#[ but I have no idea what the full implications of THAT would be so I might just skirt around the topic LOL ]

[plusvanity]

Hii, a few posts back you said you have your opinions on Faust and Euronymous separately could you make a post on that?

Love your analysis :)

Øystein has an interesting personality. I talked a bit about him in comparison with Varg at some point because they do share a few characteristic features.

I would describe Øystein as ambitious, talented, creative, hard-working and a leader. I don't think he worked very hard (as Varg, for example) to gain admiration from the people around him, I think that his ingenious ideas and musical innovation attracted people naturally.

He knew how to make himself be respected by his peers because he was open-minded, understanding, and had an optimistic attitude (as many described him) towards life.

It's pretty clear that he wasn't as mentally unstable as others in the scene, but it doesn't mean that he had no issues. I believe he had a bit of an inclination to be people-pleasing while also trying to remain firm on his views and beliefs.

He was prideful, confident (especially about his music), enjoyed the position of power and influence in which he was but didn't abuse that at all. He was arrogant at times and full of himself, but there is a fine line between the character that he was playing (Euronymous) and the real person he was inside.

I see him as having a few narcissistic features but not enough to consider him in the NPD spectrum. He was also quite understanding (especially when Euperor got signed by Candlelight Records) and you don't really see full-blown narcissists being reasonable and understanding.

Unfortunately, because of his strong personality and leadership attributes (dominant, assertive), he managed to attract a very toxic person in his life that lately became his murderer.

The fact that he had a healthy relationship with his parents tells a lot about him. He seemed to have much more authentic confidence than Varg ever had as well as discipline. He seemed much more thoughtful about consequences than Varg, and this became apparent when he took a step back from a situation that would have brought him extra fame, but also MASSIVE implications (negative attention). He also closed his shop at the suggestion of his parents.

These attributes generally come from a 'good enough' household.

Later on, it's quite evident that he struggled with depression because of Pelle's death. There are some indications of 'self harm' and excessive drinking behaviour. But it is also possible that he had episodic depression in the time that Pelle was alive because we all know that depression and anxiety are socially transmitted mental illnesses (or at least we should know).

I personally find his implication in church-burnings a theatrical movement rather than a truly antisocial behaviour. So this makes me think that naturally, he had fewer violent impulses than he wanted to display to the public. In addition to this, he even tried to dissociate himself from the image that Varg's juvenile criminality was put on him.

He had an inflated sense of ego that I tent to see it as theatrical rather than real, but this is how they were 'playing the game' back then.

His coping mechanisms after Pelle's death were dubious, but it is what it is. There is no point in getting into details. People cope differently with trauma. Øystein tried to cope as best as he could.

This is a very rough summary of how I see him.

Now, when it comes to Faust, I know he was seeing Øystein as a mentor. He had a lot of respect for him, this is undeniable.

Now, not all people are able to commit murder, even if in self-defense. What Faust did was reacting on impulse. I don't know what was in his head when he did it, but he described in an interview as 'seeing himself out of his body as he was doing it' and this is due to adrenaline rush combined with the brain's inability to cope with what is happening on the spot. He dissociated at the scene and probably had a hard time believing what he did after that.

In the context in which Faust committed his crime, this is antisocial behaviour. Another detail that stuck out was how he described the incident. 'Stomping on his head' is nothing but cruelty and sadism, in my opinion.

I am not saying that he is in a 'certain way', but these are my thoughts on him for what he's done.

Remember that anyone who killed a person or an animal can do it again. This is a psychological fact. Maybe they will never repeat their mistake, maybe they will seek redemption, but once you've done something like this, you are very, very likely to repeat the behaviour.

I hope you find this useful, anon

[moodymisty]

So I actually have a 'Uriel Ventris has a kid' story written, If this goes well I'll post more.

---------------------------------------------------

Taking in the scene before him, there was only one thought in Roboute Guilliman's mind; This is all Belisarius Cawl's fault.

He was over 10 millennia old and he had seen some of the worst things the Galaxy had to offer, from competition from other species, betrayal by his own brothers, and the eldritch Tumors called Gods. He didn't believe that anything could surprise him anymore.

And yet, here he was sitting dumbstruck before a baseline woman, three of his sons, and a tiny human who seemed to be the only one enjoying all of this.

He cleared his throat, "So, ma'am, can you care to explain how you ended up having your charge?" He pointed at the little boy, only for said child to pipe up, "My name is Apollo!"

The woman's cheeks coloured despite her dark complexion, "I apologize on his behalf my lord, he does not know what he is saying." The boy was about to speak up, only for his mother to put her hand over his mouth, muffling his voice.

"Yes, now about young Apollo here." Guilliman continued, a part of him wanted to laugh at the small child's antics, but he had a job to do.

Isadore composed herself, she was in front of a primarch, she cannot disappoint him, especially for Apollo's sake.

"Lord Belisarius Cawl had recruited me to assist on a project, and as my family considered it a great honor, I went with him. I assumed that I would be a servant in his lab, cleaning up after his experiments. However, it seemed that he had a different idea in mind."

Her blush deepened, the implications making everyone uncomfortable.

Roboute wanted very badly to smack Cawl for tricking her in such a way. "I see, do you know who his father is?"

Isadore shifted in her seat, "I was not privy to much of the details of the experiment, but from what I could gather, his father was an astartes from the Ultramarines Chapter."

She really didn't know what else to say, before being fooled by Cawl, she was a rather simple seamstress from an Agriworld. She wasn't considered particularly beautiful either, with plain brown hair, eyes, and skin. A bit taller than average, which was her only stand out feature, but that was cancelled out by her rather ugly freckles marrying her face and body.

Never in her life did she think that she would have a child fathered by an Astartes, for one, she thought that it would be impossible for Space Marines to father children at all.

"I see," the primarch's eye seemed to develop a twitch, he didn't realise that when he gave Cawl the orders to research Primarch virility, he should've been more specific as to where to stop. "We will have the young lad her genetically tested to find his father, then we will regroup and decide how to move forward. Uriel, please escort our guest here to one of the serf quarters so that she may take some rest."

She watched as a tall marine with short, cropped, straight black hair with startling blue eyes nodded and motioned for her to follow him.

She bowed before the primarch and left the room, her child looking up at her curiously.

As they made their way down to the serf quarters, Uriel couldn't help but sneak glances at her, she was beautiful in a down to earth way. Gorgeous chocolate colored hair, clear skin, and deep brown eyes. Her height giving her a matronly aura and her full lips seemed soft.

He tried to push the thoughts away. Their father had recently revealed to them that he was going to give them a choice to have offspring to bolster the Imperium's numbers of neophytes.

He didn't know how to feel about that, but as part of this decision, marines were made to go through intense hypno brainwashing to return to them their more base urges.

Uriel hated how they made him feel like an out of control animal. He didn't like not having full control of his thoughts. Besides, the last thing the poor woman would want is to be harassed by astartes when she had already gone through so much.

He secretly admitted to himself that any astartes who fathered her child was a lucky man.

---------------------------------------------------

This is basically how the story would go, as Isadore and Uriel grow closer to each other and some shocking reveals as to whose soul Apollo has in him.

Also, yes, Uriel has a thing for Milfs. Isadore has low self esteem as she wasn't considered attractive in her culture, and Cawl only saw her as an acceptable carrier for astartes children.

So, yeah, tell me how you guys feel about this.

added your second post to this one so it's all together <3

the 'i don't know the father' mystery! it's a classic XD and poor guilliman having yet another weird thing to deal with on top of all the other weird things in 42m XD

[nickel156]

“I was in everyone’s minds to protect Velaris”

Come again?? No really, I just learned how to read yesterday..

Rhysand’s excuse for not taking down Amarantha—that he was too busy monitoring everyone’s minds to keep Velaris a secret—starts to fall apart when you consider that Velaris was already hidden. No one knew it existed. Velaris wasn’t on anyone’s radar. The city had been hidden for centuries, and there’s no evidence that Amarantha, or anyone else for that matter, even suspected its existence. So, why would Rhysand need to constantly be in people’s minds, draining his power, to protect a city no one knew about? It doesn’t add up.

This raises the question: Was Rhysand lying? Was he manipulating Feyre by feeding her this story to justify his inaction under Amarantha’s rule? He paints this picture of himself as this self-sacrificing hero, always making hard choices for the greater good, but when you break it down, his excuse is flimsy. If Velaris was truly hidden, then his powers wouldn’t have needed to be spread so thin. Even diminished by Amarantha. He should’ve had the strength to act against her much sooner, (he implies) but instead, he fed Feyre this narrative to make her believe that his hands were tied. It conveniently shifts the blame away from him and positions him as this misunderstood figure who was doing everything he could to protect what mattered most.

Then there’s the whole “Most powerful High Lord in history” line. Who else is saying this about him? No one. It’s something Rhysand repeatedly tells Feyre, almost like he’s reinforcing this idea of his invincibility in her mind. But if he’s truly the most powerful, why did he struggle so much under Amarantha’s rule? Why did he need Feyre’s help to take down Hybern later on if he’s supposed to be the most powerful High Lord ever? It feels like Rhysand is using this title as a tool to manipulate Feyre into seeing him as infallible. By constantly reminding her (and the reader) of his power, he makes sure that any weakness or questionable action he takes is easily forgiven or explained away. It’s like he’s setting up this narrative where he’s always the strongest, the most capable, even when his actions suggest otherwise.

So, was Rhysand’s whole “I’m in everyone’s minds to protect Velaris” a lie? A form of manipulation to make Feyre trust him? Or was it just poor writing that didn’t consider the full implications of Velaris being a secret city? It’s hard to say for sure, but either way, it casts serious doubt on his narrative. The more you look at it, the more it feels like Rhysand was playing Feyre, feeding her just enough information to make himself look like the hero while glossing over the inconsistencies in his story.

Ultimately, it makes you wonder if his claim to being the most powerful High Lord was less about truth and more about control—control over the narrative, control over Feyre’s perception of him, and control over the way he’s seen by everyone else. And honestly, it’s starting to look a lot more like manipulation than anything else.

[chasingfictions]

2x04, Old Wounds

[nemesis-is-my-middle-name]

it was just a little one off thing in a drabble a while ago but i loved doing pronoun games with the lake trio. i love stupid writing tricks like that. thinking about the way they all borrow first/second person to refer to each other. thinking about spirit holder giratina also.

[regallibellbright]

God, I hope I manage to get people reading this fic even a HUNDREDTH as invested in this character and the family I completely invented out of whole cloth for him who have been living rent-free in my head for like two years now and steadfastly refused to make a story work until now, because I needed to get a good bit out of my head before I went to sleep, made myself cry because I cry ABSURDLY easily, and now it’s like four hours later and I need to actually get to FUCKING BED ALREADY but words keep coming, my fic is too sad, and I use a CPAP that already finds my face shape tricky and don’t want to combine that with my messy crying.

I’m just saying, it’s not fair I inflict this on myself while WRITING it. Rereading it later, sure, I’m fine with that, but writing it? What am I doing, using these characters as an outlet for emotional catharsis? Gross. Inefficient. I can’t keep writing when I need to routinely stop and wipe my eyes.

[why-animals-do-the-thing]

average United States contains 1000s of pet tigers in backyards" factoid actualy [sic] just statistical error. average person has 0 tigers on property. Activist Georg, who lives the U.S. Capitol & makes up over 10,000 each day, has purposefully been spreading disinformation adn [sic] should not have been counted

I have a big mad today, folks. It's a really frustrating one, because years worth of work has been validated... but the reason for that fucking sucks.

For almost a decade, I've been trying to fact-check the claim that there "are 10,000 to 20,000 pet tigers/big cats in backyards in the United States." I talked to zoo, sanctuary, and private cat people; I looked at legislation, regulation, attack/death/escape incident rates; I read everything I could get my hands on. None of it made sense. None of it lined up. I couldn't find data supporting anything like the population of pet cats being alleged to exist. Some of you might remember the series I published on those findings from 2018 or so under the hashtag #CrouchingTigerHiddenData. I've continued to work on it in the six years since, including publishing a peer reviewed study that counted all the non-pet big cats in the US (because even though they're regulated, apparently nobody bothered to keep track of those either).

I spent years of my life obsessing over that statistic because it was being used to push for new federal legislation that, while well intentioned, contained language that would, and has, created real problems for ethical facilities that have big cats. I wrote a comprehensive - 35 page! - analysis of the issues with the then-current version of the Big Cat Public Safety Act in 2020. When the bill was first introduced to Congress in 2013, a lot of groups promoted it by fear mongering: there's so many pet tigers! they could be hidden around every corner! they could escape and attack you! they could come out of nowhere and eat your children!! Tiger King exposed the masses to the idea of "thousands of abused backyard big cats": as a result the messaging around the bill shifted to being welfare-focused, and the law passed in 2022.

The Big Cat Public Safety Act created a registry, and anyone who owned a private cat and wanted to keep it had to join. If they did, they could keep the animal until it passed, as long as they followed certain strictures (no getting more, no public contact, etc). Don’t register and get caught? Cat is seized and major punishment for you. Registering is therefore highly incentivized. That registry closed in June of 2023, and you can now get that registration data via a Freedom of Information Act request.

Guess how many pet big cats were registered in the whole country?

97.

Not tens of thousands. Not thousands. Not even triple digits. 97.

And that isn't even the right number! Ten USDA licensed facilities registered erroneously. That accounts for 55 of 97 animals. Which leaves us with 42 pet big cats, of all species, in the entire country.

Now, I know that not everyone may have registered. There's probably someone living deep in the woods somewhere with their illegal pet cougar, and there's been at least one random person in Texas arrested for trying to sell a cub since the law passed. But - and here's the big thing - even if there are ten times as many hidden cats than people who registered them - that's nowhere near ten thousand animals. Obviously, I had some questions.

Guess what? Turns out, this is because it was never real. That huge number never had data behind it, wasn't likely to be accurate, and the advocacy groups using that statistic to fearmonger and drive their agenda knew it... and didn't see a problem with that.

Allow me to introduce you to an article published last week.

This article is good. (Full disclose, I'm quoted in it). It's comprehensive and fairly written, and they did their due diligence reporting and fact-checking the piece. They talked to a lot of people on all sides of the story.

But thing that really gets me?

Multiple representatives from major advocacy organizations who worked on the Big Cat Publix Safety Act told the reporter that they knew the statistics they were quoting weren't real. And that they don't care. The end justifies the means, the good guys won over the bad guys, that's just how lobbying works after all. They're so blase about it, it makes my stomach hurt. Let me pull some excerpts from the quotes.

"Whatever the true number, nearly everyone in the debate acknowledges a disparity between the actual census and the figures cited by lawmakers. “The 20,000 number is not real,” said Bill Nimmo, founder of Tigers in America. (...) For his part, Nimmo at Tigers in America sees the exaggerated figure as part of the political process. Prior to the passage of the bill, he said, businesses that exhibited and bred big cats juiced the numbers, too. (...) “I’m not justifying the hyperbolic 20,000,” Nimmo said. “In the world of comparing hyperbole, the good guys won this one.”

"Michelle Sinnott, director and counsel for captive animal law enforcement at the PETA Foundation, emphasized that the law accomplished what it was set out to do. (...) Specific numbers are not what really matter, she said: “Whether there’s one big cat in a private home or whether there’s 10,000 big cats in a private home, the underlying problem of industry is still there.”"

I have no problem with a law ending the private ownership of big cats, and with ending cub petting practices. What I do have a problem with is that these organizations purposefully spread disinformation for years in order to push for it. By their own admission, they repeatedly and intentionally promoted false statistics within Congress. For a decade.

No wonder it never made sense. No wonder no matter where I looked, I couldn't figure out how any of these groups got those numbers, why there was never any data to back any of the claims up, why everything I learned seemed to actively contradict it. It was never real. These people decided the truth didn't matter. They knew they had no proof, couldn't verify their shocking numbers... and they decided that was fine, if it achieved the end they wanted.

So members of the public - probably like you, reading this - and legislators who care about big cats and want to see legislation exist to protect them? They got played, got fed false information through a TV show designed to tug at heartstrings, and it got a law through Congress that's causing real problems for ethical captive big cat management. The 20,000 pet cat number was too sexy - too much of a crisis - for anyone to want to look past it and check that the language of the law wouldn't mess things up up for good zoos and sanctuaries. Whoops! At least the "bad guys" lost, right? (The problems are covered somewhat in the article linked, and I'll go into more details in a future post. You can also read my analysis from 2020, linked up top.)

Now, I know. Something something something facts don't matter this much in our post-truth era, stop caring so much, that's just how politics work, etc. I’m sorry, but no. Absolutely not.

Laws that will impact the welfare of living animals must be crafted carefully, thoughtfully, and precisely in order to ensure they achieve their goals without accidental negative impacts. We have a duty of care to ensure that. And in this case, the law also impacts reservoir populations for critically endangered species! We can't get those back if we mess them up. So maybe, just maybe, if legislators hadn't been so focused on all those alleged pet cats, the bill could have been written narrowly and precisely.

But the minutiae of regulatory impacts aren't sexy, and tiger abuse and TV shows about terrible people are. We all got misled, and now we're here, and the animals in good facilities are already paying for it.

I don't have a conclusion. I'm just mad. The public deserves to know the truth about animal legislation they're voting for, and I hope we all call on our legislators in the future to be far more critical of the data they get fed.

[sophiamcdougall]

You're a reasonably informed person on the internet. You've experienced things like no longer being able to get files off an old storage device, media you've downloaded suddenly going poof, sites and forums with troves full of people's thoughts and ideas vanishing forever. You've heard of cybercrime. You've read articles about lost media. You have at least a basic understanding that digital data is vulnerable, is what I'm saying. I'm guessing that you're also aware that history is, you know... important? And that it's an ongoing study, requiring ... data about how people live? And that it's not just about stanning celebrities that happen to be dead? Congratulations, you are significantly better-informed than the British government! So they're currently like "Oh hai can we destroy all these historical documents pls? To save money? Because we'll digitise them first so it's fine! That'll be easy, cheap and reliable -- right? These wills from the 1850s will totally be fine for another 170 years as a PNG or whatever, yeah? We didn't need to do an impact assesment about this because it's clearly win-win! We'd keep the physical wills of Famous People™ though because Famous People™ actually matter, unlike you plebs. We don't think there are any equalities implications about this, either! Also the only examples of Famous People™ we can think of are all white and rich, only one is a woman and she got famous because of the guy she married. Kisses!"

Yes, this is the same Government that's like "Oh no removing a statue of slave trader is erasing history :(" You have, however, until 23 February 2024 to politely inquire of them what the fuck they are smoking. And they will have to publish a summary of the responses they receive. And it will look kind of bad if the feedback is well-argued, informative and overwhelmingly negative and they go ahead and do it anyway. I currently edit documents including responses to consultations like (but significantly less insane) than this one. Responses do actually matter. I would particularly encourage British people/people based in the UK to do this, but as far as I can see it doesn't say you have to be either. If you are, say, a historian or an archivist, or someone who specialises in digital data do say so and draw on your expertise in your answers. This isn't a question of filling out a form. You have to manually compose an email answering the 12 questions in the consultation paper at the link above. I'll put my own answers under the fold. Note -- I never know if I'm being too rude in these sorts of things. You probably shouldn't be ruder than I have been.

Please do not copy and paste any of this: that would defeat the purpose. This isn't a petition, they need to see a range of individual responses. But it may give you a jumping-off point.

Question 1: Should the current law providing for the inspection of wills be preserved?

Yes. Our ability to understand our shared past is a fundamental aspect of our heritage. It is not possible for any authority to know in advance what future insights they are supporting or impeding by their treatment of material evidence. Safeguarding the historical record for future generations should be considered an extremely important duty.

Question 2: Are there any reforms you would suggest to the current law enabling wills to be inspected?

No.

Question 3: Are there any reasons why the High Court should store original paper will documents on a permanent basis, as opposed to just retaining a digitised copy of that material?

Yes. I am amazed that the recent cyber attack on the British Library, which has effectively paralysed it completely, not been sufficient to answer this question for you.  I also refer you to the fate of the Domesday Project. Digital storage is useful and can help more people access information; however, it is also inherently fragile. Malice, accident, or eventual inevitable obsolescence not merely might occur, but absolutely should be expected. It is ludicrously naive and reflects a truly unpardonable ignorance to assume that information preserved only in digital form is somehow inviolable and safe, or that a physical document once digitised, never need be digitised again..At absolute minimum, it should be understood as certain that at least some of any digital-only archive will eventually be permanently lost. It is not remotely implausible that all of it would be. Preserving the physical documents provides a crucial failsafe. It also allows any errors in reproduction -- also inevitable-- to be, eventually, seen and corrected. Note that maintaining, upgrading and replacing digital infrastructure is not free, easy or reliable. Over the long term, risks to the data concerned can only accumulate.

"Unlike the methods for preserving analog documents that have been honed over millennia, there is no deep precedence to look to regarding the management of digital records. As such, the processing, long-term storage, and distribution potential of archival digital data are highly unresolved issues. [..] the more digital data is migrated, translated, and re-compressed into new formats, the more room there is for information to be lost, be it at the microbit-level of preservation. Any failure to contend with the instability of digital storage mediums, hardware obsolescence, and software obsolescence thus meets a terminal end—the definitive loss of information. The common belief that digital data is safe so long as it is backed up according to the 3-2-1 rule (3 copies on 2 different formats with 1 copy saved off site) belies the fact that it is fundamentally unclear how long digital information can or will remain intact. What is certain is that its unique vulnerabilities do become more pertinent with age."  -- James Boyda, On Loss in the 21st Century: Digital Decay and the Archive, Introduction.

Question 4: Do you agree that after a certain time original paper documents (from 1858 onwards) may be destroyed (other than for famous individuals)? Are there any alternatives, involving the public or private sector, you can suggest to their being destroyed?

Absolutely not. And I would have hoped we were past the "great man" theory of history. Firstly, you do not know which figures will still be considered "famous" in the future and which currently obscure individuals may deserve and eventually receive greater attention. I note that of the three figures you mention here as notable enough to have their wills preserved, all are white, the majority are male (the one woman having achieved fame through marriage) and all were wealthy at the time of their death. Any such approach will certainly cull evidence of the lives of women, people of colour and the poor from the historical record, and send a clear message about whose lives you consider worth remembering.

Secondly, the famous and successsful are only a small part of our history. Understanding the realities that shaped our past and continue to mould our present requires evidence of the lives of so-called "ordinary people"!

Did you even speak to any historians before coming up with this idea?

Entrusting the documents to the private sector would be similarly disastrous. What happens when a private company goes bust or decides that preserving this material is no longer profitable? What reasonable person, confronted with our crumbling privatised water infrastructure, would willingly consign any part of our heritage to a similar fate?

Question 5: Do you agree that there is equivalence between paper and digital copies of wills so that the ECA 2000 can be used?

No. And it raises serious questions about the skill and knowledge base within HMCTS and the government that the very basic concepts of data loss and the digital dark age appear to be unknown to you. I also refer you to the Domesday Project.

Question 6: Are there any other matters directly related to the retention of digital or paper wills that are not covered by the proposed exercise of the powers in the ECA 2000 that you consider are necessary?

Destroying the physical documents will always be an unforgivable dereliction of legal and moral duty.

Question 7: If the Government pursues preserving permanently only a digital copy of a will document, should it seek to reform the primary legislation by introducing a Bill or do so under the ECA 2000?

Destroying the physical documents will always be an unforgivable dereliction of legal and moral duty.

Question 8: If the Government moves to digital only copies of original will documents, what do you think the retention period for the original paper wills should be? Please give reasons and state what you believe the minimum retention period should be and whether you consider the Government’s suggestion of 25 years to be reasonable.

There is no good version of this plan. The physical documents should be preserved.

Question 9: Do you agree with the principle that wills of famous people should be preserved in the original paper form for historic interest?

This question betrays deep ignorance of what "historic interest" actually is. The study of history is not simply glorified celebrity gossip. If anything, the physical wills of currently famous people could be considered more expendable as it is likely that their contents are so widely diffused as to be relatively "safe", whereas the wills of so-called "ordinary people" will, especially in aggregate, provide insights that have not yet been explored.

Question 10: Do you have any initial suggestions on the criteria which should be adopted for identifying famous/historic figures whose original paper will document should be preserved permanently?

Abandon this entire lamentable plan. As previously discussed, you do not and cannot know who will be considered "famous" in the future, and fame is a profoundly flawed criterion of historical significance.

Question 11: Do you agree that the Probate Registries should only permanently retain wills and codicils from the documents submitted in support of a probate application? Please explain, if setting out the case for retention of any other documents.

No, all the documents should be preserved indefinitely.

Question 12: Do you agree that we have correctly identified the range and extent of the equalities impacts under each of these proposals set out in this consultation? Please give reasons and supply evidence of further equalities impacts as appropriate.

No. You appear to have neglected equalities impacts entirely. As discussed, in your drive to prioritise "famous people", your plan will certainly prioritise the white, wealthy and mostly the male, as your "Charles Dickens, Charles Darwin and Princess Diana" examples amply indicate. This plan will create a two-tier system where evidence of the lives of the privileged is carefully preserved while information regarding people of colour, women, the working class and other disadvantaged groups is disproportionately abandoned to digital decay and eventual loss. Current and future historians from, or specialising in the history of minority groups will be especially impoverished by this.  

[thoughtssvt]

nanami kento had one condition when it came to fucking you.

he was to always see your face.

cw : gn!reader (no detailed depictions or implications to readers genitalia), mix of dynamics (soft and gentle to rough), cum eating, oral sex (reader receiving), squirting

missionary was always good. he liked touching as much of your body as he could with his. he loved keeping you close, putting almost all his weight on you as if to say i'm here. he'd cup your cheek, keep you from pressing the back of your head too far into the mattress that he wouldn't be able to watch your blissed out face. always swallowing your moans because, god, he had to taste you. his tongue always yearning for both sets of lips.

having you on top awakened something primal in his chest. the way you'd struggle to stay upright with the force of his strokes like it was actually his goal to throw you off. the only down side to this position were the moments you would throw your head back. he loved the idea that he was fucking you into a blissful arch, he wouldn't trade it for the world. "play with those pretty nipples, darling." he'd command through gruff pants, jaw slack as he examined the way your brows would knit tight. your body naturally curling forward as your hips began moving with his until you were forced to plant your hands on his chest.

on rare occasions your schedules refused to line up he was happy to take advantage of the sliver of time you actually had together under a weak veil of efficiency. the mornings when you were half naked in front of the sink, dutifully brushing your teeth as he stepped out of the shower. he couldn't help the way his arms wrapped around your middle, pulling you close, taking in your scent. he'd ignore your incredulous expression as he began kissing your neck, rough fingers running under the waistband of your underwear. "just keep doing what you're doing. don't mind me." you never really knew how you'd get from one point to the next on mornings like these. toothpaste suddenly running down your chin as he pumped into you from behind. a firm arm keeping you upright, your chin fitted between his thumb and forefinger as he compelled you to watch. watch how good he made you feel. how good you look while he does. it's one of his favorite sights if not number one. his voice drawing your focus no matter how much you wanted to roll your eyes back as he lifted your leg up onto the sink's expanse, hammering into you impossibly deeper.

with the same intention, it was the only reason you had a full body mirror in your shared bedroom. his hand tugging the hair at the nape of your neck just enough to keep your head up, providing a delicious sting. when he's feeling rougher he especially liked you on his lap, your legs draped over his thick ones as he sat on the edge of the bed. spreading you wide so he could see all of you. his arms looping around your shoulders until he could intertwine his hands behind your neck. the only way to keep your head from drooping as he bullied your sweet spot. relishing the sight of your spasming body as you splashed against the glass. his eyes would darken, guiding your jellied body to your reflection to clean up your mess. chest rumbling with a reminder to keep your eyes open.

the only time he allowed your head to dangle uselessly was when he was pinned beneath you, his mouth working dutifully between your legs. nothing mattered when you were riding his face. not his lack of breath, not the way his cock twitched painfully in his slacks, not even the way his eyes burned and threatened to close. he'd keep his eyes on you. the view so divine that he could cum untouched to which he has, unashamedly, done in the past.

he'd keep pictures and videos of your fucked out face on his phone if it wasn't so risky, so please don't blame him for all the positions he put you in at the end of the night.

A/N : the creation of this piece was a possession, i fear.

nanami x reader masterlist

mdni banner + heart chain divider by @/adornedwithlight

[novaursa]

Twin Fires

- Summary: Both you and Aegon have no problem expressing your desires openly and torment everybody in the Red Keep.

- Paring: reader (twin!wife)/Aegon II

- Note: reader is referred to as Y/N. For full chronological order of these works visit my blog. The list is pinned on the top. Or, you can read it as a one-shot.

- Rating: Explicit 18+

- Word count: 2 665

- Tag(s): @sachaa-ff

You sit on the chair beside Aegon, your hand resting lightly on his arm. The room is filled with the dull murmur of the small council meeting, the voices of the Lords Tyland, Larys, Jasper, Otto, and Grand Maester Orwyle blending into an almost rhythmic drone. You can see Aegon's eyes glazing over as his mind drifts away from the discussions of grain supplies and tax levies. You know exactly where his thoughts have gone.

Aegon shifts in his seat, his fingers drumming lightly on the armrest. He can't stop thinking about the night before, the way your skin felt against his, the warmth of your breath on his neck. The council's voices fade into the background as he remembers the way you gasped his name, the look in your eyes as he pulled you closer. His lips twitch into a small, satisfied smile.

"Your Grace," Otto's sharp voice cuts through Aegon's reverie. "Would you care to join us in the present? We were discussing the matter of the Dornish threat on our southern border."

Aegon blinks, attempting to pull himself back to the present. "Yes, yes, of course," he says, though he has no idea what Otto was talking about. His mind is still on you, on the way your hair spread out across the pillows, the way you whispered his name.

Otto's eyes narrow. "It seems your thoughts are elsewhere, Your Grace. Perhaps you would care to enlighten us on what is so captivating."

Aegon feels the eyes of the council on him, but he can't help the smirk that forms on his lips. "Just thinking about my Queen," he says, his voice low and suggestive. "Last night was... eventful."

You feel your cheeks heat at the memory and the implication of his words. The council members shift uncomfortably in their seats, while Otto's face turns a deep shade of red.

"Your Grace," Otto says through gritted teeth, "perhaps now is not the time for such... reflections."

Aegon laughs, the sound rich and warm. "Oh, come now, Otto. Surely even you can appreciate the joys of marriage."

Tyland coughs, trying to hide a smile behind his hand, while Larys's eyes gleam with amusement. Jasper seems to be studying a particularly interesting spot on the table, avoiding looking at anyone.

The Grand Maester clears his throat. "Perhaps we should return to the matter at hand," he suggests diplomatically.

"Yes, let's," Otto agrees, his voice tight. "As I was saying, the Dornish—"

Aegon's thoughts drift away again, this time to the look on Otto's face when he walked in on the two of you in the gardens. Aegon had you pressed up against the stone wall, your skirts hitched up around your waist. Otto had stammered and turned bright red, backing away as quickly as he could.

"Y/N," Aegon says, turning to you with a wicked grin, "do you remember when Grandsire walked in on us?"

You can’t help but laugh softly, nodding. "Yes, I do. He looked like he was about to faint."

Otto's knuckles are white as he grips the edge of the table. "Your Grace, please," he grinds out. "This is neither the time nor the place."

"Lighten up, Otto," Aegon says, waving a hand dismissively. "A little levity never hurt anyone."

The tension in the room breaks slightly as the other council members chuckle. Otto, however, looks like he's about to explode.

"Perhaps we should adjourn for today," Aegon suggests, rising to his feet. "I believe we've accomplished quite enough."

Otto opens his mouth to protest, but Aegon is already moving, taking your hand and pulling you to your feet. "Come, Y/N," he says, his voice low and intimate. "Let's continue this discussion elsewhere."

As you leave the room, you can feel the council's eyes on your back, but you don't care. All that matters is the warmth of Aegon's hand in yours, and the promise of what the rest of the day holds.

Aegon leads you through the winding corridors of the Red Keep, his grip on your hand firm and possessive. The flickering torches cast long shadows on the stone walls, creating an intimate atmosphere that sets your heart racing. The echoes of the small council meeting fade away, replaced by the anticipation of what is to come.

Instead of heading to your private chambers, Aegon pulls you toward the grand library, a place of quiet refuge and intellectual pursuit. The scent of old parchment and leather-bound tomes fills the air as you enter, the dim lighting from the candles casting a warm glow on the rows upon rows of books.

"I've been thinking about you all morning," he murmurs, his lips brushing against your ear. "I can't wait to continue where we left off last night."

You shiver at his words, your own desire mirrored in his eyes. He leads you to a secluded corner, hidden from view by towering bookshelves. Aegon presses you against the polished wood, his hands eager as they roam your body. The library's quiet solitude only adds to the excitement, the risk of being discovered making your heart race.

But just as Aegon is about to pull you into a passionate kiss, a soft cough from behind a nearby shelf makes you both freeze. Aegon straightens, his head snapping towards the sound. Emerging from the shadows, a book in hand and expression stern, is Aemond.

"Aemond," Aegon says, a smirk playing on his lips. "I didn't expect you to be lurking in the library."

"I can see that," Aemond replies dryly, stepping into the candlelight. "Must you always be so public about your... activities, brother?"

Aegon laughs, the sound deep and unabashed. "Why not? What's the point of being king if you can't enjoy yourself?"

Aemond rolls his eye, clearly unimpressed. "There are other ways to enjoy oneself that don't involve making a spectacle."

Aegon pulls you closer, his hand slipping around your waist. "But where's the fun in that, brother? Life is too short to be so serious all the time."

You can feel the tension in the library, but there's also a hint of amusement in Aemond's gaze. He shakes his head, exasperated but not entirely unamused. "You are impossible, Aegon."

"That's why you love me," Aegon replies, grinning. "Now, if you don't mind, we were in the middle of something."

Aemond raises an eyebrow. "Clearly. But perhaps you could exercise a bit more discretion. The walls have ears, and not all of them are friendly."

Aegon waves a hand dismissively. "Let them listen. Maybe they'll learn something."

You bite your lip to stifle a laugh, the absurdity of the situation not lost on you. Aegon turns his attention back to you, his eyes dark with intent. "Shall we continue, my love?"

Aemond sighs, shaking his head again. "Very well. I'll leave you to it. But please, try to keep it down this time."

As Aemond turns to leave, Aegon can't resist one last jibe. "Don't be jealous, Aemond. You'll find your own fun one day."

Aemond pauses at the doorway, glancing back with a faint smile. "One can only hope."

The door closes behind him, and you and Aegon are alone once more. Aegon pulls you into a deep kiss, his hands eager and insistent. The interruption seems only to have fueled his desire, his need for you more urgent than ever.

"Now, where were we?" he murmurs against your lips, his voice a seductive whisper.

You smile, wrapping your arms around his neck. "Right here," you reply, pulling him closer.

As the passion between you reignites, the lingering humor of Aemond's intrusion adds a layer of excitement to the encounter. The grand library might have its hidden eyes and ears, but in this moment, all that matters is the fire burning between you and your king.

Your bodies are entwined, the weight of Aegon's heated skin pressing down on yours as you both clutch desperately at each other in the dimly lit library. The scent of parchment and aged leather fills the air, mixing with the intoxicating musk of your fervent lovemaking. Aegon's platinum blond hair falls over his eyes, glistening with sweat, as he murmurs your name — Y/N — with breathless urgency.

"More, Aegon," you gasp, fingers digging into his back, pulling him closer. His lips are on your neck, your shoulders, everywhere at once, as if he can never get enough of you.

"You always want more," he grins against your skin, his voice a low growl of pleasure and amusement. "And I always want to give it to you."

You arch against him, your breath catching as he moves within you, each thrust bringing you both closer to the edge. Your world narrows to the sensation of his body, the heat of his touch, the sound of his ragged breathing mingling with your own.

Just as the world is about to shatter into a million pieces of ecstasy, the library door slams open with a thunderous crash. "Aegon! Y/N!" Dowager Queen Alicent's voice rings out, sharp and furious.

Aegon jolts, startled, and the sudden motion pushes him deeper into you, causing you both to cry out in unexpected bliss. The impact sends you both stumbling backward into a massive bookshelf. There's a moment of stunned silence before the entire row of shelves begins to topple like dominos, books cascading to the floor in a chaotic storm of paper and bindings.

As the dust settles, you find yourself pinned beneath Aegon, both of you as naked as the day you were born. His violet eyes are wide with a mix of shock and lingering desire, but there's a hint of laughter in them too. You can't help but chuckle softly, the absurdity of the situation taking hold again.

Alicent stands there, her face a mask of fury, flanked by a pale and trembling Grand Maester Orwyle, who looks like he's about to collapse. His precious tomes from the Citadel lie scattered and crushed around you.

"Mother," Aegon starts, still half-laughing, "I didn't hear you knock."

"Knock?" Alicent's voice rises in pitch, her hands clenching at her sides. "You have no sense of shame or propriety! Look at you both!"

You glance at Aegon, then back at your mother, feeling no shame whatsoever. "We were...occupied," you say with a coy smile.

Aegon shifts slightly, still positioned rather intimately, and you can't help but stifle a giggle. "We were, indeed," he agrees, a mischievous twinkle in his eye.

Alicent throws her hands up in exasperation. "Occupied! In the library! Grand Maester Orwyle has important matters to discuss, and you are here...doing this!"

Orwyle makes a strangled noise, his eyes darting to the ruined books. "My...my tomes..."

Aegon looks around, still atop you, and shrugs. "They can be replaced, Orwyle. Unlike my dear sister-wife, who I cannot get enough of."

You can't help but laugh, reaching up to pull him down for a quick kiss. "Flatterer," you murmur against his lips.

Alicent's face turns an even deeper shade of red. "Enough! Both of you! Get up and get dressed this instant!"

With exaggerated slowness, Aegon finally rolls off you, standing and offering you a hand up. You take it, rising gracefully despite the chaos around you. Neither of you bothers to cover yourselves, reveling in your mother's discomfort.

As you both dress leisurely, Alicent mutters angrily under her breath, and Orwyle looks like he's aged a decade in mere minutes. The library is a mess, but to you and Aegon, it's just another amusing chapter in your reign as King and Queen.

Once clothed, Aegon winks at you, a smirk playing on his lips. "Shall we continue this...discussion later once more, my love?"

You return his smile, feeling the heat already rising again between you. "Oh, absolutely, Your Grace. I can't wait."

Alicent groans, turning away with a huff. "Seven save me," she mutters, but you can see the hint of a smile tugging at her lips. Despite her anger, even she can't deny the unbreakable bond you share with Aegon.

You and Aegon stride through the open doors of the library, a sea of wide-eyed servants parting before you. Whispers and shocked glances follow your every step, but you and Aegon remain completely unaffected, wearing expressions of amused indifference. The thrill of your recent encounter still lingers, and you can feel Aegon's hand subtly brushing against yours, a promise of more to come.

"Well," Aegon muses loudly, his voice echoing down the hallway. "Since the library is no longer an option, how about the throne room next?"

You hear a gasp from a cluster of maids, their faces a mix of scandal and fascination. Just as you are about to reply with a cheeky retort, Alicent's voice rings out from the library, where she is still consulting with Orwyle. "Aegon! Y/N! I swear by the Seven, if you even think about it, you'll both be confined to your chambers for a month!"

Aegon grins, leaning close to whisper in your ear. "I think she's bluffing. The throne room would be quite the statement, don't you think?"

You laugh softly, shaking your head. "Perhaps another time, Aegon. We should at least pretend to heed her warnings once in a while."

He sighs dramatically but nods, his arm slipping around your waist as you continue down the hall. "Very well, my Queen. For now."

The next morning, the sun filters through the windows of the council chamber, casting a warm glow over the ancient stone walls. Alicent paces back and forth, her brow furrowed in frustration. Across from her, Otto Hightower sits at a polished wooden table, his expression calm but concerned.

"Alicent," he begins, his tone measured, "we need to address the behavior of the twins. This...scandalous display cannot continue. It undermines their authority and brings dishonor to the throne."

Alicent stops pacing, turning to face her father. "Believe me, Father, I am well aware. Yesterday's debacle in the library was just the latest in a long line of their...indiscretions."

Otto sighs, folding his hands on the table. "We must find a way to curb their impulses. Aegon and Y/N's bond is undeniably strong, but it is also causing disruptions. The court is buzzing with rumors, and the smallfolk are beginning to talk."

Alicent nods, her frustration evident. "I've tried talking to them, scolding them, threatening them with confinement, but nothing seems to work. They simply don't care."

Otto leans back in his chair, considering. "Perhaps we need a different approach. Something more...persuasive. Have you considered involving the High Septon? His influence could carry weight, even with those as headstrong as Aegon and Y/N."

Alicent's eyes widen slightly at the suggestion. "The High Septon? Are we really at that point, Father?"

Otto nods solemnly. "If we are to maintain order and respect, we must consider all options. Aegon is King, and Y/N is Queen, but they must learn that their actions have consequences beyond their own pleasure."

Alicent sighs, her shoulders slumping slightly. "Very well. I will arrange a meeting with the High Septon. Perhaps he can impress upon them the seriousness of their duties."

Otto reaches out to place a reassuring hand on her arm. "It is for the best, Alicent. For the realm, and for them. They must learn to balance their love with their responsibilities."

As Alicent nods, determined but weary, you and Aegon lounge in your chambers, blissfully unaware of the conversation taking place. Wrapped in each other's arms, you share a lazy, contented morning, your laughter and whispered promises a stark contrast to the serious discussions unfolding elsewhere in the Red Keep.

Aegon presses a kiss to your temple, his fingers tracing idle patterns on your skin. "What do you think Mother and Grandsire are plotting now?"

You chuckle, shaking your head. "No doubt some scheme to rein us in. But we have each other, Aegon. Whatever they plan, we'll face it."

He smiles, a slow, lazy grin that makes your heart flutter. "Always, my love. Always."

[ozzgin]

Some more dick-related brain rot…😘

We take the self serve dick bar and use monsters for the monster hotel. We are going to have that full “continental breakfast.” So we have a forest entity cumming maple syrup, a Minotaur cumming milk/creme, a yeti who cums slushies, a slime who cums various jams depending on whatever fruit we feed it, and any more monsters who we can utilize ☺️

When you were talking about your rats, it made me think of some rat-hybrid monster where reader can steer him via. his dick, like a reverse Ratatouille scenario 🐀

Having a robot/android partner, I could use his dick as a literal joy stick when playing video games. Also, if I have to charge robot/android, do you think his dick acts like a giant extension cord I could just plug into the outlet in the wall? Also does that mean he technically “eats” with his dick? I assume when traveling with him internationally, I gotta get a lot of compatible adapters so he can get plugged in successfully🕹️

A Hydra monster would be kinda funny to have sex with, cause maybe if you cut its “head” down south, two more will grow back 🤔

I think that’s all for now. Tell your man that he is very much appreciated, and it’s nice he’s in this club of debauchery 😉

-👘

This amount of thirst and depravity is exactly what the monster guests would come up with just to have Reader employee touch them. 😭 Content: gender neutral reader, rancid NSFW!!! (more white sauce I’m afraid), monster smut

The latest fad your centaur manager has been into is food cooked with bodily fluids. This has had several implications, all of them regrettably involving you.

While the idea has been gripping at his mind like a great plague, he can't possibly ask you to just...let go over his breakfast toast. He can already see how exhausted you return after being used by the starved guests. They stuff you just enough for you to wonder if you'll survive it, then make sure to clean up their mess, politely aiding your speedy recovery, almost as if they weren't the cause of destruction to begin with. The manager has heard it one too many times that your nether regions are numb from all the monstrous tongues and appendages.

Maybe a change of scenery will help.

"Kitchen staff? I thought I'm supposed to clean the rooms", you inquire, somewhat confused by the sudden proposal.

"It's not quite...kitchen duties, per se. We need someone to help with the hotel's breakfast. We have a new experimental menu, though not enough...hands."

You should've expected it. How bad could it possibly be, you told yourself, pouring some orange juice for the seated guests? You had your first suspicions from the big, flashy sign now propped outside the room: service provided by our esteemed and loved human employee. You didn't need to ponder much on its meaning. Once inside, your task became painfully clear. You were to milk the guests for the required ingredients.

Having their way with you is a treat in itself, but seeing you struggle with your small, human hands, trying to figure them out? Priceless. Well, for them, anyways. Despite your protests, you have left your morning shifts with a ridiculous number of tips. Maybe it's the way you look up through your lashes as you explain: "Of course I know your weak spot. You're one of my- our regulars." Or maybe it's the way you tease your favorites, wondering out loud, with a grin, if you should have some of the generous release for your own lunch later.

Your hard work has not gone unnoticed. The centaur head manager recently made the sheepish suggestion of having you at the receiving end of this new service, trying his best to sound convincing, and hiding the fact it’s been his most ardent wish for the past couple of weeks. Maybe he will get his breakfast topping, after all.

[Monster Hotel] | [More Monsters]

[sundrop-writes]

Mister Mxyzptlk

Stiles Stilinski x Fem!Reader Blurb

Word Count: 800

Sundrop's Main Masterlist

Warnings: mentions of bullying (Stiles being bullied for having a 'weird' name); mentions of Stiles's trauma surrounding his mother's death; obscure comic book references; this is mostly just fluff - very light implications toward sexual themes, flirting and romantic attraction between Stiles and the reader.

A/N: So, the last time I was actively watching Teen Wolf (when S3 and S4 were airing) I thought it was a running gag that Stiles's real name was never revealed and it was just always a mystery to the audience (like how it's a gag in Degrassi that Heather St. Claire's face is never seen). But when I saw a tiktok showing his real name, I was shocked, and then entirely amused by it. And I was also really offended because I'm watching S1 for the first time and the coach calls Stiles's name 'child abuse' and his father doesn't even dispute that, knowing that it's a family name to honour his dead mother's side of the family. And the fact that he is a character whose real name is very hard to pronounce and very few people actually know what it is got me thinking about the comic book character - Mister Mxyzptlk - and I realized that Stiles, being a comic book nerd who is always referencing things like The Incredible Hulk and Batman and Robin, would fucking love that comparison. Thus, this mini fic. Usually, this is an idea I would save and put it as a moment in a longer fic, but I'm not currently working a fic where I feel like this fits in, so it has become its own mini fic. Random idea, but enjoy this random fluff.

...

"Is Stiles your real name?"

You inquired lightly, walking out of school with Scott and Stiles.

"It's something I've been wondering since we met."

Stiles felt a unique anxiety clutch in his chest at this question. He hated telling people his real name, especially when those people were pretty girls. Especially when they were pretty girls he had only met a week ago who were new in town who otherwise didn't know what a reputation he had for being a loser and could form their own opinions of him.

He could see any chance he had with you being flushed down the drain at top speed. But it wasn't much different from any other girl he previously had a crush on.

"Cause, I thought maybe it was your last name. Guys who play sports usually do that - always call each other by their last names." You went on, not sensing the awkwardness as Scott and Stiles eyed each other heavily, waiting for the other person to speak. "But I heard the coach calling you Balinski?"

"Stilinski." Stiles corrected you. "I think he gets my name wrong on purpose to belittle me." He gave a fake laugh to play it off, but you frowned.

"Stiles is a nickname." Scott added on, trying to usher Stiles away from the awkwardness of having to tell you himself. "His real first name is... really hard to pronounce, and not a lot of people at our school even know it. So - everyone just knows him as Stiles."

This brought Stiles back to a painful memory - in fourth grade, someone had seen the attendance sheet with his real name on it, and showed it to everyone else. And this had started a barrage of bullying and rumours about how he had gotten the name.

Some said that his mother hated him as soon as he was born and wanted to name him something really ugly to match him. Some said that his mother had a brain tumour and she named him in such an odd manner because her brain was 'mush' when he was born. And whenever people in the halls mockingly called him 'tumour baby' or 'brain tumour' - then he had to painfully be reminded of his mother's absence from his life.

"So you're like Mister Mxyzptlk?" You posed, a smile coming across your face from the joy of making such an apt reference.

Stiles looked at you then, unsure if he had heard you correctly - but his heart started to beat faster and he was sure that his crush developed into full, heart-stopping love in that moment.

A gorgeous, cute, sweet girl like you making such an obscure dorky reference - there was nobody else. Nobody else would ever make him feel the way you had in that moment.

Scott was entirely confused, looking between the two of you with utter dumbness across his face, wondering why Stiles' heart rate had increased so much.

"Ugh - yeah." Stiles stuttered out awkwardly. "Yeah, I guess I am."

"So, is learning your real name the power to defeating you?" You posed, smoothing your voice into a sultry tone, stepping closer to Stiles, running a hand up his bare forearm - clearly flirting now. "Do I get three chances to moan it in your ear without making a mistake before you're allowed to do whatever you want to me?"

Scott regretted his super-hearing, being able to catch exactly what you said in a low whisper against Stiles's ear.

Stiles's brain was short-circuiting.

You were making nerdy references and coming onto him now. His blood was rioting between rushing to his pants and giving him a heart attack, and soon, before he could stop it, he practically shouted:

"Marry me!"

And while this would have been a colossally awkward fumble with any other girl, you simply giggled and smiled.

"You're so cute." You complimented in return, reaching out to gently 'boop' a finger against his nose.

Stiles continued to gape at you, feeling like he needed to say more, needed to communicate just how epicly wonderful you were in his eyes.

"Chocolate? Or vanilla? Our wedding cake could have 4 tiers, or we could get one of those cupcake tower things, I heard those are really trendy."

You let out another laugh, thinking that he was joking - not realising that he was already picking out an engagement ring in his head, and wondering which comic book characters you would name your children after.

"We can start with a date." You told him. "Friday. After the game."

He nodded.

"Yes, date." He agreed eagerly. "A date would be amazing."

"I have to get going now." You added on - and he felt like he was floating when you leaned in and kissed him on the cheek before you departed. "See you later?"

"Everyday for the rest of our lives." Stiles mumbled quietly, entirely love-struck.

"What the hell was that?" Scott asked, still entirely baffled.

"We shall have a spring wedding." Stiles replied, his eyes still locked on your back as you walked away - clearly, he was still caught up in the euphoria of the interaction.

Scott had to drag him away.

[heliianth]

mini meta because i cant get this fucking scene out of my brain:

its one of my fav Alluka scenes because its a sneak peek into her frankly miraculous emotional intelligence that simultaneously contextualizes it. She's still a little kid. Alluka is a smart cookie who can properly recognize and identify what people are feeling, can generally guess why they're feeling it, and get an idea of what would make them happy. But that "feeling" is hate for her, and what would make them happy is her disappearing. Really heartbreaking.

but the way Killua responds is also pretty fascinating to me? like, he pivots so fucking hard LOL. And I get it, it's such a loaded question. Would the Zoldycks be happier if Alluka was gone? Realistically, the answer is no... but admitting that would require a self-awareness about his family and his abuse Killua doesn't have yet. He probably doesn't even know how to answer, doesn't know what the answer even is.

So instead of digging into that can of worms, Killua cocks his own shotgun and fires back another loaded question: "If I were the only one who loved you in the whole world... would that make you sad?"

There were like a dozen other, much safer ways to both avoid this question and comfort Alluka. It's not even a full dodge, it's directly related to Alluka's fear via implication (the rest of the family doesn't love you). And it's not like Killua hasn't verbally weaseled his way out of tougher conversations. So... why?

I'm gonna try to truncate my full thoughts because I literally have a WIP 5k+ meta about it and I don't want to go down that rabbit hole, but Killua projects onto Alluka and Nanika a lot in this arc. Keeping that in mind, I think this question is his best, most earnest way of comforting Alluka because this train of thought is what's comforted him in the past.

I mean, think about it. Someone who will love and accept you no matter who you are or what you've done? Just one person who doesn't care? He's putting himself in the position of Alluka's Gon-figure here. And if you buy into that, the followup—"I'll always be there for you. Don't worry about anyone else"—reveals how a portion of his subconscious saw his emotionally dependent relationship with Gon as well; that is, as a comforting means to psychologically avoid confronting harder questions about himself, his upbringing, or how other people view him. It's kind of no coincidence that the minute Gon is wholly and totally incapacitated and Killua starts mucking around with the revolutionary idea of boundaries, he immediately starts thinking about his family again (in some manner).

And as an indulgent aside, I want to point out that when he ends up sending Nanika—who is, unlike Alluka, a subject of Killua's darker and more self-hating projections—away and Alluka fights back instead of internalizing it, Killua immediately recognizes the irrationality...

...because it breaks the mirror.

anyway. squeezes and shakes them like squeaky toys

[l4mplight]

Miquella and Trina; A Tragedy

Hey Tumblr. I have a lot of thoughts about Shadow of the Erdtree, and these ones... let's just say I don't think they'd do well on Reddit. It's not often that I feel particularly impacted by a particular fictional character. Usually I connect more with narrative arcs and themes, which is why I think I'm so drawn to the ephemeral, vibes based storytelling of Fromsoft's games. Playing through SOTE, though, I found Miquella (and St Trina) to be extremely emotionally compelling and relatable, and I wasn't sure exactly why. I think I've put my finger on it now though. First of all, know that I am writing from the perspective that Miquella is a sympathetic character. I know that it's not uncommon to read him as a manipulative Machiavellian villain, but I think that's both a misreading of the text as well as just plain boring. Like, he's not a Griffith clone you guys, give From some credit. Anyway, here we go.

"You have no understanding. Of Miquella the Kind. Of St. Trina's Love.

Content Warning: I'll be discussing themes of depression, and the implication of suicidal ideation.

So, a classic Fromsoftware theme is despair, and the ways we cope with a world full of it. It shows up twice in Shadow of the Erdtree; with Midra and the Frenzied Flame, where despair leads to a selfish nihilism that asks us to burn everything down, and with Thiollier and St Trina, who offer sleep as a comfort to the weary. Running a small errand for Thiollier has him say the following.

"If you find yourself… weary of the weight of this life, then just give me the word. Sleep is a balm, and eternal sleep… is an elixir."

Drinking the elixir he offers will, of course, result in an instant death. This is our first encounter with the idea of "Eternal Sleep," a more potent form of the sleep status effect that only appears here in the Shadowlands, after St Trina has been abandoned. The Velvet Sword of St. Trina tells us as much: "Silver sword of St. Trina, now stained the color of velvet. Inflicts eternal sleep. When St. Trina was abandoned, the faint, light-purple mists coalesced into an intoxicating deep-purple cloud." In order to ascend to godhood, Miquella abandons first his physical body, and then the more abstract aspects of himself. As we begin to descend down the fissure where we'll find Trina, a cross marks the spot as the place where Miquella abandoned his love. This connects Trina, "the discarded half" as Thiollier puts it, with Miquella's love. Leda confirms this in her own dialogue:

"St. Trina's love for Kind Miquella is boundless. She is, after all, his other half. Or perhaps her feelings go beyond even that. Even if she was left behind, I doubt her heart would waver."

Keep that in mind, it'll be relevant later.

Near the cross, a spirit offers up some of the most heartbreaking dialogue I've come across so far. The spirit gives us a bigger picture of Miquella's goals:

"Kindly Miquella... I see you've thrown away... something you should not have. Under any circumstances. How will you salvation offer... to those who cannot be saved? When you could not even save your other self?"

I teared up at this. The emotional impacted was aided by the fact that I ran into the spirit right after telling Moore to put his past behind him, leading him to rededicate himself to Miquella. He says:

"Hm. Maybe that’s Kindly Miquella’s love. Love for all the unloved. Love, to banish the pain."

Note here that Moore suggest Miquella's love will "banish the pain." This is also essentially what Trina's sleep does. It's a comfort to those in need. Anyway, between these two instances, we end up with a pretty good picture of the sort of god Miquella wants to become. He was already sympathetic to the outcasts of The Lands Between in the basegame, where he built Elphael and the Haligtree as a haven for those rejected by the Golden Order, such as the Albinaurics and Misbegotten we find there. In the Shadowlands, he has gone a step further. Hornsent tells us that he has committed himself, in essence, to righting Marika's wrongs.

"Miquella has said as much himself – he wishes now to throw it all away. He says the act – though undoubtedly painful – will sear clean the Erdtree’s wanton sin. The truth of his claim can be found at each cross. 'Tis evidence enough to earn my belief."

Of all of Marika's children, Miquella is the only one to see the serious flaws in her empire. Ymir points this out to us as well.

"No matter our efforts, if the roots are rotten, then we have little recourse. Ever-Young Miquella saw things for what they were. He knew his bloodline was tainted, his roots mired in madness. A tragedy if there ever was one. That he would feel compelled to renounce everything when the blame lay squarely with the mother."

My thinking here is aligned with Mother Ymir. You really have to feel for Miquella; he has essentially taken on, alone, the responsibility of making up for centuries of Golden Order imperialism. That's a massive burden to bear, especially for Miquella, cursed with eternal childhood.

(It's easy to miss, but Miquella actually ages up significantly when we see him in god-form. Until he steps back through the Divine Gate, he would have looked and sounded like he does in the introductory art and in ending memory scene. Compare those with how he appears in the boss fight, and it's clear godhood at least helped him reach puberty lol) So we've established that Miquella is the child of Imperial Rome on Steroids, is cursed with eternal childhood, and is an empathetic prodigy with the weight of the world on his shoulders. Surely his mental state is perfectly healthy, right? Right??

Final warning, this is where things get quite sad. Here is where I will try to tie Miquella's arc together with Thiollier and St Trina, and the comforting oblivion and relief from despair that sleep represents for them.

As we search for St Trina, we descend down into the Stone Coffin Fissure. This is a place of death, with massive coffins built into the fissure walls, and Gravebirds, Bloodfiends and Putrescent enemies everywhere. St Trina is found at the deepest possible pit of this fissure, in a swamp of putrescence that has since blossomed into a garden of deep velvet lilies because of her influence. Trina offers us nectar of "eternal sleep," as Thiollier did previously, and as established then, "eternal sleep" is essentially nothing more than a peaceful death. Trina seems to fit in quite well in this place of ancient dead things, with some of the ancient remains even being compelled to fight for her in exchange for eternal rest, becoming the Putrescent Knight.

(Side note for levity because we're about to get sad again; I love this guy. It's a knight made out of the skeleton of a horse, riding on that same horse's decaying flesh goop body. Like, ugh. Beautiful. Plus, it may even have taken that shape because of Trina sharing Miquella's memories of Radahn, who was never far from his horse Leonard...)

We meet St Trina in her garden, and when we imbibe her nectar, we eventually begin to hear her voice in our death-dreams. She seems to pity him. Mourn for him, almost.

"Make Miquella stop... Don't turn the poor thing into a god..."

Trina appears to be in a bad state after her fall. She can only manage to get a few words across to us at once. Just as Leda predicted, her heart hasn't wavered. She is only concerned with Miquella's well-being.

"Godhood would be Miquella's prison. A caged divinity... is beyond saving."

Trina's most pressing concern is that godhood will be a prison for Miquella. Now, this could in theory be because gods are subject to manipulation from the Fingers and the Greater Will or a similar reason, but given that she calls him a "poor thing," I think there is likely a more emotional reason behind Trina's plea. I think that Trina is speaking as the embodiment of Miquella's love, but especially his ability to love and care for himself...

"You must kill Miquella... Grant him forgiveness."

...and she asks us to kill him.

In excising Trina from his being, I think Miquella also expelled the part of himself that was able to recognize how miserable divinity would be for him, and how miserable he was. The part of him that was tired of carrying the responsibilities that his compassion demanded of him. The part of him that was exhausted, despairing and desperate from having failed to cure Malenia, failed to save Godwyn, failed to perfect the Haligtree. St Trina is the part of Miquella that wanted to be stopped, to rest, to sleep, to die. In abandoning her as he does, Miquella is essentially repressing those thoughts and feelings, replacing them with more "selfless" ones; self-sacrifice, suffering on behalf of others, his martyrdom and apotheosis. I don't want to forget about "grant him forgiveness" either. She might mean forgiveness for failing to become a god, for not being good enough to succeed Marika and right her wrings. Maybe forgiveness for failing Malenia and Godwyn, or for leaving the Haligtree behind. Maybe even for abandoning her. But on the road to godhood, Miquella can't afford to indulge in this sort of self-pity. A child craves forgiveness and approval, a god must cast these things out.

"I'm feeling rather lost. Haunted by memories. Of St. Trina. Her visage. Her scent. The lure of velvety sleep. Would Kindly Miquella chasten me? For falling for St. Trina, while knowing that she was the discarded half? The problem is… I simply cannot help it. I would sacrifice everything, just to gaze upon her, one last time."

I want to mention Thiollier one more time here too. His primary visual motif is the long white braids that he wears on his clothes, reminiscent of Miquella and Trina's own signature braids (remember, she looked like an older feminine Miquella before her fall and injury). Thiollier is obsessed with Trina, pursuing her to hear her voice and fade into the comfort of her velvet sleep, though this doesn't kill him like it does us. I don't think Thiollier is connected to Miquella in any textual way, but I think he does serve as a reflection of the sorts of thoughts Miquella may have been surpressing. The self-pity, the need for approval and love, the feelings of weakness and uselessness. These are the things that lead Thiollier to pursue endless slumber.

Thiollier doesn't give in to that despair, however. Though he initially takes St. Trina's words... poorly, he eventually realizes what must be done, and dedicates himself to his new purpose: carrying out her final wish.

"I am here to serve St. Trina evermore. I am deeply sorry. For doubting you. I am here only to grant St. Trina's singular wish. I will stop Miquella the kind. He will never become a god."

This post is already quite long, but I also want to mention the obvious gender stuff going on here. There are a number of moments that make it seem as though St. Trina might actually be more than just "half" of Miquella. Firstly, as she is shown falling in the story trailer, Leda is describing how Miquella abandoned his fate, as if Trina had a vital role to play in Miquella's future. It also seems as though Trina isn't cursed in the same way that Miquella is; her voice and size indicate that she is at least more substantial than his "infant form," and she is depicted in "adult form, somewhat unnervingly" on the Torch of St. Trina. Furthermore, her "adult form" has a third eye in the middle of her forehead. The third eye is a symbol of enlightenment in both Hinduism and Buddhism; it seems that Trina has achieved some level of wholeness in this depiction. Meanwhile, when Miquella achieves godhood, his eyes remain permanently shut. He also appears to have only one physical arm. He holds Radahn with two incorporeal arms while casting with his real right arm, but his left arm appears to fade away to nothing before the elbow, as if unfinished. Miquella's blindness and asymmetry here, I think, reflect how unbalanced and incomplete his divinity is without Trina.

One more hint towards St Trina being a part of Miquella's future lies way back at the Haligtree. In Malenia's bossroom, just above where Miquella's cocoon was once embedded into the tree, the branches and roots appear to form a silhouette. This could be Miquella, Trina, or both, but I do see a certain resemblance to Trina's depiction on the torch in the way the "hair" covers the eyes. Given that Miquella's body appears to have grown a decent amount inside of the cocoon when we see in at Mohg's palace, it's possible that the cocoon situation was his original attempt to cure himself of his own curse, or perhaps become a part of the Haligtree itself. In the Shaman Village, Marika's home, there is a similar scene. A woman's body that resembles Marika seemingly mummified within the hollow of a tree. I honestly have no idea what to make of that just yet, but I thought it worth a mention.

So, with all that in mind, abandoning Trina seems to be even more significant. Not only has Miquella divested himself of his love and his fate, but maybe even his future, too. Being eternally nascent, he is always in a state of potential, after all. Am I suggesting that Miquella is a transfeminine character? That he was meant to grow up to become a goddess in the aspect of St. Trina, or maybe even more like Marika than he already is? Well, maybe. If you find it compelling, then absolutely. Fromsoftware's storytelling is always ambiguous, and is always design to leave us some room to read and interpret, to really play in the space we are given. Personally, I do find it compelling in a horribly tragic sort of way, fitting for the setting. It's also entirely possible that I have rather self-indulgently projected some of my own angst onto these character. I likely have, to be perfectly honest. It's rare that I really connect with a set of characters or a story like I have with this lot, and I hope that maybe some of you reading this will feel similarly. If you have read this far, thanks <3

[jonathanrogersartist]

How 'The Acolyte' Disappointed Me, and Why the Themes of 'Star Wars' Matter

Someone recently commented on my 'On the Dark Side, the Jedi and the Moral Decay of Star Wars' essay with these words: 

"A lot of words for saying 'I don't like the newer media, but I won't get into specifics as to why.'"

Okay! I shall then finally clarify those specifics....

That first essay has, so far, been my biggest success on this blog, and it's attracted a number of interesting responses. Full disclosure: I wrote that fresh off the heels of feeling depressed over how the Acolyte ended, and after reading/listening to several of Leslye Headland's interviews, where she went into great detail about her ideas behind the show's choices, the themes she's trying to get across, and what personal baggage she brings to Star Wars. 

Why was I depressed?

Because the show's finale ended with the deeply problematic implication that Osha, by killing Sol and joining Qimir, has achieved true self-actualization. As Leslye herself put it, it's a 'positive corruption arc.' Interesting way to phrase it. 

Furthermore, Vernestra's actions that frame Sol for several murders, all to protect her own reputation, and to avoid oversight by the Senate, confirmed one of the things that I was really worried this show would do as soon as we began learning plot details, which is that it's leaning into this very persistent edgelord take that the Jedi are actually big ol' bastards not worth seeing as heroes. 

It's the Dave Filoni gospel of the Jedi Order as a morally broken and fundamentally hypocritical institution, a decaying monument to religious hubris, who brought about their own destruction with their arrogance and so-called rejection of emotion making them lack empathy. 

This is, as many of my followers know already, a giant misreading of George's storyline in the prequels, and what he was actually telling us about the Jedi's philosophy and code. And in my experience, it gets us some vicious pushback when we try to inform fans of it, even if we back it up with proof of George's words. 

George really did intend the Jedi to be the ultimate example of what a brave, wise, and all-loving hero should be, and are very specifically inspired by Buddhist monks. They do not 'repress emotions': they learn to regulate their emotions, so as to not let the negative ones feed the Dark Side, and they have the moral fortitude to focus on their spiritual duty. They're professionals that have dedicated themselves to a higher calling, and who still feel and display the same emotions we all feel, unless I watched very different movies from everyone else. We see that Jedi characters can still crack jokes, cry when they are sad, become scared or anxious, feel strong love and loyalty to their peers, and can even be righteously angry in some situations BUT always knowing when to pull back.

The Jedi of the prequels were victims of manipulation by Palpatine, and were caught in between a rock-and-a-hard-place with the Clone War, and they were ultimately destroyed not by their own actions, but by the treachery of Anakin Skywalker, who failed to overcome his own flaws because he refused to really follow the Jedi teachings, and was gaslit by Palpatine for decades on top of that. 

Leslye's take on Star Wars, based on how she wrote the story of the Acolyte, is that "yup, the Jedi were doomed to destroy themselves by being hypocritical and tone-deaf space cops," and she also outright compared them to the Catholic Church (this reeks of Western bias and misunderstanding of Eastern religions). The one that really stunned me, was when she said she designed Qimir to be her own mouthpiece for the experience of being queer and suppressed, who isn't allowed to just be her authentic self in a restrictive world. Which, to me, implies that Leslye wanted to depict the Dark Side as actually a misunderstood path to self-actualization that the Jedi, in keeping with their dogma of repressing emotions, only smear as 'evil.' 

Let me remind you all: Qimir is officially referred to as a Sith Lord, by Manny Jacinto, by Leslye, etc. And what are the Sith, exactly? 

Space fascists. Intergalactic superpowered terrorists. Dark wizard Nazi-coded wannabe dictators, whose ideology is of might-makes-right, survival of the fittest, and the pursuit of power for power's sake. To depict followers of this creed as an analogy for marginalized people who have literally been targeted and murdered throughout history BY the real-life inspirations for the Sith.... I find revolting and tone-deaf by Leslye. 

SO.... seeing how that show ended, and reading up on how Leslye intended it to be interpreted (Osha's 'triumph' over the 'toxic paternalism' of Sol/the Jedi in general), really put me in a funk, because deep down, I could just sense that this was not at all compatible with the ethos of Star Wars. It made me go on a deep-dive into the BTS of the writing of the prequels and George's ideas about the Jedi, and it's how I discovered the truth that Dave Filoni has been pretty egregiously misrepresenting George's themes for several years now, usurping George's words with his own personal fanfic about the motivations of characters like Anakin, or Qui-Gon, or the Jedi Council, etc. 

His influence on the franchise has caused this completely baseless take on the Jedi to become so widespread as to rewrite history for modern fans. Who are utterly convinced now that this anti-Jedi messaging WAS George's vision all along, and they get real mad at you if you show them actual proof of that being a lie. 

And the Acolyte is perpetuating this twisting of the very core of Star Wars. This is what I meant by the 'moral decay of Star Wars.' 

The Star Wars saga was made by George Lucas in 1977 to accomplish these specific tasks: 

To remind people of what it really means to be good.

What evil actually looks like, and how it comes from our fears and greed.

To teach kids how to grow up and choose the right path that will make them loving, brave, honest people that stand up to tyrants.

To give the world a story that returns to classic mythological motifs and is fundamentally idealistic, to defy the uptick in cynical and nihilistic storytelling after the scandals of Vietnam and Watergate broke Americans' belief in there being such a thing as actual heroes anymore. 

THAT is the soul of Star Wars. That is what George meant for this remarkably creative universe to say with its storytelling. But I sincerely think that what the Acolyte told, was that morality is relative, the heroes of this saga are actually bastards, the fascist death-cult is misunderstood, and a young woman being gaslit into joining said death-cult is a triumphant girlboss moment. When it actually comes across as the tragedy of a broken person choosing the wrong path that will only make her miserable, full of hatred and powerlust, and hurt innocent people along the way. 

The Acolyte betrayed one of George's most critical lessons: that the Dark Side ruins people, and if you want to truly become your best self, you must choose the path of Light, and the Jedi are the ones who have best mastered that path. So if the future of Star Wars is to continue framing the Jedi and their teachings as some corrupt and immoral system that is making the galaxy worse, then I would rather stick to rewatching the classic scripture of Episode 1-6. George wrote a complete and satisfying story, that is thematically consistent, and in my opinion should have been allowed to rest. 

I will not hate on new fans that love the new material, but I will pity them if they really think any of this is actually faithful to George's vision (they may very well simply not care, either, which troubles me too), and I am afraid of a show like Acolyte teaching young people to see the Jedi's philosophy as wrong, and the Sith as having a point. 

(P.S. I have a moral duty to clarify this, given the discourse around the show: No, this is not a problem with 'wokeness,' or diversity, or representation; that side of the fandom is very sick in the head and not to be taken seriously. 

It's a problem with Leslye's themes and tastes as a storyteller, being fundamentally against the ethos of Star Wars and how it soured the entire show in hindsight for me... a show that I was actually really liking, before the finale dropped its thematic nuke.)

[dovveri]

can you write sana and reader scissoring in the back seat bcz the car can drive automatically ?!😋

knee deep in the passenger seat

synopsis: once again, exactly what req asked for :)

warnings: smut! scissoring in the backseat, some thigh riding, semi-public sex, cunnilingus implication, curse words

w/c: 2.2k

a/n: every author has their hardest type of fic to write and i fear mine is smut... still fun tho! enjoy stay safe dont plagirise etc etc :P

"how much longerrrrr?"

you look over to the passenger seat, laughing a little at your girlfriend's antics. she's been getting more and more restless as the drive went on. she'd already gotten through her entire collection of netflix downloads, taken various naps, and grown sick of her road trip playlists that she had specially made in preparation.

you place a hand on her thigh, "almost there baby. 2 hours to go."

"2 hours?!" she exaggerates, whining and putting her hand over yours, squeezing slightly.

"you can take another nap?"

"not tired." you don't have to look at her to tell she's pouting. but you would have to look at her to pinpoint the look she gets in her eye, coming up with an idea that would entertain her, and you for the remainder of the drive.

"hungry? there's still some snacks in the- w-what are you doing sana?" your grip on the steering wheel tightens as you feel her drag your hand up her thigh slowly.

"mm i'm not really feeling like the snacks we brought. i could go for something else though..." there's a suggestive lilt in her voice, and your grip around her thigh tightens out of habit. she smirks, knowing she has you wrapped around her finger.

"b-baby i'm driving."

"doesn't this car have an auto drive feature?" she inches your hand further up, her voice dropping an octave, using that tone you know she only uses when she wants something from you.

"y-yeah b-but- um- i-"

"hmm?"

just before she reaches her centre she brings your hand up to her mouth, taking your fingers in slowly, one by one, slicking them up and humming around them. you don't dare look at her, the feeling of her mouth wrapped around you enough to make you squirm in your seat.

"there we go. nice and wet. you'll help me out now won't you?" she doesn't wait for a response, bringing your hand back down, except she's unzipped her pants and shuffled them down already so your hand meets the skin of her inner thighs. you can feel the heat emanating from her core, anticipation building while she traces your fingers lightly over the sensitive skin of her inner thigh.

"b-baby-"

"c'mon let me have some fun honey. it'll be fun for you too i promise."

then she presses the tip of your finger directly above her clit, gasping at the barely there pressure, feeling her own arousal spike instantly.

you curse, using your other hand to quickly turn the auto-drive feature of the car on, while sana traces your finger down her clothed cunt, rutting into your hand when you start to feel her panties soil with her essence. she drags you slowly back up to her clit, making you press down fully this time, circling it and letting out a full blown moan. the sound goes straight between your legs, the feeling of her hot skin, the little nub under your fingertip.

when you're finally done with the settings and inputting your destination in the navigation system, you whip your head around to face her, expecting, but still completely unprepared for the look of sheer sex on her face.

she's got the hand that's not controlling yours in her mouth, sucking on her own fingers to try and muffle the sounds of pleasure she makes with each stroke of your fingers. her pants are shoved down to her thighs, you can see her thigh muscles straining to spread her legs wider for you, but the material only allows her to open herself up so much. she's got that lidded look that she knows drives you insane, her top messy from her wriggling and squirming. with wide eyes you realise she decided to forgo wearing a bra today, her nipples hard and visible through her thin camisole.

sana notices your gaze linger on her chest, pushing it out further with a smirk. "like what you see?"

"you didn't wear a bra." your voice is low, now that you have your full attention on her, you're hyper-focused on the way her breathing has gotten progressively heavier, the rise and fall of her chest and the increasing wetness under your fingertip.

"it's a roadtrip. i wanted to be comfy."

"or you planned this from the beginning?"

she smirks again, "you're delusional honey. now are you gonna help me or do i have to do it myself?"

you growl, leaning over and capturing her lips in a rough kiss, sucking her bottom lip into your mouth and biting down lightly. she moans, pressing your hand down against her cunt just a little harder to give herself more pressure.

at the reminder, you rip your hand away from her, ignoring her whine against your lips, sucking away any other sounds she tries to make. instead, you work at pulling her pants down fully, helping her out of them so her legs were now bare and spread for you.

you break away, glancing down briefly, your eyes darkening at the sight, a wet patch obvious on her panties as she whines and squirms against you.

"backseat. now."

you push yourself off of your seat, climbing into the backseat a little clumsily, earning a giggle and a cheeky slap on your ass, but you were needy now so you didn’t care how you looked, the mess between your thighs was all her fault.

once you’re sat you look at her expectantly, raising an eyebrow.

but she takes her time, making sure your eyes are on her before pulling off her top slowly, letting her breasts bounce down, knowing your eyes were glued to them. then she leans onto the dashboard, bringing her legs up onto the seat so her ass is facing you, teasingly pulling her panties down her legs, slow enough you can see the slick clinging to the material desperately as she reveals her cunt, pretty and soaked. you lick your lips in anticipation, the throb between your own legs growing almost unbearable.

she looks over her shoulder back at you when her panties are off, the most seductive look in her eyes, lips curled up. she crawls onto the middle console, then she's on her hands and knees in front of you, completely naked and dripping, hair falling to frame her face perfectly.

you lean back, rubbing your thighs together to generate any sort of friction, feeling the temperature of the car heighten.

"take off your clothes." she husks out, getting up so she's still kneeling but has her hands holding onto the sides of the passenger and driver seats to support herself.

you hasten to follow her instructions, yanking down your pants and pulling your top off over your head, undoing your bra and shuffling your panties down your legs. you waste no time, unlike her, too desperate for her touch to tease.

the way she's kneeling in front of you, means all the movements of the car translates directly onto her body. every small bump or rough patch of road the car drives over, her tits bounce along accordingly, nipples hard and pointed, just aching to be tugged and pinched. your gaze is fixed on them, completely obsessed.

finally, after you're both completely naked, sana slides forward. you're too eager to get your skin on hers that you grab her hips and pull her onto your lap harshly. her yelp transitions into a moan as soon as your heated skin meets.

she immediately starts grinding down into your thigh, you're completely mesmerised by the way her chest bounces, finally close enough that you can reach both hands up and cup them.

"f-fuck you can touch."

your hands squeeze, brushing your thumbs over her nipples gently, earning a moan from sana again.

you can't get enough of the sounds she makes, determined to hear more, squeezing her tits a little more harshly, playing around with them in your hands, then coming in to pinch her nipples simultaneously.

sana throws her head back at that, gushing at the feeling, rutting down faster, harder onto your thigh, fully riding it now.

you take the opportunity with the extra space to lean down and wrap your lips around a nipple, still tugging and twisting at the other one. you alternate between sucking motions and running your tongue over it in all sorts of directions, switching to the other nipple and repeating, hands never leaving her tits, never getting enough.

when you detach from her, you realise you've started thrusting up into her unconsciously as well, your body only reacting to the arousal and intense need to get off right now.

you latch back onto her tit, only able to break away for so long, but taking in your surroundings a little better now. you flush, tilting your head to the side so you can continue suckling on her nipple, taking in the highway. thankfully there weren't many cars on the road but the thrill of being caught, or anyone driving close enough to just peek in through the window to see the both of you, completely naked and enthralled with one another, sends a spike of arousal down your spine.

you can feel when sana gets closer to finishing, her breaths and moans picking up in pitch, her movements growing more frantic, hand on the back of your head, keeping you at her chest, curses falling out of her mouth.

you hum around her, pulling back and looking up, adoring the sweat that's built up, bits of her hair sticking to her forehead, eyes lidded, mouth open.

"close?" your voice is raspy, overrun with lust.

"m-mhm-"

at the confirmation, you suddenly move your hands down to her hips, grabbing them and forcing her still.

"w-what?! what are you doing?!"

"shh- just- let me-" you awkwardly shuffle around the backseat, trying to maneuver your bodies in the limited space, lying down and pulling her on top of you.

her breath hitches as your bare chests meet, faces suddenly close together, and then your shifting your legs and you mutter out a small curse, grinding up into her cunt, both your pussies drenched and gliding against one another, clits catching as you frantically bring her down into a kiss.

you both moan into each other, sana understanding what you wanted immediately, not wasting another second and rutting down into you, rubbing your cunts together.

it's wet, and hot, and scratches just the itch you need to have your back arching, desperately thrusting up into her, briefly wondering if your car was shaking from the frenzied humping, if other people could tell what was going on just by the movement of your car.

your nipples perk up when you feel sana's saliva-slicked chest rub against yours, the tight space making you feel all the more closer to her, chasing your highs together.

"f-fuck i'm- oh god- i-"

"c'mon- cum baby. that's what you wanted right? you entertained yet? you wanna cum all over me? all over my pretty pussy? fuck you're gonna make me cum too-"

she whines, burying her head in your neck, unable to continue kissing you, only focused on the primal need to reach that high.

"oh fuck you're so pretty baby- wanna see you cum- please? for me?"

sana's panting into your ear, grinding down, each thrust feeling rougher and faster than the last, and when you practically beg her to cum for you, she does exactly that, crying out and releasing.

you grab her hips and continue to rut up into her, chasing your own orgasm which comes easily when the girl of your dreams is writhing and coming undone right on top of you.

you come down with heavy breaths, holding sana in your arms and running a hand through her hair softly.

eventually sana peeks out from the crook of your neck, a hazy grin on her face, hair a mess, she's never been more beautiful.

"thank you."

"of course baby." you smile, brushing strands of hair that have fallen onto your face behind her ear.

she sits up, still on top of you, stretching a little. there's a twinge of arousal watching her body move. she looks back down at you knowingly, lightly trailing a hand up and down the valley of your chest and your stomach.

"how much longer do we have?"

you sit up as well, grasping her hands and interlocking your fingers, looking to the dashboard and squinting at the time to destination.

"like an hour."

sana hums, then pushes you back down so you’re lying flat on your back.

you raise an eyebrow in question.

she smirks, "enough time for me to eat you out. you know i get peckish after sex. you're the perfect snack."

and then she's lifting your legs onto her shoulders and diving in. you found it hard to find reasons to drive anymore when the auto-drive feature allowed sana to have you like this, not knee deep in the passenger seat and eating you out, but just as good.