#yokai watch 2021

[relatablepicturesofwhisboi]

[sula0kim]

info about me >:3

basic info

Hi I’m Sula0kim, an mostly digital artist. you can call me whatever you desire as long it isn’t offensive :P

I’m am a MINOR so please don’t interact if your one of theses : pedofile (maps count as well) proshipper, zooflie, nsfw accounts

some of the fandoms that I’m in

South Park

popee the performer

camp camp

hermitcraft

hilda (Netflix series as well for the books)

Luca (2021)

Don't hug me I'm scared

Javier el despertar de poruni

Mlp

mob pshyco 100

saiki k

Aggretsuko

kid vampire (by mummyjoe)

fnaf

smiling friends

what remains of Edith flinch

peanuts (aka snoopy , Charlie Brown ect)

Don’t hug me I’m scared

bob’s burgers

dandadan

miss kobayashi dragon maid

yokai watch

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EXTRA

this is a link for all the small comics that I have made since I repost way to much

kin’s comics (done ><)

ALT ACCOUNTS!

Some are still in progress!

[dreamerkitty]

Where can I watch yokai watch 2021

Sadly, that series is harder to come by, ive heard. I'd try dailymotion or vimeo. It helps to search in english and japanese. Sometimes you can find clips on youtube too but they're mostly in japanese. I'm sure it'd be on pirate sites but I dont often go there so i dont have recommendations in that field, sorry

[alma-screenies]

yokai gakuen is a totally normal anime in which uncomfortable things that make me want to defenestrate myself don't happen at all

PREV

NEXT

as i said, and then proceeded not to post, so this is the first time i'm mentioning it here

very wise last words. i guess

i watched this movie on 2021 and 3 years later i make the exact same joke but it's not a joke anymore

PREV

NEXT

[officialinuyasha]

Takashi Shiina Blog Translation - "I later noticed that the subtitle is similar to "Battlefield Bonds"": Sunday S December 2021 -

10/26/2021

Even though it was said that "It's a Sunrise work, so why not we use Gundam content for the subtitle every time (laugh)", but it wasn’t serious. Therefore, I thought seriously about it and named it 'Sengoku no Kizuna' (Bonds in the Sengoku era), but it turned out to be Gundam-like. Was it a coincidence or an unconscious act?

Well then, the second episode is a series of scenes that aren’t in the anime. The scene where the twins are born is probably barely familiar.

　As mentioned earlier, the arrangement is the fate of the manga version... Mainly because of the quantity (of pages). So when explaining that the parents have gone missing, the story is considerably quicker if they are all together. When riding the oxcart, they are all together. The information in the early stages of the manga is pruned and summarized, such as Moroha and Setsuna growing up together and already forming a duo, speeding up the development of the manga. The exterminator's village and the corpse shop will soon appear, but for now, the priority is the main quest progression, with a loose “Kaede-baachan was in charge of upbringing”. The reason why the tree of ages has a mask on her face and her language is archaic-like is to reduce Kikyo-sama's characterisation a little and emphasize that “despite having inherited her heart, she is a different person”. I'm happy that she appears as a guest character because she’s an onee-sama who went through great hardships. I thought it wouldn't be too much to emphasize that she is at peace in Nirvana (laugh). The impression they give off is quite different from the original work, but I was able to incorporate Riku-kun and the dream butterfly in an arranged form, so I think I was able to structure the story without straying too far from the original work, even though it has a strong sense of uniqueness.

Meanwhile, the characters’ development was also explored in a more compressed form. The relationship between Moroha-chan and Setsuna-chan, who already trust each other, and the emotional portrayal of Kaede-baachan, who has become fragile with age, are approaches unique to the manga version, which is slightly different from the original anime storyline. It quite leaves a good taste in the mouth and I think this is one of the best parts of media mix(1) development.

The point I’m particular about is the scene where papa Sota can’t go on an adventure because he’s an adult. He really wants to go to the world of tales, but Wendy, as an adult, can’t go to Neverland. He is a middle aged man. In the manga, he has the job of speaking for me, an old man who yearns for the world of tales and won’t become an adult (laugh).

When I add arrangements, I try to create a synergy with the anime. The anime is thought to be a gateway to the world of Inuyasha for a new generation, and especially for the younger ones to enjoy, so I, as a big friend of the anime, decided to make some parts a little more linked to Inuyasha, and while I’m at it, give it a little more Japanese-style dark fantasy flavour. I want to drag children who come to read the manga by accident into the swamp by saying "Wow, it's a manga version of Yashahime" (laugh). The setting and the structure have changed a little, but if you look closely, there are actually not many completely new elements; it's just an adaptation of the anime version. If you read the comic after watching the anime, the cuteness of the three princesses will be enhanced, and if you read the comic and then you watch the anime, the characters will have more nuances (note: not 100% sure about this last word in this context), which will make you love them more... My objective is to make that kind of work.　

Last time, the guest yokai was Mitsume Jourou (2), just as she appeared in the original story. This time, as a jab before Kirinmaru-sama's men start to make their move, I thought of a good yokai... As a nod to the order of appearance in “Inuyasha”, I had the nostalgic corpse crow, who caused the scattering of the shikon no tama, make a guest appearance. This time, the ravens are the children of that one in the original work, so there are seven of them. No, you see, it is said that ravens have seven children on the mountain (laugh).

Regarding the true identity of the ladies wearing juunihitoe (3)… There are too many hints, so I think there may be Inuyasha fans who have already guessed, but please keep it a secret until the next issue and look forward to it.

Source: https://cnanews.asablo.jp/blog/2021/10/26/9435197

Notes:

1- As stated by Wikipedia, it’s the result of producing derived products from the original material.

2- Three-eyed centipede woman.

3- Twelve-layered ceremonial kimono worn by court ladies. It refers to the clothes that the mu onna were wearing.

[drawnaghht]

This 2021 SDCC panel is also one of the reasons I couldn't agree with some of the stuff tumblr posts last year had stated... which was mostly made up! ie "Stan didn't actually work on the show" or

Like you can see the joy emanating from their faces when Stan and the cast and other crew explain their parts in the show... I can't believe any of them would hate it, whether this was a promo video or not xD Like... you don't go to a SDCC panel of the show you made if you... absolutely hated working on it. idk, it just doesn't make sense. I get that seeing a show or characters from a fandom lens makes people hate that show/characters make stuff up about the show later (i.e. other fans hating on Yuichi Usagi, just as a concept, bc of the ship/shipping, I get it) but it just seems... so strangely petty. Plus non-shipping fans might have been mad that this was not a direct adaptation.... Again I get it! I've been there with other stuff. But whether a show is good or bad, it seems mean-spirited to just lie about the crew or creators of it. It's okay to admit that you had different expectations about it. Yes, it's aimed at a younger viewership and does not directly adapt the darker aspects of the comic, but, that's wholly because of circumstance (Netflix show) and the show is good despite that. Your view of it can simply depend, well, on your view on spinoffs and animation in general, when you watched, what mood you were in. Whatever opinions fans might have, this panel seems to suggest the cast and crew had a mostly good time on it. Unless everyone here is some sort of pathological liar.

More press coverage of the Samurai Rabbit SDCC 2021 panel:

IGN, Polygon (a few pics), Animation Magazine, Geek Network, AIPTcomics (I'll add any more I find if I find smth new)

Screenrant (announcement of the Comic-Con @ home lineup) longer article on AWN (2022, about the premiere with more pics)

also, Stan's interview with the SDCC blog in 2022

"UBLOG: Samurai Rabbit: The Usagi Chronicles debuted its first season on Netflix, and has already been renewed. What was it like finally getting to see your characters come to life in that way, and how pleased are you that it was so well received? Sakai: We at Usagi Studios are very pleased with Samurai Rabbit: The Usagi Chronicles. The protagonist Yuichi is a direct descendant of my Miyamoto Usagi who is featured very prominently and with a twist that I thought was brilliant. We worked very closely with Gaumont and Netflix, approving/adjusting scripts, designs, suggesting voice actors, etc. I even calligraphed (by hand) the logo for the series. Samurai Rabbit expanded on a mini-series I created titled “Senso” inspired by HG Wells’ War of the Worlds wherein the martians invaded feudal Japan instead. Japan took that alien technology and developed it, adding their own cultural elements. Samurai Rabbit takes place in the future with Yuichi a young samurai in training who worships his famous (or infamous) ancestor, Usagi. Like my Usagi stories, Samurai Rabbit is very character driven and the first season tells of Yuichi meeting what is to become his core group of friends as they battle yokai, the haunts and monsters of Japanese folklore. I’m so glad that a second season is coming up."

i cannot imagine Stan Sakai Lying. like. LEGIT i cannot so i don't get why ppl make stuff up abt the show. it hasn't been very egregious so far, just stuff in tags and reblogs, but still. weird. fandom is weird abt stuff like this lol! I also do not get the hate that the show itself and the character of Yuichi Usagi get for basically. Not being what people imagined in their heads of an Usagi Yojimbo spinoff. I kind of get that part, because when Avatar: LOK was previewed in 2011, I imagined such a vast and colorful version of the show based on just 2 art pieces, I was caught a bit off-guard by the 1st season's premiere, and completely let down by the 2nd season. So I get that part at least. Many articles seemed to suggest that this show would be an adaptation, and I am guessing this is where people's expectations rose ten-fold in a similar way to my 2011 self. From interviews, I sense that the crew had similar expectations when they joined: a Usagi aniamted project with Stan Sakai directly involved! I'd be asking to be on the show too if I'd been a Gaumont studios member at the time.

The mountain is high and it is hard to surpass. When Netflix ordered the show to be about a younger Usagi and gear it for a younger audience too, I find that perhaps the Gaumont and Usagi Studios crew also saw this. In a fan's eyes, almost no one could match Stan Sakai in his storytelling, and the crew are big fans of his work. So it would make sense that they started to see the show they were developing differently. Instead of something like the 2003 adaptation of Miyamoto Usagi, where they make him younger and change his story a bit, the SR crew saw an opportunity. Lets make it about a descendant and a whole different setting, yeah? So the show becomes something quite different, but more manageable now. The mountain seems more like a long trek than an unpassable task.

But it also seems from every interview and official release I've seen that most of the people working on the show really liked what they made and liked working on it, even if it wasn't a direct adaptation of Usagi Yojimbo, something most of the crew were a fan of already themselves.

also, the series was worked on at least since 2018. Yeah, it's aimed at a younger audience, but a lot of effort seems to be put into it anyway, from writing, acting and art aspects all-around, so it just doesn't seem like something that people would feel the need to lie about. it's a good show. It is just not a direct adaptation of the comics, that people have been wanting, or something "style adjacent" to the comics, e.g. what people expect of the comics (that it's only dark and gritty).

A 2019 comicon.com article sharing a facebook photo at Gaumont studios with Stan is the perfect example of this - "This studio is known for their work on the original Redwall animated series. Judging by the key art shown above and Gaumont’s location in Paris, I hope that the animated series will remain faithful to the darker tone of the comics." - of course an article by a reader of the comic would have something like this, but we can see as early as this, the writer is setting themselves up for higher expectations for the series. Which I don't find fault in, who doesn't want a cool animated adaptation of their favourite comic? But comparing a studio now to what the studio was 15-20 years before is like setting the reader up for expectations that are too unrealistic. Redwall is a beautiful adaptation, but each show/series will almost always have a different team of people working on, so from an animation work POV, it just seems like something unrealistic. Animation industry, both western and otherwise, has always been something that can't always cater to all interests.

not-so-hot take but: it's actually good that it's not a direct adaptation!

The expectations people put on any adaptations/projects based on an older thing, is probably also a huge factor in why both younger and older fans (both shppers and the fans of the comic) feel so terse about the series, when in reality, it's possibly the best result we could get for a netflix adaptation (if I look at any anime/manga live-action adaptations for example, netflix has sort of "dropped the ball" on many of these). The series having loose and not-so-loose connections to the comics canon basically ensures that nothing about the comics canon is ever changed much, or that Stan is never obligated to change the comic for the show. The comic and show are allowed to be separate, but the show is also an homage and open fanart to the comic.

This also means that whether viewers hate or love the series, perhaps having a non-adaptation og series based on the comic... means they will actually read the comic itself now. I see this with both liveaction and animated adaptations, but ppl usually don't pick up the og source material based on just one adaptation, and if the adaptation is good or faithful, they still won't - thinking of TMNT 2003 but also Rise series haters who insist Raph doesn't use Tonfa, when that was a og comics reference lol - there's no trust that the animation folk working on your favourite properties adaptation are ALSO FANS of the same thing. So the chances for that might be similar. If people are happy with an adaptation, they might be less likely to seek out more of it. But I just find this series an interesting attempt from that POV. It almost feels similar to what Transmedia Storytelling is explained as a technique - of telling a story across multiple platforms, adding something unique each time.

A direct retelling is different from an original piece or continuation set in the same universe. Imagine that Usagi Yojimbo, the original comic, is like a tentpole that readers gather around. As time grows on, different animated adaptations occur, some tabletop games, a theather play etc. Different media for Usagi to inhabit as a character and a concept. And then comes along Samurai Rabbit, wholly not an adaptation of the comic's stories at all, but something inspired of it, building on it, not changing it much, but still adding to the canon in its own way (the existence of the Ki-Stone in this show). It's different but it's entirely a work made out of love for the comic, and you can see it in the different aspects it adapts from the comic (the 2D sequences, the skull-death-bubbles, the references to the comic, how it shows Miyamoto Usagi) and how it approcahes the characters as a cast.

So because Samurai Rabbit: The Usagi Chronicles is not a strict retelling of any of the comics narratives, it allows itself room to explore and grow as its own thing, while also loosely adding to the canon in an interesting and unique way.

I hope phrasing the show from that vantage point gives other existing a different view on it.

this show also credits everyone in the production, including even the 3D animation company (a lot of animated shows only credit the company itself, or at least used to do this a lot) so I think that speaks a lot about how the production sees the show itself. The people making the show are valuable and did well, whatever the reception is going to be. And genuinely, I hope it was actually a good experience working on the show for all of the cast and crew.

[gilearstimboards]

Miscellaneous Masterlist (1)

PT: Miscellaneous Masterlist (1)

This masterlist covers Part One of Miscellaneous and Miscellaneous Age Regression Stimboards.

Part Two.

Miscellaneous:

PT: Miscellaneous:

Potion Craft (2021)

Withered Bonnie

Snoopy and Woodstock

Gir Invader Zim

Need to write my assignments

Kat Tut

Elijah (OC)

Crows

TeVe (OC)

How Life Feels when you finish THAT Assignment

Jirachi

Vibes of Daryll Wilson (DNDads)

Floatzel and Buizel with Desserts and Otters

Spongebob

Mienshao with Trans Pride

Outer!Sans

Mane-iac Mayhem

Batman HATER

Mal (Friendlocke)

Soft Toriel with Food

Shiba Inu with Food and Beige

Sans Undertale with Greasy Food

Kiki and Lala

Conspiracy Boards arguing with people

Zombiekin with Abandoned Places

Dr. Langdon (Secret Level) with Smoking and Labs

Candace (Cat Oddysey: Fishmeow) with Pirates and Candy

Nightwing

Magical Girl Pigeon

TLOU Remastered Loading Screen

Nerscylla (Monster Hunter) [CW: Tarantula/Spider]

Jack Twist and Ennis Del Mar

Aromantic Awareness Week

Kiki from Kiki and Lala with Ocean and Gelatin

1x1x1x1 Roblox

Trickster Dirk with Swirls

Roronoa Zoro (One Piece)

Gentoo and Adelie Penguin with Food Themes

Chococat

Green with Animals and Nature

Pawstrong from Cat Odyssey: Fishermeow with Rabbit and Space Themes

bbno$ in that Anthony Padilla Interview

My Blahaj is in the Washing Machine

Kyubi Yokai Watch with Lovecore Themes

Rotgirl Xenogender

Femsmiledogic Xenogender

Grendan Highforge 'Grandma' (Drawtectives Season 3) with Genderqueer Themes

Deena From Animal Crossing

Yoghurt (and Fruit)

Wolfgender Xenogender and Punk

Rex From Animal Crossing

Ancestors: The Humankind Odyssey

bbno$ Sonic

Mercy Breast Cancer Awareness Skin

Fatimah (OC)

Astarion (BG3)

Rex Jonesy

Penta Cero Miedo

Politely asking the Deli Guy "Mr Mayonnaise" for no Mayo

The House of Asterion by Jorge Luis Borges

Rick Shades Epithet Erased

Venom (OC)

Kiki the Kobold (OC)

My wonderful mutual cottondaycarestims

Vampire Punk

Bart (OC)

Wii Sports

"Making my Way Home to You"

Wii Sports Resort

Blathers with Dinosaurs and Disability Themes

Fantastic Mr. Fox (2009, Wes Anderson)

Denji (Chainsaw Man)

Gozer (Ghostbusters)

Working in the Library (Featuring the Cuckoo Pomodoro)

Megumi Moka with Lavender Gem

Glep (Smiling Friends)

Charlotte Sweetly with Blue Slime Stims

Allan (Smiling Friends)

Original Gameboy Bulbasaur with Retro and Plant Themes

Miscellaneous Age Regression:

PT: Miscellaneous Age Regression:

Plush Shark

Tigger Celebrates Winnie the Pooh Day

Good Night Little Care Bear

Model Train Agere and Blue

Oshawott and Toys

Fuecoco, Apple, and Masc!re

Arthur Morgan Agere

Evil Autistic Regressor

Shark Regressor with Video Games and Plushies

Reuniclus Caregiver

Solosis Age Regressor

1x1x1x1 Age Regressor

Flip!Spider-Man

Little Bluey Lover

Little Green Medieval Dragon

A Day at the Beach

Caregiver!Blathers

Mephone4 Agere

Caregiver!Jasper (Steven Universe)

[maurooochanthejellomjlimefan2022]

Susie (Summer Camp Island) Dressed as Marisa (Touhou), Crocalor (Pokemon SV) Dressed as Baba Looey (The Quick Draw McGraw Show), Chuih (Chu Chu Rocket) Dressed as Marill (Pokemon), Azurill Dressed as Chuih

Typhlosion (Johto & Hisuian), Cyndaquill (Pokemon)

Clifford The Big Red Dog (2021)

DDX (Berserk B.i.t.s)

Grizz dressed as Kappa, Panda Dressed as Anthropomorphic Yokai Species, Ice Bear Dressed as Ghost (We Baby Bears)

Bunny Teenieping, Sheep Teenieping, Polar Bear Teenieping and ??? (Shooting Star Catch Teenieping)

Tenna (Vision Crew Version), Lanino & Elnina (Deltarune), Sonic 3 & Tenna

Yokai Spirit

Chansey and Mimikyu Scared together with other bug type pokemon, Beedrill, Heracross, Butterfree, Paras, Shedinja, Masquerain

Ozzie (Fluppy Dogs) Dressed as Sparky from The Fairly OddParents, Dog from The Puppy's New Adventures Dressed as Farigiraf (Pokemon SV), MuzYoshi Dressed as Mario with Cappy (Super Mario Odyssey), Tinkatink (Pokemon SV) Dressed as Bobgoblin (Wallykazam)

Petal (Fallen Leaf), Candy Corn

2 Punirunes, Spat (Hamtaro)

Chao, Dark Chao & Hero Chao (Sonic Adventure 2), Eevee, Azurill, Shuppet, Wigglytuff, Sneasel (Pokemon)

Leaf (Fallen Leaf) Dressed as Lucas (Pokemon Diamond and Pearl), Halley (Astroblast) Dressed as Lovelitchi (Tamagotchi), Panda (We Baby Bears) (We Bare Bears Form), Isadora (Isadora's Edge) Dressed as Mai (Upcoming Fatal Fury Game), Cake (Adventure Time: Fionna and Cake) Dressed as Komasan (Yokai Watch)

Revita (Revita), Blue Blob (Ova Magica), Toree (Toree 3D) Rubato (Rubato), Doug Houser (Super Dark Deception), Azure (Dawngrown), Quinn (Dormiveglia), Amy (Super Cat Tales), Hayaku (Hayaku & The Island of darkness), Breeze (Breeze in the Clouds), Dog (Bits and Bops), Kinnikuneko (Kinnikuneko) & Water (Elementallis)

Triple T Tigers Dressed as The Bee Gees (Saturday Night Fever/ We Baby Bears)

Maurooo Chan Aka Jasmine Dressed as Aurora (Aurascope) During Halloween

[sakiohappychan]

@rhylietheheroiccaterflyangel @pamithebunterfly2007 @lizzietherwbychibifan @nicky-toony27

Blorbo Poll

Rules: make a poll with five of your all-time favourite characters and then tag five people to do the same. See which character is everyone's favourite.

Tagged by @powersuitup. Probably very predictable picks for anyone who knows me but whatevs.

NP tagging @tweetthang96, @coolnerdyrn, @kayliemalinza, @raaorqtpbpdy, and @thephilosophersapprentice.

[twinklnyan4life]

Cat competitions! Last one being cute wins! Also who the heck is that brown cat!?

[granlance]

Day 03 - Dream

Natsume has many nightmares from the time he was a kid, but once he meets his inseparable "feline" friend, he also connects with the stories of many... mostly yokai

There are too many to count, but there are some hiding in the (somehow ever present) forest 🌳

[schmeap]

Yokai Heads

[kob131]

And yet it isn't plagiarism.

So because I didn't eat the guy I stabbed to death, I'm innocent?

We all fucking cheered on Yathzee for years railing against cookie-cutter shooters and open world crafting games; laughed at developers like Digital Homicide for their blatant theft and lack of effort and decried games for being derivative but the moment it's about a target people think is acceptable suddenly all those morals and considerations get tossed out a window?

Do you not think that's completely fucked?

The point of Palworld was to make a game that actually delivered on Gamefreak's promises, an open world game, that is immersive and fun, and has Pokémon, and they succeeded;

So you just admitted that Palworld is not its own distinct entity. That its entire premise is basically just 'pander to Pokemon bitchers'. That it basically DID steal Pokemon (as you CALL THEM Pokemon). What exactly about this is supposed to be convincing?

You know, you don't have to know a thing about Star Wars to like Spaceballs. The winnebago starship is still funny without knowing it's a joke about Han being a space trucker. Barf is still visually distinct from Chewbacca. Dot Matrix is still a separate entity from C-3PO. Dark Helmet's line about being Lone Starr's father's mother's sister's cousin's former roommate is still funny without knowing the iconic Star Wars line.

I didn't know we stopped asking for Spaceballs and were praising Scary Movie now.

Nioh has a very similar playstyle to Bloodborne and was heavily inspired by Demon's Souls, and yes, it was more creative in its implementation, though only in its aesthetics, this however does not negate the critique presented above of the response to the game.

By your own admission- it does.

See, you haven't actually made any arguments against the plagiarism, given any examples or even tried addressing it so you kind of implied I was right.

The funniest part of all of this, is the response by not just the Nintendo company and Gamefreak, but the religiously zealous Pokémon stans, who have been foaming at the mouth nearly as much as when they came into contact back in the early 2000s with the Digimon IP.

'See! See! I played some memes and brought up an irrelevant argument and called my opponent a stinky doodoo head!'

You know how I know this is true?

You try bringing up 'Nintendo and Game Freak's response' but their response to it is- 'it exists. No comment.'

You act like they're throwing some tantrum when nothing has been said. You're so attached to this idea of 'fuck Game Freak' that you're either convinced the stock standard PR 'neutral' answer is something or you feel the need to drum it up as something. Otherwise you wouldn't have brought them up.

You also try to connect me to those 'religiously zealous' stans even though A. I actually praised at least two of Palworld's designs as inspiration done right with Pokemon (Penking and Tocotoco) B. I don't approve of the death threats which are stupid and C. I was no older than 6. I might not have even PLAYED a Pokemon game there.

I'm just continuing the standards people set. Not my fault I won't abandon them for short sighted gain.

Can't even imagine how the owners of the Digimon IP feel knowing they could have made Palworld at any time and made bank.

Why didn't you bank them then? Digimon Survive has been out for around a year and a half and yet has sold a fraction of what Palworld has. As you said, Digimon has guns in it too. ... And also likely better overall writing than Pokemon.

Yokai Watch released its last game in 2019. It has a bright chibi arstyle, though excusable for being Asia exclusive.

Cassette Beasts was released last year and has a pretty good diagetic UI and some cool Digimon-inspired designs with a more unique weakness system.

Shin Megami Tensei released its landmark fifth mainline game back in 2021, a series with harder gameplay, harsher themes of order vs. chaos, stability vs. freedom, the ugliness of humanity and how people lose themselves to power which are all integrated into gameplay and aesthetics just as well.

You stand here instead choosing to support a game with designs bordering on plagiarism, a game by your own implication has no real indentity of its own, just to be spiteful towards a company rather than supporting the closer competitors that would undercut Pokemon more anyway.

Can't even imagine how the owners of the Digimon IP feel knowing they could have made Palworld at any time and made bank.

Probably happy and secure, knowing they cultivated a loyal and dedicated fanbase based around their own merits, through their own efforts and with their own ideas. All without being dependent on their competitor.

[akaisuisei]

Late Halloween illustration🎃

[yoshi-self-ships]

I know it's not Halloween anymore but in my defense, my brain didn't think of a pic until a few hours ago.

I didn't think of any costumes beforehand since this was purely on impulse so we have some random ones. Kokichi is a vampire, Kiibo is a zombie(while drawing I did think about Frankenstein for him but *shrugs*), Shuichi is Komasan and Ryoma is Jibanyan.

Now, Ryoma was actually put in because Shuichi is dressed as Komasan. Why? Because cats. Idk. Brain saw Komasan and figured Jibanyan should be there as well and who else would dress up like him(besides Shuichi).

(This seems a bit random(and it is)to put in Yo-Kai Watch characters but it actually fits my headcanon that Shuichi really likes said franchise.)

[lowder-the-koopa]

Announcement

Alright, I'm gonna start series where I review episodes of certain franchises starting with Yo-Kai Watch with review for every Kamen Rider series coming after that.

The post for the reviews will consists of an episode summary from the wiki, my thoughts, and my rating.

These posts will begin tomorrow because I'm start watching three episodes from Yo-Kai Watch today.