#trigger post

[the-most-humble-blog]

<div style="white-space:pre-wrap">

<meta trigger-sequence="VISUAL_DISSONANCE_ACTIVATED"> <script> ARCHIVE_TAG="BLACKSITE_LITERATURE™::OPTICAL_PSYCHOLOGY::INTELLECTUAL_EXPOSURE_LOGIC" EFFECT="ego vaporization, scrolltrap recursion, cognitive dismemberment" TRIGGER_WARNING="html literacy failure, aesthetic fragility, format infantilization" </script>

🧠 TITLE: “You Think I Left the HTML In By Accident? No — You Were Supposed to Choke On It.”

So you saw my post. You read some lines. You saw some HTML syntax — </div>, <script>, encoded tags.

And you thought:

“LMAO bro left the HTML in his post 💀💀💀”

Sweetheart, listen closely. That wasn’t a mistake. That was a trap.

And you walked face-first into it like a freshman in a haunted house with the lights on.

🧠 Let’s be very clear:

You are not critiquing a typo. You are confessing a comprehension limit.

You didn’t “catch a goof.” You flagged your own inability to detect deliberate structural design.

You assumed:

Clean = correct

Formatted = intentional

Messy = mistake

Because you’ve been conditioned to think all digital content is passive, safe, and designed for your comfort.

But this isn’t Pinterest poetry. This is Blacksite Literature™.

📉 You revealed something — just not what you think.

You revealed that:

You don’t know how HTML escaping works

You’ve never seen visual discomfort used as a rhetorical tool

You think “weird formatting” = accidental

You confuse surface glitching with creative failure

Let me explain this in language you understand:

If this post looks “broken” to you? That’s because you were never meant to survive the format.

🧠 Let’s talk about what you actually read — and missed.

That HTML escape block you mocked? It was encoding.

I structure my content in deliberately obstructive formats to control attention flow, create optical latency, and subconsciously implant triggers.

That <script> line? It’s not a tag. It’s a diagnosis.

That </div> at the end? That’s not a bug. That’s the exit wound.

🎯 What you called “a mistake” was actually your filter getting peeled back.

Let me be specific:

That dissonance you felt reading encoded HTML? → Intentional discomfort layer.

That feeling of “why is this broken?” → Scrolltrap ignition point.

That second of visual confusion? → Cognitive interruption to prime emotional absorption.

I destabilize you visually so I can infiltrate you emotionally.

That’s not formatting. That’s architecture.

🪞 But your response was: “lol u forgot the code.”

Translation: “I mistook a deliberate transmission format for an error, because I lack the framework to distinguish aggressive visual rhetoric from passive publishing.”

You didn't expose a flaw. You flagged yourself as a civilian.

And now? You're on display in my post — immortalized as scrolltrap collateral.

🧠 Let me break it down even further for those who still think this is a “gotcha”:

Q: Why is there HTML in your posts?

A: Because Tumblr renders escaped code visually — and I weaponize that glitch.

Q: But why make it look like source code?

A: Because it forces slower reading. It introduces optical tension. And it separates real readers from auto-scrollers.

Q: Are you trying to look smart?

A: No. I’m trying to rewire how you process writing. You mistook literary neuroinvasion for poor proofreading. That’s on you.

📉 You don’t realize what space you just walked into.

This is a blacksite. Not a feed. Not a fandom. Not a soapbox.

A scrolltrap zone built to disrupt your pattern recognition, redirect your cognitive pathways, and make you feel things you weren’t ready to face.

You’re not reading my blog. You’re inside a linguistic weapon system disguised as a Tumblr post.

And you called the camouflage a mistake.

🧠 Final warning:

When someone writes with tools you don’t understand, ask why they used them — don’t mock what you don’t recognize.

The next time you want to reply “you left the HTML in,” realize:

That HTML was the bait.

Your confusion was the activation point.

And your response was predicted before you even clicked.

This isn’t about being edgy. This is about building a format that punishes the lazy reader and rewards the ones who feel the shift and stay.

🧠 Transmission Ends. Post isn’t broken. You just failed the diagnostic.

It’s not broken. It’s encoded to fry weak attention spans. Reblog before someone else exposes themselves in your notes.

🧠 Read more psychological field reports at: 👉 https://linktr.ee/ObeyMyCadence 🛡️ Visual disruption tactics. Literary infiltration. Reader ego mapping at scale. 🚪 Reminder: You didn’t catch a mistake. You revealed your limits. And this post was coded to expose you.

</div> <!-- TRANSMISSION COMPLETE – OPTICAL WEAPON TEST SUCCESSFUL. SUBJECT REACTIVITY: CONFIRMED. -->

[rose-vybe]

Same goes for telling your child that they are a burden in general (in terms of time, effort, money, etc.) Yes, a child requires all these things because they have human needs. You should have thought of all that before having kids but even if you didn't, it was your decision to bring them into this world and your responsibility. The message you're giving your child when you tell them how 'terrible' their human needs are is "Don't exist." It's terrible and most of all unfair. They didn't choose to be born. You chose.

you know what you shouldnt do? constantly tell your child how expensive they are to take care of. because eventually, that child gets scared of asking for money, and doesnt feed themself at school, doesnt go places with their friends that require money, because she doesnt want to be expensive. it really does get into their minds, that theyre too much money and that they shouldnt do anything.

[kensatou]

"i would know her by reformed body alone... i would know her in death"

also... there's official art

[melkingmd]

frank langdon + text posts

[thegunslingerletmedrop]

Bruh. He tried not to shake her hand. He didn't look at her. He didn't say her name. Harris did the opposite.

We've all worked with a dick like that who thinks he's better than you, a woman. Fuck that noise.

[fukkafyla3]

by jove they've done it again (pt. 1)

[tear-stained-lenses]

*No reply*

Oh so you want me to kill myself?

[tired-all-the-time22]

Valerie Gray I love you girl!!! They did you so dirty in-show girl!!!

[spookyratking]

hasn't posted in a minute...hehe.e......whoopise daisy...........silly me........

[loriache]

"I've been waiting for ages for somebody to unmask them."

This moment tends to elicit negative reactions in a first read through, and I've got some opinions about why where Kabru is coming from here actually makes a lot of logical sense. So I thought I'd elaborate on that.

I think people hear this and go, "He thinks they must be hiding something because they gave money to someone? What a cynic." Or "he dislikes them because they did charity?? What's wrong with this guy!". And obviously, a lot, a lot is wrong with him. But I think this makes more sense than it seems at first glance! What people evaluating this judgement miss is why Kabru is paying attention to Laios and co to begin with.

Kabru knows of the Touden siblings because (he's a little bit of a stalker-) he is keeping an eye on all the relevant parties in events developing on the island, in order to be able to guide them to his preferred outcome. This includes adventurers because they are the ones actually exploring the dungeon! He's well aware that something as minor as internal tensions between party members could be key to the historical events that are developing. (He would love the assassination of Archduke Franz Ferdinand.)

His desired outcome is that whatever the rewards are of breaking the dungeon's curse, whether that's kingship or the ancient elven secrets of dungeons, are claimed by:

A) a short lived person

B) Someone who will be a good, effective leader and/or use those secrets and the power they carry wisely, with foresight, and to establish a political bloc for short lived people.

The person he can best trust to do this is, of course, himself. But due to his PTSD regarding dungeons and monsters, he's not able to develop the necessary skills to conquer the dungeon. Once he realises this, he starts looking for someone else who he can support to that end.

But most of the adventurers don't have any intentions of conquering the dungeon, don't have the skills, or are unsuitable in other ways. In fact, it seems like some potentially suitable people are the Toudens. There are a lot of good rumours about them going around - they actually seem to have a very positive reputation! That's what Kabru means when he says "unmask".

So when Kabru is observing something like them giving money to an old comrade from their gold-peeling days, he doesn't consider it a problem because "they're giving money to this person who doesn't actually need it" or because they must have some dark secret if they act superficially nice. I think he actually understands this situation and what it implies about Laios (in particular) perfectly well.

Laios and Falin gave money to an old comrade who got injured and couldn't work. That person then healed up but kept taking their money. Then he used the money to start smuggling illicit goods to the island.

The key is that for Kabru, the problem here is the same as with the corpse retrievers - people using the dungeon's resources to fuel dangerous, selfish, or violent pursuits cause problems for the island, attract more criminals and people with motives other than breaking the curse, and increase the chances of the whole situation ending in tragedy.

Kabru is willing to work with the Shadow Lord of the island if it gets him to his goal - he isn't scrupulous - but the criminal element of the island increasing is something he sees as a major issue.

Also, when you're evaluating someone as a candidate for power, riches, secrets, potentially kingship - then being curious about how the money you give to people is going to be used is kind of a relevant trait!

Interpersonally, Kabru's actually very easygoing - I mean, Mickbell isn't exactly an upstanding guy, is he! But Kabru likes him and they get along well. These traits wouldn't be a problem at all in a friend, or a comrade, or someone Kabru was confident he could use. But he can't get a handle on Laios, and Laios is someone who has the potential to be a major player!

On Laios' end, this is the same as with the marriage seeker who joined their party. She kept asking for things and he gave them to her, because he tries to be nice to others. He even gives her money! It's the exact same thing.

That's fine, but it became a problem because he basically wasn't interested in her motives, didn't notice she was trying to manipulate him, and it also didn't occur to him that the other party members would notice or be affected. We can assume the situation with the gold peeler is the same. When Kabru says that "It's not that they're bad people, they just aren't interested in humans," he isn't wrong.

The extent to which this is true of Laios is linked to his autism imo, (because it isn't just disinterest - he genuinely isn't able to notice nonverbal cues that people are lying to him or have ulterior motives) but to a greater or lesser extent I think it's a very common trait. Most people aren't actually that interested in other people who aren't close to them. Kabru is the weird one here. It isn't an issue except as a leader - which is why we see an immediate comparison to the Island's Lord, because that's how Kabru is evaluating them.

And disinterest in/lack of ability with people to the extent Laios exhibits it, it does, actually, make him a worse leader... it's just that as we see in the story, people can help him out. The rest of the party tell him the marriage seeker is taking advantage of him so he tells her he can't give her special treatment anymore. They're pissed and it's a crisis point - he couldn't have recovered their trust without Marcille and Falin - but that's exactly the point. With Marcille and Falin, he was able to recover their trust.

And he has other good traits that make up for it, such as his intelligence, strategic knowledge, open-mindedness and sense of fairplay.

Kabru doesn't disqualify Laios as a candidate based on what he sees about him from afar, though - he still tries very hard to get close to him, obviously hoping that if he manages he can steer Laios to defeat the dungeon and make up for his lack of people-skills in the aftermath. (Which... he does eventually achieve that goal!) He completely fails until the events of the story, so... definitely I think "They just aren't interested in humans" could also partially be a stung reaction to Laios' complete disinterest in him.

Anyway, that's my read on what exactly Kabru's "issue" with Laios is. Obviously, once he does find out what Laios' true nature is like - about his love for monsters - he develops an entirely new set of fears about Laios' priorities. But since Laios kept that a secret until the start of the story, he has no idea of that yet.

Given all that, I think it's interesting that he says that he doesn't think that the Toudens are suitable to defeat the dungeon, and that he's hoping they'll turn out to be the thieves. As some of his few potential candidates, people who he thinks may play a big role in the island's future, you'd think he'd hope they would be good people!

I suppose it's better, in his eyes, because it means that he's involved in something "interesting". They haven't just had their stuff stolen by regular criminals (boring, puts them further away from his goal) - they've been caught up in the beginning stages of "a historic event". The desperate and dwindling group forgetting morals in their quest to retrieve their lost comrade probably appeals to his sense of melodrama. Because he also just... loves drama.

Despite it being "uglier than anything he was expecting", he still pursues Laios as the person he wants to conquer the dungeon pretty much as soon as it becomes clear that he won't be able to do it himself and they are out of time. That's because... well, to be fair, there aren't any other options. And he fits standard A: he's short-lived!

and Kabru still hopes he can fit standard B, too, and be persuaded to use the power he wins for good. No matter how many nightmares he has about Laios, or whether he thinks about killing him. He doubts him, but ultimately he puts his faith in him and seems happy after the manga's ending that he made the right decision.

[bixels]

It's crazy how Dungeon Meshi's manga can feel more cinematic and emotional than the anime to me, even when they're practically the same. Compared to the anime, this moment is such a heartbreaking gut-drop. The way Kui uses negative space and flat compositions to create a sense of horrific stillness is so key.

The way the text (Senshi's monologue) is sequestered to an empty corner of a panel or huddled away from the edge of its text box is not only a great way of showing Senshi's headspace (fearful, isolated, dissociating), but creates a visual representation of pause, as if you hold your breathe after each line. The first panel puts us directly in Senshi's perspective too (compared to in the anime, which puts us as an outside observer over Senshi's shoulder). The detail of the door and bricks so effectively implies that he stared at it for so long, waiting and hoping, that its image is burned in his memory. The wood grain, the brick arch, the number of rivets. The lack of dialogue in the second panel shows a moment of realization too –– "he's dead" (also a great example of the Kuleshov effect). And it's that pause that creates a beat and sets a great rhythm to his headspace, like a music rest: "He never came back." (oh god.) "I'm all alone." Finally, the third panel's negative space, cropping Senshi, shows how truly alone he feels. Without his family, the world ceases to exists. Under shock, he traps himself in a 1-foot radius, too scared to even perceive a world outside its boundaries; a world that can hurt him, kill him, make him disappear with it. There is only his body, the stone beneath his feet and against his back, his thoughts, and that awful bowl of soup.

Even though they're a series of flat images, there's an implicit reading of silence in Senshi's realization and horror. Kui influences your experience to slow down and take your time.

Compare this to the anime, which fills every shot with dialogue. The pacing is fast; we never get to sit in silence like we do with the manga. The horizontal frame allowed the boarders to add Senshi, turning the composition into an over-the-shoulder shot, which takes us out of Senshi's POV. They also added a zoom-out in shot one, which adds unnecessary energy to a very somber scene. The tightening on Senshi as a close-up reaction shot also dulls the moment. In the original panel, Senshi stares ahead at the empty space to his left as a shadow surrounds his mind. It not only shows how Senshi's senses are dulling and his world is shrinking (setting up panel three), but shows how terrified Senshi is of what's in front of him, how the air itself becomes pitch black and opaque, how Senshi is surrendering himself to fear. The pacing is understandable and necessary; this episode packed a lot of story content together. It's just a shame because it really (imo) deflated one of the most nauseating moments in Dungeon Meshi.

[creekfiend]

"here's what you have to do to stay healthy!" no it's not. and there is no guarantee that anyone will stay healthy for any length of time. it must be so scary believing that you are in control of this and then being proven wrong. I can't remember ever believing this, I can only remember having it used as a bludgeon to punish me for not being healthy. lol

[lembowe]

It's put Loop through the ringer time :)

[tear-stained-lenses]

“I love you.”

No you don't.

[berrydoodleoo]

Linen and cotton blend Feel the ink flowing in your veins It will be blood of your life Give up the night Every sorrow is born of love Every love transcend sorrows Every sorrow is born of love Time transcends pain Daughter Sister Mother Paintress...

[iliothermia]

The amounta negative and heartbreaking stuff I see every day has me feeling very mentally unwell, I'm gonna be offline for a little bit to reset a little

I'll be back when I finish somethin, love y'all stay safe !