#every interpretation is valid really

[sewer-dwelling-cryptid]

i thought about this forever ago already but it's still wild to me that Carrie Mark will have the ONLY song with lyrics in petscop directly associated with her, and it has these words:

"I got a new life, you would hardly recognize me, i'm so glad."

"For so many years, I've wondered who you are"

"Living without you, I've left you, oh-oh-oh"

"But where do you belong?"

it's such a good song and it fits super well considering everything but also, i feel like when/if Paul ever finds that song again it will give him a horrible attack of some sorts. million yard stare while the funky pop song plays

[shiningstarr15]

Their relationship in a nutshell (in my eyes)

How I managed to capture Greg with the same vibes in all three, but Vanessa’s is completely different in each one is beyond me but it’s hilarious 😂

That’s what we call ✨versatile✨

Can you tell the hyperfixation is hyperfixating lol😀

this was three more doodles that I decided to turn into full drawings lol

Here’s the three separate drawings too lol

[tubbytarchia]

So I’m a bit of a lurker, and I tend to hover on the outside of the life series fandom, but I thought you might need to hear something positive.

Because you get wayyyy too much anon hate, and frankly, it’s ridiculous. It is so easy to just?? Not do it?? And move on with your life???

I love your rambles and the opinions that come with them. It’s very clear that you have some different ideas than the majority of the fandom (or at least the loud part) and you always express them respectfully without bullying anyone into agreeing with you. Your passion is a breath of fresh air, and it’s so nice to see someone throwing away the cookie cutter ideas and giving the fandom something new.

Seriously, I’ve gone down several spirals of pulling up a CC’s series and binging it going “OH MY GODDDDD THEYRE SO RIGHTTTT I GET IT NOWWW!!”

There’s nothing harmful or hateful about simply expressing your own opinion in an open community. Just because you’re not using the cookie cutters doesn’t mean the results aren’t as fun as the norm.

I sincerely hope you keep doing what you’re doing and having the time of your life doing so. And I hope you have a fantastic day <333

Sorry I'm late to reply but want you to know that this does really help and lift my mood. I'm really happy and honored to hear anyone express such sentiments because it helps instil that I'm not just a solitary crazy loser for not bending to blind positivity. Thanks for taking the time to let me know, I appreciate you so so much!!

[fiona-fififi]

...

[xbraveheartx]

So I know the quality sucks and we don't get any better quality to compare, but I just wanted to point out that, yes. Baby Carlo has freckles. Very few of them. But you can see the ones he had since he was a wee young lad standing out in his painting.

Go ahead and go into the game and stand in front of the portrait. Compare their faces. I'll wait c:

Here's a full/clean version of his portrait if you want to stare at it

So anyways like I was saying before--

[m0thlegs]

y’all learned the term “media literacy” and have not shut the fuck up since

[marshmallowgoop]

going and back and rereading your kill la kill meta, I should definitely rewatch kill la kill

I'm so flattered that there's still interest in my old meta all these years later! And that they encourage looking back at the series? 🥺

Thank you for revisiting them! Hope you enjoy the rewatch!

[probablyaseamonster]

getting serious Fionna and Cake flashbacks from that Sozonius comic ngl

Introducing Follower gang!

There. Finally did all the Bishops follower designs!

The 7 deadly sins

And some other follower gang, done with lineart this time because the other 2 pieces made me lose my soul for how long they took.

(Also a small HC if I may: Dr. Sozonius is trapped inside the mushroom on Sozos head, while the actual mushroom is controlling his body)

+ some more doodles

Info about the 7 Sins and more doodles below:

Jeg represents Greed - he was one of the first of Lamb's followers. (At first, it was very difficult for Lambert to indoctrinate people, due to their inexperience, this guy was like the 5th or so) Jeg has...a very specific personality to say the least, yet the Lamb can't help but be fond of him. They eventually nominate him the Tax enforcer role and...That might've been the worst decision of their life. But they did not take the role away. Jeg acts smug 24/7 and relishes in his new power, but deep down, dudes pretty insecure, ( but don't tell anyone!) He used to have a huge crush on the lamb, but then Narinder and eventually the other bishops came, and since their leader was for some reason head over heels for the ex god of death, Jeg grew bitter and often got into fights with Nari, as well as charging him and his other siblings more than the average follower. Though he's mostly mellowed out since then.

Brash represents Gluttony They despise Helob, since they used to fight for "food" a lot, and eventually Brash got really injured and was found by the Lamb. She tried to eat them, but was quickly disarmed. Despite this, they decided to spare him and bring his sorry ass back to the cult to indoctrinate. They were very cunning and didn't trust the lamb either, but eventually they cooled off and accepted the new life. She still eats people tho, just not from the cult, otherwise jail or *worse*

Yara represents Pride She is one of the core followers. She's very strict and somewhat self-centered, she likes things done her way, or if not her way, the lambs way. Period. No one else can boss her around or even give a helpful advice. She's actually a pretty stand up deer, and despite being incredibly stubborn still makes a good friend. She gets along with most people though Brash annoys her, since he keeps snatching body parts off corpses. She has always been extremely devoted to the lamb and will be annoyed if any follower dissents and tries to preach against them. She wasn't surprised in the slightest when they eventually took down all the bishops.

Thorn represents Envy He had a pretty terrible life before the cult. When he was brought in, she was bitter about her newfound situation. He wasn't very trusting of the lamb and thought they expected something out of her (which technically they did, but it's just work). He envies the fools who are so oblivious and just do everything as they're told and let their lives be guided by some amateur god. Similar to the other two, he puts on a mask, He often acts overly saccharine to hide his true feelings, but doesn't have any bad intentions. (Most of the time) She does genuinely like some people, but others, he only pretends to like to appease the lamb or to blackmail them. He hates when the people he actually cares about are threatened.

Jermo represents Wrath Jermo absolutely does not trust anyone. Similar to Thorn, and most other followers tbh, their life was absolutely horrible prior to the cult. They trusted some people, they got betrayed, and almost died several times because of it. It was extremely difficult for the lamb to make them stop dissenting. They legit had to give them the loyalty necklace in order for them to finally stop dissenting. Jermo keeps getting into fights with other followers, because they feel as though everyone is always against them or is constantly judging them. (They're technically not wrong) They've died 5 times, because they keep getting into fights with other followers. Lamb strongly considered keeping them dead, but decided to challenge themself with them (also they're too cuddly to just be killed off) Despite their many, *many* flaws, Thorn has a huge crush on them, since he's one of the people who managed to see their soft side. Jermo, deep, deep, deep down actually cares a lot, but they've been hurt too much by everyone, so they retaliate for the same stuff to not repeat.

Herett represents Lust At some point, she passingly heard about the cult and since it seemed like a peaceful place from the rumors (and also had hot people in it) she eagerly joined in. She's usually in the kitchen area, if not hanging around the love tent or babysitting some kids. She crushes on almost everyone, but for some reason she hates Kallamar (legit in my actual game she rejected him so hard, despite having the lustful trait and not caring prior)

Mateo represents Sloth Is perhaps the 1st or 2nd of Lambs followers, so they're absolutely not letting go of him, dudes lived 4 long lives and is tired of it, he keeps switching jobs since with age he's been slacking off more. He's currently stuck as a janitor (he hates it) He's also one of the few people who managed to befriend Jermo, his mellow, don't care attitude is somewhat comforting to them. Aside that, he gets along with almost everyone, as best as he can at least.

Not much else to say about the gang in the third pic but Riley and Dannie are platonic bffs and were forced to babysit kids when the lamb was crusading. The lamb was a little incompetent here to give carnivores children to take care of, but thankfully they actually managed to be good with them and got used to being on nanny duty.

The capybara (Beige) is a retired teacher and adopted a little owlet to take care of (Chip)

While Femur is our below yellow cat, and that's my HC name for him. He's a gatherer here.

[drchucktingle]

i have copied this comment without name because i think it is very kind and respectful and i do not want buckaroos interpreting it the wrong way. PLEASE UNDERSTAND this buckaroo is very sincere and has important points and please respect their way. i am going to answer in a way that is counter to their point and i do not want buds to go after them IN ANY WAY. THEY ARE PROVING LOVE AND THEY HAVE GOOD POINTS

okay here is what i have to say:

i have not transitioned and in this lifetime i do not expect to. i think you have a good point of 'how can you know?' and honestly i cannot know that is just how timelines and reality and perception work

HOWEVER i must caution against this train of thought slightly because what works for one buckaroos MAY NOT WORK for another. every time i talk about my non-dysphoric way there are plenty of well meaning buds, particularly fellow trans buds, who show up with posts in the tone of 'its only matter of time.' like i just do not understand yet.

this reminds me of bisexual buckaroos who are told 'you just do not know you are gay yet'. as difficult as it is to step out of our own dang minds, i implore buckaroos to accept that there VERY JOYFUL AND FULFILLED NON-DYSPHORIC TRANS BUCKAROOS who do not need to transition and never will and are healthy and happy without that. just like there are bisexual buckaroos who are not just on their way to being gay

a good way to look at it is like this: I LOVE MY MALE BODY. i think i am a very handsome buckaroo. i have masculine features in my muscle and height and frame. as far as how fate could have placed me on this timeline I WON MY OWN PERSONAL FOOTRACE. i am up on the podium and i am standing here with a medal around my neck. GOOD JOB CHUCK

HOWEVER when i look down i see that medal is silver. i am not going to lie and say it is gold. it is silver.

YES my gold medal is a female body. that is an objective truth to my trot. i believe my gender way is that of a women, but there is no part of me that is upset about where i have placed.

I GOT SILVER. i am not upset. there is no tragedy. in fact i am OVERWHLEMED WITH JOY not just to be on the podium but to be in this race in the first place. HECK YEAH I DID IT AND I GOT A MEDAL

of course this is not to dismiss the difficult journey of others. many do not feel the way i do and their trot is VALID. a dysphoric way matters and is important and these voices are important. they should be elevated and supported. i understand some do not share this podium imagery, and they feel PAINED by trappings of their body.

i feel so much for this. i understand and care for my dysphoric buds, but the simple truth is that is not my story. i cant just lie and say that it is.

it will never be my story. i cannot say this enough: i love my body. however i STILL believe my truest way is that of a ladybuck. if it was a simple button push to change me, then i would push it without hesitation.

but it is not a simple button push.

talk to almost any buckaroo who has transitioned and they will say 'transitioning is hard'. it takes time and work and money and emotional support. i am in awe of the bravery of buckaroos who trot this path, but all of that is not worth it for something that i already feel good about. SCRATCH THAT, i feel GREAT ABOUT. i feel overwhelmed with joy every day over just existing in this male body that i have been blessed with. YES buckaroo, i feel joy existing in a male body that i know is ladybuck on the inside. it feels interesting a cool and exciting.

but my truest way is STILL a ladybuck trot

i guess i am just trying to say that i love second place. im happy to celebrate it. i think my male body is really dang cool. it is not a 'perfect me' but it is really dang awesome, and i never really bothered with trying to be perfect

[kenniuu]

got the seal of approval HUZZAH

gen z au by @dyellogin !!

i think a lot so small notes under cut if you’re interested in that (tw: ed mentions)

Billie:

self proclaimed femcel who’s biggest problem at the moment is that the term has gotten “hijacked” by attractive geek girls with boyfriends

she wants a boyfriend but thinks theyre all normie chads who only want bimbo foids (shes scared of intimacy) so she substitutes with 2d men and otome games that are 9/10 just softcore porn

keeps her hobbies a secret when shes outside or at work so people assume shes just quiet shes far more shameless online. true lover of internet anonymity

thinks shes tomoko and asa mitaka in the flesh and blood

Josephine:

massive selfshipper and aside from the fetish art they commission they also get their selfships done

very open about being a character hater if that makes sense, idk why i needed to include this so bad but i really imagine them to be like that one guy that hates amy rose for some reason. main targets are ones that get in the way of their pairings or selfships

they wear a binder and are not strict about pronouns i haven’t delve too much on my thoughts on this cause i feel like it is a topic i am somewhat unknowledgable on so please interpret as you must

Priscilla:

popular on tiktok and unironically refers to herself as a muscle mommy

very dedicated fan base that defends her against a scandal every month. like she’ll make these insane edgelord videos that aren’t even funny just offensive that people confront her on then some guy with the user columbine2025 is saying how people can’t make jokes online anymore

has insaneeee hybristophilia and secretly saves edits and videos of her favorites. doesn’t think she can fix them but plays into the “i can make them worse” gimmick

Jenny:

a huge pick me mingles a lot with the douchebags on her campus but doesn’t have a lot of friends outside of that

wayyy less chill(?) then her male counterpart. very critical and mean if she doesn’t like you mostly a result of her own insecurities which in turn fuels her need for male validation

the vaping and drinking is really just to cope lol she’s way more depressed when she does it also i think she's a buzzball main

despite saying her art social media is not supposed to be political at all (escapism excuse) she has been picked up as the token yesman of alt right weebs on x/twitter

Jenny is bulimic and has a private account on edtwt. her posts consist of her binges and bodychecks

kept their stuff short since i mainly focused just on stuff i think would be different ^-^ thankyou

[nightwingsgypsyrep]

Ok so I’ve been umming and ahhing about making this post for a while. I’ve always kinda planned on it, but seeing these tags on a previous post of mine (no hate to this user) made me want to post something now. It’s also gone 3am. So it’s not really going to be very clean and tidy, and will probably be a bit rambling, but I can always post a ‘tidy’ version another time.

So! Tackling Dick Grayson’s Romani/GRTSB heritage (warning: it’s a long one)

So, as usual, a few disclaimers: 1) I am not American. 2) I myself fall under the GRTSB umbrella - for clarity, I am from the fairground/circus so a Showman, but my family were simply ‘gypsies’ before getting involved in that in the Victorian period, so I use gypsy/traveller/Showman for myself. I also speak Romani and grew up in the culture and on the grounds. I’m not just talking out of my arse, I promise. 3) I do not pretend to have read every comic. However, this post will be based in things which DC have published (yeah I know it gets retconned every two minutes but hey, I’m working with it), even if some of it is more speculative/Headcanony, it will all be canon-compliant/what makes sense based on my own experiences. 4) That being said, everyone who does in some way fall under the GRTSB acronym will have different experiences and opinions, and all are equally valid and should be respected. 5) I use the term ‘gypsy’ a lot. Where I am from, it is not a slur, but is used almost a catch-all phrase for GRTSB people, by us. We also see Dick use it so I’m going to. I personally don’t mind if people use it (so long as they don’t use it as an insult) but not everyone will feel that way, so it’s always better to ask individuals. 6) this post is intended as a fun exploration of a character whom I relate to based on our shared heritage (when it’s really rare to find characters like that). I’m not trying to dictate to you how you should interpret Dick’s character. You’re welcome to different opinions and interpretations - this is just one of mine! :)

So, first, what is GRTSB? Well, it’s an acronym which covers all aspects of the gypsy/traveller umbrella. It is used in British legislation. It stands for Gypsy Romani Traveller Showman (aka fairground and circus) Boater. Under British legislation, only the first three (Gypsies, Romani, and Travellers) are considered an ethnic identity, whilst Showmen and Boaters are considered a cultural identity.

This is absolutely FULL of problems and has been hotly debated for years, with different people identifying in different ways. People who share the same/very similar ethnic heritage (i.e. siblings, or cousins) can have completely different points of view on what they identify as. As such, don’t take it as gospel - it’s more of a guideline than anything. Especially since a) these groups often intermarry, meaning that someone can be multiple at once; b) if a Showman stops travelling with the fair and settles, they don’t become a non-traveller, because it’s in your blood, not just a job; c) people can trace their heritage back past a particular group - e.g. my own family (circus and fairgrounds aka Showmen) can be traced back to at least the 1600s, before fairs were really a thing - at the time, they simply identified as gypsies. They didn’t stop being gypsies just because they changed their job/founded a circus/fairground. As such, many in my family identify primarily as a gypsy or traveller, and a Showman secondarily, whilst others do the opposite, or identify as just a Showman or just a traveller/gypsy. Like I say, this classification is not perfect, and is hotly debated, especially at the present time.

So, now, onto the subject of Dick Grayson. I included the tags above mostly because of the ‘tell me you don’t know a character without telling me you don’t know a character’, because, firstly, rude. secondly, the poster makes reference to the Golden Age. And yeah, obviously DC aren’t going to make reference to Dick being a gypsy in the Golden Age - do you really expect writers in the 40s to care enough about the nuances of a character’s ethnic heritage, especially a gypsy, at a time when it was still common even in countries like England (where legal segregation wasn’t a thing) to have signs on pubs like ‘no blacks, no Irish, no dogs, no gypsies’ - btw we still get those occasionally? However, if we look at the comics which have been published in the eighty five years since Dick’s debut, we see a lot of references to Dick having Romani/GRTSB heritage. Again, I’m not well read, but in Grayson’s run, at least, we do see Dick speaking Romani and self-identifying as a gypsy (Nightwing #91 btw). So I’m sorry but it is definitely canon that Dick has at least some Romani heritage (since Romani, by culture, is not taught to non-travellers on purpose, and is thus only passed down from parent to child. Hell, even some of my cousins who are half gypsy - Diddakois - don’t know the language!), and the fact that he speaks it and IDs as a gypsy does suggest that this is something important to him and his character. I know that being a gypsy is certainly a big thing to me (with how the world treats us, you have to be proud of it and have it be important to you to make it worth it).

So now we come onto the second part of my rant: wtf is going on with Haly’s Circus.

So, an important bit of context is, what makes a gypsy a gypsy? And the answer to that, in my opinion, is a mix between culture and blood. You can’t be a gypsy (unless in circumstances like adoption) unless you have both. What I mean by that is, if you’ve got one gypsy great great great grandparent, but weren’t bought up with the culture and morals, you have gypsy heritage but are not a gypsy. However, if you are a gypsy and you decide to settle down in a house, work in an office, and never speak Romani again, you are still a gypsy. Similarly, if you suddenly decide to take on the gypsy lifestyle (maybe work on the fairgrounds or in the circus, or go travelling like the New Age lot), you are not a gypsy, because it’s not in your blood - hence why it’s an ethnicity, not a cultural thing really. As such, it is common for there to be a us vs them mentality even with those working on the ground - you have the gypsy/traveller/Showman who tends to own/run things, and then you have hired non-GRTSB staff (traditionally called chaps, but this has fell out of fashion in recent years).

Now, I make this distinction because Haly’s Circus is really odd in that regard.

Most gypsy (or Showmen - like I say, it can be both at the same time) ran circuses and fairs tend to be family affairs. For example, it might be John Doe’s Circus on the tin, but the Smith family (which Mr Doe’s sister married into) will often work with and alongside the Does in the running and operating of the events. Largely, this is on an ownership level, with various relations then owning the surrounding supporting elements (e.g. sideshows, fairground rides and joints, food kiosks). Other family members might then help ‘mind’ the stuff, or you can hire non-GRTSB staff to help.

Now to draw on my own family history: historically, in the Victorian period, etc, it was common for the gypsy family who owned the circus to also perform in it. For example, in my grandfather’s circus, my grandmother was a lion tamer and equestrian performer in parades. They did also hire non-traveller performers, but there wasn’t such a distinct line. However, by the 30s approximately, this had changed to be a more managerial role, with it being more common to have purely hired performers in the main event. The exception here was for sideshows and fairground rides - it is still common today for these to be ran/worked by GRTSB people (e.g. my grandmother did the dookering - fortune telling - and my grandfather did the boxing; today, we still run and operate the rides and kiosks).

However, we know that Haly’s circus was not like that. We honestly don’t know if Haly was a gypsy or not. Also, usually, gypsies have such big families and are surrounded by them, but we know that the Graysons died with no living family (no William Cobb does not count here) and had no relation to anyone at Haly’s. I suppose if you want a canon answer, you could point to how Haly’s was used by the Court of Owls, but it could just be Like That. This is unusual but not unheard of, but still worth pointing out I think. Alternatively, it could originate from one of the non-GRTSB started circuses which were popular around the turn of the 20th century. Since being a gypsy is really tied to your family name and, ethnically, means you have to be born into it - you can’t just start a fair and claim to be one-, even 120 years later, these families are still met with scepticism - they could marry into a 100% gypsy family in 1901, and have all of their descendants do the same, and still the older generation would look at their surname and scoff and say they’re not a real traveller because that one great grandfather 100 years ago was not a born-and-bred traveller. But honestly, I think 100 years is enough to integrate. So, to summarise, Haly’s circus is quite unusual in that it does not appear to be operated by only gypsies/Showmen, even if it still common for circuses not to be performed in by just gypsies.

Now, to answer, how Romani is Dick Grayson?

Like I say, canon does explicitly tell us that he has Romani heritage, placing him firmly within that second category of the GRTSB acronym (and he also identifies with the more general Gypsy identity). However, it’s frankly unlikely that the writers really went in depth with the whole GRTSB thing, so I think we can tentatively suggest that he might have also identified (keyword here being ‘might’ - this is more canon-compliant HC here y’all) as a Showman (called a Carney in the US) because the whole deal with being a Showman is the circus/fairground aspect (but, like I say, it is still a ‘gypsy’ identity as you must be born a Showman, you can’t just sign up, because it is based on a mutual gypsy heritage which predates fairgrounds/circuses, which means it still fits into what we know of Dick in canon. As such, Dick being a Showman is hardly canon, but it is 100% compliant with what we know of Dick in canon). As I’ve said, they are not mutually exclusive. He could ID as both or either, or just prefer the all-encompassing ‘gypsy’.

Now, we also know that Dick is not 100% gypsy (but tbh who is nowadays? I have two non-gypsy great-great grandfathers). Although Dick’s family history is limited, we know that his great grandfather William Cobb was likely not a gypsy (he could be ethnically, it’s not ruled out, he might have just settled, but let’s go for safety’s sake here and just say he’s not). Similarly, his partner was from a wealthy non-gypsy family, meaning that ethnically, their baby (John Grayson’s father) was likely not a gypsy (though could potentially have been a Diddakoi aka a half-gypsy, if we believe William Cobb to be a settled gypsy). However, since this baby still grew up amongst the circus, it is not impossible that he ended up marrying a gypsy, which would make John Grayson half gypsy - aka a Diddakoi. In fact, I would argue that it is even likely, owing to the fact that Dick speaks Romani, and the fact that Romani is only taught to other members of the family, meaning that somewhere in the Grayson family, a Romani speaker had to be introduced. Mary Grayson (formerly Lloyd), on the other hand, probably was Romani/GRTSB herself. I say this, based mostly on her closeness with the OG Richard aka Raptor from Seeley’s run, who was Romani, and the fact that it is really common in gypsy circles to mostly mix with other gypsies, meaning that it would make sense for the pair to meet based on the fact that they were both gypsies/Romani. Therefore, I would argue that even if Dick is not wholly Romani/gypsy ethnically (but, like I say, who is nowadays?), I think there is enough both blood and culturally to make a pretty good case for him IDing as such, and foregoing the need to make any distinction. (Also, especially nowadays when Diddakois are increasingly more common, it’s not even that prejudiced to be a Diddakoi. A lot of my cousins are and you don’t even think to mention it). Aka. He’s a gypsy. Nuff said.

Then, I suppose, the final thing I’ll address is the ‘whitewashing’ issue, or, what I really think is a non-issue.

Sure, a lot of ethnically Romani people are dark skinned. There is a reason why the term gypsy exists. Now, as my grandad will tell you, gypsies originated from Northern India about 2000 years ago, before moving into Europe. However, a lot can happen in 2000 years. There are a lot of people in the UK, at least, who identify as purely Romani who have very pale skin. My family has a real split: my dad’s side of the family is quite dark, and are often mistaken for being South Asian in the summer due to how dark they get when they tan. Meanwhile, he refers to my mother’s side of the family as being ‘poxy and pasty’. My mother is a full-blooded traveller btw, same as my dad (barring their singular non-gypsy great grandad they each had). You just can’t paint everybody with the same brush. Take me for example: I am pale af and take after my mum’s side of the family, but I’ve still got the stereotypical dark curly hair and blue eyes of gypsies (which my boy also shares). Genetics are weird. So whilst I am a big fan of dark skinned Romani Dick Grayson, it’s also still ok and accurate for him to be paler. This does not make him any less Romani. (Like I say, this is all based on my experiences in the UK).

SOOO… TLDR:

Dick definitely has Romani heritage. This has been canon for decades and cannot be taken away from him.

He canonically self-IDs as a ‘gypsy’ (as well as the Romani heritage), and may also be interpreted as being a Showman (even if this is more of a European term) if you want to see him that way, especially since a lot of Showman families (mine included) can trace their families back past the origin of the fairground to when they simply identified as gypsies or Romani (hence why Dick might ID as a gypsy with Romani heritage. Honestly, this is mostly in the realm of canon-compliant Headcanon now)

The GRTSB classification system is a mess y’all and everyone has a different opinion. Just roll with it and don’t get into the debates is my professional opinion.

Being Romani/a gypsy/a traveller/a Showman is something you are born into. You can’t just become one, or stop being one. So, if we presume that William Cobb had no Romani heritage/was not a settled-down Gypsy, even after he joined Haly’s he did not become one. It really is in your blood, and is tied to family.

Haly’s circus is unusual because it’s mostly not a family affair (though points for the Graysons sticking with it and inheriting their roles - that is realistic!). It’s unclear how many of the members of the circus are Romani.

Dick also has non-traveller heritage due to the William Cobb thing. His grandfather, at least, was probably not ethnically Romani (though he might have been half if we want to view William Cobb as having Romani heritage/being a settled gypsy). However, since Dick canonically has Romani heritage, IDs as a gypsy, and speaks Romani (a language which is closely guarded amongst gypsies), it had to come in somewhere. Honestly, I think we can comfortably view him as being at least 3/4 ethnically Romani/a Gypsy, but also since modern Dick Grayson was not born during prohibition, this really isn’t a problem as it’s really common for Diddakois (half gypsies) to be treated as full gypsies nowadays.

As much as I love darker skinned Dick Grayson, it’s not a requirement. A lot of the GRTSB community (especially in Western Europe/Britain/Ireland) are on the pale side. This does not take away from their identity.

So that’s my rant. It’s like 3.30am so it’s probably a complete mess but hopefully it gets down the basics, at least insofar as it relates to my experiences and understanding as a gypsy from the fairground/a circus family. People will probably have different experiences (especially since I’m in the UK). Although I have based all of this on canon, and as such it should all be canon-compliant to my knowledge (I’ve still not read all the comics!), it is also equally based on my experiences, so you may interpret it completely differently. The beauty of Dick’s character is that he has been built up over 85 years, and as such, we have to do our best to interpret what was laid down in the Golden Age by writers with no idea of what Dick’s character would grow to be. As such, canon really is a bit of a sandbox, and this is my own go at it!

If anyone has any questions/wants clarification/notices any obvious contradictions with canon since I’ve not read them all yet, please feel free to point it out! This is not intended to be a lecture/call out post/dictatorship on how you view canon, just a small exploration of my interpretation of a character whom I relate to as a Romani speaking gypsy from the fairground/circus myself.

[skyenish]

Mr. Loverman | Scarabia animatic 🐍☀️

——

Something something happy pride month

(Ramble under the cut)

Since I’m drawing Jamil and Kalim to like every romance song in existence, of course I had to draw them to mr. Lovernan; its only natural! And this song fits them so well too… the ways that Kalim talks to Jamil are so sickenly sweet and loving, they make Jamil wish he was gone. I think it’s so perfect to have that one voiceline where Kalim says Jamil’s name, but not with his usual trust or love or kindness, but rather with disbelief, fear, and confusion. That way the song can have a double meaning for them! Kalim’s sweet words make Jamil sick, but when Jamil’s plans fell apart and Kalim called out for him, confused and refusing to believe that his closest companion would betray him, it still makes Jamil’s stomach churn. I bet that sometimes Jamil wishes Kalim could just shut up.

But Jamil still cares about Kalim, still remembers when they were friends. Their relationship is complex, and though he hates it, I think he still does love and care deeply about Kalim, but all those feelings are just in a very weird and difficult place. I absolutely adore that double meaning! The ways in which Kalim talks to Jamil makes Jamil feel a lot of things, negative, positive, and he hates it. But “wishing i were gone” and “running on and on” can apply to both his negative feelings of desperation, hatred, loathing and disgust, and also those feelings that deep inside make him wish their situations were different, that things didn’t end up like this. Jamil lies a lot, also to himself, and all his feelings are so tangled and stuck (dude is super emotionally constipated and needs therapy fr). I LOVE the character development Jamil and Kalim got in book 6 and 7, because they’re slowly making their way towards building a healthier, mutual relationship, and I’m so happy for them! I will be eagerly awaiting the day their relationship is fixed, and they’re happy with themselves, eachother, and life

As always, please remember that these are just MY interpretations of and takes on these characters! If you disagree or want to share your own interpretations, thats valid, and please do share! I love to read analysises and rambles! :)

——

Drawing has been really difficult again; im busy with school and I can’t get myself motivated to draw. Social Media has also been bumming me out. I’m really sensitive, and there’s been a lot of negativity on my fyps and timelines, which has just killed my mood. Good news also though- the twst anime finally got a release date??! I have been waiting for this for YEARS, and I can’t wait to see our boys animated and for the fandom to grow and for new merch! There’ll be so much more cool fanart, new character discussions and analysises, new people who get to experience twst for the first time!

Kalim is such a cutie, he’s so fun to draw! (Until suddenly my hands decide they don’t know how to draw him anymore).

(GUYS HAVE YOU SEEN THE UPCOMING CATER CARD??? IM NOT OKAY HE LOOKS SO GOOD AFHAGSGDHJ)

[aoflameandco]

Netflix DanteLady: in depth analysis

I ship Dante and Lady. And it makes really hard to miss a big controversy, surrounding the Netflix version of characters. There's a lot of negativity out there, and while I see some valid points, my shipper heart absolutely disagrees with the harsh takes on DanLady's development. So let's break it down and highlight some nice things about this particular interpretation of our beloved ship.

Warning:

1) This post treats the Netflix anime as its own thing. I'm not comparing the show's DanLady to the game's DanLady maybe some references aside bc imho it would request another big meta and a couple more Seasons to make a fair judgment.

2) The analysis mainly focuses on the scenes that Dante and Lady share together. The show also likes to draw parallels between them, but once again, I'd need another big meta to cover that. maybe one day

3) I call Lady "Mary", bc that's who she is from her POV right now. I like Lady better too and know the dmc3 nuances, but the show didn't reach the point yet.

Starting from the bottom

She hated demons with a passion. He exterminated them with joy. So much in common and yet — a shared distaste for the demonkind caused an all-time-low first impression.

But things looked fun at first! At least from Dante's POV. Just when the party seemed to be almost over, another pretty guest flew through his window. There's no doubt that Dante was having a blast, dominating the entire battlefield, so he accepted his new challenger eagerly, his wild grins don't lie.

Too bad, Mary was a woman with a mission. Careful calculation behind every move. Strategy instead of brute force. If her theory is correct, it's the only way she can win. And she succeeds, securing the amulet. The soldier's cold mask falls for a second, revealing how much she enjoys being in control after Dante carelessly underestimated her.

Jokes are over, Dante is pissed and Enzo's suggestive remarks the og captain of the ship don't help either. He doesn't care about the pretty thief, all he wants is to keep his sacred promise and return his precious necklace.

And so the battle for dominance begins. The episode emphasizes that Dante and Mary are birds of a feather. Both smirk when they think they have situation under control, about to catch their prey. It's not a sweet kind of smirk, they're serious and even manage to cause minor damage, but Mary wins this round by introducing an anti-demon weapon Dante never saw before.

Time to test the demon theory. Which completely takes Dante by surprise. No wonder, the whole animation looks rather suggestive, if we ignore Mary's gun pointed right at him. But that's not what confuses Dante the most, it's Mary's words. A mere thought of him being a demon is quite insulting, so he immediately laughs at her failure, hiding his own stupor behind cheeky jokes.

But this lady is too smart for her own good. She continues her musings, so deep in thought that she loses her grip, and Dante is quick to use it against her. His ruthlessness gives another hint that she has touched on a sensitive topic, triggering him further.

Mary immediately retreats, most likely blaming herself for relaxing in front of such a cunning foe. Her jumps and blasts are more uncoordinated than usual, she clearly panics and Dante has to save her at the last second from his own counterattack.

And he's still mad and demanding answers. Although the scene clearly references "my type of rain" this Dante is in no mood for flirting. The gentleman dies: he slams Mary's wrists against the wall, ignoring the close proximity he created, yanking her body like a rag doll, when she touches his nerve.

To Mary's honor, she keeps her cool even cornered, this time determined to overpower her opponent mentally. Dante's anger makes it easier, yet her cocky pocker face falls under his touch. That's really not her type of "getting personal", though he walked right into her trap.

The whole scene radiates the hateful tension that is clearly mutual. Both are a bit too petty. For example, Dante takes offense at Mary's implication that he's a brainless demon and he immediately rubs her current helpless situation in her face. Only for Mary to strike back a minute later. A great uno-game, what to say.

Slightly touching on the topic of power scaling: nope, the show doesn't make Mary stronger than Dante. Even though currently she's way down on his favorite people list, Dante has no intention to kill her, because: A) He got his morals and B) He seeks information, which she processes. And Mary thanks to the extra ammo and lack of moral limits takes full advantage of it.

Dante's hot anger subsides the next morning. Maybe because he's had time to calm down, maybe bacause Enzo's presence provides him sort of comfort their bond is truly wholesome. Either way, he decides to stand his ground, calmly denying all the demon allegations.

Meanwhile Mary's cold hatred has grown. After nearly failing the exam she did her homework — this damn hellblood won't ever get the upper hand over her. Mary demonstratively ignores Dante's small talks, turns away whenever he opens his mouth, takes every opportunity to punish him for his silly escape tactics, bluntly dehumanizes him referring to him as a "thing".

While, yeah, Mary is being a bitch in this episode, the reason behind it isn't just a sore victory. Dante is ruining her simple world. Demons are bad. But Dante is acting like a deviant, so human-like, Mary can't help but think that he's up to something. She doesn't believe in his ignorance, she tries to warn Baines that even a half-demon is a demon and doesn't deserve any special treatment. And she surely is annoyed that Dante denies his blood and has a sad backstory, quite similar to her own. Nope, she won't succumb to this demon's manipulations.

Yet, despite her cold facade, Mary isn’t as heartless as she pretends to be. After Rabbit's attack she pauses for a second to make sure her prisoners are in fact fine, before running to her teammates. And for someone who was so enthusiastic about the bomb in Dante's neck, she certainly seems a little too concerned when she realizes he’s crossed the one-mile radius.

Still at this point of story DanLady are bitter strangers. Dante isn't one to hold long grudges (given his dynamic with Enzo), but Mary's hostility doesn't help his insecurity about his origins. Meanwhile her prejudice prevents her from seeing him for who he is. They both value the amulet above all else, so they spare no extra though for each other, before diving into their own separate arcs. Which change their perception of demons forever.

Change of heart

Next reunion highlights the progress both Dante and Mary have made. She has realized that the world isn't black and white, there're different types of demons out there, even those she can't consider her enemies. And he has faced the truth, came to terms with his father's heritage and been forced to see the world through the eyes of a demon himself.

The character's journey greatly affects their dynamic. Mary doesn't hesitate to save Dante from Rudra. And Dante immediately confesses that she was right about him all along. Burying the hatchet of their first disagreement, they slowly learn to compromise.

Mary lowers her gun once Dante confirms that he won't transform again. Given how wary she was of his human form before, the new info about his power-up would naturally raise her alertness, but she trusts his words now. Besides, she isn't afraid of him, she's pretty comfortable with his harsh truths duh, she already figured it out And that means a lot to Dante, who's still struggling with self-acceptance.

Still having his head blown up might be quite a painful experience, and Dante can't help but tease about her change of approach. Mary simply rolls her eyes, but still accepts him as a reluctant ally, untill the amulet tears them apart.

The first sort of teamwork estabilishes who's the braines and who's the brawn. Dante certainly prefers a direct confrontation while Mary engages in a battle of wits with Rabbit. Still, it's impossible not to notice her distressed state, and even though Dante feels awkward witnessing it, he doesn't walk away as soon as he is instructed to work solo. In fact, he pays attention to the smallest shifts of her mood.

His attentiveness and demonic instincts save Mary's life. He cradles her close to his chest, shielding from the blast. Mary certainly has no time to react when he jumps through the window with her in his arms. Looking very mad. No wonder, his strength keeps being tested, but he's determined not to let anyone die on his watch.

Mary wakes up to find herself in a rather compromising position. Dante groans beneath her, for the first time she sees his face so close. And she's mesmerized, his soft surprised gaze doesn't help either. It's a very short lived moment of vulnerability between them, where they're stripped of their confident, smug demeanor. A blush covers her cheeks, and Mary rushes to break the magic, too afraid of the unspoken feeling that has arisen between them.

While this scene surely echoes the classic tsundere trope, Mary's reaction is easy to understand. She's a soldier, a tough one, who can't afford the luxury of weakness. Dante's existence was already confusing enough, and she'd just come to terms with his not-so-bad demon side — but feeling something for him? No, no, no, that's taboo! And so she lashes out at him in frustration.

Dante's reaction is slower. To his credit, he took the brunt of the fall on his own back, which hurts even with his healing, but the grimace of pain magically disappears when he meets her eyes. Unfortunately, he gets no time to enjoy the view, because his face meets her palm too quickly. There she's, the lady he knows, brutal and rather ungrateful, not that he expected a thank you. Well, his pout might tell other story.

Still, his soft spot for Mary is clear as day when he tries to console her about the fallen soldiers. She is also a good listener and Dante confides in her so easily, telling her about his father and the mission he intends to inherit from him. Too bad, she has other plans.

Another disagreement emerges between the pair. Both believe that Rabbit is their personal nemesis, while the other party should stay away from him. The truth is that both are wrong, bc the Rabbit's heart is big enough to hate both Darkcom and Sparda.

Anyway, while Mary's "courtesy" is definitely not for every court, she doesn't knock Dante down, even though it would've been more convenient for her plan. But at this point, she definitely sees him a person. A person she struggles to reason with, heck, the "demonic dumbass".

Dante, who just can't catch a break with his lady, is very unamused by the following development. But instead of anger, his expression is closer to despair. As if it's not just a matter of a stolen fight, but also the fear that someone will die in his place. Again. Eventually, he'll be able to break free from the truck, but who knows, if Mary will be alive by then.

In this end, this small arc points the growing attachment between the two. Mary's presence and honest approach help Dante grapple with his own insecurities, and it's clear how much he needs someone to lean on in his vulnerable moments. Meanwhile, Mary realizes that the guy in front of her is too pure for his own good, far from the cunning demon she imagined. His kindness and relatable family values keep messing with her head, but she shields her heart, knowing full well that his careless actions put the entire world in danger.

Back to back

Mary's change of heart doesn't escape Rabbit's attention. No matter how indifferent she tries to sound, using Dante's life as a bargain, her opponent calls her bluff. Without even realizing it, Mary lets it slip by using Dante's name and considering him a part of both species. The fact that she never planned to detonate the real truck adds to the point. Even though from her POV the human world would have been saved without Dante around he'd have probably survived it though and she was never into Baines' idea of using him as a weapon, she just can't. He's no longer a "thing," not an evil demon to her.

Mary's plan was quite self-destructive from the start, but lucky her, her knight in the red armor is punctual. Once again Dante saves her, giving her a cocky grin, a silent "told ya". Instead of gratutude he gets a groan from the paralyzed Mary. Of course, she's furious because he ignored her warnings again and walked right into a trap.

Mary hates being helpless, but she underestimates how much her mere presence helps Dante. He remembers Eva's words about Sparda just by looking at her. In this moment, Lady embodies the world he wants to protect. Her voice of reason is his wake up call, she drives his doubts away, leaving Rabbit no chance to use Dante's insecurities against him.

Mary does her best to be useful. She warns Dante about the poisoned blades and breaks through her paralysis to join the fight. But she still isn't strong enough, causing Dante to worry sick about her. Since this episode his protectiveness reaches a new level.

After the fight Mary reaches him, noticing, that he's again troubled by Rabbit's words. And she talks about his mother's necklace. It's a small thing, but she doesn't call it an "amulet" — instead, she understands and points out the special meaning this victory has for Dante personally.

Given this, it is no wonder that Dante looks extremely happy when Mary confirms that she will not take his amulet anymore. Too bad, both misunderstood each other. Dante is full of hope, that Lady has accepted him as the best protector. Mary — confident that Dante has understood the danger and will cooperate willingly from now on.

That's where their third conflict blossoms. But unlike the previous ones — about the demon nature or the Rabbit fight — this one lacks the edge and feels like a flirting banter. Especially if you watch their body language and face expressions closely, both are challenging each other, clearly enjoying the tension. The changes Enzo the og captain of the ship immediately notices and points bluntly. Funnily enough, none of the two try to beat allegations.

At this point Dante uses "we" heavily, viewing himself and Mary as an inseparable team, after everything they went through. His childishness is contagious and Mary finds herself engaging in his silly points, arguing about their saving score. Still, she reminds him that's she is a part of Darkcom and that's not just a matter between them two.

Dante's sympathy for Lady doesn't apply to her organization at all, and their opinions on Baines' methods clash. Ironically enough, Baines decides to play a harsh boss right afer Mary defends his honor. But Dante isn't one to watch how his lady get reprimanded in front of him. Besides, he realizes that he's the main cause of her struggles, and quickly covers for them both with a lie. Mary, still visibly torn, agrees and doesn't reveal that the amulet is in fact in his pocket.

However, Baines sets the stage to make the choice between heart and duty even more difficult. Once again the Lieutenant Mary Ann Arkham is acting out of character, questioning orders and hesitating to take the "demon" in custody. For someone who teased Dante about blusting his haircut a minute ago, Mary looks terribly hurt when she actually gets an opportunity to do so.

The inevitable confrontation gets cancelled by the mutated Rabbit, who gives DanLady a chance to show the best of their teamwork. Without hesitation Mary entrusts Dante with her gun, but his unholy strength quickly breaks her gear. They even find time to bicker about it, between the shooting and strategizing. Dante's face doesn't look very remorseful though, it seems he enjoys being scolded by her.

But his confident smirk vanishes immediately when his partner gets hurt. Once again, Dante can't hide his fear of losing Lady. Her life has skyrocketed to the top of his priorities: after the helicopter crash the first thing he does is checking on her, rather than securing his precious necklace.

Mary is hard to kill though. Not only does she always rise up, but also comes to Dante's aid at the most critical moments. She pays her debts, saving him twice. Finding the strength to pilot a helicopter and fire the last anti-demon bullet, when Dante is cornered. His influence on her is hard to deny when she adapts his famous catchphrase for her final shot.

The way they look at each other after the enemy is defeated speaks volumes. They won and saved the world, working together. Quite a solid foundation for a bond.

Sunrise finds them together on the bridge, the shortest distance between them. Mary consoles Dante over Enzo's death, at this point perfectly understanding how much the loss affects him. She sees right through his cheerful facade and when Dante tries to escape with another joke, she opens up to him too. The honesty is mutual and Dante tells her of his latest discovery: his brother may be alive. Finding Vergil becomes his primary goal. But suddenly Dante, the former lone wolf Dante, who didn't want anyone to pry into his family's affairs — invites Lady to come with him.

This is not something Mary ever expected, her expression softening, surprise evident in her eyes. Dante doesn't give her a break, immediately coming up with the name for their future duo. It all makes sense from his perspective, they fight great together, they complement each other, they share similar regrets, they'll make it work. The only snag is the order of their names and Dante laughs heartily, looking genuinely happy for once.

Little did he know about the turmoil his Lady was going through at that moment. Her weak smile dies with their silly argument and shifts into a somber expression. And she does what her duty requires, looking absolutely heartbroken.

The disbelief on Dante's face doesn't make Mary's explanation any easier. Yet, as he falls, we see Lady from his slowly blurring POV — and it's not the face of a traitor, but the small lost figure of someone who regrets this outcome deeply. Her guilt echoes in her apologize, which, sadly, he can no longer hear.

Their last crucial disagreement finally comes to light. Mary has witnessed the danger of a demon invasion first-hand, so she can't let Dante and his amulet go on another risky adventure, especially knowing how unstoppable he'll be with his newfound motivation. And even though Mary the person clearly sympathizes with Dante's passion, Mary the soldier makes the final decision. However, it immediately backfires, because it's Baines who throws the safety of their world into the trashcan.

Well, long story short, it's hard to deny how much the bond between Dante and Mary has changed over the course of the first season. From bitter enemies to reluctant allies to ride-or-die comrades. All with a tension in the air that the show isn't shy about calling romantic. And yet, Netflix DanLady takes a complicated, but realistic route.

Lady doesn't join Dante at the end of the day, and they don't walk into sunrise hand in hand. After all, they've only known each other barely more than a day. That was enough to develop a great sense of understanding and care for each other, but not enough to give up their old lives. Both still in the middle of their character arcs. Mary isn't ready to be Dante's Lady yet, but her trust in Darkcom is clearly crumbling. Dante's straightforward approach would've result in the world's collapse if Mary hadn't cover for him, he still needs to learn to be less reckless. And the next Season looks very promising for both of their arcs, which will clearly collide at some point and take their relationship to the next level.

Thanks for reading till the end! Of course, this analysis is nothing but my personal interpretation. I'd love to hear your thoughts too! What do you love about Netflix DanteLady? Are you looking forward to Lady's "redemption"? What do you expect from Tony Redgrave? Please, let me know 😌

[agatharights]

Pro tip: Don't give an author avatar character a joke on your real name when you're a teenager or you'll be in your thirties talking to people at a gaming shop and they'll say your name, then pause, then re-pronounce your name and go ".....wait like........Doctor Rights????"

Or do because it's funny every time to watch them rapidly work to align Dr Rights with the weird little butch-ass gremlin who wrote her

hi! so sorry to bug you, but i was wondering if you're still open to asks or questions about dr rights and scp in general? if not, that's totally fine! i'm really fond of your characters and writing and hope you have a great day :3

I mean, you can certainly ask! I haven't really done any SCP stuff for like...a decade? So I may not have answers but maybe this will motivate me to finish writing a something

[kkoffin]

i read thru the whole 88 page judgment from the new UK supreme court decision and i need yall to understand how ABSURD it is that trans people are upset about this at all. long post but important bits highlighted in red bc i know everyone on this app has attention span issues

(context: (stick with me here)

1) the act sets out “it is discriminatory to exclude anyone on the basis of their sex.” and then a list of exceptions, so the single sex spaces/services allowed will be referred to as “exceptions” 2) the judge is looking at the whole act, and based on the language and context, deciding whether or not EVERY mention of “woman”, “man” or “sex” within the act was intended by parliament to include people with a gender recognition certificate or not. 3) we either can or cannot include people with a GRC. this is a discussion largely regarding single-sex services, it either includes TIMs with GRC and rejects TIFS with GRC or vice versa. that’s the most important factor and why it’s most absurd that trans people are upset about this.)

the main part that really stands out, one of the exceptions the judge relied on was regarding (paraphrased) “it would not make sense for a person of the opposite sex to need this service”. this refers to mainly medical treatments for sexed biology. not only does it not make sense for a TIM to need a service such as cervical cancer screening, but if we say this does include people with a recognized “female” gender, IT EXCLUDES TIFs. WHO ACTUALLY NEED THIS SERVICE.

Remember, we cannot make an exception for this specific kind of single-sex service - the word “sex” works just the same across the whole act. a judge cannot make amendments to the act, only interpret it, and it must be interpreted in context.

Even for a trans activist judge this would be a tricky spot to be in. it’s choosing between the “validity” of one trans-identified sex and the literal access to actually necessary healthcare for the other. this was made to protect those people and literally maintain their access to health services. Again, if we said this act was including people with a GRC, trans identified females would be excluded from countless necessary health facilities for women, vice versa.

alongside the gender recognition act, a grc still makes a trans identified person their desired gender for “all [other] purposes”, and the exceptions in the equality act are limited. mainly only government/healthcare services, maybe gyms (maybe), groups of under 25, higher education and communal accommodation. plus minus some.

it does not directly include bathrooms, (though they could be argued) but most certainly it does not mean “trans women are no longer women”. trans women are still literally “legally” women. all that’s really changed is an ability to recognise a difference between a “legal” female and a “biological” female, at this point only limited to within one act. that same act lists trans people as a protected group who MAY be discriminated against on the basis of their trans identity. trans women are legally women in literally every way besides within this one act. one exception to the rule "trans women are women".

this post is already super long but i might reblog it with some more things in the judgment that stood out to me later. also this was all written in one sitting so i might edit, forgive any typos or inaccuracies. i’m not registered and especially not in the UK so don’t take this as gospel or use as legal advice

[linkcharacter]

Love the difference from how Jimmy rejects the pills aggressively while it’s implied in canon Curly just tries to keep his mouth closed rather than hurt anyone. I also love how Curly thanks Jimmy for letting him help vs Jimmy complaining that he had to in canon despite never really being an asked more than once and talks down to Curly.

It’s an interesting difference in how they both take the duty from Anya where Curly is def trying to salivate her of having to take care of Jimmy due to every pre-crash and the guilt but also because that is his friend still. Just comparing it to Jimmy who only does it cause he needs to feel useful and asserting himself as more capable than Anya.

I know you likely wanna keep it vague or open to interpretation but since Curly acknowledged the pills aren’t doing much for Jimmy do you think he’s genuinely doing it just cause it does something even if little for Jimmy or to ease his mind? Sort of like how the crew mainly gives Curly his pills to keep him quiet and more so how Jimmy does it cause Curly’s sobs def mess with his crippling repressed feelings of guilt.

Very interesting how it differs. Also love how you still didn’t show the actual feeding of the pill

Oh yes the differences :) The whole time I was making the comic the 2nd audio of Jimmy feeding Curly the pills kept spinning in my brain. And yes, I didn't show the actual pill feeding, the game doesn't show it visually, so I didn't think there was a reason to do it here.

You are correct, I would like to keep it vague. It's interesting how you interpreted Curly's comment on the pills as just him thinking they aren't doing much for Jimmy, and I'm not saying it's wrong, but I see (and put) a couple of different meanings for his thoughts' text, all of which are valid, this one included.

As to why Curly gives him the pills, I'd say it can be both reasons at once. Curly does want to help, but he also wants to feel like he's helping. The thing about Curly is that he prioritizes doing what his own sense of righteousness dictates as doing the right thing, whether or not it's a smart or a helpful decision or not. Like how he decided to tell the crew about them losing their jobs. It wasn't a smart nor a productive decision, all it did was make the crew stressed and brought the morale down for the rest of the 8 months they were supposed to haul. But it was what Curly saw as 'what a good person would do', 'what a friend would do', that he "can't keep this form them all" because it gnawed on his conscience. He didn't consider consequences of telling upsetting news to his crew, or if he did, they didn't outweigh the importance to do right by his crew to Curly. To him it was the 'less scummy' way to go about it, the one that didn't leave Curly feeling like a bad person for "deceiving" his friends. But he means well at the end of the day too, he doesn't want his friends to feel betrayed, feel like they've been kept in the dark. He doesn't want to use his special treatment as a Captain while his subordinates are worse off than him.

And here with Jimmy, Curly wants to do his best to ease whatever pain his friend is in, but he also doesn't want to force him into anything because that would make Curly feel like he's undermining Jimmy's autonomy, whether or not Jimmy by himself would make a decision on medical treatment that was 'best for him', and whether or not the pills do jack shit at all. Curly tries to do good by everyone, because he genuinely wants to help and because he feels that doing a helpful thing is what he 'should' do. Curly's a complicated guy and it all comes down to what you personally consider as 'genuine want to help' and whether or not, to you, the actions a person takes matter more than the intentions behind them.

Thank you for your comments, as always very discussion engaging, I love it!!