#naming tips

[thereal-danysaur]

OC/CHARACTER NAMING TIPS

I LOVE making names for characters like actually

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• Have a rough layout. Meaning, do you want a catchy name, name with meaning, some generic one, etc. Also, depending on if it’s a first or last name, things can change

• Is this character a self insert/sona/based off you? Because your hobbies/interests can benefit that name

• A name with meaning can be pulled from flowers, colors, root words, gods/goddesses, spiritual meanings, google “what name means [insert word]”, etc ya get the gist

-Ex: I pulled the name Iris from the purple iris flower, meaning wisdom, strength, and courage (each iris color varies in meaning). But it’s also the name of a Greek goddess, who is the goddess of rainbows and a messenger for major gods, she’s also very often depicted with golden wings and extreme beauty. Then again Iris is just a nice sounding name, that at first glance, sounds peaceful or graceful (I dive deep and commit to this stuff so)

• A catchy name doesn’t necessarily need to have meaning if it sounds good, right?

-a catchy name purely serves the purpose of sound nice/rolling off the tongue nicely

• And a generic name is self-explanatory; find some random ass name and use it

It’s all your preference, do what you want

But I commit to this shit

[sergle]

the best commission client you can ever get is always going to be this specific guy: he wants you to draw an oc he's had for like 16 years, he has a folder of references, she's like a catgirl who is also a magician or something, he has 3 paragraphs of her lore that he gives you + an exact pose, he's extremely polite and tells you to take as long as you need, and then he tips like $160 on top of the asking price at the end. and he always looks exactly like this

[potatounicoorn]

The 5 Robin's expect I made this with my only context being my 3 days of Tumblr and Ao3 scrolling and 3 episodes of Young Justice

[just-a-whumping-racoon-with-wifi]

Some small details for a character learning sword fighting for the first time:

- sore wrists

- blisters on hands

- every movement opens you up to be hit

- they will hit the tops of their arm and own sides with the sword while learning

- there is a primal sixth sense when you know you’re being toyed with

And, for your typically nonviolent characters.

You don’t aim for the swords. You aim for the person holding the sword.

It sounds so obvious but needs to be accepted. Actively. When holding a sword you have to understand you’re attacking another person. Even to block you have to aim your blocks at the other person or they won’t be strong enough to actually protect yourself.

[5am-the-foxing-hour]

All Finished!

I have no idea what's going on with Virgil and Remus's styles... they're something... I know to little clothing genres and what they look like to say.

I adore all of them so much. Adorable babies~

Poses by Albanenechi on insta/patreon. Janus & Logan: [Link], Virgil: [Link], Roman: [Link], Patton: [Link], Remus: [Link]

Random info about them under the cut:

- Virgil's skin is "poisonous" in the way any skin contact will make the one not Virgil grow more and more anxious (kinda like how canon Virgil's room amplified their anxieties in AA) Due to this he's pretty touch averse. Giving the random elbow nudge or shoulder tap, never really touching anyone with his fingers unless he's wearing fingered gloves.

- Janus is smart, but he will give his "braincel" to Logan is he craves some chaos. (the beanie, he doesn't want it to get dirty). He doesn't disguise himself as much as Canon Janus, instead he sneaks into the conversation, making it seem as if he'd always been there. He's quicker to bring up the idea of using an "excuse" as he likes to call it, be it to not go to a thing, avoid doing something or just because. (Virgil tends to accept the first type, if it means avoiding a social situation.)

- Remus isn't as intrusive as canon Remus.... but he will still be intrusive by being loud and be the bringer of the brain worms/funny sentences/audio from videos that he will play/say on repeat to Thomas at random times throughout the day. He will start gnawing on things if he's bored/understimulated.

- Roman loves Disney, but not for the princes... instead the animal helpers are his siblings. It took him the longest to accept Virgil due to the Disney logic of green = evil. He loves to sing, and can be found humming under his breath almost constantly if he's not. He feels a bit self conscious about what his animal trait is. Since corvids tend to get a bad reputation at times. So he kinda clings a bit too hard on the nickname "Songbird" that Thomas gave him.

- Logan is the royal in this lineup. He's not as strict and "emotionless" than canon Logan, but he will get frustrated if he's ignored. He's also strong-headed about important things. But, he knows exactly what to use to get the others attention for varying degrees of time. He might even get passive aggressive if pushed beyond annoyed. He tries his best to be helpful be it to Thomas in person or to Thomas as a whole (the others)

- Patton is full of energy, encompassing much more of Thomas's heart than morality, even if that's still a part of who he is. If you need a hug, he's 100% ready to open his arms and give it. He loves to nap. he can either be found asleep on the banister of the stairs or curled up on the couch using his tail as a pillow. He loves so strongly. He's got some pretty bad rejection sensitivity, he's working on it... but he can be a bit clingy at times. (Not that any of them will complain, Virgil might get stressed out tho.) He will cry if they watch Turning Red during a movie night. He def fear he's becoming Thomas's panda, he is Thomas's Panda. (I need to actually watch the movie it looks so GOOOOOD! anyway-)

- On the subject of tails/wings/animal traits... they're only fully visible in the mind space, if they're with Thomas they look much more human.

- Virgil is the oldest of the dark sides and thus kinda became their keeper, he has a 6th sense in knowing where they are. He's pretty chill, but if he's stressed he will start doing his lil frog calling as a warning noise.

- Roman and Remus are much closer in this au, often found brainstorming together to help Thomas come up with creative ideas. If the idea calls for more fluffy happy themes Roman will handle most of that, but if it goes into more darker themes it's Remus's time to shine, after all in a writers terms: "you can't have the angst without the fluff" (you can but shhhhhh)

- Yellow the Lemon is all question marks.

[bigfatbreak]

here's the concept art for marinette's snake miraculous form! it was up on patreon last month, but I figured I'd post it for the update crowd too~

[imbecominggayer]

Giving Your Characters A Unique, Distinct Voice (With Examples)

What does "unique voice" mean? Basically, every single person has their own manner of speaking. This difference can be from politeness, the volume or "loudness", confidence, emotional quality, maturity, accents, cultural slang, and other variables that can be shown in a character's voice.

This can also be shown through "prioritization". Prioritization is what a character or narrator decides is worth focusing on for any given scene.

For example, Tree of Heaven is a cynical cinematographer whose inner life is primarily eclipsed by beautiful landscapes and settings. However, Jukka is a highly dedicated actor who neglects the trees for the people, whether they be strangers or loved ones. While Jukka and Tree of Heaven could be walking through the same park, they would be focused on entirely different things. Heaven would be focused on the way the sunlight scatters through the autumn-coated, gold-platted leaves while Jukka is people-watching!

Sometimes, I use other stories and their tones as inspiration for my characters!

For Haun, their inspiration for tone came from "I Have No Mouth and I Must Scream". Specfically, AM's monologues like the "and I began to hate" or the bee monologue describing AM's thoughts on bees radio play! The reasoning behind this was the fact that Haun Anatemori, my character, is someone with deep-seated resentment. Rage and hatred born out of a feeling of injustice, self-loathing, and a feeling of deep-seated betrayal. However, Haun confines their emotions to logical actions and long-term planning meaning there is no outward way to express these emotions. Leading to his entire inner voice being coated in hatred.

Education and social standing often has the most outward influence on a character's external voice. That's the unique thing about protagonists and narrators. Because narrators don't have to worry about social standing and protagonists can have visible inner life, protagonists often have "two" voices. Their "outside" voice, aka the voice they use to speak to others, and their inner voices they use for their own feelings.

Haun's inner voice is resentful with metaphors and analogies of disgusting things such as bodily fluid used to provide an artful crassness to his voice that shows Haun's education and anger but his outer voice is far more innocent and self-contained with less verbosity as Haun is attempting to portray an innocent, less literate farmer type in order to trick others as he rises the social ladder.

Another highly influencial factor is maturity! If a character is emotionally mature, then they often have a more composed tone of voice with simple, yet profound metaphors that often express clear motivation and clear emotion. They often have accurate ideas about others and themselves. This is different from how emotional a character is! A mature character can be emotional but they have a clearer understanding of their emotions. Not the mood swing type!

Nonkosi Tyali is the most compassionate yet mature character I have with their inner voice and outward voice both having a sense of "refinement". Nonkosi understands what they want, why they want it, and how to get it. Despite their cheerful tone, it's obvious they aren't naive or out of control. Nonkosi also has remarkable observational skills as they are deeply intune to the thoughts and emotions of others which allows them to have accurate and insightful observations about other characters.

Verne Lawless, in contrast, is highly immature with a tendency for rapid mood swings, ranting, and catastrophizing. They rarely compose their emotions with them having to spend far more time detailing and failing to "accurate" translate their emotions for the audience. They rarely focus on the emotional lives of others. While Verne can use flowering, verbose words and nostalgia, this fails to counteract the obvious desperation and run-around Verne has in their thoughts.

Finally, just think about what their emotions are. This doesn't have to be something as simple as "happy" or "sad".

Verne is a nostalgic person who constantly references old classics like Jules Verne with long, verbose poetry. This is influenced by Verne's obvious intellect and his emotional center of love. However, whenever they are emotionally in a tailspin, they often resort to manic, modern slang with firey self-hatred and self-deprecation. This is due to the fact that Verne adores love but he believes that he will never find love. This desperation often leads him to be more psychologically "fragile" with his ability to contain his emotions constantly threatened.

Emotions: Mania, nostalgia, desperation, and love

Nonkosi is an optimistic person which can sometimes veer into surpressing negative emotions and experiences. They maintain the belief that they can be eternally strong and compassionate as they act more like a force of nature then the human they actually are.

Emotions: Awkward optimism, gentle melancholic, and confidence

Jukka is mostly possessed with a quiet melancholy for most of life with pretentious verbosity surrounding the nature of society in a similar vein of "No Longer Human" by Osamu Dazai. However, whenever Jukka is bound up in the passion of acting, Jukka can often dance with mania, emotional highs, and life coated in fandom and acting. Jukka's language is primarily references to media such as Main Character Syndrome, tropes, rivalry, found family, and some not really 4th Wall Breaks because Jukka believes he lives in a series but he doesn't know he is actually a written character.

Emotions: melancholy, sentimentality, and minor resentment.

[madbard]

I just played through Slay the Princess for the first time, and… I cannot stop thinking about the Cage.

To be profoundly and finally severed from the illusion of your autonomy. To look on, from a prison of your own making, as your body acts out a legacy of violence against the body of the only other person who can or will come near you. To see their body perform that same violent dance. To be bound to this person, and in your limited state not to understand why. In that moment, as the silhouettes in the shadows act out the story of the princess and the slayer, to share a moment of peace with the one sent to kill you.

Intertwined. Diminished. Reductive, mutually destructive. Trapped in an infinite dance.

Beautiful.

To have been so determined you never had free will, never could have found another way. To realize you may have been wrong. To be trapped in a pattern, but unaware of what that pattern truly is.

Still, for that finite and watchful moment, not to be alone.

(Mild gore under cut.)

(Also this art from the game haunts me.)

[writerthreads]

Fantasy names ideas (with meanings!)

By Writerthreads on Instagram

I always have trouble coming up with names for side characters, so hopefully this can help you as much as it helped me! The names in brackets are additional ones that are similar.

Male Fantasy Names

Aldric – (Germanic) old ruler / wise ruler

Caelum – (Latin) sky / heaven

Druvan(/Dhruv) – (Sanskrit) steady / immovable

Fenris – (Norse) named after the mythical wolf Fenrir

Kaelen(/Kaelan) – (Celtic) warrior / mighty

Leofric – (Old English) beloved ruler

Maelor – (Welsh) prince / lord

Rurik – (Slavic) famous ruler

Torin – (Gaelic) chief / thunder

Zarion – (Hebrew) full of sadness

Baldric(/Balrik) – (Old Norse) mighty warrior

Garron – (Irish) strength / protection

Ithran – (Arabic) crowned / majestic

Jorah – (Hebrew) autumn rain / early rain

Oberon – (Germanic / French) noble bear, associated with royalty

Female Fantasy Names

Ariella – (Hebrew) lioness of God

Brienne – (Celtic) noble / strong

Elysande – (French) noble / gracious

Isolde – (Germanic / Celtic) ice ruler / beauty

Lyra – (Latin) derived from the constellation Lyra, lyre

Mirabel – (Latin) wonder

Seraphine – (Hebrew) burning one / angelic being

Taliyah – (Arabic) blooming / rising

Yvaine – (Old French) evening star

Althea – (Greek) healer / wholesome

Calantha – (Greek) beautiful flower

Elira – (Albanian) free spirit / liberated

Selene – (Greek) moon goddess / light of the moon

Eleanor – (Greek / French) shining light

Gender-Neutral Fantasy Names

Aeris – (Latin) air / ethereal

Elynor(/Aenor) – (Greek) light / shining

Lior – (Hebrew) my light

Orin – (Celtic) pale / fair

Rune – (Old Norse) secret / mystery

Selwyn – (Old English) good friend / companion

Vesper – (Latin) evening / evening star

Aenor – (Germanic) strength / honor

Ilan – (Hebrew) tree / oak

Soren – (Scandinavian) stern / severe

Next up, country name ideas?

[thewriteadviceforwriters]

50 Dark Academia Names For Your Female Characters + Meanings & Origins

Alecto - unceasing in anger (Greek mythology)

Ariadne - most holy (Greek mythology)

Cassiopeia - she who entangles (Greek mythology)

Circe - hawk (Greek mythology)

Drusilla - dewy-eyed (Roman)

Eris - strife (Greek mythology)

Fionnuala - fair shouldered (Irish)

Galatea - she who is milk-white (Greek mythology)

Hekate - will (Greek mythology)

Idony - ancient wisdom (Scandinavian)

Isolde - ice battle (Arthurian)

Kore - maiden (Greek mythology)

Lenore - light (Spanish/French)

Lilitu - monstrous woman (Mesopotamian mythology)

Maeve - she who intoxicates (Irish)

Nyx - night (Greek mythology)

Orion - rising (Greek mythology)

Pandora - all-gifted (Greek mythology)

Queenie - noble queen (English)

Rhaenyra - dark reign (Game of Thrones)

Selene - moon goddess (Greek mythology)

Themis - justice (Greek mythology)

Ursula - little female bear (German)

Valeria - strength (Roman)

Willow - willow tree (English)

Xanthe - golden flower (Greek)

Yseult - ice battle (Arthurian)

Zelda - dark battle (Germanic)

Zephyrine - from the west wind (Greek)

Aella - whirlwind (Greek mythology)

Brynhild - armored battle maiden (Norse mythology)

Catriona - pure (Scottish Gaelic)

Deirdre - sorrowful (Irish)

Elspeth - God's promise (Scottish)

Felicity - good fortune (Latin)

Gwendolyn - white ring/circle (Welsh)

Harlow - rock clearing (English)

Idalia - from Idalium (Greek mythology)

Jericho - scent of beauty (Hebrew)

Kalliope - beautiful voice (Greek mythology)

Lumen - light (Latin)

Morana - death (Slavic mythology)

Nerissa - mermaid (Greek mythology)

Octavia - eighth (Roman)

Persephone - bringer of death (Greek mythology)

Quintessa - fifth (Latin)

Seraphina - fiery serpent (Hebrew)

Theda - goddess (Greek)

Umbriel - shade (Roman mythology)

Xenia - hospitality (Greek)

[writing-with-sophia]

20 Victorian-era names for girls

Adelaide: Derived from the Germanic name Adalheidis, meaning "noble" or "of noble birth."

Beatrice: Derived from the Latin name Beatrix, meaning "she who brings happiness" or "blessed."

Charlotte: Of French origin, meaning "free" or "petite."

Clara: Derived from the Latin word clarus, meaning "clear" or "bright."

Edith: Derived from the Old English name Ēadgyð, meaning "prosperous in war" or "blessed."

Eleanor: Derived from the Old French form of the name Aliénor, meaning "bright," "shining," or "light."

Florence: Derived from the Latin name Florentia, meaning "flourishing" or "prosperous."

Genevieve: Derived from the Old Germanic name Genovefa, meaning "woman of the race" or "tribe woman."

Georgiana: Feminine form of George, meaning "farmer" or "earth-worker."

Harriet: Derived from the French name Henriette, meaning "home ruler" or "ruler of the household."

Isabella: Derived from the Hebrew name Elisheba, meaning "God is my oath" or "devoted to God."

Josephine: Feminine form of Joseph, meaning "God will add" or "God increases."

Lillian: Derived from the Latin name Lilium, meaning "lily" or "pure."

Matilda: Derived from the Germanic name Mahthildis, meaning "mighty in battle" or "strength in battle."

Penelope: Of Greek origin, meaning "weaver" or "duck."

Rosalind: Derived from the Germanic elements hros, meaning "horse," and lind, meaning "soft" or "tender." But the meaning later changed to mean "lovely rose", from the Latin rosa lindaI.

Victoria: Derived from the Latin word victoria, meaning "victory" or "conqueror."

Winifred: Derived from the Old English name Winefrið, meaning "friend of peace" or "blessed peacemaking."

Prudence: Derived from the Latin word prudentia, meaning "foresight" or "wisdom."

Clementine: Derived from the Latin name Clemens, meaning "merciful" or "gentle."

More names

[felinefractious]

Xelius Diamond Breese

🐱 British Shorthair

📸 Naumenko Aleksej [Diamond Breese]

🎨 Lilac Golden Shaded

[kettlefire]

As Good as Good Gets (DP X DC Snippet)

Richard "Dick" Grayson is the golden child. In the eyes of the public, and in the eyes of the league. Dick is a sweet, caring son, a man who went from being a sidekick to being a hero. The pipeline from Robin to Nightwing had many people applauding his dedication to keeping Gotham safe.

No one knew the full story, not truly. No one but Bruce Wayne himself. And maybe a certain butler. Many don't know that Dick only became Robin to stop him from hunting down and killing the man who killed his parents.

No one really knows about the harsh fights and arguments he has had with Bruce. The times when Dick would find himself cut off from the Wayne name for a week or so. No one knows that the first person Dick warmed up to was Alfred. Having been bribed with cookies.

Things weren't always this good, trusting, happy relationship between Bruce and Dick. It had been a rough ride, a complicated one. But that was okay, because it got better.

Dick stopped being so moody and angsty. He grew up, he learned, and he changed. He became an older brother, found people that needed him. Needed him in a way that the citizens of Gotham didn't need him.

His brothers like to call him annoying. A goody two shoes who Bruce trusted more than everyone else. They couldn't fathom how someone like Dick could be so stupid and bubbly at all times.

All times, except when shit hits the fans. Despite the name calling, despite coining Dick as the stupid Wayne. They all knew better. They knew that when it mattered, Dick Grayson always pulled through. He was a force to be reckoned with when needed.

The whole Wayne family was a force to be reckoned with when called for. It didn't have to be under the guise of costumes and vigilante acts. Whether he was Officer Grayson or Nightwing, Dick was a man with his morals and values.

One night on patrol as Officer Grayson, Dick found someone who needed that force. A force willing to protect and care for the innocent. The hurt. The damaged, yet still good.

It started like any other night. A call of shots fired by an empty warehouse. There was no sighting or knowledge of any rouges being there, so Dick took the call. Told the team he'll contact them if it seems more than just a civilian incident.

The warehouse was dark, reeked of copper and oil. It didn't take long for Dick to find the trail. The liquid he found looked like the person had been dragged before walking. There was a clear struggle, even with the mess and emptiness that was the warehouse.

That wasn't Dick's biggest concern. The concern lay in just how much blood there was. Too much for any normal person to lose and still manage to stumble through the warehouse.

It wasn't just blood. It wasn't that much, but Dick could spot the strangeness in the liquid. The mixed in green that had an eerily similar color and glow as a certain pit.

Without thinking, Dick followed the trail. Barely remembering to make contact with his family. Give them an update on what he found. Words telling him to stay put for backup went in one ear and out the other.

Something in Dick's gut was telling him he couldn't wait. He needed to find the source. Whoever was currently bleeding out in this warehouse. He silenced the comm, moving further through the dimly lit building.

Then Dick found it. Or more so, he found him. It was just a boy. A boy that reminded Dick too much of the youngest Wayne. A boy sat against a wall, looking pale and weak.

Red and green coated the front of the boy's shirt, arms wrapped tightly around his middle. An attempt to stem the bleeding. A puddle had already started to form beneath the boy, and Dick moved without thinking once again.

He quickly found himself kneeling beside the boy, hands carefully reaching out. Before Dick even touched him, the boy flinched. Eyelids suddenly opened, wide and terrified blue eyes landed on Dick's.

In just that one look, Dick knew what he had to do. The haunting, terrified, and pained look in the boy's eyes told Dick everything he needed to know. The boy was in danger. Someone had hurt this kid, and it was clear it wasn't the first time.

The boy struggled weakly against Dick's touch, terrified whimpers, and barely coherent pleas spilled from the kid's lips. It had Dick's heart aching, clear as day the poor kid has been through hell and back.

It took a lot of reassurance, gentle touches, and promises of help before the kid let Dick take a look at the bleeding wound. A promise on Dick's soul had been the final thing that earned him any semblance of trust. A strange promise, but Dick was willing to make it.

That concern turned to pure anger the moment Dick managed to pull the sticky shirt away from the wound. The sight of a Y-incision cut perfectly into the skin, stitches tight on the skin, but blood still leaking heavily from the wound.

It didn't take long for Dick to realize why. Despite the perfect surgical care of the wound, a good couple of stitches had broken. Leaving gaping spots for that red and green liquid to pour out of.

The boy was deathly silent, tears streaking down his cheek as wide blue eyes stayed trained on Dick. In that moment, Dick knew he had to help. Had to get the kid to safety, patch him up, and find out what kind of monster would do this.

It didn't matter if the kid was human or not. It didn't matter if the kid had special abilities or not. No one, absolutely no one, deserved to be vivisected.

The kid was shrouded in mystery, but that mystery only seemed to grow and become clearer when Bruce had entered the scene. The boy had tensed, eyes flashing a bright glowing green.

Lazarus pit green.

It set a pit of dread in Dick's gut. His mind brings forward memories of Jason. Jason, after his revival, after his dip in that cursed pit. The same flash that his brother would get if he got too angry. Too emotional.

As much as Dick wanted to focus on finding who did this, if it had any connection to Ra's al Ghul. He couldn't. Not when the kid tried to get up, to pull away as Bruce and the others made their way closer.

Right now, Dick only cared about making sure the boy was okay. Fixing those stitches, getting him a meal, and a warm bed.

He needed to get this kid someplace where he felt safe and secure. Comfortable and protected. Dick wasn't sure why. Maybe it was the promise he had made, but he wasn't letting anyone get to the kid.

That included his family. As strange as it seemed, Dick put himself between the others and the kid. Shooting them all a glare that they had only ever seen a handful of times.

Dick lifted the poor boy up in his arms, cradling the crying child close as he led the way out of the warehouse. Ignoring the questions or confusion coming from Bruce and the others. As Dick walked, feeling the trembling boy clinging to him, he made a rather obvious realization.

Maybe the eldest son really was more like Bruce than he expected. Just a few short moments the the boy, a boy that Dick didn't know his name, and he was ready to pull out adoption papers. To give the boy a safety he so desperately needs.

Give him the chance that Bruce had given him all those years ago.

[bunnieswithknives]

Ok!! Finally drew my Oscar Pumpkinhead design. Unlike Jack he's got actual opinions about how he's dressed and has a preference for flashy greens

[poorly-drawn-mdzs]

Introvert adoption

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[idliketobeatree]

dead boy detectives contrapuntal poems — 2 — (1) (3) (4) (5)