REPLICA PLAYLIST
MUSIC UNDER CUT
I have been receiving requests for any songs that inspired Replica, so here, have my personal playlist. Sorry it’s not Spotify/Soundcloud but they don’t have some of these songs available so uh… guess you’re stuck with YouTube vids. For fun I'll include my personal titles for them (which might give a few hints of what to expect in the future/end).
Replica Main Theme - “Die for You” by Grabbitz
Like Father Like Son Like Brother (Omega and Shelldon) - "As Above So Below" by Alistair Lindsay
Mikey's Theme / The 1st Vision - "Suzume no Tojimari" by Nanoka Hara
Military (Mad) Dogs / Central Park Colony - "Imperium" by Madeon
Shanghai - "Icarus" by Madeon
Boom Goes the Donnie-mite (Mikey/Donnie vs the Sweeper) - "The Red Zone" by Mitsuoto Suzuki
The Day the Sky Bled Red - "7 Seconds Till the End" by Nobuo Uematsu
Going Out Like a Boss (Raph and Leo) - "Agape" by Nicholas Britell
Remembering the Right Way (Mikey and Leo) - "The Souls of Many" - by Alistair Lindsay
Mystic Hands / The 2nd Vision - "Am I Dreaming" by Metro Boomin x A$AP
Book 2 Trailer - "Sea Dragon" by Covet
7 Years Later - "Iron" by Woodkid
Leo's Theme / Attack on the Labor Camp - "Ego Death" by Polyphia
Omega's Theme - "Touch" by Daft Punk
Flat Lines (Omega Alone) - "Die Toteninsel Emptiness" by 1000 Eyes
Spear - "Monsters" by Tommee Profitt
Final Protocol - "The Kraken" by Katie Dey
Rise / Epilogue - "Close in the Distance" by Masayoshi Soken & Tom Mills
I will admit, it's a little embarrassing since you can easily see the patterns of what I've been listening to for the past year or two. I swear I listen to more than just videogame OSTs, these songs just jive well with the story and I often find lyrics distracting when brainstorming scenes. Regardless, the music I listen to is such an important part of my creative process and some of these songs really defined the scenes I now have locked in my head. So I figured it was only fair to give them the credit they're due.
I will continue to add to this playlist, and will note in comic updates when one of these songs is applicable!
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Reading (listening to, as Homer intended) the Iliad making me go oh. Ohhh. I should have done this before I read Gideon the Ninth. I get it now.
Particularly thinking now about the tidbit that in early drafts, our beloved gray-eyed Necromancer Warden of the Sixth House was named Diomedes Sextus. For Diomedes, king of Argos, young, brave, noble, heroic. Favorite fighter of Athena, bestest friend of Odysseus. And, notably, fought gods and—well he didn’t win exactly. But he got them good.
And specifically, he fought and wounded Aphrodite; Aphrodite, who is also called Cytherea.
And then of course Tamsyn Muir said she decided to change his name so she could make the Sex Pal joke.
Palamedes is a less heroic, less fondly remembered character in the Trojan War, but according to Plato, he unrelatedly invented both number and the alphabet, so you keep that connection to scholarship even if that’s not the first association with him. More interestingly, imo, there’s also an Arthurian Knight of the Round Table named Palamedes, best known for his unrequited love for Isolde (and his apparent ultimately gracious acceptance of her choosing Tristan).
I think this is actually a super interesting shift in thematic naming focus: from favored-of-Athena, fought-gods-and-wounded-them to unrequited heterosexual love, but didn’t act like a dick about it.
Also y’know. Sex Pal
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the specific frustration with dungeon meshi is that there's been a very distinct shift in fan content and a very clear reason for it. it was one of the rare cases of a decently popular work where the vast majority of fan content you saw was gen or f/f; m/m ships existed but they were not anywhere near as overwhelming as in other fan spaces, and people who heard about dunmeshi by word of mouth often came in knowing about farcille. the anime started airing after the manga was completed and is a pretty faithful adaptation, it's not as if it added any more fanservice/sexualization/shipping fodder. the only difference is that it made dunmeshi more mainstream/popular, and that's when the focus started shifting towards m/m ships and away from gen and f/f. for the people who enjoyed being in a fan space that unlike 99% of fandoms wasn't m/m focused, that fucking sucks, and there's nothing you can do about it because you are always flat out outnumbered
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At your side [End of Season 2]
[First] Prev <–-> Next
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ULTRAMIKU WHAT ARE YOU DOING HERE
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By the way, Will is explicitly written not only as a gay character who is in love with his best friend, but also as a character who grew up believing that he’d never fall in love. He’s someone who still believes that he doesn’t deserve to be loved, because he feels like his feelings are a mistake. This isn’t the type of character arc that will end with him watching the only person he has ever expressed interest in, the boy he’s in love with, be with with someone else. That wouldn’t be satisfying for viewers, wouldn’t make sense for Will as a character, and it would be needlessly cruel. In a story focused on demonstrating why society’s outsiders deserve love and acceptance, he’s going to find just that. It’s the only end for him that fits with his arc and the show’s narrative themes. To have it end otherwise is terrible writing.
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profane form.
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DO NOT BE AFRAID
this is combining Ovid's Heroides and the Excidium Troie because I can't stop thinking of Hermes telling him not to be afraid. what the fuck!! Ares is wearing the crown that Paris gave him.
I have. thoughts. about Paris. he's almost got this Troilos parallel in my mind, that the event that defines him in detail exists in a lost narrative that we don't have (the Cypria), but everyone else knew. the event that defines Troilos is his death (murdered, butchered by Achilles, the violence of which haunts everything after. Achilles, child killer, you can't escape that!), and the event that defines Paris is the Judgement. what's a lost text but a kind of grave!!
idk I don't think that Paris before the Judgement would recognize himself after bc when you become god touched, it rearranges your guts. you become transformed in the worst way possible! how could you recognize yourself! but I also think that all the Parises after the Judgement would recognize each other because that event is so locked into the trauma of war and the scar it leaves on the land, it's like a scar on the narrative too. it exists like this forever, over and over again, so you exist like that forever too. Troy collects grief and despairs.
Troy as trauma: Reflections on intergenerational transmission and the locus of trauma, Andromache Karanika
and Paris is like. a miserable little god/corpse-puppet or something, like a match for the gods to throw onto gasoline.
The Excidium Troie + Ovid's Heroides:
Excidium Troie, trans. Muhammad Syarif Fadhlurrahman
Ovid, Heroides 16 (trans. Harold Isbell)
a collection of things regarding Paris that made me go 😬 but under a cut bc this is getting. very long.
The Divine Twins in Early Greek Poetry, Corolla Torontonensis
Iliad 24 and the Judgement of Paris, C.J. Mackie
Elegy and Epic and the Recognition of Paris: Ovid "Heroides" 16, Elizabeth Forbis Mazurek
Ennian Influence in "Heroides" 16 and 17, Howard Jacobson
Paris/Alexandros in the "Iliad", I. J. F. de Jong
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forever mad that HoO introduced Diocletian's scepter as an object but. gave it to Nico and had Jason promote Frank about it.
Like. Okay here is an object that can summon the dead. It can only be used by a child of Hades/Pluto and a Roman officer in unison. HAZEL IS RIGHT THERE!!!!!
Nico can already summon the dead! He doesn't need a special object for it! Literally IN THE SCENE WHERE THEY GET THE SCEPTER, NICO RAISES THE DEAD. HE'S NOT WEAK ENOUGH THAT HE CAN'T! Hazel meanwhile has never raised the dead before (kind of - she did a little bit like once)! Theoretically she's fully capable of it but she's never properly tried it before! Giving her an object to help facilitate practicing with that would be perfect, especially given the scepter expires after a certain number of uses! Also, since Hazel ends up a praetor in TOA anyways, there's no reason why she shouldn't get promoted to be able to use the scepter all on her own! In fact her getting promoted in the House of Hades would be the perfect place to do so because it's a scene where she's taking the lead and saving everyone else! In fact it's a significantly better place to promote her to praetor over the scene where she ACTUALLY gets promoted! And even if you don't have Hazel promoted instead, then you'd still have it be Hazel and Frank working together to command the armies of the undead, which is perfect because they're a couple and it'd be a great way to show how well they work together!!!!!
LITERALLY THERE IS NO REASON TO NOT GIVE IT TO HAZEL. WHAT'S THE DEAL.
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Home is where the heart is
(Alastiel is a vampire lord NPC from @luposlipaphobya's D&D campaign, Une Cour de Chair et de Charme!)
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hotel manager
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running away from fate
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“Haven’t You Noticed (I’m a Star)” from Steven Universe works so ridiculously well for Leo
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could you draw Chopper? please
I have a lot of things that I'm procrastinating on so ofc I'm gonna draw for asks, that makes perfect sense
anyway, I saw film Gold recently and one of the things I liked was Chopper's outfit he had in the beginning!
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