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gazemaizeisdead · 3 months ago

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there��s a scene in fat albert 2004 where live action kenan thompson fat albert, who has accidentally escaped the fictional television world of his cartoon series and become real à la barbie, meets his creator, bill cosby.

it’s a unique film. i’ve seen it about thirty times. the opening credits are in comic sans.

it’s the worst film in the tiny but horrible microgenre of films in which an established, questionably marketable character with diminished cultural relevance is mysteriously transported to our reality. rocky and bullwinkle, harold and the purple crayon, garfield, enchanted (it’s disney, which at the time was only beginning to toy with the cloyingly affectionate self-awareness that has since swallowed it whole, so an expy blend of all stock princesses is used in the place of any particular ip). if you loosen up the parameters of that definition a smidge you can easily come up with another fifty or so awful, bizarre live-action adaptations of various properties with similar narrative structures and plot beats, but i’m curious about this very specific type of hyper-meta fish out of water isekai movie, stories that are less interested in the characters they are ostensibly about and more about the modern world’s current reactions to those characters, and choose to discuss that in the most convoluted, literal way possible.

this type of story is simultaneously extremely high-concept postmodernist analysis and the laziest paint by the numbers shit it’s possible to create. live-action adaptations even at their best betray an inherent disrespect for animation, implying it to be a secondary medium that exists as a temporary placeholder or poor man’s substitute for reality, that characters are only worth caring about if they look as real as we do or exist in a world like ours. there’s no genuine artistic reason to make a woody woodpecker movie, an avatar movie, a death note movie, a live-action pinocchio, they’re all cynical soulless cashgrabs but they at least do attempt to adapt and actually BE what they purport to be. dan aykroyd yogi bear and light turner and matthew lillard william afton for the five minutes they wanted to pay him to be in the fnaf movie are simply poor facsimiles of themselves and they suck because of that bad mimicry, we see and hear the contrast and know immediately it’s not the same. the project of live-actionization is misguided because even before awful executive-driven creative decisions (which all these movies have in spades) very often whatever is being adapted simply can’t be translated properly to its new medium. you could give a film a 500m budget and airbending will still not look as good as it does in 2d, where one can easily and stylistically show the movement of invisible wind and have a character float and defy gravity in a way that is instantly believable in a way that a real human being moved by CGI is not. neil patrick harris and hank azaria as hard as they try, as talented as they are cannot legitimately sell me on the idea that they’re actually being hardcore smurfed in the way that an animated gargamel can. these movies reach for a perceived authenticity and fail to reach it, not understanding that the mediums they are stealing from almost always allow for a greater seeming realness than live-action can, especially when portraying the fantastical.

the isekai movies go one step beyond this disrespect because they refuse to even play the part. yes we’ll make a rocky and bullwinkle movie but we cannot simply DO rocky and bullwinkle, we can’t do a scooby doo and just make a bigger irl version of the formula, we must have this elaborate meta routine so we can continually point to the audience and share a laugh together about how dogshit and unimportant rocky and bullwinkle are. the people who make these movies are so embarrassed by the concept of taking these ideas seriously that they must even in-universe create further removal from the realness of this to insulate us from the possibility of caring. rocky and bullwinkle must be a fake tv show even in the movie, even in pretend land they must be from a deeper pretend land. it’s fine if you want to do commentary on the property (preferable, in fact, that makes it more interesting!) but this commentary is almost never allowed to extend beyond the singular joke of every gamer webcomic ever made: wouldn’t it be fucked up if fictional thing were REAL?

wouldn’t it be fucked up if rocky and bullwinkle were in a REAL car? you bet it fucking would be. (robert de niro produced this movie and plays the main villain)

obviously we’re in a post-barbenheimer world and the only movie of this kind worth comparing fat albert to is barbie, which is notable for being the only good execution of this premise (i would call enchanted competent; it’s funny but a mess). the barbie comparison is especially interesting because fat albert is a cracked mirror to barbie.

like barbie, fat albert and the cosby kids exist in a cartoon world where characters are simultaneously performers and platonic forms of themselves, and where they operate with an unspecified degree of awareness of their own fakeness; a background character in fat albert’s philadelphia mentions having done guest spots on the jetsons. like barbie, al is snapped out of his usual routine by the personal crisis of one of his fans, when her single live-action tear falls on the remote as she watches his show and magically falls into his fictionalized philadelphia. the magic tear allows him to hear her crying and a portal is rended between the two worlds; he enters reality, naively tries to solve her social and emotional problems with platitudes, and is forced to grapple with the tenuous nature of his existence and mortality and the complexity of the real world.

i’m just ken is replaced with fat albert performing an extended rap cover of his own theme song. fat albert spends as much of this movie trying to help the main character make friends as he does trying to fuck her adoptive older sister (“my big al”, she calls him).

without getting into “barbie politics” barbie works because it wants to be a movie about barbie, the thing it’s named after. it takes “barbie lore” seriously. at least half of barbie actually takes place in barbieland, a world that the movie cares about making authentically fake and different and weird. the mechanics and nature of barbie’s existence and barbieland are the most important part of the movie. all of these bad adaptations have the obligatory familial infighting/accidentally thwarting a jewel heist/stopping the evil CEO from demolishing the neighborhood to build a megamall/helping larry bird get his basketball talent back from the aliens plot and so does barbie but it’s an excuse to talk about more interesting abstractions. there is a subplot dedicated to barbie helping to reignite a mother and daughter’s bond but this isn’t the core of the movie, it really is about barbie, literally and metaphysically. fat albert too isn't "about" helping a girl make friends and find herself, it's about fat albert, but it resents that about itself.

fat albert 2004 has about six minutes of actual animation, it rushes to get kenan thompson on screen as quickly as possible and stays there as long as it can (presumably a factor of cost more than anything else, as with all of these films). in barbie the ideas and philosophies of barbieland and real life both naturally affect each other, are reflections of each other, which is an obvious worldbuilding choice that makes intuitive sense; the media we consume is a reflection of the real world and vice versa. there is nothing inherently wrong or bad about the link between the two worlds, says barbie, though it is often the conduit for harmful ideas.

fat albert’s philadelphia and our philadelphia do not share this connection, albert’s intrusion in the real world is a perversion of the natural order and, we later learn, a physical impossibility in the long term. halfway through the movie, the cosby kids begin to be influenced by the real world: mushmouth gains the ability to speak coherently (“don’t call me mushmouth anymore! just call me… mouth!”) and dumb donald removes his ski cap, learns to read, and goes to the library and speeds through 22 volumes of african-american history. this is portrayed as profane; as dumb donald says before jumping back into the TV halfway through the movie: “"i've become smart enough to understand that... we've entered into a world where we do not belong. if you try to become something that you're not, you lose the essence of who you really are."

albert, still on his love quest, at first refuses to rejoin them; he goes off on a date with protagonist’s older sister, which goes well until a child recognizes him and shames him for not being in the tv where he belongs. “we need you! what would mr. cosby think if you don’t go back?” al’s stunned by this; he has no response, but it inspires him to seek answers. in the next scene he decides to find out. he walks up to bill cosby’s house and knocks on the door.

in barbie the discussion barbie has with her creator, ruth handler, is the emotional climax of the film. when barbie tells her she wants to stay in southern california, ruth warns her of the dangers of being human, but does not ultimately stop barbie from doing so; she points out that she is incapable of doing so even if she wanted to.

fat albert mirrors this discussion; albert is told of his conceptual origins. as barbie is based on ruth’s daughter, he is based on a deceased childhood friend of cosby’s, the grandfather of the girl he is trying to help (which is why the movie is careful to repeatedly stress the point that the older sister he’s fallen in love with is only his granddaughter by adoption). there isn’t a parallel moment to the one in barbie where handler winks to the audience about her criminal conviction but that’s probably in the film’s best interest.

albert pleads with cosby in the same way as barbie. more than anything, he wants to stay in the real world. cosby, like handler, encourages him to recognize his own power as an icon, but informs him that his fate is inescapable. if he stays in the real world, his colors will begin to fade and he will soon “turn into celluloid dust” and die. how cosby knows this is not explained; presumably little bill also visited him in the past and suffered a similar fate.

even when done cynically (as it always is) to adapt or remake anything to reject the source material in some way. it’s a paradoxical relationship, because to do it you have to both like (or at least be interested) in what you are recreating but find some aspect of it unnecessary or outdated or lacking or worthy of change. the animation to live-action adaptation often must navigate the additional paradox of wanting to make the unreal real, and the end result, formed by people who don’t care and are only in it for a paycheck, is usually bad art.

in the end fat albert acknowledges his own unreality and crawls back in the tv. the final scene is a saving private ryan style ending where all of the real life elderly inspirations for the cosby kids leave flowers on the real fat albert’s grave. here it hits you: the only moral of the live action fat albert movie is that a live action fat albert movie is a really shitty idea that would kill fat albert.

i agree.

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caligvlasaqvarivm · 1 year ago

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Murder, Love, and Destiny: An Eridan Ampora Character Study

Warnings for things from Homestuck, like discussions of child abuse, mental illness, murder, suicide, etc. etc.

Because there's a huge wall of text after this point, I'm going to summarize what I hope to convince you of in bullet point format, and then hope you'll actually read the rest of the text before arguing with me about it.

Eridan is the least casteist highblood, if you ignore all the slurs.

Those are his emotional support slurs.

Pale EriKar was not only canon, but set up to be endgame.

Eridan is incredibly plot-relevant, thematically relevant, and was definitely originally intended to be brought back to life, alongside the other dead trolls.

He's Sad.

The first thing we have to establish is what counts as "canon" for the purpose of this essay. I am only counting the original comic up to Game Over, after which there's a general consensus that Hussie kind of gave up on his original planned ending, and slapped together something that most people hate. So I am immediately disqualifying Pesterquest, supplementary material, fanworks deemed canon, the epilogues, and Homestuck^2.

Moreover, we are taking Hussie's commentaries with a grain of salt, for two reasons. The first reason is that I firmly believe - and will be arguing - that the original plan was to bring Eridan (and the other dead trolls) back; therefore, Hussie (who has a track record of playing coy with future plot twists) can't speak too fondly of him, lest he give it away. The second reason for de-emphasizing Hussie's words is that, post-retcon, Hussie isn't very well going to say that he had plans for a better ending, and then didn't execute on them; to save face, he has to act as though his trashing of several prior plot threads, including but not limited to Eridan, was the plan all along.

Therefore, this essay will not be putting too much emphasis on Word of God, and will instead be relying on textual evidence from the comic itself, of which there is plenty. So without further ado:

Eridan is a Consummate Murderer.

The reason I'm starting with this point is that, far more than any other, this truth lies at the core of his being. Eridan is formally introduced to us with a murder, and he's haunted by an overpowering genocide complex. He outright describes to Rose at one point that "killin is all i evver done practically," and uses "murder" as an expletive (ie "swweet stinkin murder"). With a conservative estimate of 5 kills per week for 4 sweeps (Vriska looks VERY young when she has to start killing, and Eridan was likely a similar age when he began), both Eridan and Vriska easily have bodycounts above 2000 - the real number is probably even higher.

At this point, many raise an objection that Eridan is only killing lusii, but I believe we need to count his kills as troll murders, for three reasons: first, a dead lusus results in the orphaned troll being culled; second, one has to assume he has had cases of trolls trying to defend their lusii, or coming after him for vengeance; and third - and most importantly - Eridan HIMSELF is thinking about the orphaned trolls.

Compare Feferi: Go Home:

That should keep her happy for a while. At least until she dies.

To Eridan: Go Home:

That should keep her happy for a while. And make a freshly orphaned troll somewhere very sad.

So Eridan, to a much greater extent than even Feferi, is thinking about the orphaned trolls he's leaving behind, and considers his own actions to be murder.

Now that we've established the facts regarding his murders - a rough bodycount, and the fact that, by his own admission, he barely had any hobbies outside of it - we can move on to the effect that it's had on him. It's not very good!

Vriska's manipul8tions and murders had to be done for her own sake - if she ever stopped, she died. Therefore, much of Vriska's personality revolves around justifying her own actions so she doesn't have to reckon with her softer feelings, like guilt or kindness - which she expresses would be viewed as scandalous by others of her caste.

But if Eridan ever stops feeding Gl'bgolyb, everybody dies. The stakes he has riding on his shoulders are, at all times, the fate of all trolls, including all his friends. Given Dualscar's title was "Orphaner," it's implied that killing lusii for Gl'bgolyb has always been a violet blood's duty, and is seen as such by the others, which is why nobody expresses gratitude for his hard work even a single time.

Which brings us to our next point:

Eridan is Crushed by Anxiety.

If Eridan stops killing lusii, everybody - especially his friends, but everybody else, too - dies.

If Eridan ever shows guilt or kindness, he'll be considered "weak" by the standards of highbloods - he shares this with Vriska.

Eridan is expected, by aristocratic tradition, to take on the mantle of his ancestor Dualscar and finish his work. Dualscar met a comedically cringefail end, so this is a massive undertaking.

Before finding out that god tiering is an option - so, for nearly his entire life - Eridan has had to live with the expectation that he will outlive all of his friends. The lowbloods from culling or dying on the battlefield, the highbloods from old age, and Feferi from being killed by the Empress when she gets old enough.

(This is reflected in who he talks to the most - Feferi, who's the only one with a natural lifespan longer than his, Vriska, who's a highblood, Kanaya, who's practically guaranteed to survive into adulthood, and Karkat, whose anonblood allows Eridan to give him the benefit of the doubt.)

Also if he can't land his concupiscent quadrants he'll die from that too, but that seems pretty secondary to the rest of his concerns.

He can't even make friends with the other highbloods, because sea dwellers are expected to hate and antagonize them.

He had a free ticket into adulthood, but would almost certainly be expected to join the army and serve as a commander. That is to say, his fate of performing the role of a vicious, murderous sea dweller seems dreadfully inevitable to him.

NO WONDER he can't stop having emotional breakdowns. NO WONDER his chatlogs swing wildly from relentless self-aggrandizement to traumadumping. NO WONDER he's obsessed with murder and death and genocide.

Doc Scratch calls him a "vengeful boy on the path of nihilism," and it's not hard to see why: Eridan's entire life has been about living up to the role imposed on him by society, sacrificing his own time and sanity for everyone else, which he "nevver got any appreciation for anywway." And all he had to look forward to was more of the same, all his friends dropping dead one by one before him. For Eridan, there has never been any hope.

SGRUB could have been a way out for him, but a combination of his own terrible choices, spurred on by his anxieties, and his teammates' unwillingness to knock some sense into him, meant that he only wound up mired even deeper in his hopelessness.

We all know about how Eridan wouldn't stop killing the angels on his planet, provoking their aggression and turning it into a ball of death. How he was definitely not supposed to be doing this, and how his stubborn insistence on it led to his further ostracization from the rest of the group. The thing is, when we look at his angel-murders from the point of view that Eridan's entire life has been about murdering things or else Something Bad™ happens, it actually starts to become... kind of sad.

KARKAT: BETWEEN A TRIGGERHAPPY PRINCE WITH A GOD WEAPON BLASTING ANYTHING THAT TWITCHED AND A MILLION CRAZED ANGELS HE DELIBERATELY ENRAGED, IT WASN'T WHAT I'D CALL AN IDEAL SOCIAL HUB. KARKAT: IF YOU WERE LONELY WHY DIDN'T YOU VENTURE OUT MORE OFTEN? ERIDAN: wwell i wwoulda but nobody else wwas vvolunteerin to pick up the slack on angel killin duties

Killing the angels is something he feels like his has to do, because his entire life has been about killing things he doesn't want to kill. He's unable to break out of that mindset on his own, and his unpleasant personality has scared off anyone who might want to help. No one on the team tries to understand his thought process on a deeper level, not even Karkat, who just tells him it was an idiotic thing to do without addressing his underlying anxieties at all. Indeed, "nobody understands."

And this is really the root of why I think so many people get the wrong read on Eridan - Eridan is constantly contradicting himself, constantly denying his own feelings, constantly pushing an image that he doesn't actually believe in, and constantly insisting that he's fine with all the horrible shit in his life - that he likes it, even. After all, he can't admit to his guilt for his murders, or how much he doesn't want to watch his friends die, or how scared he is about the future - that'd be weakness!

CC: I can't look after you anymore. CA: I DIDNT EVER NEED ANYONE TO LOOK AFTER ME CA: i was totally fuckin fine my ambitions were noble

You see his contradictory nature with his stated love of history, which he only ever offhandedly mentions - because he's not actually that interested in history, it's just something that's expected of someone of his station. And you see it with his wavy accent, which he himself calls "weird" and drops when he's trying to be emotionally sincere. And you see it with his dumbass outfit, which is very clearly an imitation of Dualscar (with the only exception being the wizard-ass scarf, because wizards are his actual interest. I don't believe he likes fashion. I genuinely believe - and Eridan himself says so - that he basically has no hobbies outside of murder).

Even being proud to be a sea dweller is pretty much an outright lie:

CC: You can't )(ave t)(e sort of affinity for "our kind" t)(at you profess if you've only spent, w)(at... CC: A few days underwater, maybe? IN YOUR W)(OL-E LIF-E!

One that he tells because he's SCARED OF THE OCEAN. Because he knows what lives in the ocean, because he's been feeding it his entire life. I see a lot of people who give Eridan an interest in marine life, and I'm telling you, that's just got no basis in canon. He's fucking TERRIFIED of the sea.

And for that matter, land dweller genocide. Eridan doesn't want to do it. Both Feferi AND his internal narration call him out for not actually wanting to do it. He outright states he wouldn't kill his friends.

CA: wwell CA: im not goin to vvery wwell kill you am i that wwould be fuckin unconscionable CA: wwhat kind of friend wwould i be

But he feels like he HAS to want it, HAS to believe in it, HAS to be talking about it constantly, because that's what's expected from him as a sea dweller, and a sea dweller is ALL that he will get to be. The mutation that puts a violet streak in his hair is damning. It's a fate he feels like he can't escape. Which brings us to:

Eridan is Not Actually Casteist, Well He Is But Not Like That, It's Complicated

Secondary title: Those Are His Emotional Support Slurs, Okay

In the exact same vein (haha) as secretly not wanting all the land dwellers dead, Eridan also genuinely doesn't feel like he's better than lower blood castes. Vriska and Equius obviously put quite a bit of stock into being nobility, and both have acted superior to Karkat for it. Feferi actually revels in her high status, and while she is genuinely well-meaning, she's not as interested in abolishing casteism as she is in changing the meaning of "culling" specifically (the hemocaste, aristocracy, and casteism still very much exist in a Beforus under her rule). Gamzee MIGHT be the only highblood less casteist than Eridan, but then again, as soon as he snaps, he does say a lot of casteist stuff to Equius, although it's unclear how serious he is, and he also proceeds to get really into his weird highblood clown cult.

Meanwhile, Eridan - despite all his slurs and talk of genocide - does not actually try to "pull rank" on a lowblood for being a lower caste than him with a single exception. That exception is Sollux... after he's already shown having entirely caste-neutral opinions on Sollux:

CC: But Sollux finally came t)(roug)(, and now I believe t)(e full c)(ain is complete! CA: man that guy CA: hes a fuckin drama machine it is fuckin pathetic CC: YOUR STUPID FIS)(Y FAC-E IS T)(-E DRAMA MAC)(IN-E T)(AT DO-ES NOT)(ING BUT W)(IN-E AND GLUB. CC: 38P CA: fuck SORRY CC: Anyway you s)(ouldn't say t)(at about )(im, )(e is a )(ero and )(e saved my life. CA: yeah sorry

CA: my feelins seem petty and meaninless noww CA: she had better things to wworry about than my ovverwwrought bullshit CA: like the dead guy wwho savved her CA: so forget it thanks anywway

It's only AFTER he's mad at Sollux for dating Feferi that he starts going in on Sollux with casteist rhetoric... which is treated as unrequited flirting and not serious casteism:

ERIDAN: hey finless this doesnt concern those wwith mustard sludge slippin through their vveins ERIDAN: its a matter for royalty only ERIDAN: so keep your mouth closed or ill slit you open ovver my next meal SOLLUX: w/e bro, not iintere2ted. FEFERI: -Eridan, please! I don't want to see any more dueling. FEFERI: Don't try to provoke )(im. It's not like I don't know w)(at you're doing! You keep trying to spark a rivalry wit)( )(im to get me to auspisticize between you two, and pull us out of our quadrant! FEFERI: It is t)(e oldest and lamest trick in t)(e book. It didn't work t)(en and it won't work now!

THEY don't even think he's being casteist.

In fact, directly contradicting this earlier argument he has with Feferi:

CC: T)(is is t)(e last time I will say t)(is. CC: W-E AR-E NOT B-ETT-ER T)(AN ANYBODY!!!!! CC: GLUB. >38( CA: pshh CA: hemospectrum begs to differ

He OUTRIGHT states his real feelings here:

CA: im the biggest fuckin idiot who ever lived CA: i cant BELIEVE i just opened up to you like a chump when i knew what was comin CA: i am one sad fuckin brinesucker CA: overemotional sappy trash youre right im not better than anybody CA: im worse than anybody CA: EVERYBODY CA: all the bodies

So the question of "is Eridan casteist" has an answer of "kind of, but also no." Eridan DOES espouse the rhetoric; he's constantly saying stuff that a casteist sea dweller "should" be saying. However, if you look at his ACTIONS, and the way he actually treats people, he doesn't actually care about blood color. He'll hit on anybody, and he's rude as fuck to everybody. The real problem with him is that he's terrible to talk to, not that he's discriminatory.

That's the thing about Eridan. Understanding him means looking past the way he presents himself, the lies he tells to himself, and even, at times, the way the narration presents him. His "overblown emotional theatrics" seem a lot less overblown when his problems ARE so real, deep-seated, and constantly causing him an unimaginable amount of anguish.

The problem is, the main people he has to bounce those problems against are Feferi, Vriska, and Kanaya, three of the people most comfortable with their privileged positions, for whom Eridan's genuine emotional distress seems like needless melodrama. Feferi loves being a princess, Vriska enjoys her noble privileges, Kanaya doesn't need to worry about culling. But for Eridan, his noble status, and the duties and expectations placed on him for it, have caused him nothing but pain - of course he would feel like nobody understands. Most of his closest friends genuinely don't, nor do they try to.

Because that's what he is at his core - a traumatized fucking child, who doesn't see any way out. Eridan is not a casteist genocidal sea dweller... he just wishes he was one, and tries to be one, because if he actually was one, he wouldn't feel so awful and scared and sad all the time. He'd be normal, like his friends.

The reason he constantly spouts anti-land dweller rhetoric and uses casteist language is to assuage this cognitive dissonance. That's why he has to come off so strong, present himself in such an aggrandized way, act like such a douchebag. They're his emotional support slurs. He doesn't actually believe what he says, which means he's a Bad Sea Dweller, which means he's Failing, which means Something Bad Will Happen, so he'd better get his ass in line and say something casteist!

And it's all made worse because:

Eridan is Dumb of Ass (and True of Word)

Oh my god you guys he's so stupid that it hurts.

Okay, that's not entirely fair. Eridan is clearly well-educated and book smart; he has some of the most elegant prose out of the trolls, and he's prone to going off on insane rants with it. (Actually, his language gets more flowery and showy when he's trying to impress a stranger, and gets progressively more laid back, chill, and even kind of "bro"-y when he starts talking to people he doesn't feel like he needs to impress.)

CA: at this point i find all her adorable black pixie dabblins to be prime kiddie playtime shit CA: all of her FRAUDULENT MAGICS cannot come close to posin threat to my mastery ovver the TRUEST SCIENCES CA: an wwith my empiricists wwand i servve as the righteous hope that wwill incinerate delusion and the deluded alike CA: my holy fire is the wwhite fury bled from the wwrath-wweary eyes of fifty thousand nonfictional angels CA: and wwhen theyre finished wweepin they wwill boww before their prince GG: wow what are you talking about

What I mean is this: his brain is so full of anxiety and cognitive dissonance and murder and death that he struggles to care about other people, which has devastating effects on his social skills. I go really in-depth on how his though process informs his behavior here. The question may have popped up in your mind already: if his casteism stuff isn't actually real, then what is Eridan actually like? The answer is, overwhelmingly, and discomfortingly, SINCERE.

This boy is gunning at 100% emotional earnestness 100% of the time, and it's deeply uncomfortable for others to deal with. He'll swing wildly from insults and derogatory language, to stating a desire to kill all land dwellers, to awe and amazement at his friends' prowess, to demanding that they do things for him, to traumadumping and venting, without missing a beat. Often in the same conversation.

CA: kan its hard GA: What CA: being a kid and growwing up CA: its hard and nobody understands

He's also specifically terrible at parsing hostility. Functionally, he interprets all hostility aimed AT him as either pitch/ashen flirting or "ironic repartee," and similarly views his own hostile words as verbal jousting, pitch/ashen advances, or even just factual descriptions of the world around him (ie calling Nepeta a "kittycat shipper cavve girl"). Hostility and aggression are just kind of his baseline, default state of being, and he basically has no ability to differentiate between good and bad attention. I talk more in-depth about his emotionally bereft upbringing (and shitty lusus) here, but suffice to say that our boy isn't getting any emotional support at home, and as a result, craves attention, no matter what kind.

This also means he's insanely gullible. For example, Rose calls him an idiot to his face, and then blows up his computer, sarcastically calling it "your first lesson in showmanship." Eridan proceeds to literally considers it that, blowing up Jade's computer after he's done talking to her. Furthermore, Kanaya sees him as a burden, insults him to his face, and pretty much just bullies him along with Rose for fun.

So she trains Eridan to become a powerful white wizard of hope to challenge her, as a joke.

And yet, in spite of all that, Eridan still has nothing but gratitude and praise for Kanaya:

ERIDAN: kan i been meanin to thank you KANAYA: For What ERIDAN: for all that trainin you did ERIDAN: i wwouldnt be the incredible holy wwizard i am noww wwithout your help KANAYA: But I Didnt Even Really Train You I Just Made You A Wand ERIDAN: yeah wwell thats all i needed i guess ERIDAN: i just needed for someone to showw a little faith in me so im sayin thanks i owwe ya KANAYA: Okay Then Youre Welcome KANAYA: I Hope You Use Your Magnificent Powers Of Light And Hope For Goodness And Purity And Lets Not Forget Science ERIDAN: dont wworry im all ovver that shit you dont evven knoww KANAYA: Uh Oh I Hope That Didnt Come Off As Too Sarcastic ERIDAN: wwhat KANAYA: The Thing I Just Said KANAYA: I Didnt Even Realize How Sarcastic I Was Being Its Starting To Become A Problem I Think KANAYA: Please Dont Take Too Much Offense ERIDAN: haha damn kan if thats your idea of offense bein made then i honestly gotta fuckin wworry for you ERIDAN: tell you wwhat ill givve you some lessons in dealin out the dark umbrage to repay you for your tutelage in the wwhite science

Like, he's in the middle of genuinely thanking her for believing in him, she makes fun of him to his face, and his response is to laugh it off and offer to teach her how to properly insult someone. It's honestly... kind of sad. Not that he doesn't deserve the ridicule, but what we're seeing here is a traumatized, emotionally neglected boy trying to communicate the best that he can that he loves and appreciates his friends, and receiving nothing but mockery in return.

It's really not a surprise, then, that he goes off the deep end. His entire life prior to the game has been shit; he got broken up with as soon as he entered the game (by someone who didn't even care enough not to use fish puns while doing it); he's ostracized and avoided for the game's duration; and then he spends the rest of his time on the meteor being bullied. He feels deeply hopeless and anxious about their situation because he literally doesn't know how else to exist, and his concerns are dismissed and mocked at every turn. When Feferi turns on him with intent to kill, that's his breaking point.

I see a lot of people say he goes grimdark, or succumbs to external influence somehow, but I don't think that needs to be true (nor is it) - he's just a deeply traumatized kid with almost no support network who's finally been pushed to the edge, despite displaying every possible warning sign and making multiple cries for help. Yes, ultimately, he's guilty for his own actions, but his killing spree - alongside Gamzee's and Vriska's - represents a cohesive failure as a team to address very clear problems in their midst.

So Feferi and Kanaya are sick of his ass. Sollux hates him platonically, Equius doesn't like him, and Nepeta thinks of him as a creep. Vriska is his awkward ex, and Terezi agrees with him when he calls himself pathetic. He never interacts with Tavros, Aradia, or sober!Gamzee. Is there anyone that treats him nicely?

Uh, okay, so I swear this isn't shipping goggles -

Pale EriKar Is Canon And I Can Prove It

So, I'm going to start this with a disclaimer: you can ship what you want to ship. I don't mind. I don't care. Headcanons are valid, death of the author, etc. What you do in your free time is up to you.

What I am attempting to argue in this section is that an Eridan/Karkat moirallegiance was heavily foreshadowed, one of the most heavily foreshadowed things in the entire comic, and - assuming that the original ending of Homestuck included all the dead trolls being brought back and redeemed - was going to be endgame. There's a torrential amount of evidence pointing to this, and very little of it is acknowledged even by the EriKar shippers, which is a shame.

At the very least, I'll be happy if I can convince some Karkat RPers to be extra nice to Eridans, because they are actually just friends who care deeply about each other. Canonically.

The first thing to note is that Eridan and Karkat, at least prior to SGRUB, talk all the time, to the point where Feferi feels the need to comment on it:

CC: You know, I'm not sure w)(y we never talk about our romantic aspirations. CC: We s)(ould more often. It is kind of -EXCITING! CA: shrug CC: Probably because you fill your gossip quota wit)( your nubby )(orned bro. CC: You leave not)(ing left to talk about wit)( your dear sweet moirail! CC: We are supposed to )(elp eac)( ot)(er wit)( t)(at stuff too, remember. CA: maybe CA: seems kinda CA: odd though

("Can you please stop having an emotional affair with Karkat" "Eh, I'll think about it")

The second thing to note is what the contents of those conversations entail. Sure, they "gossip," but it goes deeper than that, because they gossip about things that Karkat would NEVER gossip about with anybody else, because Karkat usually respects his "VERY GOOD FRIEND"s. For example, here Eridan mentions that Karkat has speculated on Kanaya's love life with him:

CA: you dont wwant to be our auspistice cause you dont wwant to get locked into that sort of relation wwith her i can respect that GA: No Thats Not It CA: yeah it is your real feelins run pretty awwful RUDDY methinks evverybody knowws it CA: especially that assblood karkat he and me havve you so pegged about that its upright silly

And it's not even a one-off thing, because here Karkat is again, mentioning Nepeta's crush on him:

KARKAT: OK, BUT TO BE FAIR, I'M PRETTY SURE SHE'S STILL OBSESSED WITH ME. KARKAT: IT'S A VERY UNFORTUNATE, VERY RED AND VERY UNREQUITED SITUATION I'VE BEEN TRYING TO TIPTOE AROUND FOR A LONG TIME, OK? KARKAT: HER DISINTEREST IN YOUR ADVANCE WASN'T A REFLECTION ON YOU AT ALL. KARKAT: COME ON, WE TALKED ABOUT THIS.

It's a situation he's been trying to "tiptoe around for a long time," and he tells ERIDAN, of all people? MULTIPLE TIMES? (AND HE ALSO TELLS ERIDAN THAT THE REJECTION WASN'T HIS FAULT???? WHAT??????)

So we've established that they talk frequently and about some pretty seriously sensitive topics. But did you know that they also talk about... their feelings?

See, the thing is, Karkat has always been weirdly nice to Eridan. Here he is in a memo near the very beginning of their game, when Karkat is at his most "rah rah, I'm the big bad leader":

FCA: i got a problem FCA: wwith feferi FCA: and im really kinda sittin here in bad shape about it emotionally speakin CCG: OK, WELL CCG: I GET THAT, I HEAR YOU BRO CCG: BUT THIS IS STILL NOT THE RIGHT PLACE FOR THIS SO I'VE GOT TO BAN YOU. CCG banned FCA from responding to memo. CCG: BUT SERIOUSLY JUST GET IN TOUCH WITH ME IN PRIVATE ABOUT IT, OK MAN? CCG: WE'LL GET YOUR SHIT STRAIGHTENED OUT.

Compare that to Tavros asking for advice later down in the same memo:

PAT: sINCE i DON'T KNOW WHERE YOU ARE NOW, bUT MAYBE HELP ME, PAT: aBOUT A THING THAT HAS TO DO WITH A GIRL, PAT: lIKE, PAT: a ROMANCE THING, yOU MIGHT KNOW ABOUT, CCG: YOU PEOPLE ARE IMBECILES. CCG: ALL OF YOU. CCG: I AM NOT POSTING THESE MEMOS TO COUNSEL YOU ON YOUR PAST AND FUTURE DATING PROBLEMS!!!!!!!!!!!!!!!!! CCG: WHY ARE YOU ALL SUCH BASKET CASES. I DON'T EVEN KNOW WHAT TO SAY ANYMORE. PAT: sORRY, CCG: SHOULD I BAN YOU? WHAT'S EVEN THE POINT ANYMORE! ONE OF YOU STOOGES WILL BE RIGHT ON THE LAST ONES HEELS WITH ANOTHER SOB STORY. CCG: JUST CCG: HURRY UP AND TELL ME WHAT YOUR PROBLEM IS BRO.

He then proceeds to dispense no actual love advice; he just points out that Vriska can totally read this memo too, and then mocks them both when she shows up - thus making it clear that he is giving Eridan special treatment.

You see it again in his discussion with Eridan in [S] Kanaya: Return to the Core, where Eridan invokes a "pact" between them, and Karkat immediately plays nice with him, despite himself being extremely high-strung and stressed out:

KARKAT: RIGHT, IT'S POWERED BY SCIENCE, I FORGOT. KARKAT: OR HOPE. WHATEVER THE FUCK THAT MEANS. ERIDAN: i dont fuckin need this from you i take enough shit as it is from the rest a you dirtscrapers i thought you and me had a kinda pact or wwhatevver KARKAT: OK FINE, SHUT UP, I APOLOGIZE. I KNOW IT'S TOUGH BEING YOU.

That's definitely pity, which Karkat states to be the basis of all relationships besides pitch. But, sure, okay, Karkat is sometimes nice to his friends. He is, after all, the Friendship Troll, so that's not necessarily out of the ordinary. But how about the fact that it goes both ways?

That's right, Eridan "100% aggro 100% of the time" Ampora is actually really considerate toward Karkat's feelings, and basically nobody else's. Upon hearing that Karkat is distressed that Sollux has died, Eridan actively puts his own meltdown about his breakup with Feferi on pause:

TC: BeCaUsE OuR GoOd bRo sOlLuX JuSt kIcKeD ThE WiCkEd mOtHeRfUcKiN ShIt CA: wwhat the fuck do you mean by that CA: are you sayin hes dead TC: YeAh :o( CA: oh fuck CA: oh god fuck noww i feel like an asshole

He then goes on to chastise Gamzee for his shitty advice, demanding to be given the chance to comfort Karkat himself instead:

TC: BuT I ToLd hIm tO Be cHiLl TC: BeCaUsE ThErE Is a mIrAcLe cOmInG, i cAn fEeL It CA: that is the wworst fuckin advvice CA: wwhat an awwful thing a you to say CA: MAGIC ISNT REAL STUPID STOP BELIEVVIN IN IT TC: i'Ve gOt tO BeLiEvE At wHaT My hEaRt tElLs iN Me, EvEn iF It's a fAkE ThInG TC: HoNk CA: this is a lot a pointless fuckin rubbish and isnt no emotional help to him or me either for that matter CA: put kar on

Before finally giving up when Gamzee insists he's "too scared of Jack" to help, drinking some Faygo, and trying to ask past Karkat for help, because past Karkat isn't sad yet about Sollux dying. So, to recap,

Eridan's first instinct when in emotional duress is to go to Karkat.

Eridan feels like he knows Karkat well enough to know that Gamzee's advice would be useless (and is proven right by the fact that Gamzee and Karkat's moirallegiance fails for similar reasons).

Eridan is willing to shelve his own emotional meltdown for Karkat's sake.

Eridan demands to be the one to provide Karkat with emotional support.

And this is, again, not a one-off thing. In the memo Karkat opens right after Eridan and Gamzee have both turned murderous, after he's spent several minutes making death threats toward Eridan and insulting him directly, he goes:

CCG: I'M SO UPSET, I'M JUST COMPLETELY FREAKING OUT IN EVERY WAY POSSIBLE. PCA: yeah i knoww wwhat its like you wwanna talk about it

Eridan spends this entire memo under the belief that it's a completely run-of-the-mill conversation they're having:

PCA: i mean yeah obvviously i kneww you wwerent serious PCA: i guess i appreciate the effort youre puttin into cheerin me up PCA: i can alwways count on you for some good ironic repartee kar nobody else really gets our sense a humor CCG: UGH, NO PCA: are you busy PCA: you said youd try to make it to lowwaa soon wwell howw about it

Which implies that offering to listen to Karkat's feelings is also a completely regular thing for them.

But something magical is ALSO happening within this last memo, and to really explain it, I'll first have to be a little mean to the GamKar shippers (sorry).

So, canonically, GamKar doesn't work out for them, despite also being somewhat foreshadowed. In fact, they feature on Nepeta's shipping wall, which is actually, in my opinion, foreshadowing that it WOULDN'T work out. (Nepeta's ships being wrong, and shipping being something she needs to learn to outgrow, is a whole essay on its own, that I'm not getting into here.)

But the thing is, the seeds for them not working out were also planted in the first - and only - real post-moirallegiance interaction that they have with each other, where Gamzee tries to calm Karkat down... and FAILS:

GAMZEE: naw brother, i was just about to all say for you to try and get your settle down on, maybe. GAMZEE: :o( ... KARKAT: OK KARKAT: OK YEAH KARKAT: I GUESS YOU'RE RIGHT. KARKAT: NO, YOU'RE RIGHT, I SHOULD RELAX. KARKAT: AND BREATHE. KARKAT: I MEAN, WHAT ARE MOIRAILS FOR, RIGHT? KARKAT: THIS IS HOW IT WORKS, I STOP YOU FROM KILLING EVERYBODY, THEN YOU RETURN THE FAVOR AND CALM ME DOWN AND I JUST KARKAT: BREATHE KARKAT: LIKE KARKAT: THIS... KARKAT: SNIIIIIIIIIIIIFFFFFFFFFFFFFUCK, THAT SUN IS BRIGHT. KARKAT: CALL ME CRAZY, BUT IT'S KIND OF HARD TO RELAX WITHIN A STONE'S THROW FROM, OH, I GUESS ONLY THE BIGGEST FUCKING STAR ANY MORTAL HAS EVER LAID EYES ON. ... KARKAT: BUT I MEAN, CAN THIS BE HEALTHY? KARKAT: AREN'T WE GOING TO GET BURNED OR HAVE OUR RETINAS SCORCHED BY LOOKING AT IT? KARKAT: OH GOD I THINK I'M HAVING A PANIC ATTACK.

But let's go back to that memo where Karkat is freaking out in every way possible. This is how he starts that memo - so upset about the deaths of his friends and terrified by Gamzee that he can barely string together a coherent thought:

CCG: WE ARE SO SCREWED. CCG: OH FUCK OH FUCK OH FUCK. CCG: GUYS, I AM TERRIFIED, I DON'T KNOW WHAT TO DO. CCG: I'M IN A ROOM FULL OF BODIES, AND I THINK I'M NOT SUPPOSED TO TURN MY BACK ON THEM? CCG: OH MY GOD, I JUST HEARD A HONK. ... CCG: FEFERI, I'M SORRY. CCG: IT WAS MY FAULT, I DIDN'T KNOW WHAT TO DO. PCC: Sorry for w)(at?? CCG: FOR CCG: I CCG: I CAN'T DO THIS CCG: IT'S TOO MUCH FOR ME, I'M SORRY.

In fact, he's so distressed that he bans Past!Feferi and Past!Gamzee almost immediately after they come in. But then Eridan comes in, and... I mean, first of all, just compare how long it takes for him to ban Eridan:

But more interesting are the contents of their conversation. Over the course of talking to Eridan... Karkat completely calms the fuck down. Like he's entirely forgotten that he's shitting his pants with fear. In fact, he even starts critiquing Eridan for his dumbassery:

PCA: evven if i wwasnt compelled to think you wwere still bein flippant and ironic wwith me you cant exactly outright reject me can you CCG: WHY NOT PCA: cause youre future you PCA: doesnt count unless its present you til then its all fair game CCG: IS THIS REAL, ARE YOU BEING IRONIC OR SOMETHING, I CAN'T EVEN TELL ANYMORE CCG: THE PROBLEM IS, I CAN'T PUT THIS SORT OF BEHAVIOR PAST YOU AT ALL, SO I DON'T KNOW. ... CCG: YOU'RE KILLING ANGELS NOW, AREN'T YOU PCA: no CCG: YOU ARE KILLING FUCKING ANGELS, RIGHT NOW, IN THE PAST, WITH YOUR SHITTY GUN. I JUST KNOW IT. PCA: wwell uh PCA: therere just so damn many kar and theyre not gettin any less bloody pissed is the thing CCG: THIS IS WHY IT WOULD NEVER WORK BETWEEN US, MAN.

It's extremely funny. Over the course of talking to Eridan, he goes from:

CCG: OH GOD OH GOD OH MAN OH GOD CCG: NO NO NO NO NO NO NO NO NO

To:

CCG banned PCA from responding to memo. CCG: ANYWAY CCG: THAT'S IT I GUESS.

Eridan isn't even trying to calm Karkat down. He still succeeds in doing so. This is because they are soul mates. And I mean that in the sense that the comic literally calls being moirails soul mates, which it doesn't do for the other quadrants:

A reasonable human translation would be the concept of a soul mate, but in a more platonic sense, and with a more specific social purpose.

That "social purpose" being that an even-tempered troll calms down a more hot-tempered one, and vice versa.

It also goes on to note:

But some pale pairings, as the one above [referring to a picture of Nepeta and Equius], will be strikingly obvious to all who know them.

But what's really interesting is the next page.

And yet others will seem to have been hatched for each other.

Did you catch that? Let me zoom in.

(Also, the blue and red cuttlefish to represent Sollux - Feferi and Sollux spend the whole game together, and even wind up talking about their feelings constantly in a pile - more on piles in a sec.)

In fact... in Eridan's first visual appearance...

The crab has always been there for him.

It's also important to talk about the bottle of Faygo that's been photoshopped to be candy red, Karkat's blood color. The path that it takes actually directly mirrors Karkat's relationships with Gamzee and Eridan - it's initially something that Gamzee has, but winds up being ejected out of his life, and washes up on Eridan's shore. In fact:

TC: SnAtCh aN IcEcOlD, dOg TC: MoThErFuCkIn cHuG ThAt sHiT LiKe yOu aNd tHe bOtTlE WaS ReUnItEd lOvErS CA: are you recommendin a bevverage to me or somethin CA: is that wwhat this is TC: YeAh mAn SlAm A FaYgO CA: i dont havve a fuckin faygo you stupid fuck wwhy wwould i keep that disgusting shit on hand TC: ArE YoU MoThErFuCkIn sUrE AbOuT ThAt? CA: oh CA: oh god youre right i do CA: i totally forgot about it TC: YoU SeE MaN TC: MoThEr TC: FuCkIn TC: MiRaClEs TC: :o)

When Gamzee and Eridan discuss this exact bottle, Gamzee even likens it to "reunited lovers"; it's something that Eridan has had this whole time (after all, he was cheating on Feferi with the guy), but never realized.

There are a few miscellaneous things that don't really mean anything on their own, but put next to all this other stuff, is worth considering, so I'll list those now.

First, they both do the bonk:

Second:

CG: ARE WE NOT FRIENDS ANYMORE BECAUSE OF STUFF I SAID. TA: eheheheh you LIITERALLY a2k me that every tiime are you jokiing. TA: ii cant even tell anymore. CG: IT'S A JOKE MORON. CG: HONESTLY I'M JUST GLAD NOBODY ELSE IS PRIVVY TO OUR CONVERSATIONS.

Third, Karkat muses to his future self about how he misses his friends, especially the assholes, two pages before staring at a dead Eridan's ass (joking, he's definitely looking at WV, but it's still significant that this thought is being associated with Eridan):

CCG: I MEAN, DON'T GET ME WRONG. CCG: I MISS ALL OF MY DEAD FRIENDS A LOT. CCG: EVEN THE ASSHOLES! I MISS THEM TOO. MAYBE EVEN ESPECIALLY THEM, IN SOME PERVERSE WAY. CCG: AND I SHOULD BE RELIEVED THAT THEY ALL SEEM TO BE HAPPY IN SOME WAY, EVEN IF IT'S BY FLOATING NEBULOUSLY THROUGH DREAM PROJECTIONS WITH THEIR FREAKY BLANK EYES. CCG: AND I GUESS I AM RELIEVED ABOUT THAT. CCG: BUT AT THE SAME TIME IT'S LEFT ME UNSETTLED.

Fourth, in the same conversation, he bemoans his failed relationship with Terezi, before Future!Karkat chastises Past!Karkat for his instability and mixed signals. Going back to the page on moirallegiances, an explicit function of a proper pale relationship is stabilizing a troll's other relationships:

The two partners in a strong pale relationship will serve to balance and complement each other's emotional profiles, and thus allow their other relationships to be more successful.

Of course, I don't need to tell you how messy and unstable Eridan's relationships have been.

And finally, Piles of Stuff™ are associated with moirails, and directly stated in-comic to cause an outpouring of emotion:

Standing near this pile stirs powerful emotions. The closer you stand to piles of stuff, the more freely the feelings flow. It is a law of reality.

So here's a seven-word tragedy for you: For Sale, Shitty Wand Pile, Never Used:

ERIDAN: at least i got the upright basic decency to hide my shitty wand pile somewwhere in the lab you wwont find it dont evven bother lookin KARKAT: WHY DO YOU ASSHOLES HAVE PILES OF THINGS, JUST STOP.

(Which he specifically tells Karkat about.)

So, yeah, what I'm saying is, there's just, like, a weirdly large amount to read into here. That Karkat and Eridan are probably soulmates or whatever. And that this is important because...

Eridan Is Plot Relevant (Well All The Dead Trolls Are But This Is An Essay About Eridan)

So. Now we are going to talk about themes. Yes, like we are in schoolfeeding again. I'm going to keep it simple, because "The Themes of Homestuck" is a whole essay on its own, and this one about just the shitty fish boy is already way too long.

I think it's fairly non-controversial to posit that the main theme of Homestuck is, "children should mature, care about each other, and throw off the shackles of their old society, because they will be responsible for a new world one day."

Up until Game Over/the Retcon, this is so prevalent and well-established that SBURB/SGRUB's coming-of-age themes will outright be commented upon by the characters, and the main villain is a child who deliberately stunted his own growth so he could go around kicking over other peoples' toys forevermore.

So, the thing is, with that being the theme of Homestuck, if ALL of the Alternian trolls don't survive to the end, the ending is thematically unsatisfying, because the message suddenly gains an addendum of "well, some kids just need to die," which totally sucks. Like, sure, Eridan was a violent, crazed murderer even at the best of times, but his permanent death within the canon ending kind of means that the comic is saying that people in his position don't deserve kindness or second chances. That position being a traumatized, emotionally neglected child, who was being bullied by people he considered his friends. It's a pretty terrible message.

It's even worse when you consider what other trolls don't make it to the end - Nepeta, the most outspoken troll against the hemospectrum (and Davepeta does NOT count, don't try to tell me the final culmination of Nepeta's character arc is being combined with some guy she barely knows and a bird). Feferi, who genuinely wanted the best for others, even if she was kind of a privileged princess. Aradia and Sollux also stay behind in the bubbles, even though their lives have pretty much been endless parades of suffering and being used by other people. Even Equius doesn't deserve it - he was kind of a casteist freak, but not irredeemably so, and the fact that he became kinder to Karkat over the course of SGRUB proved that he had the capacity to change. And Tavros, allergic to himself and being insulted by Vriska, is a terrible way to end his arc.

It's also really clear that, since half his friends are dead, Karkat just doesn't really have anything to do. His title is the Knight of Blood, and Blood is about bonds - romance, friendship. And yet, he ends the comic having never figured out what Blood was about, with no confirmed filled quadrants (sorry DaveKat likers, but within the comic itself, DaveKat is never confirmed), and most of his bonds nothing more than ghosts in the bubbles. It's a terribly unsatisfying ending for the most narratively important troll.

I think, then, that even if you don't agree that Homestuck should have ended with full revivals and redemption arcs for all the trolls, the essay is going to proceed on like you do, so, sorry, I guess.

The thing with Eridan, specifically, is that he's actually tied deeply into the plot and themes, and his return means more than just Karkat finally getting a date (although that's important, too). Eridan is directly intertwined with a prophecy to kill Lord English; he's set up to mirror Caliborn and Calliope; and thematically, his redemption would be the most clear instance of the "interrogating society" part of the theme of Homestuck, because Eridan is kind of the Society Troll. And also, he was definitely supposed to be Roxy's wizard boyfriend.

Just gonna get that last one out of the way real quick because it's a fast one, Roxy fucking loves wizards and is a hipster. Eridan is a wizard and is also a hipster. Roxy has a crush on a prince. Eridan is also a prince. Roxy wears a purple striped scarf. Eridan wears a blue striped scarf. Roxy uses rifles. Eridan uses rifles. Momlonde's introduction includes a passive-aggressive fridge battle that features a cameo of Eridan's quirk.

Using the colorful MAGNET LETTERS, you recently left a succinct message, which may or may not have been directed toward anyone in particular. But you couldn't find the letter W, so you just stuck two V's together. Your mother then purchased a fresh pack of W's and left them there for your convenience.

Yeah. So. Uh. Not only did Eridan need to be brought back to date Karkat pale, but he also needed to be brought back to date Roxy flushed. Can you imagine how funny it would be. They'd get together within 5 minutes of meeting for the first time and Rose would lose her shit. Anyway.

Him being a parallel to Calliope and Caliborn is also a quick one - Caliborn uses Riflekind/Sceptrekind, and Calliope uses Pistolkind/Wandkind. Eridan's two weapons are rifles and wands. Lord English is described as an evil wizard and at one point is shown using Calliope's wand. Eridan is also an evil wizard who uses a wand.

Look, I'm not saying that Eridan is necessarily directly related to these two, nor am I even necessarily saying that he and Roxy HAVE to date, but I am saying that he's got Weird Plot Connections that make him bizarrely relevant to characters that only come into play well after his death - almost like the comic was setting up that he would be coming back. His reaction to Cronus supports this, which I go into detail about here.

There's other strange "Eridan's plot important" things, too - like the fact that he's completely unimpressed by Faygo, considering it to be "just soda," and seems to be the only non-cultist who's okay with it. Or the fact that he's actually been awake on Derse since before the game (but unable to hear the horrorterrors, maybe foreshadowing some psychic resistance?) which he casually reveals to Kanaya and which Terezi is aware of, hence he's included in the people she names are "in" on the existence of the game. Or the fact that the genetic code for Alternia's first guardian was written within the pages of four FLARP books, with the addition of a fifth code Gamzee wrote in Karkat's ~ATH book... but Eridan was the fifth FLARP player in the team, implying that Doc Scratch/LE influencing Gamzee caused him to usurp Eridan's part of the first guardian code, giving LE his way into the trolls' universe.

Individually, it's all kind of nothing, but it just paints a bigger picture of Eridan being weirdly relevant, especially when we get to the juicy stuff:

The Prophecy

ARANEA: The 8ard of Hope may seem a little jaded these days, 8ut he once had a deeply a8iding faith in magic, and dedicated himself to 8ecoming a great wizard. He 8ecame convinced he was hatched to defeat an extraordinarily evil magician, one he swore the angels foretold of. ... [T]his magician once somehow from afar tried to strike him down at a young age, so he would never have to face him. 8ut the evil spell was deflected, sealing the magician's spirit away in a series of unassuming vessels until he could find some other cunning way to enter our universe. ... ARANEA: 8ut at some point he 8ecame disillusioned with magic. If there ever was any truth to his far fetched vision, the legacy of defeating the evil magician would have to 8e passed on to his descendant, or if his descendant proved to 8e as much of a failure as he did, then perhaps on to some other Hero of Hope.

ERIDAN: i slaughtered enough angels to knoww my limits and wwhere i stand against the lord of all angels they prophecized

GG: im pretty sure hes from the future! CA: wwhy GG: because he said hes my grandson CA: wwhat the fuck is a grandson CA: is that some kind of pervverse human familial thing GG: umm yes ... CA: that gun i just gavve you is somethin of a hatchright to the kid CA: happy i could play a role in your dirty stinkin lineage GG: like an heirloom? i guess it could be ... CA: i kinda think thats wwhy i found the gun in the first place CA: but noww im forsakin it because fuck i just found a better destiny than my old crappy one wwhich i nevver got any appreciation for anywway

Jake is supposed to have been the one to defeat Lord English. (No, Jake defeating pre-LE Caliborn right before he gets sealed into Cal doesn't count! He doesn't even get the final blow in that fight, DIRK does.)

But Eridan at one point had that destiny on his shoulders. Aranea turbohealing Jake, and the resultant hope field, summons a bunch of angels, which are heavily associated with Eridan - yet another random connection that Eridan has with future plot events.

Jake was another character, alongside Karkat, who was kind of reduced to a joke by the end, despite the fact that he had literally, directly, been passed the destiny of defeating Lord English. It's hard not to see this as a consequence, at least in part, of removing Eridan from the story. By cutting him out of the fabric of the ending, several plot threads - including this prophecy - are left dangling in irrelevance. And so Jake, like Karkat, now has nothing to do.

Homestuck is generally a series where every prophecy does come true, which makes it kind of startling when several prophecies fail to - Feferi's to "unite the two races," Jake's to defeat Lord English, and Karkat's to bring "compassion, forgiveness, and equality among all bloodlines" in the Signless's place.

That last one is actually relevant to:

The Thematic Importance of EriKar As Soul Mates

Eridan represents the worst aspects of Alternian society. He's a sea dweller at the top of the caste structure, with free reign to murder whoever he wants, soaked in the blood of thousands of innocent trolls. He espouses the casteist rhetoric that their society is built on, calling for the deaths of all land dwellers and the oppression of the lower castes. And while he should be benefitting from his position of privilege, it has also done nothing but hurt him.

Karkat, meanwhile, is a pariah. A mutant who would've been culled on sight, who spent his entire life living in hiding, and most of the game in fear that he would be ostracized or worse by the rest of his friends if they found out about his blood color. He's also the second coming of Troll Jesus, and thus, more despised by the Alternian ruling class than a mutant normally would be. For most of his life, he dreamed of nothing more than finding belonging within the society that had deemed him unfit.

Their friendship is something that "should not be." The highblood and the mutant. The royal-v and the off-spectrum. The empress's sea dweller and the second coming of the signless. Eridan "should" see Karkat as a miscreant to cull on sight. Karkat "should" be terrified of Eridan's very existence.

But in reality, Eridan doesn't give a shit about blood color, and Karkat just wants to be accepted. Eridan just wants someone to care about him, and Karkat loves his friends. Aside from Feferi, Eridan is the only highblood who never comments about Karkat's mutant blood, and they were best buddies even before Eridan knew.

Eridan and Karkat getting together isn't JUST the two most undateable trolls on the team finally landing a stable quadrant. These two, moreso than any other pairing, represent the themes of Homestuck. Children growing up, caring about each other, and throwing off the shackles of their old society.

In the pre-retcon timeline, their team failed to do so. This led to Gamzee falling into his highblood clown cult, Equius letting himself and Nepeta die by submitting to his place in the hemospectrum, Vriska killing Tavros because she couldn't allow herself to show weakness, and Eridan completing his caste's dream of genocide. Karkat spent the entire meteor trip and beyond beating himself up about it, since he considered it all to be his fault.

But with the introduction of John's retcon powers, they have the chance to, one by one, redeem themselves. I believe that's how the original ending would have gone: Terezi would ask John to bring Vriska back, because she only feels comfortable fixing her own mistakes. Vriska would then have asked John to bring back Tavros, whom she regretted killing. Tavros would be there for Gamzee, rendering him an ally. Gamzee would ask John to bring back Equius and Nepeta. Equius would ask John to help him not make the same mistakes with Aradia, and Aradiabot would catch John by the wrist and demand he bring her back in time to before she died, allowing her to circumvent her own death and Sollux's guilt. Sollux would ask John to keep him from provoking Eridan, saving Feferi. And Feferi would be pretty ok with the way things were... but KARKAT would then pull John aside, and drop an entire book of mistakes he made on John's lap, and this would result in a finalized timeline where all his friends are alive and god-tiered.

Because all the trolls SHOULD have survived.

Vriska should've survived because people should be allowed to have second chances.

Tavros should've survived because caring about each other, and being willing to show kindness and mercy, are good things.

Gamzee should have survived because people mired in religious fundamentalism and cults deserve to be offered a helping hand.

Equius should've survived because people should be allowed to grow and change their beliefs.

Nepeta should've survived because she was the anti-casteism troll. Casteism is bad, folks! Not only that, but I'm convinced that she was originally going to give the Ultimate Self exposition, and Davepetasprite^2 had to be contrived in the canon ending in order to shortcut Nepeta's character development, ruining it in the process.

Aradia should've been allowed to stay with the rest of the team and live a life free of the control of evil uncles and shitty ancestors.

Sollux should've been allowed to stay with the rest of the team because we all deserve to heal and be happy.

Feferi should've survived so she could be in a kismesistude with Nepeta, and realize that casteism itself is bad, not just the definition of culling, and then used her Witch of Life powers to even out the lifespans between the next generation of trolls, which needs to happen or else casteism will just happen again as long-lived highbloods inevitably amass power. And, also, it would complete the prophecy Gl'bgolyb gave her that she was intended to unite the two races (dream bubbles don't count, because by that metric, Sollux did more than she did by establishing a connection between the trolls and humans).

And Eridan should've survived, because the harm society has done to us can be undone. We don't have to submit to the roles it imposes, to the laws it wrote, to the abuse it inflicted. We can be free.

I've seen a lot of people who believe that such-and-such character did SUCH awful things that they don't deserve a happy ending. Oftentimes, it's Eridan, but nearly all of the dead trolls have gotten this treatment. So, let me just ask all of you who have gotten this far and still hold that opinion one thing. Do you think that's what Troll Jesus would have wanted?

This is why pale EriKar is so important: for it to happen, Eridan has to make a choice between upholding the beliefs of his shitty society, or pursuing a happier, kinder future, one where he outright rejects the caste system. For it to happen, Karkat has to shake all his insecurities about not being good enough by Alternian standards, and take on the duty of creating something better than what he came from. If pale EriKar happens, it means Eridan and Karkat choose love, not fear. Compassion, forgiveness, and equality.

This choice - this pairing - is the ultimate representation of giving Alternian society one big middle finger. Saying, we don't need you anymore, fuck off! Saying, we reject you at your core; we will choose something better! Saying, we will create a new world, and it will be kinder than the one we came from!

Pale EriKar means LOVE WINS.

Thank you for reading.

#homestuck #eridan ampora #karkat vantas #erikar #im also going to tag all the other trolls that feature because yeah.#vriska serket #feferi peixes #nepeta leijon #equius zahhak #gamzee makara #kanaya maryam

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miraculouslbcnreactions · 8 months ago

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The Best Friend Showdown

Season four had many, many flaws. One of the big ones was the Rena Rouge vs Chat Noir conflict where Ladybug starts relying on Alya more and more, basically using her to replace Master Fu. We get a sense that Chat Noir feels inferior to Rena Rouge because of this change, but it’s never directly addressed. The most we get is this conversation from Hack-San:

Ladybug: I'm really sorry, Cat Noir. I should've told you. I mean, if I found out that you told someone about your secret identity, I'd... probably be upset, too. I'm really sorry I hurt your feelings. Cat Noir: You didn't hurt my feelings. You did everything right.

Which is actually a really weird bit of dialogue because - as far as I can tell - nothing in the episode revealed that Scarabella knew Ladybug's identity. She hands out miraculous all the time and no one knows who she really is. Why would this time be different? Ladybug could just show up in costume, explain what's up, and then hand off the earrings while using yet another miraculous.

Anyway, the Rena Rouge vs Chat Noir conflict is “resolved” by Rena Rouge being outed again (and I guess that matters this time), leading her to give up her miraculous so that Gabriel can’t steal it away, which of course leads Gabriel to steal it away and fully disempower Ladybug’s larger team, leaving Chat Noir her only teammate.

How satisfying! This is such good, character-driven story telling!

It’s not. This is plot contrivances to the max with no meaningful character beats, but we’re not here to talk about that. We’re here to do one of my favorite things: gush about a relevant Kim Possible episode! Today’s topic is episode 12 of season one: Pain King vs. Cleopatra, the episode that introduces Kim’s female BFF, Monique!

This was a bit of a shocker for me because I didn’t realize that Kim and Monique weren’t pre-series friends. Turns out that, much like Alya, Monique is a new girl, which isn’t a bad call. This was a nice way to delay Monique’s introduction for a few episodes so that the writers could focus on establishing Kim’s relationship with other key members of the cast like her partner, Ron. Spacing out your intros is the way to go whenever you can pull it off as it’s a kindness to your audience that keeps them from feeling overwhelmed, making it more likely that they’ll remember your cast.

The other, more important similarity between Alya and Monique is that, when Kim’s hero partner and life-long friend finds out about Monique, he is less than thrilled:

Kim: I barely got to see them. Right after I hooked up with Monique, the museum was robbed by some glowing-headed animal guy. Ron: Oh, that's nice. Ron: Wait a minute, who's Monique? Kim New friend, really great. Anyway, the thief stole an enchanted ancient talisman. Ron: Whoa, whoa, back up! How can I not know about a new friend? Kim: I met her at Club Banana, then again at the museum before I chased the glowing robber. Ron: So what's she like? Kim: The robber? Ron: The friend, Kim, the "new friend".

Throughout the episode, Kim and Monique continue to bond without Ron, leaving Ron feeling left out:

Ron: Seein' a pattern here, Rufus: Kim does her thing, I do my thing, and pretty soon - we're doing different things.

Which leads him to get a little territorial:

Kim Ron! What are you doing here? Ron: Can I dine with my best friend and her new friend? Kim: Uuh, Ron, Monique, and vice versa. Ron: Bearclaw? Monique: No, thanks, I'm vegetarian. Ron: Uhm, I'm pretty sure it's imitation bear? Kim: She's joking, Ron. Ron: Good one, hahaha, ha, good one. So, did Kim tell you that I'm her sidekick? Cause that role is definitely taken by me. Monique: Riiiight. Well, in... you know I better get to class. Later, Kim. Um, n-nice meeting you, Ron. Ron: Likewise, I'm sure! Kim: What is your problem? You're acting really weird. Ron: Well, let's see. You went to the museum with Monique, not me. Monique was with you this morning, not me. Hmm, pattern? Kim: Yeah. You. Weird. Ron: No, we're drifting apart because you're excluding me. Kim: I am not excluding you. It's just that you and Monique are... different.

Noticing some similarities to Miraculous here?

So how does Kim Possible resolve this conflict?

Well, the plot of this episode resolves around Kim Possible’s version of professional wrestling, the GWA. There’s a competition going on that Kim has no interest in watching (mood), but when Kim mentions the GWA to Monique:

Monique: Why didn't you bring [Ron] along? Kim: Unless someone put a waiter in a headlock, this is definitely not Ron's scene. Besides, he had a date with "Steel Toe". Monique: He scored tickets to Mayhem in Middleton? The GWA rocks! Kim: What?

It turns out that Monique and Ron have a shared interest! Multiple shared interests, in fact! Interests that Kim does not share:

Monique: You know, I still can't believe you met Pain King and Steel Toe. Ron: I can't believe you're into wrestling. Kim: I can't believe I know either one of you.

By the end of the episode, the conflict is resolved not with Kim having to pick a BFF or with Monique somehow being demoted, but by showing that this didn’t need to be a conflict at all. Kim can have multiple close friends that she shares different interests with without any of those friends being lesser. Those friends can, in turn, have their own friendships that don’t always involve her.

It’s a genuinely lovely resolution that makes me love this little friend group because it now has added complexity. Monique and Ron are friends in their own right! Kim is not the center of the universe in spite of her main character status!

I also love that Kim isn’t vilified for having other friends or portrayed as constantly leaving Ron out of things that he'd want to do in favor of Monique. Ron genuinely would not enjoy most of the things that the girls love to do together. At the same time, Ron’s feeling aren’t treated as totally irrational either and Kim even admits to ditching him. It’s a genuine, complex conflict that is super common when someone enters a new relationship be it platonic or romantic.

Obviously Kim Possible’s version of this conflict feels far less complex than Miraculous’ because Kim Possible understood that Ron should be Kim’s one-and-only partner, so his position was really never threatened. Monique does not want to be an action hero and is never given the sort narrative weight that elevates her to Ron’s level or higher, but that doesn't matter. The basic lesson here is still relevant and super important for the intended audience of both of these shows.

There did not need to be a Rena Rouge vs Chat Noir conflict that never got properly resolved. Miraculous could have made these two friends and no, Scarabella doesn't count because Chat Noir has no idea that Scarabella is Rena Rouge/Furtive. Their relationship ended at the end of Hack-San. He didn't even know that Rena Furtive was a thing until she was in the process of being benched and that's the problem.

Kim Possible is not a team show, Miraculous is, and yet Kim Possible has better team dynamics than Miraculous. Monique could have joined Kim's team at the end of Pain King vs. Cleopatra and it would have felt natural because both Kim and Ron had welcomed Monique and formed a genuine bond with her. This is a true friend group that Miraculous can only dream of even though they've been adding new superheroes since season two.

We're going into a season with a full, massive team and yet that team has no established dynamics on the hero side. It's not a functional team! None of these characters have meaningful relationships with each other as heroes save for Alya and Nino since they know each other’s secret identities. The only relationships Miraculous cares about are the various romances and everyone's relationship to Marinette and everyone suffers for it.

The show would not have been harmed by Rena Rouge, Chat Noir, and Ladybug being a team. It was the thing I kept think after watching the Kim Possible episode. Since the team is the end game, why aren't we seeing them? It would have been so nice to have Hack-San end with Ladybug introducing Chat Noir to Rena Furtive instead of a nonsense discussion about an issue the episode didn't even address.

#ml writing critical #ml writing salt #kim possible #marinette deserves better #adrien deserves better #alya deserves better #you said you wanted more KP gushing so here you go!#I was originally going to wait until my ask list died down but who knows when that will happen #And I wanted to do something a little more positive because I like gushing!#I'm critical because miraculous is bad not because I like being critical

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awful-little-goose · 9 months ago

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my ideas of pokemon teams for the circus crew!

Also, some of these pieces are my actual first serious digital pieces (yeah- I made that pomni one even before artfight in July- it's been rotting in my files for a while)

Anyway, this was super fun, and I also made a team for Caine, and I'll probably render it or something!

Now, more details

I established some rules for myself as I made the teams for each character, and each of them had to have-

- one eeveelution: the idea is, since TADC is based on studying characters and their growth, the best pokemon to show the growth of people evolving in different directions is, of course, eevee!

- a pokemon to represent their appearance: since appearances and avatars are a BIG focus for some characters (Pomni learning about her new form, Zooble struggling with their body, Gangle’s whole deal with her mask, etc etc) it made sense to me that have one pokemon that reflects that in their teams

- one to two pokemon linked to SOMETHING that’s related to the character: for example, the fact that Jax always has keys, or Ragatha’s thing with knives, or Kinger and bugs. This can also come from things we know about the characters, that comes from outside the show: Ragatha liking horses, Gangle being a nerd (hence why she gets not only Mimikyu but also two pikachu clones, that also reflect her deal with her masks).

- a pokemon reflecting their main personality trait: yeah, I know, it’s always frustrating when characters get dumbed down to one trait by the fandom. But TADC offers us characters that are very diverse in their ways of presenting themselves, with unique personalities, that also fit in typical roles we’ve all seen before (the mom friend, the charismatic bully, the grouchy one, etc etc). I feel like this over characterization is meant to OVERLIGHT the fact that theyre MORE than just that main trait. And to give it some attention, I tried giving characters mons that reflected their "typical" character trait: a mischievious Gengar for Jax, a duo of shifting plusle and Minun for Gangle, a confused Spinda for Pomni…

- (optional): something relevant to plot points in the episodes. That’s how Pomni gets her little Sandile from Caine (after Gummigoo explodes-), or how Zooble gets their giant scolipede (inspired by the gloinks and the gloink queen).

And last rules:

- I’m allowed to twist the Pokémon’s designs a little bit

- each character’s fit should reflect a little bit of their main pokemon

- no one gets a legendary, mythical, ultra beast and what not: they’re normal ass humans, they get normal ass pokemon. For example: Caine, on the other, has a total of 0 completely “normal” pokemon! Since he is NOT a random joe!

- have fun!

So yeah! That’s all the rules that led me to my choices! If you wanna take inspiration from those, go ahead, but yeah! I hope that was fun to read all that, you little freak

#the amazing digital circus #TADC pokemon #the amazing digital circus pokemon #tadc au #tadc pomni #tadc jax #tadc gangle #tadc fanart #tadc kinger #tadc zooble #tadc ragatha #tadc #pokemon fanart #Pokemon fan teams

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foldingfittedsheets · 4 months ago

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At one point in our DnD campaign one of the players decided to get real fuckin weird. His character Joe was a Loxodon who was a warlock pacted to some divine rabbit he just called Bunny. In early sessions we learned he had sex with this being as he announced, “I fucked the Bunny.”

The player was kinda all over the place with what this character was doing and kept adding plot points that never actually turned into anything. At one point Joe woke up a party member said his name was Persephone and that she’d have to murder him at some point. We were all like ????? and it never came up again.

We learned that Bunny wanted to turn Joe into a unicorn who helped Bunny preside over life and death, and it turned out that this was a long term joke that unicorns were “horny” that had all of us really confused. The DM was doing his best to facilitate all this as we already had established gods and the player just kept throwing curve balls.

But one of the best batshit insane choices he made was that Joe gained the power to put on a different persona who had an Irish accent and while we focused on a question we’d roll a die. Then he’d pull up a full on excel spreadsheet and sing a snippet of whatever song pulled up on the spreadsheet.

Y’all we rolled a d100.

It was so many songs. So sometimes we’d be like, I don’t know, let’s ask Joe and we’d invoke his spreadsheet and basically do a musical augury. It usually ended up being a relevant piece of music too, which was fun.

#ramblies #dnd #story #dungeons and dragons #joe

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literaryvein-reblogs · 9 months ago

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Writing Notes: Dialogue

A Guide to Writing Better Dialogue

Consider the following criteria:

The dialogue must move the story forward. After each conversation or exchange, the reader should be one step closer to either the climax or the conclusion.

Reveal relevant information about the character. The right dialogue will give the reader insight into how the character feels, and what motivates them to act.

It must help the reader understand the relationship between the characters.

Tips for Better Dialogue

12 tips to writing forward-focused dialogue:

Keep it brief

Dialogue shouldn’t go over for pages and pages. The best dialogue is brief.

You don’t need to go into lengthy exchanges to reveal an important truth about the characters, their motivations, and how they view the world.

Pair the dialogue down to the minimum that you need for the characters to say to each other.

Avoid small talk

In the real world, small talk fills in the awkward silence, but in the world of your novel, the only dialogue to include is the kind that reveals something necessary about the character and/or plot.

How’s the weather? doesn’t move the plot.

If you’d like to show that your character doesn’t like awkward pauses, work on characterization and scene description.

Instead of using mind-numbingly long exchanges, show the character’s discomfort by describing how she taps her fingers against the window pane, or takes a series of sharp sighs.

Small talk can water down the effectiveness of your scene.

Instead, pick exchanges that capture the essence of the moment, and bypass small talk altogether. Let that be an understood nod between you and the reader, and dive right into the action.

Don’t info dump

While you can certainly use dialogue to learn more about your characters, you shouldn’t use it to dump a whole lot of information on the reader.

If you must info dump, don’t do it in dialogue.

It may slow dialogue to a grinding halt. It may sound awkward.

What’s the difference between info dumping and revealing relevant information?

Info dump is a large amount of exposition given all at once, and left for the reader to sort out.

Relevant information is more subtle, and it’s dispensed a little at a time.

Give your characters a unique way of speaking

Every character, just like every person you know, will have a unique way of speaking and delivering their thoughts.

Some people are more forceful and deliberate.

Others are more passive and meandering.

You can honor these (and other) different styles without rambling.

One method is to focus on word choice.

Example: To show that someone is rather gruff or abrupt, go towards single syllable or somewhat quick words, like “yeah.”

Same basic concept but different delivery, based on character.

Of course, word choice alone can’t dictate character.

You’ll do most of this through characterization, but word choice should subtly support and reinforce characterization.

Also establish a pattern of speech:

Does the character speak in a sharp staccato, or a deliberate, flowy manner?

By knowing how the character (especially the protagonist) speaks, you can create consistency whenever the character dialogues with others.

Be consistent

Remember to be consistent with your characters.

Someone who speaks in a self-depreciating and shy demeanor won’t automatically become bold and acerbic.

When your characters speak, they should stay true to who they are.

Even without character tags, the reader should be able to figure out who’s talking.

Create suspense

Use dialogue to increase the suspense between characters.

It’s human nature for people to withhold what they’re truly thinking or feeling.

People leave a lot unsaid, and this is also true for the characters in your novel.

To create a realistic interaction between your characters, you must honor the fact that most people leave a lot of things unsaid.

But that doesn’t mean that the reader can’t be privy to what’s being left unsaid.

As a writer, you can build the scene, show the characters’ motivations and desires before the scene, and let it play out, with the reader wanting a resolution that doesn’t quite happen.

Answer the following questions to setup your scene for suspense:

Does one character have the upper hand in the scene?

Is the other character seething just under the surface?

What does the reader find out through the exchange?

You can control all of this through dialogue.

Honor the relationship

Characters tend to speak differently based on who they’re speaking to.

A character will speak to his mother differently than he does to his best friend. That’s not a shift in consistency.

It actually gives more depth and realness to the character. You can still stay true to the personality you’ve created by using the same speech pattern.

Show, don’t tell

“Show, don’t tell” is the writer’s mantra.

When writing dialogue, it’s easy to start “telling” what the characters are feeling instead of showing it.

Instead of your character saying, “I’m angry!” describe how the character’s body is closed--tight lips, narrow eyes, deep breaths.

Don’t underestimate your reader.

The reader likes to see the scene, pick up the cues and come to the conclusion, instead of being told what to think. Your dialogue shouldn’t be completely on the nose, and explain exactly what the character is feeling.

Most people -- including your characters -- aren’t always aware of how they feel.

And sometimes, what they say they feel is different from what they truly feel.

Use dialogue to reveal characters, but not directly.

Body language is also an important part of dialogue, and should be written into every scene. It gives the reader important clues that they’ll use to recreate the scene in their mind.

Minimize identifying tags

“He said, she said” gets boring after a while.

And the answer isn’t to switch out those “said” tags with other words like “enthused” or “shouted”. (When it doubt, “said” wins out.)

Not only is it boring for the reader to constantly see “he said” or “said she”, it may be disruptive.

Identifiers take the reader out of the immersive world of your story and reminds them that you, the author, are relaying a story.

That can be pretty jarring, and it can happen if you use identifiers too often.

Of course, you can’t not use identifiers.

They’re vital for establishing who’s speaking, but can be minimized by doing the following:

Creating a unique pattern of speech.

Using descriptive follow ups. (e.g., “That’s not what I said.” Vincent reached for the rock.)

The second option can show what the characters are doing to further emphasize their words, or add context to the scene.

Greetings and goodbyes aren’t always necessary

While it’s only polite to say hello and bid adieu, it’s not necessary in novel dialogue to document these courtesies.

You can use exposition for salutations, but do avoid writing a blow-by-blow.

Set up the scene by describing how the character enters or leaves the scene.

Avoid speeches and soliloquies

Most people, in conversation form, do not have the privilege of extended speech.

They’re almost always interrupted because who wants to listen to someone natter on and on?

Read it aloud

During the editing process, you should always read your manuscript aloud, but do pay special attention to your dialogue.

If the dialogue doesn’t seem to flow, or you’re tripping over your words, it’s not going to sound right to the reader.

Even though you’re not capturing every part of a conversation in your dialogue, everything that’s written should sound like an actual person said it. If not, it’s time to erase and try again.

Source Writing References: Worldbuilding ⚜ Plot ⚜ Character More: Formatting Dialogue ⚜ Children's Dialogue ⚜ Dialogue Prompts

#writing notes #dialogue #writeblr #spilled ink #dark academia #creative writing #on writing #writing tips #writing advice #writing ideas #writing inspiration #light academia #literature #writers on tumblr #poets on tumblr #writing reference #writing prompt #writing resources

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thewistlingbadger · 7 months ago

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I'm going to be honest: I think one of the ways you fix season 2 is by getting rid of Warwick

Act 2 was more or less entirely dedicated to Warwick, a new character who really isn't that new bc he's actually Vander from s1. Despite the fact that he plays a heavy role in the act, his character isn't explored at all. Warwick is used in act 2 for the main purpose of reuniting Jinx and Vi. The sisters end up basically ignoring all their problems and differences and become family again solely due to Warwick's presence. If you get rid of Warwick, then the sisters don't reunite. They either stay on opposing sides or they end up reconciling later in the show, most likely due to them developing some sort of understanding for the other and by actually exploring their baggage.

Warwick is tied to Singed in this season, and through him and Viktor he's tied to Ambessa. Half of the plot in act 2 is Ambessa trying to find Warwick by using Singed to turn Warwick into the ultimate weapon. This part of the show was kinda weird and it definitely took away from the plot. If you get rid of Warwick you can actually focus on ambessa and her motives, or on ambessa and Caitlyn since their relationship is established but not developed.

The sisters end up bringing Warwick to Viktor's commune, which is how Viktor gets reintroduced to the story after not being seen for several episodes. Viktor decides to attempt to heal Warwick, but it isn't said why. We learn that Viktor's powers are suffering and that the commune isn't all that it seems, but we never get to learn anything further bc this segment isn't focused on Viktor- it's focused on Warwick. If you get rid of Warwick, you could actually focus on Viktor, his powers, his commune, his relationship with sky and the hexcore, and his motives.

At the start of act 2, we see that Vi is in a really bad place. She's fighting a lot, getting wasted, and isn't taking care of herself. We see that she has a friendship with Loris as well. However, we're not able to explore Vi's friendship or her current situation or her character bc shortly after Jinx asks Vi to help her with Warwick. If Warwick is gone then you can actually focus on Vi as a character and unpack all the shit the show has built up.

At the start of act 2, we see there's a lot of unrest in zaun. We see zaunites starting to band together and view Jinx as a symbol. This is a really cool concept that isn't explored because instead of Jinx spending the act with other zaunites, she spends it with Warwick. If Warwick is gone then we could actually explore the current politics between zaun and piltover and the effects they have.

It really doesn't make sense to have Warwick be the center of the act when he's not a main character. Hell, he isn't a character at all. He's a plot device. Literally almost everything that happens in act 2 is somehow related to him, yet he has no arch in the season. Everything he does just adds to the plot, not to the value of the story. We end up getting the most random piece of lore dropped in the middle of the season because of him. Lore that literally wasn't relevant at all to what was going on in the show and was never brought up again. I understand that season 1 hinted at Warwick being Vander but if it were up to me I'd be prioritizing the other, much more important shit that s1 set up. Not fucking Warwick. Especially since he's just Vander, an excellent character that we were done with at the start of the first season. There's no reason for him to be back. Since act two is so centered on him, the other acts had to condense and become jammed packed full of shit. But if you get rid of Warwick, you give the story space to breathe. You could have things stretched out longer and in more detail because now you have the time to! You can go into the gray and Caitlyn's dictator arc in detail because now you don't have to worry about wrapping it up before Warwick shows up.

Warwick was literally so big in the show that he took away time and development from literally every character, but especially mel, jayce, ekko, heimerdinger, and Viktor, who were rarely seen this season despite being key players from season 1. If Warwick was gone, you could actually show what happened to ekko, Jayce, and heimerdinger before act 3. You could give ekko some much needed depth and screen time. You could actually explain the black rose, which is never explained throughout the entirety of the show. You could have had Ambessa's backstory be in the show and not its own separate music video. You could have showed Mel more. If Warwick was gone, you could actually explore the characters of Caitlyn and Vi and their relationship. You could explore Sevika's character, who got pushed to the side despite her promising start. You could explore Isha as a character. You could explore lest as a character, who was introduced and then completely forgotten. You could have expanded on the chem barons instead of glossing over them.

In general, if Warwick isn't around you just have more time to do more shit. Like holy shit this is actually crazy.

#arcane #arcane season 2 #arcane s2 #arcane season two #Warwick #mic does analysis

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annabelle--cane · 1 year ago

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there's a take I see come up maybe once every fiscal quarter that jon is Bad asexual representation because we learn about his asexuality second hand via other characters discussing something he did rather than using any labels, and then the topic never comes up again. I can see what this take is getting at, but I don't think tma is a show that aims to do capital-R Representation, it's a show with characters that incidentally have marginalized identities.

compare that scene to how we find out about tim's bisexuality: we learn about it second hand via another character discussing something he did rather than using any labels, and then the topic never comes up again. none of these characters talk very much about their romantic or personal lives outside of what is directly relevant to the plot, and both of these scenes are in keeping with established tone and characterization. while I can see how these might not be satisfying choices if one is looking for capital-R Representation, I also wouldn't call either of them bad representation, they're more just queer characters casually existing in a piece of media that isn't aiming to win a glaad award.

#I don't have anything against media with Representation that makes a point to have characters stop and talk about their labels & experiences #just for an example tscosi does that and I quite enjoy it #but it's gotta be in keeping with the tone yknow? and tma is not going for a 'let's sit down and do a pronoun circle' vibe #tma #marina marvels at life

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the-clock-of-the-time-dragon · 6 months ago

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[Wicked: For Good speculation/predictions]

[obviously spoilers + wild conjecture + musings]

Okay so I have many thoughts about what we might get in the second film, and decided to put them all in one place; so here we are.

1.) I've heard a lot of people mentioning that the movie might choose not to jump straight into Thank Goodness, and instead opt for some sort of buffer opening to establish the time-skip and whatnot. I think it would be amazing to actually see Elphaba flying around Oz saving Animals and being harbored as a fugitive and stuff; maybe we could even get reintroduced to Brrr briefly! He's obviously able to speak, so maybe that implies Fiyero took him to an Animal resistance group or something for safety? The map of Oz shown in Something Bad does imply that there might be such groups around, plus of course Doctor Dillamond mentioning protests. Maybe we'll get to see some of that on-screen; I think that would be fascinating. Maybe as kind of a soft adaptation of Elphaba's domestic terrorist phase in the book. This is possibly all supported as well by the shots we've seen of the Yellow Brick Road under construction; presumably this will be early in the film, since obviously it must predate Dorothy's arrival, so I suspect these might be the opening scenes before we get to see how Oz is reacting to Elphaba's activities at the start of Thank Goodness.

2.) I suspect we'll find out that Madame Morrible is not only the one who brought Dorothy to Oz, but also the Wizard — and maybe even more interestingly, caused the Great Drought (which I think is quite heavily implied to be the Dust Bowl, based on the time period and a scrawling on one of the chalkboards in the background; which I think is meant to be Dillamond's research). (My current headcanon is that Morrible accidentally caused the formation of the Impassable Desert (since it is also mentioned on the same chalkboard), which caused a ripple effect out into Kansas and started the Dust Bowl.) If we do get more background on Morrible and her earlier magic experimentation (and maybe even the Grimmerie), I suspect we'll learn that her heart's desire was always to be the prophesied magical savior of Oz, and the Grimmerie based on those vibes (since it seems to read the hearts of the ones using it and flip to pages that will give them what they want, like how it heard "birds" and went straight to relevant pages) brought the Wizard (and by extension, Elphaba) and Dorothy into Oz. In a way it feels like the Grimmerie is sort of the dark magical inverse of what the Wizard does: they hear the desires of people's hearts, and "grant" it in a deceptive way. The Wizard "grants" wishes through bullshitery and spectacle (and the people who come to him for help always end up having to get what they wanted themselves), while the Grimmerie "grants" wishes using real magic (and so can actually give things that the wisher didn't already possess) but always in a fucked up way that they'll end up regretting. I've already made a post about the theme of "the heart's desire" and how it's explored in the original Wizard of Oz and in Wicked — and maybe at some point I'll do a longer analysis of that (for instance, the fact the Wizard was in possession of the book and got his heart's desire to be a father in the most catastrophic way imaginable) — but it's really interesting if we consider that Morrible's desire seems to be to essentially be the Witch of Oz, and the answer given by the Grimmerie might basically have been the giant magical backfire that brought all three of the most plot-important characters into Oz in the first place. It's possible this won't actually be explained and will remain in headcanon territory, but with the way they've been focusing more on Madame Morrible I think we'll probably get at least a little something exploring her background and connections with the Wizard (and it would be really interesting if we got more stuff relating to the Grimmerie in the process).

3.) In the frames we've seen of Dorothy, the slippers are still silver! Not ruby! We know from interviews that the production team read the original Wonderful Wizard of Oz and took heavy inspiration from it, so I assume keeping the shoes silver was an executive decision on their part. But it has some really interesting implications about what sort of changes might've been made to Part 2. We already knew that we're getting major alterations to Nessa's narrative — groundwork for that was already laid in the ways they changed her in the first movie, particularly surrounding her relationship to Elphaba and her agency regarding movement, which I think is great — but regarding this I've heard some people asking if this means we might not get Nessarose standing. Marissa Bode who plays her is capable of limited standing and walking, so I doubt that part will have been cut entirely; but I'm really curious about the ways in which Nessa's story might have been rewritten. The point of her independence has been emphasized a lot thus far, so I think we might get some tweaking (or outright cutting) of the "hideous chair with wheels" bit; and with how we got the lines about Nessa wanting to make a new start and Elphaba getting in the way of that, I think it's likely we'll get less of a focus on "why haven't you used your powers to help me walk Elphaba?" and more on "wow, you ruined my life again Elphaba". I am curious about whether Nessa will still be able to read the Grimmerie (which always felt a little like a plot hole/contrivance in the original show, so it would need a proper explanation at the very least), or if perhaps — since I believe it's being set up that the Grimmerie can "read" people around it and give them a fucked up version of what they think they want — Nessarose's dark desire at that moment is to not have a heart (kinda like that line from the 1939 movie: "As for you, my galvanized friend: you want a heart. You don't know how lucky you are not to have one. Hearts will never be practical until they can be made unbreakable") and gets Elphaba to read it: but neither knows what it will actually do until Boq's heart starts shrinking away into nothingness. (Also I'm fairly positive that the still we got of Elphaba below is from the Colwen Grounds scene with Nessa and Boq: I've heard some people presuming it's from No Good Deed, but the background, her expression (which seems to me to be obviously her trying to get Nessa/Boq to calm tf down), and the fact she seems to be in the same costume as in the Yellow Brick Road scene, tells me it's almost certainly from Wicked Witch of the East.)

4.) We're told to expect two new songs from Stephen Schwartz! I'm extremely curious what these might be (and naturally, Gelphie simp as I am, would like at least one one of them to have some more good ol' gay goodness from our girls), but we don't have a whole lot to go on for clues yet other than (as far as I can tell, unconfirmed?) reports that one is an Elphaba solo and the other is a Glinda solo. This is very exciting of course, but until we have more insight it's still too early to make deep predictions. Although as for hopes, I'd obviously like for a new Glinda number to involve her grappling with her feelings more — a much-needed addition — and for Elphaba to perhaps get some of that as well (it would help the lead-up to Wonderful make a bit more narrative sense, if nothing else). And if it turns out they aren't Glinda or Elphaba songs, then I think Fiyero or Boq deserve to get a little bit more to sing. All Schwartz has said thus far is that the new music was made to meet the needs of the story: so (since the two songs DON'T seem to just be reworkings of existing ones, and are actually all-new, film-only material) that further supports the fact we'll be getting fairly major changes to the plot.

5.) The Glinda-Fiyero wedding seems to either happen or very nearly happen??? Extremely interesting expansion on the original material, I can't wait to see what they do with it. I've heard some people saying it might just be a fantasy sequence or something — and I suppose it could be — but I don't think so; the style of filmmaking and writing is deliberately "grounded" to make Oz feel real, and the first film didn't have any imaginary scenes. I think the wedding scene will happen at the same time as (or directly before) Wonderful, and will probably be interrupted: maybe by the release of the flying monkeys, the Wizard rallying the guards after Elphaba, or — scandal! — even by Elphaba herself! (No, I don't think we'll be getting the "I object!" sequence out of Shrek, even though it would be hilariously apropos, lol.) We've seen an image of what looks like Elphaba back in the Emerald City (maybe right before Wonderful, perhaps sneaking into the Wizard's palace to free the Animals; or perhaps just after Wonderful, after finding Doctor Dillamond and deciding to remain the Wizard's enemy?), and judging by when these events would have to line up based on the story of the musical, I think these are almost certainly within the same section. It seems like the wedding sequence might be a decent spot for some of the new music: or maybe a beefed-up version of Glinda's I'm Not That Girl, if she got left at the altar or something.

6.) We've seen this image of Glinda running up a staircase (with the Grimmerie in hand, and in her Bubble Dress): this seems very likely to be immediately after For Good and the Melting — I suspect Glinda is heading up the stairs to see the aftermath, recover Elphie's hat, and receive the green bottle from Chistery. OR, it could also be related to the Wizard — the wood reminds me of the tower in the Emerald City palace where all of Oscar Diggs' old stuff from Omaha was stored at the end of the first film, so I'm wondering if this is Glinda going up to confront him after realizing that he's Elphaba's father, maybe.

EDIT: I realized after reviewing a better quality image with higher contrast and saturation that the latter possibility I suggested is more likely than the former — behind the wooden beams are the emerald blocks we see in the Wizard's palace, so this frame seems almost certainly to be from the scene where Glinda confronts the Wizard in his tower after returning from Kiamo Ko. And what a brilliant way to do that scene, if indeed that's what this is: the Wizard isn't just sitting despondent in his throne room, he went up to wallow in his old mediocrity — and Glinda doesn't just fly up to him, she ascends the same path she once went up with Elphie, processing her grief the whole way up. The painnnnnnn. It makes her ordering him to fly away in the same balloon that he arrived in — and that Glinda and Elphaba NEARLY escaped in before everything — all the more bitter and ironic. Can't wait to see Jeff Goldblum sell the Wizard's descent into the mother of all midlife crises, fiddling with his old sideshow props in the attic as he comes to know the true despair wrought by his hand.

7.) Will the ending be changed?? It seems all but confirmed that the cloaked figure riding away out of Kiamo Ko at the start of Part 1 was Elphaba: this costume concept for the second film looks identical to what we saw the rider wearing. Add to that (as I've talked about in a prior post) the fact the Scarecrow is shown alongside Dorothy on the Yellow Brick Road, implies that at the very least the events of the last few minutes of the musical have been revised. My earlier post listed four different possible alterations (from Elphaba leaving Oz alone, to her still meeting with Fiyero somewhere else after everything, to her somehow letting Glinda and/or Fiyero know she's alive before leaving, or (hope against hope) that she takes Glinda with her), but it's still far too early to tell what they might've gone with. I just hope that at least wrote it better than it was originally. The image of Elphaba riding out of Oz on horseback across the desert would certainly be striking, no matter which option they chose.

#gelphie #wicked #elphaba thropp #glinda upland #glinda x elphaba #elphaba #wicked movie #elphaba x glinda #glinda #wicked part 2 #wicked for good

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