#another main character introduction

[v1v-1en]

Chapter 2 Post Announcement

“Do I get no say on the matter?” Tessa threw her arms out, watching Anastasia walk back towards the rest of the encampment. “We could fight it out. I win, I go with you. You win, and I find something else to do with my time.” Demarcus scuffed a hole into the sand with his foot, watching Tessa as she looked him over again before nodding. “I’d like that.”

Here again with another chapter! I hope you all enjoy! The link is pinned to the top of my page :D

[xeenep]

Earthly Delights

(Click for a better quality)

[blookmallow]

i have So Many ideas for fallout playthroughs/characters i want to make but the actual process of playing through everything and starting a new character from scratch is so much. i have names picked out in advance and everything. i need more hours in a day to live out all these lives

[amandasmurfee]

Did (another) redraw of Gon’s character introduction. I told myself I was taking a break from hxh but what if… mini print series of all the main character introductions? This was inspired by the riso work of Natalie Andrewson & bottlingsunshine

[bweirdart]

nearly oc-tober time again - time for some prompts for 2024

F.A.Q

do i have to draw?

not at all! you are free to participate with any medium that suits you... writing, artwork, free bases and templates, simple text posts, in-character-as-your-oc roleplay, whatever! (just no stealing or AI)

do i have to make new content?

nope! re-uploading old stuff that fits the prompts is allowed (and encouraged) ... old art that didn't get the appreciation it needed always deserves a chance to be shared again, it's a fun throwback!

do i have to post every day?

nope! only 10 days are mandatory (the ones in red with a star symbol) and everything else (yellow) is 100% optional! if you're busy or tired, please skip as many as you want

can i start early?

you can prep your posts in advance if you need to ... but please wait until the right day in october to share them!

can i re-upload your prompt list to another site?

i would prefer if you dont - i have accounts on most sites, so just reblog/retweet/share from me!

event tag?

#bweirdOCtober

have fun!

image desc/text version ↓under the cut↓ or on bweird.art/october

prompts:

WEEK 1: OC INTRODUCTIONS

⭐ 1: FAV OC

what makes them your fav?

2: NEW OC

how recently did you make them?

3: OLD OC

how long ago did you make them?

⭐ 4: UNDER-APPRECIATED OC

an oc you feel like you don't talk about enough, or you haven't fleshed out as much as you would like

5: RE-DESIGNED OC

an oc who has changed a lot (what changed about them?) or, if you haven't redesigned an oc: is there anything you might want to change about an existing oc?

WEEK 2: BUILDING BACKSTORY

⭐ 6: PAST

where is your oc from? what did they look like as a child?

7: LIKES

what do they like (and why?)

8: DISLIKES

what don't they like (and why?)

⭐ 9: RELATIONSHIPS

doesn't have to be romantic! can any kind of relationship (frienship, family, rivalry etc)

10: PERSONALITY

what are your oc's main personality traits

11: SYMBOLISM/THEMES

what represents your oc? is there a specific colour you associate them with, or a specific animal?

12: FUTURE

what will your oc look like in the future? do they have any plans or goals?

WEEK 3: FUN + GAMES

⭐13: MEMES

do any memes remind you of your oc? are there memes your oc would find funny? maybe you want to redraw your oc as one?

14: WHO/WHAT INSPIRED YOUR OC

are there existing characters that your oc looks like? was your oc based on yourself? is your oc originally from a specific fandom?

15: MUSIC

share a character playlist, write a songfic, post lyrics that remind you of them, etc

⭐16: EYES CLOSED or NON DOMINANT HAND

draw a picture of your oc with your eyes closed or with your non domminant hand, write or type a paragraph about them without your eyes closed, etc ... have fun, and don't worry about it looking "bad" -it's meant to!!

17: DnD ALIGNMENT CHART

put all your ocs into a DnD alignment chart, or any other similar chart if you prefer

i've compiled a few templates on my site, but you can find more easily if you google "oc alignment chart"

⭐18: SWAP

swap something between your ocs - their role in the story, hairstyles, personalities, fashion taste, species ... whatever you want! how would this difference change them?

19: PALETTE CHALLENGES

draw your ocs with as many of these colour palettes as you want (or just skip if you don't draw/don't like doing these!)

hex codes for the colours:

palette 1 - #3C1E81 #6D1EA2 #B059E8 #FE0876 #FE5284 #FE7C96 #E0CFE3 #FFD5C3

palette 2 - #352823 #673F28 #AB541C #BA8233 #897128 #A68B2F #F7BF6A #DAC3A4

palette 3 - #A42E25 #D7412B #E47C29 #F7A233 #FCC02D #FCE4A6 #486548 #FEFDE8

palette 4 - #2F4769 #39597E #53779C #94D1E7 #AADDE7 #D48DB7 #D498B5 #D2BABA

WEEK 4: COMMUNITY

20-26: A WHOLE WEEK OF SOCIAL STUFF

if you don't have the time/energy to do every day this week, ⭐ day 23 is the only one marked as mandatory! you can skip the rest!

some ideas for what you could do: talk about a friend's oc you like, make gift art/writing of them, collabs, trades, reblog/appreciate ocs in the event tag, make interactions between your ocs and other people's

WEEK 5: HALLOWEEN

⭐27: FEARS

is your oc scared of anything? do they have any phobias? are they startled easily? would any of your ocs try to scare ppl on purpose?

28: MONSTER

what would your oc be if they were a monster (eg: werewolf, vampire, eldritch beast.. whatever) or, do you have an oc who is already a monster?

29: PUMPKIN CARVING

your ocs carving pumpkins, a drawing of a pumpkin carved to look like your oc ... or even carve it in real life!

30: GHOST

this can be literally a ghost, or a concept that haunts your oc! up to you!

⭐ 31: COSTUMES

what are your ocs wearing for halloween?

[serenitiesbloom]

cw: angst, slight mention of violence. 1.5k words spoilers ahead if you have not read the manhwa!!

thinking about….Isekaied! reader who one day wakes up in the world of solo levelling and is coincidentally one of Yoo Jinho’s cousins. You, who only just finished reading and binging the whole series of solo levelling and just happened to wake up in its world? Coincidence? Who knows….wait. Is that your phone? The device vibrates and the screen lights up with the caller interface with the name: ‘Jinho-cousin’. You feel yourself have a sense of anticipation. After all, this was one of the characters of your favourite series and now you have a chance to interact with them and not have your screen act as the barrier to your escape. You pick up the call.

Is this a dream? You think to yourself in a bewildered daze as you gaze at the figure in front of you, Jinho beside you introducing the person. However, you’ve always known who the man sitting calmly in front of you was. Sung Jinwoo the main protagonist of solo levelling. In fact, while you not so discreetly oogle him you barely register the hurried introduction Jinho gives you the plea for you to become their third additional member of their guild ... .wait what. You snap out of your reverie, only to see Jinwoo flash a small smile alongside Jinho’s dramatic pleas. Of course, you agree. As you look through your contract you vaguely feel a drilling gaze on you but you brush it off because surely the Sung Jinwoo would never direct his gaze to you, perhaps only a passing glance…

As the days pass, you work alongside Jinho, protecting your guild master’s reputation, promoting the guild, going to meetings with the hunter association when Jinwoo is too busy doing raids in dungeons. While you enjoy your time with the other characters of your beloved series, and indulging yourself with stolen glances of the man you have admired and loved even before arriving into this world, you feel the nagging feeling in your brain reminding you of the one fact you had tried to distract yourself from. His heart is not yours to take, you fool. He has her. As you attempt to do more work, organising Jinwoo’s schedule with the other guilds, a knock on the door interrupts your train of thoughts. You approach the door. “Who is it?” a vaguely feminine voice replies “Is this Mr Sung Jinwoo’s office?” as you open it, a reply on the tip of your tongue but the words die down in your throat as a very familiar figure enters your line of sight.

Cha Hae-In. 

You gape openly. You had known that Cha Hae-In had approached the guild in hopes of joining but this event should have already happened, right? In your shock you barely register the hand coming to a rest on your shoulder. You feel another wave of shock ripple through your stomach as Jinwoo comes to a stop beside you as he subtly draws you closer but surely its just your imagination..right? You brush this off as you quickly usher in Hae-In, your inner fangirl heart squealing from just being able to interact with her. As she and Jinwoo settle onto opposite couches, you turn to take your leave and give them privacy only to get tugged down by a hand on your wrist as you flop onto the couch. You stare incredulously at the man beside you as he continues to converse with Hae-In as if he had not sent your heart spiralling into an abyss of what-ifs. You calm down your racing heart as you observe the conversation. You spy Hae-In’s flushed face and Jinwoo’s confused expression. You smile bitterly. 

Now, as you head downstairs to retrieve the snacks and drinks Jinwoo had asked for Hae-In, you think back on the few interactions you had with him. Perhaps he hadn’t really meant anything when he held your shoulder. You shake your head brushing away the thoughts of what ifs. He’s just your boss, don’t forget your place. As you hurry upstairs, you spot them leaving together. Ah. It must be time for Hae-In’s entrance exam. As he curls an arm around her shoulders and the shadows envelop their figures, you feel the knife in your heart twist. You carefully set down the plate of snacks as the high orc soldier gulps them down. You flop down at your desk and put your head on the table as the earlier scene of Jinwoo and Hae-In close together replays in your mind over and over again. 

How could you ever dream of competing with her? Let alone contest for the heart of the one destined for her? You aren’t even in the original plot, and from what you observed, Jinwoo is still rapidly levelling up each day albeit faster than the original plot. You are the anomaly. Furthermore, let’s not get started on what she has and you don’t. Cha Hae-In, S-rank hunter and vice guild master of the Hunters Guild, the most prominent guild in South Korea, along with her stunning looks, easily likeable personality, enviable combat prowess and so much more. Next to her, what do you have? You sigh as you ruminate in your thoughts as your eyelids grow heavy with the weight of exhaustion and sorrow. ‘There was no way he would look at you like you look at him’. 

But what did he think about this?  

Sung Jinwoo absentmindedly stares at his desk and thinks over recent events. After having to stop Beru from nearly severely wounding Hae-In, and subsequently her interest in him and wanting to join his guild because of that. However when he had returned to the guild, he saw you fast asleep at your desk, tear tracks fresh on your face. After carrying you to the couch and draping his coat over you for warmth, he had then left it at that. The next day however you had returned his coat, siad a brief thanks and went back to work without so much of a peep. He had brushed it off but you were slowly distancing yourself from him, from barely greeting him in the mornings to declining to accompany him for any public events when just before, you would have enthusiastically agreed. He turns this new development over in his brain. Has he somehow offended you in some way? Jinwoo was sure he hadn’t. Could it have something to do with someone else then? Following this line of thought, he approaches your desk, and casually starts up a conversation with you. As you carefully reply to his well-meaning questions, he brings up Cha Hae-In. Jinwoo’s eyes narrow as he spots you growing stiff and as you turn away with a slight shake in your shoulders. This however had contradicted your words of encouraging him to spend more time with her as if you were wanting them to become something more than friends despite your behaviour stating the opposite. Sigh. Had he not made it obvious? He clearly has someone in mind already. You.  He stares at where his palm was once resting on your shoulder. You were warm. He smiles as he thinks back to your bewildered face, all scrunched up. He remembers when Jinho had introduced him to you as the possible third member of their guild. You had the demeanor of an observer  who was not quite here. As the days pass with him working alongside you, he always thinks about your deep gaze, how you seemed to always know something even if he didn't and now you were wanting him to be with someone that isn’t you? You had caught his eye, and Jinwoo couldn’t possibly let you pass him by. You, his lovely one.

Shall he show you a shadow monarch loves?

© serenitiesbloom 2025

a/n: I tried. pt2?

[neonovember]

So I currently have food poisoning and I can’t help but it think how mad Carmy would be if a restaurant gave his gf/wife food poisoning

Also Carmy come take care of me and make me soup plz 🙇‍♀️😫

Plus he would give the best snuggles 😭

firstly, sending lots of love and recovery, i've never actually had fp lmao so a lot of time on webmd will be spent. get ur fluids in! secondly, carmen might have to go underground for setting the restaurant on fire. we love him for it

summary: You were hungry and had just finished work and you didn't think about inspecting the goddamn Michelin star restaurant, maybe you should have.

warnings; cursing, food poisoning, richie (he's a warning), hipsters, talks of future arsony, possessive carmen, cracked fic ngl,

divider by @firefly-graphics

i'm slipping back into the unsafe territory of wanting fictional characters. (and i don't care)

You could roll your eyes in annoyance if you weren't hunched over the ceramic bowl of the toilet heaving out the contents of your stomach while Carmen held you hair back.

The one time, the one goddamn time you decide to try a new place without Carmen's input, without his meticulous standards and in depth research behind every night out.

It wasn't like you hadn't tried to vet the new braised beef spot that opened up on west Avenue. In fact, you had heard all but stellar reviews from friends and family, meeting you with suprise hearing that Carmen hadn't taken you. You decided to bring home a small plate, their signature braised meat with plums, red onions and atrichocke hearts.

You had meant to share it with Carmen, and you were going to, but a botched catering order had him staying back another hour than what had been planned. And well..you say you tried to save some for Carmen, but despite its bacteria laced beef and vomit inducing sides it was pretty fuckin' good.

Was this God's wrath coming down upon you? Punishing you for your gluttony? Food poisoning did feel awfully close to perpetual hellfire.

The TV was blaring some indescriptive show, the kind with dramatic introductions and soap opera worthy screams. It helped fill the space of absence when Carmen worked long nights, and you felt quite comfortable wrapped up in a blanket with a full stomach and a warm sofa.

Your phone had pinged with the sound of Carmen's text, letting you know he was on the way when it started. At first you had written it off as mere indigestion, probably from shoveling the cursed meal into your mouth too quickly.

Then, around the time the show's main character had found out her boyfriend got her mother pregnant, the nausea set in. Swirling aches that felt like a whirlpool in your stomach had taken over, sloshing and swirling and never leaving. You couldn't mistake it, as you tried to swallow past a dry throat and the creeping sweats of a headache inducing fever began to ravage your body.

You hated sitting in discomfort, it wasn't as though you were afraid of vomiting no, you just could not bare to feel the way your stomach skipped and jumped with every wave of nausea that took over.

You thought of making yourself sick, but shook your head when the alarming disapproval of Carmen's voice loomed over.

"It's just gonna make it worse, you gotta sit with it till it passes"

Fuck him and his medical knowledge. What did he know?

You had ripped off the blanket that had once felt comforting, peeling of layers of clothing that stuck to your body like a second skin. You just felt hot, so hot, is anyone else feeling this heat? You try to move from the couch to reach your phone, but the sudden movement has nausea bubbling up your throat.

You fall to the ground in a heap, hand clasped around your mouth to stop the possibility of projectile vomiting on the rug you had just bought and shoot your hand up to reach for your phone.

You press Carmen's number, begging him to answer you in genuine crisis rather than when you were drunk with friends and missed him. You feel the urge to heave and crawl quickly to the bathroom, phone clasped in hand and suddenly desperately needed his medical knowledge.

Carmen phone rings from the behind the stack of documents in the office, and he hastily wipes his hands across his apron before trying to reach it before it rings out.

Guilt fills his stomach at the thought of you, he was meant to be home hours ago. The catering order needed a few extra hands to help, and once Carmen began he got lost in it, and now you had spent nearly the entire night alone.

"Fuck- Hey baby, I know I said I was comin' but I had to finish a couple things-" Carmen quickly responds as he swipes the call button.

The groan of pain that responds has Carmen freezing in the middle of the kitchen.

"Baby? What-, are you okay?" Carmen replies quickly, his voice going short as his mind turns every possible scenario that had you whining in pain over the receiver.

"Please come quickly, Carmen I think I might-" You gulp and make a retching sound "I think I got sick from that place I was telling you about" You plead out, breathing heavily into the speaker.

The guilt that had filled Carmen seems to morph into an anger that rushes up his chest as he shakes his head.

"The new place? The one with the fuckin' smoke meat? They did this?"

"Mhm" You mumble "I should've just listened to you" You groan out in sadness.

"Fucking idiots. How the fuck did they even? Okay, okay honey just gimme a second yeah?"

How did he let this happen? Carmen has half the mind to stop at the restaurant that more of a Instagram attraction that a respected place of business. You were so eager and excited t try it, Carmen had his own thoughts but would glue his mouth shut if it meant making you happy.

He'll make sure they get shut down, or at least black listed from Chicago as long as he's concerned. His hands shake with the eager want for the fight, to smash someones jaw for resorting you to a heap of tears and sick. He would, he knows he will, but at this moment he needed to take care of your first.

He mumbles out a rushed reply, phone between his shoulder and ear as he slips out of his work shoes and into his sneakers. He thinks for a moment to grab his things but immediately shut that thought out when he hears you groaning into the phone.

"Just stay on the phone okay? I'm coming now, I need to get you some things alright?"

You let out what you hope is a reply, hunched over the toilet.

Carmen rushes to the store fridge, grabbing containers of soup Tina had prepared for family as the Chicago winter was getting close.

"You alright kid?" Richie mumbles, walking into the kitchen entry way, scratching his stomach as he watched Carmen's erratic movements around the store.

"Fuckin-, she's sick. And I'm here chopping up tomatoes for fucking Guy while she was in pain for god knows how long-"

"Woah, Bugs sick? We talking COVID or.."

"I'm such a fucking idiot. No it's not COVID Rich, Jesus Christ. Some rookie new spot trying something outside of their abilities gave her food poisoning. Fuckin' hipsters"

"Oh that's bad. You know when I got food poisoning the one time I took Tiff to this romantic getaway. Had me projectile vomiting in the AirBnb bathroom. Couldn't even get a deposit back, had to pay some dumb ass cleaning fee-"

Carmen wipes a hand across his face shaking his head. He was already pent up, he might throw a pan at Richie if he doesn't stop talking.

"Richie, I don't have time for this, I need to get her some Sprite or"

Richie shuffles across to the cupboard near the back of the house, grabbing bottles of Gatorade and a pack of saltine crackers.

"How do you even have this stuff lying around"

"You're the one with the inhuman alcohol tolerance Carmy, someone of us actually have hangovers you freak" Richie retorts

"Yeah yeah, thanks. Fuck- I gotta" Carmen replies, to which Richie nods.

"Go. I'll wrap up anything here" Richie replies, understanding in his voice. You took precedence over pretty much everything in Carmen's life.

"And Carm?"

"Yeah?" Carmen calls out, slipping on his jacket as he turns to Richie

"Tell me when we're going to sort out those bearded wearing flannel ass wipes"

Carmen shakes his head with a smile, before nodding and pushing past the kitchen doors. The traffic lights better be green green fuckin' green tonight.

You were stripped to a singlet and sleeping shorts as you knelt over the toilet, blinking back exhausted tears at the state of you.

You suppose you have no one else to blame but yourself, but the indignation righteousness burns almost as bright as the acid reflux crawling up your throat.

You hear the faint opening and loud clang of the apartment door opening and closing and you sigh in relief as you hear the familiar footfalls of Carmen down the hall.

It had felt damn near torturous suffering without him, and as he calls out to you following the trail of loose clothing he spots your figure in the bathroom sprawled.

"Oh honey, I'm sorry" Carmen says

And it was as if your body needed to finally feel safe in Carmen's presence before you felt the nausea spill out of you and splash offensively into the toilet.

You feel Carmen crouch above you, dragging your hair that had gone loose from it's wrapped up do away from your face. Gently rubbing your back, his large hands softly dipping up and down your spine.

"That's it, 'atta girl. Let it all out" Carmen coo's softly

You purged the insides of your stomach into the toilet bowl, retching loudly with every heave as Carmen comforted you. After what seemed like hours, and the nausea had subsided Carmen carefully wrapped his arms up under your armpits picking you up of the floor.

"Slowly, yeah? You damn near emptied out you're entire water content" Carmen murmurs, flushing the toilet and helping you walk to the basin and wash out the taste of bile from your mouth.

"I probably look insane" You cry out, blinking back exhaustion from your eyes as Carmen shakes his head furiously.

"Never, my pretty girl. Need you to go easy okay? Gonna take you to bed and let you sleep through it. Can't have you collapsing on me" Carmen murmurs, wiping at the edge of your mouth, patting the sweat that stuck to your forehead.

You let Carmen carefully maneuver your body, one arm under your legs and the other supporting your back walking to the bedroom. Your wring dry and can barely keep your eyes open as Carmen placed you on the cool sheets you immediately moan at.

You hear the faint rustle of movement as Carmen brings in a paper bag. The clunk of bottles placed on the bedside table as you sing praise for the very short bit of relief you have before the next bout of nausea rolls in.

Carmen pads to the adjacent bathroom, the door opened so you can see the stream of light that illuminates him. Hes running a cloth under water, squeezing the excess and looking up to check on you every so often.

He looked so...domestic, like he hadn't come back from working at one of the most decorated restaurants in Chicago. Stripped of his shirt so he stood bare chested, golden curls pushed behind his ears, sweatpants hung low on his hips and the furrow of his eyebrows in concentration and worry.

Your eyes flutter shut as you thank the midnight sky for bringing him to you, for keeping him for you, this one good thing that was yours.

The skies answer by the sound of his voice listing off all the things you will not be doing in this stage of recovery. Sitting on the edge of the bed as he places the cool rag against your forehead, lips between teeth as he feels your temperature under his skin.

"Just bone broth, Gatorade and bread sticks for you, doll. And no, before you even think it, its not the garlic ones." Carmen tsks.

You were thinking it. He knew you too well, but when he kisses your eyelids and measures out careful tips of the Gatorade bottle, you don't mind it.

[oh-no-its-bird]

Team 7 gets zapped into the warring states era but it's like, team 7 either mid or directly after wave-arc.

They're babies!! They're untrained little babies!!! None of them have gotten that good good character development yet!! Kakashi is still actively desperately wanting to not teach them!! (tho he may have just gotten his "ahh fuck. I actually have to teach them, huh." Moment)

Sasuke looks like a carbon copy of a younger Izuna and it's going to cause problems

Naruto thankfully doesn't look much like an Uzumaki, but his tendency to very loudly introduce himself is going to get him into trouble

Going w my usual flavor of "the Hatake are a very small but very famous clan known for being fucking insane", people are seeing Kakashi and going "oh god oh fuck what are one of THOSE guys doing here oh sage preserve us please don't eat me" as Kakashi just kinda stands there like 🧍‍♂️

Sakura is the only one safe from not being fucked up and over her clan, good for her!

-> back to the Hatake thing.

The kids still know virtually nothing about their sensei so they're learning all this stuff about his clan and believing every word of it, from the believable rumors to the insane.

Sakura, in a hushed, worried voice: "Sensei,, is it true ur clan eats people??"

Kakashi, who's father died before he could tell him almost anything about their clan and genuinely doesn't know but at this point is starting to get a little worried about it:

Kakashi, who also never passes up the opportunity to fuck with someone: "only stupid little students who ask stupid little questions <3"

Sakura and Sasuke: *worriedly look at a confused Naruto*

For convoluted reasons they run into the Hatake of the era and after introductions they look at the kids and are like,

"Oh!!! Ok, so this is your kid, right? :)" pointing at Sakura.

And Kakashi is like. ",,no."

"Ohhh, ok. So this one is your kid then?" *points at Naruto*

",,,,,,,,no."

They look at him confused then nod at Sasuke. "So then that one's your kid, right?"

"None of them are my children."

*visibly disapproving / disbelieving side eye*

One big difference between this and the team ro time travel one is how much less trustworthy Kakashi comes off to literally everyone who looks at him.

He's a trained adult shinobi, probable bloodline thief (with no way to prove his innocence), and he has 3 children from 3 different clans (2 of which are indirectly enemies bc the Uzumaki is a Senju ally) (1 of which might have a direct relation to the Uchiha main house) and comes from an infamously volatile "wild clan" from another country entirely (Iron country)

He is NOT getting out of this with talk no jutsu bullshit. He has a target on his back from day 1 and it will take a minor miracle to get even a single person hear him out

Anyways uhh—

Saying Tajima and Butsuma are still alive but due to die in some months (till team 7 accidentally interfere and somehow accidentally save Tajima, maybe also Butsuma but I'm more biased towards Tajima so I'm thinking just him actually)

Kakashi sees baby Kagami and feels like he's been hit by a truck bc he looks just like a miniature Shisui and he has hang-ups about his "suicide"

Half-Hatake Tobirama is catching HEAT from Kakashi's antics. Why does one of ur cousins have a sharingan. Where did he get those children. Do you know anything about this. Is it your duty to help hunt him down bc hes your blood. If not yours then it's definatley the Hatake's, call them immediately and tell them to clean up their mess.

Bloodline theft is like THE ultimate no-no for all shinobi, especially in this era. To the point that even ancient enemies will sometimes temporarily set aside grudges to kill bloodline theives. Kakashi is so fucked, someone get him out of there

Mmmm there are like still bits and pieces of thoughts floating around in my head for this but I can feel myself getting distracted and want to get back to art fight so I'll leave it here for now

[postcardsfromheapside]

Listen.

I love y'all, but some of you need to understand: the writers are not being shitty. The writing is not bad. The lore is not being ignored.

You're upset because your headcanons are not being followed.

Something Tolkien fans are constantly encouraged to do is "go back to the source material." This sounds basic, but Lord of the Rings alone is a massive book - if someone broke into my apartment, I stand a more than reasonable chance of beating them down with either of my illustrated hardcover copies. By the time you get through reading it, it's easy to forget small details in the main body of the work, much less the introductions and the appendices, and that's BEFORE you try absorbing everything in Lost Tales, or The Silmarillion, etc, etc.

Now imagine you come to Veilguard, and maybe you've been playing Inquistion because it feeds directly into the game. Maybe you played Origins, 2 and Inquisition in a white heat. Great! But those games include a lot of choices, and SO MUCH CODEX material. It's almost impossible to retain all of that knowledge all at once in your head, especially in games where you can miss shades of meaning due to the dialogue choices you make - and I often see people who claim they tend to make the same choices every time.

The reason we Tolkien fans are told to go back to the source material is that it's so easy to slip into assumptions. A great example is: do you actually know what Rangers are? Or do you think of them in D&D terms?

Dragon Age is a story that mimics the unreliability of History, where one characters's perspective and story may not be the same as another's, and neither are necessarily wrong or right - they're simply parts of a whole. And it's wild to watch y'all bend over backwards to defend your headcanons instead of accepting that maybe a character was wrong, or misinformed, or unreliable, or has a limited perspective.

[tahbhie]

How Plot Progression Works—Myths and Facts.

Let me start with a myth.

Last week, a writer approached me with their half-finished draft, unsure how to continue. Apparently, they got writer's block in the middle of the work. For about thirty minutes, we discussed the book freely as if it were a finished and published work.

Then I realized the issue.

☞ The problem?

From the conversation, I noticed that the writer's thoughts and ideas, which they voiced for the book, totally contradicted what they had written.

Their book followed a sequence of events. It was well-calculated, and the plot progression was on point but only to a certain level. I noticed robotic recurrences.

Something like this:

Scene 1— a sudden revelation

Scene 2— an unexpected fight

Scene 3— introduction of a new character

Scene 4— a conflict

Scene 5— another sudden revelation

Scene 6— an unexpected fight

Scene 7— introduction of a new character

Scene 8— a conflict

Meanwhile, all these elements didn't tie to each other in the story. They just performed different roles in each scene and were rendered useless in the next and every other scene that followed.

☞ Why did this happen?

Among other reasons, being extremely rigid with writing advice is a main factor.

Writing advice is great, but don't bend your style to suit the rules; bend the rules to suit your style.

Here's a clearer example of what I'm talking about.

Writing advice often says to keep readers on the edge of their seats within the first five pages, but this doesn't mean introducing unrealistic problems that don't fit your story. For example, introducing a sudden and improbable conflict just to add excitement can disrupt the flow and believability of your plot

During our session, I already understood how to assist, and we were setting our comfortable hours when the writer suddenly said, "I was told to include conflict in the middle of the book, then I ran out of ideas when I got there. I could have added one just a few pages in because I believe it would do well there, but again, I was unsure if that would make sense."

Now, who said conflict can't start a book? When you start your book with a conflict, you just have to ensure that you build towards 'the reason' behind the conflict so your readers can understand.

☞ Should I follow every writing advice with a closed mind?

No, you shouldn't. Remember that you are writing that book because you want to, and your idea was great enough to convince you to actually write. You need to enjoy the process and create what you truly want to create. Follow instructions flexibly.

Now that the myth is out of the way, let's talk about things that make a plot.

➜ Basic plot elements.

Initially, your plot should have the following:

✧ Protagonist ✧

Who are readers following in the story? Make that clear in the first few chapters. If you're writing from a first-person point of view and plan on switching between characters, aim for a maximum of two characters. It becomes clear that those two characters are an important part of the story; hence, they get the privilege to narrate the story from their respective views.

✧ Goals and objectives ✧

What is your protagonist after? Here's one thing you should know: your character doesn't have to know what they want at the beginning of the story. They may be as confused about their life as anyone reading, but as the story unfolds, they find a goal worth reaching and discover the needed strength to reach the goal.

✧ Antagonist ✧

What/Who is standing as a threat? A threat is hell-bent on ruining your protagonist and stopping them from achieving their goals. An antagonist could be an object or a human. It all depends on the concept you aim for. Funny enough, the antagonist could be a lie that starts out seemingly small but ends up being harmful. The rom-com movie "Upgraded" is an example of this concept. The lie the art enthusiast told was the greatest trouble she faced.

✧ Conflict ✧

What are the problems the protagonist faces? Problems can start from anywhere over anything, and you can choose to make them mild and solvable at first while building up to something larger.

✧ Resulting consequences ✧

What happens after the protagonist faces the trouble and tries to solve it? Did they lose anything? Hurt someone? Earn support from people they least expect?

✧ Character arc ✧

How has the journey shaped your protagonist? After going through something they probably never saw coming, how has it changed them? For a timid main character at the beginning of the story, do they finally become brave and display a different side of themselves?

All these are important for a well-rounded story as a whole.

Join the Writers' Universe and connect with like-minded writers.

➜ Secondary plot elements

These elements help you shape the above category.

● Setbacks

Let's use movies to illustrate this. There are certain points where we lose hope for the main character, almost convinced they've lost. We see them at their weakest points, hurt that the antagonist got them good. These moments are the setbacks. The protagonist is made vulnerable.

● Loss

What did the setback cost them? The reason I intentionally labeled this as loss is because to move a plot forward, some things need repairing. Since most loose ends were already from the beginning of the story, adding a fresh loss piques the reader's interest. It doesn't have to be the death of someone. It could be the brutal end of an alliance formed on an emotional scale.

● Break of a new dawn

I just wanted to get creative with the title. This point marks the pivotal change of events, and once again, there's hope for the protagonist as they find solutions to their problems. In this stage, they discover hidden abilities within themselves (this isn't limited to fantasy).

And there you have the important sections of plot progression. But keep these few things in mind. To ensure you're not leaving a huge gap in your plot, try to:

┗→ Introduce elements that work for your story:

It's common to believe something works well simply because it did in your favorite book. You might want to reconsider that with a different mindset.

┗→ Tie elements together:

Of course, this doesn't apply to all, but try to create a link between events in your story. If a fight occurred in a scene, link it to a cause in a few scenes ahead. This can lead to another conflict, this time on a larger scale, without having to introduce something entirely different.

And back to the question that birthed this post:

ᴥ Should conflict come early or not?

It depends on your work, but it can come early. That's not taboo.

There was a movie I watched featuring a female lawyer as the protagonist. The movie started with the kidnap of her only child, and the rest of the scenes drove us to the 'cause,’ then more conflicts, setbacks, and finally resolution. We were also able to explore the character’s personality based on the decisions she took in different emotional scenes.

She tried to keep her calm in some scenes while she just flat-out threw a tantrum in others, but overall, she was a strong woman who was broken by the incidents occurring and then rebuilt. I read a book with the same premise: the main character was a tween who misplaced something precious and decided to go on an adventure to search for it, and that was what the story was built upon.

I always tell writers one thing—own your book. The first draft seems to be the toughest one of its pair, but if you don't allow yourself to freely express your thoughts, there will be no first draft or story at all.

✧✧✧✧

Struggling with any stages of writing? Send me a message, and let's sort it out for a suitable fee.

✧✧✧✧

Do you want to create characters readers are compelled to start a fandom for?

Check out "My Characters and I" extensive coaching session. Understand the secret behind every attractive character. The slots are limited, and this opportunity closes once capacity is reached. Don't miss it; you never know when you’ll stumble upon these golden gates again.

[cherrywriterrr]

Haunted (chapter one)

bodyguard!rafe x reader series

strong language, smut (18+ explicit content), graphic violence, blood/injury, captivity, emotional manipulation, talking about death, trauma responses, unhealthy relationship dynamics, age gap (consensual, adult) ,mentions of sexual assault (not between main characters), sexual tension (consensual, but intense), dark themes overall.

readers discretion is strongly advised. mdni. 18+ only.

introduction one two

➽──────────────❥

he’s leaning against your bedroom door like it personally insulted him.

backwards cap, jaw tight, gloved hand twitching against the grip of the gun holstered at his hip like he wants someone to break in. you wouldn’t be surprised if he staged it himself just for the thrill.

you’re half in bed, half out. one bare leg kicked free of the silk sheets, a white tank top and no bra — because you can.

“you could at least knock,” you mutter, twisting your hair up in one lazy fist just to feel his eyes move. “or do the hired thugs just walk in now?”

“not a thug,” he says flatly. “a babysitter.”

you roll your eyes, lips parting into a spoiled, mocking smile. “mm, right. my personal stalker. forgot.”

his jaw clenches again. if it were anyone else, it might be fear. with him, it’s something meaner. something hotter.

he hates you.

you give him a reason to.

he’s only here because your father didn’t want you alone. not today.

today marks three years. three years since your mother’s throat was slit in a hotel elevator — and the security footage was leaked before the coroner even zipped her up. your father was abroad. you were home. and there were enough pills in the marble bathroom sink to make headlines.

you survived, though. of course you did.

because perfect, arrogant, untouchable girls don’t die — they haunt.

and your punishment for living is him.

rafe fucking cameron.

he’s barely older than you. just enough for it to piss you off. tall, southern, clean trigger record with a dirtier mouth than you’ve ever heard. a body that makes security cameras glitch. hands that belong on weapons or waistlines and nowhere in between. and he’s made it very clear he thinks you’re unbearable.

“you don’t have to stare,” you mutter now, tipping your head toward the window, the moonlight slicing through your thighs like porcelain. “i’m not gonna jump.”

he doesn’t move.

you smile again, slow and poisonous. “what, scared i’ll land on your truck? dent your precious masculinity?”

he doesn’t bite. doesn’t blink.

instead, he moves forward — slow, precise steps, the kind that come from training. or rage. or both.

he stops just short of the bed.

“you took too many once,” he says, voice low and gravelled. “so don’t expect me to look away. not tonight.”

you freeze, lashes fluttering. something in your stomach twists — embarrassment? guilt?

no. you don’t feel guilt anymore.

“that was a long time ago,” you say. “i don’t even remember it.”

“i do.”

you look at him.

he looks back like he could kill you if he wanted. like he wants to.

and god, it does something to you.

“what’s the matter, cameron?” you purr. “tired of guarding your favorite brat?”

his nostrils flare.

you sit up a little, letting the strap of your tank fall off your shoulder like an accident. “your voice gets all low when you’re mad. it’s kinda hot.”

“shut up.”

you grin. “make me.”

rafe exhales sharply through his nose. his jaw ticks. his eyes drop to your mouth and stay there.

and suddenly the air between you goes nuclear.

because it’s not just hate. not just history. not just a rich girl in grief and a bodyguard with a bruised soul. it’s something else now. something no one dares to name.

“you’re not special, princess,” he says quietly, voice coated in contempt. “just another arrogant little girl with daddy’s money and too much time.”

“then why are you still standing here?”

“because if you take one fucking pill tonight, it’s my head on the block.”

“is that the only reason?” you ask, tilting your head, hair falling like honey against your shoulder. “not because you like watching me squirm?”

rafe’s hands curl into fists.

“you think you’re so powerful,” he mutters. “because you smile while you bleed.”

“maybe i am.”

“you’re not. you’re just broken. and bored. and so fucking used to being worshipped that you don’t know what it means when someone actually sees you.”

your breath catches.

he leans in.

“and i see you.”

silence.

the tension is thick, hot, awful. you swallow it like venom.

he straightens again, backing off. jaw tight, eyes colder.

“get some sleep,” he says. “your father wants you alive tomorrow.”

and then he turns — walks out without a second glance.

your legs are still shaking.

you let him go. for five whole seconds.

and then you’re slipping out of bed like sin itself, bare feet silent against the hardwood as you pad out into the hall.

the mansion is quiet. dark. all marble and echo and curated grief.

he’s halfway to the staircase when you speak.

“you gonna kiss me goodnight, or what?”

he stops. his back tenses.

slowly, rafe turns. his mouth is a straight, dangerous line.

“go back to bed.”

you raise a brow. arms folded under your tits, which you know are sitting real nice in that thin little tank. “aw. don’t be shy now. you wanted to be in here five minutes ago.”

he stares at you.

you tip your head. innocent. infuriating. “what, cat got your tongue?”

rafe doesn’t say a word. just stalks back down the hallway toward you, his boots heavy against the floor like threats.

you stay planted.

he gets in your face. you feel him before you even see him — heat and leather and danger. he’s close enough to taste. close enough that if you leaned in, your mouths would brush.

“you don’t fucking get it, do you?” he mutters, voice barely a growl.

“oh, i get it,” you hum. “you’re obsessed with me.”

“i’m this close,” he hisses, holding up two fingers, “to putting your spoiled ass back in that bed myself.”

you smile, slow and smug. “jeez, cam. take a girl to dinner first.”

his eye twitches.

and before you can blink, he grabs your wrist. not rough — but firm. solid enough to make your breath catch.

“fine,” he snaps. “you wanna act like a brat? i’ll treat you like one.”

you let out a surprised laugh as he turns and drags you back toward your bedroom. “jesus, okay! get a grip!”

“i’ve got a grip,” he mutters. “you should be fucking scared of what happens when i lose it.”

you’re still grinning. too delighted for your own good. god, he’s mad.

he kicks your bedroom door open with his boot and pulls you inside.

you stumble, laughing.

he turns and shuts it with a thud, stepping into your space again — way too close.

your pulse is thrumming.

“you keep pushing me,” rafe says, eyes dark, voice low. “and i swear to god, if i catch you outside that bed again tonight…”

he pauses. looks you dead in the eye.

“i’ll sleep in here. on that fucking chair. all night. you want that, princess? wanna wake up to me in the corner every morning until your daddy says otherwise?”

you stare at him.

your mouth opens — then closes. then opens again.

because fuck, you want it. and he knows it.

and worst of all? he wants it too.

you smile. not sweet this time. something twisted. breathless.

“well,” you whisper. “if you’re gonna keep threatening me like that…”

he stares at your mouth. your lips. that sliver of your thigh peeking out from the tank hem.

“…maybe i’ll start misbehaving on purpose.”

he doesn’t flinch at first.

just stands there, jaw ticking, arms crossed, watching you with a look that could skin a man alive. he’s not stupid — he knows what you’re doing. poking. pushing. peeling the scab until it bleeds.

“jesus christ,” he mutters. “you’re exhausting.”

you just grin, all sharp teeth and sin. “you’re obsessed with me.”

“delusional,” he fires back.

“dominant.”

“insufferable.”

you lean forward on your toes, lips parted like a fucking promise.

“you’re gonna crack one day, cameron,” you whisper. “and when you do? it’s gonna be messy.”

he rolls his eyes and turns toward the door again, like if he doesn’t look at you, he might not fucking strangle you.

and that’s when you say it.

quiet. careless.

“maybe i’ll just take the pills again.”

he freezes.

you tilt your head. “leave a cute little note this time. real poetic. maybe in lipstick.”

his back is stone.

you don’t stop.

“will say you did it, of course,” you smile, walking toward him. “that you were obsessed with me. couldn’t handle the rejection. couldn’t take no for an answer.”

he turns around.

and for the first time tonight, rafe looks dangerous.

“don’t fuck around like that,” he says lowly, voice thick with something that’s not anger. not exactly.

you shrug. “i’m just saying. it’d make a good story.”

“you think this is a joke?”

“you’re here to make sure i don’t do anything, aren’t you?” you blink up at him, wide-eyed and wicked. “so do your job, cam. or don’t.”

he’s across the room in seconds. grabbing your face.

not rough, not gentle — somewhere in the middle. fingers on your jaw, breathing through his teeth like it’s taking every ounce of strength not to do something worse.

his eyes are raging.

“don’t say shit like that,” he snarls. “not even to fuck with me.”

you blink, lashes brushing his knuckles. “i fuck with you all the time.”

“that was different.”

you don’t look scared. not even close.

your mouth tips into a smile. small. deadly.

“so you do care.”

he lets you go like you burned him. backs off, jaw clenched, breathing shallow.

you don’t move. just stare.

“don’t flatter yourself,” he mutters.

you say nothing. because you both know it’s a lie.

➽──────────────❥

“you’re really fucking sleeping in here?”

he doesn’t even look up. just grunts from the chair by your window, legs stretched out, one boot already kicked off, the other hanging loose.

his gun is still strapped to his thigh like he’s expecting the devil to climb through the walls, and his stupid hat is tilted low over his eyes like this is some kind of sleepover.

“don’t flatter yourself,” he mumbles.

you cross your arms. “seriously?”

he doesn’t answer. adjusts his belt, shifts in the chair, and exhales like he owns the place.

you glare at him. “you know that chair cost more than your fucking salary, right?”

“good. comfortable enough to watch your spoiled ass all night then.”

“fuck you.”

he huffs a dry laugh. “tried that already. you’re not my type.”

“please,” you snort. “your type’s whatever makes you feel like a man for five seconds.”

“and yours is whatever breathes near a bank account.”

the silence after that is thick. not empty—just waiting. like the moment before a car crash. like thunder holding its breath.

you crawl into bed, spine to the wall, refusing to look at him.

and yet—you feel him. heavy. still. an itch under your skin you can’t scratch.

the moonlight cuts a silver line across the room and lands on him. his neck. his hands. one of them flexes, knuckles tight, jaw moving like he’s chewing glass.

you close your eyes.

then open them again.

“you gonna stare at me all night?”

“not if you stay in bed.”

“you’d love that, huh?” you smile into the dark. “me nice and quiet. legs closed. mouth shut.”

“jesus,” he mutters, running a hand down his face. “you ever stop?”

“nope.”

he mutters something under his breath. something that sounds a lot like fucking brat.

you roll onto your side, dragging the sheets with you.

the room’s too hot. your mouth’s too dry. and you can hear everything — the creak of the leather under his weight, the way he exhales through his nose, the slow, measured breathing of a man who’s trying real fucking hard not to snap.

you smile.

“sweet dreams, cam.”

he doesn’t say a word.

but his fingers twitch on the trigger.

you open your eyes again, voice low but sharp, slicing through the quiet like a blade.

“if someone comes in here to kill me, just let ’em. tell my dad you tried your best, whatever the fuck that means. at least i’d be spared the misery of living like this.”

he stills.

slowly straightens up in the chair like a rope’s been pulled through his spine, jaw locking tight. the lazy, half-asleep look he wore a second ago is gone—replaced by something colder. harder.

“what misery?” he snaps. “you’ve got everything anyone could ever wish for. a house the size of a goddamn hotel. people who move when you blink. closets full of shit you don’t even wear. what the hell do you mean ‘misery’?”

you sit up, blanket pooling around your hips. “oh, so that’s what you think, huh? that money and nameplates make someone happy? that i’m just some rich bitch who cries for attention?”

“you said it, not me.”

“fuck you, rafe.”

“don’t,” he growls, standing now. “don’t act like you’re the only person who’s ever had it hard. i’m not saying what happened to you isn’t real. but don’t come at me with this ‘let me die’ bullshit like you’re some helpless girl trapped in a tower. you’re not.”

you stare at him, chest rising, heat blooming behind your ribs.

“you think watching you waste yourself would be easy for me?” his voice drops now, tighter. lower. “you think i wouldn’t have to carry that with me for the rest of my life?”

you blink.

“cam…”

he steps back, shaking his head, rubbing the back of his neck like he’s trying to physically pull himself together. “just… shut up and go to sleep.”

“you’re the one yelling.”

“yeah,” he mutters. “because you make me crazy.”

you lie back down. eyes fixed on the ceiling. the air between you still sharp, but quieter now. he doesn’t sit back down in the chair, just stands there in the shadows, breathing hard like he’s run a mile.

and somehow, knowing he’s still there makes it easier to close your eyes again.

the silence stretches.

not soft, not comforting. it buzzes.

you’re almost asleep when he speaks up again.

“why do you never show your back?”

his voice is low. not aggressive this time. not teasing either. it’s… something else.

your eyes snap open, breath hitching.

“what?”

“you heard me.”

he’s leaning on the edge of the chair now, elbows on his knees, watching you in that way that makes your skin itch. “you’ll wear a dress with your ass out and a neckline that’s one wrong move from a scandal, but god forbid i see your back.”

you sit up instantly, sheet clutched to your chest like you’ve been caught naked.

“jesus, are you keeping a log of my wardrobe now?”

he shrugs. “i’m observant.”

“no, you’re nosy.”

“no,” he echoes flatly, “i just don’t trust people with secrets.”

you scoff. “good thing i don’t trust you with them either.”

but your voice is off. a little tight. a little too quick.

his eyes narrow just slightly. “so what is it?”

you cross your arms. “drop it, cam.”

he doesn’t. of course he fucking doesn’t.

“you act like you’re untouchable, like nothing sticks. but whatever it is, it’s got you spooked.”

“you’re imagining things.”

“am i?”

he’s standing again.

you glare. “i said drop it.”

but it’s too late—there’s heat creeping up your neck, your hands gripping the blanket tighter, like he might somehow see through the cotton, see you.

his voice softens, which somehow makes it worse.

“i didn’t ask to hurt you. i just asked why.”

you look away. swallow. “some things aren’t meant for people like you to see.”

he watches you for a beat.

then sits again.

and—for the first time since he showed up at your door with a loaded weapon and a dead stare—you feel like he actually saw something real.

and that’s what scares you more than anything.

he leans forward again, elbows digging into his knees like he’s bracing himself for something. voice low, slow, baiting you like he always does when he wants to get under your skin.

“what does that mean, huh?” his eyes flicker, tone sharp but steady. “does your dad know why you’re hiding your back?”

you stiffen. there’s a pause.

and then—quiet, dangerous—you say,

“no. he doesn’t.” your fingers tighten around the blanket. “and he won’t. not from me. not from anyone.”

rafe raises a brow, not even pretending to hide the way he’s studying you now”

“never say a word about what, exactly?”

you shake your head, eyes flashing. “you don’t get to ask that.”

“the fuck i don’t.”

“you’re my bodyguard, not my priest,” you snap. “and definitely not my therapist.”

his mouth twitches like he’s about to smirk—but doesn’t.

“so it’s something bad then,” he says. not a question. just an observation. “something you think would ruin the little princess image if it ever got out.”

you sit straighter, jaw clenched.

“i said drop it, cameron.”

he tilts his head, still watching. not pushing now—just waiting.

so you throw the covers over your head. not like a child—but like someone seconds away from unraveling, and desperate to protect what’s left.

you don’t see his expression change.

but you feel the air shift when he finally says—

“fine. keep your secrets. but don’t act like they won’t eat you alive eventually.”

and somehow…

it sounds less like a warning,

and more like he would know.

tags: 🏷️ @rafesbabygirlx @rafesfavegf @pluviophilis

[felassan]

Dragon Age Day 2024 – Developer Reddit AMA (Q&A session) – compilation post

Introduction: “Happy Dragon Age Day! John Epler and Corinne Busche are here to answer your questions for the next ~2 hours. Looking forward to chatting with everyone. We won't be able to get to all questions, but hoping to get to a good mix!”

I gathered the questions and answers from the AMA together in this post, as the AMA has now concluded. The rest of this post is under a cut due to spoilers and length.

Q: "If you could’ve developed DLC, what — and/or where — would you have wanted to explore? Would it have been a new locale with a complementary, self-contained story or something that adds to the main plot and teases the future?"

Corinne Busche: "On the gameplay side, I had a thought about adding a new class option, which is directly related to the environments and story. I've always wanted to revisit the Bard, and I've long felt in the context of Veilguard the best way to handle player-controlled blood magic would have been to build a unique 'Blood Mage' class for it."

Q: "Can we look forward to more lore-supplementary material, for example World of Thedas vol.3?"

John Epler: "With all of the lore reveals in DATV, another World of Thedas is something we'd absolutely love to do. That said, they're complex beasts and require a lot of work from a lot of people, so I can't really promise anything, but it's something we're interested in, at least."

Q: "1. How exactly did Solas's blood magic manipulation of Rook work? Did he only alter Rook's perception to make them think that Varric was still around, or did the blood magic actively prevent Rook from reacting to Varric in a way that would have given up the ruse to the other characters? 2. What is the state of Southern Thedas after the events of DAV?"

John: "Solas' magic caused Rook to see Varric when he wasn't there. Originally, of course, Solas wanted Varric to keep Rook more off-balance - but the thing about the Fade is that things don't always work the way you expect or want them to. As for the state of Southern Thedas - it's been pretty radically altered. The balance of power has shifted, but even those who rode out the storm of the Gods' blight better than others are still reluctant to start anything as the whole place is in rough shape."

Q: "When looking back on DAV, is there any part you wish that you could have spent more time on?"

John: "For me, it's about the Antaam and their split from the rest of the Qunari. There are elements of that story in both the Crows content and in Taash's personal quest, but in a dream world, having the Ben Hassrath as an additional faction (albeit, one you don't know if you can trust) would've been nice."

Corinne: "And for myself, I certainly share some of the desires the community has. Going deeper on romances, and more choices to import. I love our choices and consequences in the game already and maybe we could've added a few more on the scale of the Minrathous/Treviso choice, that significantly alter the remainder of the game. I think we learned how to make that work within our gameflow and content structure, so I look forward to being able to lean in on these beats more heavily. That said, no artist or creator is ever going to be completely content with their work, and even so when I take a step back and look at the game as a whole, I'm extremely proud of what were able to accomplish."

Q: "Can we get confirmation on what happened to the other Evanuris? Will we get any more lore? Shame we didn't hear a whole lot about them besides essentially being behind the previous Blights."

John: "We haven't been SUPER specific about this, but at best the other Evanuris are a shadow of their former selves, and at worst they're dead. The death of their Archdemons, particularly when they were still trapped in the Fade, caused enough magical feedback that it broke their minds and bodies. A couple may have survived as shells, but they aren't in the same state as Ghilan'nain and Elgar'nan."

Q: "Will we get at least anything post launch that via free updates that further expands some story elements? Will rook continue to be the main protagonist going further??"

Corinne: "We've been continuing to improve upon the game post-launch through various bug fixes, balance updates, and quality-of-life improvements. Notably new character creator options and armors for DA Day and N7 Day, and some cool features like Photo Mode filters. Beyond this focus however, we largely view this story as complete and are not planning for further story content. Whether Rook will return in the future, well it's just too early to say :)"

Q: "The marketing for the game claimed that choices not imported from prior games wouldn't be overridden. However, certain dialogue from characters like Harding seemed to establish certain canon events from previous games that were not locked in. Is the intention that a hard canon is being established from DATV forward?"

John: "Ultimately, there's still no intention for there to be a hard canon going forward. These games have been going on for 15 years, though, and with all of the previous games to remember, as well as developing this one, there are absolutely places where we unintentionally suggested there was a hard canon (the one I've seen specifically is that Isabela is always assumed to have joined Hawke's party). I'd say those are oversights and not part of a deliberate strategy. While there are definitely some smaller decisions we will likely never revisit, I want to keep those other choices alive and relevant in the future, and with the state of Thedas the way it is at the end of DATV, I don't really think there's a way forward that DOESN'T involve bringing some of those bigger choices back to the forefront."

Q: "Was there anything at risk of being cut from the game that you fought tooth and nail to keep in?"

Corinne: "Oh, absolutely. There are always those things in game dev that are at risk due to scope and deadlines. There were 3 big ones that immeadiately come to mind: The Transmog feature, the Lords of Fortune Hall of Valor, and Haunts questline. I'll throw in Photo Mode as well, but that was one that we always knew we'd like to do, and had to dig deep to find the time and resources for it."

Q: "Is it set in stone that we will not be getting DLC?"

Corinne: "Correct, our focus was to tell a complete story with the release of Veilguard. Beyond the quality of life improvements and a couple new armor sets we're doing to support the game, we won't have any new story or gameplay content coming to the game."

Q: "Are there any plans to try and increase character saves on console to more than 3?"

Corinne: "This is something we've investigated, but because this touches our save file architecture there are no plans at this time to increase the limit."

Q: "Are you planning to make another Dragon Age after this one ?"

Corinne: "There are so many more stories yet to be told, and threats to defend against, within Thedas, but that's all we can say for now as we don't have anything new to announce."

Q: "With the polarizing nature of this iteration of Dragon Age, how did the media attention affect the team as a whole and the morale leading into and post launch?"

Corinne: "This is a tough one to answer, because it's so personal and specific to each member of the team. So let me say this, we've seen that with each Dragon Age release there has been a passionate, and sometimes polarized, response. When you consider how invested the players are, the nature of reinvention in the franchise, and the commitment to inclusivity, it makes a lot of sense to see the broad array of reactions. What I can say is that the team is really proud of what they have built, and the positive critical reception it's received. Within the team, we've been sharing all of the wonderful letters, fan art, and anecdotes from the players, and listening closely to the constructive criticism. That's really where we focus our attention."

Q: "Could you comment on current logic of Lucanis romance? Him leaving PC because of a certain choice does not make sense, because right after that he picks up the romance arc with Neve, who did exactly same choice. Was it intentional, or are we dealing with a broken plot flag or oversight?"

Corinne: "Lucanis is a deeply passionate individual, and rightly or wrongly, can't overlook that it was Rook's decision as the leader of the Veilguard to support Minrathous, when so many lives were bound to be lost in Treviso. It hasn't dimmed his passions, which is why he ultimately still pursues Neve, but it does come at the cost of the fledgling romance with Rook. As with all people, Lucanis is complex in the way he internalizes his experiences, and this is one he couldn't look past."

Q: "Are there any comics or books planned that are set after the events of DAV?"

John: "Ancilliary media is always tricky but personally I'd love to do more in that space. I think the ending of DATV leaves the world pretty well open to a number of different stories and exploring how the dynamics of Thedas have changed after the events of DATV is, IMO, a really fun path to go down."

Q: "Can we see Sandal in the future Game/DLC?"

Corinne: "That's an interesting possibility to explore. Especially given what we've learned in Harding's quest line and the awakening of her powers through her connection to the Titans. It's a really fascinating side of lore, but like we've mentioned already we don't have any new story content coming to the game or anything further to announce."

Q: "I want to give a shout out to John, Corinne, and Trick in particular. What a great group of people who clearly love this series! Would love to know about their canon Rooks/romances and their playthroughs" 

Corinne: "At this point I've done so many playthroughs it's difficult to keep them all straight! If there was one that I'd say is my "canon" however, I'd say it would be my Shadow Dragon Qunari Rogue, named 'Rin'. She was a Veil Ranger who was always a bit quick on the draw, chose to save Minrathous, selected Maevaris for Archon, and romanced her one true love: Taash! Ultimately Rin and Taash agreed that Taash should honor their life as a Rivani, before we defeated the gods, redeemed Solas, and sent him off into the fade to be with his own true love: The Inquisitor. <3"

John: "Qunari mage Rook who's romancing Harding. He's the handsomest Qunari in Thedas, and that's a burden he bears every day. I'd also just add that while I appreciate the kind words, a game like this couldn't come together without a tremendous number of people, far more than are active on social media. So shout out to the whole team for the hard work they've done."

Q: "Can we hope to see something related to Awakened Darkspawn in the future that the franchise has? (As in prequels or new instalments.)"

Corinne: "Difficult to say. I've always been a fan of the rare cases of Awakened Darkspawn, but if they were to turn up, it would need to be because they were right for the story."

Q: "My question is - what are your plans for upcoming patches? Do you expect that they'll mainly be bug fixes, or is there a possibility that there could be content patches? And if so, any chance for more interaction between Rook and the companions, since that's top of many of our wishlists for the game right now? (Lucanis in particular for me :) but every one of us has their own favorites!)"

Corinne: "I'm so glad you enjoyed it!! I believe we've responded to another question about the post launch plans, but let me include some of that information here as well. We're currently focused on various bug fixes, balance updates, and quality-of-life improvements. Notably new character creator options and armors for DA Day and N7 Day, and some cool features like Photo Mode filters. Beyond this focus however, we largely view this story as complete and are not planning for further story content."

Q: "Where does Andraste and the Maker fit into the world of Thedas given all that was revealed during Trespasser and Veilguard. We obviously know the whole story about the Evanuris and their role in shaping the world as it is, the Black City, the Blight, etc. Is The Maker just a human mythology that sprang up to explain this? Does The Maker still exist?"

John: "That's a weighty question. I do think there are some questions we should never (and likely will never) answer completely - I think the moment you reveal everything there is to know about a fantasy universe, you start to lose some of the mystery that brought people into it in the first place."

Q: "Are you going to add new armor or skins as you added the Mass Effect one?"

Corinne: "We actually just dropped the new Hawke-inspired armor, face paint, and body paint, as of today in celebration of Dragon Age Day!! Really hope you enjoy! I know for me personally, it's going to be my go-to transmog armor from now on."

Q: "What features/storylines were left on the cutting room floor? Followup if you're feeling generous: How was the development of Veilguard viewed internally, and was the majority of the studio satisfied with the time given to develop the game?"

Corinne: "Tightening up content and making cuts is a tough but typical part of game development. A few of the biggest cuts we had to make were trimming down the Faction story arcs, and letting go of a few explorable spaces. There were also a few areas, like blighted Weisshaupt that we could've returned to and explore. In both cases however, I believe we rightly opted to let go of these quests and areas in favor of increased focus on the quality of the existing Faction quests and exploration areas and shipping a high quality performing experience."

Q: "After reading the Dragon Age: The Veilguard book I noticed the jurassic tortoises didn't make the cut into the game, they were also teased in the initial teaser trailer from a few years ago. Any particular reason they were cut?"

John: "It's less about them getting cut and more that they just never moved far enough ahead to be a part of the game with full animation sets (combat, locomotion, etc)"

Q: "Is there any hope that you'll be announcing official mod tools, or a toolset like Dragon Age: Origins?"

Corinne: "No, we don't have any plans for official mod support."

Q: "My question is >! where does Solas/where do Solas and the Inquisitor go off to at the end if he’s redeemed? Back into the prison he made or just the fade in general?"

John: "We're leaving that ambiguous on purpose, but given that the Fade is shaped by dreams and thoughts, I think it's fair to say that the section of the Fade that Solas and the Inquisitor end up in is a lot nicer than the Fade that Solas gets trapped in with the other two endings."

Q: "How do you think Veilguard sets up the future of the franchise? Where would you like to take it from here?"

Corinne: "I'm sure it won't surprise you when I say we riff on this topic a lot! What really captures my imagination now that we've resolved some of the mysteries pertaining to the blight and the Elven gods, is exploring the aftermath of this crisis in a deeply destabilized Thedas. As you can imagine, given a blight of this magnitude, and the revelations of the Elven gods, it's going to have long lasting geo-political implications, and there will be those eager to take advantage of the situation. Not to mention, there is so much yet to explore in the nature of the the Dwarves and Qunari, and their relationship to the Titans and Dragons respectively."

John: "To riff on what Corinne is saying - I think, for myself, I'd love to look at taking it down from 'end of the world' to 'the world is changing, how do you adapt and react'. The balance of power has changed, and the Sword of Damocles that is the Evanuris and the Blight is no longer hanging over the world. What does that look like? Who's on top now? And with all the revelations brought up in DATV, what does that look like for the Dwarves, or the Qunari?"

Q: "1) I've seen people that they believe Andraste was a vessel for Mythal because of a comment Morrigan makes about a previous vessel falling in love with an Almarri Chieftain. Is this the case or was she talking about Flemeth? 2. About the Executors, is their manipulation more on the level of leaking information to select people to guide events, or is it more along the lines of "Loghain suspects that Cailan wants to ally with Orlais, let's stoke his hatred by having him see/hear events that remind him of what they did." 3. Lastly, are there any plans to let us visit Kal Sharok proper in any future games? It was great getting a small glimpse of the Dwarves from there and see an outpost but would love to see the actual city!"

John: "I think I'm going to have to keep the first question a mystery for everyone. :) For the second, it varies. The Executors are very mysterious and, more importantly, incredibly risk averse. They attempt to manipulate events in the most subtle way they can manage. Sometimes that means leaving a particularly inflammatory document on the right desk. Sometimes it means stoking existing fears and doubts. Not everything they try is successful, in part because of how unwilling they are to put themselves at risk. For Loghain, it would have been incredibly subtle. He's smart, strong willed and, in his own way, loyal to Ferelden to a fault. For others, it would've been different. I'd love to do more with Kal Sharok as there are some interesting stories still to tell that involve them, but we don't have anything to announce as it relates to future games."

Q: "If you could make one of the faction leaders a party member in the next game, who would you choose?"

Corinne: "For me, it would absolutely be Evka and Antoine (you have to bring them as a couple, right???). They've come to have place in my heart, and I would love to know what the future of the Wardens looks like. That said, a couple of runners up: Maevaris Tilani, and a reprised companion role for Isabela, would make me very excited!"

Q: "Did you expect so many players to be so thirsty over Emmrich? He is the best player in the game for me, thank you for his lovely presence."

Corinne: "I mean, we definitely had our suspicions. Within the dev team, we are also fans of the game, and what we found was that some of us were very drawn to, and quite vocal about, our resident necromancer. There's something so endearing about his gentle demeanor and that juxtaposition of necromancy as a force for good and reverence, that makes him really compelling."

Q: "I wanted to start out by saying I love this game, but one of my major questions is: What happened with the Lords of Fortune? They have significantly less content and reactivity than the other factions with Rook not even commenting on things that they would already know like Isabela explaining what "Pulling a Barv" is. Similarly, the Lords don't have a theme for the Lighthouse OR colorways or even a real faction quest line like the others have. Were they intended to be a different faction (a qunari/tal vashoth one maybe) and it got swapped late? Where they just added late when time/budget was already running low? Was it determined that fewer players would pick that faction so less resources were allocated? I feel like there's a reason as to why since the difference between playing as a Lord and playing as any other faction feels really extreme."

Corinne: "We always knew that some of the factions needed to have a larger presence in the overall story than others, so when we approached our content planning, we took that into account. They are inherently assymetrical. That said, I think there is a lot of interesting material to now work with in regards to the Lords of Fortune and the Rivain Coast if that's right for another story."

Q: "What was the motivation behind writing the Inquisitior's missives and the ultimate fate of southern Thedas? Is that an area you are likely to revisit in future games? T his question is the result of a lot of discussion that's been had in the fandom as of late and one to which there's no definite answer, but I'm curious: as developers and writers, what features and qualities do you believe make up Dragon Age's core identity?"

Corinne: "Around the time we approached Alpha, we realized that this blight, and the impact of the gods on all of Thedas was so much bigger than what the player would see in the north. We felt this was a natural opportunity to have the Inquisitor serve as that connection to the events happening in the South, to show that the entirety of Thedas was impacted, and the Inquisitor was not one to stand idly by. Sometimes I daydream about exploring the parallel adventures of the Inquisitor in the south while these events are unfolding in the north. That could be a really fascinating tale and perspective. Regarding Dragon Age's core identity. Well, that's a big question and one that will mean different things to different people. I can tell you that internally we've always stood-by the mantra that 'Dragon Age is an experience about people'. That is to say, the setting serves as an opportunity to really explore the depths and motivations of characters during times of crisis, joy, and companionship. Another that I reflect on frequently is how Dragon Age has become a franchise where each game has been different in its approach, and while it can make these titles challenging to develop, it also creates an opportunity to keep the franchise fresh."

Q: "What was the reasoning behind only making Dock Town an explorable area in Minrathous, rather than a combination of areas of the city, such as where the upper class lives?" [I think this comment was edited at some point after posting hence some of the answer below seeming unrelated]

John: "Given the state of Thedas at the end of DATV, Minrathous has become the diplomatic hub for the entire continent. While we could, to some degree, avoid references to the Divine and Ferelden's leader by virtue of this game taking place in Northern Thedas, I don't think that would be possible (or satisfying) going forward. There will, as always, be some choices that we won't reference, but others are, I think, going to be required to tell a coherent story in the future. Focus, more than anything. We originally had a few areas in Minrathous but rather than spread our resources thinly across multiple areas, we chose to focus on Dock Town and make sure it felt coherent and cohesive, as well as doing our best to stamp out any bugs we found. If we ever revisit Minrathous (which I'd love to do), I think we'd spend more time in the other districts. Both Harding and Davrin have specific, non-quantum reasons for being willing to sacrifice everything to stop the gods. For Davrin, he saw Weisshaupt fall - and he had his own opportunity to heroically sacrifice himself taken away. For Harding, she's been on this quest for nearly a decade, and she saw Varric, her friend and mentor, fall. Neve/Lucanis could have worked in either slot but that multiplies the complexity even further - and Neve already was earmarked for the wards."

Q: "During development, did you plan for a cameo of any companion from previous games that ultimately got scrapped? If so, may I ask who? And on this topic, has an appearance of the Hero of Ferelden on the table at any point? Is there a reason they haven't appeared since Origins?"

Corinne: "Thank you so much for the kind words! Glad you enjoyed! While not a companion, for a long while Charter had a role in the game. Ultimately we felt this wasn't the best fit and decided to move away from her appearance. In some cases, the opposite was true, where we added former Companions. Bringing back Isabela was a relatively late call, but we did feel we had the right role for her to fill within the Lords of Fortune. I often think about the role the Hero of Ferelden might play. It's a challenging one due to the choices the player may have made, not to mention how we handle giving them a voice that matches player expectation given they were a silent protaganist. But I do think there is something there, and I would like to explore it, if we can find the right story to tell."

Q: "If an elf were to, say, exist in the Fade for an extended period of time, would they regain the elven magic (if not already a mage) and immortality? 👀 And if, hypothetically, they one day returned to the physical realm, would those qualities persist? (Tried to be as unspoil-y as possible!)"

John: "I think, at this point, no one really knows what's going to happen to an elf who spends an extended time in the Fade. In part because the Elves of today and the Elves of Solas' past are not really the same at all. But also, the Fade has changed since Solas was a spirit. So while he may have theories, he can't say anything for certain."

Q: "Throughout the game there are many hints at a new storyline involving the past of the Qun, The Devouring Storm, and the involvement of The Executors. In what capacity can we expect this new narrative thread to be explored (novels, comics, next game)?"

John: "I think that if these story elements aren't at the core of any new material, they're at the very least going to exist on the periphery. The story of the Evanuris is done - the gods are dead (or imprisoned) and Thedas is in a state of flux and uncertainty. I imagine that whatever happens next is going to be a surprise to everyone, including the people of Thedas."

Q: "I was wondering what happened to the forgotten one and why was he scared of the eye does that mean something or is it just him say that he is scared of going back into the fade"

John: "When Anaris is defeated, he's sent back to the Void. What's there isn't something anyone really knows, but if you read the other Codex entries scattered around Arlathan, it's clear that Anaris has touched something far darker and more dangerous than he expected, and now it has his scent, so to speak."

Q: "Compared to previous installments, Dragon Age: The Veilguard makes an effort to de-centralize the moral complexities of Thedas (i.e. the softening of the Antivan Crows, the lack of slavery seen in Tevinter, etc), instead focusing on choices based on character arcs instead of politics and/or morals. Is this shift an intentional one? If so, should we expect these kinds of character choices to be the new standard for Dragon Age games?"

John: "What worked for DATV isn't necessarily what's going to work for the future. Particularly with Thedas left in the state it's in - the balance of power has shifted dramatically. The South is suffering and the North isn't doing much better. Even those who may have forgotten past prejudices and put aside their differences in the name of stopping the gods are now being faced with a very different world than when they began this fight."

Q: "What other player choices from Inquisition and/or Origins & DA2 would you have liked to have implemented if you had more time and resources? Also, what characters would you have wanted to bring back?"

John: "Well of Sorrows. I think that's the biggest one - and we had some ideas for what we wanted to do with it. Unfortunately, making games is rarely a straight line endeavour, and some of the challenges we ran into required us to scrap that choice. I'd have liked to do more with the Divine as well, though with how little we touched on Andrasteism in this game I think it would've been a bigger challenge than expected. I think Fenris is the easy answer, but it's also the real one. Given his history, his relationship with Dorian and Mae could've been fun to explore, particularly depending on how you left him in DA2. That said, the challenge always does come down to 'quantum' - if a character could be dead, you can't make them load bearing, so they end up relegated to a cameo."

Q: "Is there a canon reason (maybe in some supplemental stories) that explains what happened to Fen'Harel's agents? Are some of the Dalish clans still working for Solas? What are the Arishok and the rest of the Qunari doing while the Antaam are conquering parts of Thedas? Does their absence in veilguard imply that they secretly approve of their actions or are planning on using them to their benefit? The faction of crows we interact with is very heroic and often puts aside their role as assassins in order to protect Treviso's citizens. Does their altruism create fiction between them and the other factions, who might see them as weaker or idealistic? What are some of the other factions like?"

John: "Solas' experience leading the rebellion against the Evanuris turned him against the idea of being a leader. You see it in the memories - the entire experience of being in charge ate at him and, ultimately, convinced him he needed to do this on his own. And his own motivations were very different from the motivations of those who wanted to follow him - he had no real regard for their lives or their goals. So at some point between Trespasser and DATV, he severed that connection with his 'followers' and went back to being a lone wolf. There are Dalish clans who are sympathetic to his goals, but even there, there's an understanding that he's too dangerous to have a more formal connection with, and that he will, ultimately, sacrifice them to his own ends if necessary. The Antaam no longer recognize the authority of the Arishok. Part of why they've split into warring factions of warlords is that they felt his adherence to the Qun (which he still adheres to, even now) was holding them back, so they organized what I'd describe as less of a coup and more of a 'choosing to ignore his orders' and launched their own attack on the mainland. Absolutely. I don't recall if this exchange made it into the final game, so apologies if not, but it's very clear that the faction of Crows you interact with is the 'idealists' of the bunch. The rest of the Crows, on the other hand, are far more pragmatic and willing to work with whoever emerges on top of the pile. Illario's far more representative of the average Antivan Crow than either Teia or Viago, and it's only Caterina that kept him in check this long."

Q: "What led to the player Quanari appearance compared to the Antaam, who look like Quanari from the previous game. Was it an armor modeling issue or just a design choice?"

Corinne: "To be honest, it's both. First let me say that when you have a character creator with the breadth of sliders and options for both head and body, that does create some constraints that you need to work within. We felt this was ultimately a good trade-off for the player, to ensure they could get the full range of face and body sliders that the other lineages were afforded. Also, we viewed the player-created Qunari as a continuation of the style of player-created Qunari in Dragon Age: Inquisition, which in both games, differ from some of the other forms of Qunari we've seen."

Q: "Having reviewed some of the game files, I'm curious about what the "dreamer" mechanics would've looked like? Would there have been dreamers on every map? Would it have just been a dialogue or would we have been able to see/experience the memories/dreams the dreamers are stuck in?"

Corinne: "We explored the idea of Dreamers at several points in developement. I believe the instance you're referring to was a mechanic in which you could encouter a Dreamer in the world, and then also encounter their corresponding consiousness in the Crossroads. We would have used this as a way to encourage a "back-and-forth" set of optional quests and mysteries to encourage exploration and discovery. Ultimately we abandoned the concept because mechanically the Crossroads Gates and corresponding Champions were providing a similar experience in driving the player from the Crossroads, out into the world, and then back to the Crossroads again."

Q: "The hair physics in the game are incredible. When did the studio commit to improving the hair options/physics, and was there any conversation/debate over that? Bad hair has been a staple of the franchise, so this was a delightful change to see."

Corinne: "Thank you so much! We heard the fans loud and clear, when it comes to character customization, that we needed to step up our hair game. This tech was something our engineers, character artists, and technical animators were all deeply passionate about (as you can tell!). So all of that combined it was a relatively early decision to invest in."

Q: "Some of the companions’ questlines left me craving more lore! For example, how did Valta end up as the Oracle and how does her gift differ from Harding’s? How did Zara manage to get Lucanis possessed as a rogue? Are there any other Forgotten Ones like Anaris actively trying to make their way back to the world? In short, might these questions be answered in the next Dragon Age game or additional media, or are they purposefully left open?"

Corinne: "I'm so glad these stories have their hooks in you! We have to leave some threads to tug on for future stories. ;-)"

Q: "(Spoilery question) Do elves or dwarves exist beyond Thedas?"

John: "That's a great question - and it's actually one that Bellara herself asks. I think 'what lies beyond the sea' is one of the most interesting spaces to explore in Dragon Age and whether the same people exist there is something that... well, I have some ideas, but I don't want to get into spoilers."

Q: "What happened to red lyrium? It feels like it was all but forgotten after DAI, even though it is blighted lyrium, and it felt like it would have made perfect sense to dig into its lore and workings a bit more since Ghilan'nain is the mother of the blight, and now knowing what the ancient elves did to the titans for lyrium.Red lyrium caused a lot of grief over the games that feels is just up in the air now, I'm curious if it was written out for the sake of a different narrative. Sortof connected to my previous question, if red lyrium is now not so significant in the lore/missing from it, why did the two gods need a specifically red lyrium dagger after losing Solas' purified red lyrium idol one? How does one purify something/someone of the blight itself?"

John: "Red lyrium is still present in DATV - it's how Ghilan'nain and Elgar'nan are able to craft their dagger, after all, and it ties directly into Harding's personal quest - but at a certain point it felt like it wasn't serving much of a purpose 'out in the world', so to speak, that the Blight wasn't already serving. It made a lot more sense in DAI, where you had the Red Templars who were directly using it to gain power, but without them in the picture, we chose to lighten the emphasis on it for DATV. Particularly in a game where the connection and threat of the Blight is so much more immediate, with the gods out in the world."

Q: "How did you get the hair physics to do all that?"

John: "A lot of tremendous work from character art, programming, tech art and tech animation. I'm sure I'm missing some groups but, yeah, the hair really is incredible. I've been on DA since DAO and I recall the (fair) critiques we got of our hair post-DAI. It was incredible to see it come together."

Q: "Where does Emmrich sleep? He’s the only one without a bed in his room lol"

John: "He sleeps standing up, like a horse."

Q: "which of the three/four endings do you find the most thematically satisfying? in regard to solas and/or rook (because i’m not sure the answer is the same for both!) & why isn’t rook invited to the book club?? sorry this is my villain origin story, why is my beloved emmrich enabling this social ostracism. does rook canonically hate to read?"

Corinne: "As a Solavellan, I personally love the Redeem ending with the Inquisitor/Solas romance variant. I cried my eyes out at the end of Trespasser, and now that they can finally be together to know the joys of their love makes me so happy."

John: "I'm a big fan of Outsmart, largely because I think there's something deeply satisfying in outsmarting someone who is very confident about their cleverness and spends a lot of the game reminding you of it. That said, I will admit that the Solavellan ending is deeply moving, even for someone who, at one point, wanted to fight Solas like a Yakuza boss. As for why Rook's not invited - it's entirely an attempt to avoid forcing roleplay on a character that may not fit your idea of Rook. Some people's Rooks may not have the connection to the team that would let the book club make complete sense. That said, I totally get why people wish their Rook could be involved."

Q: "TLDR: ll some classes be buffed? Iirc in an interview corinne (i think? I dont remember where or who), said shield toss got nerfed cuz it was waaaay too strong. Having playing the game now with pretty much all classes, will there be some balancing changes? I definetely dont want shield toss to be nerfed again, i love it soooo much, but its definetely waaaaaay above everything else i managed to build so far."

Corinne: "We're definitely monitoring class balance, and have generally taken the stance of "buff not nerf". That said, we're finding pretty good viability for all of the specializations, with the right supporting skills, gear, and companion builds. So in terms of priority that's lead us to largely focus on addressing properties on skills and gear that were not functioning as intended. I don't want to dismiss your feedback here though - I'll take a moment to dig deeper into our Veil Ranger data and see how those builds are comparing specifically. Glad you're enjoying the shield toss builds. That playstyle was definitely one that we were very excited about supporting!"

Q: "Why did Assan have to die with Davrin in the Ghilan'nain choice?"

Corinne: "Turlum is a powerful bond. There was simply no way Assan would have given up on Davrin so easily. Hope is a powerful force when it comes to the people you love, and sometimes we risk everything for it."

Q: "Something that has me confused. When Bellara/Neve are blighted but help use the blight to stop Elgarnan and at the end when all the blight in the area died and they were cured of the blight. How did they get cured? Is the blight itself now curable? Also, how did Solas manage to cure the red lyrium idol of the blight so he could have it back to it being the normal lyroum dagger?"

John: "When Solas bound himself (or, depending on your ending, was forcibly bound) to the Veil, it severed the connection that the Blight had to the waking world. The reality is that the Veil has been leaking ever since the Magisters first entered the Black City, and the dreams of the Titans gave it its terrible and awesome power. Now that the Veil is fully repaired, the Blight lacks that motive force, and being so close to the epicenter of that change has stripped the Blight in Minrathous of its vitality. It's calcified now - dead - and Bellara/Neve no longer suffer its effects. If they'd been anywhere else, further from that epicenter, it would've likely been different and they still would be looking for a cure. But without that power behind it, it's less dangerous and deadly than it's ever been before. So while it isn't generally 'curable', it's less of a short-term death sentence than it has been previously. As for how Solas cleansed the idol - another ritual. This one was much smaller scale, but a lot more dangerous."

Q: "What lead you to the decision to step away from active conversations with the companions as in previous Bioware games, where you can initiate them at any moment and ask exhaustive questions?"

John: "For us, because of tech limitations, it became a choice between exhaustive investigate conversations, or letting the companions move more freely around the Lighthouse. With the kind of experience we were going for, one where seeing the team grow around you is paramount, we felt that seeing them interact in common spaces (and in each other's rooms) made more sense."

Q: "I have just one very important question: what are your thoughts on Solas and Rook as a pairing? Their chemistry and interactions were a highlight in the game for me personally and I need to be able to sass and then kiss that egghead."

Corinne: "Oh gosh, you and me both! I'm not sure any of us could have anticipated how notable that chemistry turned out. And what excites me is how this relationship is something that could be developed even further."

Q: "I was wondering if it would be possible to see Cassandra in Nevarra interacting with Emmerich or Zevran in Antiva interacting with Lucanis? I understand that there a danger of turning any game into a cameo fest that would only appeal to old school fans but I did miss them. Especially as we had Isabella and Dorian in Rivain and Tevinter. To make the question a little more general what are the chances of seeing pre veilguard companions in any future iteration of dragonage?"

John: "I think the joy of the kind of 'fresh start' that the end of The Veilguard gives us is that, if we do make another game, we're no longer spending so much of the early game not only onboarding players into a new story, but also onboarding some of them (namely, those who didn't play DAI or don't remember it) into the story that leads up to this story. And part of what that allows you is more opportunity for returning characters who are meaningful, because their past is less likely to be narratively load bearing to the story. People who recognize them will have a moment of recollection, and people who don't won't be any more confused by the experience."

Q: "How did Jowin achieve the rank of First Warden? Was he ever deserving of the kind of respect Davrin seemed to have for him?"

John: "By the time you meet Jowin in DATV, he's become a political creature more than anything else. Which makes sense - after what happened to the Order in Origins, I think there was an internal realization that they had to spend more time making nice with the leaders of the various countries so no one would ever do to them again what Loghain did back then. But he didn't get that position entirely due to his connections. He was a fearsome warrior and a brave Warden in his own right, saving people and winning against impossible odds time and time again. He's older, though, and is still fighting the last war in his mind. Internally, we always described him as the general who was a brilliant tactician back in his time, but war has changed so dramatically and he refuses to keep up. I think he was deserving of that respect, though - and if you choose to talk him down (which very few of you seem to have done) you'll get a glimpse of the man he used to be."

Q: "If Solas ritual succeeded, what would have happened to the elves? And to the human? The art book make it look like they just drop dead but solas dialogs don't seems to go in that direction"

John: "I think the reality is that even Solas couldn't properly answer that question. In his mind, there would be some pain and suffering, for sure, as everyone adjusted to the raw magic now pouring into the world and the demons everywhere, but eventually everyone would live surrounded by magic and possibility. Immortality would be possible as well, and you can't make a world saving omelette without breaking a few eggs. I also think Solas is a gifted liar to everyone, including himself. Deep down he knew that the ritual was going to result in large scale casualties, but he saw it as an acceptable price to pay to fix what he saw as his mistake."

Q: "Unlike the last game, there were 2 fewer Companions, a rouge, and a warrior less, if it was up to you what sort of characters would fill up those two spots? and also if you could have a character from earlier games temporarily join you for a single quest who would you choose? with the exception of Bioware games which RPG game is your favorite"

Corinne: "Oh gosh, well I'll answer some of questions 1 & 2 together... I would have loved to bring back Fenris, either as a cameo or to fill that Warrior slot. As for the Rogue role, I do think something akin to the Saboteur Specialization would have been an interesting style for a Companion. Favorite RPG outside of BioWare games, well I'll give you three in order: Baldur's Gate 3, then Xenogears, followed by FFXII."

Q: "What happens to the lighthouse and the crossroads after the end of the game? Do the Veiljumpers claim it?"

Corinne: "Good question! I actually daydream about this one a lot! Does Rook, assuming they survived, continue to reside there given what they'd been through with Solas? Is stewardship returned to the Elven people? One thing has always been true for me: The Lighthouse existing as it does is intrinsically linked to the Caretaker, and I doubt we've seen the last of them."

Q: "My questions are mainly centered around the game's lore. Dragon Age Veilguard seems to have established a very elf centric past for the world as well as the races populating the world. Current state of the Titans, the Blight, the Old Gods, and some other things I may be forgetting, they all have links and origins to the Evanuris and the rest of the elves. In future installments, can we hope for other races to get more attention with respect to this? Because right now, it feels that most of the biggest mysteries of the universe as well as circumstances leading to the present state of the world, are a result of the elves... T o me, the magic system in Veilguard felt very different from the other games in the series. When Bellara mentioned stuff like 'recalibrate the matrices', 'readjusting energy flow', etc., it felt more scifi than fantasy. None of the past Dragon Age games had this kind of talk and it felt too big a leap for going from Southern Thedas to the North, especially considering none of the Northern characters in past Dragon Age games spoke like this either. This was one of the few instances in the game that felt immersion breaking to me. Can you guys help reconcile Veilguard's magic system with the magic of the past games?"

John: "I do agree that the elves have had their place in the sun at this point. We're never going to stop telling stories about the elves, but I think there are plenty of interesting stories to tell in Thedas where the Evanuris are tertiary characters at most. I think that's a fair reaction, but I'll answer the question in two parts. First - Bellara assumes she knows everything about magic. She probably knows more about the way ELVEN magic works better than anyone else in the world who isn't an Evanuris - but that doesn't mean she actually knows how magic itself works. The thing about the Evanuris is that, ultimately, they were able to take a very specific type of magic and shape it into doing what they wanted. But even their understanding of magic was only skin deep. Bellara and Emmrich get into this a little bit in their banter, but so much of the rest of the world - the magic of death that the Mourn Watch wield, for example, or the magic of the deep Fade that Bellara feels when she does some of her experiments in the lighthouse - is not the same as Elven magic. Even the magic that Tevinter wields, the magic of the Southern mages, is different from what the Evanuris used. The magic of the Evanuris is powerful but it's sterile, and it's constrained. So while the Evanuris have made magic work in a way that's more predictable and understandable, it's not the only kind of magic out there, and even then, I'd say they understood it at a very surface level. People were confidently describing how the natural world worked back in the 16th century. Very few of them were right."

Q: "I need to know about companion approval! I understand how companion bond rank works as it is well explained and visible in-game, but I cannot seem to find a good explanation for approval. Are the two linked? What effect does approval/disapproval have in the game? Is there something I'm missing in-game where current approval level is visible and I just haven't found it yet? PS: Spellblade Supremacy"

Corinne: "Yes! They are linked! Approval does contribute a small-to-moderate amount of progress towards your Bond. Disapproval is a small negative, but it's important to note that your Bond cannot de-level. Overall however, the surest way to advance your Bond is by helping the Companions with their personal quests. Also, really glad you enjoyed Spellblade as much as we did! The gameplay team really outdid themselves with that Specialization."

Q: "I'm mostly wondering if/how the griffons can be saved as a species since there's only one surviving clutch. It seems like a lack of genetic diversity would doom them to re-extinction, but I'm hoping there's a lore-friendly way to overcome that."

John: "It's funny you say that because I keep thinking the exact same thing. I can't remember exactly how much genetic diversity you need to have to make a species viable but I am sure it's more than just the clutch of eggs you saved from the Gloom Howler. But in a setting with as much magic and mystery as Dragon Age, I think that's probably the least of the problems the Griffons are going to face going forward."

Q: "With the ending showing a cured Neve/Bellara is that implying that the Blight outside of the Fade has been cured? If so, do Wardens no longer hear the calling, and what does that mean for the Kal-Sharok dwarves? Especially curious about this since DA:I implied the HoF was searching for a cure to the calling. In the concept art book it seemed like there were plans to show us more of Minrathous/Tevinter than just Dock Town. Curious to know what changed and if we will ever have an opportunity to return to other areas of the city?"

John: "The Blight is forever changed. It's less perilous and less virulent than it was before, and whatever motive force was coming through the Veil to empower it at the end of the game has been severed. That said, it still exists in some form, and not everyone is going to be cured in the same way. Beyond that - the Wardens no longer hear the whisper of the Calling, but right at the edges of perception, they're hearing something. What is it? Great question. With how long this game's been in development, there are things that have come and gone over time as we shift the project's scope and direction from one type of game to another. Originally we did have more of Minrathous built out for the player, but we chose to focus on making Dock Town feel meaningfully full of content instead of creating more areas just to put nothing in them. I will say that, for me, I want to revisit Minrathous in the future. I don't think we gave it enough time and there are multiple other stories that can be told both in it and with it. Particularly with the way the game ends, its importance in the world has only gone up, as it's become the diplomatic hub of Thedas, and thus a place of even greater importance in the world."

Q: "Maybe someone else can answer this question but why does Mythal’s essence relieve Solas of his guilt in the romanced Inquisitor ending when in his memories, she’s objecting to what he’s doing? Since winged dragons are female, does that mean the Archdemons/Old Gods are female? I noticed they’re labeled as male on the wiki and was unsure if it’s not updated or Old God followers assumed or were told they were male. I understand if this might pose as a logistical nightmare but would the devs consider polyamorous and/or open relationships instead of monogamy if they haven’t already? Given how diverse sexuality is in Thedas, I’m surprised there aren’t more instances of poly/open relationships. I miss going to brothels too"

John: "People grow and change over time. Mythal's essence - and in particular, the fragment of her spirit that Morrigan carries, that she got from Flemeth - is not the same Mythal who he knew millennia ago. Centuries of living in this world and being around the kinds of people Flemeth found herself around - the Hero of Ferelden, Hawke, the Inquisitor - changed her views, and made her realize her own culpability in turning Solas into the kind of person he is now. Correct, all Archdemons are female. Elgar'nan, of course, doesn't really care what reality is, only what HIS reality is, and so he's quite happy to see Lusacan as simply being an extension of himself and, thus, male. Something about Elgar'nan that we only really show in the ending is that he is, in truth, just as scarred and blighted as Ghilan'nain, but he uses a portion of his magic to always look handsome and regal, because his ego really is that big. Polyamory is something we've talked about doing before, and it's something that I know the writing team was into, but rather than simply turning it into a 'you can have multiple romances' toggle we wanted to be sure we did it respectfully and properly."

Q: "Does Solas know about the Executors and will he ever appear again in future games (similar to Morrigan)? Was there ever a point that the Inquisitor was considered as the main or secondary protagonist for this game? It was interesting to have a person with no knowledge about Solas–a cunning, ancient elven god–try to track him down especially when that anonymity did not work in their favor anyway (Solas knew about Rook for a year prior to meeting). Was 'rook' initially an alias for the Inquisitor, which they'd utilize to stay under the radar in the north, away from Solas' agents eyes and able to track him down because they knew him well (ex-companion/friend/lover)? Like was this idea ever discussed at the table or suggested by writers but trunked for xyz reasons? Idon't know if Trick Weekes will see this but I just wanted to tell them thank you for writing Solas-- in a HEA ending, what do you think they're upto in the prison? (besides the obvious)"

John: "Solas knows more about the Executors than he's let on - in fact, he knows more about the Executors than any other living being, including the other Evanuris (though I suppose they're not technically living beings anymore). But even he isn't entirely sure what they're up to or who they actually are. Their paths have crossed before, though - beyond the Tevinter Nights story that they briefly show up in. As to whether he appears again - I think it's fair to say Solas' story is done, at least for now. Even back in early development, the protagonist for this game was always going to be someone other than the Inquisitor. I don't recall if, in those early days, we ever discussed the possibility of bringing them back - the struggle with having the same protagonist game after game is that you really do paint yourself into a corner. Either it becomes prohibitively expensive to account for branching, or you ultimately underserve the very people you're bringing them back for. Rook was always the protagonist, though in very early days Rook had a number of other potential monikers including Shrike and a number of other bird names that I do not remember."

Q: "Why aren’t the Tranquil ever mentioned or depicted in the game? Correct me if I’m wrong but I’m pretty sure the word tranquil isn’t used even once. Have they been retconned? During development was there ever a conversation about potentially including a Solas wins ending? Where he succeeds in tearing down the Veil either because you let him or because you fail to stop him? I know I’d be curious to see what Thedas would look like afterward."

John: "Tranquility still exists. While not unheard of in Tevinter, the reality is that it's a far more common punishment in Southern Thedas than it ever was in Tevinter. In Tevinter, in particular, it's used more of a tool of political vengeance - but generally, only against a mage who is utterly without allies or political power. All the Tevinter mages you encounter in DATV, including Maevaris, still have some clout and subjecting them to the rite would be a huge expenditure of political capital for very little gain. Better to leave them alive and stripped of their formal authority. We had a few conversations about some non-standard game over endings, actually - anywhere from 'player takes too long in the Prologue' to an out-and-out 'yeah you know what I think I'll help Solas' conversation choice early on. What we released in the game I'm happy with though, as there are already multiple different endings you can get depending on your choices in the game."

Q: "Any chance we're going to get any behind-the-scenes content? I CRAVE a high-quality video clip of Zach doing mocap for Assan."

Corinne: "You never know! We do enjoy sharing new content from the game on our social channels so follow along in case something pops up."

Q: "What was your favourite region/area to work on (whether that be writing quests, level design, or any aspect)?"

Corinne: "For me, it was definitely Arlathan Forest. The team had so much fun with the exploration, the environmental storytelling, and the strange magic manifesting in the area. In particular I remember the first time I saw people that had been twisted into trees showing up in the area, I was taken back by the inventiveness of the team in capturing that beauty in horror. I must say, I also found the sightlines in the area absolutely gorgeous. It was really fun to watch it develop."

Q: "What are these called? [link]"

John: "Tadpoles is the name we use internally."

Q: "are telemetry surprising you in any regard?"

Corinne: "The biggest surprise for me in the telemetry is that the Save Minrathous/Treviso choice is basically split 50/50. We were all anticipating that saving Treviso would be the clear winner, but I'm happy to see it's not so cut and dry."

Q: "Did you ever thought that players would be addicted to having Rook barrel through crates and chests? There should be an Achievement for non stop barrel rolls lol."

Corinne: "Oh 100% yes! In fact, originally wide-spread destructibles weren't really planned for as a part of the game. We found with our particular take on combat that it just felt reaaaally good to smash the few destructibles that we did have. I think I spent the better part of a year putting in constant requests to make more and more things smash and break apart - not to mention the ability to roll through them! I'm glad to see I'm not alone in my obsession. Let's go break things!!"

Q: "1) Was there any plan with Radonis during concept period? 2) What more about Neve's family can you share? 3) Is there a parallel in the way Solas sacrificed the world to restore the elven world and Celene burned Halamshiral to save Orlais from a civil war? (Trick Weekes p l e a s e)"

Corinne: "At one point we did toy with having Radonis make an actual appearance in the game. In fact, if Minrathous falls to the Venatori, we had discussed having his execution on display, but we ultimately chose not to pursue this."

John: "For Neve, I'll have to ask Neve's writer, as I don't recall off the top of my head. For the question about Solas - I think it's less a direct parallel and more that Dragon Age is a series where major players sometimes have to make incredibly difficult decisions that may NOT necessarily be the best decision, but it's the best for them at the time - true for both Solas and Celene."

Q: "I just want to know... do the other companions also think Davrin's a hunk? Do you think there are companions who were rooting for a Rook x Companion romance as it was happening?"

John: "I think the different companions have different relationships with Davrin. Bellara, for example, sees him as almost a big brother - someone who she has a unique connection that she doesn't share with the other companions. Neve sees him as a fellow professional, who hunts monsters in much the same way as she does, just that his monsters are a lot more literal. As for who's rooting for a romance - I think Bellara is just excited whenever people get together. She's a huge romantic and a believer in happy ever after, so she's going to fully support whoever of her friends get together."

Q: "Please humor my newfound Nevarran cuisine obsession - it seems, based on the menu at the Lords of Fortune bar, that Nevarra is majority vegetarian ("want it Nevarran-style? Ask to leave off the meat!" or something like that), and we know Emmrich is a vegetarian. But Emmrich also reveals his father was a poor butcher. So, my questions - Who is eating the meat produced by Nevarran butchers if Nevarra is vegetarian enough that other countries equate Nevarran = veggie? Do butchers largely cater to non-Nevarran immigrants or visitors? Are the Mortalitasi/Mourn Watch entirely vegetarian (would make sense, just because of being put off by being around corpses all day, and their reverence for said corpses)"

John: "While Nevarra is a primarily vegetarian country, that doesn't mean everyone who lives there is a vegetarian. Nevarra attracts plenty of students and scholars from around the world, given its unique connection to the Necropolis and the specific magic tutelage that the Mourn Watch offers. With that in mind, its cuisine is going to be pretty broad across a number of different cultures and regions - and for some of those cuisines, meat is absolutely a very big part of it."

Q: "My biggest question is this: if Solas had been released by Mythal before Inquisition started, would he have let go of his plan? Was service to her all that was motivating him? Or would he have decided to continue with his plan until the inquisition showed him that the modern world mattered?"

John: "The latter, I think. It took the confluence of everything that's happened to him in the time since he woke back up to get him to where he needed to be for the Redeem ending. Guilt and regret motivate Solas."

Q: "When I’m writing, I tend to listen to music that goes along with it. Did any of the Devs have songs they listened to that they felt tied into the game or the characters?"

John: "I can't speak to the other writers necessarily, but for Bellara I listened to a LOT of Aphex Twin. There's something about the ambient weirdness that really worked for me as I was writing her character (to the point that one of their songs is my most listened song in 2024)."

Q: "Are rivalry paths abandoned for Bioware games? What made you design approval/bond in a way that only goes up?"

Corinne: "Oh definitely not! Rivalry will continue to have a role when the story calls for it. In the case of Veilguard, we conceived of this threat being so large, that your companions would commit no matter the cost. This afforded us some unique opportunities, like being able to tie the progression of the Companions to your relationship with them."

Q: "What are you as a team most proud of and are there any plans for a NG+ Update ?"

Corinne: "Gosh, there are so many ways I could answer this. And I think the answer would differ depending on who on the team you were to ask. So let me just say this: The creation of any game of this scope, with a team this large, is kind of miraculous when you consider all the knowledge, coordination, discussion, and expertise required. So broadly speaking, what I'm most proud of is the way the team came together to pivot and be true to BioWare's roots of creating great single-player party-based RPGs, and delivered such quality and stablity. I'm also quite proud of how player-first the effort was; Everything from being Steam native, to no Denuvo, to no micro transactions. We mustn't take for granted what monumental task it was to make this happen. There are individual features and experiences that I know we are all proud of as well. The character creator, for example, was a really big one for us. We've long sought to put the control over player-characters in the hands of the fans, and this is the game where the team believes we've best done that. In fact, it was central to one of our creative pillars "Be who you want to be". As for NG+, that's something we discussed, but at this point we don't have any plans to support it."

Q: "Can you go into more detail of Spite’s role in Rook and Lucanis’s romance? Did you expect everyone to want to romance Vorgoth?"

John: "Spite gives Lucanis and Rook privacy whenever they're being intimate. This was, I'm sure you'll be surprised to hear, a consistent topic of discussion as we planned out some of our romance scenes - is Spite watching? But no, he wanders off and reads a book (or whatever demons do for fun). At this point I am not surprised about anyone y'all want to romance. Sentient fog bank? Sure"

Q: "Looking further, what parts of Thedas you personally want to explore more (regardless if that will or will not be implemented in the future games)? Maybe specific time periods?"

John: "I don't think it's any secret that I find the idea of 'what lies across the sea' to be fascinating. It shows up a lot in Bellara's content - what happened in the parts of the world that weren't Thedas? But Kal-Sharok is another place I'd love to spend more time in. It has a very unique relationship to dwarven culture, and particularly in a post-DATV world, it feels like it'd be super interesting to get more time with them."

Q: "What made you decide to remove greatswords as an option? It's one of The fantasy weapons. Why did you choose to have a "convergent" design, gameplay wise, of classes? What i mean is that all classes have a melee option, a "parry" of sorts, amd a ranged option, with warriors throwing a nonexistent shield when 2h. Usually, in an rpg, different classes have different capabilities and limits, to make them feel more diverse. What made you choose otherwise?"

Corinne: "Originally when we concieved the 2-handed weapon stance for Warrior we did want to include Greatswords. We moved away from it largely because the movement set when swinging a large blade diverges quite a bit from what you'd see with an axe or a hammer. Ultimately we felt, given the number of bespoke animations and transitions it would take, that the time is better invested in other areas of the experience. Regarding the classes, we opted for a unified control scheme and baseline set of actions each could take (e.g. every class having a ranged attack for example) for several reasons: 1. In knowing that each class has a similar core set of actions, it allowed to better design the encounters, levels, and missions with a greater level of variety. If Warrior, for example, had no ranged attack, a large number of the missions would have much more egregious constraints on what we expect the player to do. 2. It allowed us significantly more space to play with the types of builds and breath of the skill tree. We're all very proud of how this played out in practice, and in our view created a high degree of divergence. 3. Given the real-time nature of the gameplay, it's a benefit to lean into the muscle memory the players have already established on prior playthroughs"

Q: "Hi I'm non-binary and the ability to be non-binary in this game was really special and made me feel seen in a way no game has before. In addition---TAASH! "NUFF SAID. Love em! My question is: how did you get so much past censors in 2024? How did you deal with localization? Was EA supportive of the push for more representation? Do you think we can see more diverse companions like Taash and our own player character in the future in Bioware games? I am a little worried about the backlash to Taash and the player character, especially right now. It is scary to think about going backwards after you've just achieved this amazing thing for video games. Thank you so much for making me feel so loved playing a video game, this game gives me so much hope and joy for being a trans gamer and nerd and person. I know there's a lot of hate but for me it means the world."

Corinne: "I'm so glad Taash meant so much to you, and so many others! There are two mantras we often refer to within the team: 1. We believe stories are better when they reflect a large variety of relatable experiences. 2. Games can be a reflection of the teams that make them. Taash's journey and support we had in bringing it to life, was something everyone on the team wanted to do and was invested in. It was a story and experience we wanted to tell that made sense in this time and place. I wont lie, it wasn't easy. This is a delicate subject, deserving of respect, that is deeply personal to so many. We didn't want to mess it up, especially for those it would mean the most to. We were fortunate to have a lot of support through internal and external partners to ensure we were handling this story with care, and of course the talented writing and experience of Trick Weekes. It lead to a lot of edits, localization challenges, and some rewrites. But as the old adage goes, nothing worth having comes easy."

Q: "If Solas is bald because the ancient elves just go bald during their immortal lifespans, then why does Elgar’nan have hair?"

John: "I think maybe it's more accurate to say that Solas lost hair because of stress. Elgar'nan, on the other hand, doesn't feel stress - he makes other people feel stress. And, honestly, Elgar'nan is incredibly vain. Something that doesn't show up until the end game is that he's also very vain. The reason he doesn't look blighted and corrupted throughout the game is he uses a portion of his magic to remain looking the way he does."

Q: "In the DAI trespasser DLC elves saw the crossroads different from the other races. Why was that not the case in this game?"

John: "The Caretaker gets into it a little bit, but while the Crossroads in Trespasser were 'peaceful', the Crossroads in DATV are under assault by the gods."

Q: "If you could start DAI or DATV again, what would you change/add/remove? Could you share with us the most emotionally difficult moment to achieve in DATV? And the easiest? Favorite moment?"

Corinne: "One of the most difficult moments to land was actually the prologue. It sets up a lot of context for the player, and evokes a lot of big feelings. We did many revisions on it before we found the right balance of pacing, information, and tension. In my experience, prologues always are among your most reworked content"

John: "Absolutely the Varric twist. There's always a balance of trying to leave hints for the players while not having them guess the ultimate end game of it, and it's INCREDIBLY hard to make that judgment yourself, because you KNOW what's coming, and all you can see is 'how could anyone NOT get that this is coming?' But I'm happy with how it was received and how it landed. The actual conversation with Varric at the end, though - that one was a gut punch."

Q: "So… does Bianca know?"

John: "Yeah. Harding would have gotten word to her."

Q: "I'm curious to know two things, both Solas related: -What happened to his followers? Presumably they weren't /just/ following him and were on board with the revolution that he represented. -What was his plan past making a new prison and transferring the two Evanuris? It sounds like still an eventual tearing down of the Veil but how was he actually mitigating the risks across Thedas? (Presumably with that network of followers)"

John: "Essentially that. Keep the Evanuris imprisoned, tear down the Veil, and then Solas was CERTAIN everything would get better, even if some people had to, tragically, die. One of Solas' defining characteristics, of course, is that he overestimates how successful his plans are going to be (if you listen carefully to the argument between Solas and Varric in the prologue, Varric makes this exact point - everything Solas has tried ended in disaster, so why wouldn't this as well?) As to mitigating the risks - he had a few things going on, but as to how effective they would've been, I think it's safe to say that it wouldn't have worked as well as he'd hoped."

Conclusion: "We've answered everything we can for now, thank you all so much for your questions and the love for Dragon Age!"

[source]

[dumdogs]

DOG ON A LEASH ⋆✴︎˚｡⋆ IWAIZUMI HAJIME

iwaizumi does the one thing he knows he’s not supposed to do, and falls in love with a girl at the club

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summary: after three months and six days of unemployment, iwaizumi finds himself a job: working security at a strip club. the hours are shit, and everyone gets tipped out but him. but by far the worst part about this new job, is that she works there.

content: exes to lovers, blended smau, angst, stripper reader, basically another version of bouncer iwa, violence, drinking, language, everyone’s out of character, mdni

taglist: open - complete this form to be added

INTRODUCTIONS: money hungry sluts | oikawa + high school peakers

CHAPTER ONE: bleached eyebrows

general taglist: @ottocre @sodaneko @dambxtch @angee444 @kameyyy @A-girl-can’t-decide-on-a-name @kodzu-ken @girlhooddiaries @boooolame @thatonecroc @nnnyxie @eclecticeggknightpsychic @manhattanstrawberry @evilari111 @nicerthanu @localgaytrainwreck @alcyneus @megapteraurelia @kiyokostan @jadeoru @sexylexy12 @kr1nqu @loveyislost

(those on gen taglist - please fill out the taglist form if you want to be tagged in this fic. otherwise you will not be tagged in each chapter :3)

[clairewritesfanfics]

Omg I love how you write Mark and his variants!

Okay I may or may not have dived into a deep hole of neglected batfam reader so is it okay if I request for reader to happen to just find an escape through a Angstrom portal that appeared randomly in her bedroom, so just peace out and was transported into the Invincible universe where she met Mark (and his variants), fall in love and told him about how horrible her family is.

Only for him to find a way to open up a portal to her world (this is mostly goes for the variants instead main mark), and caused havoc on the DC world and reader has to stop him, confront her family and leave to her new home with him

Author's Note: My last request! (technically, it's not) YAHOO. And my first Batfam fanfic.

Your Character Settings: AFAB, daughter of Bruce Wayne and an unknown woman

“Would like seconds, miss?” Alfred asked after you finished your meal. 

Tonight's dinner was a hefty serving of tomato and basil spaghetti. Before you moved in with the Waynes, your meals were usually jam and bread or a cup of instant noodles. The old you would have eaten as much as you were allowed. The old you would have gotten angry at you for not asking for another serving. But you weren't living paycheck to paycheck on a cashier's salary anymore. 

“I'm fine,” you answered the butler. You glanced around the long table. Alfred said it was improper for servants to dine with the masters of the home, so you ate alone again. You didn't know why you felt upset. Even after months of the same routine, your disappointment continued to fill half your stomach. 

“Very well. Tonight's dessert is a chocolate ganache cake served with black tea. I take it that you will be having your slice in your room?”

You smiled.

“I’ll have it upstairs in fifteen minutes.”

“Thank you.”

“I hope this time you actually answer the door. I don’t mind leaving the food outside but tea should be appreciated hot.”

“I’m sorry, you know how it is when I get in the zone.”

“How many words did you write today?”

You beamed. “Exactly two thousand just this morning. I’m hoping to get another thousand before midnight.”

“I hope you do, maybe you can finally start waking up before noon.”

You laughed, standing up from your seat.

Alfred was the only one in this entire mansion to actually hold full conversations with you. 

Dear old dad was always away on business trips. Your younger half-brother Damian never uttered a word to you, only regarded you with disdain and walked away before introductions were over. Tim was polite enough to nod in greeting–when he was lucid, which was seldom the case every time you saw him. Dick was nice, he smiled and made small talk when he was around, but you can count on one hand the number of times he was at the manor, or in Gotham in general.

You had another brother. His photos were rare, finding one was like finding an Easter egg. On the outside, he was no different from the others with his black hair and blue eyes, and from what you’ve seen of him, he could be blood-related to Dick. But Alfred said that Jason was an orphan, too. 

Little Jason, always smiling brightly in every image you found. He died years before you arrived here. You liked to pretend that he would be exactly what you wished for when Mister Wayne invited you to live with the family: a kind, present and supportive older brother.

You doubt it was healthy to project such feelings on not just a ghost but a stranger’s ghost, but pretending to have someone care beyond the bare minimum helped you adjust to your life as a Wayne kid. 

Alfred let you borrow books from Jason’s room and you made a point to treat every novel with care and refused to fold the pages or write on them. Jason really loved romance books and happily ever afters, and reading his collection inspired to take up writing. Hobbies were a luxury you couldn’t afford while juggling two part-time jobs, but now you had all the time in the world.

You stared at your monitor. Did you jinx yourself earlier?

You’ve hit a wall for today’s chapter.

The insertion point blinked mockingly at you. 

You only needed a thousand more words. That’s child’s play, but whatever you typed did not meet your standards, even for a first draft. 

You checked the time.

You’ve been sitting here for ten minutes. Usually, you’ll be typing like crazy the moment your butt was on the chair.

You plopped your elbows on your desk and squeezed your cheeks, an exasperated sigh leaving your mouth.

Ten minutes feels like forever when you’re trying to start something important.

Maybe a sugar boost will help.

Just as you thought of this, you overheard movement outside. 

Smiling, you rushed to open the door. 

“I was beginning to think you forgot about me–” 

Your lips twitched as you were greeted by the sight of Damian and Tim, holding a comically large mug of coffee. They were quarreling when your sudden appearance caught them off guard. 

“Hi.”

Damian’s lips pursed and he grumbled something under his breath.

“It’s rare to see you guys here,” you said plainly.

Tim laughed awkwardly. “I guess so.”

“Did you eat dinner already?”

“I–”

Damian pushed his back. “Let’s go, Drake, we’re busy.”

“Right, um, sorry–” Tim threw you an apologetic smile “–see you around.”

You smiled back as politely as you could. “See you.” There was no point in getting offended, you were the oldest one in this hallway and you were too exhausted to feel angry.

You watched Damian nudge Tim even farther away until they disappeared from view. 

Shaking your head softly, you stepped back inside your room and shut the door. You weren’t a warm person, but you didn’t have a family before. It was always just you bouncing between foster homes and sleeping in dumpsters when you had no other choice. You had no one to fall back on, and you were prepared to live the rest of your life like that, because what other choice was there? 

But then Mister Wayne arrived in the 24-hour mart while you worked the graveyard shift. Dingy apartments with creepy neighbors were replaced with a Gilded Age mansion. Hours spent on your feet catering to all sorts of customers became days of ennui (you learned that word from one of Jason’s books). Sodium-loaded canned and instant foods were now sodium-loaded fancy meals. You were grateful, and while it hurt not to have the family you’ve always dreamed of, you can deal with the wall between you as long as you never had to go back to being actually alone. 

You returned to your desk. The blinking line on the word document continued mocking you.

You reached for the latest novel you borrowed from Jason’s personal collection, A Little Princess, and flipped back to where you stopped yesterday, at Chapter Four: Lottie. 

“Things happen to people by accident," she used to say. "A lot of nice accidents have happened to me. It just HAPPENED that I always liked lessons and books, and could remember things when I learned them. It just happened that I was born with a father who was beautiful and nice and clever, and could give me everything I liked. Perhaps I have not really a good temper at all, but if you have everything you want and everyone is kind to you, how can you help but be good-tempered? I don't know"—looking quite serious—"how I shall ever find out whether I am really a nice child or a horrid one. Perhaps I'm a HIDEOUS child, and no one will ever know, just because I never have any trials.”

You paused. You haven’t read A Little Princess before, but you’ve seen the film multiple times because one of your foster mothers adored it.

Family? Love? They were nice, but you didn’t need them. 

It was true that you were Bruce Wayne’s illegitimate kid and he took you in out of a sense of responsibility. You weren’t a child anymore, far from it, most people your age are in college while you just finished your GED. You haven’t spoken with Mister Wayne about university and frankly, you were too scared; what would he or the others think? Would they think you were getting too greedy?

Pride and dreams were reserved for people who can afford them. You may share Bruce’s blood but it was clear that he loved his sons more, regardless of their origin. 

Food, shelter–money, that’s what you needed, and the Waynes gave it to you. You had no right to complain or wish for more. You didn’t want to reach for the sun only to end up getting burned. 

You were about to continue reading when a green light illuminated your eyes. You looked away from the page and saw a green hole forming on the floor, right in front of the door. A faint shearing sound accompanied its undulating outline as it grew bigger. 

You set down the book and walked closer. You can see a different place inside the emerald ring. This wasn’t some hole, it was a portal. 

Honestly, not the weirdest thing for a Gothamite. 

Still though…

Against all common sense, you knelt down and glanced inside. You were usually smarter than this, not to toot your own horn, but your intelligence is what kept you alive in Gotham for all these years; however, something about this portal called out to you. You dipped one hand inside. 

The air was warmer than it was in your room. 

You were going to pull back when–

knock, knock 

“Miss?”

You yelped, caught off guard and lost your balance–you fell straight into the portal.

Main Mark

He was doing his usual routine, flying around, helping people and preventing city-destroying disasters when he heard your screaming and caught you just in time.

You thanked him and asked if you could please take you back to Gotham.

He raised his eyebrows at you. “What’s Gotham?”

“Crap.”

You both figured out that you were on a parallel Earth and he offered to let you stay with him until you found a way back.

Debbie was a sweetheart. She was super understanding and kind and you imprinted on her instantly. You didn’t want to be a burden so you helped maintain the house and cooked for them. 

Mark fell in love with you, because of course, he did. He found himself getting more and more excited to finish his missions early just so he can come home to your smile. You liked him, too, you didn’t know if it was love, but when he found the courage to ask you out you agreed, hoping that maybe you’ll learn.

It was a relatively simple love story, world-hopping aside. You and Mark were friends first who soon became soulmates. You didn’t mind that he missed dates and you kept yourself busy helping Debbie as a real estate agent. 

You supported Mark throughout his struggles, listened to his problems and comforted him when he was in pain. In turn, he taught you how to love, and maybe more importantly, how to be loved. He surprised you with gifts–nothing big but always extraordinary–like daisies he found while flying over the countryside or a bracelet that reminded him of you. He always asked if you were hungry or thirsty before going to get his own snack, and even when you said no he’d return with your own food and drink. He looked at you that made you unable to look at him, he made you shy in the best way possible. He was everything you didn’t know you wanted. 

***

When a portal appeared again, it wasn’t green, it was gold–and the men on the other side didn’t hesitate when they jumped into Mark’s universe. 

They weren’t violent, but they were not nice. Invincible got into a fight with the tiny one in red and green. The “hero” who called himself Nightwing was friendly, but Mark could tell he was on edge like the rest of them.

“We’re looking for a girl,” Nightwing said, flashing a holographic album full of your photos. Neither you nor Mark knew anything about your family’s nightly activities so your boyfriend became more suspicious of these masked heroes. 

“Why? What’s wrong with her?”

Mark could tell that everyone knew that he knew who you were, but Nightwing remained calm. “We’re not going to hurt her. It’s hard to believe since we’re basically aliens, but we just want to bring her home. Her family misses her.”

That made Mark scoff. You told him about your family. You didn’t hate them, but Mark certainly did. You were… too used to loneliness. And that pissed him off. You were amazing, you deserved nothing but warmth and your so-called family ignored you. 

He wanted nothing more than to flip these guys off with a message, “Tell her family that she’s happier here and that she doesn’t need them holding her back,” but that wasn’t his decision to make. 

“I know her,” Invincible said. “I’ll tell her about you guys, but if she says she doesn’t want to come back, you leave her alone. Got that?”

“That–”

“No,” Batman said firmly. “She’s coming back. She needs her family.”

Mark’s eye twitched, but he kept his cool. “We’ll see.”

“I can’t believe it,” you muttered, gripping tightly on your copy of Pride and Prejudice like it was a stress ball.

Mark had been late for date night, no biggie, so you spent the evening reading a novel on your TBR list. When he came back from patrol, his whole body was tense, his face solemn when he pulled off his mask. He then joined you at the table and explained what happened.

“Talk to me, baby. What’re you thinking about?” He asked, placing a grounding hand over your cold fingers.

You let go of the book and squeezed his hand. “I’m not sure. After a year, I was sure that I’d be here forever–and I would’ve been okay–happy with that, but now…”

“I know.” He thumbed your knuckles. “What’re you going to do? Are you..”

Were you planning to go back?

“I don’t know.” You looked into his eyes. “What should I do, Mark?”

He wanted to grab you by the shoulders and beg you to open your eyes. You were miserable back in Gotham. You were better off here, with him. 

But instead, he cradled both of your hands between his and he smiled. “I can’t tell you what to do, only that I’ll support you no matter what.”

Main Mark is the only one who will step aside if you decide to return and fix your relationship with your family. It will hurt. And he will crack when it’s time to say goodbye; he’ll pull you into his arms and beg you to stay with him, but if you have made up your mind, he won’t force you otherwise. 

His variants aren’t so selfless. Omni, Head Cap, Maskless, No Goggles and Full Mask won’t even bother telling you about the portal appearing, intent on keeping you by their side. 

Flaxan, Target and Viltrumite Mark would have already whisked you away from Earth and it would take a while before the Bats found you. 

Mohawk, Prisoner, Shiesty and Sinister will tell you about the portal and the foreign superheroes that have come for you and plead with you not to leave–and this is after they’ve decided to pick a fight with Batman and crew.

a/n:

Hi anon, I’m sorry this took so long but I knew that if I opened this door to DC I'll end up fawning over Jason and get distracted (and I was right). You’re my last request (technically no but I'm still not prepared to share Shiesty's origin story), but YAYYYY 

Also, I know that anon specified that the Bats were horrible to Y/N, and I did try to write them like that initially, but it was hard for that scenario to fully form in my head. The Bat family is dysfunctional as heck, but I usually write about a normal, civilian YN and I can't see them being purposefully abusive to someone like that. Despite DC's many fumbles, the Bats are supposed to be good people at their core so the words just wouldn't flow. 

DON'T GET ME WRONG, considering my love for revenge stories, I do want to write about the Bats being neglectful and unintentionally awful to YN and then her waking up and realizing that she doesn't care anymore, and then she stops chasing after them, which in turn, makes them chase after her, but that's a story for another day.

Anyway, I hope you still liked it!! (I'm going to cry about Red Hood and Huntress now.)

(ˊᗜˋﾉﾉ

Disclaimer: The images used in this post do not belong to writerclaire.

Gotham City, lifted from: https://heroism.fandom.com/wiki/Gotham_City

Invincible flying, lifted from: https://gamerant.com/invincible-every-character-fate-comics/

ദ്ദി(｡•̀ ,<)~✩‧₊

MAIN MASTERLIST

Any questions for the author? Ask here.

mini masterlist for this au<<select

PS can you guess which Batboy is my favorite? LOL

[mellosdrawings]

what's Leverage (this is an invite to infodump)

Hohoho ok ok ok. Wiki-level infodump incoming!

So, Leverage is a 5 seasons TV show from the early 2010s that has come back in 2021 with a follow-up show called Leverage: Redemption. It is a Robin Hood kind of series in which a group of thieves help poor/honest citizens get back at the rich/powerful who wronged them/stole from them/abused them.

Despite most episodes following the same format, it manages to stay interesting and attention grabbing thanks to its peak attention to details. Everything you see in the episode is a hint for how they get the bad guy, which should be a staple of the police genre but which is particularly well done here.

It's a character focused series, with very interesting development and overarching themes and plots. It also does an amazing work at blurring the line between "good" people and "bad" people. Some good guys are absolute pieces of shit, some bad guys are just down on their luck. Several episodes have the main gang changing plans totally because the "bad" guy they were trying to scam ended up being just another victim, so instead they started offering their help to fight the actual bad guys. Many times the bad guy is a piece of shit but when there needs to be nuance, the job is done incredibly well.

There's also a very purposeful Found Family Trope that's just... great. It's awesome.

Now, I just said it's a very character focused show so I'll have to dive in more into the actual characters. I'll be trying to keep it to the very first episode and remain vague on the rest but there will be some spoilers ahead! Especially so since every single in-show introduction is a masterpiece that I must talk about.

The Mastermind: Nathan "Nate" Ford is the brain of the group. He's an ex-Insurance employee who got fucked over by said insurance company when they refused to pay for his son's medical fees (something I'm sure many US citizens can relate to). He ends up having to work with criminals he has previously hunted down before, which gives him a good overall knowledge of how they all work while his time in the insurance company explains why he knows so many scams.

Despite being the "token good guy" in the first season, I'd say he's the most interesting at first. He's a self destructive genius with a terrible alcohol problem, and that alcohol storyline is just so beautifully handled in the first 2 seasons, I was completely hooked. Starting season 3 the line between honest man and criminal blurs though, as it should considering his activities for the past couple years, so he lost my interest just a bit. Still a very strong character with amazing storylines and a terrible personality.

Among the Found Family Trope, he is the depressed alcoholic father who pushes his kids too far but would still do everything to make sure they come home safe. His arc is literally going from deadbeat dad to the dad that steps up.

The Hacker: Alec Hardison is an early 20 years old sassy chatty black kid who, not content of being one hell of a hacker, is also an amazing grifter who picks up skills on the fly. While the sassy chatty hacker who is the comic relief of the show is a common trope, he's one hell of a charming character who will weaponise everything he has underhand to get away with stuff. Absolute kudos to his actor who was also in his early 20s at the time who regularly offer some of the best performances ever seen on TV. I swear that guy is too good.

His introduction depicts all that in seconds. He's the first thief to appear, already talking his head off and giving his opinion on the technology he's been given for the job. His introductory flashback is interesting as it doesn't show him in the middle of hacking, but instead getting caught by police having fun in a hotel room he stole and giving a Star Wars reference. Just from both of those you flag him as a young easy-going guy who still messes up a bunch.

In the Found Family Trope, he is the youngest child who messes up a lot. He has the most obvious father/child undertone with Nate, and an equally obvious bigger/younger sibling undertone with Eliot.

The Hitter: Eliot Spencer is a thirty something years old man whose job is keeping the rest of the gang safe. When it comes to the hardened ex-military trope, you expect scary brooding man who always avoids being hit while getting rid of his opponents in seconds. That's not quite the case with Eliot. Yes, he gives off scary and brooding vibes, but he actually has the biggest heart of the gang. He's regularly shown being the one who worries the most for others, and there's an ongoing thing about him being the defacto person to go to get help help when you're 18 and under. Eliot has an incredible amount of screentime being soft and helping/protecting children.

Not only that, Eliot isn't some kind of super soldier. He gets hit. A lot. But the point is that he always gets back on his feet to continue the fight. His hitter prowesses come more from the fact that he has a lot of knowledge in the matter, rather than from being a perfect fighter. He also has an underlying theme with self-control and anger issues. Eliot is a character that is constantly annoyed/angry, and who uses fighting as a self-regulating tool.

On top of all that, he's also a good grifter who, when not there to hit people, is there to hit on girls. He's regularly used as eye candy to keep the attention away from the others. He's also (not so) surprisingly low key. Eliot is often described as "hiding his game well", his opponents often underestimating him.

Eliot is the second thief to appear on screen, being asked by Hardison what exactly was his job here and not answering, nailing in the "low key" aspect of him that confuses his opponents. It's reinforced by his introductory flashback which has him sipping coffee while having guns pointed at him, then cutting to the outside of the room so we don't see his skill in action, then back to the room where he's still sipping his coffee, unfazed, while everybody else is K.O. The last part of his introduction comes when he finally shows what he is capable of, appearing out of nowhere to put out of commission several guards who hold Hardison at gunpoint, to which he finally answer to Hardison earlier question of what exactly he was here for, with a smile. That's where you start getting a glimpse of his softer side that is entirely focused on keeping his team safe.

In the Found Family Trope, he is the eldest son. He bullies Hardison at least once per episode (and Hardison fucks him over about as many times too), and is the one who, with Sophie, keeps Nate in check so that he doesn't go overboard. Nate and Eliot have a lot in common and while they are rarely clashing, there is definitely a tension between them.

The Thief: Parker is a (most likely autistic (edit: she is indeed autistic, it's canon)) young woman who loves money and throwing herself off of buildings. She starts off as quirky/weird/off putting until we (and the main gang) start to understand her. She is both the most obvious and the most complex character of the bunch, who unabashedly loves what she does and has a lot of fun with her new partners, all the while having absolutely no idea how to handle interpersonal relationships.

She is the one that grows the most during the show, picking up skills left and right (fighting from Eliot, grifting from Sophie, etc), developing her interpersonal skills and empathy, learning to rely on others and falling in love. Her evolution is just the best and she never gives up her whimsy while developing.

She's the third thief to appear on screen, but she's actually the first one being mentioned! Nate tells his client that "Parker is crazy" before agreeing to take the job. She appears hanging upside down from a rafter, interrupting the boys to ask playfully if she can have an earpiece too, and finally jumping off the building with a joyful yell before Nate can give the go. Then in her introductory flashback, we see her as a young kid, with a terrible family situation, literally blowing up her house after her "father" dared her to become a better thief to get the bunny plushie she wanted. And so you know Parker is the wild card of the team who is actually pretty forthright once you've pinpointed her interests.

In the Found Family Trope, she's the middle child who has... whatever is going on with Hardison and Eliot. While the boys have more obvious family interactions with Nate (the father), Parker mainly has them with Sophie (the mom) who teaches her the most out of everybody. Nate still regularly is there to explain things to her when she's confused, and Eliot teaches her how to bully Hardison (lovingly of course).

The Grifter: Sophie Devereaux is an actress that the gang fetches when their client fucks them over. It's a bit hard to depict her personality like the others because her whole theme is that she has identity issues. As a grifter she has many identities, and she plays them so often that she comes to forget who she even is in the first place. She's a quick witted, caring person who helps tempering Nate and coming up with plans, she's a femme fatale who either seduces or instills fear in her preys, she's the one who puts at ease the clients who come ask the group for help, she's the one who comes up with on the spot solutions when something goes awry and needs an immediate fix, she's the one always at the forefront of the plans keeping the attention on her so the others can do their jobs, etc etc. Sophie is everything and nothing all at once, which makes her a fascinating character that is difficult to explain properly.

She's the last thief to appear on screen, being brought by Nate. She's introduced as a terrible actress, all three thieves being appalled by her prestation on stage while Nate is smiling wildly. Then we get a glimpse of the romantic tension between her and Nate when he asks her for help, and another glimpse at their closeness when the three thieves turn to her when Nate confuses them, only for Sophie to tell them he really hasn't changed. Her introductory flashback focuses on her stealing a painting, being intercepted by Nate, and them both firing at each other. Finally the last part of her introduction comes when she shows off her actual acting talents while grifting the bad guy, startling Hardison who was still worried about her acting skills.

Sophie is introduced with her acting skills and her relationship with Nate instead of her personality or quirks like the other (the only quirk here being that she's a terrible actress on stage but an excellent one when she's grifting), which keeps nailing down her identity crisis.

Since we're on Sophie, I'd like to point out how well the writing team handled the actress being pregnant and needing to stay away from the show for a while. Her reason for being away tapped into her identity crisis, but she still was there to give advices to the others, mainly the "kids". While it was obvious in one episode that they placed the characters and angled the camera to avoid showing she was pregnant, the rest was handled beautifully well.

The show seems very respectful of its actors, to the point it lets them showcase their skills in season 3 like Hardison and Eliot's actors' music prowesses. It also allows them to shine in the filler episodes by having them play other roles, to which they deliver amazing performances (especially Hardison's actor. I'll never shut up about him, he's just perfect).

And yes, that was the time when we still had filler episodes! And they are GREAT! Some of my favorite episodes are filler episodes, like one where the whole gang go over a theft they all accidentally did together years ago, constantly fucking each other over without realising, all from their own perspectives. There are jabs at each other, like Sophie's accent or Eliot being a ladykiller and a terrifying psychopath, but there's also an insane amount of details scattered. One of my favorite being that everybody else saw the head of security carrying a rifle while Eliot was the only one (save Nate) to see it as only a box. It's a minor background detail that the show doesn't even point out, but when I caught it I got super invested in the episode. At first I believed it was because Eliot hates guns and sees them as sticks to beat people up with, but with the last perspective being shown with the "truth", it turned out Eliot was the only one seeing it as a box because it was a box. Eliot would be attuned to the amount of danger the objects around him would pose, and so wouldn't mix up a box for a gun. Once more, it's a background detail but it just ended convincing me that the showrunners care a lot about this show.

Ok I'm officially out of fumes. I think I could go into more if I dove into the actual episodes but I don't want to spoil more than I already did. All in all, great show, handles heavy stuff like addiction and grief and neurodivergency incredibly well without being condescending, scratches a hitch by fucking over powerful people in the most horrendous ways, makes you aware of the kind of scams there are around, etc etc.

It's just one hell of a good show. 10/10 would recommend. I only wish the 5 seasons box set wasn't so expensive, I can't throw that much money in it ToT

ONE LAST THING! If you wanna watch, the seasons are all available on Youtube (US only, get your VPN ready if you're not from there) in the RIGHT ORDER! The first season was aired out of order by the network so you will probably find it in the wrong order online too. It's not much since each episode is mostly contained, but it did make me pause at one point because of consistency issues.

Season 1 link

Season 2 link

Season 3 link

Season 4 link (careful, the Playlist starts with the last episode and finishes with the first. You gotta reverse the order of the Playlist!)

Season 5 link (careful, the Playlist starts with the last episode and finishes with the first. You gotta reverse the order of the Playlist!)

Redemption S1 link (careful, the Playlist starts with the last episode and finishes with the first. You gotta reverse the order of the Playlist!)

You're welcome 😘

[housemdork]

house md rewatch: 1x01, "pilot"

they were all so young! and so orange!

the top of my notes called this one the "smorgasbord of themes" because they had a lot of messaging to urgently shove inside a potential-laden first episode, but i think they captured all the major players: everybody lies, house as god, "you can't always get what you want," and the puzzle and/or/vs. the patient. rebecca adler, the patient, introduces lying in house md before house himself does when she tells her students that they should "never keep anything from [their] parents."

regarding house's characterization, he gets a little lost in the harsher genre-ification of this episode; while he's obviously, clearly the main character, he services the mystery, rather than the other way around. "pilot" doesn't just prop up the medical plot (remember those days?); it centers the episode's tone around an external, viewer-response medical anxiety. the episode ramps up the MRI noises, every choke and gag is exaggerated, and every shot leading us into melanie's insides is long and paired with dramatic orchestral music. given that day-one audiences didn't know whether the illusive dr. house was capable of solving the case just yet, the sympathy engendered for melanie is more powerful than most patient stories in the remainder of the show.

another notable difference regarding house's characterization is his immediate anger episode in cuddy's office when she revokes his 'authorization' (very vaguely termed lol). he immediately starts screaming and yelling - and she immediately condescends to him, which was familiar and funny - and it feels, to a retrospective viewer, very preemptive. as the show progresses, so do the lengths it takes to make house truly angry like that. i'm very glad they dialed that back so much.

# not my greg house ^

cameron, foreman, and chase had instant chemistry, and their teamwork when traching/venting rebecca does so much character work is such a short, tense amount of time. foreman is overly technical and fails to relate to the patient, while cameron levels with rebecca, and, later, chase treats rebecca carelessly, but is the one to effectively trach her in time. the most functionally dysfunctional polycule of all time, truly.

and they each come to embody their own mini house-complexes in "pilot," too! again, foreman is overly technical and slightly alienating; cameron, while abundantly kind, is overly obstinate in her convictions; chase is all about those last minute eureka moments that don't always make up for what goes on in the interim. overall, i would say chase is the most unassuming and underutilized character in the pilot.

transitioning to my favorite core theme - house as god and house md's treatment of faith. i've always been fascinated with the dichotomy house balances - or fails to balance - between loneliness and godhood, a title that his "followers" give him, but one that he clings to for legitimacy. he claims in "pilot" that "humanity is overrated," which is why he removes himself as much as possible from it. next to "everybody lies," this is the show's most consistent motif, and that it was made apparent so early is pretty awesome.

what was compelling about house/god/faith in "pilot" was the introduction of his favorite diagnostic method: treatment. treating the illness before we know what it is for certain. in a paradoxical move, house md demands we have faith in faith; house insists to cameron that he "has no reason to think that it's vasculitis, except that it could be." the episode gives us no recourse; we, along with the ducklings and company (don't worry, i haven't forgotten about wilson) have to go along with him. and the source of their belief and devotion, however reluctant, isn't even sure of his own reason, so he has to have faith in himself, despite being fully opposed to the idea of faith.

does that make any kind of sense? house is treated as god, needs that faith and adoration to validate himself, but also hates the very premise. this exact dilemma comes up in a later episode where wilson begs cuddy NOT to tell house that his diagnosis on a whim was a success in an attempt to deconstruct this problem.

now for some wilson thoughts :)

in "pilot," wilson is either giving uncanny valley, who-is-this-and-what-have-you-done-with-doctor-james-wilson, OR he's giving the most promising glimmers into the best the show has to offer over the next 8 years. one of the funniest parts of the episode is that he's treating rebecca at all because, 1) he's an ONCOLOGIST, and by the time they've figured out that it's not cancer, he's giving her another routine exam, and 2) if rebecca really was his cousin, he probably shouldn't be so involved in the case. not that PPTH cares about that sort of thing after awhile, but this is the pilot, after all.

it's very clear that the showrunners weren't sure what to make of him yet, which is so, so funny and actually gives rise to the show's most brilliant character (IN MY OPINION). thus far, he's personality-less apart from wry, quippy, yet soothingly suave. but his choices and scenes in "pilot" already are cutting through house's armor, and i can't decide how intentional or self-sabotaging this was.

for example, his scene with rebecca, demarcating the second act in the episode, undoes the character work we've accomplished with house so far. apparently, house does care about wilson by an external metric: rebecca's. care and love are not about someone's words but their actions, and wilson agrees that in that regard, house does care about him. the idea sets rebecca at ease about her elusive doctor, at least until she goes temporarily blind lol. yt by the end of the episode, "pilot" reassembles all of house's godhood, alienation, anti-humanity, etc., acting almost as if this conversation never even happened. it's really odd. i love it.

though i suppose it bears mentioning that it's wilson's white lie about rebecca being his cousin that pokes a lasting hole in house's rejection of humanity: "it got you to take the case."

and i can't forget house and wilson's inaugural conversation: "people don't want a sick doctor." "and I don't like healthy patients." who is the universal recipient and universal donor? who is house's keeper, responsible for his happiness? who has a problem with caring too much for a person and then resenting them? that's what i thought. hilson or not, their very first words capture their dynamic in literally 2 sentences. bound for life, wrapped up in the tragedy of house's internalized shame toward his disability, too.

speaking of hilson (season 8 spoilers below):

i don't know how to organize all of this effectively, but if the series finale wasn't planned, then they still wrote such a cohesive show that they could reference the fabric of their pilot episode and reflect it successfully in their parting message. one of the best ways we can measure house's growth is his treatment of rebecca adler's decision to die versus wilson's 8 seasons later.

house condescends to rebecca that everyone will die, that it's always ugly, and that "we can live with dignity. we can't die with it." this doesn't convince rebecca to accept more treatment, however, and house is forced to surrender. he's solved the case; the job is technically done. yet when wilson is undergoing Mega Chemo in 8x19, he begs house to help him keep his dignity by letting him die in house's apartment. house agrees.

in what i think is a direct parallel to wilson's cancer diagnosis, rebecca rejects further treatment because they have no proof in their latest diagnosis, a tapeworm. this reinforces the need to operate off of faith twice removed. in 8x20, meanwhile, the proof of wilson's cancer is what's killing house and demolishing the very premise of godhood as he's known it (i rambled about that here). in rebecca's case, absence requires faith; in wilson's, presence revokes that faith.

even foreman pleads for a real solution: "there's got to be something we can do. Better than watching her die." and wilson delivers the news about rebecca denying treatment: "she wants to go home to die." and, then, cameron with the steel chair: "because you respect her, you're going to let her die."

so, in total, i am super impressed with all that this episode manages to accomplish. it was way too orange, house was pretty one note as they were leaning extra hard into the sherlock side of things, and wilson is just kinda there??, yet it really is bursting with potential.

i didn't expect to write this much and have no idea if these posts will always be so long. i'll never get thru this if that's the case lol.