an-introverts-clubhouse

[an-introverts-clubhouse]

Ok so the thing about reading like books which are "predictable" is that I, a story enjoyer, go completely bonkers about it bc its like Enrichment in my Enclosure. A scene parallels another earlier scene between different characters thus serving to highlight the differences in their views and priorities???? A line makes me think "hmmm I bet that's gonna be relevant later" ends up being relevant later????? I am a tiger chewing ice cubes out of a pumpkin. I'm so so happy. Please foreshadow more things. Throw the completely anticipateable plot beats at me like catnip mousies!!!!!

[an-introverts-clubhouse]

not to sound like a homophobic straight dude but I think yall should just let some characters be Friends not everything has to be about romance

[an-introverts-clubhouse]

Enemies to lovers-: taken by surprise in a ball edition

A fancy ball but one party uses it gain advantage and surrounding everybody

Everyone rushing to loosen their ties and take of their jackets and tearing slits in their ball gowns and pulling out the hidden weapons that they definitely weren't supposed to bring

Bonus points if one pulls one out from behind their waistband and make eye contact with the other pulling one strapped on their thigh

Group combat when someone shoots at the ceiling to make the chandelier fall on one of them and the other runs to save them seconds before the impact,

Bonus points if it's the villainous one and they do the annoyed 'I can't believe I'm doing this' growl before running

Post Saving eye contact

When they're fighting and they perfectly matched and in sync and you can just see they'll be such a power couple.

During combat eye contact and banter

I just really like eye contact okay

When one is about to fall back during combat and their opponent grabs their wrist and/or their teammate comes up behind them to catch them.

Please follow and reblog

[an-introverts-clubhouse]

Prompt #393

There was a clanging in her cellar. Something was down there. She had to go see what it was.

“Please don’t be rats. Please don’t be rats,” she whispered to herself as she took each step gingerly, barely able to see anything in the weak glow of her torch.

“Don’t worry,” a voice in the darkness spoke up. “It’s not rats.”

[an-introverts-clubhouse]

If u want to write a story about a character that's just you but hotter with a dark twisted backstory and magical powers and a pet falcon or something, I think u should just go ahead and do that. Who's gonna stop you? The government?? Fuck the police.

[an-introverts-clubhouse]

Insult names to use instead of "idiot,"

None of these are actually meant to be hateful, if any of these have truely offensive meanings (such as the r word) that I was unaware of, please tell me so I can remove it! Tried to avoid cursing, but it contains some!

Jerk

Ass-hat

Dumb-dumb

Dummy

Doofus

Dork

Stupid

Moron

Fool

Nincompoop

Oaf

Ninny

Blockhead

Dunce

Imbecile

Jack-ass

Dope

Nit-wit

Numbskull

Simpleton

Twit

Birdbrain

Bonehead

Buffoon

Dullard

Half-wit

Knucklehead

Ignoramus

Dingbat

Dumbbell

Loser

Addlepate

Muttonhead

Cretin

Goon

Pea Brain

Dull Pencil

Mole Rat

Turd

[an-introverts-clubhouse]

Fleshing out that vague idea

YOU HAVE A PLOT. Well, okay, you have a character. Or maybe just this one cool image. Problem is, that’s all it is, and it’s hard to write an entire novel on a month with just a vague idea.

Now, you might say, “but I’ve worked on my character for so long they’re a wizard/vampire/space pirate rolled into one, how can I possibly fit that into a plot,” and I say to that, weirder books have been published, you’ll be fine. Our main goal is to figure out how to get that sweet space vampire fighting bisexual cyborg into a book you can write in thirty days. Though that seems challenging, never fear, for we are going to give you a working framework with which to move forward with. It goes like this:

A [character type] has [a problem], and [tries to fix it]. However, [plot twist/inciting event] happens, and [deadly complication ensues].

Yes, we are talking about loglines. Don’t groan, I know these are hard. Our goal is simply to end up with a starting point. It doesn’t have to be pretty, or succinct. We are merely trying to find a starting point, so let’s tackle each one by one:

A Character: Your characters are complex individuals, but we’re going to distill them to their most distinctive, plot important aspects. A sixteen-year-old wizard. A trans lady dragonrider. A lonely accountant, etc. Since we’re not trying to sell anything, we can expand a bit and give into cliches. “A eighteen-year-old werewolf with a chip on his shoulder.” “A trans dude with a terrible crush on his married landlady.” “A lonely accountant into the sanguinarian scene.” Etc. Have fun with it.

A Problem: We’ve got two main types, external and internal. External will be the outward issue being dealt with - solving a murder, finding a girlfriend, stopping an asteroid from destroying the moon, etc.An internal problem will be the driving force of the character - needing to fix a broken relationship, facing a fatal flaw, confronting an addiction, etc. Both will be important to driving your plot, so consider how connected they’ll be both in tackling the plot and complicating it.

An Inciting Event: No way back, this it what thrusts your character forward. The discovery that their mother was a werewolf. The loss of an important necklace. Realizing you’re a magical girl in a world where magical girls are evil, etc. You are going to ruin your character’s life, so I advise doing it as gleefully as possible.

A Complication: We’ve got the basics of our plot, now we have to figure out how to keep it moving. Your protagonist’s mother was murdered for being a werewolf, and now they’re after your character too too. The necklace was more than important, the mob desperately wants it back and knows your character was the last person who had it. Your sixteen-year-old wizard has cast a spell to raise the dead, and now the Wizard Council is out to kill her to stop it.

You now have the beginnings of a plot and where it’ll take you. There’s going to be more complications to carry you through to the finish line, and good god don’t stop writing them down if you’re on a roll, but this should at least get you out the gate. Good luck!

[an-introverts-clubhouse]

Hello, sorry if you've gotten this question before but do you have any tips for writing a scene in which a character gets drunk? Since I can't drink, I feel that my scenes sound like a teenager wrote them. Are there any behaviors/dialogue quirks to avoid so it doesn't sound inauthentic?

How to Write A Drunk Character (For People Who Can't/Prefer Not To Drink)

Drinking is a social activity that a lot of people love to partake in, and although drinking is often associated with rambunctious behavior now a days, "sharing a drink" with your friends is one of the oldest forms of companionship in history.

Having your characters get drunk together can not only be a spot of humor in an otherwise serious story, but also can be a way to build relationships and bond; after all, when they're drunk there is an element of trust they need to have in the people around them, in order to make sure they'll look out for them/won't do anything bad while they're in an incapacitated state.

However, if you haven't experienced it yourself--for whatever reason--it may be difficult to write how a character acts when they've had a bit too much to drink.

Here are some general tips on how to write a drunk character.

1. How much does it take?

One thing that is a dead giveaway that an author has never drank or gotten drunk is when a character starts to feel the effects of alcohol after one sip. For most people, that doesn't happen.

How fast a character gets drunk depends on a few factors:

Size (height, weight)

If they're used to drinking a lot

The type of drink being consumed

How fast they drink in a short period

If they've eaten recently

A character who is 6'5" and 250lbs who drinks like a horse every night is going to get drunk a lot slower than a 4'11" character who's 100lbs soaking wet and has never touched an alcoholic beverage before.

If someone gets drunk easily, they're called a "lightweight," however, someone can shed their lightweight status with practice (i.e. drinking regularly). The faster they drink, the drunker they'll get, and if they're on an empty stomach, it'll hit them a lot harder.

You also have to be aware of the kind of drink they’re consuming, and the alcohol percentage of each one; the higher the percentage, the faster it’ll get them drunk. Here are some percentages of Alcohol By Volume according to Sunrise House Treatment Center.

Vodka | ABV: 40-95%

Tequila | ABV: 50-51%

Gin | ABV: 36-50%

Rum | ABV: 36-50%

Whiskey | ABV: 36-50%

Fortified Wine | ABV: 16-24%

Unfortified Wine | ABV: 14-16%

Liqueurs | ABV: 15%

Malt Beverage | ABV: 15%

Beer | ABV: 4-8%

As you can see, liquors (which are grain-based alcohols), are some of the heaviest hitters here. They're usually taken as shots (vodka, whiskey, and tequila especially), which is also a reason why they're the main perpetrators of drunkenness; not only are they strong, but they're also taken quickly.

If your character isn't a fan of shots, they can cut their drink with something else to create a mixer, such as lemonade, seltzer, or even water.

Note: The only TRUE way for your character to sober up is with time. Cold showers and other remedies may help the side effects, but the levels in their blood will not wane until it fully goes through their system.

2. How Does It Feel?

There are a few stages to drunkenness that fluctuate throughout the night as your character is drinking.

Stage 1: Sober

Your character has had nothing or only a little to drink. They are still sharp, alert, and acting normally.

Stage 2: Tipsy

Tipsy characters are still alert and can hold conversation, basically sober people but a bit "looser." They may have had a glass of wine/a shot or two and are now starting to feel the effects of the alcohol in their system.

Tipsy is the tip of the iceberg, and here are some characteristics of being tipsy that many people exhibit while they're drinking:

More talkative, conversation comes easier

Cognitive thought processes are slowed

Shorter attention span/easier to space out

Decision-making skills are less refined (more likely to take risks, "voice of reason" is quieter)

Short-term memory is poorer

Walking may come with a some difficulty, as there's a slight head rush and bodily orientation is a little thrown off (kind of like the full-body version of "you're now blinking manually"), but there isn't usually a high risk of falling or stumbling.

Overall, a tipsy person could hold their all in a public setting, albeit with some struggle.

Stage 3: Drunk

Once your characters have teetered off the ledge of "tipsy" and into "drunk," there come some changes to their demeanor. For some, their entire personality changes when they're drunk (which will be discussed later).

On top of this, many people exhibit bodily changes such as:

Drowsiness

Loss of coordination/balance issues

Blurry/tunneled/unfocused vision

Struggle to make proper judgements

Attention deficit, struggling to focus

Struggle to remember things, and not just short-term

Mood swings; many drunk folks are easily excited or saddened, and can be set off at the smallest things.

Needing to pee (A first pee of the night is called "breaking the seal," as once your character breaks the seal, they will have to consistently pee after that)

Stumbling, unable to walk in a straight line.

Drunk characters can still act independently but should be accompanied by friends to make sure they don't do anything stupid. Drunkenness is sometimes described as puppeteering your body from the outside. Things slip and slide through your thoughts, unable to grab a hold and process one, and this can be exacerbated by flashing lights and loud music.

You still think, sure, but it's not cohesive or comprehensive. Your characters' thoughts will be more stimuli-driven than reason/contemplation-driven. This is why a drunk character cannot be trusted to make concrete decisions.

Stage 4: Blackout

If a character is blackout drunk, that means they've really surpassed their limit. Most of the time, blackout drunk people cannot function on their own, and must need assistance from their sober friends or their less-drunk companions.

The reason blackout drunk is called that is primarily because a character will not remember what happened the next day. In the moment they are thinking and talking (albeit in a limited scope), but when they finally sober up they will have no recollection of what they did or said.

Some symptoms of being blackout drunk include:

Confusion. A character may not know where they are or who they're with.

Exhaustion, at a high risk of passing out.

Needing assistance to stand or walk, or walking with severe staggering.

Horrible short and long-term memory

Slurred speech (although you may want to avoid writing out people slurring their words and instead use "s/he slurred" or some other indicator to make sure it's legible)

Vomiting

A blackout drunk character may put themselves in risky situations without knowing it, which is why they should be under supervision to make sure that nothing bad happens.

Stage 5: Hangover

Some people are blessed with no hangovers, but unfortunately the older your characters are, the more likely they are to get them. A hangover can really ruin your character's day-after, especially if they blacked out, although some pain relievers from over the counter should be able to help them out slightly.

Possible symptoms of a hangover from Mayoclinic.org:

Fatigue and weakness

Excessive thirst and dry mouth

Headaches and muscle aches

Nausea, vomiting or stomach pain

Poor or decreased sleep

Increased sensitivity to light and sound

Dizziness or a sense of the room spinning

Shakiness

Decreased ability to concentrate

Mood disturbances, such as depression, anxiety and irritability

Rapid heartbeat

Good luck to your character, because depending on how much they drank, it's gonna be a rough one.

3. How Do They Act?

Many people drink during parties in part to change their personality, especially if they tend to be shy while they're sober. While drunk, your character may have more fun than they would if they hadn't had anything, or may consider "lame" things exciting and interesting.

According to the University of Missouri's study of 374 undergraduates, there are four types of drunk personalities:

1. The Mary Poppins

These people are friendly when sober and remain friendly when they get drunk, perhaps getting even more affectionate and lovey. They won't really stir up any trouble and are usually quite amicable, albeit they have lowered inhibitions and decision-making skills.

2. The Hemingway

These people don't change too much when they're drunk. Their levels of intellect and self-discipline shift less than they do for others. Although they may feel the same effects, they may not outwardly show it as much as others do.

3. The Nutty Professor

These people are introverted when sober and extroverted when drunk. Shy, quiet people transform into the kings and queens of the dance floor or the most sociable partygoers you've ever met. They lose all inhibitions and tend to be loud and outgoing in a way that they most definitely weren't when they were sober.

4. The Mr. Hyde

These drunks are more commonly known as "angry drunks." While they're drunk, these people show significant decreases in agreeableness, intellect, and carefulness when they're under the influence. They're typically less responsible, less intellectual, and more hostile when drunk than when they're sober, and are the most likely to stir up trouble.

Hope this helped, and happy writing!

[an-introverts-clubhouse]

Narrative Botox: Filler Words and Phrases to Look Out For

If you’re planning on publishing traditionally, chances are you keep a sharp eye on your word count. Literary agents and publishing houses are on the hunt for the best quality stories that they can print for the cheapest price (using the least paper and ink), so you have a higher chance of gaining representation if you can crank your novel out in the least words possible.

However, filler words and phrases aren’t only the enemies of aspiring traditional authors; every writer—fanfic, novelist, journalist, you name it!—should try to eliminate filler from their stories to assure more concise and high-quality writing. Oftentimes, filler contributes nothing but clutter, and without it, your narrative can flow smoother and in a more sophisticated manner.

But how do you know what’s filler and what’s not? Here are some tips on how to Ctrl+F and kick this narrative botox to the curb!

I compiled these lists with the help of Infusionmedia, BDR Publishing, and ResetEra !

Filler Words

1. Just

A writer’s worst enemy, and the bane of my manuscripts’ existences. Eliminating all the ‘just’s can cut down your word count by hundreds.

2. “That” as a conjunction

It’s an unnecessary addition to a sentence, which will be more streamlined without it.

Example: “He said that he wouldn’t do it again.”

Revised: “He said he wouldn’t do it again.”

3. “Now” as an adverb

“Now” is essential if you’re talking about the past and present, but when you’re using it to draw attention to a particular statement or point.

Example: “Now, I didn’t think it’d get so out of hand.”

Revised: “I didn’t think it’d get so out of hand.”

4. Redundant adverbs

These adverbs serve no purpose because the verbs they’re describing already imply the way the action is performed.

Whispering softly

Yelling loudly

Crying sadly

Laughing happily

5. “Telling” words

These words are redundant, especially when using first person, because in describing an event, we can already assume that the characters are experiencing it.

Seeing/saw

Feeling/felt

Hearing/heard

Smelling/smelled

6. “Clarifying” words used to portray definiteness or indefiniteness

Although these are meant to help out the readers get their bearings on a situation, all they do is come across as wishy-washy! Be concise and sure of yourself!

About

Absolutely

Accordingly

Actually

Almost

Basically

Certainly

Clearly

Completely

Entirely

Even

Exactly

Fairly

Highly

Hopefully

Literally

Maybe

Only

Often

Oftentimes

Perhaps

Possibly

Probably

Quite

Rather

Really

Reasonably

Relatively

Seem

Seriously

Simply

Slightly

Some

Somehow

Sometimes

Totally

Very

Filler Phrases

1.“Let out (vocal noise)”

Use the verb instead!

Example: “He let out a sigh.”

Revised: “He sighed.”

2. Using passive voice

Passive voice inflates your word count by including various “to be” verbs into the prose. Passive voice involves actions happening to a subject rather than the subject performing an action, and as a result isn’t as riveting to the reader as active voice; even if it wasn’t a matter of word count, you’d still want to get rid of it anyway!

Still don’t know what I’m talking about? Check out this article from Grammarly.

Example: “The boy was bitten by the dog on his arm.”

Revised: “The dog bit the boy on his arm.”

3. Describing the wrong noun

Many writers will be as specific as possible about what “thing” is affected by the event they’re describing, when it’s much simpler to take a step back and write about something more general.

Example: “The level of water rose.”

Revised: “The water rose.”

4. Phrasal verbs

Phrasal verbs are the combination of two or three words from different grammatical categories—a verb and an adverb or a preposition—to form a single action. Usually, these phrasal verbs can be replaced by a single-word verb.

“Ask for” can be replaced with “request”

“Bring down” can be replaced with “reduce”

“Come across” can be replaced with “find”

Etc.

5. Clarifying phrases

Same reason as clarifying words. Get to the point!

A bit

A little

A lot

In a sense

Kind of

Sort of

6. Remember your contractions!

Even if your story takes place in olden times, I can guarantee that if you never use any contractions ever, your story’s gonna be a clunky mess. But sometimes you’re in the moment, consumed by the poetic power of the muses, and forget that this isn’t a soap opera; so make sure you check that you’ve been using your contractions!

It is, it was, it would, she is, would not, should not, is not, does not etc.

7. Inflated phrases

These phrases can be replaced with more concise words.

Along the lines of (shorten to: like)

As a matter of fact (in fact)

As to whether (whether)

At all times (always)

At the present (now or currently)

At this point in time (now or currently)

Be able to/would(n’t) be able to (could or couldn’t)

Because of the fact that (because)

By means of (by)

Due to the fact that (because)

Even though (though or although)

For the purpose of (for)

For the reason that (because)

Have the ability to (could)

In light of the fact that (because)

In order to (to)

In regards to (on or about)

In spite of the fact that (though or although)

In the event that (if)

In the nature of (like)

In the neighborhood of (about)

On the occasion of (when)

On one/two separate occasions (Once/twice)

The/A majority of (most)

There is no doubt that (No doubt)

Wasn(n’t) capable of (could or couldn’t)

Hope this helped, and happy writing!

[an-introverts-clubhouse]

A lit of people think that worldbuilding exists solely to make epic, sweeping fantasy worlds to quest across, but it can create smaller, softer, mundane worlds to inhabit too.

You can worldbuild a small village. You can worldbuild a bookshop. You can worldbuild a jail cell, or a wishing well, or a single-parent household.

Not every story wants a grand scope.

[an-introverts-clubhouse]

Two-part Drabble Game

I decided to make another two-part drabble game because the last one was a lot of fun to make and write.

Pick a character, a situation, and a sentence, and I’ll make a drabble out of it.

Situations:

1 - Roommates AU 2 - Stuck indoors on a rainy day 3 - The aftermath of a bad fight 4 - At a bar 5 - Home after the hospital 6 - In bed at 2am, blissfully drowsy 7 - The anniversary of something 8 - After working for six hours straight 9 - Settling in for a cozy night together 10 - After a near-death experience 11 - Soulmates AU 12 - Finally home after a hard day 13 - Someone does something stupid 14 - Stuck together for a long period of time 15 - Someone is jealous/hurt 16 - After their first date 17 - One is recovering from a wound/illness 18 - Someone’s birthday 19 - Comforting the other 20 - Both are drunk and happy 21 - Spending a holiday together 22 - Jealous 23 - Miserable/in a bad mood 24 - Right before a passionate/first kiss 25 - Being somewhere you’re not supposed to be 26 - A very cheesy date 27 - Seeing each other for the first time in a while 28 - Love confession 29 - Breaking up 30 - One person is scolding the other 31 - Lost in the middle of nowhere 32 - Date night gone wrong

Sentences:

1 - “You didn’t have to scare me like that.” 2 - “I just want to let you know that I love you. A lot. Never forget that.” 3 - “I can’t believe you, sometimes.” 4 - “A cup of coffee would be nice.” 5 - “You’re one of the most important things in my life.” 6 - “Do I love you? Yes. Do I like you? That’s still up for debate.” 7 - “You didn’t have to do this, you know.” 8 - “You’re lucky you’re cute, because your taste in music is awful.” 9 - “I wish I never met you.” 10 - “No, I love you too much to let you walk away like this.” 11 - “Need some help?” 12 - “If you’re so bored, I have other ideas on how to pass the time…” 13 - “Tell me what you’re thinking right now.” 14 - “Well geez, if you don’t like what I’m wearing, I can go and change.” 15 - “If you think I don’t feel anything for you, then you’re more stupid than I thought.” 16 - “There’s nothing to be scared of, okay? I’m right here.” 17 - “I like spending time with you.” 18 - “I promise I’ll always be there for you. No matter what. You’re not alone anymore.” 19 - “What? No, I never said that…” 20 - “Don’t tell me what to do.” 21 - “They’re wrong about you.” 22 - “I can make you some tea or something? Read you a story. Lie down in bed.” 23 - “Hey, at least the stars are beautiful tonight, right?” 24 - “I never want you to feel like you’re not good enough.” 25 - “You don’t have to do that. Really.” 26 - “We should go out more often. You’ve been so busy lately. It’s like we never have fun anymore.” 27 - “Sorry. You’re just…really adorable.” 28 - “If I kissed you right now, what would you do?” 29 - “You’re not nearly as smart as you think you are.” 30 - “You smell nice.” 31 - “I won’t let anyone hurt you.” 32 - “As long as you’re happy, I’m happy.” 33 - “It’s too hot.” 34 - “It’s 2am. Go back to sleep.” 35 - “You wanna bet?” 36 - “It’s okay. We’ll figure it out.” 37 - “You’re stuck with me, like it or not.” 38 - “You just feel really good. Soft and warm…” 39 - “I don’t want to leave you just yet. It wouldn’t feel right.” 40 - “It’s just hard for me to forgive you after everything that’s happened.”

[an-introverts-clubhouse]

Goob Squad Tropes and Things

Fake dating

One doesn’t realize they’re dating

Kiss to hide from someone

And they were roommates!

Mutual pining

There was only one bed

There were two beds :(

Feral person A only calms down for person B

Calm person B only goes feral for person A

Only soft for you

No-one touch me except you

Yelling first kiss/love confession

Hanahaki disease 

Soulmates

Reincarnation

Trapped in an elevator

Cuddling for warmth

Truth potion

Accidental love confession

Drunk confession

Bad flirting/clumsy in front of crush

Sick fic

Can’t think, you’re too hot

Didn’t know I liked you until I got jealous

Don’t notice other likes them until 3rd person points it out

Saw you be soft with a baby or animal and now “Oh, no”

Fall in love because they’re good with your kid(s)

Shared enemy

Enemies to lovers

We used to date but broke up, I realized it was a mistake to let you go

Loved you when we were young but said nothing because I thought you couldn’t love me back

Childhood sweetheart/crushes

Childhood best friends - when did they get hot?

Person A translates person B’s emotional constipation

Domestic bliss - doing different things but sharing space

Masquerade 

Someone looks after the one that looks hard

Secretly soft & needing cuddles

We kissed while drunk but I but don’t know if you remember

“Oops, I’m sorry… but maybe…?”

“Tripped” and fell in your life

Meant to kiss you on the cheek, but you moved and we kissed

Coffee shop AU

Bartender AU

Everyone thinks we’re dating, but…

Hurt/comfort

Whump

Kiss me for inspiration/this video/a play/to make someone jealous

Time travel

Alternate dimension

True love’s kiss to break the curse

-

Made with @thecomfortofoldstorries @jaskierswolf @geraltrogerericduhautebellegarde @hailhailsatan @elliestormfound @fontegagrilledcheese @bounce-a-coin-off-your-witcher @veritasrose probably, I don’t remember who all was present at the time…

[an-introverts-clubhouse]

50 cliché tropes and prompts

It’s my first prompt list! Thank you to my followers for helping. Credit not needed but please don’t repost. Feel free to link back to the list! These may be cliche but I love them.

There’s people chasing us and I pulled you into the alley with me and wow you’re close

Your shirt/jumper was in the laundry pile and I couldn’t help but steal it

I’m dying and I’m confessing my love for you

Kissing in the rain and getting soaked before running inside laughing

Playing with their hair while their head’s in your lap.

Jolting awake after a nightmare and being comforted

“Good morning, beautiful/handsome”

Hands brushing unexpectedly

There’s only one bed and we sleep as far away as possible from each other but wake up cuddling

You confessed your feelings and we’re about to kiss but we get interrupted

Secret relationship

We dated in high school but then you moved away but now you’re back in town

Both going to grab the same thing and touching hands, then making eye contact.

We’re roommates but we’re falling for each other

Drunkenly confessing feelings

I need a date for this wedding

“I think I’m in love with you.”

Fake dating AU

Blurting out a confession of love

You’re in a coma and I confess all my feelings only for you to wake up

Blind date set up by friends

You’re my new bodyguard and you’re cute.

“Just tell why you did it!” “Because I’m in love with you, okay!”

You’re my ex but I think I still have feelings for you

Wrapping arms around them when they make breakfast

Cuddling in comfortable silence before murmuring “I love you”

Help me I’m being hit on at a bar please be my fake boyfriend for a second

We literally ran into each other

You’re leaving for something dangerous and I can’t help but kiss you

Painting the house that ends in a paint fight and giggles

“You’ve got something on your lip, here let me.”

A soft smile before leaning in for a kiss

Everyone thinks I should stay away from you because you’re dangerous

Spin the bottle

“Do you trust me?”

Friends with benefits and both people catching feelings.

We’re dating and I didn’t know you were a mobster/biker

Everyone thinks we’re already dating, but we’re just best friends- oh wait

Having a bad day and the other noticing

“You saved my life.”

Overhearing they have feelings for you

I’m going to save you from the terrible date you’re having

Taking care of the other when sick or injured

I’m your new neighbour and I got locked out, help!

You took a bullet for me

Argument leading to kissing/sex

“I’ve been in love with you for years.”

I called you at 2am because I need you

You caught me doing something dangerous and flipped out 

I’m scared but won’t admit it so you take my hand 

[an-introverts-clubhouse]

Suspense, Horror and Mystery Genre Differences Infographic

[an-introverts-clubhouse]

Villain sends Hero memes on their day off. Anytime Villain sees Hero the first thing out of their mouth is “What did you think of the last thing I sent you? Funny right?”

Examples of these memes can be found above. 

[an-introverts-clubhouse]

Supervillain: So Villain do you agree to my plan to kill the Hero?

Villain: Of course I’ll kill them! I’ve been waiting for this moment since they showed their stupid face around here.

Also Villain Running To Hero In The Middle Of The Night To Warn Them Their Life Is In Danger Because They’re Secretly In Love With Them: Okay so if you leave town between 4-5 AM you can avoid Supervillain and their sidekicks. I’ve already gotten you a fake passport and made you two false ID’s. Once you get out safe get a burner phone and text me- 

[an-introverts-clubhouse]

Title Prompts :)

"Bloodline of the - -"

"Emily and the Garden Pea"

"The Hills of Blythesdale"

"Their Imperfections"

"Calling on Fiona"

"Dinner During the Apocalypse"

"Blood's Worth"

"A Study of Roses"

"Car Drives and Karma"

"Falling Hazard"