of Apocalymon's influence
If so, would their third (?) lives then turn out different? Would they still try to take over the world all over again for funsies (this time just without Apocalymon giving them power etc), or were they just the same as Ken was in Zero Two? I mean Apocalymon was supposed to be a spawn of Milleniummon and Ken was infected with Mille's malice directly, so while it may have been a bit filtered it was still the same source of malice and corruption, right
And like regardless of how their next lives would turn out, shouldn't the kids (OR AT THE VERY FUCKING LEAST GENNAI) like realize that this is going to happen eventually and like. Go and see if they can find them (either as their pre-Ultimate forms or even when they're still in their Eggs) and try to figure out what to do BEFORE shit hits the fan
I JUST
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