#its just...this quote is so them

[ad-astra-per-aspera-1389]

So...season 2, huh?

Crowley: What do you want?

Aziraphale: I want you!

Crowley: Then fucking HAVE me!

[limbcom]

"Holding your hand doesn't have to mean that I accept your friendship," the liar said to the truthful, trying to lie in front of the only person who understands his intentions.

He knows, of course, that the liar did not lie. For the liar is also the truthful.

[ruporas]

we were brothers and we only had each other — [ id in alt ]

[gamorahww]

"An organizational psychologist, Adam Grant, sent me a message saying, “It’s a masterful portrayal of superficiality masking depth.” Out of all the things I’ve heard, that is the thing I’m going to get printed on a T-shirt."

- Jonathan Bailey for W Magazine interviewed by Max Gao

[suppenzeit]

Picture that. In your dreams.

[wanna-bee]

TEEN WOLF nostalgia Favorite Characters, Season 2: Stiles Stilinski

[fitzjawbone]

I always felt I deserved more. So I went to sea, aged 12, and I began to build myself a great, gilded life that didn't humiliate me to live. So all of those stories that you would have my biographer tally as courage... it's all vanity. Always has been. And we are at the end of vanity.

Then you are free.

[lizardpersonyknow]

It's so incredibly funny to me that somehow some people think Tim is a boring straightlace and Jason is deranged and unhinged

Like Jason at his worst is a murderous crime lord who also has a moral conscience, protects children and sex workers, works to make the worst parts of Gotham safer and wants to know that his dad cares

Tim at his worst on the other hand.... Rampant murder with NO morals, becomes Batman and uses the gun that killed Bruce's parents, dictator, takes over like half of America, goes back in time like a couple times to tell his younger self that this is their inevitable end just to fuck with HIMSELF

Jason at his best is the happy robin, loves school, cares for sex workers becomes a crime lord to help make sure the people who are addicted aren't being given toxic shit

Tim at his best is entirely unhinged, stalking Batman and Robin through the streets, blackmailing Batman, all the young justice shenanigans, creating a fake uncle to avoid adoption, beefing with a like 9 year old (deserved imo 9 year olds are MEAN), lies to everyone including batman and take pride in it

Like besties one is exponentially more of a black sheep and it isn't the drug lord, it's the heroic sidekick of batman

Yes Jason is still out on the streets wildin and feral but I don't think people give enough credit to how normal he is for his background

Yes Tim is CEO but he's also been 17 for years and probably has taken cocaine to see what it felt like

[umblrspectrum]

you'll never guess which movie i finally watched after 2 years of being lazy

[incorrecthatchetfield]

Incorrect Nerdy Prudes Must Die 4/?, but just the OT4

[justaz]

merlin (immortal) giving arthur (pendragon) the only blade that could kill him

[moonyswarmsweaters]

James: Reggie, Why are you doing this? you hate people in your space.

Regulus: Nonsense. I am an easygoing chap.

James: I once saw you use a ruler to measure another ruler.

Regulus: It was off by half a centimeter. It never should’ve been in circulation.

[percyweasleyapologist]

Sev: *tapping fingers on table* 

Lily: *taps fingers back furiously* 

James: …What’s going on? 

Remus: Morse code. They’re talking. 

Sev: -.-- ..- .-. / - …. . / -.-. ..- - . … - 

Lily: *slams hands on table* YOU TAKE THAT BACK! 

[dandelion-roots]

[ID: a digital redraw of the scene where chuuya shoots dazai in the shoulder. on the top of the drawing is chuuya holding a guy to dazai's head in the red and grey hallways of the prison. on the bottom of the drawing is dazai's pained face. the gunshot is shown stylistically as hectic lines behind his bloody shoulder. over the image is half a quote from goncharov that reads 'if we really were in love you wouldn't have missed.' the signature says dandelion-roots. end ID]

This quote from Goncharov (1973) in relation to soukoku has been haunting me from before I even got to that scene in the anime (the full thing is: Katya- Of course we're in love, that's why I tried to shoot you/ Goncharov- If we really were in love you wouldn't have missed). Violence as a tool for communicating emotions, especially love and hatred, especially love and hatred makes me go feral- how could I not think of the iconic quote that says that katya's miss was a sign of a lack of love/a fake love when chuuya didn't miss? Just... losing it over here.

[s0fter-sin]

one of my favourite aspects of supernatural that you very rarely see in paranormal shows is that sam and dean are already versed in the world they live in. there’s no sudden discovery of ghosts and demons and now they have to learn about them along with the audience; they are born into it and already know all about it. it allows the audience to follow their personal story instead of also trying to figure out this new world and its rules

the first season is full of knowledge we never see them learn; “w*ndigoes are in the minnesota woods or- or northern michigan. i’ve never even heard of one this far west.” […] “great. well then this [his gun] is useless.” (1x02), “you don’t break a curse. you get the hell out of its way.” (1x08), d: “it’s a god. a pagan god, anyway.” […] “the annual cycle of its killings? and the fact that the victims are always a man and a woman. like some kind of fertility right.” […] s: “the last meal. given to sacrificial victims. d: “yeah, i’m thinking a ritual sacrifice to appease some pagan god.” (1x11)

almost every episode in the first season is a monster they’ve faced before that they then explain to the audience in a way that should feel patronising; like it’s the same speech given over and over again but instead, the audience almost feels included in the knowledge. it’s stated with such an innate confidence and comfort in said knowledge that it feels like we already knew it too; “spirits and demons don't have to unlock doors. if they want inside, they just go through the walls.” […] “the claws, the speed that it moves; could be a skinwalker, maybe a black dog.” (1x02), “it's biblical numerology. you know noah's ark, it rained for forty days. the number means death.” (1x04), “no no no, not the reaper, a reaper. there's reaper lore in pretty much every culture on earth, it goes by 100 different names.” […] “you said it yourself that the clock stopped, right? reapers stop time. and you can only see 'em when they're coming at you which is why i could see it and you couldn't.” (1x12)

they already know and, at least in the first season, already have what they need to kill whatever they’re hunting; already know to salt and burn bones for spirits, fire for a w*ndigo, exorcisms for demons, a silver bullet to the heart for shapeshifters. there’s only three times in the entire first season that they run into something new to them; 1x14 when sam gets his first vision that leads him to another psychic, 1x16 when dean calls caleb for help on the sigil he put together and he tells him about daevas, and 1x20 when they find out vampires are real- and they only don’t know that bc john thought they were hunted to extinction and not worth mentioning

(there’s also technically two half instances if you count one of them knowing something the other doesn’t - sam figuring out the tulpa in 1x17 and dean already knowing about the shtriga in 1x18 - but those still rely on sam and dean having prior knowledge)

even when they’re uncertain about facing something, it’s not bc they don’t know what it is; it’s precisely bc they know what it is and acknowledge that it’ll be a difficult hunt (“i don't know, man. this isn't our normal gig. i mean, demons, they don't want anything, just death and destruction for its own sake. this is big. and i wish dad was here.” 1x04)

so much of the tension in paranormal shows typically comes from the main character(s) not knowing what is happening to them/the people around them and having to find out how to resolve it. supernatural is unique in that it operates more like a police procedural. the tension comes from solving the clues and identifying patterns to figure out who (what) the killer is and intercepting before they can take another victim

it’s such a different tone to go for when compared to other shows that came both before, during, and after its run. it sets sam and dean on even footing with each other since they both have the same knowledge going in, and it puts them in a place of authority usually reserved for an outside character

the shows i compare spn to most is charmed, buffy and teen wolf; every main character in those shows are brought into the paranormal world knowing nothing, putting them on the same level as the audience, and they have their mc interact with others already knowledgeable about that world in order to overcome their problem/monster of the week. the audience organically learns about this new world as the characters learn about it. it’s a sound writing strategy that prevents “as we already know”-style exposition but something that complicates it is if your world building isn’t unique or intriguing enough, this slow introduction can become boring

we’ve seen shows like these before; sitting through the same tropes of characters learning to use their powers, struggling with no longer feeling normal/relating to the regular world around them, and not knowing how much they can trust the people already involved in this new world gets repetitive. all three shows eventually reach the same level of comfort with their new world that spn starts with but if the characters aren’t enough to draw you in, you can end up dropping it before they reach that point (and often, before the overarching plot can really kick in and evolve the show beyond the villain of the week format)

it’s the superhero origin movie in tv format; dragged out and overplayed. dropping the audience into an established world of course comes with its own problems but you also have the benefit of pre-existing established character dynamics that let the audience slot in like they’ve always been there instead of just getting to know all the characters while the characters also get to know each other

sam and dean already knowing about the supernatural lets the audience immediately get to the core of the story; the conflict between sam and dean, the search for their father, and the mystery of what killed their mother

[fjordfolk]

Re that show dog/pet dog post: I think it shows how some people view their show dogs, but it also shows what kind of relationship they expect people to have with their pet dogs. Why do you expect pet dogs to be impatient, whiny, needy little brats? Why wouldn't a pet dog be calm and happy on an outing with their people?

I think I can make some concessions for a working dog or a dog kept for outside purposes to be dysregulated and to some extent uncomfortable in some circumstances, because some ends justify some means etc. But if a dog is first and foremost a pet, and its primary purpose is companionship and enjoyment, shouldn't the default expectation be a stable and harmonious dog? If you're treating a dog like a pet, shouldn't the goal be a mentally and behaviourally sound dog? Why do you think allowing a dog agency, or communication, or affection, or whatever it is pet dogs get that your dog doesn't or you withhold from your dog to keep from 'spoiling' it, makes for a mentally or behaviourally unsound dog?

Just some interesting dynamics going on there, I think.