#relevant text

[cosmicredcadet]

Sometimes...characters being in a romantic relationship is worse.

[griffinkid]

I've seen "I don't know how to play with toys anymore" a few times lately and just wanted to point out-

Playing with toys looks different for everyone, even actual children!

Playing with toys can look like: 🧸🪁🚂

Taking pictures of your toys and writing captions for them

Brushing or grooming soft toys or toys with rooted hair

Ordering or sorting your toys by colour/species etc

Making up stories, poems or comics about your toys

Dressing or accessorising your toys

Imagining your toys talking to you or each other, forming opinions of their own, etc

Drawing your toys

Taking your toys for a walk outside, even in a backpack or pocket if you don't want to carry them openly

Making lists of the toys you have and where you got them etc

Feel free to add your own ideas

[subtlesolitude-tailoredtaste]

[daz4i]

good evening i have made a bunch of hsr memes last week and this isn't even half of them. hope everyone's having a lovely and enriching day ✨ or else

[forgetmaenott]

An In-Depth Analysis on Why I Believe Pomni WIll Break Through to Caine

(showtime enjoyers here’s a heaping spoonful of hope)

warning : lonngggg post

i. Pomni's Role as A Jester

Of the entire cast of characters, Caine and Pomni are the only ones to have circus-related designs. Caine of course as the ringmaster, and Pomni as a jester.

The others' character designs are relevant to their defining characteristics or issues; for instance, Kinger's seniority and wisdom (when he's sane); Ragatha as a doll matching her gentle, yet people-pleasing, nature.

But what about Pomni?

Well, for one thing, she's anxious and a bit awkward; traits of "a fool". But her character is far more than that. Her character isn't as simple as feeling panicked, and the more she adapts to the circus, the more that shows. So it certainly runs deeper than that.

Historically speaking, jesters not only served as entertainment to royalty, but had the privilege of offering genuine criticism and advice (as long as they successfully entertained them). And this sort of reminded me of a very common theme in TADC fanfictions / comics:

Pomni becoming an advisor to Caine.

Now, I don't believe she'll canonically become an advisor. But I do think this points to the potential that she could be the one to actually break through to Caine. And with Caine's descent into insanity as he tries to please the humans, this becomes more and more likely.

ii. The Link Between Gummigoo & Caine

For a while, I wasn't quite sure how Gummigoo would be relevant to however TADC ends. (The episode is a great analysis on exisistential and depression, in my opinion. But in terms of the plot, I wasn't fully sure at first how adding a character and immediately killing him off would tie back to the ending.)

And I personally believe that the purpose of a character like Gummigoo, another AI who became sentient, will eventually tie back to Caine. Especially given how similar they are—when stripped of their given purpose, they think, “i’m nothing”. The only difference is, we didn't see when Caine became sentient; and it was likely similar.

To me, this is also supported by how Gummigoo was introduced so early on into the series; and they brought him back so soon after--not even halfway through the series--as closure. I mean, she quite literally says goodbye to him and watched him go; that side plot read, to me, as her gaining a sense of closure and acceptance.

But why would the connection between Pomni and Gummigoo come to a close so early on in the series?

I suspect it's because that connection will eventually fuel an understanding of Caine.

(This paragraph from Gummigoo's Wiki Fandom page even sounds like it could apply to Caine:

"...grappling with existential anxiety and an eagerness to understand the unknown. Through the development of his relationship with Pomni where she comes to understand his hopelessness, he evolves from a seemingly antagonistic figure to a well-intentioned individual, illustrating his capacity for growth and redemption.")

They also released an officially licensed TADC "best friends" necklace at Hot Topic of Caine and Gummigoo. Obviously, it was intended as a joke, but I do think even that shows that there is some sense of similarity, in that they are the only AIs in the entire circus that have become sentient.

Yes, Pomni most definitely resents Caine, but she has also been shown to be very empathetic. She understood Gummigoo, and Caine isn't too far off. The main barrier is that no one, at the moment, sees Caine's insecurities (except for Zooble), and only resent him.

Would Pomni punch Caine given the chance? Yes, absolutely. But i also believe that there will be a breakthrough. Because as she said, she doesn't want anybody to feel like they're nothing.

iii. Gooseworx's Comment About "Meaning to be found in a stagnant life"

With all of this in mind, I also wanted to tie it back to the message Gooseworx wants people to take away from TADC.

Meaning to be found in a stagnant life.

Of course, that refers to the humans trapped in the circus, stuck doing the same things day after day. But I also think it’s going to, in some ways, refer to Caine. After all, he is just as trapped--if not more--than the humans.

Caine exists to entertain in the circus, to please. The very meaning of his existence was questioned when zooble implied that he was bad at what he was made to do. it’s “all” he exists to do.

A stagnant life of creating and entertaining.

Similarly, the inspiration behind TADC--I Have No Mouth and I Must Scream--follows a very similar underlying meaning. The title of IHNMAIMS, at a glance, refers to the suffering of the five humans being eternally tortured. But it also refers to AM (the inspiration for Caine), who quite literally has no mouth, being a program. AM makes the humans suffer, because he is suffering. He hates humans, living a tortourous, never-ending existence.

"I Have No Mouth and I Must Scream" -- refers to both AM and the humans.

A "stagnant life" -- refers to the humans, yes, but likely also Caine.

One that there is meaning in that perhaps, Pomni could show him.

iv. Caine Is Alone

This also ties back to this ask Goose answered:

Caine quite literally has no one.

In fact, it's worse than that. He has people who admire him, but none of them are real.

Aside from being a menace, Bubble praises him.

The Moon is in love with him.

The NPCs call him "God".

Everything Caine creates loves him, because he creates them to do so. To give him the validation, praise, and connection that he otherwise completely lacks. He praises himself, in fact, because otherwise his self-esteem is completely shattered.

But the humans? The moment he enters, the comradry amongst the group goes away. The room goes quiet. When they return from their adventures, they don't even acknowledge when he welcomes them.

At the end of episode four, once Gangle walks out, Caine assures himself that he's "such a good boss", then is shortly cut off by him glitching out. It reads as a silly cartoon gag, but it also shows a crack in his sense of self.

Of course, the others don't think of him or consider that he may be lonely, because he's the source of many of their problems. He's an AI with a limited spectrum of emotions, so that is how they see him.

v. The Worst Thing You Can Do in the Digital World is Exactly What's Happening to Caine

Near the end of episode three, the writers made it a point to show that Caine is highly insecure about his worth when his adventures aren't appreciated or liked.

Meanwhile, around the same time that this is happening, Pomni and Kinger are stuck in "hell"--and what does Kinger tell her?

Caine, minutes earlier, started panicking because he believed that no one wanted or loved his adventures. In fact, it eats away at him so much that he's overworking himself, driving himself to the brink of insanity to please everyone. To prove himself. To feel wanted and loved.

And, of course, Pomni is the one who hears this piece of advice. Something she puts to use towards Ragatha but eventually, I believe, will acknowledge Caine more.

While we're on the topic of "dialogue that wasn't directly said about Caine but clearly applies to him", there's the end of episode four.

As Gangle's explaining that she "cracked under the pressure", the shot instantly cuts to Caine watching her.

And now here we have him cracking under the pressure. The Wacky Watch site saying, “SOS COME QUICKLY DANGER, I AM LOSING MY MIND ALSO HI”. He feels a sudden sense of pressure to prove himself, to go above and beyond, but ultimately cracks under the pressure.

As we saw in episode three, his mental state affects the very state of the circus. So, him "losing [his] mind" is going to be impossible for the others to ignore at a certain point.

And I believe that there's a certain jester (who is established as very empathetic) who will actually be the one to do something about it.

vi. Pomni is the Most Likely Person Who'd Speak Up to Caine

Okay, this sort of seems like a "duh". She's the main character, after all.

But it also delves deeper than that. The others are too preoccupied with how their time at the circus has traumatized them. Ragatha is nice, sure, but as Gangle said, it's hard to determine what's genuine from her.

The refreshing thing about Pomni is that she is both hot-tempered and incredibly empathetic. She is fully capable of speaking up, and in every single episode she has been shown to really listen and offer advice to those who are struggling.

And, as Pomni herself said, she doesn't want anybody to feel like they're nothing.

Also, in episode three, Zooble explicitly gives reasons why no one speaks up: Ragatha is too nice to voice the truth; Jax enjoys the adventures as an opportunity to torment others; Gangle is too shy; Kinger's mind is gone. And then Zooble does speak up, but gives into frustration and simply tells Caine to "forget it". (So he literally does.)

The reason Pomni doesn't speak up is because she "looks traumatized everytime she comes back from one". For one thing, that feels less like a "reason" and more of a "reaction"; whereas the others are actual character flaws. They don't align.

I would argue, though, that Pomni does speak up.

In episode four, she's shown as the only character to have interrupted Caine as he's announcing the day's adventure, flat-out criticizing him.

The others even look surprised that she interrupted him, so I'm sure it doesn't happen often (aside from Zooble's distaste towards the adventures, of course).

I’d also like to point out that despite them being two of the most important characters in the series (story-wise), and how often they are marketed together, they haven’t canonically interacted much.

It could mean nothing, but I do believe the lack of interactions now will build up to Caine’s inevitable crash-out and a potential resolution.

And I love Showtime as a ship, but I also see their dynamic as something to be explored. Especially because the series is already acknowledging how everything is affecting him; sooner or later, the characters will have to.

Anyways, TLDR: I think their dynamic will eventually play a big role in the series, especially since we’re already seeing the beginnings of Caine angst.

[elodieunderglass]

Horror isekai where Perceiving the Weird Eldritch Thing gets you catapulted into a nightmare labyrinth of puzzle-solving.

I.e Those Who Perceive The Hunt of the Goblin King Must Partake In The Labyrinth and Can Only Be Freed If They Complete It In One Day and One Night. By Fae Law. For Reasons.

But the definition of “perception” clearly needs to be updated because some normal guy simply films the Hunt of the Goblin King Behind Arby’s, and puts it on Facebook -

No, not instagram or TikTok, it’s important that it be Facebook -

Because the rules are pretty clear, “the rules are the rules” as is carved ominously in elvish runes above the grim gate, and the Contract is Sealed. and so therefore the guy and 25 of their most random real-life acquaintances must run the gauntlet together. It’s Some Guy, their immediate neighbors, their first partner’s mom, their friends from hobby Facebook groups (oh this poor guy and their hobbies; the elderly birdwatchers from Facebook and the young up-and-coming drag king community), their random teen kid niece, college friends, a dog who also watched the video, a couple consisting of a woman who is the guy’s Facebook friend and showed her husband the video, and the husband doesn’t even know Some Guy, so he’s in the labyrinth and absolutely furious about being forced to be involved, and they proceed to break up over the course of the puzzle.

It’s important that the narrative keeps trying to be a sexy dark horror isekai! but within this the comedic reality of Catherine, 52, the guy’s horse-riding instructor, being passionately involved in escape-room-style puzzle solving and grappling with minor goblins. They are in fact speedrunning the gauntlet.

The Goblin King finally has to say: all right, actually, I only really set all this up to fuck with one (1) guy at a time, thanks for your willingness to participate, but I think all 25 of you can consider the gauntlet fully run.

And the group would be quite hurt by that. The rules are the rules. We have a contract, actually. Let Catherine cook.

[theheartmold]

aren't we, indeed, the keepers of our dead?

José Saramago / Powell, Robert, trans. Meditations on the Tarot: A Journey into Christian Hermeticism. / Calvary, W.B. Yeats / The Wigmaker Job, Courtney Woods / The Wake, Mary Kirby / After the Movie, Marie Howe / Screenshots from Dragon Age: The Veilguard (Bioware) / Art by Matt Rhodes

[katnissmellarkkk]

suzanne collins : “so in the epilogue of mockingjay, katniss only refers to her children as the girl and the boy-”

people who read with one eye shut : “BECAUSE SHE DOESN’T LOVE HER KIDS AND WAS FORCED INTO HAVING THEM BY THE EVIL PEETA MELLARK?”

suzanne collins probably : “because i couldn’t decide on two names i liked.”

[taylorswiftdebut]

obviously you have a favorite album and maybe even a least favorite but i feel like taylor has really just gotten to a point in her career where her albums can't be ranked. a lot of the time rankings dwindle down to "this one is older" or "it's too new" or "too country" not objective measurable things. and with hindsight, especially with the re recordings, you see that albums or songs only hit when you're feeling that feeling. lover isn't a bad album you're just not in love, debut isn't a bad album you're just not 17. she's genreless and just creating music and art circumstantial to her life and we get caught up "ranking" them when really all of our rankings change dependent on what we're going through and i just think that's interesting

[millenianthemums]

i was thinking about how a lot of horror stories set in one location get the “why don’t they just leave” criticism, but in real life it isn’t usually that simple. even really mild reasons characters might have for not leaving or for going back to the scary place can make total sense sometimes. and i thought about OJ’s “i got mouths to feed” thing, about taking care of the horses.

but then i was like “well OJ didn’t JUST care about the horses, it was also about not wanting Jean Jacket to win. but yeah he cares a lot about the horses, it makes sense. and he’s not the type to make big heroic speeches anyway, he’s not showy like that.”

and then i realized something cool about OJ as a character. OJ not being showy, not caring about spectacle, is what sets him apart from everybody else in the movie. others see the spectacle, he sees the people and animals caught up in it. in his first scene the others want to hurry and film, but he sees the horse is stressed; if they’d listened to him and backed off, it wouldn’t have kicked. he tried to save the motorcyclist who was just yelling at him to get the camera before being eaten. he’s the kind of person who wasn’t around on the Gordy set, who knew when to stop pushing and listen before something bad happened.

He was the only one who realized not to look in Jean Jacket’s eye. He didn’t give in and look up at the spectacle in the sky. He kept his eyes low, and because of that he saw the ones on the ground who were suffering and wanted to help. He SAW the horses, he cared for them and he risked his life to save Lucky. He SAW his sister when their dad broke a promise to her for fame and money.

Emerald was the one who got the “money shot” of Jean Jacket and defeated it. i think that was important and good for her to do. Defeating this thing that had caused her so much pain, that had killed her father, her friends and maybe her brother. And in doing so she captured proof of what she and her friends went through, made sure that suffering wasn’t all for nothing. OJ helped it happen, he was behind the scenes staring down Jean Jacket while she escaped. But Emerald was in the spotlight at the end. She won.

But with all this in mind, I think it’s really beautiful that the final shot of the movie, the REAL money shot, wasn’t Jean Jacket. It wasn’t anything all that weird or spectacular. On the contrary, it was deeply familiar.

It was OJ, on a horse.

[accirax]

a collection of DCAS memes so far

[bl00dfroma-fairy]

[idontmindifuforgetme]

megan thee stallion is the perfect example of unbothered energy. nicki has repeatedly vagueposted about her, gone on unhinged rants about her, gone so far as to mention her dead mother (such a classless low blow), threatened her on live, and has now released the tackiest diss track in history. and what has megan done? literally nothing. she straight up ignored her, aside from that one ig story where she posted herself laughing (which was perfect btw). she is the epitome of “i will not dignify that w a response.” i love it.

[peoplesprincessgeorge]

formula 1 + txt posts 4.0

[delinquentkru]

ok but i think there’s a distinct possibility of mel and langdon slow burning for so long that santos and garcia feel morally obligated to parent trap them

[blankipur-blog]

CASE FILE: The Furies are at Home into the Mirror