cinema-scapes - Tumblr blog

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little women -

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Marie Antoinette (2006) dir. Sofia Coppola

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Chris’ Instagram live with JC though

It made my NSYNC fangirl heart burst. 

Side note: I saw Chris gave a shoutout to the Girl, Were You Alone? podcast. I listened to some of their early episodes and I liked some of the interviews they had. But I saw they have a Patreon now and wow, the membership levels. The 1 Million Heart Points Club...so are you paying them $20 a month to create content for them? Where does that money go? It just sounds a bit much. Blank Check and Hollywood Crime Scene don’t even go above $10. 

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Spice Girls in Paris

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Beautiful movie.

The Florida Project 

2017

Sean Baker

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I knew that I needed to be in that water, deep within it. 

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🎉 Happy 20th anniversary to ...Baby One More Time 👧

🥊 and Happy 16th anniversary to Stripped 💪🏽

Such iconic albums ❤️🙌🏽

Britney Spears and Christina Aguilera, 1994

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Sharp Objetcs 1.01: Vanish

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Hell is a Teenage Girl: ‘Jennifer’s Body’ Deserves a Cult Classic Status

And sometimes, you might just get lucky in your miserable life.

Jennifer’s Body (2009) Dir. Karyn Kusama

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This has been a wrenching, exhausting past couple of weeks. After a period of stepping away for self-care, I’m determined more than ever to help get out the vote for November 6 and for the Democrats to retake the House (and hopefully the Senate). I choose to believe everything happening right now is sowing the seeds for a better future in which survivors are believed and no longer have to feel that what was done to them is their fault. ❤️

For those who haven’t yet, you can register to vote and check your status at votesaveamerica.com. Every election matters and every vote counts. 

VOTE!! TEXT RESIST TO 50409 TO CHECK IF YOU’RE REGISTERED TO VOTE

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Crazy Rich Asians (2018) dir. John M. Chu

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And I love you, but I HATE YOU, BITCH!

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Clueless (1995) dir. Amy Heckerling

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Peace out, Wind Gap. Dear TV/studio execs, give us more content about complex female characters having agency, please.

Sharp Objects: Ripe (2018, dir. Jean-Marc Vallée)