a blog dedicated to rooting out all the good, and a little bit of the bad, in lgbt horror movies, games, comics, and novels
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Hausu - Nobuhiko Obayashi (1977)
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Aspettando il 12 Aprile… My Favorite Thing Is Monsters di Emil Ferris
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Dogtooth (2009) dir. Yorgos Lanthimos
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Marlina, Marlina, you make your friend a murderer
A fanart of an Indonesian movie: Marlina, The Murderer in Four Acts
Inspired by the wild west movies, except the protagonist is the women trying to survive instead of Clint Eastwood
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When you see beauty in desolation it changes something inside you. Desolation tries to colonize you.
Annihilation (2018) dir. Alex Garland
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Marlina Si Pembunuh Dalam Empat Babak (Marlina the Murderer in Four Acts) (2017) dir. Mouly Surya
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Why did you think me so strange before? Because you looked like a witch from a horror movie. ハウス | Hausu | House (1977) dir. Nobuhiko Obayashi
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Hellraiser Directed by Clive Barker (1987)
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Currently reading My Favorite Thing is Monsters by Emil Ferris
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Fright Night (1985)
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L'inconnu du Lac (France, 2013) directed by Alain Guiraudie
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Wild Zero (1999) dir. Tetsuro Takeuchi
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The first horror films to feature queer female characters are some of the first films of any kind to portray queer women. Though there were a few not-horror-related queer female characters before her, one of the earliest examples of a queer character in a movie was the Countess in Dracula’s Daughter. The film is the 1936 sequel to 1931’s Dracula, starring Bela Lugosi. Like her blood-sucking father, the elegant Countess has a bizarre, murderous interest in young women. She seduces them with extravagant gifts and a hypnotizing stare.
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Bride of Re-Animator (1989)
With my hands I created what no man’s mind or woman’s womb could ever hope to achieve. This is blasphemy!
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Some colour publicity stills of Mystery & Imagination’s Dracula (Thames TV, 1968): Bernard Archard, James Maxwell, Denholm Elliott & Susan George.
#dracula#dracula 1968#lesbian#bi#gay#movies#i guess it was a show??#shows#idk this version if really homoerotic
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Suspiria (1977) dir. Dario Argento
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