louis, lestat, and their single bed as a motif louis puts into his own story, but refuses to explore, is literally one of the sexiest parts of the show. it speaks volumes about a level of fulfillment and freedom that louis feels by being with lestat that he rarely explicitly comments on when he's relaying his story to daniel, which feels extremely relevant to his overall reluctance to examine the parts of his relationship with lestat that he really enjoyed.
because louis is a character who's hyper aware of how he presents himself. he's lived his entire life projecting a certain masculine, heteronormative image, and he's aware of how deviating from that presentation has implications that impact how people view him - from enjoying the opera, to the presentation of his nails. the fact that he moves in with lestat and neither of them ever put a second bed into any room in the house as a level of plausible deniability is so huge and oversight by so cautious a character, it can only be read as deliberate - especially when the conspicuous lack of a second bed is pointed out to them by both antoinette and a literal police officer. in an existence where you don't sleep in a bed, the bed becomes a symbolic object more so than a practical one. it's louis choosing to deliberately transgress against the societal expectations he lives out when he leaves his house, a bit of presentation that actually amplifies his truth as a gay man living with his partner, rather than masking or hiding himself, like he does for the outside world.
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Thinking about the fact i own 1790s french coins that maybe Camille Desmoulins touched once in his life
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[cws: drugging, SA and SA apologia, fantasy racism/ableism, forced institutionalization.]
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i know i never shut up about it but god i am still just. So Salty about how the show handles the dynamic between mayor jones and pericles for many reasons, and one of the biggest is that there are really strong overtones here of sexual assault.
a character who already brings to mind the Slimy, Shady Cis White Guy with Buried Allegations archetype:
takes advantage of the trust of someone who's doing something with him in secret--
(which will get that person in a disproportionate amount of trouble compared to him, if they're discovered)
--to catch him off guard so he can grab him, drug him, and do violent things to his body while he's unconscious; scars him for life in a way that is disabling and should cause a lot of ongoing suffering, which, like many other things that should have a strong negative impact on him physically or psychologically, the writers ignore; and dumps him there alone to discover what's been done to him when he wakes up.
specifically, he does this to someone from a marginalized group that's highly unlikely to be believed if they tell anyone what he did--and going by the fact that mayor jones never got in any trouble until present day, he wasn't.
goes out of the way to ruin the life of the victim and discredit him as thoroughly as possible, because he's a loose end and he needs to shut him up.
flees the scene and gets away scot free with this for twenty years, has a successful privileged career and is considered a pillar of the community in the meantime.
when his dirty secret, which he's been paranoid about finally facing consequences for after the victim has recently become a risk again, is discovered, it's a huge career-ending scandal.
is redeemed by the end, while his victim goes on to be the Monstrous Irredeemable Pure Evil Main Villain and also sexually abuse someone himself, which is played as horrific and traumatizing (as it should be).
more specifically, is portrayed as showing redeeming, heroic anti-villain qualities by backhanding the victim into a wall as hard as he can in present day.
me: hm. yeah fuck this
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sorry mild hater moment incoming but . idk what it is with s/onadow fans (not all of them. just a very loud subsection) specifically and making every little thing shadow does about s/onadow even if its the biggest reach imaginable and immediately going "omg s/onadow" every time hes confirmed to be in some upcoming thing . or being so obsessed with the ship and letting it warp their perceptions of things so much to the point where they act like every little thing is a hint from sega that theyre in love for real. and they cant admit that its not canon or that just because they choose to interpret certain things romantically doesnt mean that thats actually what sega/the writers intended even if theres an obvious non so/nadow explanation for it
before people take this the wrong way i dont hate the ship i dont think that its completely baseless or that everyone who likes it is wrong and annoying or anything . but some of you look like this if im being honest
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please im not well im (s)creaming right now
no one talk to me pls AND NO ONE take him. i’m a selfish woman when it comes to lee heeseung pleaseplease just one chance, once fucking chance you won’t regret it AT all !! please ur all i think about now i’ll give u EVERYTHING
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i'll forever wish that hsmtmts was one of those shows that got 22 episodes a season so every character and plotline could've been given the proper treatment they deserved. like yeah it's a lot for the premise it had, but more episodes would've meant delving more into their backgrounds or giving more development into friendships and relationships of the show. i'm also still kind of mad that the season that was arguably their weakest ended up with the most episodes, while their stronger seasons had a limited number of episodes.
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