#yoshimoto takashi

[venusiansims]

heyy can you please give me some book recommendations? what are your favourite books or which ones have inspired you the most? i love your stories. :D

Oooooo hi hi hi! Love this question,,, okay okayy I'll start with several that inspired and helped flesh out some of my show's aspects, or just provided me with ideas that I eventually utilized.

Ink Stains: The Strange Library by Haruki Murakami; The Loft by Marlen Haushofer; The Pigeon by Patrick Süskind; I'm Not Going Anywhere by Rumena Bužarovska; In Memory of Memory by Maria Stepanova.

Pale Angels: Hell by Henri Barbusse; After Dark by Haruki Murakami; All Adults Here by Emma Straub; The Virgin Suicides by Jeffrey Eugenides; Troubling Love by Elena Ferrante; Fango(Mud) by Niccolò Ammaniti.

I don't have any specific favorites, but here are several that I really loved reading: Kitchen by Banana Yoshimoto; The Travelling Cat Chronicles by Hiro Arikawa; All the Birds, Singing by Evie Wyld; The Discomfort of Evening by Marieke Lucas Rijneveld; Convenience Store Woman by Sayaka Murata; The Guest Cat by Takashi Hiraide; Almost Transparent Blue by Ryū Murakami;

That's it, I hope there are some nice ones in here you would like to read or have already read! <3

[likmacuhylang]

Results of December

Books: 1. "The Lake" by Banana Yoshimoto in English 2. "Aesthetics. Textbook for universities" by Victor Bychkov 3. "This Is Water" by David Foster Wallace 4. "May '68 Did Not Take Place" by Gilles Deleuze 5. "Citrons from Sicily" by Luigi Pirandello 6. "Six Characters in Search of an Author" by Luigi Pirandello 7. "Trilogy" by Jon Fosse

Cinema: 1. "The Holdovers" by Alexander Payne 2. "Chinatown" by Roman Polanski 3. "May December" by Todd Hayness 4. "The Taking of Pelham One Two Three" by Joseph Sargent 5. "Seven Weeks" by Nobuhiko Obayashi 6. "Between Revolutions" by Vlad Petry

Manga: 1. "Pandora Hearts" by MOCHIZUKI Jun 2. "The Wife I Loved Dearly" by Touryuumon Takeda 3. "Our Torsos Align: Human x Monster Love" by Ryou Sumiyoshi 4. "Red Riding Hood's Wolf Apprentice" by Sayaka Mogi 5. "Tatsuki Fujimoto Before Chainsaw Man: 17-21" by Tatsuki Fujimoto 6. "Tatsuki Fujimoto Before Chainsaw Man: 22-26" by Tatsuki Fujimoto 7. "Just Listen to the Song" by Tatsuki Fujimoto 8. "Look Back" by Tatsuki Fujimoto 9. "Tetteleposan" by Tatsuki Fujimoto 10. "Imomushi" by Suehiro Maruo 11. "The King and the Paladin" by Rin-Bi Lee 12. "Stargazing Dog" by Takashi Murakami 13. "Star Protector Dog" by Takashi Murakami 14. "Emergency Rations & Bountiful Feasts" by Nagabe

Tragedy in Life and Conscious is Existential Experience, not Aesthetic.

[wotakugo]

The 100 Girlfriends Who Really, Really, Really, Really, Really Love You anime revealed a visual for the tsundere Karane Inda, voiced by Miyu Tomita, following today’s premiere. Bibury Animation Studios is animating the adaptation which was announced in March of this year.Karane IndaHikaru Sato is directing the anime with Takashi Aoshima on the series composition. Akane Yano is doing character designs. Besides Miyu Tomita, the cast includes:Wataru Kato as Rentaro AijoKaede Hondo as Hakari HanazonoMaria Naganawa as Shizuka YoshimotoAsami Seto as Nano EiaiAyaka Asai as Kusuri YakuzenShigeru Chiba as God of LoveThe 100 Girlfriends Who Really, Really, Really, Really, Really Love You is based on a manga written by Rikito Nakamura and illustrated by Yukiko Nozawa. The manga began serialization in 2019 in Weekly Young Jump Magazine. Seven Seas Entertainment licensed it in English and describes the plot as:Aijo Rentaro has asked a hundred girls out and struck out every time. In desperation, he prays for guidance, only to be told by a god that his rejections were due to a cosmic mishap! Now this god will set things right by making sure Aijo gets one hundred dates. Except, as things often go with gods, there’s a catch: each of his one hundred dates is Aijo’s destined soulmate! Worse, if he doesn’t return their feelings, they’ll all die in horrible—and hilarious—accidents!The anime revealed a new trailer two weeks ago and in addition to the visual today, the ending sequence:[wpcc-iframe data-lazyloaded="1" data-ezsrc="about:blank" title="TVアニメ『君のことが大大大大大好きな100人の彼女』ノンクレジットエンディング ｜ エンディングテーマ：岬なこ「スイートサイン」" width="1170" height="658" data-src="https://www.youtube.com/embed/g4PQGus6wkc?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen class="ezlazyload"][wpcc-iframe title="TVアニメ『君のことが大大大大大好きな100人の彼女』ノンクレジットエンディング ｜ エンディングテーマ：岬なこ「スイートサイン」" width="1170" height="658" src="https://www.youtube.com/embed/g4PQGus6wkc?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen]Source: Official Website©Rikito Nakamura, Yukiko Nozawa/Shueisha, The 100 Girlfriends Who Really, Really, Really, Really, Really Love You Production CommitteeUpdated to add the ending sequence.After AnimeCorner

[casesmains]

Jonathan kunie wikibot

The Human Condition II: Road to Eternity (Ningen no jôken) (1959) After changing his mind about killing himself and deciding he wants to live, he accidentally shoots himself in the head with his rifle.Identification of Elongation Factor 1alpha as a Ca2＋/Calmodulin-binding Protein in Tetrahymena Cilia.Ĭell Motillity and the Cytoskeleton, 55, 1, 51-60, May, 2003. Hironori Ueno, Kohsuke Gonda, Tetsuya Takeda, Osamu Numata*. Purification and Characterization of a Hemolysin-Like Protein, Sll1951, a Nontoxic Member of the RTX Protein Family from the Cyanobacterium Synechocystis sp. Tetsushi Sakiyama, Hironori Ueno, Hideya Homma, Osamu Numata, Tomohiko Kuwabara*. Journal of Biochemistry 140 3 393-399 September 2006ģ. Tetrahymena Eukaryotic Translation Elongation Factor 1A (eEF1A) Bundles Filamentous Actin through Dimer Formation. Fumihide Bunai, Kunie Ando, Hironori Ueno, Osamu Numata*. Homologues of Radial Spoke Head Proteins Interact with Ca2+/Calmodulin in Tetrahymena Cilia. Hironori Ueno, Yoshinori Iwataki, Osamu Numata*. Uyeda*.Ī novel system for expressing toxic actin mutants in Dictyostelium and purification and characterization of a dominant lethal yeast actin mutant. Noguchi, Noriko Kanzaki, Hironori Ueno, Keiko Hirose, Taro Q. Hironori Ueno, Takuo Yasunaga, Chikako Shingyoji, Keiko Hirose*.ĭynein pulls microtubules without rotating its stalk. Uyeda*.ĭominant negative mutant actins identified in flightless Drosophila can be classified into three classes. Noguchi, Yuki Gomibuchi, Kenji Murakami, Hironori Ueno, Keiko Hirose, Takeyuki Wakabayashi and Taro Q. Maryam Saadatmand*,Takuji Ishikawa, Noriaki Matsuki, Mohammad Jafar Abdekhodaie, Yohsuke Imai, Hironori Ueno, Takami Yamaguchi.įluid particle diffusion through high-hematocrit blood flow within a capillary tube.īiochem Biophys Res Commun., 396, 4, 170-175, January, 2011.ġ. Takuji Ishikawa*, Hiroki Fujiwara, Noriaki Matsuki, Takefumi Yoshimoto, Yosuke Imai, Hironori Ueno, Takami Yamaguchi.Īsymmetry of blood flow and cancer cell adhesion in a microchannel with symmetric bifurcation and confluence.īiomedical Microdevices, 13, 1, 159-167, February, 2011.ģ. Takuji Ishikawa*, Naoto Yoshida, Hironori Ueno, M.Wiedeman, Yosuke Imai, and Takami Yamaguchi.Įnergy Transport in a Concentrated Suspension of Bacteria. Inertial migration of cancer cells in blood flow in microchannels.īiomedical Microdevices, 14, 1, 25-33, February, 2012.ġ. Tatsuya Tanaka*, Takuji Ishikawa, Keiko Numayama-Tsuruta, Yousuke Imai, Hironori Ueno, Takefumi Yoshimoto, Noriaki Matsuki, Takami Yamaguchi. Nanomedicine –Nanotechnology, Biology, and Medicine. Mouse respiratory cilia with the asymmetric axonemal structure on sparsely distributed ciliary cells can generate overall directional flow. Hironori Ueno*, Takuji Ishikawa, Khanh Huy Bui, Kohsuke Gonda, Takashi Ishikawa, Takami Yamaguchi. Separation of cancer cells from a red blood cell suspension using inertial force. Tatsuya Tanaka*, Takuji Ishikawa, Keiko Numayama-Tsuruta, Yohsuke Imai, Hironori Ueno, Noriaki Matsuki, Yamaguchi Takami.

[leenaevilin]

[Announcement] Patch stage vol.13「カーニバル！x13」(patch stage vol. 13 ~ carnival! x13)

a the show will be running from October 31st, 2019 to November 3rd, 2019 (Tokyo) @ シアターサンモール  (Theater Sun-mall) & November 6th, 2019 to November 10th, 2019 (Osaka) @ ABCホール  (ABC Hall)

Cast:

Tanaka Tooru Kondou Shouri Yoshimoto Takashi Fujito Yuuhi Ogata Daigo Inoue Takuya Takeshita Kento Shouri Matsui Yuuho

Higawari: Nakayama Yoshihiro Miyoshi Daiki Naya Takeru

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[maybeimightloveyou]

[slag0000]

松本崇史（実質、小川新）セッション、3回目が決まっております。2回目は、程よい感じでたくさんの人が来てくれて、なかなか良い感じでした。3回目はどうなりますでしょうか。 ●2022-08-04(thu) 江古田 Cafe Flying Teapot “Jam session” act: 松本崇史(saxophone) 小川新(drums) 吉本裕美子(guitar, daxophone) 高橋直康(bass) open 18:30 / start 19:00 charge 1000yen(+order) ※参加希望の方は楽器をご持参ください

[fuchino-yuuki]

20 September 2017

Bokuto-san, happy birthday🎂 From now on, I, as a setter, shall be supporting you! # bokuto koutarou # birthday # haikyuu

[godzilla-reads]

🇯🇵 My Favorite Japanese Books So Far

The Housekeeper and the Professor by Yoko Ogawa (trans. Stephen Snyder)

No Longer Human by Osamu Dazai (trans. Donald Keene)

Goodbye Tsugumi by Banana Yoshimoto (trans. Michael Emmerich)

Colorless Tsukuru Tazaki and His Years of Pilgrimage by Haruki Murakami (trans. Philip Gabriel)

Sweet Bean Paste by Durian Sukegawa (trans. Alison Watts)

Before the Coffee Gets Cold by Toshikazu Kawaguchi (trans. Geoffrey Trousselot)

The Guest Cat by Takashi Hiraide (trans. Eric Selland)

[mangacapsaicin]

i love how you answered the shimeji simulation ask! i'm really drawn to those types of stories too, with magical realism and surrealism. do you have any other manga similar to that that you'd recommend? (and on another note, any books outside of the usual lists?)

yes, absolutely! also i love that you asked about non-manga books too, i do actually have a goodreads that i use to keep track of what i read, although i'm not active there on the social side of things. but note some of the manga and novels (especially the novels) below are significantly darker in their surrealism than shimeji simulation gets, so beware if that's not your cup of tea.

manga:

8-gatsu no soda sui by shinya komatsu

kekyaaru-sha tenmatsuki by imiri sakabashira

an invitation from a crab by panpanya

the bitter orange, translucent it goes back to sleep by youichi abe

discommunication by riichi ueshiba

fake biography of sanjin by ura shino

the alchemist of turandot by hiroyuki katou and keisuke gotou

G by keiichi koike

there’s nothing wrong with me by natsujikei miyazaki

fantasy world jun by shotaro ishinomori

mia - neverland above the clouds by wubao

taichou to watashi by takashi kurihara

bad candy you give me by kaiko fuyushimi

night on the galactic railroad by kenji miyazawa and hiroshi masamura

novels:

invisible cities by italo calvino

sexing the cherry by jeanette winterson

the lathe of heaven by ursula k. le guin

song of solomon by toni morrison

reasons she goes to the woods by deborah kay davies

the woman in the dunes by kobo abe

the unnamable by samuel becket

scorch atlas by blake butler

her body and other parties by carmen maria machado

by light we knew our names by anne valente

the lonesome bodybuilder by yukiko motoya

jamrach's menagerie by carol birch

tree of codes by jonathan safran foer

hardboiled & hard luck by banana yoshimoto

[midiariodecine]

Midnight Diner (2009) [La Cantina de Medianoche, Shinya shokudo]

¡Atención, esta crítica contiene alguos spoilers!

Título original: Shinya shokudô

Dirección: Joji Matsuoka, Nobuhiro Yamashita

Guion: Katsuhiko Manabe, Kôsuke Mukai, [Historia: Yaro Abe (manga)]

Elenco: Kaoru Kobayashi, Toshiki Ayata, Mansaku Fuwa, Shohei Uno, Kiyobumi Kaneko, Takashi Yamanaka, Risa Sudo, Asako Kobayashi, Nahoko Yoshimoto, Joe Odagiri, Yuko Genkaku, Ryo Iwase, Tamae Ando, Yutaka Matsushige

País: Japón

Año: 2009

Tempordas: 5

A veces es más simple abrirte ante un completo extraño. La certeza de lo desconocido te libera de las limitaciones de lo habitual. En mi opinión, todos tenemos más en común de lo que queremos aceptar. De las doce de la noche hasta las siete de la mañana el Restaurante de Medianoche es la ventana que ofrece la vida nocturna para reencontrarnos a través de algo tan simple como la comida casera.  

Basada en el manga de Yaro Abe, la serie cuenta las diferentes historias de los clientes de un pequeño restaurante nocturno en Shinjuko, Tokio. El chef (conocido simplemente como Maestro) solo tiene un menú de apenas un par de platillos, sin embargo, puede preparar lo que sea que quieran sus clientes siempre y cuando tenga los ingredientes a disposición.

Desde su estreno en 2009 la serie gozó de bastante popularidad en Japón y tuvo otras dos temporadas a cargo de productoras niponas. En 2016 se hizo una continuación de la serie con dos nuevas temporadas producida ahora por Netflix bajo el título de Midnight Diner: Tokyo Stories. También cuenta con una película live action, además de remakes para Corea y China.

La serie consta de diez episodios por temporada, con una duración aproximada de treinta minutos. Hay una sencillez general en su estilo, los planos medios y detalle son una constante bien empleada para mostrar a los personajes, asociados a un platillo en particular. También buscan variedad con planos más abiertos para las escenas en exteriores. Adicionalmente, se rompe la cuarta pared al finalizar los episodios, lo que termina de enganchar a la audiencia. En la segunda temporada los créditos son acompañados por una canción de la receta y en la tercera, comienzan a mostrar una versión más prolija de su estilo que se perfecciona en la continuación producida por Netflix.

Mayormente la serie se enfoca en el drama, pero es la comedia la que realmente brilla para mí, ya que puede ser irónica, ingenua e incluso absurda. Lo que permite estilos más experimentales y surrealistas. La música es la que mejor representa el tono general de la serie. Un tanto melancólica, que evoca una nostalgia reconfortante.

Sorprende cómo hacen que la serie no se sienta monótona a pesar de contar con la misma estructura tan de principio a fin y es gracias a los personajes. A pesar de que algunos parecen tropos o estereotipos, el desarrollo en ellos es impecable (ya que no todos son típicos personajes de televisión) podemos ver desde amas de casa y estudiantes a mafiosos, strippers y actores porno. Sin embargo, es muy fácil conectar con la mayoría de ellos porque los muestran como personas comunes, con defectos y virtudes, que atraviesan problemas comunes asociados al amor, la amistad, la soledad, inseguridades personales, etc. Adicionalmente apoyados en excelentes actuaciones constantes.

He notado que las historias las protagonizan diferentes clientes, pero de alguna u otra manera siempre se mantiene una conexión con los “clientes regulares” del restaurante, así que pienso que en líneas generales la serie puede ser interpretada como un homenaje a ese ambiente cálido que se logra a partir de la confianza que damos a los extraños y cómo la costumbre a través del tiempo nos lleva a convertimos en familia.

Póster: Impawards, themoviedb 

Ficha Técnica: Imdb

[carriecuinn]

Mifune and Shimura in Kurosawa's SEVEN SAMURAI: The Father and the Son

Mifune and Shimura in Kurosawa’s SEVEN SAMURAI: The Father and the Son

If you haven’t read “Toshiro Mifune, and Akira Kurosawa’s “NORA INU / STRAY DOG”, please check that out first. Next, read Takashi Shimura, and Akira Kurosawa’s RASHOMON. This post is a continuation of those thoughts.

If I’ve wrtten at all the way I think it sounds in my head, by now you’re starting to get a sense that Kurosawa is using these two actors, Mifune and Shimura, to make a point. He’s…

[renwritesrandomthings]

麒麟がくる（Kirin ga Kuru)

For @toreishi​

The 2020 Taiga Drama will depict the life of Mitsuhide under Nobunaga’s rule. It’s said that the theme or motif of the title ‘Kirin”, “ 如何にして何れの英雄の前に現れる “ ---  how the appearance of the “kirin (horned beast) will foretell a hero’s story. 

Kirin somehow symbolizes two things: 

1) A beast summoned to slay another beast  2) A premonition of passing sage or leader 

Based on these, it’s similar to how Mitsuhide is seen: a loyal Ashikaga retainer or of Oda. 

Kazama Shunsuke (4TOPS; Johnny’s Ent) is Tokugawa Ieyasu, Osamu Mukai as Ashikaga Yoshiteru, and  Sasaki Kuranosuke as Hashiba (Toyotomi) Hideyoshi ----> This is new! A very tall Hideyoshi.  With Sasaki Kuranosuke as Hideyoshi, I can somehow see that they will paint a villanous streak here.  

Cast: 

Akechi clan

Hiroki Hasegawa as Akechi Mitsuhide

Fumino Kimura as Hiroko, Mitsuhide's wife

Sayuri Ishikawa as Maki, Mitsuhide's mother

Masahiko Nishimura as Akechi Mitsuyasu, Mitsuhide's uncle

Satoshi Tokushige as Fujita Dengo

Oda clan

Shōta Sometani as Oda Nobunaga

Katsunori Takahashi as Oda Nobuhide, Nobunaga's father

Rei Dan as Dota Gozen, Nobunaga's mother

Erika Sawajiri as Kichō, Saitō Dōsan's daughter, and the wife of Nobunaga

Kuranosuke Sasaki as Tōkichirō

Kōtarō Yoshida as Matsunaga Hisahide

Shōzō Uesugi as Hirate Masahide

Saitō clan

Masahiro Motoki as Saitō Dōsan, the "Viper of Mino"

Hideaki Itō as Saitō Yoshitatsu

Kaho Minami as Miyoshino, Dōsan's concubine

Takehiro Murata as Inaba Yoshimichi (Inaba Ittetsu)

Hosokawa clan

Hidekazu Mashima as Hosokawa Fujitaka, Mitsuhide's best friend

Shōsuke Tanihara as Mitsubuchi Fujihide

Imagawa clan

Kataoka Ainosuke VI as Imagawa Yoshimoto

Goro Ibuki as Taigen Sessai

Tokugawa (Matsudaira) clan

Shunsuke Kazama as Tokugawa Ieyasu

Ryusei Iwata as Takechiyo (young Ieyasu)

Toki clan

Toshinori Omi as Toki Yorinari

Ashikaga shogunate

Kenichi Takitō as Ashikaga Yoshiaki, the 15th and final shōgun of the Ashikaga shogunate.

Osamu Mukai as Ashikaga Yoshiteru, the 13th shōgun

Others

Takashi Okamura as Kikumaru

Masaaki Sakai as Mochizuki Tōan

Mugi Kadowaki as Koma

Machiko Ono as Iroha-dayū

Source: 

https://www.tvguide.or.jp/news/20190605/08.html

https://en.wikipedia.org/wiki/Kirin_ga_Kuru

[feedmeteaandoranges]

all the books i read in 2019

i’m very proud of myself because last year i read 11 books and of that number only 3 were books i chose to read...

**= favourites that i highly recommend!!

On loving women by Diane Obomsawim

The lake by Banana Yoshimoto**

Asleep by Banana Yoshimoto

Kitchen by Banana Yoshimoto

Le Survenant by Germaine Guèvremont

Yakitate!!! Japan (volume 1-7) by Takashi Hashiguchi

Goodbye Tsugumi by Banana Yoshimoto**

La Septième Dépouille by Eugenia Fakinou

La Peur by Jean-Charles Harvey

Sirène by Daphnée Collignon **

Boundless by Jillian Tamaki

A Concise Chinese-English Dictionary for Lovers by Xiaolu Guo

Antioche by Sarah Berthiaume

Siddhartha by Herman Hesse

Les Belle-soeurs by Michel Tremblay

Chemistry by Weike Wang **

La Femme Qui Fuit by Anaïs Barbeau-Lavalette ********** favourite !!!!

Territory of light by Yūko Tsushima

Tongue by Kyung-Ran Jo

Three Days in That Autumn by Park Wansuh

Yukonstyle by Sarah Berthiaume **

Ms Ice Sandwich by Mieko Kawakami

Vivre Grand by Johanne Jarry

Les Luttes Fécondes by Catherine Dorion

De Vengeance by J.D Kurtness **

La Vie d’Artiste by Catherine Ocelot

La Soutenable Légèreté de l’Être by Eléonore Costes

qp by Power Paola

Wage Slaves by Daria Bogdańska

Dumb: Living Without a Voice by Georgia Webber **

[leenaevilin]

[Update] Patch × TRUMP series 10th Anniversary『SPECTER』

main visual ↑↑↑ and cast update under the cut^^

Cast:

Matsui Yuuho as Gabanri (臥萬里) Takeshita Kento as Sekishuu (石舟) Tanaka Tooru as Cranach (クラナッハ) Inoue Takuya as Hugo (ヒューゴ) Naya Takeru as Sutcliff (サトクリフ) Fujito Yuuhi as Bartolomé (バルトロメ) Ogata Daigo as Greco (グレコ) Shouri as Carlo (カルロ) Yoshimoto Takashi as Thorsten (トルステン) Miyoshi Daiki as Shadow (シャド) Nakayama Yoshihiro as Claus (クラウス) Shimokawa Kyouhei as Gnome (ノーム) Matsubara Yukiko as Rosa (ローザ) Saitou Chinatsu as Harriet (ハリエット) Tachibana Ai as Rodin (ロダン)

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[slag0000]

松本くん主催のセッション2回目です。1回目は、松本くんから誘われて（一回断ったんですが！）、前日が同じフライングティーポットでslagのライブで、機材をお店に預けることができたので、せっかくのお誘いだし、参加者として加わりました。で、余計なことを言ってしまったばかりに（！）今回よりホストの一員に加えられてしまいました。いや、加えていただきました。まだ2回目なんで今後どうなるかわかりませんが、楽器をご持参の上、ご参加いただけますよう。 ●2022-06-02(thu) 江古田 Cafe Flying Teapot “Jam session” act: 松本崇史(saxophone) 小川新(drums) 吉本裕美子(guitar, daxophone) 高橋直康(bass) open 18:30 / start 19:00 charge 1000yen(+order) ※参加希望の方は楽器をご持参ください