Popular song lyricist Yip Harburg (April 8, 1896 – March 5, 1981)
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still a very crucial album, to me, personally
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Cécile McLorin Salvant performs “Optimistic Voices / No Love Dying,” from her Grammy-nominated album Ghost Song, live at Jazz at Lincoln Center in New York this past spring, with Sullivan Fortner on piano, Keita Ogawa on percussion, Marvin Sewell on guitar, Alexa Tarantino on flute, and Yasushi Nakamura on bass. The songs were written by Harold Arlen/Herbert Stothart/Yip Harburg and Gregory Porter, respectively.
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Jerry Lee Lewis and Chris Isaak performing “Somewhere Over The Rainbow”.
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Somewhere Over The Rainbow
Music by Harold Arlen; Lyrics by Yip Harburg
Somewhere over the rainbow
Way up high,
There's a land that I heard of
Once in a lullaby.
Somewhere over the rainbow
Skies are blue,
And the dreams that you dare to dream
Really do come true.
Someday I'll wish upon a star
And wake up where the clouds are far
Behind me.
Where troubles melt like lemon drops
Away above the chimney tops
That's where you'll find me.
Somewhere over the rainbow
Bluebirds fly.
Birds fly over the rainbow.
Why then, oh why can't I?
If happy little bluebirds fly
Beyond the rainbow
Why, oh why can't I?
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al things considered — when i post my masterpiece #1269
first posted in facebook february 17, 2024
emmanuel manu opoku -- "at somewhere" (2021)
"there's a place for us
a time and a place for us
hold my hand and we're halfway there
hold my hand and i'll take you there
somehow
some day
somewhere!" … stephen sondheim
"my portraits investigate the mysteries of identity that are shaped by time, space, and multiple experiences. the paintings explore the interlacing of the genres of still life and portraiture to form a unique system of painting" … emmanuel manu opoku
"i used to walk with you along the avenue
our hearts were carefree and gay
how could i know I'd lose you
somewhere along the way?" … sammy gallop
"i believe that art is a powerful tool that can be used to tell stories, to challenge assumptions, and to bring people together" … emmanuel manu opoku
"somewhere over the rainbow
bluebirds fly
birds fly over the rainbow
why, then, oh, why can't i?" … yip harburg
"i will meet you at the corner of someplace and somewhere at sometime someday somehow" … al janik
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Kocin Kociński Trio "14 Short Stories"
Allegro Records, 2022
Macieja Kocina Kocińskiego śmiało określić można mianem muxzyka „rozchwytywanego”. Znajdziemy jego nazwisko na kilkudziesięciu płytach o zróżnicowanej stylistyce.
Lista artystów z którymi współpracował błyszczy nazwiskami wielkich gwiazd. Środowiskowa popularność sprawiła jednak, że na drugi album autorskiego tria Kocina Kocińskiego czekać trzeba było niemal dziesięć…
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Dorothy Bird jumps for the ball as the umpire, known as Prince Leon, calls a sliding Violet West safe, April 12, 1938. The game, in Prospect Park, was played for relaxation and publicity by showgirls in the cast of Hooray for What?, a Broadway musical starring Ed Wynn and featuring songs by Yip Harburg and Harold Arlen.
Photo: Ben Sandhaus for the NY Daily News via Getty Images/Fine Art America
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Growing up, my Aunt Karen used to sing me and my cousins the song “Lydia, the Tattooed Lady”. It was written by Yip Harburg and Harold Arlen and probably most famously sung by Groucho Marx in the 1939 movie “At the Circus.” I love it! It’s very silly and a little wink-wink dirty (“Captain Spaulding exploring the Amazon” might mean something else 😂) Also, it was Jim Henson’s favorite song which is delightful to know.
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Infamy:
On this day in 1938, the House Committee on Un-American Activities was established to investigate suspected communist sympathies among private citizens and organizations, leading to the blacklisting of hundreds of artists and academics. The committee became permanent in 1948 and was terminated in 1975.
The HUAC is notable for causing de facto media censorship among artists suspected of having communist sympathies. Their investigations resulted in a Hollywood blacklist of over 300 actors, directors, and others.
Artists whose careers were damaged by the committee included Charlie Chaplin, Orson Welles, Alan Lomax, Paul Robeson, Aaron Copland, and Yip Harburg. When one Senator asked Robeson why he didn't remain in the Soviet Union, he replied "Because my father was a slave and my people died to build this country, and I am going to stay here and have a part of it just like you. And no Fascist-minded people will drive me from it. Is that clear?"
In 1960, William Mandel, an expert on Soviet affairs who had lost his position as a fellow at Stanford University's Hoover Institution due to anti-communist repression, was called to testify in front of the HUAC. When asked "Are you now or have you ever been a member of the Communist Party?", Mandel responded:
"Honorable beaters of children, sadists, uniformed and in plain clothes, distinguished Dixiecrat wearing the clothing of a gentleman, eminent Republican who opposes an accommodation with the one country with which we must live at peace in order for us and all our children to survive...
If you think that I am going to cooperate with this collection of Judases, of men who sit there in violation of the United States Constitution, if you think I will cooperate with you in any way, you are insane!"
Read more:
https://en.wikipedia.org/.../House_Un-American_Activities...
https://www.mtsu.edu/.../house-un-american-activities...
[h//t Guillaume Gris]
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twitter. com/MichaelWarbur17/status/1675432015737286656?s=20 Sidenote: Did you ever read the background of Yip Harburg?
the metaphor you can draw there of an authoritarian (pay no attention to the man behind the curtain) definitely does have some topical resonance. i think you can also view this as cynicism, falsehoods, and coercion standing in opposition to kindness/heart, bravery, and curiosity/intellect, there are a lot of meanings to draw from it as there often are from fantasy(and children's lit)!
and yes! it is that interestingly very reflective of yip harburg's life and many of his ideals.
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cigarette emoji
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Cécile McLorin Salvant performs Harold Arlen & Yip Harburg’s “Over the Rainbow” live at Jazz at Lincoln Center in New York last spring, with Sullivan Fortner on piano, Keita Ogawa on percussion, Marvin Sewell on guitar, Alexa Tarantino on flute, and Yasushi Nakamura on bass.
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Janis Ian with Tommy Emmanuel performing "At Seventeen”, a song that Ian wrote and for which she won the 1976 Grammy Award for Best Female Pop Vocal Performance. The performance ends with “Over the Rainbow”.
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At Seventeen
Songwriter: Janis Ian
I learned the truth at 17
That love was meant for beauty queens
And high school girls with clear skinned smiles
Who married young and then retired
The valentines I never knew
The Friday night charades of youth
Were spent on one more beautiful
At 17 I learned the truth
And those of us with ravaged faces
Lacking in the social graces
Desperately remained at home
Inventing lovers on the phone
Who called to say, "Come dance with me"
And murmured vague obscenities
It isn't all it seems
At 17
A brown eyed girl in hand-me-downs
Whose name I never could pronounce
Said, "Pity please the ones who serve
They only get what they deserve"
And the rich relationed hometown queen
Marries into what she needs
With a guarantee of company
And haven for the elderly
Remember those who win the game
Lose the love they sought to gain
In debentures of quality
And dubious integrity
Their small-town eyes will gape at you
In dull surprise when payment due
Exceeds accounts received
At 17
To those of us who knew the pain
Of valentines that never came
And those whose names were never called
When choosing sides for basketball
It was long ago and far away
The world was younger than today
And dreams were all they gave for free
To ugly duckling girls like me
We all play the game, and when we dare
To cheat ourselves at solitaire
Inventing lovers on the phone
Repenting other lives unknown
That call and say, "Come dance with me"
And murmur vague obscenities
At ugly girls like me
At 17
_________________________
Over the Rainbow
Music by Harold Arlen; Lyrics by Yip Harburg
When all the world is a hopeless jumble
And the raindrops tumble all around
Heaven opens a magic lane
When all the clouds darken up the skyway
There's a rainbow highway to be found
Leading from your windowpane
To a place behind the sun
Just a step beyond the rain
Somewhere, over the rainbow
Way up high
There's a land that I dreamed of
Once in a lullaby
Somewhere, over the rainbow
Skies are blue
And the dreams that you dare to dream
Really do come true
Some day I'll wish upon a star and wake up where the clouds are far behind me
Where laughter falls like lemon drops away above the chimney tops
That's where you'll find me
Somewhere, over the rainbow
Skies are blue
And the dreams that you dare to dream
Really do come true
If happy little bluebirds fly
Beyond the rainbow
Why, oh, why can't I?
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Lydia the Tattooed Lady, sung for the first time by Groucho in At the Circus (a not-very-good Marx Bros movie. Skippable)
Then, a year later, sung by Dinah Lord in The Philadelphia Story, acting "crazy" for undercover reporters.
written by Yip (Yip. The man's name was Yip!) Harburg/ Harold Arlen who also did Somewhere Over the Rainbow (and the other Wizard of Oz songs) and It's Only A Paper Moon....
Yip Harburg wrote the lyrics to Brother Can You Spare a Dime and Arlen wrote literally every song ever created, he was that prolific!
Oh Lydia, oh, Lydia, say have you met Lydia
Oh, Lydia, the tattooed lady
She has eyes that folks adore so
And a torso even more so
Lydia, oh, Lydia, that encyclopedia
Oh, Lydia, the queen of them all
On her back is the Battle of Waterloo
Beside it the Wreck of the Hesperus too
And proudly above the waves
The Red, White and Blue
You can learn a lot from Lydia
La la la la la la
La la la la la la
She can give you a view of the world
In tattoo if you step up and tell her where
For a dime you can see Kankakee or Paree
Or Washington crossing the Delaware
La la la la la la
La la la la la la
Oh, Lydia, oh, Lydia, say have you met Lydia
Oh, Lydia, the tattooed lady
When her muscles start relaxin'
Up the hill comes Andrew Jackson
Lydia, oh, Lydia, that encyclopedia
Oh, Lydia, the champ of them all
For two bits she will do a Mazurka in Jazz
With a view of Niagara that no artist has
And on a clear day you can see Alcatraz
You can learn a lot from Lydia
La la la la la la
La la la la la la
Come along and see Buffalo Bill with his lasso
Just a little classic by Mendel Picasso
Here is Captain Spaulding* exploring the Amazon
And Godiva, but with her pajamas on
La la la la la la
La la la la la la
Oh Lydia, oh, Lydia, say have you met Lydia
Oh, Lydia, the tattooed lady
When she stands, her laps go littler
When she sits, she sits on Hitler
Lydia, oh, Lydia, that encyclopedia
Oh, Lydia, the queen of them all
She once swept an Admiral clear off his feet
The ships on her hips made his heart skip a beat
And now the old boy's in command of the fleet
For he went and married Lydia
I said Lydia (he said Lydia)
I say Lydia (we said Lydia)
La la
*Groucho's character in Animal Crackers, a much better Marx Bros. movie.
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https://www.youtube.com/watch?v=IjspGFG8OCo
The inimitable Groucho Marx, who made it to the exalted status of graffiti during Parisian student unrest in the late 1960s. “Je suis Marxiste, tendance Groucho.” The Marx Brothers were, of course, Jewish, and a lot of their material came from Jewish writers such as Yip Harburg and Harold Arlen, who wrote this delightful number for the 1939 film At The Circus. Why am I not showing you the clip of Groucho performing it in the film?
Because the studio censored it. 1939 was, shall we say, a delicate year politically. There were Certain Folks™ in Germany whom the studio really didn’t want to make uncomfy. And there is a line in the third verse -- you’ll know which line when you hear it -- that would make those Certain Folks™ very uncomfy indeed. But, once the war actually did break out, there was no need to make nice to Certain Folks™ any more, and Groucho went on to record Harburg and Arlen’s original version of the song.
Remember this: The answer to the question, “Well, would we have allowed the Nazis to get away with [insert current foreign-policy tap dance here]?” is usually a resounding “Yes.”
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"It's Only a Paper Moon" is a popular song published in 1933, this version is sung by Ella Fitzgerald.
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