[ cw: assumed death / assumed sibling death / assumed child death / solitude ]
Thinking about Leo being trapped in the Prison Dimension and keeping himself warm through the power of his own ninpo - this ability is shown to us as a flame, after all, so imagine if, when he lets his mystic energy run through him, it warms him up, just a little.
In this desolate place, all cold and alone, he focuses on that flame and leans into its warmth.
He relies on it, and he realizes it that he’d relied on it too much when it goes out, and he’s once again cold.
(In another dimension, the Hamatos believe they lost one of their own.)
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ok I have A Lot of thoughts about the staircase confession (well really about Edwin's whole character arc, but all roads lead to rome) but for now I just wanna say that, yes, I was bracing myself for something to go terribly wrong when I first watched it, and yes, part of me was initially worried its placement might be an uncharacteristically foolish choice made in the name of Drama or Pacing or Making a Compelling Episode of Television but at the expense of narrative sense--
But I wanna say that having taken all that into account, and watched it play out, and sat with it - and honestly become rather transfixed by it - I really think it's a beautifully crafted moment and truly the only way that arc could've arrived at such a satisfying conclusion.
And if I had to pinpoint why I not only buy it but also have come to really treasure it, I'd have to put it down to the fact that it genuinely is a confession, and nothing else.
That moment is an announcement of what Edwin has come to understand about himself, but because it takes the form of a character admitting romantic feelings for such a close friend, I think it can be very easy, when writing that kind of thing, to imbue it with other elements like a plea or a request or even the start of a new relationship that, intentionally or not, would change the shape of the moment and can quickly overshadow what a huge deal the telling is all on its own. But that's not the case here. Since it is only a confession, unaccompanied by anything else, and since we see afterward how it was enough, evidently, to fix the strangeness that had grown between him & Charles, we're forced to understand that it was never Edwin's feelings that were actually making things difficult for him - it was not being able to tell Charles about them. 'Terrified' as he's been of this, Edwin learns that his feelings don't need to either disappear completely or be totally reciprocated in order for him to be able to return to the peace, stability, and security of the relationship with which he defines his existence - and the scale of that relief a) tells us a hell of a lot about Edwin as a character and b) totally justifies the way his declaration just bursts out of him at what would otherwise be such a poorly chosen moment, in my opinion.
Whether or not they are or ever could be reciprocated, Edwin's feelings are definitively proven not to be the problem here - only his potential choice to bottle it up - his repression - is. And where that repression had once been mainly involuntary, a product of what he'd been through, now that he's got this new awareness of himself, if he still fails to admit what he's found either to himself or to the one person he's so unambiguously close with, then that repression will be by his own choice and actions.
And he won't do that. Among other things, he's coming into this scene having just (unknowingly) absolved the soul of his own school bully and accidental killer by pointing out a fact that is every bit as central to his self-discovery as anything about his sexuality or his attraction to Charles is: the idea that "If you punish yourself, everywhere becomes Hell"
So narratively speaking, of course it makes sense that Edwin literally cannot get out of Hell until he stops punishing himself - and right now, the thing that's torturing him is something he has control over. It's not who he is or what he feels, but what he chooses to do with those feelings that's hurting him, and he's even already made the conscious choice to tell Charles about them, he was just interrupted. But now that they're back together and he's literally in the middle of an attempt to escape Hell, there is absolutely no way he can so much as stop for breath without telling Charles the truth. Even the stopping for breath is so loaded - because they're ghosts, they don't need to breathe, but also they're in Hell, so the one thing they can feel is pain, however nonsensical. And Edwin certainly is in pain. But whether he knows what he's about to do or not when he says he 'just needs a tick,' a breather is absolutely not what's gonna give him enough relief to keep climbing - it's fixing that other hurt, though, that will.
Like everything else in that scene, there's a lot of layers to him promising Charles "You don't have to feel the same way, I just needed you to know" - but I don't think that means it isn't also true on a surface level. It's the act of telling Charles that matters so much more than whatever follows it, and while that might have gone unnoticed if anything else major had happened in the same conversation, now we're forced to acknowledge its staggering and singular importance for what it is. The moment is well-earned and properly built up to, but until we see it happen in all its wonderful simplicity, and we see the aftermath (or lack thereof, even), we couldn't properly anticipate how much of a weight off Edwin's shoulders merely getting to share the truth with Charles was going to be, why he couldn't wait for a better, safer opportunity before giving in to that desire, or how badly he needed to say it and nothing else - and I really, really love the weight that act of just being honest, seen, and known is given in their story/relationship.
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I don’t really know how to say this in a better way so imma just say it
If you think John Dory is a bad character then respectfully, you have no idea what being an oldest sibling is like.
He didn’t abandon his brothers. He was pushed to a point of having to be responsible for four younger brothers, ranging from baby to teenager, trying to coordinate and pull off good if not perfect shows, trying to help Rosiepuff raise both them and himself while also dealing with trollstice and the troll tree while also struggling with an ever growing *need* to be perfect. It doesn’t matter how much you love your siblings- if you’re stressed enough, you’re going to snap and you’re going to snap at them. And you know what? He probably hated himself for that too. And for the fact that he couldn’t be perfect. Any oldest sibling knows the guilt of not being good enough and presumably tearing down their younger siblings in the process…it’s awful. No fuckin wonder he walked away, bro was what, 17?? 18??? He shouldn’t have had to do that. And he didn’t just abandon his brothers knowing what was gonna happen to Branch. From his perspective, he walked away knowing full well Spruce and Clay could step up, and that Rosiepuff would still be there. He had no way of knowing Branch would end up alone and gray, because if he did, he never would have left.
John Dory is not a bad character. He loves his brothers.
Edit: some people are saying he didn’t come back until he needed something. He came back to an empty troll tree- he thought his brothers were dead. He probably only left for a few months or so! He didn’t abandon them. He had every intention to come back and did. His family was just gone.
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Destiny sinks her claws into all those she sees.
Do you think Ninjago has its own equivalent of biblical imagery, like do you think there's a lot of snake, Dragon and Oni imagery in ancient literature and art? I think that'd be really interesting.
I always wonder what living in the world of Ninjago is like for normal citizens, like imagine if God's son literally lived in the apartment next to yours and his grandson was your window washer at one point? Like Garmadon seemingly just kinda lives in the city and that's gotta be weird as fuck as a normal citizen, like damn the fucking anti-christ is just up and walking around the city! This is a joke obviously though it's really funny to put into perspective lol
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