#she also has an object design that i want to use in something me and vio are mayyyyyyyyyyyyyybeeeeeee gonna make someday. maybe. idk

[hazard-haze]

I have more Eddie and Volt headcanons. I can't stop thinking about them.

Mild TW for brief mentions of Self Hatred and Harassment. Nothing major or explicit but just thought it was worth a mention.

-----

-Their bar is incredible accessible. You cannot tell me they did not build that place with the comfort of any object or person with any level of accessibility needs in mind.

-Volt has given Eddie compression gloves. He doesn't wear em' (even though he should) but they are around here somewhere.

-Eddie's favorite color is orange.

-Ooooh we actually have some player ones this time, the homeowner is definitely welcome to hang out before opening and after closing (assuming the friendship or love ending)

-eventually they'd probably give them a key so, as Eddie puts it, they can "make themself useful by locking up for us" but in reality it's just so they can get in even when the 2 are in the back.

-They have all the fixings in the back or at the bar for injuries/disabilities/emergencies. Including but not limited to epi-pens, narcan, good first aid kits, juice/snacks for blood sugar, a fold up wheel chair, free earplugs/noise cancelling headphones, and cots.

-Homeowner will not be served alcohol if Eddie thinks something is up with them. Or at least they will be cut off before they can even get tipsy. Bro is not letting them drown and ignore their problems, usually Volt will end up doing most of the talking to them about whatever is bothering them.

-It's kind of obvious but the hallway closet is very much the hub of the upstairs. And honestly? Most objects hold Eddie and Volt to the same level of respect that they do the mayor, neither of them really realize it but they are pretty integral to the community

-Not a headcanon but I just thought of the funniest shit: Breaker Box Hallmark Movie AU. Featuring the Breaker Box getting shutdown for some reason and through the power of winter holiday magic and love probably it is saved lol. Would anyone read this?

-Eddie inadvertently gets so much tea working the bar. Bathsheba has been begging him to give her some gossip. Eddie refuses every single time.

-Volt cries when he see's cute animal/inanimal videos

-If they got a cat people would assume its name is like Sparky or something but no, Volt is gonna want to name it something really pretty like Eleanor or Anastasia, and Eddie is gonna take one look at it and go: "Uhhhh... Todd." "Eddie she's a girl." "So? Girls can be named Todd!" "..." "Stop assuming our cat's gender Volt!"

-I don't know if he actually would in canon, but I think it would be so fucking funny if Volt just loved calling minor inconveniences homophobic. This includes Eddie. Eddie won't stop working? "Eddie if you don't go to bed your homophobic!" "Wha? I'm ga-!" "HOMOPHOBIA!"

-Self deprecation? In my breaker box? I think not! And by that I mean Volt holds the very strong conviction that no one in his club is allowed to be self hating except for him. I mean he is a flirt, but he is also a sweetheart. He see's someone crying? Absolutely not. Gives you a tissue, tells you your too hot to be crying over anyone and then reapplies your mascara for you.

-Eddie does not play when it comes to patron safety. He will cut you off if he thinks you've drank too much. He is making sure everyone leaving at the end of the night has a designated driver (I don't know if any of them NEED designated drivers seeing as they all live in a house, but its the principal okay?). Harassment of any kind you are gone and banned so fast you won't even know what happened.

----

God this hyperfixation hit me like a truck.

I noticed most of these ones focused more on how they actually run the club. Idk why it just kind of ended up like that. Anyways I'm having so much fun with these let me know if ya'll want more or if anyone has specific hc requests because I CAN cook up more! Hope you enjoyed!

[moonsidesong]

If it's okay, can you tell me more about mizari?

oh man i didnt expect anyone to ask about her ever LOL umm sure!!

mizari was initially a Touhou oc i made for fun. She was a vengeful spirit that could manipulate grudges (meaning, like, if you were exposed to her abilities you might start getting upset with things and people that you had previously already worked out/gotten over) and was causing Problems with this by making the already more volatile personalities in gensokyo want to stir up trouble. obviously shortly after she gets hit over the head eighty bazillion times by the shrine maiden, and she sorta chills out and becomes a normal ghost. After her stupid incident, she ends up getting sent to Hakugyokurou until her lingering attachments fade and she reverts to a phantom and can reenter the cycle of reincarnation. somehow it seems she didnt suck bad enough to go to hell despite it all. good for her good for her. on probation<3 she's still kind of mean and grumpy and difficult to get along with but it seems like at some point she became pretty good friends with youmu. at least probation can be fun sometimes if you have a friend

anyway at some point when me and my friends were really into Everyones Favorite Stupidly Edgy Murder Mystery Visual Novel Series we started coming up with ideas for a fanganronpa (which is if im honest mostly just an excuse for us to have stupid OCs in absurd situations more than it is a serious fangame idea at the moment lol) and i slapped Mizari in there becoz i like her. She's the ultimate forensic scientist and she's tired and hates people and the only reason she is going to help out literally at all is because she doesn't want to get executed. i don't wanna say as much about that depiction of her in case we DO ever actually do anything with the ideas we do have, but i've posted both depictions of her before so i thought id give the basic rundown of her too!!!!!!!!!!!!!!

the touhou rendition of her is definitely a happier person just by virtue of having one singular friend LMAOOO i also . never really settled on a finalized design for ghost mizari bc i figure i'm never really gonna do anything with her besides stuff i just draw for myself. shes got funny checkerboard patterns bc of her black and white way of thinking and everything else is just how i feel that day

her little hair thingies were supposed to resemble horns but they just look like weird cat ears now. thats ok. it still kinda fits.

[clairewritesfanfics]

Inside an Otoge: Mister Dragon, Let Me Love You Chapter 4

Pairing: Dragon!Sylus x Non-MC!Reader

CHAPTER 3 | Series Masterlist <<read the synopsis and trigger warnings first>>

A/N: Another update, because apparently, my brain will do anything except study anatomy.

The science of world-hopping is far from your expertise, but even with your high school-level grasp on physics, you understood the sheer miracle of getting transported into a dimension where the environment is not hostile and shares similarities with Earth’s atmosphere. Perhaps even more impressive is the fact that there is no verbal language barrier between you and Sylus. 

That’s why you are currently sitting on a gold and velvet chair while he lies on his side, cheek on his knuckles, and listens to you read your worn-out copy of The Little Prince,[1] the only reading material in your bag that isn’t related to your job.

When he first saw the cover, he was unimpressed, calling the titular prince “ugly.” You didn’t blame him. When you first laid eyes on it, you also didn’t like the artstyle, but you were young and prioritized realism and beauty. When you grew older, you appreciated the unique and cute character designs. 

“She cast her fragrance and her radiance over me. I ought never to have run away from her . . . I ought to have guessed all the affection that lay behind her poor little strategems. Flowers are so inconsistent! But I was too young to know how to love her . . .”

You are about to start another chapter when you catch Sylus with his eyes closed. Chuckling, you put a detached can tab between the pages. Maybe this novella is too boring for the great fiend. You move to stand, but he pinches the material of your shirt. “What’re you doing? Why did you stop?”

“I was going to let you sleep.”

“‘m not sleeping, I’m just resting my eyes.”

“Uh-huh.”

“I want to know what happens between him and the flower.”

“... fine. But if I catch you dozing off I’ll stop and you’re going to have to learn to read these words yourself.” You love this book but it is too long to be recited in one go. 

As you have predicted, by the time you reach the chapter about the Businessman, a lonely and pathetic man who counts the stars and only sees them as “little glittering objects” to be possessed, your throat has become too raw and you couldn’t continue. 

Fortunately, your spoiled dragon is too busy sleeping to protest. You bookmark the page and quietly set it down. “Sweet dreams.”

You take this time to find the exit, not to escape, just to know. You eventually find it. The cave opens to a cliffside overlooking a city boasting a castle that resembles a gothic Neuschwanstein Castle.

You breathe in the fresh air. Crisp and cool and not a trace of smog. 

Left alone in silence, all the questions that you forced into a vault have pushed their way to the front and center of your mind. 

Why were you brought here? What forces were behind this? Was it on purpose or an accident? Was this world  truly real? Did you get run over by a truck, end up in a coma and now stuck in this dream? Maybe the wormhole was a convoluted way for your brain to rationalize this.

You stretch your hand toward the sky as if trying to touch the clouds. If this was a dream, then…

You close your hand. 

“It doesn’t matter.”

A strong gust of wind howls at you. You grab onto the wall of the cave, almost falling over to certain death.

You raise your brows. The skies remain clear, but for a moment, it seemed like a storm was brewing. 

Shaking your head, you step back inside and explore more of the cave.

That evening, Sylus awoke to see you standing over him, watching him. He had to shut his eyes again. He would sooner stick needles into his tongue than admit that you scared him for a moment. 

“Did I scare you?” You tease him.

“...”

It is unnerving to have someone read him so easily.

Loathing, revulsion, disgust–he is all too used to these looks from humans. As a child, he would have done anything to have something different, something softer. He even tried to cut off his horns and tail, but nothing changed. When he grew up, he discarded such desires. A monster could never receive anything but the darkest tar of human emotion. 

“Hey, can I ask a question about dragons?”

“If you’re interested in making a deal with me, don’t bother. Your soul is too…” Your greed is nothing he has ever encountered before. It is there, he can sense its weight in you, but it resembles a tamed beast. No, rather than tamed, your greed is like a wild animal that had lost hope of ever escaping its chains. As if you’ve given up hope for anything more. “You have nothing to offer me.”

“Oh, no, I don’t want to make a deal.” 

He snickers. Of course. “Fine. Tell me your question.”

“Do dragons have two penises?”

“...”

“...”

“...”

“...?”

“Repeat the question for me.”

“Do dragons have two–”

“–so I wasn’t hallucinating.” He rubs his temples. “You… I have no words.”

“Is that a no?”

“Do try not to sound so disappointed. Also, I advise that you not ask this type of question to anyone, regardless of species.”

“But I’m only interested in what you have to say.” 

He glances at you. There is not a hint of shame or deceit on your face. Ever since you arrived here, you have never looked at him the way others have. You always meet his gaze head on, steady, unafraid but never arrogant or angry. You told him that he reminded you of the sunset. If that were so, then you are a clear sky. 

He could never stand mornings. The light makes him weak and irritates his eyes. But if he were an ordinary man, a human, would the sun that used to burn him be kind and gentle like what he was feeling right now?

You did say that you belonged to him now, so it shouldn’t matter if he gets greedy.

“Sylus?” 

He stops his hand mid-air before it could reach you. “Your voice is hoarse.” 

“Gee, I wonder why.” 

He gets up from the bed, stretching his wings. “Don’t pout. I’ll make it up to you.”

“Will you?”

He smiles. “A dragon never goes back on his word.” 

He leads you to the cave’s entrance and gestures towards the black castle below. “At the foot of this mountain is Tarus City. It’s considered the lowliest of all the cities here. But its markets have a lot of interesting things. Perhaps you will even find an object that can meet your impossible standards.”

He offers you his hand and you hold it without hesitation. He stares at your fingers, small and fragile next to his claws. This is not the hand of a fighter. If he applies just a little bit more pressure, the bones would break like eggshells. He could have never imagined something so delicate would willingly approach him.

“I’m assuming that your kind cannot fly,” he says.

“You would be correct,” you reply, already knowing what he is planning as he bends over and scoops you into his arms. 

“Better hold on tight then.”

His bat-like wings spread to their full length and push the two of you upward. 

This scene feels exactly like a CG scene from an otome game, or even a shoujo manga, where the darling female lead wraps her arms around the male lead. But you keep your hands to yourself as Sylus soars across the moonlit night. 

“You’re stiff. Got nothing smart to say?” He asks.

That steady gaze of yours remains on him. “I’m admiring the view.”

“I caught you doing the same thing while I slept. Will you get tired of it?”

“I don’t think that’s physically possible.”

“Normally, people would be admiring the scenery below. It’s not everyday a human can live like a bird.”

“I don’t need it.” This world is lovely, without a doubt, but whatever is below you is nothing compared to Sylus’s face which could be part of the Seven Wonders. Besides, you want to ingrain every one of his pores into your memory. 

“We’re here.” He slows down and drops a few meters away from the city entrance.

You make no effort to hide your disappointment as he sets you on the ground. 

“Did you enjoy being held by me that much?”

“Why ask when you already know the answer.” You then let out an exaggerated, playful sigh.

“Now, now. There are plenty of chances to hold each other in the future.” 

“Sure, sure.” You shrug and then realize something. “Oh, wait–my clothes…”

“Don’t fret, you may end up getting some strange looks but ultimately, the citizens here have their own problems to worry about. They can’t afford to be nosy about a harmless thing like you.”

“Fair enough. Let’s go then.” 

The city was designed after the word “gloom,” with a silent dread perpetually hanging over every person you pass. This place is like Gotham in medieval times. 

“Your eyes are sparkling,” Sylus notes, amused at how your head swings back and forth with childlike vigor.

A normal NPC would be affected by this darkness, but not you. You find yourself wishing you had a working phone so you could take pictures. A true, obnoxious tourist. 

“In my world, this type of trip wasn’t affordable to me. And even if I had the money, going on alone would’ve made me too stressed to enjoy myself.”

“Is that so?”

You rub your palms together as you admire the iron lamp post that lined the streets. “Yeah, and I would have never gotten an opportunity like this in the past.” You turn to him, beaming uncontrollably. “So thank you, Sylus.” 

Sylus stops walking. 

You stop too. “What is it?”

He touches his chest and opens his mouth, but no words escape. He narrows his eyes, but not at you.

“Sylus?”

He lets his arm drop to his side as he looks up at the sky. “It’s nothing.” 

You silently watch him, your own face blank, then you grin. This time, your smile is subdued. “All right.”

He holds out his hand. You put yours on top and he places a pouch of coins on it. 

“Feel free to look around. I have some business to attend to, it won’t be long and if you need me, just call my name. I’ll come to you, no matter what.”

“Okay.”

You watch him walk away, disappearing in the shadows. You let out a breath, the cold air fogging in front of you. “‘Nothing,’ huh.” You didn’t think it would happen so fast. 

Whatever.

Deciding to do as you promised, you approach some of the stalls. You haven’t eaten anything since that pack of Pocky and since you would rather not touch the meat here, you opted for the pastries. 

As you sit on a bench chewing your second pretzel, an elderly woman dressed in a black hooded robe wobbles towards you. She points an accusatory finger. “You… you are not of this world.”

Oh?

You continue to eat, ignoring her.

“You shouldn’t be here. You need to leave!” With a burst of energy, she rushes forward and clamps her hands over your shoulders, knocking the pretzel away from you.

You don’t fight back though. You keep your expression unreadable and let her ramble.

“It doesn’t want you here. You need to leave. You will doom us all…and you will die!”

“Everyone dies, though, granny. And you may end up going before me.”

She seems taken aback by your apathy. Her shock then morphs into rage. “I’m warning you! If you’re not careful, you will get killed!”

It is your turn to grab her–you hold her fingers tightly and lean forward. “Really? How does it happen? More importantly, who gets to kill me? Are their eyes as gorgeous as polished rubies? If not, then can you tell me how to get that person to kill me? I have no interest in getting murdered by anybody but him.” Your questions come after another in rapid succession.

“Answer me, granny, who kills me?” 

The old woman’s legs shook and you let go. With a sigh, you retreat. “I didn’t mean to scare you, ma’am, but you should be careful when telling people about their destiny.”

“Granny!” Two little boys run towards the shaking old woman. “So you were here, mother has been looking everywhere for you.”

One of the boys bow to you. “We’re so sorry if she offended you in some way. She’s sick so please pardon her.”

You wave them off. “Apologies are not needed, but you should keep a close eye on her.”

“We will…” The boys move to help their granny walk.

“Wait.” You pick up the bag full of pastries and give it to the boy. It isn’t just the granny, all three of them are frail enough to be knocked down by a faint breeze. 

“But…”

“Just take it.”

“T-thank you!”

Picking up your other purchases, you go to find a different place to wait for Sylus. You feel bad for picking on an old lady, but you wanted to see if she were an authentic fortune teller. To be honest, the information you’ve gathered can only result in an inconclusive answer because this whole “reality” could not be trusted. Still, it is better to lean into caution. 

You hold your chin. That woman saying that you are “not of this world” is too specific, but this place co-exists with different species and acknowledges the existence of a metaphysical plane like the Abyss, so there is a chance that she saw your abnormal clothes and thought you were a non-human similar to Sylus. The statement doesn’t necessarily have to refer to a different reality.

It doesn’t want you here. 

It. 

“Killed, not die…” This is quite the pickle. “...killed…not die.”

Hm.

Hmmmmm…

You have decided. 

“This is tomorrow’s problem.” You wish your future self good luck because you don't care anymore.

Before you can stand, a shady-looking man stumbled towards you, eyes glossed over and posture uneven. A drunk. “Haven’t seen you here before.”

You grab your things. 

“Hey now, no need for that, I just want to… want to talk with you.”

He is a malnourished drunk so you could probably push him away, but it’s always better to avoid a confrontation. 

“Hey… hey! Don’t ignore me!” He lunges forward, but is blocked by a solid wall forming between the two of you. No, not a wall.

Sylus stands in front of you. “Did you need something from my companion?”

“Huh? Who the hell are you? Don’t get in the way of our fun!” He throws a punch but your dragon dissolves his fist up to his elbow.

“Um, Sylus…” You tap your savior’s shoulder. 

“Do me a favor and turn around and cover your ears, puppy. I don’t think I have the right mind to be clean about this.”

“Well, sure, but before that, I have a request. Please don’t kill him.”

He glances over to you. “You can’t be serious. If you could see and hear the… filth that he was planning to do to you…” His right eye glows dangerously. “I cannot possibly leave this garbage alone.”

“Leave? All I want is for you to keep him alive.”

Sylus pauses. “You mean–”

“–think of it as a personal request, but if you really want to kill him I won’t hold it against you.” 

You are a person from the 21st century. It would be difficult to continue knowing someone died because they were related to you in some way. You are fine with them being barely alive though. 

You then turn around and cover your ears. You have to hum and whisper-sing random songs to distract yourself. Even if you were happy to vote for torture, that doesn’t mean you could stomach the sound of a living creature screaming in agony. 

“...making my way downtown walking fast and I’m homebound–ah.” Something warm and fluffy ends up on your shoulders. 

“It’s done,” Sylus says, adjusting the cloak. “He’s still alive. The amputation was successful, all five of them.”

“Good to know–hey!” 

He uses his body to block you from taking a glimpse of the carnage. The smell of rust and urine permeates the air.

“It’s an ugly sight.”

“...All right.”

“Are you not going to fight me on this?”

“It’s sweet that you remembered that I don’t like gore. I’ll trust your judgment.” Reading and watching records of criminal cases is a different experience from a real life slaughter. 

“I thought I told you to call for me if you encountered trouble.” He secures the gold clasp of the cloak around your neck. 

“Yes, but you arrived before I got the chance to scream. I appreciate the assist.”

He shakes his head lightly and pulls the hood over your head. “Your composure is astounding.”

“I hope your business meeting or errand went well.”

He hums in response before pinning a brooch on the left breast of your new coat. 

You examine the shimmering accessory. “I’ve never seen red thorn apples before.” The primary florals are made with garnets framed by gold leaves and complemented by tiny dots of diamonds that resembled tuberose flowers.[2]

“Is it too gaudy?”

You laugh softly at his pettiness and caress the wine-red blossom. “Not at all. It’s beautiful.” You hope your customer service smile would be enough to trick him.

“Not as beautiful as my ‘polished ruby’ eyes, I hope.”

“You heard that, huh.” 

“I think the whole market heard the commotion you made.”

“It was more of a kerfuffle.” 

He quirks his brow.

“It wasn’t a big deal. I wanted to teach her about manners, but now I’m starting to feel guilty.” You then dramatically draw circles on your belly.

He grins and offers his hand. “Come. I’ll treat you to something delicious.”

“I refuse to eat Wanderer’s meat.” You put your hand in his. If he fed it to you then maybe you would consider partaking in technical cannibalism. 

He cocks his head to the side. “You are impossible to please.”

“Really? I’d say I’m quite low maintenance.” You surprise yourself every time you say such lines. It is getting ridiculously easy to spout out these half-truths.

Important author’s notes:  [1] The Little Prince is a novella by Antoine de Saint-Exupéry. If you haven’t read it, I suggest giving it a try. The book explores the innocence of youth, loneliness and isolation, human relationships and the responsibilities and vulnerability that come with these relationships.  Why does Y/N carry a pocket-sized copy with them to work? Speaking from personal experience, I like to have a good, comforting book with me when I feel sad. A security blanket of sorts.

[2] Thorn apples: Datura stramonium. Other common names are devil's trumpets, moonflowers and jimsonweed. In floriography, they mean “I dreamed of thee.” In the right doses, this plant can be used in treating various ailments. However, it has hallucinogenic properties.  Tuberose: Agave amica. An expensive blossom that is used in perfume-making. These flowers can mean “dangerous pleasures.” References: Floriography - the language of Flowers. Flowers by Flourish. (2015, January 27). https://www.flowersbyflourish.com/floriography/  

Fun fact, according to a post on the LoveAndDeepspace subreddit, the flowers present in the Sylus: Abyssal Blossom card are most likely thorn apples. The original poster (OP) makes a lot of good points. You can read it here.  

@phisen @leryg0 @capribun @sinnamon-bunn @wegottastayfocus @erisnxxi @syyyy4ever @limerenceisserenity

Thank you to everyone taking the time to comment. I hope you enjoyed this chapter! Part 5: here Masterlist: here

[weaselmcdiesel]

ok so it's not a comic hope thats ok with you but instead it's karkat n nepeta but designed by someone whos madly in love with them both

some more au explanations + transcript beneath the cut

they're maybe around 30-40 yo? This was mostly just an exercise to give both of them adult designs. uh. i'm only calling it an au because I made bs some explanations behind their designs while i was drawing them. so uh, in this universe, sburb never happens + things that happened because of sburb don't happen either, but the alternian society is relatively unchanged. i dont actually know.. what.. karkat does.. like i cant figure out why he wouldnt be culled but it doesnt really matter i just wanted to draw him looking cool! (i am. open to hear about speculation if you have any). also i figured that Kanaya would go to the brooding caverns after her lusus dies, bc the wiki said her lusus would die regardless of the game taking place n whatever, and probaly do something with the matriorb there idk. thats all tho! ill prolly draw them more and maybe develop more lore as i do ^^;

--

Transcript!

i don’t know what their dynamic is in the canon of this au… but that won’t stop me from making them kiss :]

The Vigilant adult karkat on alternia

new highly developed shoosing skill

honestly has a calmer demeanor because he’s learned what’s worth exploding about… though he probably developped a crazy resting bitch face

pleased (arrow to karkat with a neutral face)

The sash doubles as a sling for when he visits Kanaya in the brooding caverns. He’s also very tranquil around grubs because they don’t cause unmanageable problems. He’ll get mad if someone else bothers one

(yes i’m obsessed with dilfkat that’s why i drew this)

The Predator adult nepeta on alternia

Taller than karkat <3

still a silly goober, but better at getting what she wants

she probably got her title from a history of single-handedly slaying fearsome lusii. she likely takes assassination type of jobs because of her stealth. one of the more easy-going trolls from the group

--

also! fun fact. i was having trouble designing kk's outfit so i looked in an old antiques catalog book from the internet archive to get inspiration from objects that had the same colors as those that i wanted to use in his design? not sure why i did that. just had a hunch that it would be fun. so this is the object i found that strangely enough inspired kk's fit

haha.. and i also found one for nepeta, though it was easier to design her fit and i didnt actually need a reference object

the book was "Antique Trader antiques & collectibles 2009 price guide"

[chocostrwberry]

Sentimaggedon!!

Sentimonster designs I came up with bc I was thinking about Argos’s debut in my AU! Bc I’m dumb and I haven’t thought too deep about him as a character to the story yet-

They were originally suppose to all be based on the seven deadly sins, especially Gasumptious (gluttony) and Elvy (envy). But I also wanted to branch into maybe Felix’s other hidden emotions, like his deep love for Kagami and his fear of being replaced by Adrien (Bride and Athazagora).

Argos becomes an official enemy when Dragonbug tells him they need to be destroyed. He defends them, saying they’re just “infants” and can learn how to behave properly with time. But a frustrated and exhausted Dragonbug she tells him they aren’t like humans and are created for one purpose: to serve and destroy. This hits home with Argos, and he develops a fear and hatred for Ladybug and swears his loyalty to Madame Morphisa afterwards in order to take her down and prove just how monstrous he can be.

I’m still kinda trying to find a way to make this concept work in my au. He promised to serve her in exchange for the peacock miraculous, and she wants him to use it to take Ladybug’s miraculous. In a novice attempt, he might have just starting creating multiple sentimonsters that he thought were harmless enough (something she did NOT expect), but they quickly spiraled out of control. It’s much easier to make sentimonsters based on others emotions, because you can predict which one you will create it off of. But instead, he chose his own, which makes it more difficult to tell how the sentimonster will act. I think it would show the aspect that these creatures do have a mind of their own, compared to previous Mayura sentimonsters who were easily controlled by their akumas!!

Red Moon

Red Moon is obviously already canon, but her power is instead hypnosis. If you get caught in her light, you stop whatever you are doing to stare at her. The streets of Paris become like a statue exhibit: countless of unlucky citizens are bathing in her glow, staring at the beauty of the red moon.

Gasumptious

As he devours, Gasumptious grows bigger and bigger. He’ll eat anything, so beware! After finishing most of the city, Gasumptious sits atop the Eiffel Tower and gnaws on its metal posts.

Elvy

Elvy lives in the sewers. She can control water and uses it to drain you of happy memories, which she keeps in floating green orbs and guards for herself.

It’s so silly to me how the manifestation of Felix’s jealousy of Adrien is fought and defeated by Chat Noir, who is Adrien ehehehheeh.

She also sounds like a Pokémon!! Probably like a Lapras, or the one that trills really pretty

Athazagora

A timid creature, Athazagora took over the catacombs, and hides in the shadows. You can hear the creaking and rattling of its wooden limbs in the dark as it stalk you. If you can’t escape, it envelops you in its cloak of darkness, never to be seen again.

Bride

The supposed advisor of Argos. She never leaves his side, and is always whispering something in his ear. To protect Argos, she showcases her ability to turn her arm into a long spear/sword, incredible strength and mobility, and that her body is made of an indestructible crystal.

Plus, he can make multiple sentimonsters bc he’s a sentihuman himself (Other people can’t. You can only make one, kind of like how the Butterfly miraculous can only Akumatize one person at a time, unless they share an object. Current excuse I’m going with that makes semi-sense HEHEHE) . So Lila totally wants to use that to her own advantage!

Ofc he fails, but she’s impressed with his resolve (and the lengths he was willing to go, albeit unintentionally), especially after sharing her goal of destroying Ladybug. Lila was feeling the effects of unification and now has a willing minion to do her bidding whenever she pleases.

If I decide to go with this plot, Lila has to end up forgetting Felix because of the curse. But she doesn’t care: all she really needs is Argos. I might need to retcon her revenge against Felix because of this but idm! It wasn’t very important to the plot anyways!

I was considering having Dragonbug in this episode, since she could use Perfection to snipe Red Moon out of the sky! The lucky charm would be like a wand that creates a sticky translucent web to keep the sentimonsters secure so they can go find their amoks.

And a sentimonster I never ended up including, Ava. I just didn’t have a reason to put her in there but I liked the yin and yang style of her design!!

[the-warmest-machine]

Neve Gallus - Character Design Analysis

Neve knows how an outfit builds character, whether it's to project a genuine or false perception of the wearer. All her clothes are designed to convey "wealthy and powerful mage" as a safeguard. In this analysis, we'll take a look at Neve's Dragon Coat and point out details, symbolism, and intention with design—all under the cut.

Asymmetry

The first aspect to cover is the asymmetry in Neve's overall design. Not pictured, her bun is uncentered. Pictured, her coat is raised higher above the left thigh, and her hat sits at an angle while the veil creates a dividing line across her face. Her bangs act like a veil of their own as well.

Asymmetry in a character suggests they're dynamic, unconventional, nonconformist in some capacity, willing to behave outside of the box, etc. You can see that reflected through Neve's willingness to work with the Threads, to skip ritual protocol (re: her conversation with Emmerich), her work-life imbalance, and how she's open and teasing with the companions despite her archetype. You'd expect a jaded and cynical detective to be more gritty and detached, but Neve is soft and engaging once she's beyond her initial assessment of each companion.

Returning to the coat's left side: I would guess the raised adjustment's purpose is visual compensation, to bring attention away from her prosthetic. It's easy to notice the length difference with a still, but when she's walking and in motion, it's not something you pay attention to. The devs mentioned they wanted her prosthetic to be treated like an average part of her, and they succeeded.

Thematic Imagery

The major imagery shown above is a butterfly. Butterflies represent metamorphosis. Change. And that's exactly what Neve endeavors to enact for Dock Town. Her scarf's knots create the head, around her neck are the antennae, and the braided tails form the body. Her collar and lapels shape the wings, while the curving leather and embroidered gold are reminiscent of a monarch's pattern.

The secondary major image are the wings, created from her shoulder pads with unfurled feathers beneath them. Wings typically represent freedom. In Neve’s case, this freedom relates to her city.

Combined, the butterfly and wing visuals symbolize transformation taking flight and paving a course for a better Dock Town.

Tevinter Symbols

Recurring motifs include snakes (belt, cobra prosthetic, scaled earring) and diamonds, both symbols heavily used by the Tevinter Imperium. They serve as provocative and centering design elements at face value.

The diamond adorning her back reminds me of a coiled snake; the end curl would be a tapering tail. Scales are embossed in the leather for a tasteful touch. Or maybe the shape represents a dragon, because the crowns adjacent from the diamond look like feet? It is called the Dragon Coat, so maybe it's a dragon's butt.

I've debated about whether the tiny, gold diamonds with tails are of significance, but they could very well be simple elements to break up monotony. Theories on what they could represent include the Wall of Light, architecture, fangs, or scales. Perhaps they're pins for case notes? Girl is on point and also kind of a disaster. I can imagine her pinning random notes and categorizing them by what layer they're pinned to.

Utility

Neve has options to choose from when it comes to keeping detective gear on her person, which shows her practicality. It pays to look good, and it pays even more to have fashion be useful.

The Dragon Coat's description itself mentions many pockets to stash case notes. The pockets are likely on the inside of her sleeves. Attached to her waist is a compact pouch with two objects slotted into the adjacent holders (could be writing utensils).

Again, if those diamond tears are pins... you can see the potential for stashing even more notes.

Neve's cobra prosthetic is part of every outfit, but I wanted to showcase its degree of function under utility. The ankle was designed as a hinge. This gives her improved mobility, which of course includes stretching. It most likely becomes uncomfortable after long durations of use; you can often see her weight shifted to her left leg and checking on her right leg. The entire prosthetic design is on point, and the extra attention to detail is exquisite.

Color

Turqoise.* In every companion outfit available, there is turqoise. I would say she "just likes turqoise," but that doesn't align with how she searches for deeper meaning in the subtle things. So for analysis' sake.... The color itself compliments Neve's playfulness and creates contrast to Dock Town's more or less neutral palette. It's a fun, vibrant color that makes a statement. It's also shared by the Shadow Dragons.

While Neve can be intimidating and is a badass, she's light and idealistic at heart—if you dig deep enough. All cynics at one point held hope in high esteem, before they were proven wrong one too many times, or maybe in one heinous letdown.

(*As a disclaimer, the color may not actually be turqoise. The symbolism as a vibrant and saturated color stays the same though, whatever the case.)

And… that brings us to the end of examining Neve’s Dragon Coat and what it shows us about her character. Any other thoughts, please share!

[ducksido]

Hi there! I love your writing could I pls get headcanons for ruggie, leona, jamil with a reader that's been cursed with lycanthropy so for the last few years, she experiences painful involuntary shifts (into a giant wolf not the freaky anthropomorphic ones) once a month and of course this doesn't change when she enrolls at nrc. maybe she also isn't fully herself when she shifts so she can be a bit dangerous around others.

Ruggie Bucchi

At first, Ruggie thinks you’re pulling his leg when you mention being cursed with lycanthropy. Like, ha ha, sure, you totally become a giant, teeth-baring wolf once a month. Funny joke.

But when he hears the howling from the far end of campus and sees the destruction near the Ramshackle area—splintered trees, claw marks, and scorch marks from the defensive spells the staff uses to hold you back—he believes you.

He’s freaked out, not gonna lie. He grew up in the slums—he knows danger, and he knows how to respect it. That includes knowing not to mess with a cursed girl mid-shift.

Ruggie is surprisingly good at managing it, though. Once he knows your schedule, he’ll stock you up with food, medical supplies, and things to calm your nerves before the shift hits. He’s careful not to get too close when you’re transformed, but he does leave scent-marked objects near your usual containment area so you’ll associate him with safety when you’re half-feral.

He jokes about it to cope: “You go beast mode once a month, huh? Lucky for you, I’m an expert at dealin’ with wild animals. I mean, Leona’s basically a lion with a bedtime.”

You worry about hurting him, but Ruggie just shrugs. “Tch. I’m fast. You’re scary. We’re a perfect match.”

Leona Kingscholar

When he first finds out, he’s... annoyed. Not at you, but at the fact that something as ancient and barbaric as a lycanthropic curse hasn’t been broken yet. In his eyes, that’s just unacceptable. Magic’s supposed to serve you, not ruin your life.

The first time you warn him, he lazily waves it off. “You think a wolf’s gonna scare me? I’m a lion, herbivore.”

Cue a scene where Leona comes face to face with your transformed self—snarling, fur bristled, fangs bared—and has to actually fight you off long enough to get you to retreat into the forest before you hurt someone.

He doesn’t mock it anymore after that. Instead, he starts researching. Quietly, in the library. Asking Professor Crewel suspiciously specific questions about curses. He won’t admit he’s trying to help, but you catch him falling asleep on curse-breaking tomes more than once.

He never treats you like you’re fragile—but he does get more possessive. During your shift nights, he’ll use his magic to knock you out temporarily if things get too dangerous. And if anyone dares to make fun of your condition? They’re going to be face-first in the sandpit behind the dorm.

Secretly leaves enchanted earplugs and sleep potions on your desk during full moon week. Won’t say it’s from him, but he expects you to use them.

“Next full moon, I’m staying with you. Try biting me and see how well that goes.”

Jamil Viper

Jamil’s reaction is the most complex of the three. As someone constantly forced to live under control—of himself, of others, of expectations—he’s both sympathetic and deeply unsettled by your curse.

He understands too well the feeling of being a threat to others when you don’t want to be.

His first instinct is to contain the situation. He starts building routines, rituals, and containment spells specifically designed to keep you (and others) safe during the full moon. He’s meticulous about it.

You might find it stifling at first, but Jamil does it because he's terrified of losing you—or seeing you lose yourself.

When you tell him you sometimes remember flashes from your wolf form—moments of pain, of rage, of hunger—he listens in silence, and then quietly, solemnly tells you: “You are not what the curse turns you into.”

If anyone speaks of you like a monster, Jamil shuts it down immediately. And if anyone tries to provoke you during a shift (maybe out of morbid curiosity), they find themselves mysteriously hexed with a week of sleepless nights and an inexplicable fear of barking.

He's the most proactive in researching a cure. He scours old Scarabian legends, even sneaks into the Headmaster’s restricted collection when you’re at your lowest, just to see if there’s anything he can do.

“I don’t care how ancient or difficult the magic is. I’ll break it. One way or another.”

[dunmeshistash]

Do you know where the “mithrun is the most grizzed masculine elf take” comes from. All I think about is the changeling thing but no one calls Marcille the most masculine elf for being ripped as an orc compared to Tade. Or that he trains a lot, which is also not an inherent masculine thing. To me Mithrun doesn’t really look different to any other (male) elf we see. Is it from the extra’s or something?

Yes that take comes from the changeling transformations of both Mithrun and Senshi. The joke is the Senshi is the "most femme dwarf" and Mithrun the "most masc elf" in contrast with how they look in their original forms

I do think the joke kinda got out of control in the game of telephone that fandom is, instead of a fun observation of how we might perceive Mithrun more feminine than he is and Senshi more masculine than he is due to our own biases based on their races it got taken way too seriously as "the only true and correct interpretation"

I don't think Mithrun is especially masculine or feminine when it comes to his personality, I understand some people have been peeved by others making him maybe too meek/girly compared to canon but I feel like the response of making him way more aggressive/manly than canon is just as inaccurate and it's kinda upsetting when I see "fandom vs (my interpretation of canon) canon" as if they're any more right for going to the extreme opposite

We don't really know if Mithrun is specially "masculine" for an elf either, the only elf that we know is especially "masc" is Otta, and we only know cause her bio says even elves mistake her for a man (I think for most of us she looks as androgynous as the others)

Here's a post discussing elf gender presentation more in depth if you're interested in the subject but all we know is that Mithrun works out a lot and is very muscular (which signals 'manlyness' for us but might not for elves) there isn't much that point out to him being especially manly or especially feminine compared to other male elves. He also has lost most of his desires and doesn't express his preferences much so I think it's safe to assume he doesn't really pick how he presents himself (clothing and such).

Other than that and being stoic (is that a super manly trait?) Mithrun is pretty average I think. He's also still super cute even as a tallman (as if looking manly would stop you from being cute)

But another trait of him that seem to make people read him as "super manly" it's that sometimes Mithrun is scary and aggressive, I'm not even going into why that's bad (correlating aggressiveness with manliness is uh…. not great….) not even to mention he only acts that way when he's triggered by wanting to take revenge on the demon, otherwise he seems to avoid hurting others.

Related to the "Mithrun is a super manly elf" take I've even seen people argue that drawing him looking too "cute" and small is incorrect (probably just because of his tallman self) but that's how Kui draws him herself.

I don't understand why correct others for drawing him the same way his creator does, he's designed to look this way, there's nothing to "fix" about his original design either (nothing wrong with drawing him in a way that appeals to you more tho, fanart is fanart just don't harass other people)

Anyway just to stress the point that he is very average let's compare him to Lycion and Pattadol

The average height for elves is 155 for males and 150 for females Mithrun is 155cm, Lycion is 170cm and Pattadol is 160cm, they're both taller and have a sturdier looking builds than Mithrun

Kui often draws Pattadol specially with a sturdier build than Mithrun actually

So no he's not the most buff biggest elf ever in any sense (although he IS a muscular elf), and I don't think the changeling transformations are too objective since they're magic. For example Pattadol as a human is pretty average even tho she's big compared to other elves (not to mention Senshi half-foot who has a huge beard that half-foots don't seem to be able to grow)

[davidisnotmyname]

MAJOR FUCKING SPOILERS FOR THE SEVENTH COMIC (also this post is really long be warned)

Okay I wanted to give my thoughts on the seventh comic because I, a sleep deprived teenager with absolutely no knowledge on comic making or writing, feel that my opinion is logical and good /s

First off, my immediate reactions to the comic:

OH MY FUCKING GOD THATS A CHILD. THATS SOLDIER’S AND ZHANNA’S CHILD. THATS THEIR BABY. WHAT THE FUCK

the second I saw this shit I knew this comic was gonna give me an aneurysm (in a good way).

waitasecond…

THERESTWOOFTHEMOHMYGOD (also im so fucking happy that the joke I see in fan media a lot about Soldier naming his kids stuff like that is officially canon)(also east meets west fans were eating good this comic)

I like that the comic creators have put so much focus on Spy and Miss Pauling’s relationship. Not only is their dynamic great, but it shows that Spy isn’t a heartless jackass and he not only genuinely cares about the people around him, but can and will show it (I mean most of us knew that already but… someeeee people have fallen victim to the temptations of flanderization)

you’re gonna see this come up a lot in my rambling but I fucking love the shit the mercs are doing in the background, their expressions are so funny: Heavy is sick of their shit

Demo is asleep

Scout can’t breathe

Spy is also sick of their shit

Medic (and that godforsaken baby baboon) is sightseeing

Pyro is having the time of their life

and Sniper and Pauling are just trying to make sure they don’t all fucking crash and die

This is irrelevant as fuck (but most of the stuff I say is) but I just wanted to bring up how much I liked the secretary’s design. It’s very pleasing to look at.

They are like ants to me. I want to put them in a jar with holes in the lid and a bunch of leaves and then roll them down the stairs

I know this might not be what the scene is trying to imply, but fuck yeah, lesbianism (also thank god they gave Scout some semblance of character development, they are very cute as friends)

more background mercs. Medic and Pyro in particular have me in hysterics (this comic has so much good shit I can use for my discord pfp). Also Demoman my belemoman

GOD I FUCKING LOVE THE CHARACTER DESIGNS SO MUCH, thank you young Administrator for reminding me that I am in fact gay in every direction. RIP Admin, she served cunt and died

Get that fucking thing away from me

MAKAMI!!!!! WHAT THE FUCK!!!!! THIS SHIT BELONGS IN THE LOUVRE!!!!!!! THIS IS GENUINELY THE MOST INCREDIBLE PANEL IN ALL OF THE COMICS, I AM AWESTRUCK

Yet again more background mercs. They saw your AO3 history.

okay I was gonna say something but my phone flagged this image as nudity for some fucking reason? What

anyways, as I was saying:

GAY (guys listen it’s canon okay you have to believe me guys wait come back no wait)

also my first thought when I saw this was “heavy is trying to hold him back from doing weird shit to the corpses,” and I don’t care how anyone else interprets it because I am objectively the most correct /j

also looking back at this I’m realizing heavy’s hands are almost the size of medic’s entire torso lmao tf2 isn’t beating the yaoi hand accusations

I’m actually gonna be sick and die oh my god what the fuck is wrong with me

I’m not gonna put all of the panels cuz I feel like it’ll get annoying quick + the image limit, but the whole series of Pauling just standing there as the Admin is cosplaying a Nature Valley Honey and Oats Bar while everyone slowly trickles out of the room just hits so hard and so good. These comics are such a compelling narrative disguised as a series of shitposts and I’m all for it.

MISS P. NAME DROP???!!!!! (Also can we get an F in the chat for all the Francine Pauling truthers)

He is literally her dad I don’t make the rules (also yes I’m aware that it’s stated that he’s her legal guardian literally two panels later so this joke really isn’t funny, but none of my jokes are so what’s your point)

Yet another casual masterpiece by Makami, with the added bonus of the subject being a beautiful hairy old man who’s built like a fucking brick house. Heavy Weapons Guy TF2 I wish you were real. Also bearded heavy goes hard, i need to cook him into a fucking soup oh my god

Hey chat so did you know I’m actually going to be inconsolable for the next three years. Also this is obviously photoshopped we all know his last name is Elbertson (no but seriously I actually started running around my room and rolling on the floor when I got to yet another name drop)

Okay, I need to either say this now or have it fester in my psyche for eternity. That haircut gave me physical and psychic damage when I first saw it. Scout tf2, you’re ugly as shit but that’s honestly poggers, welcome to the club man (also oh my god he looks so much like Jerma I’m screaming, but Jerma isn’t ugly though I promise I would never diss my king like that)

Nobody talk to me

I SAID NOBODY FUCKING TALK TO ME

spy with his granddaughter, he loves her so much but still can’t bring himself to reveal who he truly is. I actually can’t fucking do this anymore this comic is gonna have me keel over and die of a heart attack

That’s it. Get in the fucking wood chipper right now /j seriously though I can’t even begin to explain how much this scene means to me. Spydad was one of the main things that got me so interested in tf2 over a year ago, and seeing him and Scout not only being civil about it, but genuinely caring about each other is everything. I’ve never been one for spydad angst (no shade if you do like it, I just personally prefer happier stuff), so I’m glad that this was the route the comics took with that plot point.

also don’t think I’m not gonna bring up the fucking mask. after seventeen years, we finally have spy’s face. Not only that, but the reveal was done through him giving it to his granddaughter. It’s done in such a casual and sweet way but it’s so impactful. He can be vulnerable around these people. This man, who’s spent his life building up walls around himself, refusing to let anyone through to the point of wearing that stinky ass balaclava everywhere, can now freely live as himself with his son and grandchildren. I’m gonna start eating screws I swear to god.

oh fuck I hit image limit hang on I have a little bit more to say check the reblogs the rest of my descent into madness will be present there shortly.

[endlesstrashcycle]

Thoughts on the men of yj

I saw a post or a video (I don’t remember), where they commented on how yj is a postfeminist show, where the male characters are designed in the same way that female characters have been created It's obvious that the girls in yj are not helpless victims, objects of desire, morally pure or that their strength lies in their emotional part. (The most emotionally intelligent act in that show is until Misty decides to go home from work instead of stabbing Shauna)They are violent, messy, sexually complex, power hungry, and yet all these traditionally male traits end up being somehow as female coded within the context of the show. So it’s not surprising when male characters have this gender association inverted. But it's not only the gender stereotypes, I would also say they purposely imitate the laziness of writing decent male characters that so many times show writers have shown with female roles, because it’s not just that the girls are complex, it’s that the men are purposefully not... However, what did surprise me was that I was so into the girls I didn’t even note the way the guys were written until someone else did.

 For a moment I imagined the men in the show as women, wifes, a teen girl in the middle of a bunch of teenage boys etc and oh, I just felt bad. Im not discovering the wheel and im pointing out to something most people for sure know but I still wanted to take it out.

Adam, everyone though there HAD to be something behind him, there wasn’t. He was just a manic pixi dream boy that felt in love with an older woman (I recognize that the character of  Shauna is an epic force to recon with and an icon for feminine madness and fury but in many moments she is nothing but a toxic karen in a unhappy marriage whose first scene was she masturbating in the room of her daughter ), who initially treated him like shit and ends up killing him.

Jeff is a husband that forgives almost everything that his horrible wife has done, he is comic relief but he is also sacrificial, loyal and domestic.

Travis goes from sexualized boy that sleeps with the cool girls/is used to sensitive infantilized soul. The moment he takes off his shirt in the lake he is sexualized, several scenes with boners, the way the girls take turns kissing (and SA-ing) him while high, his family ends up dying and he is dependent to the will all of these girls. In season three, Lottie literally drugs him to induce visions. He’s infantilized and spiritualized in a way that mirrors how girls are often reduced to “mystical innocents”, when the girls go to get Ben they leave him, when they come back, he is waking up in his hammock in a cute as fuck bungalow decorated with his drawings almost as a like magical maiden.

Ben, he is injured, physically dependent of the girls, emotionally wrecked, passive, completely vulnerable, dreaming about his lover, he didn’t participate in the cannibalistic sessions, he refused violence and still survived (for a while). Besides Van, no one was as badly hurt as him, and still this crippled man managed to survive without consuming meat, keeping his innocence, purity and goodness. (Yes, I don’t think ben burned down the cabin) Even Kevin and the predatory police. Kevin is a grown man still holding a candle for Nat, his childhood crush after decades, after his family. He helps her out, gets manipulated, he was gentle and idealistic, and he’s quickly out of his depth.

And Walter, my hated fave. He’s a rich, charming, hyper-competent male Misty. But instead of competing with her or trying to dominate (allegedly), he’s just… obsessed. Devoted. Murderously loyal after barely knowing her. He beeegs for attention and scraps of affection, adapts to her every need, and just wants to be chosen.

I chose to believe that the lack in depthness on the male characters is not part of the messiness, fast pace, writing editions of the show, but actual commentary about lazy writing and female characters being accessories to the male story.

[superkirbylover]

saw a post talking about ableism in cartoons. overall i agree with the message of the post, but the points made and said feel really infantilizing.

for context, i am disabled and many members of my family are as well. this is all drawn from experiences.

there is something to be said about exclusively designing characters who are insane and crazy with a form of lazy eye. there is something to be said about portraying disabled characters as incapable and stupid. there is something to be said about how these tropes continue to push the idea that disabled folk are "other" and are treated poorly. however, the post and OP made a few comparisons i really didn't sit well with.

they claimed the design of old man mcgucket from gravity falls is ableist for giving him wall-eyes as a way to portray how crazy he is. however, the post failed to mention that he's also a mechanic. he's a genuinely smart character with real accomplishments that happens to be crazy and disabled via his eye condition. he has depth. i don't associate his craziness with his disability, and it feels ableist to me to exclusively focus on the eyes and ignore how he isn't just "the crazy guy." i understand wanting to avoid stereotypes, especially harmful ones. however there are real people who sometimes fall under these stereotypes. as a kid, i fell under the stereotype of flapping my hands when i was happy or excited. and yes, there are people who condemn and discourage autistic folk from doing this because it's "stereotypical." that feels insanely ableist to me.

there is something to be said about trying to avoid harmful stereotypes of disabled folk, but i feel like people tend to overcorrect. derpy hooves is an excellent example; rainbow dash gets very frustrated with her in season 2 and is a bit rude. her voice was silly and she was oblivious. because some parents called and found this offensive, there was a redub and re-animated version of the scene featuring her. however, this version is infinitely more ableist to me. it's no secret derpy is disabled, and i personally resonate with her. to me, she is autistic. on top of missing social queues and having a hard time understanding things occasionally, her lazy eye can impare her visually. it is an undeniable fact that sometimes, disabilities will frustrate other people. my autism frustrates my friends and family sometimes. this isnt rooted in ableism. to me, its much like how non-disabled folk will get frustrated with each other. people should treat others, including disabled folk well and avoid getting mad at things they cannot control. however, erasing the fact people do get frustrated with autistic folk feels infantilizing. people will get frustrated with me. sometimes i do things that are objectively irritating. i don't want this erased. it's a part of being human. what i don't want is the irritation being used as a justification to treat disabled folk as sub-human. this isn't what happens at all in the scene. now, in a later season with derpy and rarity, i have many issues with the scene and how derpy and rarity are portrayed, so i do think there is something to be said there.

as long as the character has depth and is portrayed with respect, much like a person, then personally i don't find issues. i am personally tired of people overcorrecting for ableism in media. there is some correcting to do, don't get me wrong. but i don't want my disabilities washed down to the point where negative experiences with my disabilities are erased. they are important to my and many other folks identities as disabled folk. i don't want my experiences to be sanitized.

[thewertsearch]

We should hurry this along. My visitor is beginning to set things on fire. […] TT: Who? Some guy. I was joking anyway. I am not in a hurry at all.

You said you should hurry, which is different from saying that you're in a hurry.

If the Alpha Timeline decrees that this conversation will be rushed, then it's still accurate to say it 'should' be hurried, even if Scratch isn't personally pushed for time.

TT: I thought you didn't lie. TT: Aren't jokes essentially humorous lies? Jokes are only temporary lies. If the falsehood is never exposed, there is no punchline. If the punchline is never delivered, the lie is sealed forever, regardless of initial humorous intent.

And this is just bullshit.

First of all, admitting that you lied doesn't retroactively negate the lie. That's not how any of this works. Scratch is just unilaterally deciding that falsehoods only 'count' when they're permanent, a rule he pulled completely out of his foamy ass.

Even if we accept his premise - which I don't - he could still wait arbitrarily long before revealing his falsehood, so that Rose doesn't realize she's been played until it's too late. This definition doesn't meaningfully restrict him from lying, and I think it's purely designed to confuse Rose.

[…] Lies are not funny. TT: I think if you're going to risk tarnishing your record of honesty, you should probably get better material. My joke was objectively funny. Who would know better than I?

And these? These are opinions, which don't have objective truth values. There are so many strings attached to Scratch’s ‘I don't lie’ shtick, I could knit him a better outfit.

Not that it matters, because Rose is in too deep. She's not going to back out now, no matter how suspicious this guy is.

TT: So you're saying an inaccurate statement doesn't count as a lie, as long as you say "just kidding" later? Basically. TT: What if it's much later? Is it still "just a joke?" No, that would be something closer to a prank.

I appreciate that Rose is trying, but her language is still too imprecise. Scratch is immortal, and it's impossible to know what ‘much later’ means to him. For god's sake, he's having this conversation in a single extended second! Give us some hard numbers, fucker!

TT: Are you allowed to lie about playing pranks? If I asked you if you were playing a prank on me, would you tell the truth? I am allowed to do whatever I want. I choose never to lie. I also choose to tell jokes now and then, and to play pranks quite sparingly.

See, the trap Rose is falling into is that she’s buying into the premise of the game. She's delving deep into the intricacies of Scratch's rules, and in the process, has completely forgotten to be skeptical of the guy who's explaining them.

Scratch tailors his manipulation style to whoever he's talking to - and if anyone's susceptible to a nerd-snipe, it's the Seer of Light.

But I can say that I have never played a prank on you, and no statement I have made to you thus far, or will make in this conversation, will contain any trace of falsehood for the sake of setting up a joke or a prank, with the exception of the joke I just made, and another one I will make very soon.

Like – let’s take this statement as an example. We could review the entire conversation with it in mind, and try to puzzle out where the setup for Scratch’s second ‘joke’ is, if it exists at all. Rose is probably doing exactly that – and in the process, has completely forgotten that he just said that he’s fully capable of lying.

He’s literally telling her to her face that he’s deceiving her, but she's too caught up in his games to pay attention. This is what it means to play with your cards face up, and it’s as impressive as it is terrifying.

TT: I'm starting to change my mind. Oh? TT: Yes. I think your joke was funny in retrospect. Actually, your whole shtick is pretty good. I'm warming up to it.

It’s great! He’s a good villain! He’s a puppet who’s got everyone else tied up in strings!

[maddascanbe-blog]

I can't believe they cheated us so hard on Sabrina here (and Rooster Bold, and Caprikid, and Minot-). They didn't give her a transformation sequence, and they even gave her miraculous to 2 other people! It's one thing if it was Ladybug and Chat Noir using them, but no. Both Alix and "Adrien" got to use Barkk's miraculous!

I don't think anything about any of the designs really scream Dog to me, but I think Sabrina's was the best in concept out of all of them. I think part of it is the colors, Plagg has the distinction of being specifically a Black Cat which combined with the green eyes makes it hard to mistake what animal the miraculous is based on. But Barkk has very similar colors to the Fox miraculous, and that definitely makes it harder to tell.

Personally I think basing the dog miraculous on a Dalmation, Cocker Spaniel, or Basset Hound.

But anyway onto the dog miraculous, I think I will also be changing the power. Instead my idea was that once the ball connects to something it can lead the dog user to the object via a trail only the user can sense. But the condition is, they have to know what object they hit. If they intend to track a person, they need to know that person's identity. So if Hawkmoth appears they would need to hit his cane or his miraculous in order to track them. But the trace on the cane would wear off as soon as he de-transforms. The one on the butterfly miraculous would last longer, but would wear off over time meaning he would just have to keep moving until then.

Gabriel is aware of this power, and knows it would be very useful if he could get his hands on it. But the risk is pretty high for him as well, since if they manage to trace his miraculous he'd be in trouble. So Hawkmoth is hesitant to appear in person.

As for Vanisher, I based on design on the Invisible Man. Specifically the 2005 french cartoon of the same name. I recommend it, I love Alan so much. She can appear as just the hat, glasses, gloves, and coat. Or she can turn completely invisible The akuma is hidden in the pin on her hat.

I like Sabrina's preppy style, so when I saw a pinafore dress in this dark orange shade I knew I wanted to use it for her Miss Hound design. I also love the beret, I wish they didn't steal it for Cani-girl. I did tie her hair back and altered the shade of orange to a more auburn shade. Her ball is attached to her bow, and I decided to keep the thigh high socks since they were cute.

[jacksmysterylabyrinth]

There's a few routes in this game that say a lot about how fickle and unstable Takumi can be, that really warps him on an existential level.

It's hard to grasp how sometimes, but I think it starts with this...

Essentially, he's a person whose 'programming went faulty'. Namely, the issue of 'Karua', and how she's at once both a propaganda piece projected into his brain, and also Nozomi's words filtering in.

I don't think he's able to fully separate those things with conviction, as much as he wants to. He doesn't get how projection works, that's already something difficult for a sheltered and clueless teenager to unpack but... this is a whole other level of 'challenge: impossible' mind-fuckery. If the group have ever had some disconnect between their sense of identity and their 'memory', Takumi's is soup.

But what especially gets me, is his 'younger teen self' dismisses 'Karua's' studies in the most incurious way- 'what's this, the outside world? Why bother with all of that? Why do you care? Conspiracy theorist', etc. which I imagine is what he was 'supposed' to do with anything 'weird' like any potential new information. Until the programming got funny at odd moments when Nozomi's interest would seep through, and then, you'd catch Takumi responding to 'Karua's' interest... with more interest for once.

(Now the brain doesn't know what to do. Oh sure, you want to take charge of your destiny, but actually it's better to just sleep and forget it all. Not like you ever cared about learning anything, right?)

I'd say Takumi's avoidance mechanisms later, are a response to Nozomi's existence as if she was a virus. Which... says a lot about the fascist state of the Artificial Satellite, and how Takumi was designed for the 'most ordinary kind of life' that wasn't meant to know it.

It's kind of unclear how the programming works- whether it takes the subject's base personality and uses it to run an 'AI scenario' based upon whatever Kamukura wanted to project into them, or if it doesn't bother matching personality at all and just shoves scenes into their head regardless if it's something they'd do. Either way, it feels that something went especially wrong with Takumi, even if his personality matched the 'memories' he was given, because for the first time one of the pod-programs was actually adapting to outside stimuli.

The symbolism about that moon is especially interesting. Because Eito - the 'moon' - learns the truth about the world and its wars, and remains a significant challenge for Takumi to grapple with- only for him to kill him and redo everything at the end of the first scenario, suggesting he had kind of failed that (basically undoing the work that Eito had done to stop the weapon without knowing that they're not on Earth, for one...). The moon also represents 'illusion'- what the SDU look up at from Futurum is actually the Artificial Satellite where they've spent their whole lives in a pod, Eito's major trauma deals with illusions that physically warp what humans are (the glitch also doesn't even fully distinguish between 'Human' and 'Futuran' in the first place which makes it even less of an objective judgement)...

...on that note, this here from the Casual route continues to haunt me, and it's been hard to put into words exactly why. Because it might very well have come from Eito's mouth if he were there, since he's trapped in some terrible stuff too. But Eito's not there- that's a dream state that Takumi is in, so those words came from Takumi.

It's like his subconscious has been screaming to get out of the cage for a long time, but he keeps wanting to go back in anyway.

[felassan]

Thoughts on the new images of the Lighthouse Part 1. DA:TV spoilers under cut.

[Link to Part 2]

general: the Lighthouse looks so cool, it's beautiful 🥺 I can't wait to explore it fully and see the companions' areas change over time.

outside many of the windows are pieces of floating rock and odd architecture, a feature of Fadey scenery.

This can only be Emmrich's room. :) the giant skeleton statue on the left is exactly like the ones in the Necropolis Halls. the hanging lanterns have hexagon shapes, which I've become convinced is part of Nevarra's visual design in this game. the slab-like table in the foreground looks suspiciously like it's meant to hold a corpse/skeleton, and we can see Emmrich doing just that here. the room is filled with lots of flasks and other glass vessels, reminding me of the artbook concept of apron!Emmrich holding a smoking glass flask. I wonder if any of the jars/vases are more like urns and canopic jar kinda deals? there's a big scroll on the desk and lots of books and scrolls everywhere, as you might expect from a scholar and a professor. there's lots of skulls and skull-themed decor everywhere, even affixed to the wooden part of the upper floor, as you might expect from a necromancer. Emmrich really said okay I'm moving in now and my huge collection of skulls is coming with hhh. in the righthand corner of the room it looks like a giant skull (the bottom part of it looks to me like teeth), and on one shelf there's even a ribcage.

do the statue-figures on either side of the fire look like humanoid figures holding their heads in their hands to anyone else, only their heads are like vase-shaped?

maybe he sleeps upstairs somewhere?

the big spiral staircase is beautiful and so is the sunlight beaming in through the windows from above. :) the fireplace looks cozy. in the arches of the windows you can see the curves of ancient elvhen architecture. the view from up there must be so pretty!

This item on the top of one of the shelves caught my eye. I can't place it atm but haven't we seen this shape before?

This room can only be Neve's. :) in the bottom left is a stand with a different leg on it, the same as one of the ones shown in her artbook concept art. there is serpent imagery. I think diamond shapes and pointy objects like the wall-lights are part of the visual language design of Tevinter. the hanging lanterns look magical, a common thing in Tevinter. the rug is pretty and incorporates her turquiosey color palette. on her desk there is a turquoise pot (teapot?) - if you look closely, its coloring and the swirling designs on it are very similar to Neve's teacup here. :) there are various teapots and decanter-type things around the place that she could use for coffee.

it's smart room design, the big ceiling-high windows give the room the impression of a workplace office, like something out of a crime procedural.

Neve's casework wall. wanted posters/mugshots/suspect/missing person (they could be any of these) pictures, lots of notes, papers that look like they could be maps, strings linking together different papers in a clues-board like this meme, papers that it looks like Neve has annotated in red ink while studying them (circling and underlining things). a nice touch is that one or two of the papers are drawings of snowflakes, fitting for an ice mage. :)

I'm curious, what is this and what is it for? Bellara has one of these in her room as well, as does Lucanis (see Part 2).

these hanging objects are also interesting. they look like glass cases containing pieces of parchment on which a snake is drawn.

This room can only be Bellara's. :) it's filled with floating ancient elven magic-tech triangles and in the middle it shows the detached head thing from her artbook concept art. (he looks like if you activated him with the blue crystal or something that he could talk..). the room has a workshop vibe; she has a workbench and a stool, different instruments and gismos, and there's an array of artifacts on the shelves. the orange wall hanging on the right is triangular, flanked by two arrows in the nets and contains the skull of a deer/halla or similar animal. this must represent the Veil Jumpers given that many of them use archery, the triangles and the fact that their faction logo is a deerlike skull. it's a nice touch that even the structure of some of Bellara's furniture, like the sidetable on which the head rests, are triangular in design.

All the picture frames everywhere - are those mirrors? could they have something to do with investigating eluvians, or the network?

this looks like this halla statuette asset from DA:I. :) there's one of these in Taash's room too.

the ancient elven face motif, like on Solas' Trespasser armor and the Temple of Mythal Sentinels' armor.

hanging bone hh?

Left: what is this contraption? the ear is human Center: very ornate box. what's in here? maybe the animals on the top of the lid are stylized mabari? Right: Fereldan mabari banner.

Left: this pattern of walls and the triangle pattern on them is a feature of ancient elven architecture. Right: the way the walls (behind the frames) are designed here, it makes it look like pipes. Bottom: curious that we cannot see the ceiling.. :)

This looks like a sort of magnifying glass or microscope-type thing that would allow her to closely examine things she finds.

What does this do? :D

This (left), along with the head, feels like a focal point in her room. this hanging thing almost looks like a model of a planet or solar system - a planet in the middle, a ring of asteroids or something around it, smaller orbs around the place like moons. we've seen part of something similar before, in the ancient elven ruins in Arlathan Forest in the screenshot on the right. compare these bits; the rings, the paired triangles.

looking at the wider structure of the thing in Bellara's room, it also reminds an awful lot of this place (whatever it is), which even has the ring of rocks going around it.

feels important. :D

I feel like this is Harding's room. :) it's pretty and cute, a nice rustic space (suits her). the simple bedroll under a cloth canopy propped up with some sticks has the vibe of something a shepherd and scout might rig up to rest in when out in the wilds. the pond / water feature transforms it into an outdoorsy, nature-y space, as do the leaf-strewn floors and the plants growing up the walls. there's vegetation everywhere - potted plants and some areas which look like raised planting beds, basically little indoor gardens. this includes windowboxes, flowers and even mushrooms (I know that's fungi. yk what I mean hh). this makes so much sense for Harding - we know she loves nature and plants, and Ali Hillis mentioned that Harding also raises plants. I wonder if as the game progresses, she will grow more plants and the ones she has already will grow some more? like maybe she'll finish planting up the area around the pond the whole way round? and I wonder if her lil pond has fish? that would be so neat. please can I buy some beautiful koi for Harding to put in her pond to raise? also I wonder if any of the things she grows are edible? like imagine Bellara and Lucanis cooking with e.g. salad greens grown and raised here by Ms Harding :D and/or healing herbs we could use in the field?

this plant for example resembles the model for elfroot in DA:I!

I think maybe this is Taash's room. first off, near the middle of the room it looks like a makeshift weights bench, and we know that Taash is a gym bro. the hanging rings nearby that remind me of these. even the 'horizontal ladders' on the ceiling look like you could use them as monkeybars - if you look on the left, there are even ladders in the form of rings protruding from the wall that you could use to climb up there to access them.

even these frame things look like they could be used for some kind of physical workout/climbing situation.

on the table to the left it looks like piles of big coins, fitting for a Lord of Fortune. elsewhere in the room behind the weights bench it looks like there might be some gold bars. in the background is a hammer leaned against a crate.

this crate has her color scheme - the tealy hue, gold pieces and red ropes.

a Qunari symbol, in drapery that has her color palette, the teal with the red ropes. btw, comparing this and its location to the new screenshot of Taash, I think that this banner is the thing in the background that I was talking about here (the "something blue-green"):

in the background to the right is something blue-green with what looks like red rope hanging off it. a belonging of Taash’s? maybe this shot is from a quieter moment, somewhere in the Lighthouse, maybe her space? if you look here (Arlathan, the ruins are ancient elven), it has the same sort of repeating zigzag patterns on the same sort of arch-like curves as here. it makes me think that this shot is set in a room with ancient elven architecture. (and the Lighthouse was Solas’, so it would have ancient elven design).

If you look at the banner with a wider crop you can even see the "arch-like curves" with the zigzag patterns that she's standing in front of in the new screenshot. this area has fire to the left of the arch, which would cast the warm firey glow you can see from stage-left in the new Taash screenshot. so it looks like in the new Taash screenshot she was standing somewhere around here:

And that my guess of the setting of the new Taash screenshot was correct. :D

crate of some kind of weaponry or bones, including a map with a knife I imagine you'd use to mark spots on it with. :) piratey vibe.

clever room design btw, it has the vibe of belowdecks/the bowels of a ship.

horned statue or carving, like an ogre.

Top: the silver shield-like things on the wall have the same sort of scale-mail appearance as Taash's field armor. Bottom: this thing reminds me of a boat in shape. like a small fishing boat or something.

I wonder why Taash has a Grey Warden shield and an eluvian in her room? maybe the shield is just general decor (like the Fereldan banner in Bellara's room? unless Bellara is from Ferelden??). maybe the eluvian ties into why she apparently has some involvement and a strong interest in a main story mission set in the far reaches of Arlathan Forest, as described by Corinne Busche during the second Discord Q&A? -

"I was out in Arlathan, actually doing, on my way to do a main story mission, and I get to the far reaches of Arlathan Forest, and I already knew that Taash wanted to help me with some of the challenges of that arc. Well, Taash is right there waiting for me, so I actually chose to instead like, ah, Taash seems impatient, I’m gonna actually jump on that story arc right now instead of what I intended to do"

And what is this? Looks like a sun or an owl. ^^

I ran out of image allowance on this post so I'll put the rest in another post!

[Link to Part 2]

[commsroom]

OK I need you to point me to the nearest entry point into this fandom. I don’t know what this is, but you popped up on my dash.. and I need to know what this is. Please lead the way.

oh!! that's exciting. yes. okay!! wolf 359 is a science fiction audio drama about the isolated and questionably competent crew of a deep space research station, the u.s.s. hephaestus. the initial four characters are comms officer doug eiffel, 'everyman' pop culture guy who really, really hates his job; commander minkowski, who cares about her job and the rulebooks that come with it a little too much, and desperately wants to feel like she's keeping everything under control; dr. hilbert... eccentric? station medical officer and mad scientist whose methods and mission objectives are not entirely above board; and hera, the station's mother program, who struggles with her job and the ways she's perceived by others.

there are other characters who show up later - i would say only three of the above characters are "main" characters, while the actual fourth main character is introduced in s2 - but that requires way more context, and i don't want to get into spoilers, obviously.

wolf 359 is a character drama - it's my personal gold standard for character writing - and the brief descriptions i gave you are the most surface, surface level parts of them. the writers once said something about it, like... that they weren't interested in subverting typical sci-fi character archetypes so much as looking at them and asking "why would a real person behave that way?" and i think it really worked. whether i like them or not, they all feel like real people to me. it has great sound design and a lot of "physicality" in the performances for an audio-only show, which i think comes down to gabriel urbina's film background and the way the scripts are written and performed. (and alan rodi's incredible soundtrack and sense for music cues.) you can't see a lot of what's in the scripts, but they're acted out in a way that you can kinda feel it anyway. i love that.

here's a fan made trailer that i think captures a lot of the right energy. it's a show about a lot of things, but some of the primary themes are communication + music, and i think the collaborative nature of the show itself adds something very sincere to that. it's also about corporate and medical exploitation, resisting dehumanization, what makes us human, connection, identity and autonomy, guilt and accountability, the stories people tell themselves to justify who they are or what they feel it's necessary for them to do, and, of course, the enduring philosophical question: "what's wrong with handcuffs?"

you can check it out at the website i linked above, or anywhere you can listen to podcast feeds! it's free, but they added ads a few years ago, which i hate, so you can pay a dollar here for the ad-free feed if that'll make a big difference in your ability to enjoy it: https://www.patreon.com/Wolf359Radio

it's a sequential story, nothing you really need to know about listening order except that i recommend not skipping the mini episodes (they have important character context and are where they are in the feed for a reason) (with the exception of mission mishaps ones near the end; those are comedy bonus episodes you can listen to whenever) and that you should definitely watch the live show after ep 26 and listen to special episode change of mind between s3 and s4.

i also have a folder here of every recording script where i edited any parts that were different from the show's dialogue + added transcripts for the ones that didn't have available recording scripts, if that's something you'd find useful! i also recommend checking them out just to see what i mean about how they're written.

the first season is pretty short, so i'd say stick with it until at least episode 12/13 (two part finale) if you can - i love the first season, personally, but that's the point it really becomes serialized, and so that's where i think you can safely say if it's something that's going to capture your interest or not. ... and that's it! sorry this is kind of an essay, but i got excited about it. i hope you love the show, please keep me updated, and let me know if there's anything else!!