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iliveforyouilongforyouvesuvia · 6 months

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If the M6 had any mental disabilities (OCD, Autism, ADHD...) What do you think they would have?

Brainrot's Arcana Essays: M6's mental health conditions

@hewwo-its-floof .... this probably isn't where your ask was heading, but here's an essay! XD I've actually been turning this concept over in my head for several months now, so you'll see what I could see each of them having but you'll also see why I haven't unpacked it much ^.^

(cropped because this is long and addresses each character)

I'm going to be totally honest and say that I'm extremely hesitant to focus on diagnosing fictional characters beyond lighthearted headcanons. From my own experience of having multiple diagnoses at different times, people and characters tend to be fairly complex in the way their nature, nurture, and mental health interact with each other. So while it's really fun and in many ways healing and validating to see our experiences and habits reflected in a loveable character, it's easy to fall into a trap of confining ourselves or a character to the diagnoses we're focusing on.

Asra, Julian, Muriel, and Lucio, for example, all have the kind of lived experiences that you could fully expect would result in CPTSD. Asra's parents disappeared while they were a young child and they experienced the extended trauma of growing up homeless on the streets. Muriel experienced that same abandonment and homelessness, and then that gets layered with his experience in the Coliseum. Julian has clear memories of the trauma of being shipwrecked, losing his parents, and trying to care for his sister as a young boy, plus the apprenticing he did as a teen treating soldiers on active battlefields. Lucio has a similar traumatic background with the amount of time he's spent in combat and the kill-or-be-killed world he grew up in. Portia doesn't have any memories before the grandmothers at Nevivon, but that doesn't erase her body's memory or the chances of second hand trauma from her closeness to her brother. Nadia didn't exactly have an easy childhood, but we aren't aware of any traumatic incidents before adulthood.

All that to say, there's multiple ways to interpret behavior that reflects a mental condition that doesn't match what's considered "normal." Asra can seem ADHD coded - we've seen them fixate on curious puzzles, completely zone out and forget what they're doing, and turn their living space into a cozy state of chaos. That looks a lot like ADHD! But, that could also be the trauma coping mechanisms of someone who likes to live with the luxury of having a space covered in their things without fear of them being removed, or focusing solely on things that make their brain happy in an unpredictable world. Or maybe Asra's just a naturally curious person who finds chaos comforting and spends a lot of time in their own head. Maybe it's a combination of all of the above feeding into each other in different ways!

The same goes for the other three - does Muriel like a more isolated lifestyle because of the trauma from crowds in the Coliseum? Does he like to keep his own heavily guarded space and set routines from living on the streets? Or are those autistic traits, seeking out a space that isn't overstimulating and doesn't require masking? How much of that is natural introversion and a general preference for calm, ordered spaces? He could be a combination of some or all of those things, but he's still himself regardless. If we were to focus on just one, we'd risk leaving the rest to fade into the background.

Julian has one of the stories in which MC plays a very direct role in addressing his mental health. He depends on them heavily to help him find new purpose and a new way to live. You could almost say that MC helps "fix" him, but this doesn't involve losing a lot of the things that make him so messy - it mostly involves helping him dial it back enough so that it's no longer unhealthy. (for example - he drinks as a coping mechanism, but the solution isn't for him to never touch alcohol again. he still drinks and has a fun time, it's his need to self-isolate and self-destruct that really needed to be addressed) He can still be loud and flamboyant and entertaining without having to pin his worth on how much validation he gets from it. Could those super high highs and low lows be signs of bipolar disorder? Maybe, but whether it is or not, Julian's wide range of emotional expression is core to who he is.

Lucio is his own special case (I mean, the story starts out with him as the villain). The plot of his route is his transformation. It could be easy to read narcissism into a lot of his behavior, and if that's a diagnosis his character was built around, it would make sense! It could also be easy to argue that his tendency to idolize himself is a response to growing up in a world where he had no control and felt constantly unsupported and ignored. But the focus isn't on bashing how he sees himself as much as it is on teaching him accountability around what he does with that. Lucio at the end of his story still has a sizeable ego, still sees himself as a protagonist, and has no qualms about being good enough for MC. However, he's gained experience acknowledging his own flaws and mistakes and it's enabled him to seek out a fresh start.

We could unpack Portia and Nadia too - is Portia's super competence and hard working nature born out of the pressure to be strong and steady for her traumatized older brother? Did that cause the hyper responsibility that kept her adventurous spirit in Nevivon way past her childhood? Does her annoyance with her older brother's struggles come out of frustration at never being able to process her own difficulties in favor of playing therapist for everyone else? Are her loudly cheerful attitude, tendency to fill her day with work, and love of escaping into books all masking techniques for chronic depression? Maybe all of that is true, but it's accompanied by a conscious decision to be optimistic and a genuine love of caring for other people.

We could speculate about the source of Nadia's insecurities for hours - what did her old dynamic with Lucio look like? Where did her hesitance to get involved and try to fix a broken system come from? What caused someone with such a focused personality to make firm decisions and express deep doubts at the same time? Does her quest for influence come from a desire to implement improvements or a need for control? Maybe her love of precision, good omens, and controlled environments are a result of OCD, or maybe she's just discovered what it's like to have her confidence shaken and this is what it looks like to move forward.

I've processed my own share of eating and mental disorders, dysphoria, neurodivergence, disability, and trauma. Some of my diagnoses only lasted several months, others took decades to work past, and a few of them I know will be with me for the rest of my life. They help explain a lot of how I function, experience the world, and interact with others as a person. But those conditions and experiences are only part of the amalgamation that makes me who I am, who I've been, and who I'm becoming. I don't care to completely define myself by certain parts when the sum of who I am is what's going to decide my story, and I like extending that mindset to the stories, people, and characters I interact with as well.

I hope that makes sense, and sorry for the unexpected essay!!

Cheers, friend -

brainrot

#ask arcana brainrot #the arcana #the arcana headcanons #the arcana hc #the arcana game #asra the arcana #julian the arcana #nadia the arcana #muriel the arcana #portia the arcana #lucio the arcana #asra alnazar #julian devorak #nadia satrinava #muriel of the kokhuri #portia devorak #lucio morgasson

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cywscross · 2 years

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I've always been fascinated by your OCs. Koyonagi, Orion, Auguste, Shion are all interesting characters! How do you go about making OCs?

To be honest, a lot of the time, they basically write themselves. I know that's super unhelpful, but I'm not the kind of writer who creates detailed profiles for OCs before putting them into my fics. I think a lot of other people go that route? And that's probably more organized and proper than my way, but for me, most of the time, the OCs I write actually weren't even supposed to be that big a deal until they made themselves a big deal.

Like for Koyonagi, originally I just needed an OC teacher because Bleach canon never went into much detail about the Academy, and Ichigo attending the Academy is too huge a chunk of SP to keep him completely isolated. I also wanted to give Ichigo a student, which is how Asuka came about, but at the start, they were both created for the sole purpose of rounding out Ichigo's character and establishing his place in an era where he is literally a man out of time. Unfortunately though, that also meant they had bigger roles to play because they started becoming more important to Ichigo, and characters like that can't stay one-dimensional or completely dependent on the protagonist to support them, otherwise they become boring, so I had to flesh them out, give them backgrounds and personalities and likes and dislikes and ambitions, and they just grew from there.

I think Orion was even more like that. He literally was not even a thought in my mind until Hadrian looked across the Great Hall before his Sorting and my brain went "what kind of people does a Harry who isn't friends with Ron and Hermione have around him", which led to "if James and Lily had a kid, why can't Sirius or Remus", which led to "why not Sirius and Remus", which led to "do I want to deal with mpreg in this fic", which led to "no", which led to "but I do want a werewolf, that could be fun", which led to "bitten kid, blood adoption is a thing, and the Black house would have an heir", which finally led to "I want Sirius to be Lord Black, I don't like his mum, can his dad be a little better", and with some very nebulous history that I really didn't think all the way through, that's how I settled on Orion Black. Even then though, Orion was never supposed to be more than this minor character in Harry's circle. Harry was never even supposed to be that much of a dick, but the more I wrote, the sadder I made Orion, and the deeper the grave Harry was digging for himself (I really need to work on this, right now he's still teetering on the brink of being a dick for a not good enough reason gdi), and I finally couldn't stand it anymore so I made Hadrian yoink Orion out of there. Plus, this doubled as a very convenient in for Hadrian into Sirius and Remus' - and by extension James and Lily's - lives, which tied him even further into this parallel universe and started giving him emotional connections beyond just his fellow students. Besides that though, I think another reason Orion grew so prominent was exactly because he's the only person in Hadrian's circle now that didn't exist in his old world, which makes it easier for Hadrian to click with him in some ways. And the closer their relationship became, the more work I obviously had to put into Orion, like what kind of lasting impact does being discriminated for being a werewolf for most of his life have on him, and how werewolf do I want to make him, and he can't do a 180 in personality just because he now has friends but how do I make him open up a bit, and I want to dose him in angst but I also want to give him the kind of strength that means he just needed a push to realize he was always capable of growing beyond the cage Harry put him in, I don't want his previous isolation to keep coming back to mire him in self-hatred and cripple him, I don't want to make him canon!Remus, so how should I build that into his personality, and etc., and etc. And that's how Orion came to be.

Auguste was the same, he was only ever supposed to be a plot device/excuse for Stiles to destroy Eichen House, but then I named him and everything and gave him a couple lines, and it felt too Chekhov's gun for me to not bring him back, so I did. After that, I did put more thought into it, like why did he show up again, and why isn't he with his coven, and what powers should I give him, and why is he sticking around, and what kind of dynamic do I want him to have with Stiles and Peter, and so on and so forth. But again, those were all questions I asked myself while I was writing him, not plotted out beforehand.

Shion is admittedly a little different in that she was created to be a main character on purpose, but even then, I didn't start out knowing that much about her either. All I knew was that I wanted twins, I wanted a girl, I wanted codependent bamf morally grey siblings who are each other's entire world because I got tired of the evil twin trope that the KHR fandom usually goes for (including me, it's a nice trope, but I wanted something different at that point), and Shion was what I wrote into existence. Some things I considered was how did I want her to treat Tsuna, how did I want Tsuna to treat her, how do I want them to interact with the world as a unit, how are they similar and how are they different, what strengths and weaknesses should I give her so that she can balance out her brother, what experiences does she (and Tsuna) go through to make them as codependent and morally grey as I want them to be, if I make her a Primary Mist/Secondary Sky, how is she a Primary Mist/Secondary Sky, if her personality is like this, who would she get along with outside of Tsuna, and how would they view her in return, and so on and so forth, and that's how I shaped her, all while writing her into the fic.

And wow I got really rambly about them, sorry. But the main point is, usually I just make them up as the story requires it of them. I'm always really amazed when I see other writers have these whole profiles or even blogs about their OCs, and I'm just like I don't know how to do that, which is why I'm always really happy when people tell me they like my OCs, because honestly I don't actually know that much more about them than the readers, they're often still in the process of growing and developing, and I don't know where they might end up. So you know, idk how helpful any of this was, this is just generally my thought process when it comes to OCs, but it's probably not the best advice for how to create them.

#message #writing

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russeliarat · 2 years

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Did a bit of family tree shenanigans for the Court. I’ll give a bit more about their familial backgrounds below. Also possible spoilers for Aurora and Fable whole relationship, since it’s a big plot point that they don’t know how they’re related to each other, but since the story isn’t out yet, I guess it’s okay?

For more background on the girls’ families and future relationships:

{Sun} -

Sun’s family is quite simple, which does reflect her simpler lifestyle. Her mother died when Sun was quite young so she doesn’t remember much of her, though seems to like how her father, Gaepora, remembers her. As her father runs the Knight Academy, she grew up learning the ways of the school and grew to graduate as a top student in both studies and combat. In the future, she does go on to marry her childhood sweetheart, Sky, and have a family with him when they came to the Surface and first established Hyrule as a small village, which would later become an actual kingdom.

{Dot} -

Dot is a fourth generation royal, meaning that she is Sun and Sky’s great granddaughter, and thus directly related. She grew up hearing about her great grandparents’ feats and is one of the more religious as she grew up knowing she was related to a goddess. Her parents are very cautious about her, which sometimes becomes overbearing. To prevent her from leaving the castle, Dot was put in charge of guarding the Four Sword and its shrine, of which was forged by her close friend, Four, though she often manages to sneak by anyway. Dot goes on to marry another nobleman from a neighbouring kingdom to create an alliance. Unfortunately, Dot cannot say it was a happy one, but stayed incredibly close with Four, who only encouraged her to keep her younger self alive through it all.

{Lullaby} -

Lullaby grew up with a very absent mother and a confusing relationship with her father, who would rarely listen to her and often ignored her for ‘royal business’, but adored her dearly. Instead, she grew attached to her caretaker, Impa, and saw her as a mother she never got to have. Here, two major things happened depending on which timeline is followed.

When Ganondorf took over Hyrule in the Fallen and Adult timelines, Lullaby had to take on the alias of a Sheikah boy named Sheik, go into hiding, and train to survive under Impa’s care. Impa died protecting Lullaby from an ambush of monsters, and left her alone to survive. After this, Lullaby took Sheik in as a part of her identity and found comfort in him. Whether Time dies or not, Lullaby is found to be deeply affected by the deaths around her and decides to never take anyone in as family again to avoid the heartbreak, though knows she has to continue a lineage and marries a nobleman from a different kingdom. She becomes an absent mother in her grief, and little does she know that she became the very women she came to forget.

However, in the Child timeline, nothing of that sort happens, and with a young Time’s word, is able to get Ganondorf executed before he can destroy the kingdom. Lullaby grows closer to Impa and as she nears adulthood, comes to understand her father’s constant work and absence as she is made to take a portion on herself, though equally becomes frustrated by his ways. An arranged marriage is made to take place between her and a nobleman from a nearby kingdom, though behind that man’s back, she has an affair with another and has a child, who would become Dusk’s father. She masquerades the child as the nobleman’s in order to keep him safe and secure in his life.

{Tetra} -

Tetra never truly liked her family, with a mother and father too attached to their tiny island life and a sister she was the complete opposite too, she felt isolated when she admitted she wanted to venture around the oceans. Her parents owned a boat with a small crew themselves to make money off of fishing, so Tetra was often found wanting to sail off further than she was really allowed to. One night, at 17 years old, she met Gonzo, whom she struck a deal with to go out to sea on his ship in order for her work. Gonzo, who began with very few people on his ship, happily accepted the help, and eventually found that Tetra had become a pseudo-leader for the ship due to her prior experience, soon becoming the captain herself. After HH, Tetra continued to run her ship, but sustained a severe injury during a boarding action with another ship after founding New Hyrule and found she couldn’t continue sailing. She was forced to live on the lands of New Hyrule and taught others to sail and adventure, leaving Wind and Gonzo in charge of the ship. The crew visit often as they consider her family and vice versa. Tetra went on to take in a little girl as her own during lessons, and once finding out that the girl felt isolated from her family due to her sense of adventure, took her in as if she were a second mother. She even considered the girl’s daughter her grandchild.

{Fable} -

Fable and Legend grew up together under their parent’s supervision until they were about 9 and 10, when Legend ran away from home and disowned himself from the royal family to live with the two’s uncle. A few years prior, their parents were assassinated while on a business trip to a neighbouring country, and so were taken into their grandfather’s care, who was the current king. Due to his strict, no-nonsense attitude, Fable adopted this, however it overwhelmed Legend, making him feel as if he were trapped in a cage. The two never stayed separated though, as they often managed to find themselves re-united through the various ways people have tried to destroy the kingdom, steal the Triforce etc. In the future, Fable learns to become more laidback as she becomes Queen, and marries a man outside of the royal family, and having twins, who really resembled their father more than anyone else. Her and Legend occasionally find themselves interacting, though they’ve been raised so differently, they barely recognise each other. Fable truly has a deep affection for Legend, and Legend could probably say the same for her once he works out how to deal with his emotions, though they’re both too prideful to admit it.

{Aurora} -

Aurora and her twin brother, who she fondly nicknames ‘Princey’ (or just ‘Prince’ for short), grew up with a very doting once-peasant father and sterner, more serious mother. For the first decade of her life, Aurora was brought up by both her parents, though when her mother died and her father was cast aside as he was originally from a lower-class, she and her brother grew up around her caretaker, Impa. However, she never really bonded with her parents in the first place, as she saw her mother as too strict and up-tight and her father as a people-pleaser, and so connected with her uncle and his freeloader of a roommate instead by sneaking out of the castle, and thus took mostly after him. Later in life, Aurora mends her relationship with Dawn and finds a kind of closure in her brother’s death through her. She connects even closer with Hyrule through their shared experience, and in some ways, Aurora sees a lot of Legend’s influence in Hyrule that wasn’t there beforehand. The two, with their abnormal aging, go on to leave Dawn to her royal business in the castle and stay forever bound to one another in the forests and sacred Fairy Fountains until their deaths. They never had children, but became the legend that began the Lover’s Pond rumour.

{Dawn} -

Dawn grew up with her mother and father for all 17 years of her life until HH, though like other’s they were quite absent as they were incredibly involved in the Hyrulean Royal Council and Advisors, meaning that she too was brought up by her caretaker, Impa. However, she was quite independent of Impa, and often strived to impress her parents and the council to the point she became quite frail from exhaustion and overworking, so much so that she had to pad her outfits for her to gain a healthier-looking body shape. All of which goes unnoticed by her parents, who are just proud of her hard-work and high effort. When Aurora was woken from her slumber, this was amplified by 100, and with the succession crisis, Era of Decline, and the food and water poisonings from Ganon, her health took a decline. After HH, it only got worse and she eventually died of malnutrition before the age of 30. With Aurora effectively giving up her role as a royal princess and with Dawn being unmarried and childless, the Fallen Timeline’s lineage of Zeldas technically ends with Dawn.

{Dusk} -

Dusk grew up a relatively lonely life as she was already an incredibly introverted child, though very athletic. Dusk grew up hearing of Ganondorf and his execution and feared the man every day of her life, leading her to throw herself into sword-fighting in case it were ever needed. Her parents never cared much for what Dusk did, as long as she was happy, healthy, and grew up to take on the mantle as Queen. She had one of the most normal childhoods out of anyone in the Court, actually. When the Twilight Realm merged into Hyrule, however, her parents became spirits and unfortunately, Dusk never saw them again. After HH, Dusk led an equally lonely life as her childhood, with anxieties over her curse and Ganondorf, as well as having very little friends or even acquaintances she connected with after Midna broke the mirror and Twilight returned to Ordon, which all caused her to rule from behind closed doors. Her royal advisors arranged for her to be married in hopes that it would bring her out of her room, though it never worked, even after she had a child, raising them too from the safe confines of her most private rooms.

{Athena} -

Athena grew up with only her mother and closest friend/person servant, Impa, though her mother died in a previous war many years before the War of Ages, leaving Athena and Impa to raise themselves amongst the servants of the castle. Athena grew up attached to sword-fighting and combat as she idolized the legends of heroes that fought to protect her country, though was quickly reminded that she was a princess and no hero has ever be a woman. Athena is directly related to the Child Timeline before the war, making her Dusk’s distant great-something granddaughter. Once HH has finished and she returns to her own time, she chases the adventure she yearned for as a child that she only got a taste of, and so under an arranged marriage, married Warriors so he could help her with that. In reality, the two remain platonic friends and Athena goes off to have an ‘affair’ with another person that alongside brings a child. She presents the child as if it were her and Wars’ though in truth, he has no connection to the baby and doesn’t want any children himself, instead raising the child as if he were an uncle.

{Flora} -

We all know about Flora’s family. Her mother died when Flora was young, and her father raised her from the moment he knew the Calamity would occur so that Flora would get her Goddess Powers, hellbent on the idea it would stop the Calamity. Then he died. Other than Impa, Flora had no other friends as she was so heavily sheltered during her life, though grew wholly attached to Urbosa as a mother figure as she was Flora’s mother’s close friend. On her 17th birthday, the Calamity struck and wiped out most of Hyrule, including her closest friends; the five Champions of Hyrule. After HH, Flora goes on to live with Wild as a roommate since she has thoroughly accepted that the monarchy most likely won’t be re-instated after a century without it. She is thoroughly happy to live as Wild’s companion, despite the bad memories and trauma it brings, as she has always expressed more joy in travelling and science and nature than being a princess locked away in a castle due to her lineage.

#hylia's heroines #idk why but this gave me back pains #more family tree stuff #it doesn't show it particularly well but this is for the court only #the only exception is aurora and dawn's relation to prince #and ofc for the chain that they go on to build a romantic relationship with

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mayhaps-a-blog · 2 years

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Another thing I think could be a weakness of Thrawn’s, and really Star Wars in general, that I’d love to see exploited more (though I doubt it will be) is the Planet of the Hats.

In Star Wars, most species are pretty static – they all seem to follow the same general patterns and cultures, which I think is a major waste on Star Wars’s front. As much as people are shaped by the culture they grow up in, there are equally those who define themselves outside of such, and especially in a place as vast and varied as the GFFA, there’d be a lot of cultural mixing and variety. The sheer vastness of the galaxy would confound attempts at a single, solid culture – is that zabrak from Iridonia, Dathomir, Coruscant? Is this twi’lek from Ryloth, Tatooine, Ord Mantell, a thousand other systems? They’re all going to have their differences; so how does one define a single ‘zabrak’ or ‘twi’lek’ culture?

As a weakness, I could see it as stemming from Thrawn’s background – in the Ascendancy series, we meet the xenophobic, culturally isolated Chiss, surrounded by the other xenophobic, culturally isolated governments of the Chaos. It’s ripe for producing that kind of one-size-fits-all view of other cultures. Thrawn is better than most Chiss, but there’s still a mindset, which he’s unlikely to consider a problem, especially when it’s helped him to so many victories – until it hits him in the face.

Thrawn can analyze the art of a species for cultural weaknesses, but I’d love to see him scramble after he realizes his Mon Calamari opponent is fighting like a weequay pirate crossed with a Mandalorian shock trooper.

Interestingly, I also think it’s a weakness of the Grysk, which I’d love to see exploited – for conquerors that depend on a deep understanding of their opponent’s motives, the sheer variety of the galaxy would massively slow them down. A twi’lek from Ryloth will have different pressure points than a Mandalorian twi’lek, or one from Tatooine. And that’s just one species – add in the sheer numbers, mixed cultures, and it’s going to be a job and a half. Unless, of course, they’re facing the Imperial Navy – humans all, raised and trained in the same culture. Except for Thrawn… who is, in the end, only one man.

#some more thoughts #thrawn #planet of the hats #star wars #gffa #xenophobia #chiss #grysk #imperial navy #anyway

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phoenixyfriend · 3 years

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👀 PLease tell us your thoughts about the Jedi babies re-growing up among different cultural contexts.

Oh fuck okay

Context: original post, chrono The specific post this ask is referencing: here

Summary of the AU: Disaster lineage got tossed back in time. Anakin stayed 21-ish, but Obi-Wan and Ahsoka got deaged, took new names for time-travel reasons (Ylliben and Sokanth, or Ben and Soka), are now staying with the True Mandalorians under Jaster Mereel because the Force said to, go back to the Temple after about a decade. They grabbed Shmi about three months after arriving.

So as far as the cultural background goes, Obi-Wan and Ahsoka had similar upbringings. She spent a few years on Shili first, but both spent the majority of their childhoods up to age 13/14 being raised in the creche. So that's the basis that they would default to, in a vacuum.

Nobody is raised in a vacuum.

Along with the Jedi cultural background, they're being raised by Tatooine natives in a Mandalorian environment.

Shmi and Anakin are both former slaves who have desert survival baked into their bones. The longer Anakin spends around her, the more his accent slips, the more he talks about old folktales, the more he uses idioms that don't exist on a cityplanet like Coruscant. All the things that he tamped down to be a Jedi come floating back to the surface, and Shmi's never known anything else. Anakin's knowledge of slave customs make her feel more comfortable, which in turn makes him feel better, and so on.

Mandalore is just... the culture they're living in. You don't grow up in a new culture with a new language without picking up on it personally. (Source: I moved to the US when I was a little under two years old.)

I think the thing I'm going to focus on as an example is the way each of these cultures approaches family, and then maybe how they approach the keeping of peace/what peace means.

Jedi: Where you come from means little, only the legacy you leave behind in your students. Mandalore: You protect your clan and your children; adoption is a major cultural value, if not actually practiced consistently. Tatooine: You can lose your family at any time, so you value what you have in all its forms. You don’t forget where and who you came from, to family of blood and family of choice alike. You cling to your memories and what little you still have of them, to what your master cannot take away.

These are all valid ways to approach family, and each of these approaches can have significant meaning to different people. But they do all, to a certain degree, conflict with one another, despite all three being fairly communal cultures.

The Jedi have a culture, one that’s built on a shared ability and religion over thousands of years. It’s not just an organization, but a continuous community with legends and traditions and art and records. But it’s one that is built on new blood coming in from the outside, volunteers who join because the religion speaks to them (near literally, given the nature of Force Sensitivity), given up by families who couldn’t or wouldn’t teach them in a way that let their talents flourish instead of pushing it all down.

For the Jedi, a culture built on people coming together due to something they have in common intrinsically that their families of blood do not, it makes sense to put emphasis on letting go of that past when they can, and to place importance on teaching lineages. It’s not just the official master-padawan pairs, either, but that’s the most obvious and easily paralleled element. Moreover, a lot of the Jedi culture is about gaining knowledge, so obviously spreading it is good, and also on supporting the galaxy to make it a better place; to view the Jedi order as a heavily communal culture would make sense, since their values are all about selfless betterment of the universe, which on a larger scale is about the galactic conflicts, but on a smaller scale is about supporting their own community, the children and the ill and elderly.

So that is the specific culture that Obi-Wan and Ahsoka grew up in, one that holds blood family as relevant but not particularly crucial to one’s identity, but is structured so people leave behind legacies through education in a manner that often becomes adoptive family (depending on your definition, I guess). Jedi are encouraged to connect to their home cultures, if not their families, with practices like the coming of age hunt for Togruta leading to the young Jedi taking a trip out to Shili to engage in that cultural milestone. This can also be viewed as a way for the Jedi to maintain personal connections to the wider universe, a (not entirely successful, but certainly attempted) way of keeping them from becoming too isolated and insular from the universe at large, and losing touch from what the galaxy actually needs of them.

They’re now growing up with two cultures that do place emphasis on blood and found family.

Mandalore, as presented in The Mandalorian, has their traditional values set as being heavily associated with their armor, battle skills, and childcare. While that’s clearly a set of values that aren’t actually followed by everyone with full sincerity, we can assume that these stated cultural values do have at least some impact on the way the society is structured, since we do see more traditional characters (Jaster, Din) adopt orphaned children and then have the Mandalorian elements of their immediate circles support that claim.

(We’ll ignore Jango and the whole clone army thing because the amount of Sith influence is up for debate and also holy trauma, Batman.)

However, we also see that a lot of Mandalorian culture is built on their family histories. On the New Mandalorian side, we see emphasis placed on the fact that Satine is House Kryze and that she’s a duchess. Her bloodline is relevant, though not the most important thing about her. On the Death Watch side, we have Pre and Tor placing emphasis on the fact that they’re Clan Vizsla, descended from Tarre, that this is important to why they deserve what the darksaber represents, this is part of why they not only deserve to lead, but should for the good of Mandalore.

Bo-Katan’s armor is a family heirloom. Boba’s armor was Jango’s, but before being Jango’s, it was Jaster’s. Armor is important enough to pass to family, but the family can be adopted. This all tracks.

The resol’nare specifies loyalty and care for the clan/tribe among the six tenets.

These two elements seem relatively well-balanced: the importance of adoption and the importance of family as a larger unit on the level of a house or clan.

And then you have Tatooine, which also balances blood and adoption, but for entirely different reasons, that being this: it can always be taken from you.

For all that a Mandalorian could historically expect their family to die in battle, and a Jedi could expect to lose their master the same way if things went poorly, those were usually choices. A Mandalorian was raised to walk into battle, and then they could make that choice to do so. It wasn’t often much of a choice, but they could feasibly turn their back and choose to be a farmer or a doctor or something, and support the people who went out to do battle instead of being the one on the field themselves. A Jedi could choose to be a healer or an archivist or join one of the Corps.

A slave does not get that choice. A slave can be killed or sold on a whim from their master. It’s not a one-time trauma, but an ever-present fear. Your parent, your child, your sibling, your spouse, all of them can be separated from you at any time. You can always lose them, and you have no choice but to grin and bear it, or try to run and die before you reach freedom.

In a context like that, I imagine Tatooine places a very heavy emphasis on family, both of blood and of choice, and on treasuring what you have while you have it. A person is always aware that they can lose whoever they have in their life, and so they make the most of their times together, have clear and consistent ways of expressing that love (I imagine primarily direct verbal confirmations and physical contact, practical gifts like water and fruit). Childcare is important, elders are venerated. Those who survived that far have valuable wisdom, and the children are to be given what happiness they can have before reality wipes that ability from them.

The family ‘networks’ among Tatooine slaves are smaller and tighter knit. There’s less trust for outsiders, but once you’re in, you’re in until you are taken away. Still, families are torn apart regularly, and often can’t contact each other after being separated if they’re sold far enough away, so families stay small because they’re always being broken up. Unlike Mandalore’s tribe/clan system, or the Jedi’s wide, loosely-structured community, Tatooine’s slaves form smaller groups that cling for as long as they can, and try to support each other. (There are selfish ones, of course, especially the newbies, but... well. Most try.)

Tatooine is also much more likely to assign a familial role (e.g. referring to an elder as ‘grandmother’). It’s not uncommon in the others (multiple Jedi refer to their masters as a parent or sibling, like Anakin’s “you’re like a father to me” line), but it’s not as baked-in that such a role should be given.

So on a structural level, we have two people from a community culture with little emphasis on blood family or formal familial roles are now being raised in a community that has them asking “what can you do for the people around you first, and then the wider world?” by people who tell them “your family, blood and found, is the most important thing you have; never let anyone take more from you than they possibly can.”

And that shit has an effect.

For all that Sokanth and Ylliben were once raised with a knowledge that their duty, their goal, was to better the galaxy as a whole, they are now being told that the community that raises them asks their loyalty back, because societies are built on support networks, and if you support the tribe, it will support you. There are parallels to that kind of thinking among Jedi, because it is basic social theory, but it’s not presented as the same kind of cultural value. It’s not given as something to strive for, just a basic fact.

This, for instance, means that once they’re back at the Temple, they have a tendency towards suggesting study groups and other ways of supporting people in their immediate circle, often structured in very unfamiliar ways. Again, this isn’t uncommon among Jedi, but it’s not done in the same way, or with the same emphasis. The Jedi also often approach problem-solving in a different order, so the step of “meditate on it and you may find your solution” often comes before “gather information from people who know more about it than you do,” while Ben and Soka have by this point learned to do it the other way around, because that’s what the Mandalorian system taught them: rely on your family first.

Meanwhile, the Tatooine element of their upbringing has them being much more willing to just... casually refer to ‘my dad’ and ‘my sister’ and so on. They use those words. It’s not just “my master is like a father to me,” but “this is my father.” They don’t hesitate to talk about the family they had and still have in Mandalorian space. None of the Jedi begrudge them it, really, but it’s always a shock to hear for the first time, and between the Tatooine refusal to pretend the connection is gone and the Mandalorian tendency to err on the side of roughhousing as affection, they’re just... odd. It’s not like none of the other Jedi know family outside the Order--some of the old books had Obi-Wan visiting his brother on Stewjon once in a while--or like none of the active Jedi are loud or boisterous, but the specific manner in which Soka and Ben interact with the Order, especially when their dad is around, is very weird.

More Soka than Ben, really, but that’s mostly just because Ben’s a very quiet person until he gets a little older, so it’s harder to notice on him.

Point is, while they still hold to their duty to the wider galaxy and will continue to keep that duty above almost anything else in their lives, the way they talk and act about the subject of family, especially in private, is heavily influenced by their new cultures.

This is already very long but I promised I’d talk about peace so let’s go:

The Jedi seek peace as an absence of war and conflict in the portion of the galaxy under their purview, in hopes that they will prevent as much suffering and death as they can.

The Mandalorians are varied, but Jaster Mereel’s group (which is the community the Skywalkers are with) is likely to view peace as unrealistic to achieve in the long term. They do not seek war, but they know the world they live in, and are prepared to protect against violence as their first resort. They always expect an attack, even if they don’t seek it.

The Slaves of Tatooine view peace as the calm in a storm. It is the status quo. Nobody has escaped tonight, for the guards aren’t searching, but neither is anyone dead. The Master you have is in a good enough mood to not sell you, to not kill you, to not beat you. Peace as an absence of suffering is impossible, so you seek for your master to be peaceful, that is to say: not raging at you.

The scope of each of these narrows significantly. From the known galaxy, to the wars that meet Mandalorian space, to the household one serves.

A community like the Jedi can choose to address peace as something to be sought on a large scale as an absence of war. They primarily function within the borders of the Republic, which has its problems but is largely structured to prevent such things from occurring until the Sith interfere. The Jedi have a structure that allows them to address peace as an ideal to be sought, at least within the borders of the territory they serve.

Mandalore, meanwhile, has been at war on and off for... ever. When they are not at war with themselves, they’re at war with someone else. ‘Peace’ is just the time between wars, and they know that if they do not attack first, they will be forced to defend. Jaster Mereel was known as the Reformer, and part of that was that instituting a code of honor, one that was intended to prevent Mandalorian warriors from acting as raiders and brigands, but rather acting as honorable hired soldiers, or taking roles such as the Journeyman Protectors. Given that, I imagine that he views war as something inevitable, but also something that can be mitigated.

War doesn’t touch Tatooine.

Oh, it might raise taxes and import rates. It might prevent visitors who come for the races. It can do a lot of things.

But to a slave, these are nothing. The only thing war does is affect the master, the person who chooses when their slaves get water, when they get beaten, when they are no longer useful enough to keep around or keep alive.

The peace of a slave’s live is dictated by how much abuse they are subjected to by the person who owns them.

What this means for Soka and Ben is... well, they are viewed as war-hungry by the people who don’t know them very well. They have armor. They focus on fighting, both with and without their sabers. They know tactics better than most masters. They claim that war is coming, and don’t seem too sad about it.

(It is a fact to them. War will come. All they can do is meet it. They’ve already done their mourning once.)

They also... well, Shmi tells them things in hidden corners. How to duck their head to hide the hate or fear in their eyes. How to watch for the anger in the tendons of a hand. The laugh of someone who enjoys the pain they’ve caused, not just the adrenaline of a fight. She is free, and so are they, but she has not forgotten how to hide in the shadows until the master’s ire has turned elsewhere. How to be small and quiet and unseen until the danger passes.

A Jedi’s first resort is words. Their second is their saber. But the Jeedai hold their heads high, and the Mandalorians do the same.

“You rely on the Force, and you have your pride,” she tells them, her hands on their own. “But there will come a time when you will not be able to remind people that you are free. You will not be able to say that you are a person, that you deserve the respect of a living sentient. Perhaps it will be a politician who treats everyone like that. Perhaps you will be captured by an enemy. Perhaps you will be undercover. You will not be able to fight, with words or with weapons, and you will have to know how to survive.”

Tatooine does not have peace. Tatooine only has survival.

And while Jedi fight for the survival and peace of the universe, they are refined and composed. Mando’ade fight like warriors of old, and Tatooine slaves fight like cornered, rabid anooba.

The galaxy comes first, but when the chips are down and the Sith come out to play, Soka and Ben do not need refinement, because they know how to toss aside their pride and live.

#Tatooine #Mandalore #Jedi #culture clash #star wars #the clone wars #Anakin Skywalker #Shmi Skywalker #Ahsoka Tano #Obi Wan Kenobi #Jaster Mereel #family #war #Phoenix Posts #Anakin and the Jedi Babies #Phoenix Answers Asks #I have no idea how accurate this is but it's what I'm working with

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komatsunana · 3 years

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Unpopular opinion, but I think Nana K and Takumi are really good for each other. I'm just really drawn to the both of them. I think that in his own way, Takumi does really love Hachi. Hachi is warm, motherly, and gentle, things that Takumi had always been deprived of ever since he was young. Even though Hachi is spoiled and childish she is a pillar of strength and loyal to a fault to her friends. Takumi can better ground Hachi to reality, and can accept her for what she is, and Hachi can soften Takumi.

I remember that scene in the bathtub when Hachi said that Takumi can rely on her, he was so surprised, like the concept of relying on someone else is so foreign to him, which is not surprising given his background. That's why that time when Takumi received the call about Ren's death, and he held Nana's hands, is all the more significant, because Takumi does not do that, he takes care of everything by himself.

I won't excuse his problematic behaviors, but who amongst the characters in Nana are not problematic? (Nana O with her possessiveness, Ren with his addiction, Reira and Shin's self esteem issues and struggle with their self worth)

Sooooo there is LOTS to unpack here, particularly with another ask I assume is from you.

What I'll focus on here is that,, I think the relationship is FAR tilted in Hachi making Takumi a better person than the other way around. Sure Takumi can give Hachi a reality check, but this isn't something that other character's couldn't provide Hachi if given the opportunity. Additionally, Hachi is 20, later turning 21. At that age, not many 20 year olds have a firm grasp of themselves and reality. Hachi's flightiness is part of her age. We see her growing up through the series and with or without Takumi, she'd be getting a reality check just by growing up. On the other hand, the things Hachi offers Takumi are things that no one else in the series is able to offer.

Take your example of Takumi taking Hachi's hand after getting the call about Ren's death. That is a very powerful example of how Takumi depends on Hachi, yes. But later, when Hachi is still processing her grief over Ren Takumi tells her without discussion that he won't be staying at their place. When Hachi, pregnant and grieving, cries and basically expresses that she's upset and needs his support... He just tells her to go stay with Nana, like it's obvious, like he hadn't just made plans all on his own and not discussed them at all with her. It's great that it worked out to both Hachi's and Nana's benefit to be together to grieve but as we find out... Takumi leaves Hachi at Nana's without any contact whatsoever. Prioritizing Reira's well-being over Hachi's. And while, true, Reira is in need of more direct comfort and care in her state... they have phones. A phone call, A TEXT would be sufficient just to check in. But he doesn't.

Additionally, at the end of the day... Takumi has raped Hachi twice that we've seen (chapter 29 and chapter 47), because rape isn't just physically beating someone into the act. She even says it's rape in chapter 48, though narratively it is treated as a joke. He also emotionally abuses her constantly, isolating her from others and belittling her when she implies he's jealous about Nobu when he is at least a little.

The way abuse works, the abuser has many more good and charming moments with their victim. That's why abuse victims stay which is why yes, Takumi and Hachi have lots of cute moments together. Those moments are why Hachi stays, why many abused people stay with their abusive partner at least in the beginning.

I do believe completely that in those future chapters we see ahead in NANA, Takumi is a much better person because all we've seen is that he does change and feel regret over his past behaviors. A better husband and partner to Hachi, and most importantly a loving father. But none of that means Hachi would ultimately be better off with their relationship. I do enjoy Takumi's character - he is among the most interesting characters of the series - but he definitely got the better end of the deal here.

Which brings me to the word problematic. I hate that word honestly, because it brings us to situations like this where we can distill people into being ~problematic~ without naming what qualities making them so. Takumi is a rapist and abuser and this is not equal with any of the characters problematic traits you've listed. That said, I'll say that Ren's problematic flaw is NOT being an addict. Being a drug user is not a moral failing, even if how someone treats people while using drugs can be. Ren's big failing is the same as Nana's - possessiveness even if it manifests itself differently. Also... one, struggling with self-esteem and self-worth are not problematic. Reira's issue is being an adult who is in a romantic and sexual relationship with a kid who is being sex trafficked.

One of the great things about NANA is the characters and their wide range of character flaws. I think the story is better off for having all of them, with all their flaws (even if narrative handling of some of those flaws could be better imo). That doesn't mean all flaws are equal. I respect that you have that opinion and I don't think it's as unpopular as you think. I just think you're on tumblr, where most users see rape and abuse as deal breakers. Go seek out the Instagram NANA fans or if you're interested in having a nuanced discussion about Takumi join my NANA Discord here.

Thanks for the ask and I'll answer the other asks in my ask box ASAP :)

#nana #ai yazawa #komatsu nana #komatsu hachi #ichinose takumi #takumi ichinose #my nana feels #i scream #ask #Anonymous

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orangeoctopi7 · 3 years

Text

Buzzfeed Unsolved: The Suspicious Crash of Stanley Pines

The theme for @stanuary week 3 is Crime... what about... TRUE CRIME? I started watching Buzzfeed Unsolved this last summer, so I’ve been wanting to do something like this.

If you don’t watch Buzzfeed Unsolved, this is probably gonna seem like a lot of rambling.

On the morning of July Fourth, 1982 in the sleepy logging town of Gravity Falls, Oregon, there was a firey explosion that wasn't part of the fireworks and festivities. A car had gone over the edge of the town's famed floating cliffs.

"Floating cliffs?" Shane asked

"They're like, giant overhangs. They're not just floating up in the middle of the air like Pandora or something." Ryan explained, showing Shane a photo on his phone.

"Oh, that's pretty."

"It is really pretty."

"What a beautiful place for a car to careen over a cliff."

Ryan cracked up.

"You get a lovely view as you plummet to your death." Shane imagined.

Between 6:15 and 6:20 PM, the Gravity Falls Police Department received six separate calls reporting seeing a yellow car in flames drive off the edge of the cliff and crash to the valley below.

When investigators arrived on the scene, they found the remains of a crushed and burnt 1971 Subaru DL Coupe. The police report notes finding that the brakes were cut, and evidence of gasoline being poured into the driver’s seat to start the fire. Strangest of all, no body was found in or around the crash, only a few burnt strands of hair.

“So, right off the bat, real suspicious.” Shane commented.

“Yeah, and it only gets more suspicious from here.” Ryan assured his co-host.

“And I’m assuming there’s no chance that they guy, y’know, got up and walked away from the crash?”

“Oh, no, no way. You saw the picture of the cliffs.”

“Oh yeah, no way.”

“There’s no way anyone in the car would have survived that fall.”

“And it was on fire.”

Despite the lack of a body, the police determined from the few burnt strands of hair and an anonymous tip they received at 6:15 PM on the day of the crash, the driver of the car was one Stanley Pines, a 31 year old man from Glass Shard Beach, New Jersey. Allegedly, he had been coming to Gravity Falls, Oregon to visit his twin brother, Stanford, who lived just a ten minute drive from the cliff Stan’s car had driven off.

“Wait, wait, wait--” Shane interrupted Ryan’s explanation, “Twin brothers. Named Stanley and Stanford.”

“Yeah.”

“Who the f___ names their kids like that?”

“I know, right?”

“Were they identical twins?”

“Uh, I couldn’t find anything saying they were definitely genetically identical, but, uh, with the way this case goes, it’s safe to assume they were identical enough.”

“Yikes, I feel sorry for them growing up, can you imagine how often people got them mixed up?”

“Yeah, but imagine the kinds of shenanigans they must have gotten up to!”

“Oh, that’s true. There would have been plenty of shenanigans. Lots and lots of shenanigans.”

“If you had twins, would you give them cutesy twin names?” Ryan asked.

“No.” Shane answered firmly.

“I think I’d just do like, alliterative names. Nothing too similar.”

“Yeah, no I think twins probably have to deal with enough confusion bull___ without having to throw similar names or the same initials into the mix.”

“Interestingly enough…” Ryan started.

“Yeah, I’m guessing from your comments that the twin thing plays into this.”

When interviewed by the police, Stanford claimed his brother never arrived at his house. However, testimonies of other townsfolk reported seeing a red 1967 El Diablo with a distinctive “STNLYMBL” vanity license plate driving up the road to Stanford’s house earlier that winter. The house is out in the woods, isolated from the rest of the town, so no one would drive up that way unless they were going to see the cabin.

“Well what if they just wanted to take a walk out in the woods?” Shane countered.

“It was in early February.”

“Snowshoeing.”

“In a blizzard.”

“Ok, you do not have a weather report for the exact day they saw this car!”

“Two of the testimonies mention there was a snow storm that day. Plus, the license plate says STANLEY MOBILE.”

“Well, Stanley is a fairly common name.”

“You-you’re just being contrary to bug me now, aren’t you?” Ryan accused.

Shane just grinned.

What’s more, that same red El Diablo was the car Stanford now drove.

“What!?” Shane laughed with disbelief for a moment before putting on a mocking tone. “Uh, yeah, he never showed up, but, uh, I have his car. I’m still driving it. Y’know, seemed like a waste to just let it sit in the driveway.”

“He didn’t even change the license plate.” Ryan added.

“Oh, of course not!” Shane said sarcastically. “Why go through all that trouble?”

Upon further inspection, the car that crashed was registered to Stanford, and had been reported totaled almost seven years prior.

“It’s interesting that they say it was totaled.” Ryan commented. “Because totalled just means that the damage is more expensive to fix than the car is worth, so it could have still been drivable.”

“And if you’re trying to fake a car crash, what better to use than an already worthless car?” Shane agreed.

“Exactly.”

Stanley Pines was declared dead by auto accident and the case was closed in September of 1982, due to lack of evidence and quote: “A lack of interest from the involved parties”.

“A lack of interest from the involved parties!? What the h___ does that even mean?” Shane asked in bewilderment.

“It’s odd, to be sure.”

It’s when we look into the background of the presumed dead Stanley, and his brother Stanford, that this case becomes truly bizarre.

Stanley Pines left home at the age of 17, and had brief but unsuccessful careers as an amature prize fighter and as a salesman, before he turned to a life of crime. Prior to his reported death, he had been in prison five times, in three different countries, and had lived under at least eight different assumed names, with several others that were never confirmed. He had known ties to the mob and drug cartels.

“Quite the shady character. That might explain why the police didn’t look too closely into his ‘death’.” Shane put air quotes around “death”.

“Well, does it? I mean, if they thought his death might have been related to the mob…” Ryan argued.

“They know better than to mess with the mob, even in Oregon.”

“I mean, we have seen in several past True Crime episodes, what can happen if you mess with the mob.”

“Oh yeah.”

“You don’t wanna do it.”

“Nope.”

His brother Stanford was no less strange. He was born with fully-functional polydactyly, meaning he had six fingers on each hand. It’s worth noting that after 1982, Stanford no longer had 6 fingers. He claims that he had them surgically removed, because, quote: “I was sick of people staring.”

“Uh-huh. Sure.” Shane said doubtfully.

“You don’t believe that explanation?”

“Let’s just say I find it highly suspect.”

Stanford was also a certified genius, graduating with the most PhDs Backupsmore University had ever awarded. As a graduate student, he worked as a researcher and inventor for the US Government. Some sources say he worked on top-secret experiments.

In 1975, he received a $100,000 research grant, which he used to move to Gravity Falls and become a Paranormal Researcher. When he arrived in Gravity Falls, he was the subject of many rumors throughout the town, due to his reclusive nature and strange area of study.

“Oh, so this guy was basically you.” Shane pointed out.

“He’s basically me if I didn’t have you.” Ryan agreed.

“Awww, that’s sweet!” Shane placed a hand over his heart.

Many residents reported seeing strange lights coming from Stanford’s home in the woods starting almost as soon as he moved in, as well as strange sounds.

“Well, it seems like Gravity Falls is a pretty small town. People gossip.” Shane reasoned.

“Ok, yeah, but people gossip about who’s cheating on who, or what business secretly sells drugs out the back. They don’t gossip about strange lights coming out of the new neighbor’s basement.”

“They could. It’s gossip. Gossip can be about anything.”

Reports of the lights stopped in late January of 1982. Just four months later, in March, Stanford began opening up his home for tours, and in a matter of weeks, transformed his home into a tourist stop called the “Murder Hut.”

“Oh my g__.” Shane stifled a laugh. “A little on the nose there, don’t you think?”

“He did rename it to the Mystery Shack about a year later.”

“Hmm, yeah I wonder why?” Shane asked facetiously.

Stanford also exhibited paranoid behavior on several occasions before the crash, especially in the early months of 1982.

One local reported seeing Stanford screaming “No it isn’t, you creeps! I can see you just fine!” down an alleyway. Several other eyewitnesses reported seeing him fall out of his seat at the Triple Digits Truck Stop Diner on Route 14 and scream for something to “get out of his mind” before fleeing the building.

“So, he definitely seemed to think something was out to get him.” Ryan commented.

“Not the words of a sane man.”

“Unless something really was out to get him.”

“Eeeeh, even then…” Shane wiggled his hand in a so-so motion.

Dan Corduroy, one of the few people who had regular contact with Stanford before he opened the Mystery Shack, had this to say about the sudden change from research lab to tourist trap:

“Oh, he’s definitely been acting differently. He was really shy before, hard to talk to even. He seemed uncomfortable spending a lot of time with people. I’d invite him over to one of my family’s cabins to visit, but he only ever wanted to visit the haunted one while we were all out of town. I’d say it was a good change, though. It wasn’t good for him to be alone all the time like that. I’m glad he’s finally spending time with other people.”

“He only wanted to visit our haunted cabin.” Shane repeated with disbelief. “Hey, do you wanna come over to visit one of our cabins?” He put on a voice. “Uh, that depends, what kind of cabins have you got?’ ‘Well there’s one by the lake, one with a nice view of the valley, and one that’s haunted.’ ‘Oh, I’ll take the haunted one!”

“What gets me is he only wanted to visit the haunted cabin while everyone else was out of town. We’ve stayed in our fair share of haunted places, and it was bad enough staying overnight, just me and you, but there is nothing that could convince me to spend the night in one of those places all by myself.”

“I mean, I’m pretty sure none of the places we’ve been to have actually been haunted, but I see what you mean. It’s not fun to go to a haunted house by yourself. It’s kinda boring.”

“Um, we’re not gonna get into this discussion now, because we still haven’t even gotten to the theories yet, but you’re wrong.”

The case came to light again in August of 2012, when Federal agents arrested Stanford Pines, and detained him for several hours for questioning. By the next day, he had been released, and officials stated that his arrest had been due to a false lead. What exactly that false lead was, however, was never stated.

Now that we’ve gone over the extensive background of this case, let’s get into the theories of what really happened that 4th of July in 1982.

Theory #1: The theory put forth by the police, that Stanley Pines died in a fiery car accident.

“So then how do they explain what happened to the body?” Shane asked.

“It doesn’t say.” Ryan.

“And why were the breaks cut?”

“No explanation given.”

“That’s a stupid theory, those cops ought to be fired.”

Ryan stifled a laugh. “You’re not wrong.”

Theory #2: That Stanley killed his brother, made it look like his own death, and took over his brother’s life. This would explain the loss of his extra fingers, the sudden change in behavior that led him to open up the Mystery Shack, and his sudden acquisition of Stanley’s car. It does not, however, explain the lack of a body in the crash.

“He could have disposed of his brother’s body somewhere else, and then just like, left an ice block on the gas pedal and let the car run itself off the cliff.” Shane theorized.

“That’s possible. I was also thinking, maybe the body was gone. Maybe Stanley didn’t necessarily kill Stanford, maybe they met up in the woods, Stanford got eaten by a bear, and Stanley, who was already in trouble with the mob, took advantage of the situation, and faked his own death.”

“How--why did you work your fear of bears into this?”

“That’s just my variation on this theory.”

“Then why all the secrecy? Why not say that he was the one who got eaten by the bear? Why fake the car crash and then say his brother never showed up?”

“Because if the mob knew he’d talked to his brother before he died, maybe they’d come question him?”

“Oh, yeah, that’s a possibility.”

Theory #3: That Stanford killed Stanley and made it look like an accident. People who support this theory say the psychological trauma and guilt of killing his own brother may have driven Stanford to change his appearance and behavior to more closely resemble that of his dead brother.

“That’s… kind of a stretch.” Shane said slowly. “I feel like, Occam's Razor, theory 2 is more plausible.”

“What makes you say that one’s more plausible?”

“I dunno, just saying ‘He killed his brother and took his place’ seems a lot more likely than ‘The other brother killed him and the guilt drove him to act like his brother. I don’t think that’s how psychology works.”

Theory #4: Both brothers are still alive. Stanley, on the run from the mob, came to his brother Stanford for help. Meanwhile, Stanford was worried about someone or something that was out to get him. They came to a solution that would solve both their problems: switching places. They would fake Stanley’s death, throwing the mob off of Stanley’s trail. Then, Stanley would take Stanford’s place in the public eye, while Stanford went into hiding.

This theory is supported by photos that surfaced on Facebook in 2012. Several photos of Gravity Falls after a series of earthquakes did extensive damage to the town show what is supposed to be Stanford. However, another man that looks just like him is seen standing in the background. Interestingly enough, both mens’ hands are obscured in all of these photos.

While the photos haven’t been analysed by any professionals to definitively determine if either of the men are Stanley Pines, it has been determined that the photos are not edited.

“Would the whole photo recognition software even work on identical twins?” Ryan wondered.

“I don’t think so?” Shane answered unsurely. “I mean, my Facebook facial recognition auto-tag doesn’t even recognize my mom half the time, so I wouldn’t be surprised if twins throw it off.”

“Just looking at some of these photos yourself, what do you think?” Ryan handed a few print-outs from his folder to Shane.

“Oh wow, yeah, they do look alike.” Shane nodded. “Alright, yeah, I’m convinced. We solved it, guys! Video over!”

“We actually do have one more theory.” Ryan informed him.

Theory #5: Stanford was abducted by aliens.

“Oh for f___’s sake--” Shane threw his hands up in frustration. “We have four perfectly good, plausible explanations, and you have to throw that in!”

“This one actually does have some evidence behind it.”

“Bull____, but go on.”

Stanford was a professional paranormal researcher. Although he was very secretive about his research, even to his grant committee, some of his research notes do list looking for proof of ancient aliens visiting the valley before European contact. Could it be the thing he was afraid of was aliens?

“... That’s it?” Shane asked. “When you said this one actually had some evidence behind it, I thought you meant there was a UFO sighting in the same area around the same time.”

“The negative space between the floating cliffs kinda looks like a UFO” Ryan pointed out.

“Yeah, but that doesn’t mean a random researcher in the 80’s was abducted by aliens! That’s like, if I found a ransom note for you in the office, but I said ‘Well, Ryan was afraid of bears. Bears used to live in California, there’s one on the state flag outside our building. He must have been eaten by a bear.’ That’s the kind of leap in logic we’re talking about!”

Was this a case of fratricide? Or is this the longest and most elaborate twin switch of all time? For now, this case remains… UNSOLVED.

* * *

“It was really hard for me to stay on topic while I was researching this one.” Ryan admitted as they wrapped things up. “There is a lot of weird stuff related to Gravity Falls, we should go there for an episode one of these days.”

“I’d love to do that, it looks like a beautiful place to visit.” Shane agreed. “Are you sure you wanna do that though? It seems like the place is crawling with haunted cabins and bears.”

“Well, one could argue this entire series is about me conquering my fears, so… Why not?”

#Gravity Falls #Fanfiction #Buzzfeed Unsolved #Stanuary 2021 #Stanley pines #My Writing

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wedreamedlove · 3 years

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Xu Mo vs. Mo Yi [Character Study]

I can never get over the aesthetic of these two pictures placed side by side LOL. But, anyway, the point of this post is to nip any undue comparisons in the bud and claims of copying organize my thoughts and compare these two characters to highlight their similarities, differences, and further explore each character through these contrasts.

Q) If you like Xu Mo, would you like Mo Yi?

Honestly, I think this depends on what you like most about Xu Mo. I already knew beforehand that I gravitate towards characters who think 5 steps ahead, are predominantly logical, and scholars/gentlemen, so it’s not surprising I bias both Xu Mo and Mo Yi.

However, as I got to know Mo Yi further (Themis is around 6 months old now), I find that he’s distinctively different from Xu Mo on three crucial points that’ll determine whether people from either camp will like the other character.

1) Stance on Others

In a post for Xu Mo, “Into Your World”, I argued that Xu Mo is an alienated genius who had troubles getting along with others, until he mastered the social game as an adult. However, you can still see glimpses of this as he tries to understand MC’s world and shares his own.

To be fair, Mo Yi’s past is still under wraps but I feel confident in saying that, while he was probably highly intelligent compared to his peers [SR Sculpted Heart], his isolation doesn’t seem to come from his innate nature but rather his social position (there’s heavy implications that he’s like some sort of noble or something) [SR Snowy Pine Fairytale].

IMO, these backgrounds really shaped the way these two men interact with the world.

Xu Mo has a detached and indifferent view towards other people. They simply exist and don’t bring anything positive or negative to him. His ambition to ensure the survival of humanity reflects this too because it’s pure utilitarianism; everyone (apart from MC) can be sacrificed equally for the greater good. If anything, he probably finds other people to be interesting subjects to study, no matter what kind of person they are. IIRC the only time he expressed dislike to people, or a group of people, was when he told Hades he enjoyed killing thieves LOL.

Meanwhile, Mo Yi has an elitist streak to the point where he and his MC actually clashed opinions and debated each other [SR Warm Fingertips]. It’s incredibly ironic because he’s a psychiatrist who treats his patients without judgment, but at the same time he looks down on so many things and people (PUAs, people who betray love, hypocrites who only seek power and fame) [Ch2; Personal Story Ch1-3; SSR Moonlit Ball].

One of the things I noticed early on is that Xu Mo draws from the Eastern scholar archetype, “Xu Mo Character Study”, while Mo Yi actually draws more from the Western gentleman archetype.

So, just to summarize this section, Xu Mo is detached from the world naturally and likes to observe people and try to blend in. Mo Yi deliberately draws a line between him and others and, at times, has the casual cruelty of someone born as nobility (arrogance is carved into his bones, even if he tends to keep it low-key because he generally has a “gentle and polite” attitude).

2) Stance on Love

Xu Mo didn’t understand love, or really even emotions. Love is grown between him and his MC (there’s multiple analogies throughout the game about how their love is like a seed). I think [Ch25] pretty much sums it up for Xu Mo, where he goes through that emotional rollercoaster and muses about how, at the end of human evolution, emotions should be discarded. He also admits that MC taught him the “fear” of a normal person, because now he has someone he cannot give up no matter what, which goes against his previous utilitarian beliefs.

Compared to this, Mo Yi fell in love at first sight. Yes, you read that right. The “scientist and logical” archetype fell in love at first sight LOL. Not only does he acknowledge it right off the bat, but he fully embraces it too and believes that real love makes people better versions of themselves [Personal Story]. Mo Yi is a through and through psychiatrist in that he never underestimates how primal emotions (and love) can be.

Heck, not only is this central to his personal story, but we also have hints that one of Mo Yi’s parents fell in love at first sight with the other person (and he inherited their predisposition for that). Unfortunately, their love had a tragic end and Mo Yi seems to have a huge grudge against his father for whatever happened to his mother (again, Mihoyo is keeping this a mystery LOL), but Mo Yi explicitly confirms that even if his love leads to a tragic end he will still walk down this road and attempt to change it [SR Cool Summer].

IMO one other difference between them re: love is this exchange that lives rent free in my head which I saw in a Xu Mo/Reader/Mo Yi fanfiction LOL. Bear with me here.

Mo Yi: Wearing a mask for a long time will tire you.

Xu Mo: It’s enough just to wear one in front of the necessary person.

Xu Mo and his MC make great efforts to understand each other’s worlds, but this understanding comes from the doors he chooses to open to her. He reveals himself as much as possible, but I think he’s an inherently private person (and there’s all that Ares stuff) so there are times where he hides things so that he doesn’t worry his MC. I think this is enough to count as a “mask”. Sometimes he pretends he’s okay when he’s not.

On the other hand, while I think Mo Yi shares the sentiment in not wanting his MC to worry unduly, he tries to reveal himself as much as possible. There’s an amazingly relatable conflict in him here where he wants her to know every side of him, but he’s also terrified of how she’ll react if he shows her his ugliest sides and imperfect sides (he has some sort of phobia or fear about imperfection, but Mihoyo has been keeping mum on the exact details of this so far) [Personal Story; SR Sculpted Heart].

It’s pretty ironic that Mo Yi wants to be perfect, but he realizes that the more perfect he is the more of a sense of distance there’ll be between him and his MC because of the subconscious pressure someone “perfect” brings LOL [SSR Border of Light and Darkness].

3) Stance on Growth

If you haven’t realized that one of Xu Mo’s greatest themes is the phrase “Take your time in growing”, then what have you been reading? Jkjk, but seriously this gets repeated in multiple places, although my brain always goes back to [Blossom Date] for this.

Even if he and his MC start off with fundamental differences (she believes all people have inherent worth and can’t be involuntarily sacrificed), he wants to personally watch the journey of her maturation. He also subtly guides and teaches her. Unfortunately, due to circumstances of the main story, he doesn’t get his wish and she grows up a lot out of his eyes, but their relationship still revolves around him wanting her to have as much time as possible to grow.

He’s, for a lack of better word, extremely gentle about this (setting aside as much of the Ares and story parts as we can, because LovePro’s story is tragedy on tragedy LOL). I think [Autumn Blaze Date] shows a good analogy for this, because he holds the bicycle steady for MC until she can get going on her own, and he also catches her the first time.

Meanwhile, Mo Yi... ha ha ha. I just came out of chapter 3 for his [Personal Story] and let’s just say his philosophy is tough love. It’s ironic because, in many of his other dates, he wrestles with an internal conflict to protect his MC but also to let her experience all sorts of things to both test and temper her.

This is going to touch on the previous topic about love for a moment, but a part of Mo Yi’s love at first sight experience is also “testing” the other person through all sorts of situations and, after seeing all their different sides, he can determine whether his love at first sight is one that’ll last for the rest of his life or if it’s just a fleeting moment of beauty and emotion.

He also extremely respects his MC’s sense of justice and pursuit of the truth in the world, no matter what she encounters, and I wouldn’t be surprised if this is what drew him to her in the first place. But MC’s occupation and beliefs will make her confront a lot of dark and dangerous things and so, whenever possible, Mo Yi lets her confront these in “controlled” situations to train her. If I had to make an analogy, IMO, he’d let his MC ride the bicycle and pick her up only after she falls, or when she’s like 0.1cm away from the ground LOL.

Mo Yi is (perhaps rightfully) called out on this by another character, who believes Mo Yi is too arrogant in believing everything is under his control and he can prevent MC from getting hurt whenever he lets her get into dangerous situations, and I’m interested to see if Mihoyo will let him experience failures with his philosophy so he can grow more, like the things Xu Mo went through re: his personal beliefs [Ch24].

Overall

I don’t know how well I explained myself, especially for people who don’t know anything about Mo Yi, and each section goes back and forth between the two characters LOL so here’s another section that attempts to describe their overall atmosphere.

If, like I said in my Headcanon Notes, Xu Mo makes me immediately think of all the words for soft, gentle, light, still, water, etc etc., then the words I constantly think about for Mo Yi is messily human. He’s like a bundle of contradictions, but coherent because it’s being intentionally done.

Mo Yi doesn’t discriminate against his patients, yet he can be elitist and looks down on others. He wants to let MC have dangerous experiences, but also wants to protect her. He wants to be perfect, but he also wants to reveal himself entirely to his MC because that’s real love.

In contrast, Xu Mo has a very clean and orderly personality LOL. You can draw clear cause and effect lines from his personality to his actions.

So, anyway, these are two interesting characters who start off with similar archetypes as scientific logical men of scholar/gentleman dispositions, but yet they’re also on opposite ends for a lot of things such as their approach to emotions and the world.

Oh wait, lastly, because I don’t have a good place to put this—but I think it’s funny—is that both characters are pretty possessive and greedy, but while Xu Mo does things in a sneaky, cunning and fox-like way Mo Yi gets ridiculously open about his jealousy and it’s hilariously cute but also almost childish? I often forget Mo Yi is older than Xu Mo by a year, because Xu Mo honestly feels a bit more mature than him LOL. If we count them actually aging by when their game came out though, then Mo Yi is 28 and Xu Mo is 29 now.

#mr love queen's choice #tears of themis #mlqc xu mo #mlqc lucien #wdsjb mo yi #love and producer #weiding shijian bu #mlqc #love and produc(ing) meta #tears of meta

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giantsreach · 3 years

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part of having written carver since like. 2013/14 is that i can never remember which topics i’ve posted meta on but i’m pretty sure i haven’t discussed his banter with fenris in-depth on this blog yet.

i think something that rubs me the wrong way about the way carver and fenris often interact in fan work is that there tends to be an underlying and fundamental misunderstanding about why carver approaches fenris in the manner he does. i’ve seen a lot of carver talking out of his ass to fenris for no reason other than a ) he thinks he knows better, and/or b ) his overly critical eye wants to fault-find. + he’s annoying or smth to that effect. 🙄

these interpretations tend to neglect the actual driving force behind carver interacting with fenris in the first place, and that’s that carver has had little exposure to other warriors. apart from his time in king cailin’s army, he was peerless ( literally ) in his field, and only interacted with his fellow swordspeople when they passed through town via the imperial highway.

now, there is aveline, of course, but the writing makes it clear that aveline takes on the role of yet another older sibling ( or family of a similar, authoritative position ) in his life, and as such, doesn’t quite qualify as a peer in the traditional sense.

this likely isn’t the most flattering way of phrasing it, but carver wants friends. people who he can relate to, who share his interests and background, who find him as compelling as he finds them. carver may seem prickly or sullen in act i ( and he certainly is at times ), but he’s also experiencing two-prongs of isolation:

1 ) cultural, as a fereldan refugee in a city-state that doesn’t try to hide its hatred of foreign asylum-seekers, and 2 ) mundane, as a displaced young man who has never quite fit in at home nor in any village they've settled in, and who has recently lost the family member closest to him, and who watches his surviving sibling pick up new companions left and right as if it’s not at all difficult.

cut to fenris, who is a consummate swordsman. and while carver is initially on edge because he's under the impression fenris could pose a threat to hawke, once the tension is dispelled, he's far from opposed to fenris's presence. if anything, carver is eager for his approval. fenris is, aside from aveline, the only warrior carver gets to spend any considerable amount of time with, and he's singular in his skill and ability. it's plain to see why someone like carver, starved for peers, would want to establish some kind of rapport with someone as exemplary as fenris.

the problem is, naturally, that carver — nineteen and having never learned to read socialize properly, due in equal parts to growing up sheltered as well as having poor self-confidence — cannot stop himself from saying shit that is so mind-blowingly stupid, that it is a wonder fenris was as forbearing as he was. i'm talking about:

Carver: So... this master of yours wants your markings back? Skin and all? Fenris: So his hunters told me. Unwillingly. Carver: So why not cover them up? Wouldn't that make you harder to find? Fenris: Let them come. I am not one to hide. Carver: Still, if it were me— Fenris: It's not. ─────── Carver: So you've really never thought of hiding from those hunters? Fenris: To what end? Carver: So you could, I don't know, have a life? Fenris: What life do you have? There are no hunters after you at all.

i feel like it should be obvious why these banters are in bad taste, so i won’t go into detail to lambaste carver over his blatant ignorance. the dialogue is proof itself, especially considering how little of fenris’s experience carver ( or anyone else for that matter ) can truly comprehend.

what i will do, true to form, is explain that no, carver did not just pull that suggestion, careless as it was, out of his ass. while hawke may or may not do their best to lay low as an apostate, potentially choosing to engage then-knight-captain cullen over the unjust treatment of mages depending on player discretion, carver has internalized how malcolm guided the family. his father taught them to keep their heads down and be prepared to hit the road in case the circle caught scent of them? then that must be the best way to approach it. emotional neglect unfortunately primed carver to idealize and adopt malcolm's choices and general philosophy. this carries over even to legacy, where, regardless of carver's current character arc, carver will agree that malcolm was correct to keep secrets.

so there's fenris, right, who carver believes is in a position similar to that which the hawkes have been in. carver, attempting to help ( as he is wont to do ), wants to share what had worked for them in attaining a semblance of normalcy, not realizing or considering that that is not fenris's foremost goal. hiding is not a one-size fix-all solution, but carver hasn't expanded his horizons well enough to grasp that fully yet.

then there's largest contributors to my secondhand embarrassment in da2:

Carver: You're very different from other elves. Fenris: Oh? You know them all? Carver: No. I just... you look different. There's no denying that. Fenris: It is what I am. And unlike the problems you claim to have, I really did have no choice. Carver: Do we know anyone who isn't brooding every hour of the day? Fenris: Like attracts like, it seems. ─────── Carver: You know, Fenris, I have a tattoo. Fenris: You have a what? Carver: A tattoo. A lot of us got them before Ostagar. It's a Mabari. For strength. Fenris: Does it curse you with the ability to reach into a man and tear out his insides? Carver: Uh. I can make it bark. Fenris: Please don't.

i’ll start with the second one first. at its heart, the tattoo banter hearkens back to the fact carver wants to feel like he has something in common with someone. yes, it is cringe. but it’s also misguidedly sweet, and on top of that, it’s something carver also tries to do with merrill, who carver arguably has the friendliest dynamic with out of hawke’s crew.

Carver: Your people came a long way Merrill, but I like to think that we have Ferelden in common. Merrill: I never saw Lothering. Did you walk as much as we did? Probably more, you didn't start with halla. Our ship stunk. Carver: Your ship? Merrill: There was something foul in the hold. I can still smell it. Carver: Oh, well, that must have been unpleasant. Merrill: It was. Did I miss something dirty again? Carver: No.

speaking of parallels, the “you’re very different from other elves” dialogue mirrors this one with merrill:

Carver: So, you're not like a lot of other girls. Merrill: No, I'm an elf. Carver: Right. Alright then. Merrill: Oh, did I miss something dirty? Carver: What? No! It wasn't dirty. It wasn't anything.

yes, i took 42069 points of psychic damage from reading that too. but the main takeaway from this is that carver is trying, poorly, to make the two people he thinks he could be friends with feel like they’re special. ( you know, like how carver wishes he was. lol. ) to disastrous results. but i think it’s more than worth mentioning that the intent behind his conversation-making is never once condescending.

and it’s not like carver lacks self-awareness, either. after he becomes a warden and returns to the party for mark of the assassin, he admits he lacked polish.

Aveline: I'm glad you found a place with the Wardens. Carver: Well, it's not the city guard, but it'll do. Aveline: Carver... it wasn't the place for you. Carver: No, it's all right. It is. It cost a lot, but I get it. I really was a bit of a tit those days, wasn't I?

Carver: So, we're lost. Varric: Just like old times. Carver: Maker, I hope not. I was an ass. Varric: (laughs) Fair comment, Junior. All right, let's get this done.

and specifically to fenris:

Carver: Orlesians. Can't build a hallway without turning it into a maze. Fenris: Keep going. I'm sure your training will kick in any moment. Carver: Still don't like me? I've tried to change. Fenris: You have. Now you're dangerous. Let's move.

i don’t know how to end this nearly 1.5k meta, so tl;dr i guess

#( here it is the 1.5k carver re fenris meta i've had brainworms over for litr years #at this rate i'll have one for anders merrill fenris and aveline by 2023 afhouwehd #anyway. first day of work is slow )#( miscellaneous ╱ outofchara. )#( re: study ╱ headcanon. )

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yandere2me2 · 4 years

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Hi there! First, I just wanted you to know that I really enjoy your writing. I don’t know most of the characters you write for, but I still am able to understand who they are as people from your works which is really cool!! Secondly, I was hoping I could hear your thoughts on the Obey Me characters? You can do as little or as many as you want, whatever you’re comfortable with. And finally, I just wanted to say I hope you have a good day!

Thanks anon! So far I’ve only written a few things, but if you wanna check out what characters I’ll write for, check out my newly posted rules post - for any fandom listed, I’m good writing any character so long as the other rules are followed (ex: any Obey Me character but Luke since he looks and acts like a child).

Since no limit was placed, I’ll just do some general headcanons for the first 4 brothers for now. Know that I’m willing to write about any other characters in Obey Me aside from Luke for future requests :)

So without further ado, some yandere Obey Me bros (under the cut because this got LONG)!

TW: implied/mentioned forced captivity, manipulation, unhealthy relationship standards, non-con/dub-con, degradation, voyeurism

Lucifer

Sadistic - but that’s a given with the game information. To be more specific, he sets strict rules for his darling and is very much a control freak; he has so many things going on in his life that he has to manage out of necessity, but his darling is a special case he’ll gladly take on

If his darling breaks a rule, he enjoys doling out punishments. What type of punishment depends on his mood, the type of incident his darling caused, and if their actions affected Diavolo. God help them if if they insult Diavolo

Possessive with a capital P. His darling is his. No one gets to see them fall to pieces under his hands but him. No one gets to bring them to the peak of pleasure but him. They will fear him the most above all others if that’s the way his darling must cope with his methods. Lucifer would prefer an amicable relationship, but he understands he’ll be met with resistance with the standards he has

Praise will come rarely, so any darling that craves it will have to earn it by being on their best behavior. If his darling does manage to get him to praise them, he’s in a very good mood and will be more open to requests (he won’t let them go, but some new books, hobby materials, or food options are fair game)

He’s a yandere that will lock his darling away for their safety as well as his own comfort and ease. Dangers are everywhere in Devildom, and he knows his darling will manage to find trouble if left to their own devices or with his brothers. He’s not going to risk it. Besides, he’ll have a better hold on his darling if he’s the only one they interact with daily

Going off the last point, Lucifer would also hide his darling away to avoid Diavolo’s attention. By my read on their relationship, Lucifer holds little power to oppose Diavolo thanks to their pact, and Diavolo wanting in on Lucy’s darling would frustrate him beyond words - can’t he have just one thing for himself? I’ll be writing more on a Diavolo/Lucifer/Darling situation after requests are filled, but BOY do I wanna write about this now

Mammon

He’s needy. Mammon craves affection from his darling in any amount they’re willing to give. He’ll be the first to deny it if his darling or someone else points it out, but everyone knows

He Does Not Like To Share His Darling! At all!!! He will pout and whine and get even more clingy if he thinks his darling so much as looks at someone else with interest (imagined or not) - especially his brothers

His punishments are usually to reassure himself that he’s in charge, that his darling did him wrong and they should be grateful he’s their protector, that he even bothered to notice them in the first place. Any other demon would have left them to fend for themselves; he is the best demon a puny human like his darling could ask for

That said, when he isn’t worked up he’s very much a sub in his relationship with his darling and aims to please them. Praise doesn’t come too often for him, and he loves when he can get any positive affirmation. He’ll get testy if his darling outright insults him

He wouldn’t think about locking his darling away until much later. After his darling grows accustomed to living in Devildom, after Mammon starts realizing and (unwillingly) accepting his feelings, he notices how close his darling is with his brothers and the others, how easily they could be stolen away from him… he doesn’t like it one bit

Mammon wouldn’t think much about his plan before he sets things in motion by making a deal with some witches to set up a private space for him and his darling that no one can reach without his say-so. This of course incurs a ton of debt that he’s confident he’ll pay off in a jiffy (he won’t) and he only leaves when he needs to handle paying off his debts or deal with some Devildom official business - he’s the second most powerful demon brother under Lucifer, so as obnoxious as Mammon could be about how “important” he is, he’s not entirely wrong

If he’s in a good mood, he’ll spoil his darling as best he can with any material good he can think they’ll like. Just name it and it’s theirs. Unless of course they upset him, then he’s just as quick to take any privileges he gives away and remind them who’s in charge. It makes him hurt to have to punish his darling, so he tries to avoid it unless he thinks they need a reminder of who has to make the rules around here

Leviathan

Levi doesn’t have much experience with darlings compared to his brothers - throughout the thousands of years he’s lived alongside his brothers, he prefers to shut himself away most of the time. He’s had the least amount of darlings in his lifetime, and when they pass on he secludes himself to fantasize about his perfect darling (who’s usually based on a combination of anime characters and past darlings he’s had)

He’s so insecure, constantly worrying how he isn’t good enough that he bullies his darling into having them convince him that he’s who they want. His darling better be convincing though; if he senses pity or fear or anything else that takes away from their sincerity, he won’t be kind when he’s punishing them

He’s almost as overbearing as Mammon - that’s a feat in itself. Levi won’t isolate his darling though; he’ll manipulate and guilt his darling into wanting to stay with him to avoid his ire. They’ll manage to step on his toes in one way or another, finding some unspoken overstep as an excuse to point out their flaws

Honestly the “transport yourself into a video game” trope opens up so many fun options for Levi to play with his darling. He has games (similar to the one we witness in canon) where he and his darling can spend virtual weeks together without anyone to disturb them. He has games he knows his darling hates - horror games that are gruesome for demons, let alone a human, where his darling can’t escape and can die as many times as it takes for Levi to be pleased before he transports them back out. He has naughty games for when he wants to import his darling to watch them endure whatever scenarios fit his fancy - anything from tentacle porn to gangbangs. By the end of it, his darling will be so grateful to be back in the real world they’ll be begging to stay with him, just as long as they don’t have to go back in a game. Levi uses the affection to his advantage

He forces role play on his darling - Levi as the Lord of Shadows and his darling as his precious Henry. His darling better learn their lines and how Levi likes them to respond if they want to stay on Levi’s good side

His darling’s wardrobe consists of mostly Ruri-chan and Henry cosplay Levi purchases for them. No you can’t change my mind

Of course, if his darling isn’t in a game or reading some top manga series, Levi’s talking about it to them or having them watch/read along with him. He just wants to share what he enjoys with the person he treasures, even if they’re just a simple normie human

Satan

Earlyon, his darling is warned by the other brothers that his smile is fake, that he’scynical and shouldn’t be trusted. But out of all the brothers, he comes acrossas one of the least intimidating, so it’s easy to gravitate towards him

Tbhhe’s likely not interested in his darling at first – humans are lessercreatures to demons, food for most and potentially nuisances when one makes apact with a powerful demon. Until he finds something noteworthy, like how quicklyMammon forms a pact with this human, he doesn’t see much potential

He’s pretty reasonable up until he’s angry; for a darling surrounded by dangers and demons,he appears to be the least likely to harm them, and they accidentally push one of hisbuttons at some point. Once his limit is reached, he is terrifying – wrath isin his name and he lets his darling know when he’s displeased

After the first time he loses his temper, he’ll givehis darling clear warnings before he punishes them. He uses his darling’s fearof his punishments to his advantage, encouraging “good” behavior with thethreat of “or else” in the background

He has some notable similarities with the eldest brother: a sadistic streak a mile long and a preference to dominate/need for control to ensure his darling is undoubtedly his. How Satan shows these traits is different in key ways, however

Satan is sadistic more often when he’s feeling neglected, miffed, or bored with his darling. He’s not as strict as Lucifer, actually allowing his darling the freedom to act on their own accord in most cases. It gives his darling the chance to show him how much devotion they are willing to give him without him commanding it. If he gives an order, however, he expects his darling to obey

Unlike Lucifer, Satan doesn’t have the risk of things going Bad if something doesn’t go his way; Lucifer needs to please Diavolo or risk failing on his end of the pact, and so control is key for him. Satan likes control, but to the extent of knowing he has the final say. Satan doesn’t want to control every aspect of his darling - at the end of the day he wants his darling to voluntarily choose him, even if only out of fear of his displeasure - but he will have them

Satan has his own possessive habits - he needs affirmations that his darling is his. Either he’s marking them in some primal way or he has his darling reassure him through their actions

He stalks his darling. Have you seen how aware he is of his brothers’ activities in-game? It’s almost unnerving in some situations - and that’s just canon material. Satan watches his darling out of curiosity at first before it grows into an obsession for him. After a while he knows every little detail, every mannerism, every preference. All those outings he asked his darling to join him on before he actually clarifies he wants to date them? They’re all used as opportunities for Satan to review later

Advice to any darling of his: Do NOT compare him to Lucifer if you know what’s good for you. Just. Don’t. He won’t kill you, but you will wish he did by the time he’s through with you

I say this as several of my points are comparing his similarities/differences with Lucifer hahaaaaaaaa sorry Satan

#yandere #yandere obey me #yandere headcanons #yandere satan #yandere lucifer #yandere leviathan #yandere mammon #mammon x darling #lucifer x darling #leviathan x darling #satan x darling #my post #my replies #anons

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carlyserrano · 3 years

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[ GEORGINA AMOROS, SHE/HER, CISFEMALE ] — [ CARLOTA “CARLY” SERRANO ] is a child of [ HYPNOS ] with the power of [ SLEEP MANIPULATION AND INDUCEMENT ] . they were born in [ 1998 ] and have been in nemean lion since [ 2016 ] . with the change, they [ ARE TRAINING IN ] the [ STANDARD ] role which makes sense since they’re usually [ HAVING AN EXISTENTIAL CRISIS AND NAPPING ] . if you’d like to meet them try the [ SUN ] building . — kati / she & her / est / 18+

links: stats / pinterest .

background

carly spent most of her life knowing this : her mother died of sadness. it must be a terrible thing, to be a mortal that loves a god that deeply. so much that not being able to be with them tears you apart.

she doesn’t really remember her mother, she was only three years old when she took her own life, but carly still wishes she could have done something, that she could have been enough to make her happy – or at least to take away that overwhelming sadness.

as a result, carly was raised by her mortal grandparents. this accounts for some of carly’s old-fashioned taste in film, music and even fashion, raised by guardians fifty years her senior.

carly loved stories. whether her nose was stuck in a book or she was daydreaming herself, her mind was always exploring fantastical possibilities. sometimes daydreaming would take a step further into actual dreaming, which was something teachers started to struggle with in class. prone to fits of sleeping – which would be diagnosed as narcolepsy by her teachers – it became problematic. it was very difficult, pretty much impossible to wake her if she didn’t want to be woken up. as her powers grew, people around her would be prone to sleeping as well, but she didn’t understand how she was doing it or what exactly triggered it.

on carly’s thirteenth birthday, her grandparents sat her down to have “the talk” – they told her about her father’s identity and the true story behind what happened with her mother, finally thinking she was old enough to understand. it devastated her, how truly sad things had been for her mother and the circumstances surrounding her life. she honestly just wanted to be NORMAL. when her grandparents brought up nemean lion and suggested sending her there, carly refused. only thirteen, she didn’t want to travel to a new country and leave behind her grandparents. the changed scared her and she still held out hope of living a somewhere ‘normal’ life. she was legit just thirteen and scared to travel overseas and leave home...but with some new added trauma, too.

but things started to get worse from her going forward. children of hypnos are extremely powerful and carly didn’t know how to control any of the things that she was going through. her sleep patterns as a teenager became erratic, insomnia for days on end and then the inverse. after carly slept for a week straight, her grandparents felt like they had no choice. they couldn’t care for her and weren’t properly equipped to handle what she was going through, and when carly was seventeen, she had no choice but to pack her things and move to america.

despite missing her grandparents terribly, carly wanted to make the most of a bad situation. mentors at nemean lion taught her about her powers and more about how to use them – her ability to alter someone’s consciousness with a snap of her fingers. slowly, she started to become more confident in powers that she’d never thought she would be able to control. carly is the sort of person who tries desperately hard to make others happy, to look after them, and she considered switching to the hero track when she had a better handle on things, but she never got that far.

all of these people telling her how gifted she was definitely added to her confidence, but maybe...overdid it a little for a girl who had never felt special before, for someone that felt like an outsider and now was very much an insider with a lot of friends and like, the ability to have a social life now that she could maintain a normal sleep schedule. she really started to envision herself as this bold hero.

i’m having trouble putting this articulately and i keep rewriting this so i’ll just present this part. messily. naive, romantic carly falls for a fuckboy > loses her virginity then he totally ditches her like there was never anything between them > she’s pissed off and hurt so they get into a fight in the middle of the training room > she snaps her fingers to get him to shut up while her emotions are at an all time high and...he ends up in the infirmary in a coma. that was enough to teach her that her powers were not a good thing.

not only did she land the reputation of being the-person-most-butthurt-from-being-ghosted-ever but she also realized that her powers are STILL growing. she never thought she’d be capable of doing something like that, and she doesn’t know her own limits, and the realization scares her. she doesn’t feel like she’s capable of controlling her own emotions under pressure and she loses the confidence that she’s built – remaining in the standard track for the next two years or so.

homeboy likely did wake up from the coma as a result of NL having the best healers in the world but it took like some months, like he got his shit ROCKED.

so, that’s kind of in the past for her now, though it’s something she still struggles with, not knowing her own strength and being scared of letting her emotions get the best of her again. she now rarely uses her powers and is a bit scared of her own self, kind of just floating by in the standard track and only thinking of the hero track in like, her wildest daydreams. she just doesn’t really trust herself and doesn’t even know the full extent of her abilities, especially because it’s possible that as a child of hypnos she’s probably still developing more over time.

personality

FAIR: carly tends to stick to her morals, a distinct sense of what’s right and wrong. this can have some gray areas on the godly world, but she sees good guys and bad guys. due to her diplomatic world view, she’s pretty good at looking at a situation objectively and treats people and situations with fairness, apt to try to be the peacemaker in a friend group or during a disagreement. she also thinks that everyone inherently wants to be good and do good, so she’s inclined to give them the benefit of the doubt and second chances going forward.

SOCIABLE: extroverted and loves being around people, once you get started on a conversation with her, she could go for hours. definitely not one to isolate herself, she’s happiest when hanging out with friends or at social gatherings, doing things with other people. if she is awake, she is probably either reading or talking to someone and i’m sure her friends think she could learn to shut up sometimes but she can’t help but share her every thought, really lacks a filter.

LOVING: carly will freely give her whole heart to people, i think ! she’s not afraid to put her heart on her sleeve for people and she honestly puts a lot of her own value in the happiness of others / needing to make others happy, so she’s pretty selfless about wanting to show great love and care for the people in her life. i think of carly as a pretty big-hearted person who is not afraid to put herself out there and say how she feels about someone or something and she will show great affection for her friends, who she considers family.

i suppose some people could feel smothered by her at times but truly her heart is just so full

NAIVE: often thinks what you see is what you get with people, which...rarely the case. but she’s just so inclined to believe in the goodness of people and give second chances that she can sometimes get in over her head. the fact that she sees things in such black and white can be hard for her, because she’s seen her powers do bad things and she’s inclined to believe that she herself might be bad, or that those powers are bad, and she refrains from using them. essentially, she still has so much to learn.

STUBBORN: once she gets an idea in her head, it is really hard to change carly’s mind or get her to waver on it. she can be a bit infuriating in an argument because of this, and this also tends to get her to believe that her very first judgement of people is correct. very firm in her ideas once she has her mind made up, to a fault.

ANXIOUS: literally has anxiety but tends to get really nervous about being liked or doing things wrong, overthinking the small stuff. and the big stuff, like her powers. when she gets overwhelmed, however, her favorite escape mechanism is simply to go take a nap and then she’ll deal with it when she wakes up. essentially prone to nervousness, which is why she can sometimes overcompensate by talking a lot or going to great lengths to make sure someone likes her or to make sure that person knows she likes them.

headcanons

honestly is so fulfilled by reading like, she’s the sort of person to get really attached to characters in books and feel like they are her best friends ! so, she gets a lot out of stories and spends a lot of her alone time a ) reading or b ) journaling/scrapbooking.

is a really meticulous record keeper ! she keeps track of her days and is probably the one snapping photos when hanging out and she keeps scrapbooks over the years at NL and beyond, has the most fun collection of colored paper on her shelf that you’ve ever seen.

big angel energy ? i think. she doesn’t really partake in drinking or smoking ( though she’ll have like, a glass of wine during dinner or before bed, she really likes white wines bc she basic ) and do be wearing her heart on her sleeve, a very trustworthy person, i would call her dependable in situations though she’s too naive to be your mom friend because her advice definitely does not come from wisdom – she can be a bit of a ditz/airhead, actually.

if she sees something shiny and pretty in nature, she will keep it. so, that means she’s got flowers pressed between books, pretty rocks lining her windowsill, and some colorful leaves probably crumpled up in the bottom of her backpack. just loves collecting STUFF.

lots of her clothing is either vintage/thrifted or sweatpants/sweatsuits. generally she will go for comfort first when picking out something to wear.

favorite ice cream is cookie dough and she could eat it all day.

takes a nap every day i feel like most of her friends know they probably can’t reach her between like 3pm-6pm because she is having her little nap.

i might give her another power at some point idk i read on the hypnos wiki that his children are mad powerful and sometimes develop additional abilities later in life so who knows but prob something cute with dreams idk

wanted connections

gal pals, girl besties, girl squad ?? i just think that women, essentially, and i feel like the vibes of movie nights and sleepovers together and painting each others nails and gossiping late into the night would be super wholesome and would make me feel at peace in my soul and such.

i also want like a brooke to her haley james !!! sort of. i want this vibe, where carly is 🌼👼🧸 and ur muse is kinda 💃🍷💋

also gal pals in the way that they kiss sometimes but it’s not serious or is it !!! show ur friends u love them by kissing them on the mouth !!!

that boy she put into a coma. idk if your character fits sort of that player archtype and would be kind of a dick / would ghost a girl after sex then maybe this is for you !! if you’d be down to have your character have been in a coma for like 2 months a couple years ago. she feels so so bad about it though.

an ex? probably on good terms so we can talk about why things didn’t work out but honestly break my heart and fuck me up because it probably would have been like, her first love and there’s still a bit of a soft spot even if it’s not the same i’m sure she just wants them to be so happy ! maybe she’s trying to like, set them up with one of her friends and it’s weird.

married couple friends. you know, that best friend she has where they kind of bicker like a married couple and they’re both really stubborn but there’s a lot of love and mutual respect there.

a mentor or something? maybe someone in the hero track that sees how much she’s struggling with her powers and puts in the extra work to help her train a little. she says she doesn’t care about being a hero but maybe they can see right through her a little bit.

someone she can actually help. i’d love a way for her to realize she can use her powers for good a little bit! maybe if your char suffers from insomnia, bad dreams, something in their trauma makes it hard for them to have a regular sleep schedule...she feels inclined to help them a little bit? this would take time and some build up because she’s not really comfortable using her powers, but i’d love a storyline where she learns how she can use this power positively like that and she helps someone sleep a little better.

yearning. i don’t know <3 carly can have a little crush on someone who doesn’t give a fuck about her. i feel like she’s the type to have little crushes on everyone she’s prob a little in love w all her friends.

old friendships. maybe something that fizzled out after the incident a couple years ago, like maybe they were close before but they were really pissed at her for what she did and the two of them were just never able to make up afterwards, maybe they were pals with the guy that she hurt !!

bad influence? she’s so LAWFUL and GOOD, i’d love for someone to help her see the grey areas a little bit and crack her out of her shell or something, just kind of soft. in a healthy way, maybe they bring out the best in each other but also maybe one day it gets taken too far !

#nlintro #* ☁️⠀ / ⠀ 𝙁𝙄𝙇𝙀𝘿 𝙐𝙉𝘿𝙀𝙍 ⠀ ﹕ ⠀ ❪ ⠀ intro. ⠀ ❫#suicide mention tw

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soldierswar · 3 years

Text

Feel Something - Chapter 4

Bucky x Reader

Angst, fluff

Chapter synopsis: New developments come forward when it comes to defeating one of your biggest threats. Meanwhile, your relationship, and feelings toward Bucky grow stronger after the events of the previous night.

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“So you’re meaning to tell me that she’s operating in a hidden base here in New York?” “Something like that,” Steve replied. “We tried to get a hold of you last night but you wouldn’t answer.” With everything in your power, you tried not to blush. Neither you nor Bucky were checking your phones until morning spending the entire night enjoying each other’s company, which only resulted in about 3 hours of sleep. When you had woken up, both of you realized that you had missed multiple calls. “I was spending time away from my phone,” you stated. It technically wasn’t a lie. Bucky who was on the other side of the workstation softly, but awkwardly cleared his throat. And now you were both trying not to laugh. Natasha narrowed her eyes, and you tried to imagine a world where she didn’t just figure out what was going on and imagined not having a conversation about it.

Steve shrugged and continued. “By what we were able to dig up, she and her team have been operating on a base somewhere in South America. We also found records of her and associates trying to negotiate for weapons.” “Weapons?” you echoed as your breath hitched. “A lot of them,” Natasha added. “But…Nobody was willing to supply her demands.” Not even realizing that you had been holding your breath, you let out a silent but long exhale. “That’s good news,” you said, staring at the screen that had a multitude of files on her open. “So why don’t we just go get her? Do you know where her hideout is?” By the serious expression that remained on everyone’s faces, you knew that that was just the tip of the iceberg. “We’re pretty sure that she’s planning on breaking into one of the armories upstate. Specifically this one.” Natasha waved her hand around in front of the holographic screen to pull up the location and blew up the image for emphasis. Within an instant, you felt your hands go cold, and your face go white. Bucky, who was now in the background leaning backward against a began moving forward to get a better look. “That’s not—" “Yeah,” Natasha interrupted. “It is.” What they were pointing to was an old underground warehouse that held a huge collection of discontinued Stark weaponry. The weapons in that facility were much bigger than fancy rifles, and grenades. They were serious weapons of mass destruction that could wipe a whole city out in seconds. When Stark announced that he would no longer be mass producing warfare equipment, they had built that place just to store all of the things completed, but never to be sold. Tony was the only one that had the authority to disarm them and refused the request to do so. From what Natasha had disclosed with you, it seemed as though keeping them still viable to use was a little bit of a threat. Kind of like his way of saying, “I still have these, so don’t fuck with me.” Everyone in the room knew that he’d never use them, but anyone who would dare threaten him didn’t. “She has a team of underground experts that are master experts in heists like these. Some of the largest losses in stolen weapons in history was all them. There’s a chance that they could figure out a way to succeed.” “Do you really think that could happen?” “No,” Natasha snorted. “There’s more safety measures than humanly imaginable in there. They might get in, but nothing is coming out with them.” You started to feel a little bit relieved. “So,” Steve continued. “Since we know where they’re going to try to be, we can catch them from the inside when they least expect it.” You turned to Bucky who was already matching your stare. You were ready. … You had been hiding in the facility for 5 days waiting for their estimated break-in. When formulating the plans you realized that you could not risk them catching you getting into the facility while they tried to break in at the same time. They needed eyes on the inside. And much to everyone’s surprise, you were the first to volunteer. The thing about the break-in was that Stark had to make it easier to break in than it would have actually been. With Starks’ full security measures, it would have been nearly impossible for them to get in at all. But, they couldn’t make it too easy so that they wouldn’t get suspicious and run off. The plan depended on them getting into the facility so that at least the biggest targets couldn’t run off into the woods as soon as your team showed up to arrest them. The building was basically a mousetrap. Soon they would break in while you hid in the ceiling until the rest of your team entered in tow. Soon, Sin would be locked behind bars, and out of your life forever. You knew that while scouting for Sin’s team, Bucky was always nearby hiding behind or even up in the tree branches of the woods that surrounded the isolated building. During that time, he constantly checked on you through your coms. But you knew that he just enjoyed keeping conversation with you for hours on end. It definitely helped with the occasional bouts of loneliness that hit you. You couldn’t wait to at the very least just be near him once this whole thing was over. “Y/N…Y/N?” he said in the middle of day 5. “Hm?” you answered groggily waking up from a midday slumber. You had to admit, you had been working so much and so hard for the past few months that you appreciated the extra time you had to nap. “There’s a whole team out there analyzing the area. They seem to have pretty high-tech gear. They may get in within the hour. I notified everyone else. They’ll be here in less than 20.” You took a nervous deep breath and got up to get all of your gear ready. You had your guns, taser, and an assortment of knives all hidden in different pockets. Now all there was left to do was wait for them to break in. … Bucky was right. It did take about an hour and a half for them to get in. They had found a way to get the steel entrance door unlocked and disable the already modified security alarm. As you hid above the ceiling, you observed some of the guys trickling in still unsuspecting of the upcoming ambush. You were hidden looking through a vent that looked so opaque that there was no way that they could spot you. The room that you were in was the way into a corridor to the other side of the armory. So, it gave you good leverage to see who was where. Natasha was now talking to you through your earpiece sending play by play updates so that you knew when it was safe to come out and join them. You watched down below through the vents men coming and going through the room that you had spent most of your time inside and leaving when they realized that there was nothing useful there. “Okay, I think you’re safe to come out,” Natasha finally whispered. You let out a sigh of relief, and after double-checking your weapon filled pockets, you began to climb down to join everyone. But suddenly, as soon as your feet touched the ground you realized by the sound of footsteps that you weren’t entirely safe anymore. You recognized those footsteps from anywhere. The smooth, cocky, footsteps of none other than Sin. “Well, well, well,” she snickered at the sight of you in. She was seemingly amused by this new predicament of hers. “If it isn’t little miss Y/N.” “Cynthia,” you chimed mockingly. Her snide smile dropped in an instant at the sound of her real name. It felt good to know that you could still get under her skin. “South American tan does you well. You ever thought of staying there, I don’t know…Forever?” She scoffed. “And here I was thinking that this would be a happy little family reunion.” You rolled your eyes. “You do realize that you’re not getting out of here a free woman, right?” you stated. She narrowed her eyes, intensifying her naturally cold stare. “Awww,” she coed. “I was really hoping to take that offer.” You shrugged. “Not if I have anything to do with it. Sorry.” She accompanied the cold stare with a bone-chilling smirk. “Is our little overachieving boss’s pet going to get the job done again?” “At least I could get my jobs done.” “Until I put you out of commission for almost 3 months,” she pointed out, making you remember the scar on your torso that you showed Bucky not even a week ago. You mentally recounted the time you two spent yelling at each other about who had messed up during a mission that you both were on. After a not so pleasant comment on your part, Sin, whose face was inches away from yours stabbed you in a sudden burst of anger. Before she got sent away to another unit across the world while you were in the hospital, she had sneakily left a note that you had later found on your bed that said nothing else but, “Well, how else was I going to calm down?” “I bet I could put you out of commission for much longer,” she sneered. Within half a second after that statement, you both simultaneously pulled your guns out and pointed them at each other. “Y/N? we have almost everyone except Sin. Do you have eyes on her?” asked Natasha through your earpiece. Sin noticed your momentary change of expression at the sound of Nat’s voice as she took in the sight of your earpiece. “Don’t you dare answer that,” she ordered. “Throw it across the room, and I might let you live.” Bucky’s voice followed Natasha’s question. “Y/N? Are you there?” But you couldn’t answer. You did what she said, and threw it across the room. “Good girl.” “Now what to do? What to do?” Sin huffed tapping her thumb against the safety trigger of her gun matching your stance. Just as you were, she scanning you trying to figure out where, when, how, or even if she’d shoot you. She knew that if she did, there was a chance that your reflexes were just as fast as hers. And you knew that that little possibility scared her. In that very situation, she probably didn’t even care that her plans were obliterated. She probably didn’t even if her crew would go to prison, or even get killed. The only thing that Sin cared about was Sin. As long as her skin was saved and she got out of there, she’d be fine. “They’re going to find me soon, you know,” you said calmly trying to reason with her. “Listen, you put the gun down and I’ll let you go. Give you a head start at least.” “Fat chance, Y/L/N. We both know how that would go,” she snorted.

You raised an eyebrow playing dumb. “How?” “Like this,” she said using that split second where your guard was down to shoot at you 3 times. When she did, you fired two shots at her. At first, it seemed as though you had both missed your shots at each other. But it made you wonder why it was that you had taken such terrible aim. At least…that was what you were thinking before you looked down in shock; unable to do anything but look at the holes in your shirt begin to spill blood. In that moment of shock, your limbs failed you, and your body crashed against the cold, hard concrete floor. “It was nice seeing you again!” Sin exclaimed as her footsteps began to fade into oblivion. After she was presumably long gone, you turned in the direction of your earpiece and attempted to crawl towards it to call for help. But it was seemingly too late. You were getting weaker by the second. You looked down, and more blood pulsed out of you than you had ever seen in your life. With presumably one functioning lung, your body wasn’t strong enough to let you push yourself forward. “Help,” you croaked barely making a sound. You attempted to call again even louder, but you failed letting out nothing but a pathetic whimper using the last ounce of strength you had left in your body. The last bit of sensation you had in your limbs seemed to drift away, and your vision began to blur. In fact, you began to feel as though you were fading into oblivion. Except, you didn’t feel dread anymore. You felt blurry. Maybe even peaceful as though you were fading into a beautiful, and peaceful dream. Before you let it take over you, the last thing you thought about was Bucky. “I’m sorry,” was your last thought before you drifted away.

#Bucky x reader #bucky x reader fluff #bucky x reader angst #bucky x reader smut #winter soldier #red skull #red skull daughter #sin #steve rogers #natasha romanoff #avengers #hydra #captain america #winter sodier #winter soldier fluff #winter soldier angst

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plounce · 4 years

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my Concepts for aj2

so these are my thoughts and ideas about the game that would follow aa4 in a timeline where we got a coherent apollo trilogy rather than aa5 and aa6. as such, i am discarding aa5 and aa6′s apollo backstories because i find them incoherent as an arc and only slapped onto him for the plots of the games. etc etc. theorizing on squandered potential is me-bait. trucy and klavier get to have THEIR place in the narrative as important characters!! (sorry athena. you will get your own trilogy with good writing and a better design in this timeline too)

this is very stream of consciousness and while i think it’s fairly coherent it is also not chronologically organized as i build on ideas. i am genuinely sorry if the read more doesn’t work on mobile because this thing is stupid long.

containing:

apollo, trucy, and klavier being a firm Trio and getting character development and growing closer :)

themes about found family, letting yourself love/be loved, performance and persona, love giving you strength to do good, you being the one to determine your identity

exploration of the trio’s backstories and the development of their skills

prosecutor franziska chipping away at the corruption within the legal system

klavier being the assistant for a case

kristoph continuing to be a corrupt bastard

buildup to the sibling reveal & canon klapollo in the conclusion of the trilogy

- apollo is the main character

- phoenix is absent for like the entire game besides maybe a couple tiny flashbacks, later revealed to be working with edgeworth on anti-corruption stuff (which is also tied to kristoph & kristoph’s ties within the legal system, “old boys club” etc)

- trucy is assistant for first half of the game

- klavier is assistant for second half of the game. his hair is in a little bun or ponytail :) no drill hair for THIS individual person

- klavier is prosecutor for trucy assistant cases. in the 3rd case klavier was supposed to prosecute against apollo but things keep getting fishier and fishier and things keep reminding them of kristoph. klavier is ordered off the case from on high. mysterious replacement. klavier is too invested in seeing truth & justice come to light so he helps apollo

- franziska prosecutes cases 3 & 4. she has short hair and it’s super sexy and hot.

- kristoph set things up so that klavier is implicated in things. dig into how klavier and apollo feel unable to escape kristoph’s influence - “he’s too foundational”

- 4th case klavier is on trial. oh maybe 3 isn’t about kristoph but it’s just background stuff about the rampup to the 4th case - klavier is put on probation while things are investigated but he doesn’t know WHY, but he’s still committed to his ideals

- trucy is pursuing her magic career, klavier still loves music - has been releasing solo stuff maybe, just some EPs for free/charity, but isn’t touring. focusing on law

- case 4 has a family friend (NOT A WOMAN FOR THE LOVE OF GOD... A MALE DAMSEL PLEASE) get accidentally poisoned through something klavier gave them. that’s the trial itself. kristoph was the source. klavier is arrested. it’s more complicated that this but it gets to this point. day 2 of the trial is when klavier is implicated and he gets yanked into cuffs from the defense bench

- one of case 4′s pillars is a memory from the gavin brothers’ childhood. discuss how kristoph was as a child. klavier has been realizing how... odd certain things were, and trying to pass it off as like “haha yeah kristoph would dissect dead birds and convince our parents that every mess was my fault. i guess that makes sense considering how he ended up haha? I Don’t Feel Strongly About This I Just Think It’s Funny :)”

- apollo’s perceive abilities expanding to be able to perceive general emotional states as well - along with learning to practice more empathy, being considerate. No Klavier And Trucy, You Are Not Fine. this is kind of like athena’s thing actually huh

- trucy, meanwhile, is learning to be more like. emotionally... independent? no. emotionally... self-caring. both independent in that she’s a young adult and also caring in that she is trying not to force herself to take care of everyone all the time and show her less pretty emotions to apollo. take care of herself

- case 1 has to do with something happening at trucy’s show/her career/her school etc. she’s still a real person etc. trucy’s friends mostly being adults, her feeling isolated at school. nah wait this is a slightly absurd world she’s not overly weird for her classmates necessarily. yeah ok it’s about magic

- case 2 has to do with klavier being a rockstar, the pressure of celebrity and public fascination with his persona. stalker fans, music industry, talk shows, etc. someone trying to convince him to come back to music. klavier has to arrest someone he’s fond of again. no big stadium performance in this game

- the trio all dealing with themes of hiding and trying not to feel “bad” emotions: apollo going “im fine” and suppressing his problems & just trying to do his job so he can cope with how overwhelmed & stressed he feels constantly etc etc + trucy hiding the secrets of her magic which is sort of representative of her hiding a lot of her sad/”ugly” feelings because she thinks she needs to because she thinks phoenix depends on her being cheerful all the time + klavier dealing with having a public persona and the pressures of being Himself, trying to be the person others see him as/want him to be, who is klavier when he is not performing? who are all of them when they are not performing? who are they performing for?

- yes i am a “woman” yes i am obsessed with the idea of performance

- trio all dealing with/feeling lonely wrt family: apollo learning more about jove (possibly during the music industry case - someone knew his dad, who refused a big contract), who he was & one of the cases involving someone from his past in the foster system - maybe it’s even clay! - but in general feeling very disconnected from “family” in general esp compared to trucy&klavier’s family troubles being so immediate and raw for them + trucy feeling lonely and kind of abandoned as phoenix is increasingly gone in this game and seeming very distant from her, similar to how zak abandoned her, and also the pains of growing up + klavier’s parents either are dead or are somewhat estranged after he got kristoph imprisoned, klavier feeling very lonely in general after his pursuit of truth&justice has snipped many of his connections from him

- yes i am gay yes i am obsessed with found family

- franziska having a moment of “i get how it is and it sucks” with klavier about Complicated Feelings About Family

- she eventually does realize during case 4 that klavier is guilty but has to hide it in order to push one of kristoph’s allies out into the open. sorry kid uh... what do you like. i will buy you. an ice cream? or something. look do you want a gift card i’ll buy you a gift card

- kristoph’s lawyer shows up near the start of the game to give things to apollo which he is deeply suspicious of but ema tests them and they come up clean. guy shows up here and there throughout the game. maybe tries to bribe apollo or something. apollo gets invited to a Fancy Lunch because he’s the one that bested kristoph gavin and that shows Promise. in a sense. or something. apollo being manipulated by people who refused to hire him when he got kristoph convicted etc

- themes about being young in a world full of secrets and webs of alliance that you feel barred from because you have ideals and won’t compromise them and also either come from nothing or burned all your bridges. just aa protag things <3

- oh maybe there’s a new judge who is also In On Nefarious Plots

- catching these people doesn’t fix everything but - it’s something. they got a couple shitheads

- trucy continues developing her gramarye abilities. more emotional depth. more exploration on complex feelings wrt phoenix and her childhood and her adolescence and how she’s fairly well-adjusted as one can be but also... the shit still hits yk... she’s like 16 years old so she’s maturing

- ema is there. she and apollo get along a bit better. asks after phoenix. provides evidence against klavier, and then evidence for.

- followup on apollo-edgeworth klavier-phoenix parallels - who is the one bringing them further into the light, chaser/chased, the one who wants more/the one who pushes away, etc etc

- follow through on implied gramarye mafia connections

- klavier isn’t super in the first case besides the courtroom and maybe one appearance, but he is like. worried about trucy if there is cause to be worried about her. set up their dynamic beyond trucy just liking the gavinners

- trucy&apollo and klavier&kristoph compares&contrast

- franziska is(/appears to be) very doubting/dismissive of apollo’s belief in klavier bc it’s like... are you pursuing the truth? or trying to shield your friend?

- apollo does end up almost very close believing klavier was in kahoots with kristoph/kristoph’s friends because it just looks. really bad. like it genuinely looks VERY BAD. and he’s like “i have to find truth like prosecutor von karma said”. yknow how with a lot of aa cases it starts out “oh no it looks open and shut” and then is like “NO WAY THEY COULD HAVE DONE IT... BUT HUH”. this one is reverse. and then straightens back out again. dig the hole then climb back out

- yeah the theme is like. “are you trying to find truth or do you want to protect your loved ones. what is your duty as a person, your job or your loved ones.” this carries through on klavier’s thread from aa4 where he has to work against his loved ones. meanwhile apollo, who is a bit more cool-tempered irritable grump, is the one going “oh god, am i biased towards my friends?” so it sort of flips. what kind of stories will you weave to clear your friends of blame? kristoph’s boys club.

- echo back to “evidence is everything” - this line of thinking (in a certain way) is what saves klavier when kristoph is trying to punish him for his betrayal

- since phoenix is away, the gramarye siblings aren’t revealed yet. but more info is dropped to compensate - stuff about jove and apollo’s childhood in the foster system and how that’s shaped him into someone who keeps people at arm’s length to keep himself safe; trucy and apollo getting closer despite that, trucy busting down those barriers because she needs his support and he’s like “oh my god i have to support her.” older sibling stuff.

- maybe the trucy case involves like. a mafia guy trying to collect on debts or smth and tries to ruin trucy, and threatens apollo. there’s a hint that is very obvious to the audience but is like “wow apollo he thought you were my brother!” like the mafia guy calls apollo “the other child” and apollo is like “hey, i’m 24!” which is humorous but also the audience is like Oh My God I Know What That Means

- there isn’t a deliberate withholding of information from phoenix - he literally is not there to withhold it. but there is still tension and stakes and weight to their relation - apollo keenly feeling his absence of family and trucy feeling sort of abandoned by phoenix

- phoenix is like “ok trucy you’re almost an adult so i’m trusting you to stay safe and responsible while i’m away. apollo will technically be in charge but i’m still trusting you” and privately to apollo is like “If Anything Bad Happens To Her. Your Head Is On The Line.” so it is just them making it on their own

- klavier drops the line “watching you two is like what kristoph and i should have had” and then there’s a couple “...” dialogue boxes as the audience is like I KNOW WHAT HE MEANS and then apollo is like “... are you for real comparing me to kristoph.” haha funny but also THERE IT IS

- very carefully walked tightrope. acknowledged enough that there is still tension/suspense around it but not too much as to be slightly infuriating

- before the last case trucy gets mad at apollo for something - trucy is allowed by the narrative to be angry for real. stand up for herself. trucy and apollo come back together to defend klavier. they see each other in the detention center when theyre still mad at each other - trucy was visiting klavier (he wasn’t there for the fight). “you made fraulein trucy very mad, hm?” then during the trial trucy busts in dramatically with important help when things look very bad for klavier

- aj3 has emotional revelations/high points of the trio - siblings reveal and klapollo canon. aj2 is a lot of building of these connections and building suspense and tension. more more more of these relationships before they emerge fully formed in aj3

- the last trial echoes the “im the only one who can save prosecutor gavin” or whatever gay thing apollo says in the last trial of aa4 because he literally is. just a lot of hinting and them getting along. case 3 is very important because that’s when it’s just them and it’s “oh! we work well together! we’re complementary!”

- implement the dual investigation mechanic from dgs so it does feel collaborative

- just build on the fact that klavier is the first friendly, helpful, cooperative prosecutor. he wants to help you. make that a very positive, very important feeling while still making it extremely enjoyable

- resolves in “you can have truth AND the ones you love”. or smth like that but more nuanced. it’s very inspirational and sentimental etc

- you get to meet vongole and it’s a Pet The Dog moment for klavier. look! how nice he is. he truly loves this insanely sweet and lovable dog. trucy is enamored with vongole as well. “it’s strange that she was kristoph’s dog, hm? with how affectionate she is.” “well, i guess being owned by kristoph doesn’t means she’s an equally bad dog ... ER i mean--” “hm, you always struck me as a cat person, herr forehead?” “uh - well yeah, you’re right. but... that doesn’t mean i don’t think vongole is a pretty great dog.” IMPLICATIONS. SUBTEXT. TASTE IT IN THE AIR

- oh there’s definitely a moment in case 2 when you get to examine klavier’s apartment and you can look at a couple albums and for a gavinners album apollo is like “ugh” but then you get one of his solo eps and apollo is like “trucy made me listen to this. it... was okay. not as bad as the gavinners stuff. sounds more honest. or something like that.”

- oh also when you examine the guitar klavier offers to teach apollo some basics. hee hee (BUT ALSO... JOVE!!)

- maybe for case 2 The Industry Suits want klavier to stop releasing his eps for free/total charity so it’s a whole coordinated scheme. his manager, a devoted fan who hates to see him going his own way and being happier for it, etc. “we want you to be the person you were. the one we could possess.” be more like gavinners klavier instead of honest relaxed current klavier. be who we want you to be so we can make you dance like a puppet. music industry kristoph parallels.

- “i’m sick and tired of being a plaything for other people!” >:( face moments

- a fan broke into his house and defaced the solo stuff etc. >:( face.

- who determines who “you” are? what role do your loved ones have in your life? those who truly love you can save you and make you better. loving and being loved sincerely and genuinely and truly have positive effects on your life. letting people love you and letting yourself love them is good.

- ugh but this kind of contrasts with the “the old boys club is controlling and using/shaping the institution of law to amass wealth and power for themselves while throwing others under the bus.” well actually wait

- lunch with apollo = they don’t actually care about each other, would throw each other under the bus for their own benefit

- contrast between sacrificing the weak to protect the strong and protecting the weak to depower the evil strong

- love and bonds can motivate/enable you to chip away at the system and can help you make a difference. les mis etc etc etc

- the old boys club are all putting up fronts of appearing strong and tough and above everything and in control. real love and friendship let you show vulnerability and weakness and help you & your bond come out stronger for it. (tumblr voice) the mortifying ordeal

- additional stakes of “if you are found aiding this criminal and hiding evidence etc etc we will disbar you” or smth. stakes for sticking with klavier, for winning the trial, for demonstrating care. franziska is kind of like “... apologies. but you had nothing to worry about so don’t worry about it.”

- klavier and apollo damned by association with kristoph, especially as a kristoph scheme was just found to happen, and it depended on kristoph being in jail, so maybe they were the ones to enable that part of the plan... it’s a long con...

- it feels like there should be another legal reform here to make aa4′s jury implementation but maybe this one is more about how reform is often very gradual and like chipping away at a mountain

- in aj3 the death penalty gets reformed. (tension there about kristoph being on death row and this game piles on a lot more GOD KRISTOPH SUCKS but then it’s like. no. we have to fight for True Justice and the legal system is extremely imperfect (how many of our clients narrowly avoided a wrongful guilty verdict!) so we have to prioritize protection over punishment)

- “it’s like chopping heads off the hydra. it feels like we’ll never actually change anything.” “yes, but hercules didn’t defeat it by himself. he had a partner that burned the stumps after he sliced off the heads. ... one person to hold the sword, one person to hold the torch.” NARUMITSU KLAPOLLO PARALLELS. HI

- okay i had some really good discussions on twitter w @henriettamarias about this and here’s a couple more things

- trucy’s case involves her inheriting the gramarye secrets and the legacy. the weight of tradition and the burden of what has happened in her family. trucy’s estranged grandmother shows up - it’s kind of similar to the feys kind of. the grandmother is a complex maternal figure who doesn’t know trucy and trucy doesn’t know her and it’s sort of the idea of... even if your “new” family is related by blood, you still have to choose them. and trucy’s like !!! because she’s openhearted but the grandmother disappears - doesn’t choose trucy. it’s not a Villainous Action it’s just... it’s complicated. maybe it’s to protect trucy or something. it wasn’t done to hurt trucy is what i’m getting at, but it still hurts

- one of the music industry people in klavier’s case is a gavin uncle/aunt/cousin who is pressuring him to go back to being an Extremely Profitable Rockstar. and klavier has to deal with more disappointment from a family that values extreme success and is sort of cold (this contrasts with the warmth of the WAA found family). they liked klavier when he was very successful and famous on two fronts but now he’s opened the door and invited in shame on their family’s name so everyone’s kind of mad at him. trucy and apollo get to be really defensive of him

- apollo’s case is one i’m still thinking on what it’ll be about because i’m deeply uninterested in his aa5+aa6 backstories but there’s not A Concept to go deeper into like trucy magic and klavier music... it does involve his past from being the foster system. i think maybe there’s a teen who he was kind of the older brother of for a while before the kid got adopted who contacts him for help defending himself.

- while trucy and klavier’s stories are about rejection from their blood family, apollo’s is about warmth with a boy who he met and made a familial bond with

- at the end of this case there’s some piece of evidence that mentions kristoph and this is never resolved within that case but it sort of leads into the next kristoph-focused case

- trucy doesn’t get angry at apollo over being like jealous there’s something else that happens in this case... it doesn’t end super satisfyingly and tidily wrapped up in a neat bow. there are a lot of lingering questions and it makes everyone uneasy

- in case 3 apollo gets injured and is feeling really defensive and kind of scared and trucy is upset with him for putting himself in harm’s way to save her and they have a fight and they’re both kind of hiding their true feelings with anger to cover up how scared they were (gramarye secrets) and it just. boils over. klavier tries to mediate but it’s... a lot. they both say some things they don’t mean. :(

- oh my god. the person who got poisoned in case 4 was apollo’s foster brother from case 3. and it HURTS because we’ve spent a whole case getting to know him and working so hard to save him from a guilty verdict and it’s like :D yay he’s ok! and then he just. dies. and it’s so fucking sad

- he got poisoned because kristoph looked through papers and found that him and apollo were close so he’s like “oh i can use that ^_^” because he’s a bastard. but klavier was the one in constant contact with him recently so it’s like UH OH! UH OH! plus other aa level complications etc

- the tightrope of trucy being mad at apollo and the tragedy of apollo’s foster brother dying is one that will have to be very carefully walked bc we don’t want trucy to look like an asshole because above all she does love apollo

- i guess it’s also apollo pushing her away because I’M FINE. STOP TRYING TO MAKE ME CONFRONT MY TRAUMA. IF I THINK ABOUT MY PROBLEMS I WILL GO INSANE. yeah that works

- OH and also she’s mad at him for not telling them about the lunch with kristoph’s lawyer friends. klavier is kind of mad about that too so apollo is like STOP GANGING UP ON ME

- so the setup of case 4 is: day 1: apollo and klavier investigating, in court klavier is implicated and is put in detention, day 2: apollo investigating by himself and missing his friends :(, franziska being like “where is your sister” and apollo being like “ok first she’s not my sister. second IM FINE I CAN BE ALONE, I CAN’T TRUST ANYBODY ANYWAY” and franziska is like “... yeah being betrayed sucks, i get it, but like. are you sure about that. fine whatever you idiot be a fool”, but then in court trucy busts in at a dramatic moment and narrowly saves klavier from getting a guilty verdict, day 3: trucy and apollo investigating and Saving The Day!!!!!

- for franziska in case 4 there’s this tension between her belief that klavier is guilty (because shit looks BAD and also kristoph sort of sent shockwaves through things etc) and franziska being older (she has short hair and it’s hot) and more emotionally mature and being like “baby lawyer. it’s okay to chill. it’s fine. you’ll be okay”. but also being extremely wary and hating the corruption and collusion within the law community because MvF dealt with a lot of that and she will be BETTER than that, she has to work hard to erase the harm that her father did. she’s kind of a superhero in terms of tackling a lot of corrupt-lawyer/cop cases - it’s her specialty now. god she is hot

- aw in case 4 ema is like. kind of reluctant to help implicate klavier. because while she thinks he’s annoying she doesn’t think he’s a bad guy. she feels really conflicted :( like she blusters to cover it up but she does say to apollo at one point “hey... you better do your job right. don’t slack. defend your client.” awww she care him

- kristoph gets brought out from prison as a witness in case 4. this really negatively affects klavier (and apollo too kind of but less so), but the strength of Found Family helps him be strong :) yay

- there’s mention made of kristoph having Secrets, but since apollo doesn’t have a magatama and phoenix isn’t there, the black psyche-locks aren’t explored. it gets revealed in aj3

- apollo does have a conundrum similar to the aa5 stuff where his perceive ability is going haywire at klavier’s entire emotional state because BOY is it screwy (suppressed memories from childhood??) so he just has to rely on plain old logic

- (cw animal death) god what if one of those childhood memories is kristoph poisoning klavier’s pet - experimenting, doing trials. klavier realizes that during the trial. jesus christ. evil bastard kristoph i hate his guts. at least klavier gets to go home and pet vongole so so much

- OH on a happier note we get to meet mikeko... mikeko loves trucy and klavier so much. it’s like a big gooey hint that LOOK APOLLO LOVES THESE PEOPLE - HIS CAT IS PURRING AND CUDDLING ALL OVER THEM :) Express Your Feelings, Apollo

- i think for aj3 it’s apollo & co having their own schemes and plans sort of. bc in this setup, klavier and apollo (and trucy too) are being yanked around by the machinations and plots of the older generation like in aa4. i think in aj3 is when they finally get a leg up and have control over things for once. good for them! good for them

- oh also in aj3, it’s revealed that thalassa has been held hostage by some bad guys, which is why she didn’t come back after some time away to figure herself out to tell them. and then apollo and trucy get to know they’re siblings :)

- okay that’s it. maybe i’ll add more if i think of more. hope u enjoyed :~)

#ace attorney #apollo justice #aj2 #klapollo #trucy wright #klavier gavin #i had a lot of fun writing this post :)#chirps #aa #aa4

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nadiestar · 4 years

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More Florist/Tattoo Artist AU Headcanons

I want to talk about this more. So, for the characters themselves:

Patton is a white, cis man and gay, has sleeve tattoos, many covering his back and a few on his feet and calves

He is about 6 feet tall, has a strong built, a little gut and somehow never manages to be clean shaven, even after he shaves

Patton comes from a very religious Christian background, but his parents cut off all ties with their community, as the little twelve-year-old tried to ran away one Sunday evening after church, because he could never be a good son because he liked guys

His mother died when he was nineteen and that threw him in a depression, where he also started cutting

He dropped out of college, started therapy and became a tattoo artist, which eventually led him to the little town they’re all in today

The others are under the cut because this got too long, sorry^^

Logan is a trans man and gay, he is not sure what ethnic group his parents exactly belonged to (some mixture from the middle east and east Europe (probably Poland and Czech Republic), both had been born in the US)

He is 5’ 4’’ tall, has a slim build and often wears shirts which make him look a little boxier, (also, he cannot grow a beard which he despises despite not even wanting to have facial hair)

His parents and older sister were rather uncaring when he came out as trans and he eventually just cut ties with them when he went off to university with a scholarship. There he worked hard and eventually financed himself to get gender therapy and along the way top surgery

He has not talked to his family in years, but found out over an old friend of his that his parents had passed away which left him with mixed feelings

Janus is a black, cis man and gay, has a big birthmark under his left eye and a strong limp on his left leg from a badly healed broken leg, when he fell out of a window back when he was around eight

He is 5’ 8’’ tall, some fat rolls on his hips and has started to go bald, which he covers with a bowler hat

He is the youngest of at least nine siblings (I haven’t decided yet) and his oldest sister had a kid around the time when he was stuck at hospital with his broken leg

His family lives several generations under one roof and the little baby boy of his sister was often brought to him when he had to stay inside and rest his leg after the accident

He often played and cared for him and as they grew up, Janus became more and more of his care figure until Virgil finally asked him to help him open a pet store/rescue after which Janus became Virgil’s business partner

He always loved jazz and theatre and got a saxophone when he was around ten and plays it ever since

He’s pretty talented, practices often and loves it and if it was not for the harsh music industry, he might have considered a career as a saxophonist

But he is happy in the pet store, supporting his nephew and playing in a bar every Friday and playing in a local theatre group

Virgil is also black, not certain of what gender is but runs with he/him for the time being, doesn’t get behind sexuality either (might be aspec) but is very certain he’s aromantic

He takes after his father and is 6’ 6’’ tall, lanky and is quite fit because he jogs regularly

He early on had problems with social anxiety

First, his family had trouble understanding this, since he behaved just like the other kids at home and had no trouble talking and playing with his cousins or aunts and uncles

When his grandmother then witnessed him having a panic attack when he was twelve in a grocery store after being unable to answer the retail worker if he wanted a bag for the groceries, her attitude changed immediately and she had the whole family help him out

(Btw Virgil’s grandmother/Janus’s mother is awesome)

He didn’t go to college but volunteered at an animal rescue for a year

After that he brought up the idea of opening a pet store to his grandmother and somehow the family started looking around for a space for Virgil to start and help him getting the money to start up

Through the whole part he had always had Janus to his side and he is very glad that he didn’t have to move into a new place without anybody he knew

Remus is an American-Mexican, cis man, polyamorous and pansexual, and somehow everybody thinks he is older than he actually is

He’s 6’ 1’’ and rather slim and most of the time is a little paler than looks healthy

He has a collection of beanies; the orange one he always wears in the shop and actually likes having quite a colourful closet, and once dreamt of becoming a fashion designer

He has lost part of his hearing in a car accident he and Roman had when they were 17

They had run away, because they had come out as queer, which their parents did not approve of

After the hospital stay, they were brought to a foster family and decided after they turned 18 to both take an apprenticeship as florists

Flowers and gardening were always a passion of Remus and it helped him to work with plants to feel less isolated

When they were finished the apprenticeship, they got a van, in which they lived and sold flowers and bouquets from for some months until they managed to get a room from which they could start a business

They did this for a few years, while getting more and more a hang of how to live alone and make their business work, so they could afford a better store and location

During all of it Remus has a lot of intrusive as well as suicidal thoughts

Roman is Mexican-American, possibly a nonbinary man (he’s not quite sure), and gay

He’s 6’ 1’’ and a little chubby as he is the one in charge of cooking and tends to stress eat after many years of not having enough food at hand

People always find him charming and he is a great salesman and huge flirt (which will be Janus’s demise)

He loves theatre and singing and always hoped he could get to Broadway but let his dreams wait after the accident where he decided to stick to his brother and make a career as a florist

He likes the job well but is not truly fulfilled with it which he denies constantly

He is rather co-dependent on Remus and keeps on smiling and working to get both of them to a better place, not really taking care of himself

He was the driver when they had the accident and despite that Roman still finds driving very calming and when everything gets too much will enter his car and just be gone for a while driving around

He does not touch his handy during driving and will have it on silent on the back seat

@varthandi look what you did! Look! Are you proud? I hope you are proud🥺

#sanders sides #florist/tattoo artist au #tw suicidal thoughts #tw depression #tw cutting #patton sanders #logan sanders #janus sanders #virgil sanders #remus sanders #roman sanders #mim rambles

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ordinaryschmuck · 3 years

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Top 20 BEST Animated Series of the 2010s-8th Place

It’s funny. Four years ago, there was no doubt in my mind that this show would easily make the top five best-animated series in the last decade. But the more it went on, the more...controversial it got. However, despite all the hate this next series has been getting recently, I still believe that there’s something to be desired within it.

#8-Steven Universe/Steven Universe: Future (2013-2020)

The Plot: For years, immortal warriors known as the Crystal Gems have been defending the Earth from anything that seeks to do it harm. Until one day when Rose Quartz, the Gems leader, had fallen in love with a human named Greg Universe. From that love, Rose gave up her physical form to bring her son, Steven, into the world she was sworn to protect. Taking guidance from the other Crystal Gems-Garnet, Amethyst, and Pearl-Steven will try his best to grow up into the same warrior that his mom was. But as he learns more about the Gems and his mother, Steven will soon realize that he’ll have to grow up far faster than he thought.

Right out the gate, I should mention there's a 60%-40% chance that you’re either going to love this show or think that it’s pure garbage. And honestly, I believe it all depends on perspective. Like the quality of most shows, the enjoyment depends on the viewpoints you chose to take with it. Some people will look at specific decisions as well done, where others will see it all as a mess of storytelling. For instance, one person can make a two-hour-long video about how Steven Universe is garbage, and another person can make a video arguing about how it isn’t. Everyone has different reasons why they like or hate something. If you genuinely hate Steven Universe or think you might not like it, that's perfectly fine. I just hope you’ll give me the chance to explain why I personally enjoy it, and why I think it deserves all the adulation it has.

For instance, the main thing I really enjoy about Steven Universe is its style. From the designs, to the animation, to even the music. Everything about how Steven Universe both looks and sounds leave me awestruck. First is the show’s designs of both the backgrounds and characters. Nearly every part of the world in the series looks absolutely amazing, fitting seeing how the Crystal Gems fought for Earth due to its beauty. There are also times when lore and backstory can be seen through the backgrounds, giving some fantastic utilization of visual storytelling. Such as when the Crystal Gems visit war zones and temples that they’ve spent years fighting in, showing hidden secrets that can make much more sense by later episodes. As for the character designs, they all look pretty good. Each character has a dynamic and unique style, making them all fun to look at. It’s even better when the character’s personalities are shown throughout their entire designs. I especially love how the artists managed to get creative with how real life crystals (lapices, bismuths, and jaspers) will look like people when designing the Crystal Gems and their enemies. However, I should first mention that Steven Universe is another show where the art style depends on who’s storyboarding the scene. While not as bad as OK KO: Let’s Be Heroes, it can be pretty distracting given how character sizes and proportions are inconsistent. Regardless, I still like how good the designs look for a majority of the characters. And at a practical standpoint, I think it’s great that the artists kept the figures as simple as possible as it makes animating the characters a lot easier.

Speaking of which, I really like how Steven Universe is animated. It’s not entirely groundbreaking like The Amazing World of Gumball’s or as fluid as Wander Over Yonder’s, but the animation in Steven Universe is still pretty dang good. The characters' movements look believable, and the expressions each one makes is downright amazing to see. It gets more aspiring for the show’s fight scenes. You can almost feel each punch, jab, and slash that the characters trade with each other, and the fights themselves are pretty fun to watch. As for the action itself, Steven Universe might just have the most creative action set pieces I’ve seen from any animated series. Case in point, there is an entire fight scene that’s also a fantastic song at the same time.

On the topic of songs, let the record show that showrunner Rebecca Sugar really understands music. I say this because Steven Universe has some really great music in it. From background music to full-on musical numbers, this show proves how important melodies are in a series. Look at the background music, as it not only does a suitable job at making audiences feel the right emotions but also sounds really good when isolated. As for the character motifs, each note perfectly encapsulates the character's personality that it’s meant for. Like Pearl, who has a piano melody to show off her classy and orderly personality, and Peridot, who has a more 8-bit tune to her leitmotif as a way to show off her tech side. And since we branched into talking about 8-bit, there are times when this show’s soundtrack sounds like it belongs in a really cool video game (Google Lion’s and Obsidian's themes if you don’t believe me). As for the actual songs in the show, Steven Universe has a pretty good selection. As they can be beautiful and downright awesome to listen to. And even though the show uses songs to develop the characters and story, these musical numbers can still be pretty fun to listen to on their own, with no context (most of the time).

But while a show's style is essential, it’s the substance that truly matters. And here is where we go back to the discussion of perspective. To some viewers, you might think that the substance in Steven Universe is handled well, where others...Well, I think it’s pretty obvious how they might feel.

Let’s look at the story because Steven Universe actually has an intriguing and compelling story...Or at least it does when it tries to eventually tell that story. Whether you’re a person who either loves or hates the series, everyone can agree that the slice of life episodes are easily the show’s weakest. Personally, I don’t mind them, and that’s because I view these episodes as giving me a choice between eating a chocolate cake or a carrot. The story-driven episodes are a chocolate cake. Their sweet, delicious, and I’m always craving more after just having one piece. As for the slice of life episodes, they’re like carrots. I can eat a carrot. I can digest a carrot. I might even enjoy a carrot. Hell, there are times when I’m willing to ask for another carrot. But if you’re going to give me the decision of a carrot over a chocolate cake, then I’m always going to pick the chocolate cake. Even if I enjoy episodes like “Laser Light Cannon," “Too Short to Ride," and “Alone Together," they can never hold a candle to “Jail Break," “Reunited," and “Change Your Mind." This is because the slice of life episodes give off a sense of distraction from the main story. After all, they rarely add anything new (read: meaningful) to the tale. And going back to the carrot and chocolate cake analogy, there’s one aspect that doesn’t do the slice of life episodes any favors. You see, where most shows feel like you have to eat the carrots before having the chocolate cake, half the time Steven Universe feels like you can skip most of the carrots and go straight for the chocolate cake instead. And Steven Universe isn’t the only show to try this. In fact, tomorrow I’ll be talking about a show that perfected this idea. But tomorrow's series manages to make both the story and slice of life episode the chocolate cake instead of the carrot. And it has everything to do with the fact that the characters care about the situation they’re in. There are actual moments in the show where Crystal Gems refuse to participate in everyday antics because they simply don’t think those antics are worth their time. Which is something you never want to do. Because if the characters don’t care, then why should the audience? Speaking of the characters--

I want it to be known that I like the majority of the characters in Steven Universe. Greg, Connie, Peridot, Amethyst, and Garnet are all enjoyable to watch in their own way. Not only is their development on point, but their personalities are all likable, and their issues are also relatable. It’s three other characters that things get a little iffy. Those characters being Steven, Pearl, Bismuth and Lapis. If you ask me, I like these characters, and I think it’s fun to study/analyze their personalities. However, these characters make decisions that audiences are either going to hate or love. It’s sort of like that optical illusion of the old lady/young lady (Google it). Some people can see the ugly old hag, where others will see the beautiful young woman. You’re most likely going to see one or the other, and it isn’t until someone else points out what you couldn’t notice that you are capable of seeing both. It’s something very similar to Steven, Pearl, Bismuth and Lapis. One response is that you’re either going to see characters who are selfless heroes that are victims of circumstance. The other is seeing toxic idiots who cause more harm than good to the people they love.

And then there are the people of Beach City. These are mostly hated by both fans and critics of the show. Personally, I don’t hate most of them. Don’t get me wrong, characters like Lars and Ronaldo deserve every ounce of hate they are given (Although Lars does get better). As for the rest of the Beach Citizens, I don’t think they are that bad of characters. In fact, I think they’re good characters placed in the wrong show. Some of them have issues that most people deal with (Sadie, in most of her episodes), where others seem to be slightly layered and almost intriguing (Mr. Smiley and Onion in “Future Boy Zoltron” and “Onion Gang”). In fact, if these characters were a part of a different series, I’m sure people will be more willing to watch their struggles. It's just compared to the Crystal Gems and company, the people of Beach City are not as interesting to watch or dissect. And because of this, the show drags down to a screeching halt whenever it focuses on these characters.

And the most controversial element of these characters is (semi-spoilers ahead) when the show tries to pull off redemption arcs. Steven Universe seems to work off the logic that nobody is evil, just misunderstood. There’s both a right way and a wrong way of illustrating that logic, and Steven Universe, unfortunately, does it the wrong way. And the best way for me to describe how to do this idea is to use the game Undertale as an example (I’d warn you about spoilers, but odds are you already know everything about that game). In Undertale, you play a character who fell into an underground prison full of monsters, and you have to find your way back to the surface. The monsters you run into give the impression that they’re dangerous and want to destroy you (or at least most of them do). However, the game allows the player to interact with the world and characters around them, soon discovering that the monsters are more complex than one might think. In fact, the game allows you to actually interact with monsters who tried to kill you, showing the logic and reasoning as to why. By the end of Undertale, you learn that every character you encounter is not the villains in the story, but rather victims of a war that forced them away from the surface. Steven Universe has a similar idea but fails to do it properly. All it reveals is that the villains have done bad things, realize that they’ve done wrong, and decide to have an out of nowhere change of heart by the end. The problem is that except for one character, the turnarounds don’t feel earned. Instead, they feel forced than anything else.

These elements are what make Steven Universe slightly controversial to enjoy.

(And also the ridiculous amount of hiatuses. But that’s not really an issue I have with the show, but the network running it.)

But if there is one thing I hope we all can agree on, both the pessimistic and forgiving, I think it’s safe to say that the best thing about Steven Universe is how important it is for the LGBTQ+ community. There may have been kids' shows in the past that hinted at same-sex relationships and they deserve some respect as well. But I'd say it’s Steven Universe that popularized the idea with the characters Ruby and Saphire. Not only are these two downright adorable together, but they also manage to be enjoyable characters on their own (Even though it isn’t often you see them apart, but their personalities still shine through). And I’m willing to make the argument that it’s because of these two why children’s animation is less afraid, but still cautious, of being explicit with having same-sex couples. Like I said, most shows decide to hint at these relationships, so they don't get in trouble for doing so. Nowadays? Most of Cartoon Network’s series seem to have more gay relationships than most children’s networks in recent memory. Nickelodeon allowed The Loud House to have gay parents in a children's cartoon, and one of the main characters being canonically bisexual. Hell, even Disney is currently taking steps in the right direction with their smash hit called The Owl House. Now, more than ever, kids can learn at an early age that gay relationships are more than just acceptable, but they’re also completely normal and should be accepted as such. And I’m more than willing to give Steven Universe credit for giving this trend the push that it needed, like other creators for these shows usually point fingers at it as well.

Is Steven Universe a perfect show? No. But that doesn’t mean I think it’s garbage. There are some legitimate faults that this series has, some of which I’m inclined to agree with. But with all the good it does and how much fun people have while watching it, I can’t really say I hate this series. If you think you’ll hate this show, you have every right to. I can’t change how you feel, but I can ask you to keep an open mind. Because who knows? You might be someone who will find the diamond in the rough of this series.

(Now that’s a pun you’ll be willing to appreciate by the time you reach season 5).

#top 20 of the 2010s #steven universe #steven universe future #what i thought about

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