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what kind of porn do you guys think the CoD mfs watch
#hella tags incoming#engagement is low kitten#call of duty#modern warfare#modern warfare ii#modern warefare 2 x reader#call of duty x reader#simon riley#simon ghost riley#captain price#captain john price#john soap mactavish#john mactavish#john mactavish x reader#simon riley x reader#john price x reader#kyle garrick#kyle gaz garrick#kyle garrick x reader#gaz x reader#valeria garza#valeria garza x reader#alejandro vargas#rodolfo parra#call of duty nsfw#nsfw#smut
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what’s crazy about this is hange’s gender is up to the reader, but also “don’t gender hange” then uses a male focused gendered term to describe them 😭😭 male default thinking go crazy
my biggest ick is seeing hange included in those “aot women” posts
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interacting with the mha fandom Before watching mha is kind of insane, because then when i did watch it, i am absolutely baffled on how they created ships out of Nothing, and how everyone in this fandom is so excruciatingly bad at accurate characterization
#what fucking chemistry is between dabi and hawks#OR BAKUGO AND DEKU#WHO LET THAT BECOME THE GOSPEL OF THE MHA FANDOM#my hero academia#izuku midoriya#katsuki bakugo#toya todoroki#boku no hero academia
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Aww look at them showing off like little kids... oh wait
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I have been thinking about Six again.
I think we need to talk more about how much Six cares about Mono, not the other way around. It is undoubtable that Mono does care about her, but Six has a very reserved way of expressing her affection for him, which is why it mostly flies under the radar of most people imo.
The way she follows after him, steadily but surely, just as determined to remain by his side as he is, should not be ignored at all. Mono may grab her hand first, but even if he doesn't, everywhere he goes, she will follow. In the first half of the game, where Six doesn't nearly trust him as much as she does later on, Mono's small gesture of kindness during their first meeting is incredibly impactful to her.

When she was alone and afraid, scared for her life, Mono held his hand out for her to hold at her own pace. Though Six rejects him initially, she's quick to realize that two pairs of hands are better than one after all. You'd assume she only allied with him out of convenience, and while it was most definitely a factor, Mono's gentleness was what drew her to him initially.
From this point on, you can choose to hold her hand at any point in time, indicating that Mono is prone to randomly grab her hand to keep her close. As said, this is not necessary: Six will follow closely after regardless of wheter he does so or not. However, this gesture remained engrained in her mind, and this is proven later on.
After the Hunter ran after them for the first time, Six offers her hand to him.

Though she's not keen on physical contact, as she will never offer her hand again to him first, she is empathetic enough to understand that Mono is scared and needs comfort, so she does something she knows will make him feel safe.
Then of course, there is her playful answers to his calls; though she's not really a talkative one, she won't refuse a conversation if Mono speaks to her. Until you start noticing that whenever Mono grabs a a toy like he needs to do in the School or in the Hospital, Six also will run to grab one. If Mono throws it away, she also throws her own away.
Isn't imitation the biggest form of flattery?
Even later, when she gets the raincoat and is more confident and fast, Six still takes the time to wait for her best friend. From her behaviour towards him, it seems to me that she holds a silent, but considerable amount of admiration in his regard; sorta like a young kid who copies everything their older friend does - which is what would happen in this dynamic since Mono is (apparently) older than her.
I also think we as a fandom have been ignoring that she's been helping him deal with the TVs pretty much ever since they met. She had the chance to run away and leave Mono behind, but she never does. The only time she actually runs off is when Mono frees the Thin Man, and even then she waits until the last possible minute before sprinting away.
Her trust in Mono is unmatched. So is the affection she holds for him. It's shown in a different way, but it's there and it's very present. It makes sense that Mono, who has always been shunned and pushed away, would grab onto her (both physically and metaphorically) as much as he does.
... Which is what makes the ending hurt the most.
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6:52 | B.L. / S.M.

Pairings: Billy Loomis x Female Reader, Stu Macher x Female Reader
Summary: Reader is the daughter of an FBI profiler and childhood best friends with Billy and Stu. When a killer starts terrorizing her friends she has to choose between following her head or her heart.
Warnings: death, blood, stabbing, violence, swearing, manipulation, kissing, major character death (deviation from cannon), mommy issues, reader is smart but a little naive, ending is open to interpretation
Word Count: 7.9k
a/n: happy halloween !! i know it's been a while but hopefully this long ass story makes up for it. please don't cancel me for this, i'm not immune to the charm of a 25 year old slasher film. let me know what you think !
Six minutes and fifty-two seconds.
According to some remarkably arbitrary article you skimmed through in a mediocre issue of Teen Beat, it takes the average person six minutes and fifty-two seconds to determine which movie they’re going to watch.
In six minutes and fifty-two seconds you can brew half a pot of particularly unpalatable coffee in your kitchen. You can listen to your favourite Jeff Buckley song with eight seconds to spare, or drain a teeming glass of water.
Six minutes and fifty-two seconds is also the precise duration of time in which you’ve managed to evade the knife-wielding psychopath who’s killing your friends for sport.
Six minutes and fifty-two seconds.
Now here you stand in Stu Macher’s kitchen, explicitly parallel to the masked executioner, dread trickling deliberately throughout your body, dancing delicately up the incurvation of your spine.
Panic and confusion mingle together earnestly inside as you notice the killer stop before you, scarcely within arm’s reach. He tilts his disguised head at you slowly, almost as though he’s confounded that an armed maniac has been chasing you around the Macher house for the last few minutes.
“Hey...” He murmurs with a strangely familiar resonance, “I’m not gonna hurt ‘ya, Doll.”
Your expeditious breathing slows to a halt. Your face, previously adorned in confusion, is now painted with discouragement as you place who the voice belongs to.
No, you didn’t want to be right. Not this time.
A second unmasked figure appears behind him, holding a horrified and misty-eyed Sydney Prescott in his gangly arms.
“Well,” he draws out with a blinding smile, voice dripping with lunacy, “How do ya like our big reveal, Sunshine?”
Six minutes and fifty-two seconds, you think to yourself indignantly, what a fucking joke.
You were decidedly not a morning person.
This is your first thought, a routinely reoccurring thought at that, as you move to swiftly silence the shrill reverberations of your alarm clock. There’s a distinct lack of routine to your mornings, though you consider it a win in itself being awake before school starts.
You gradually make your way downstairs, adorning an oversized Fresh Prince of Bel-Air t-shirt and the first clean pair of jeans you see, offhandedly reminding yourself to do your laundry.
The house is forebodingly silent, you should’ve long since become accustomed to that. Still you can’t help the acrimonious look you aim toward the note sitting on your kitchen counter, rereading it for the umpteenth time before grabbing yourself some breakfast.
Had to leave town for a case, left you some money for food. Call you when I can - Love Dad
At least he left a note this time you think to yourself despondently.
You don’t blame him for not sticking around, god knows your mom couldn’t either. But at least when she left it was for good. She didn’t resurface every few weeks and pretend to know what was going on in your life, vowing to be more present if given the chance, only to leave the next time a murder happened in some backwater town five thousand miles away from the daughter she swore to stick around for. No, that was all your dad.
You used to admire him, ironically enough. Solving murders and catching the bad guys, he used to be your hero. You and your mom used to allocate hours each day waiting zealously by the phone to hear of his adventures. In the course of time your mom got tired of waiting for your dad to call, eventually she just got tired of him in general. She got tired of you in general.
You never faulted your dad for her desertion, how could you? She left him too. Though you did follow her lead in straying from your perch aside the phone. These days it never rang anyhow.
The sharp honking of a car horn redirects your attention from your melancholic reverie, you grab your bag and set the home alarm before locking the door behind you, grateful for the excuse to be anywhere but your empty house.
“Well don’t you look like a ray of sunshine this morning?” Stu’s voice sounds from the passenger seat of Billy’s car as you smoothly slide into the back.
“What’s ‘a matter? You’re not all freaked about the killer are you?” He questions, turning his lanky body around in the seat so that he’s facing you, his wide dopey grin now on full display.
Right, the killer.
It’s the only story currently circulating on the Woodsboro news, plastered on the cover of every tabloid, not to mention it’s virtually the only thing your friends seem to talk about since it happened.
Casey Becker and her boyfriend Steve Orth were brutally murdered, their remains remorselessly strung up like Christmas ornaments. It should have made you sick to your stomach. But after all the gory photos you’d seen hanging on the cork board in your dad’s office, you couldn’t help the twisted tinge of curiosity that swirled about in your brain. Who did this? Your FBI profiler dad, who specializes in capturing people that commit violent crimes, sure picked a great time to be out of state for work.
“No, but I’m super glad that you always find a way to bring it up. Very well adjusted of you.” You retort with a gentle smile, as you buckle your seatbelt, instantly feeling better at the mere sight of your two best friends.
“Ah, come on. You know we’d never let anything happen t’you. Right, Billy?” He nudges his elbow at Billy, awaiting his agreeance.
“Course not.” Billy states, his voice is gentle but his tone is stern, and you don’t miss the indicative look he flashes Stu. What’s all that about?
“O..kay then.” You make it a point to remember that look. It’s peculiarly akin to the look he gave Stu at the fountain the other morning.
“I didn’t kill anybody” Stu abruptly defended.
“No one’s saying you did.” Billy shot Stu an ominous look of warning.
What the hell are those two idiots hiding?
“My knights in shining armour, truly. However could I repay you?” You deadpan sarcastically, coming to the conclusion that there is definitely something going on. You’re always right about these things. Whatever it is, you’re going to figure it out eventually.
You’ve known Billy and Stu since elementary school, they can’t hide things from you. At least Stu can’t. His facade will shatter like glass if you look up at him with big eyes and an amiable smile. Billy on the other hand, had spent copious amounts of time with you sifting through your father’s research when you were kids, which gave him the invaluable knowledge of how to get away with lying. That and his prodigious poker face.
“Well- And I’m so glad you asked, there’s actually a super easy way to do that. Wouldn’t take too long either-” You don’t even need to look at Stu to know this is another one of his empty-headed innuendos for sex.
“Wouldn’t take too long is right. At least that’s what Tate told me. You might wanna work on that.” You tease, gently squeezing his arm in mock sympathy.
Billy lets out a modest chuckle of approval at your childish rebuttal, sending you a wink in the rear-view mirror when he catches your smile growing at the sound.
You try to ignore the hastening uptick of your pulse at the simple action. He has a girlfriend, you remind yourself remorsefully, he’s your best friend and that’s all.
“Oh really? Guess we’ll just have to wait and see about that, won’t we?” Stu’s resplendent crystal eyes hold an edge of irritation, but before you can discern the connotation of it, they’re overtaken by the playful mischief you’re certain is a permanent fixture in them.
“Speaking of this whole killer business,” You swiftly steer the subject back, aware of your best friends’ infatuation with the topic, “How’s Sid holding up?”
Of all your friends, the killings had the strongest emotional impact on Sidney. When taken into account that the same thing happened to her mom almost exactly a year ago, it’s something of a wonder that she’s showing up to school at all.
Though Cotton Weary was tried and convicted for the murder of Sidney’s mother, you and your dad always shared a covert belief that somebody else was to blame. When you combed through the evidence, albeit evidence you weren’t legally allowed to see, something felt off about it all. Your dad agreed, stating as much to the local police who were less than receptive of his findings. In essence, they told him to fuck off, that they’d closed the case without the help of the FBI.
You never wavered on your belief that the true perpetrator escaped undetected, and now with the same m.o. being used to kill Casey and Steve, you’re adamant that these cases are connected. Of course you’ve kept this ideology to yourself, not wishing to dredge up any more pain for Sid, the poor girl’s already been through more than her fair share of it.
“More frigid than usual I bet. If that’s even possible.” Stu jokes incautiously.
Billy swats Stu firmly in the chest, glancing at you in the mirror again as Stu lets out a minor yelp, “She’s not so good. I tried to make her feel better, but you know how I am with that sort of stuff” he says unhurriedly.
Unfortunately I do, you think to yourself. Of all the things you love about Billy, patience and understanding are not exactly the top contenders. You imagine his version of consoling Sid ended with her feeling worse.
“At least you tried. That counts for something.” You add optimistically, already preparing to check in with Sid the first chance you get.
“I’m not sure it does,” His eyes are surveying your every feature through the rearview mirror and you’re becoming acutely aware that he’s barely spared a glance at the road since he started driving, you being the sole focus of his attention, “Not with her anyway,” He mumbles out the last part but you manage to piece it together inquisitively.
If you were thinking with your emotions instead of your intellect, you’d have picked up on the nuance of his words and the uncharacteristic benevolence of his gaze. You’d have pieced together sooner that you actually had a chance with Billy Loomis.
The trajectory of your life, the lives of your friends, could have been exponentially juxtaposed if you had only continued to prioritize your mind above your heart.
“Fuck!” Oh god, oh god, oh fuck! Not the most eloquent thoughts in the world, but they’re about all you’ve got since you caught sight of the menacing masked figure jumping onto Sidney, armed with a particularly sharp-edged blade.
You’re vehemently regretting tagging along to what was initially intended to be a girls night with Tatum and Sid.
“Safety in numbers,” Tatum smiled impishly, tugging on your arm in that way she does when she wants something bad enough, “Besides, your dad’s gone too! You and Sid would be much safer at my place.” She brought up a valid point. Although you weren’t as unnerved as your friends at the prospect of being murdered, your strong distaste for spending another night alone in your house was enough for you to give in to your friend’s wishes.
“Alright. I’ll come. But no cheesy rom-coms, we’re watching Seven.” You conceded sooner than Tatum expected. She had a whole speech about the sanctity of friendship planned, but she intended to save it for another time.
“You’ll have to convince Sid. You know how she feels about horror movies.”
“I also know how she feels about Brad Pitt,” You teased with a grin, earning an emphatic giggle from Tatum, “Besides, it’s a thriller not a horror. Randy would die just to roll over in his grave if he heard you right now.”
The plan was to go back to your houses separately and grab your things, Tatum would pick you each up on her way home from practice. The plan changed after you observed Sidney throughout the day. You could tell she was jittery and nervous, despite her fruitless attempts at covering it up, so you went straight to her house together after school.
The two of you briskly passed out on opposite ends of the couch, only awoken by the piercing ring of Sid’s telephone. “Tate’s gonna be a while, she got held up at practice.” Sid relayed the message to you, gingerly rubbing the evidence of sleep from her eyes.
You nodded in understanding, moving from your previous position on the couch and deftly stretching the tender muscles in your back.
“I’m gonna grab a glass of water. You want anything?” You asked Sid as the phone resumed ringing, she shook her head no with a comfortable smile and answered the call as you walked toward the kitchen and out of ear shot.
You moved around the kitchen with an air of familiarity, taking your time filling the glass. Your walk back to Sidney turned into a swift jog, confusion and mild alarm made their presence known on your face as you heard her yell “Fuck you, cretin!” into the phone with conviction.
“Sid- Hey, what’s going on?” You moved to comfort her frenzied form, taking over for her shaking hands you swiftly locked the chain on her front door.
“The killer- He… Oh my god!” Her frenetic speech died a merciless death on her lips as she heard the door of her hall closet swing open. Before either of you could register what was happening, the killer was on top of her.
“Fuck!” Sid yelps, flailing wildly in a desperate attempt to escape from the masked lunatic’s grip.
You froze for a moment back there, you aren’t proud of it. All the self-defence lessons and step-by-step protocols for how to survive in a dangerous situation seemed to have vanished from your mind. But now you can hear his voice in your head, stern but compassionately reassuring like it always was, “C’mon (y/n), this is life or death. As much as I wish I could, I can’t always be here with a gun and a vest to protect you. So come on, how are you gonna fight back?” You used to hate it when he did that. Why should a girl your age worry about those things?
Thanks Dad, you silently praise, guess you make the time we spend together count.
You snap out of it instantaneously, bringing down your half-empty glass of water over the killer’s head with considerable force, shattering it to pieces and stunning him long enough for you to send a brutal kick to his side, temporarily removing his looming figure from atop Sidney. You suppress a wince as you notice one particularly long shard of glass has embedded itself deeply into your palm, blood trickling evenly from the gash as you gingerly remove it.
You waste no time grabbing Sidney from the floor, pulling her along with haste as you reach the staircase and begin your ascent. “Wait- The front door is-” She starts before you cut her off, “It’s locked Sid. We don’t have time, he’s right behind us.” She turns to gage the distance and her eyes widen substantially as she sees just how correct you are. He’s right there.
In a matter of nanoseconds the killer grabs ahold of Sidney’s foot, giving it a solid tug. Her hand slips from yours as he drags her down the steps.
“Anything can be used as a weapon, especially when you combine it with the element of surprise.” Your dad’s voice rings through your ears once more as you stormily grab hold of a bulky framed painting from the wall and smash it down onto the killer’s head. He groans and trips back a half-step, just enough distance for you to pull Sidney back up, taking care to hold on extra tightly as you resume your course to her bedroom.
Hightailing it to her room, the two of you close the door behind you, Sidney rushing to alert the police as you make a half-assed attempt to barricade the door shut, working at warp-speed.
The door jolts violently behind you as the killer manages to squeeze his arm through, prompting Sid to bellow out a short scream of terror. You push back on the door with all your body weight, a triumphant smile fighting its way to the surface as you hear the vociferous groan of pain emitting from your pursuer. He pulls his arm back with haste, allowing the door to shut fully behind you.
It’s agonizingly silent. What’s he going to do now? He’s much stronger than you or Sidney, surely he could break down the door. Or stab it with his knife, stab you with his knife. You’re eagerly awaiting his next move. Sid, on the other hand, needs this to be the end of it. She manages to contact the police through her computer, and you can’t deny the pride you feel for her, carrying on despite the clearcut terror she’s just experienced.
You both turn toward the window on high alert, a noise informing you that you’re not alone. You grab the first thing within your reach, Sidney’s hairbrush, and hurl it with impressive force at the figure entering her bedroom.
“Ow! Jesus (y/n)! What the hell’s goin’ on? I heard Sid screaming. The door was locked. Are you guys okay?” Billy questions, pulling himself through the window once he recovers from the hairbrush hit to his temple.
I heard Sid screaming.
How did he know it was Sid who screamed? And what exactly was he doing here anyway?
No, you cut yourself off, there’s no way! It’s Billy, he wouldn’t…
Would he?
When you and your dad made the profile for Maureen’s killer, you determined that it had to be a young adult male between the ages of 16 to 24. You also theorized that he had to know Maureen, the level of rage present in her killing was too personal for a stranger to carry out. Your dad threw around the idea that maybe there were two killers, one with a hunger to be in control, the other just along for the thrill of the hunt.
You remember the day you brought the profile up to Billy and Stu.
The three of you were watching some cheesy 80s slasher in Stu’s spacious living room, Stu’s arm around your waist as your head gently laid on Billy’s shoulder.
“My dad agrees with me you know?” You start, voice overtaking the synthetic screams of whichever big-breasted actress was getting slaughtered on screen, “That it wasn’t Cotton Weary. He actually thinks there were two of ‘em.” Billy and Stu both tense up, causing you to observe them from the corner of your eye.
There was a brief look of alarm on Stu’s face causing your eyebrows to furrow together in confusion. Perhaps you should have kept your reaction subdued, as Billy picked up on it instantaneously. He delicately grabbed ahold of your chin, the pads of his fingertips setting your skin ablaze beneath them, turning your face to his he muttered coldly, “Since when do you care what that asshole thinks?”
Your gaze dropped from his, a frown taking over your lips. He’s right, in a way, but he doesn’t have to say it like that.
“Hey, come on Sunshine, turn that frown upside down, huh?” Stu was his usual sanguine self again in the blink of an eye, that beautiful broad grin already back in its rightful place on his lips, “Who needs him anyway? You got us.”
“Yeah,” You smiled back despite yourself, “Guess that makes me pretty lucky.”
For someone who loves talking about murder so much, he always manages to brazenly shut it down whenever you bring up the profile. The profile that he fits.
How did you never see it before?
“Sid,” You start slowly, taking a gentle step toward the girl who’s wrapped in her boyfriend’s embrace. You’re attempting this with the utmost care so as not to alarm Billy, in case he’s hiding the familiar blade on his person, “This cut on my hand is pretty deep,” It’s true, though you couldn’t care less about it, “Can you come help me with it, please.”
Shit.
Your voice broke on the last syllable and you’re definitive that he noticed.
Billy turns to you with a look of confusion, it’s almost as though he can read your mind. “Your hand?” He questions, not releasing Sid from his grip, “What happened to your hand?” He seems genuinely concerned and you’re beginning to doubt your own instincts. Until Sid pulls away from his grip, a soft thump resounding as something falls from Billy’s pocket.
A mobile phone.
The kind of mobile phone a killer would have if he had just made a menacing, life-threatening phone call to his girlfriend.
Why did you have to be right?
Six minutes and fifty-two seconds. You don’t time it, but that’s how long it takes for you to change into your pyjamas, or in this case one of Dewey’s old t-shirts that less than flatteringly falls below your knees in an Ebenezer Scrooge sort of way, and get situated beside Tatum in one of her twin beds.
Despite the cataclysmic series of events you’ve just been through, you manage a loose smile as you watch Sidney ice her hand after landing a particularly impressive punch on Gale Weathers’ face.
“The pain’s gonna fade in the morning but the pride’ll last. At least mine will, you’re kinda badass, Prescott.” You jest, attempting to quell the foreboding thoughts you’re sure are threatening to chew her up and swallow her whole.
“Ditto,” She motions to your injured hand, all bandaged up thanks to Dewey’s gentle insistence, “I’m sorry it happened, you shouldn’t have gotten hurt saving me.” She concludes, ever the saint.
“Sid, no. Okay? None of that should have happened in the first place.” And I should have seen it coming. You keep that one to yourself.
“Do you really think Billy did it?” Tatum questions from beside you.
“He was there, Tatum.” Sidney replies solemnly.
You zone out of the conversation, even after Sidney leaves the room. You can’t stop thinking about the look Billy gave you as they pushed him into the back of the police car. He was desperate, that much was obvious, but there was something else there too, it was almost like he was heartbroken.
Why would he look at you like that?
Maybe he was upset that you figured him out before he had the chance to gut you like a fish. Maybe it was because he knew Sid would never speak to him again.
Or maybe it was because he couldn’t fathom you believing this about him, you ponder remorsefully, maybe he was innocent.
You’re on edge, anyone with a functioning pair of eyes can see that. But it’s not for the reasons they’d think. You’re not scared of some masked psycho reaching out and slicing your throat. You’re perturbed at all of the eyes that are drawn to you like moths to a flame.
You’d had enough of it before the first period bell even rang.
“How does it feel to be almost murdered?” An immensely insensitive reporter shouted, hovering the microphone unreasonably close to Sid’s face, onlookers gathered around you, awaiting her response with bated breath, “Keep holding that thing in her face and I’ll be happy to ask you the same question.” You threatened half-heartedly, gently maneuvering Sid and yourself through the crowd.
“Hey pretty lady,” Stu’s congenial voice sounds from behind you, firmly knocking this morning’s unpleasant memory from your cranium. He wraps his gangly arms around your middle and bends down a farcical distance to rest his chin upon your shoulder, “Star in any good horror movies lately?” He questions, letting out a chortle at his own words.
“You’re a really emotionally intelligent guy Stu. Anybody ever tell you that?” Your acerbic undertone isn’t lost on him for once as he registers your discomfort.
“Hey- That was- You know I’m just joking, I’m sorry.”
“I know you’re joking, you’re just not very funny.”
Removing his hands from your body, too soon for your liking, you think, he throws himself dramatically against a row of lockers, hands on his heart as he groans in mock agony, “Take it back! Please, take it back!”
He’s an idiot.
An idiot with perfectly carved dimples and the bluest eyes you’ve ever seen. And you want so desperately not to give in to his theatrics, but you can’t help it, not when those eyes are shining at you like the cascading glimmer of the moonlight. You’re smiling before you can stop yourself.
“Ahhh, there it is,” Stu’s voice still holds that ever-present joking tone, but his eyes are sincere, like he’s desperate for you to pick up on the emotion hiding beneath it all, “Can’t live without that smile. ‘M never gonna let you go.”
Your heartbeat rapidly increases in pace and you all but force yourself to look anywhere but his imprudently handsome face. Stop that, you internalize, best friends, nothing more.
“(y/n), hey. Can I talk to you for a sec?” You don’t need to redirect your gaze to pinpoint the source of the voice.
It’s Billy.
“See ya later, Sunshine.” Stu bids you farewell, placing a gentle lingering kiss on the apple of your cheek.
“I have to get to class.” You turn to walk from Billy, not in the mood to hear whatever tales of deception he’s concocted in the confines of his imagination.
“Just-” He reaches out for your arm, stopping dead in his tracks when you flinch away from his touch, “Give me ten minutes okay? If you hate me after that, then I’ll leave you alone for good.” The sorrow in his voice is enough to keep your feet firmly planted.
“You’ve got,” You spare a quick glimpse at the clock on the wall, mentally calculating how long it’ll be before you’re late to AP Chemistry, “Six minutes and fifty-two seconds. Take it or leave it.”
“Yeah, I’ll take it.” He attempts a smile but it falls faster than it formed.
“I’m not an idiot Billy. Or- Or maybe I am, because I didn’t see it sooner, but-”
“Don’t do that,” His voice resembles a whisper, his eyes are pleading but there’s also an edge in them that makes the hair stand up on the back of your neck, “Don’t- You know me, right? We’ve been friends since we were kids. Look at me,” His fingers reach out for you, a near imperceptible smile twitching at the sides of his mouth when you don’t immediately recoil, “You know me. I’d never do anything to hurt you.”
You know in your mind that there’s no reasonable explanation for how it all adds up. He fits the profile. But in your heart, you know he’s telling you the truth. The look in his eyes confirms his words, he wouldn’t hurt you.
Against your better judgement you lean into his touch, his hand finds its way to your cheek, drawing indistinguishable circles above your zygomatic bone with his thumb.
“What about Sid? Have you talked to her?” You feel his body tense up, though he does a good job of keeping his emotions unreadable.
“Yeah. We talked.”
“And?”
“And,” He breathes agitatedly, “We broke up.”
“You what? Well- Are you okay? Is she okay? Oh god, I should go find her.” You softly attempt to maneuver from his grip but his hold tightens slightly.
“She’s the one who dumped me, so I’m sure she’s fine.”
“Does she still think-?”
“No. No, she knows I didn’t do it. But I guess it just wasn’t working out.” If he’s lying, he should make a career out of it. You’re studying every inch of his captivatingly handsome face, and you can’t find a hint of misrepresentation.
“It’s for the best really,” His honeyed gaze settles on your own eyes, your breath hitching noticeably as you take in their mahogany-toned opulence, “Otherwise I couldn’t do this.” His lips are on your own without a moments hesitation.
You know the only intelligent response is to pull away and race to AP Chem, pretending like it never happened. But today you’re letting your heart think for you. And it feels precariously marvellous. You kiss him back with more passion than you knew you were capable of mustering, the years of feelings you’ve hidden away, even from yourself, come spilling out from your lips and land delectably onto his.
Billy moves his unoccupied hand into your hair, giving it a gentle tug, expertly sliding his tongue into your mouth the moment your lips part to release a gentle moan. If this is what it feels like to prioritize your heart above your mind, you’re not entirely confident you’ll ever use your brain again.
The vociferous ringing of the warning bell unwillingly splits the two of you apart, though his forehead still rests contentedly against your own.
“You have no idea how long I’ve been waiting to do that, Doll.” His eyes are looking at you with a plethora of unknown emotions and your heart is beating far too fast for you to decipher them.
“Worth the wait?” You question softly.
“Absolutely. Glad the wait’s almost over though.”
The wait’s almost over.
Maybe it was the warning bell, or your AP Chem teacher’s disdain for tardiness, or your ever-hastening heartbeat and affections for a certain brown-eyed boy, but you missed it.
The one and only slip-up he made all day and you were too lovestruck to notice.
Those six minutes and fifty-two seconds would cost you big time.
“Ahh, there’s my Sunshine. Perfect timing!” Stu swings a lanky arm over your shoulders as you catch up to him in the school parking lot. “I just finished spreading the good news,” He states with a cheeky grin, as if you should have any idea what he’s referring to.
“Oh, well are congratulations in order then? How far along are you?” You press a teasing hand to his stomach, grin growing as he sticks his tongue out at you, moving his hands to your sides and giving you a short tickle.
“Oh, ha-ha. She’s a real comedian today, huh?” He narrows his eyes in jest, “I’m talkin’ about the crazy killer get outta school free bash I’m throwin’ tonight. You’re coming of course,” He tells you rather than asks you, though you’ve never had much luck saying no to Stu.
“Another one of your million dollar ideas I presume? ‘Cause there’s nothing totally birdbrained about throwing a curfew-breaking rager with a masked psycho killer on the loose.” You’re not keen on the idea of showing up to some party with everything that’s been happening, not to mention what Sid must think of it all.
Not that you have a right to act all sanctimonious when it comes to Sidney’s feelings, her relationship with Billy was barely over before you had your tongue down his throat.
“Come on, Sunshine, it’ll all mean nothing without you there.”
It’ll all mean nothing.
“What’ll mean nothing?” You question gently, careful to hide the inquisitive edge to your query.
Stu’s eyes widen sizeably as he clears his throat, “Just- Nothing. You’re- You’re coming right?”
After that? You’re definitely going. Tonight you’re figuring out once and for all what this boy’s been hiding from you.
You tried to stay away from Billy, honestly. But the second his eyes met yours in Stu’s living room, you knew it was a futile attempt.
The two of you expeditiously wandered upstairs into one of the many vacant bedrooms available in the Macher house, barely closing the door behind you before your lips were melding together.
“I haven’t been able to stop thinking about this all day,” Billy hums against your lips, placing another searing kiss there before moving his way down to your neck.
Engaging in a moment of passion at a party while an unidentified serial killer roams on the loose may not have been your finest moment but, unintelligently, that was the furthest thing from your mind. Billy’s hands were now sliding delectably slowly underneath the hem of your shirt as his lips continued their pursuit on your neck, that was the sole occupant of your thoughts.
At least it was, until you saw him.
Before you could verbalize the killer’s sudden materialization to Billy, it was too late.
The masked figure hastily removed Billy from your grip, his cold steely blade acrimoniously slashing Billy with ease, ostensibly the knife was even sharper than it looked. Billy’s blood splattered onto your face and you made the split second decision that, this time, a glass of water and a painting weren’t going to protect you.
“(y/n), I need you to remember this part, okay? No matter how scared or tired or hopeless you feel, if you can run, you run! Alright?” You’d heard your dad’s voice more in your head these past few days than you had out loud in months, but at that moment you were simply grateful you’d ever heard it at all.
You didn’t chance a single look behind you, expertly weaving your way through Stu’s house and out the back door. You didn’t glance back even after you’d escaped the house and almost crossed the property line.
Where did all the cars go?
If there were any other choice, you wouldn’t have ran back into the house. But your friends were nowhere to be found and, peculiarly, neither was the killer.
If he was out there looking for you, surely he’d never expect you to go back inside. All you had to do was reach the phone in the kitchen and call 911. The last sight you were prepared to see was the killer’s masked face parallel to your own.
“Well... How do ya like our big reveal, Sunshine?” Stu grins wickedly from behind Sidney.
The deep crimson remnants of the scene you thought you’d witnessed are still making their way down your face, trickling along your tepid skin like raindrops on a car window. You wipe them away fervently, the whirlwind of emotions swirling within you becoming more than you can bear.
It’s not even real blood.
“What is this?” You utter nauseously, gesturing to the foreign substance coating your face.
It’s probably the least important question you could be asking right now but you’ll admit the two of them have put on quite the performance. You’re sickened, but you’re curious.
Billy removes his mask, stepping closer to you and wiping a drop of the mystery liquid from your cheek, ignoring the way you flinch at his touch and placing the finger onto his tongue he lets out a low hum of approval, “’S’Corn syrup, Doll. Same stuff they used for pig’s blood in Carrie.”
Jesus.
Sid freed herself from Stu’s grip, him and Billy now distractedly gazing at you with distinguishable looks of pride. You gesture your head near-imperceptibly toward the entryway, a silent request for her to run while she has the chance. She hesitates, clearly apprehensive about leaving you to fend for yourself with two armed maniacs, but you need her to go. You can attempt your own escape when you know she’s safe.
“You had me fooled,” You start in a desperate effort to maintain their attention, “I mean, I had my doubts- But that whole fake death scene upstairs? You guys really sold it.” Sid discreetly makes her way to the entryway, stopping to look at you with a final questioning look on her weary face.
Nodding your head near invisibly, you make the devastating mistake of sweeping your eyes over her frame to survey her injuries. It was quick, a nanosecond at most before your gaze was back in front of you, but it wasn’t quick enough to go unnoticed by Billy, who grabs ahold of his knife and has it pointed against Sid’s throat in a matter of seconds.
Billy and Stu launch into a certifiably demented rant, their words exploding on Sidney in a particularly violent manner.
Why would they have it out for Sid specifically?
Oh.
Billy turns toward you and ends his dialogue without warning when he recognizes the look of understanding on your features.
“You killed her,” You breathe a near sigh of relief, finally understanding the bigger picture, “You killed Maureen and you’ve spent the last- Who fucking knows how long you’ve spent, just planning this- All to torture Sid.” It’s all making so much fucking sense and you can’t believe the amount of time it’s taken you to piece it all together, “You killed Casey Becker too, ‘cause she sits next to Sid in English. You knew she’d see that empty seat every day and be reminded of her mom. Psychological warfare…”
Billy looks uncharacteristically proud watching you piece it all together, “Got it in one, (y/n).”
“You’re- You’re sick! Why? Why the fuck would you do that?” Sidney struggles in Billy’s hold as he explains his motive behind her mother’s murder.
Mommy issues. Figures you’d have that in common.
Stu looks outwardly surprised at Billy’s reveal, indirectly confirming your dad’s two person theory. One killer with a personal connection to the victim and the other just in it for the thrill of the hunt. Dad’s gonna be so pissed he missed this, you regard inwardly.
“How are you gonna do it then?” You question the two unjustly handsome lunatics.
“Do what, Sweetheart?” Billy asks benevolently from beside Sid, still holding the tip of his blade to her neck.
“How are you gonna kill me?” You probe.
The question is a test. You’ve got a theory that they didn’t plan far enough ahead to remember that your dad will hunt them down to the ends of the earth after you die, especially since they haven’t seemed particularly keen on covering their trail. If you figured them out this quickly, your dad would have them behind bars in no time.
“What?” Billy asks, all previous traces of jubilance promptly removed from his face.
“How are you going to kill me?” You repeat tauntingly, if your best friends since elementary school were going to kill you like it was nothing, you were going to enjoy the thought of them spending the rest of their lives in florescent orange jumpsuits, “Spare me the gory details but, you do know what FBI stands for, right? Good luck getting away with it this time.” Thankfully, your voice manages to come out far more confident than you’re feeling inside.
Stu moves from beside you to in front of you, gently placing his sizeable hands on either side of your face. Has he always been this tall? Craning your neck to look up at him, the smug smile you managed to plaster on slides off and morphs into confusion as you notice the doleful look on his face. Why is he looking at you like you just kicked his puppy?
“You can’t really believe that,” His voice is so gentle, you could almost forget the sheer lunacy that was dripping from it moments ago, “What did I tell you, Sunshine? I’m never gonna let you go.” He’s looking at your lips like he wants to kiss them, and if you were under any other circumstance, there’d be nothing to keep you from it. He leans in and you almost move to do the same before you hear Sidney’s panicked voice calling out.
“Leave her alone! Please. If you want to kill me then fucking do it already, just let (y/n) go!”
Right, this is an active hostage situation.
Stu let his guard down to console you. Both of his hands on your head means he’s no longer holding the gun, but there’s no easy way to go about gaining control of it. You could kick him in the shins and hope he stays distracted long enough, but your dad’s voice runs through your mind once again, “You can’t reason with a psychopath (y/n), but sometimes you can play along with their fantasy to gain their trust.” You know this isn’t what he had in mind, but you’re running out of options.
Before you can talk yourself out of it, you lean up on your toes and kiss Stu with fervour. It’s a good kiss, one of the best you’ve ever had, in fact. There’s a moment, just a split second while you’re reaching for the gun behind his back, that you wish it was for real. He pulls you in deeper and you try to convince yourself that you’re only kissing back to make it believable.
Finally you feel the cool metallic handle of the gun, gripping onto it firmly you muster up the strength to pull back from Stu’s embrace. Aiming the barrel between him and Billy, you can almost feel your heart crack at the look of betrayal painted upon Stu’s face.
No, you remind yourself sternly, they kill people. For fun. They’re not your best friends anymore, they’re murderers.
“Let her go.” You ignore the internal war waging between your heart and your mind.
“(y/n)…” Billy’s not as shocked as Stu. As a matter of fact, Billy’s not shocked at all. He knows you, almost better than you know yourself, “Put the gun down. You’re not gonna shoot us.” His voice is stern, his words a cross between a warning and a command.
He’s right, as usual. The one thing your dad could never get you to do was shoot a gun. You fucking hate those things.
“You’re right, I’m not gonna shoot you,” Your voice is even, but you know he picks up on the slight shake of your hands as you aim the gun toward his chest, “As long as you let her go.”
“That’s not gonna happen, Doll.” He shakes his head, frustration rapidly becoming anger “I’m not asking you again (y/n). Put it down. Now.”
“Or what?” You bluff in a last ditch attempt to maintain a facade of bravery.
Billy’s anger finally reaches its boiling point and he answers your question wordlessly.
It’s different than it looks in the movies. The blood doesn’t trickle out slowly and melodramatically. It spews out like a faucet and it never stops.
You drop the gun after that, rushing to sit at Sid’s side on the floor in a futile attempt to stop the bleeding. It was a single deep slash, clean across her throat. The quiet gurgling sounds of blood filling her lungs finally subside after her last breath sounds, and your crimson stained hands remove themselves from her neck.
“Now, are you gonna start listening to me? Or do I have to do somethin’ like that again?”
“What the fuck is wrong with you?” You know what’s wrong with him, with both of them. They’re psychopaths. But you can’t prevent the question from slipping past your lips, you’re desperate for some understanding as to what exactly is it is they intend to gain from their whole plan.
“What’s wrong with me? I told you to put the fuckin’ thing down!” Billy’s still angry, what’s new? “Shit! That’s not how it was supposed to go.” His agitation fading slightly into discontent. Clearly he wanted to take his time killing Sid. At least you spared her some suffering.
“We gotta get out of here Billy. It’s only a matter of time before the cops show up.” Stu’s voice sounds, entirely indifferent to the scene he just witnessed.
“Yeah. Yeah, you’re right,” Billy runs his left hand through his hair in a gesture of frustration, his right hand latched firmly on the gun you dropped after he slit Sidney’s throat, “Shit! Alright, let’s go.” He gestures his head to the door, his eyes haven’t left you since your little standoff, making it clear that he’s talking to you.
“What?” Your voice is laced with perplexion. He can’t seriously expect you to walk out of there with them.
Right?
“C’mon, Sunshine. You already got him in a mood, don’t make it any worse.” Stu’s voice holds that ever present hint of amusement, as if this is just like old times, when you and Stu would make one too many jokes at Billy’s expense and he’d spend the rest of the day sulking.
“I’m not- You can’t actually think I’m going anywhere with you,” You chuckle in disbelief, “You just killed my best friends!” You don’t have explicit confirmation that Randy and Tatum are dead too, but considering the current state of affairs, it’s reasonably obvious.
“We’re your best friends, (y/n). We’re more than that, actually.” Billy kneels down in front of you on the kitchen floor. His anger has finally subsided, he’s speaking in a normal tone, the sticky crimson remnants on your hands serve as the only reminder of his previous outburst.
“That was before-”
“Oh come on, Doll,” He cuts you off, calloused fingers wiping the excess corn syrup from your face, “You ever wonder why the daughter of an FBI profiler couldn’t figure out there was something off with us?” His grin is wicked but his touch is gentle, almost comforting, “It’s ‘cause you didn’t want to see it. You didn’t want anything to get between us, because you feel the same way about us that we do about you.”
You want to tell him to fuck off. That he’s crazy and you have no idea what he’s talking about. But you can’t. Because he’s right, he’s right and he knows it.
Taking your silence as confirmation he continues, delicately tracing your cheek with his nimble fingers, “You love us,” Stu makes his way to your side, smiling with dimples on full display as Billy speaks, “And you can try and deny it, if you want to. But we all know the truth.”
“So what if I did?” You finally find your voice, it’s shakier than you’d like but it’s there, “If you know me as well as you think you do, then you know there’s no way in hell I’d go anywhere with you after this.”
“You wanna know how well I know you?” Billy’s voice is sharp, bitter, you’re getting under his skin again, “I know you, (y/n). I know you’re not afraid of masked killers, or watching your friend die,” He releases you from his grip, standing back to his full height as his words permeate your brain, “I know your worst fear.” He gestures for Stu to follow as he takes small leisurely steps toward the doorway, ignoring the look of confusion and panic on Stu’s face at the prospect of leaving there without you.
Stu reluctantly follows Billy toward the exit, not removing his eyes from your enervated form. When they finally reach the doorway Billy resumes his speech, a contemptuous tone lacing his voice, “Being left here all alone.” He says simply.
This is your own fault, really. Allowing someone to get so close to you, learn everything about you, use everything they’ve learned against you.
You could argue that he’s wrong, but he’s not.
You could go out fighting, but you don’t.
You could stay sitting on the floor until the police inevitably discover you, but you won’t.
Billy walks back over to you, offering you a hand with a mischievous glint present in his eyes, “So,” He starts devilishly, “What’s it gonna be, Doll?”
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where’s that analysis about infantilisation of women in straight couples
Y/n: *happily sitting in a kidnappers car playing with a toy that the kidnappers bought them to be quiet*
Slashers: *calls Y/N* sweetie it’s time to come home.
Y/n: *to kidnappers* I have to go
Kidnapper: no you can’t
Y/n: they said no
Slasher: you either come home or I’m coming to get you!
Y/n: *looks at the kidnapper* uh oh…. We’re in trouble
Kidnapper: um what?
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me on tumblr looking for Glenn Rhee x reader fanfics or imagines

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i agree with some of these, but def not ymir and historia. i don’t care if they’re not explicitly stated to be lesbians, wlw RARELY get representation that’s not heavily fetishised or otherwise poorly represented, especially not in anime, so it’s like… ugh, why do straight people need everything to be about them?
and headcanoning a character as gay ( whether or not they’re said to be gay in canon ) isn’t at all the same as erasing a character’s gayness, the same way that whitewashing is bad but recasting characters as lesser represented minorities isn’t, or headcanoning a character is autistic is fine, but erasing a character’s autism is not. people who don’t get a lot of good representation tend to find it pretty annoying when others try to twist our representation to make it about Them, because literally everything else is already about them. there are so many characters in aot, you Have to take the one gay couple and ship them with men? dude.
My Unpopular Attack On Titan Opinions
Note: Please understand that the following are my PERSONAL opinions (some might be controversial facts), I've already heard both sides of the arguments. I'm just sharing what I think, it's completely fine if you don't agree, just don't start any arguments with me please lol
Manga Spoilers!!
1. Zeke's plan was better
-Both plans would have let Paradis live on for around a hundred years and would've eliminated the titan powers
-1.3B (Mostly innocents + Children) wouldn't have had to die
-Many Eldians died in Paradis anyway (Because of the Military turning into titans and the damage of the wall titans emerging from walls Maria, Rose and Sina)
-Marley wouldn't remain in so much power because they would've lost their titan powers too
2. Grisha gets too much hate
-People tend to forget that he had also had a very crappy childhood, his parents brainwashed him about how Eldians were devils and such
-His little sister died because he wanted to go where they weren't allowed (He most likely blames himself)
-He was betrayed by his son (who he himself has abused)
-His first wife turned into a mindless titan in front of him
-He was given a heavy burden (the attack titan) and a critical mission to a land he only heard stories about (Paradis)
-He tried to be a better father to Eren but he believed his duty was important
-He lost his second wife and got eaten by his son
-Eren was the one who convinced him to kill the Reiss family (Including innocent children)
-He apologized to Zeke in the end (Something he rarely see bad parents to to their children)
3. It's okay to ship Historia and Ymir with Men
-Historia & Ymir's sexualities weren't confirmed, they could be bi or pan, so it's completely fine to ship them with men or to not like their ship in general
-Many other characters are shipped with characters that oppose their sexualities but no one minds
-It being an official ship is not a factor (Ex: People disliking Aruani is fine)
-You don't have to like those ships but they are valid
-You should only "Hate" on a ship is if it's toxic and/or illegal
4. Hange's gender is up to the reader so stop "Correcting" people
-This has been confirmed by Isayama, you can't be wrong about her gender unless you're "correcting" others
-When Isayama said to use "He" & "She" equally, he was talking about what he said to his team, the fans can do whatever they want. He wanted his team to use the pronouns equally to keep up the mystery.
5. Levi x Hange is the closest non-canon relationship to being canon
Check out my previous posts for this one
Thank you for listening to my rant! No hate if you disagree this is just what I think/believe
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me when i have 0 media literacy 🤞
anyway, being obsessed w someone ≠ romantic or sexual attraction, helloooo? each ghostface was obsessed with sidney in some way or another ( aside from the instances of one being involved for the person they love, ie stu with billy or charlie with jill, but even then… i never cared enough about charlie to really look into his character, but i’m def not gonna say stu Only did it for billy, he absolutely already had the desire to kill, and billy wanting to kill sidney & roping him into it was a perfect outlet ); jill, who wanted the fame that sidney had which grew into an obsession that led her to want to kill sid.
same scenario with roman pretty much, although his also had to do with their mother abandoning him, and also ofc him wanting to make his movie.
mrs loomis who became fixated on killing sidney after learning of billy’s death. i’d say Maybe mickey wasn’t as obsessed with sidney, and more so with the idea of being an “immortalized” serial killer, but he also wanted specifically to kill sidney of all people because of the fame surrounding her.
richie and amber are pretty self explanatory, but then again, All of these are pretty self explanatory so idk how the point flew over your head to begin with.
Portrayals of Ghostface are like “Omg he’s obsessed with Sidney!” when the only killer to have been with her romantically was Billy and he was just “babe get over ur mom’s death that I caused and have sex with me ):” is so funny to me
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► ISHIHARA SATOMI GIF PACK
Under the cut you will find #530 gifs of Ishihara Satomi from the drama 5 to 9. It would be great if you could like or reblog if you use these. ALL gifs were made by me. PLEASE DO NOT: claim as your own, remove my watermark, post in gif hunts or use to make crackship gifs. You may make gif icons as long as they’re for personal use, but you should ask first.
Keep reading
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WHAT IS GOING ON??? WHAT IS HE SAYING TO ME RN
#major pause#literally what is he going through rn#there’s 65 hours left so i’m not gonna aim for any other cards atp#it’d be a waste of energy and s chips#he’s so fine#why is he moaning in my ear though#bro’s about to bust#tears of themis#vyn richter#mo yi#tot vyn
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halloween ends was trash, but it was funny as hell in some parts… like when corey walked into the sewers, swung on michael then jacked his mask
#halloween ends#that shit was wild#also the way michael looked so Bewildered by corey yelling at him#WHAT was going on#michael myers#halloween ends spoilers
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i’m thinking about a fic where the main character is a rogue avenger ( post civil war ), injured and separated from their team after an ambush where they’re hit with strange, power-stunting bullets. unable to use their powers or heal themself, they’re struggling to keep it together, and end up coming across our very own steven grant— who, of course, expresses concern at seeing this person literally bleeding out and looking like they’re about to drop dead. naturally, main character can’t just go to the fucking hospital, so they instead request that steven takes them to his place where they can fix themself up. steven would hesitate, but he cant just let them Die, and they wont go to the hospital, so he kinda has no choice but to agree— anyway, that’s basically the opening plot. i think it’d be kinda fun, should i write it?
#marc spector#steven grant#jake lockley#moon knight x y/n#idk if it’d be x reader actually#if it was#she’d be japanese coded because i already have ideas for her species / abilities and her past#which would all have elements of her asian heritage#readers could ofc headcanon her as biracial if they wanted to#no one reads oc fics so idk#my fic#my plot
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so what are yall gna say now?? if they’re perfectly capable of making gifs— recoloring and all— then what do they gain from stealing??? and AGAIN, considering the fact that yall are talking about super popular scenes, it’s a bit ridiculous.
@metalcyphers
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