#writing inspiration

[writing-prompt-s]

Write a horror story in the format of an Internet search history

[writingwithfolklore]

Writing a Story from Start to Finish - Guide

                I see you guys in the tags and reblogs talking a lot about how you have a desire to write, but have no clue what to write about, or where to even start figuring that out. While starting any project can be incredibly daunting, I wanted to put together a little guide to hopefully make it a bit more accessible. Be warned, this will probably be a long post.

Step 1: Form an idea

All writing begins with this: an idea. Ideas can start as small as an object, or as big as a world or cast of characters. What’s important is that your idea genuinely interests you, and makes you want to explore it more.

                There are a million ways to gain inspiration for ideas, but my favourite method is a sort of brainstorm/mind map of all the little and big things you find interesting. Any tropes, characters, places, concepts, objects, animals, other stories, etc. you love—write them down. Then, start connecting the pieces. Each connection is one concept or idea you could explore further.

                If this doesn’t work for you, try using some writing prompts or check out 15 ways to spark new ideas.

                If you are a planner, proceed to Step 2. If you are a pantser, skip to step 7.

Step 2: Create your Protagonist

Now that you have a sort of concept or inspiration to work off of, you need your main character. There are about as many ways to create characters as there are characters themselves, and each method is going to work better or worse for every writer.

                At the barest minimum, all your protagonist needs is a Goal to work towards, a Reason for wanting it, and a Flaw that keeps them from having it right away.

                These three things can form a baseline character. Consider what the thing they want, why they want it, and what’s keeping from it says about them as a person.

                Rapunzel (from Disney’s Tangled) wants to see the ‘floating lights’ on her birthday. She wants to because she believes she will learn more about herself through seeing them. Her fear over disappointing and disobeying her ‘mother’ keeps her from it.

                My favourite character creation technique is actually Here—it takes you through creating character in order to create story.

                If that one doesn’t work for you, try this one. It is more focused on defining traits and figuring out the personality of the character first.

Step 3: Your Plot is your Protagonist’s Arc

As stated in the character creation technique I shared in Step 2, character is plot. By that I mean, the character’s journey is the plot of the story. We’re here to see the protagonist transform because of the circumstances incited in the beginning.

                So to form a plot, we need to know who the character is at the beginning, and what they need to learn by the end.

                Your character’s arc is A but B so C:

                A – your character and their flaw

                B – The conflict they go through

                C – how they change

“Obsessed with success, Jenny Beech works tirelessly to earn the approval of her strict parents and graduate top of her class, but when the new girl in town pulls her into a whole new world of excitement and fun, she must stand up for herself against her impossible standards and learn how to be a teen again.”

                This one sentence has everything we need to know about this story and character: “Obsessed with success (character trait/flaw), Jenny Beech works tirelessly to earn the approval of her strict parents and graduate top of her class (goal), but when the new girl in town pulls her into a new world of excitement and fun (conflict), she must stand up for herself against her impossible standards and learn how to be a teen again (change).”

                If you have these three things, congratulations! You already have a story. If you’d like, you may begin writing it now (skip to step 8). Or…

Step 4: Theme

                I did a whole post on theme you should check out here. Essentially, the big takeaway is that your theme is a lesson to impart to the readers—which means it is not a question, it is an answer.

                For the example given above, our theme would likely be something like, “Teens need to balance their additional responsibilities as they mature into young adults with the joy of being young and having fun.” Or, “Friends and a close social network is more important than having the best grades.” Or, “It’s important to take frequent time away from work in order to maintain one’s humanity.” Etc. Etc.

                Theme is conveyed through what your characters need to do to succeed (or what they do that causes their failure). If Jenny lets loose and suffers consequences for it in the end, we’re saying that she should have stuck to her studies rather than letting herself have fun. If she lets loose and is rewarded with a greater relationship with herself and her parents, we’re saying that was the correct thing to do.

Step 5: Outlining

                Now that we have a plot and a theme, we can outline our story. An outline is like a roadmap of what you’re writing. It can be as specific or broad as you want. My outlines tend to follow this structure, and I improvise the little stuff in between, but if you need to get all your ideas within your outline, that’s good too!

                Just make sure your notes make sense to you so when you need to know where to go next, you have a handy tool just for that.

Step 6: Worldbuilding

                Worldbuilding is probably where you’ll spend the most time because there’s just so much. However, I also find it one of the most fun parts. The minimal thing you need to know is your world’s normal, and how that normal is disrupted in the inciting incident.

                Jenny’s normal is school work and trying to impress her parents. The disruption is the new girl in town.

                Rapunzel’s normal is the tower and her hobbies. The disruption is Flynn breaking in.

                I did a more in-depth post on worldbuilding here, but the basics is just ask questions, explore consequences, and do plenty of research.

                Which brings us to…

Step 7: Research

                This can also be done after your first draft, but can’t be skipped entirely. It’s important when trying to convey experiences that may not be wholly your own, or unique perspectives, that you understand the context behind those things in the real world.

                Once again, ask questions, talk to people, and remain open to what you find.

Step 8: We can start writing now

                Now that you have all your planning ducks in a row (or have a good inspiration to jump from) it’s time to start writing! Either go from the outline you built, or just try out scenes. I have some tips for actually writing the dang thing that I’ll put here:

                Let me know how your writing goes, good luck!

[celestialwrites]

ˏˋ°•*⁀➷ fluffy romance dialogue prompts

@celestialwrites for more!

♡ “well you are cute, ah! i mean- you’re not cute, but you are? i’m just going to shut up now.”

♡ “um, uh-” “shut up and kiss me you big idiot.”

♡ “i hate you.” “you love me, don’t even try to hide it.”

♡ “you’re so cheesy.” “you love it though.”

♡ “i suck at telling people my feelings and all that sappy crap, but i like you, okay?”

♡ “(name) is half of me, i can’t imagine a day without them.”

♡ “stop flirting with me.” “sorry darling, i can’t, watching you get flustered is the highlight of my day.”

♡ “the second that grin spreads across their face, i fall in love with them all over again.”

♡ “you stole my heart the second you offered me that burnt pancake.”

♡ “in the words of taylor swift: you belong with me.”

♡ “(name) wrote me a letter for every single day we were apart.”

♡ “you’re my favourite.” “favourite what?” “everything.”

♡ “if you want to burn down a house or commit any crimes, darling, i’m right there with you.”

♡ “remember you love me?” “oh my god, what did you do?” “it’s a dog! i named it sparkles.”

REBLOG TO SUPPORT YOUR LOCAL WRITERS <3

[quotelr]

It is not our differences that divide us. It is our inability to recognize, accept, and celebrate those differences.

Audre Lorde

[thepersonalwords]

I put my heart and soul into my work, and I have lost my mind in the process.

Vincent Van Gogh

[daily-prompts]

prompt 2243

Write a piece of dialogue in which one character is clearly lying. The other character knows it and continues the conversation anyway, without confronting the person at least for a while. What happens?

[writing-prompt-s]

An FBI Agent goes undercover in a cult only to realise that all the members are undercover agents from different branches

[toughts-catolog]

Hayat bu, her şey olabilir. Bir insanın "asla"sı hayatı olabilir, "kesin"i hayâli kalabilir...

[novlr]

Hey! I'm a non native English speaker and i find it very hard to use wide variety of vocabulary in my writing. Any tips??

Just as a painter needs a rich palette of colours to make their art, writers need a diverse vocabulary to craft deep and engaging story worlds.

Your vocabulary as a writer is much like a paint box, with each word adding depth, contrast, and colour to your creation. So what techniques can you use to improve your vocabulary and give yourself more linguistic colours to choose from?

Read a lot

Reading is the best way to improve your vocabulary. It’s immersive, enjoyable, and will introduce you to more varied words. Make it a habit to read often, and try to read widely. Don’t limit yourself to one genre, age range, or style. Whether fiction, non-fiction, articles, or instruction manuals, reading as widely as you can opens your mind to words and styles you might never encounter naturally in your day-to-day life.

Write a lot

Write as often as you can. The more you write, the more often you’ll find yourself reaching for varying words and phrases to accurately convey your thoughts. Every written piece is an opportunity to experiment with new words. As with anything, practice is crucial—regular writing will naturally enhance your vocabulary and make your word usage more instinctive and fluid.

Use a thesaurus

A thesaurus introduces you to a variety of synonyms for the words you’re using and can help you express your thoughts with a bit more flair. However, using a thesaurus does come with a caveat: avoid using complex words just for the sake of appearing more sophisticated. Always choose words that best fit the context and effectively convey what you’re trying to say.

Join a writing group

Beyond being a place to talk about words, writing groups let you test your understanding of words in real time. Writing groups provide valuable insight into whether your word choices effectively convey your intended meaning. Seeing how other writers use their own vocabularies to share their own meanings is a great way to see how word choice can make your writing richer and more nuanced

Play word games

Playing word games is not only fun but is also an effective way to expand your vocabulary. For instance, games like Scrabble challenge you to form varying words from a set of letters, crossword puzzles can improve your understanding and recall of words, and games like Boggle can stimulate quick thinking around word formation.

Keep a word journal

Every time you encounter a new and intriguing word, whether through reading, conversation, or even during a TV show, jot it down in your word journal. Follow it up by researching its meaning, synonyms, and usage in sentences. Revisit these entries frequently, and try to incorporate these words into your writing somehow, even if it’s only during practice sessions. Over time, you’ll notice these new words naturally creeping into your vocabulary.

Sometimes simple is best

While having a broad vocabulary is an asset for any writer, it’s also important to remember that effective communication is what it’s all about, and sometimes, simpler words serve this purpose best. Not every situation calls for intricate or sophisticated language; in fact, often, using simpler, more direct language can make your message clearer and more accessible to a wider audience. More important than a wide vocabulary is an understanding of your readers and the message you want to convey in your text.

[quotelr]

I am always doing what I cannot do yet, in order to learn how to do it.

Vincent Van Gogh

[thepersonalwords]

Even the genius ask questions.

Tupac Shakur

[daily-prompts]

I need everyone’s best character advice. STAT.

[writing-prompt-s]

You angered a witch, and in retaliation, she transformed you into an unmovable tree in a public park. Months later, she returns with the sinister hope of reveling in your suffering, only to find that you are not only surviving but thriving and happier than ever before.

[em-dash-press]

How Authors Write Fictional Wars

Some of our favorite novels include wars. They might stretch over a trilogy or build within a single book. Writing one might seem staggering, but it just takes a different planning approach. Use these tips to write a fictional war for your next story and make your readers feel like it really happened.

Foundational Factors to Consider

1. Your Opposing Sides

Wars always have at least two opposing sides. Start there and develop them before deciding if you need a third or fourth side involved. Cover details like:

What does each side want?

What would each side settle for?

What is each side’s worst-case scenario?

What is each side’s hard no? (What wouldn’t they sacrifice or do to win their cause?)

2. Who Supports the Opposing Sides and Why

As a war progresses, each side loses resources. They start running out of money, soldiers, and whatever public support they had when they started the war due to citizens losing their loved ones or sacrificing for the cause.

Your protagonist and antagonist will need to ask for help eventually. Who would support them and why?

There are numerous reasons why someone might pick one side of a war over another. Politics and economics are often the first things leaders consider. The morality behind each side is another factor.

Consider the American Revolution. Many historians believe America would have lost without France sending money, troops, food, and supplies. Why would France support a budding nation over Great Britain? People argue it was because the French:

Wanted to humiliate the British king

Wanted to hurt their British military rival by partnering with America

Wanted to weaken the British kingdom by ending the colonial taxes they benefited from

Wanted to gain power on a global standing by overcoming Great Britain and rising as America’s first ally

These reasons are great examples of what your novel could include. Another country, kingdom, or group could rise in sudden support for your protagonist or antagonist, ultimately throwing chaos into the determined path of war for better or worse.

3. The War’s Terrain

People can break into battle almost anywhere, depending on your fictional world. Your characters could fight:

On land

On sea

In space

In the air

Underground

Online

Some terrain also comes with other considerations. If your war happens on an ocean, will storms and hurricanes affect battles or the ultimate outcome? How will the soldiers and leaders on both sides deal with the weather?

Note these possibilities as you plan your novel. You can add them in as background or crucial plot devices once you have a skeletal structure in place for your story.

Need help remembering everything you’ve imagined? Try making a map and keeping it wherever you write.

4. What Would Make Each Side More or Less Powerful

There’s always something that could give one side an advantage over the other. It’s often in an unexpected way, although you could make the advantage a goal. The bad guys might feel confident in their ability to win, but they have a secret mission to develop a new weapon just to give them a greater advantage.

Other factors to consider would be one side or another doing something like:

Discovering or enacting a magic system

Eliminating a crucial resource their enemy depends on

Removing funding that makes their enemy able to fight by befriending or overcoming their enemy’s financial backers

Changing the positive or negative public perception of the other side’s reason for fighting to change national morale

Doing something that makes one side’s leaders more or less moral (which could change public perception, the soldiers’ vigor, the leadership’s advisory team together, etc.)

6. What Kinds of Conflict You’ll Write

There are two types of basic conflict you’ll likely write when navigating a fictional war. You may not need both if your story is shorter, but adding both makes the plot more realistic.

First, there’s external conflict. You’ll have at least two opposing sides on some kind of battlefield, sneaking around on spy missions, planning surprise attacks, etc.

Secondly, there’s internal conflict. Soldiers might start fighting amongst each other, people in leadership positions could lose trust in each other, citizens might turn on their country’s cause for one reason or another, etc.

7. What Weaponry Your Characters Will Use

The weapons used in your war depend on numerous factors. It will draw from the genre you’re writing, the time period your story takes place, the advancements made in each civilization’s weaponry prior to the war, and any advancements made while the war goes on.

Examples of these could be:

Guns

Swords

Bows

Bombs

Drones

Armed ships

Armed space ships

You should also consider if one side’s weaponry is more likely to change during the course of the war. That’s more plausible if your story or characters change locations where regional cultures use different weapons. Also if the war spans years, people will naturally develop new weaponry during that time.

If you want extra details to daydream about, think about which weapons will become outdated during your story. Some will prove less useful due to complicated usage or cleaning. They also may not work, like if your science fiction characters follow their enemy underwater, but their laser guns require a dry atmosphere to function.

Include Emotional Plot Arcs

Writing always involves some kind of emotional work that results in a plot arc. It keeps the reader engaged by evoking their core feelings. That’s what makes a novel different from a textbook (in a very basic sense).

Work on details like these to find what emotions will be most present and relevant to your story:

Your overall theme

Your characters and what they experience

The action your characters will go through

How the above action will change your characters by affecting their loved ones

What your characters’ goals mean to them emotionally

If your characters’ will undergo things that change their perception of their world, leaders, country, or themselves

You don’t need all of these things to have an emotional plot arc, but they’re relatable human elements that can drive your plot right into your readers’ hearts.

Avoid Some War Story Tropes

Tropes have a bad reputation that I don’t think is entirely deserved. People recognize them as overdone stereotypes, but sometimes they’re useful.

When you’re writing a war, you’re going to have necessary tropes like:

The hero

The unit or squad

The antagonist

What they undergo and who they become is how you make them fresh concepts for your readers.

Some tropes aren’t helpful because they’re what readers expect from every story. If you give them what they expect, your story isn’t as engaging (unless you get the occasional reader who exclusively reads war novels and never tires of overdone tropes).

Keep these in mind as things to avoid, unless you have an ingenious way to make them a brand-new experience:

One soldier dying in another’s arms

A character dying by going out “in a blaze of glory”

Characters using guns in ways that are obviously wrong (i.e., firing more bullets than the gun-type/model holds)

Getting military rank incorrect (if your characters exist in a real-world, already existing military structure)

Injury-proof characters (even your protagonist will eventually encounter some physical harm, whether it’s illness in bad weather or getting shot on a battlefield)

You can check out this great resource to discover more tropes to avoid/consider as you draft your plot outline. 

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If it feels like writing a war over the course of a book or a series is challenging, you’re not alone. There’s a lot to consider to make it have an engaging flow.

Keep notes on things like these to develop your story as much as possible before starting your first draft. You can always go back and add or edit things out as needed while developing it. Writers do this all the time—you don’t need to get any manuscript perfect on your first try.

[scriptwriters-network]

There are no laws for the novel. There never have been, nor can there ever be.

— Doris Lessing

[quotelr]

To love is to recognize yourself in another.

Eckhart Tolle