a-wave-of-art-blog

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Dutch street artist Max Zorn lives in Amsterdam where his artistic medium of choice is humble brown packing tape, which he uses to create awesome illustrations by layering lengths of tape on pleciglass panels and cutting it with an X-Acto knife. The more layers of tape applied, the darker that part of the image becomes. When illuminated from behind Zorn’s creations spring to life with a wonderfully cinematic feel.

Click here to watch a time-lapse video of Zorn creating one of his larger pieces.

Visit Max Zorn’s website to check out many more examples of his beautiful adhesive tape artwork.

[via WHUDAT]

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SEE MORE ON BEHANCE

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Lee Jung

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Nadia Wicker

Ursides

 www.nadiawicker.com

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Sarolta Bán

manipulation art.

http://www.interestingphotographers.com/main/en/?p=2225

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DUKNO YOON

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Robert Doisneau | Kiss by the Hotel de Ville | 1950

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By Malika Favre

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Porcelain Figurines by Martin Klimas

http://www.martin-klimas.de/de/index.html

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By Charles Clary Artist Statement

I use paper to create a world of fiction that challenges the viewer to suspend disbelief and venture into my fabricated reality. By layering paper I am able to build intriguing land formations that mimic viral colonies and concentric sound waves. These strange landmasses contaminate and infect the surfaces they inhabit transforming the space into something suitable for their gestation. Towers of paper and color jut into the viewer’s space inviting playful interactions between the viewer and this conceived world.

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Auto Aerobics by Chris LaBrooy

http://www.chrislabrooy.com/

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So this guy travels around the world with his amazing face-o-mat, making portaits of people while presenting it, like it's a machine. Check out the video to see how!

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32 by craig-alan

http://viningsgallery.com/featured-artists/craig-alan/

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11◊19◊2013

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kal gajoum

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By Ken Wong

Poor Barlowe

At that very moment, in that very last millisecond of processing, he knew what it was to love. All the wretched pain and suffering, all the boundless, euphoric joy. Barlowe had never felt a single emotion in all his thousands of years of robotic existence, and now in the moment of his destruction, that most elusive, most fragile, most human of feelings flowed through every circuit and servo and piston, and then was gone.

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