Reading (listening to, as Homer intended) the Iliad making me go oh. Ohhh. I should have done this before I read Gideon the Ninth. I get it now.
Particularly thinking now about the tidbit that in early drafts, our beloved gray-eyed Necromancer Warden of the Sixth House was named Diomedes Sextus. For Diomedes, king of Argos, young, brave, noble, heroic. Favorite fighter of Athena, bestest friend of Odysseus. And, notably, fought gods and—well he didn’t win exactly. But he got them good.
And specifically, he fought and wounded Aphrodite; Aphrodite, who is also called Cytherea.
And then of course Tamsyn Muir said she decided to change his name so she could make the Sex Pal joke.
Palamedes is a less heroic, less fondly remembered character in the Trojan War, but according to Plato, he unrelatedly invented both number and the alphabet, so you keep that connection to scholarship even if that’s not the first association with him. More interestingly, imo, there’s also an Arthurian Knight of the Round Table named Palamedes, best known for his unrequited love for Isolde (and his apparent ultimately gracious acceptance of her choosing Tristan).
I think this is actually a super interesting shift in thematic naming focus: from favored-of-Athena, fought-gods-and-wounded-them to unrequited heterosexual love, but didn’t act like a dick about it.
Also y’know. Sex Pal
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This show has captured my entire heart. Harry and Asta(and D'arcy, not depicted) are so siblings and I love them.
I love Harry's creative ventures.
Can you tell what my favorite episode is?
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Haters do not know about Omicron Mystery Hour 2.
The legally distinct and never before heard Omicron Mystery Hour 2, which you may know as “the only radio show: the sequel” presents Omicron: Haters Don’t Know, a show dedicated to spilling a full glass of water onto your laptop mid recording.
Haters remain unaware of Omicron Mystery Hour 2. Listen now for an eclectic mix of weird and obscure music, brought to you by your favorite radio hosts… 2!
You can find the episode HERE
OR you can check out our backlog and listen to pretty much everything we've ever recorded (give or take a few episodes) HERE
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For the Actually Dead AU
I like to think when Barry needs to think and pulls out his little game, Sonic posses the game and actually helps Barry by being in the game and collecting the rings
DUDE I HAD THAT SAME THOUGHT WHEN PLAYING RECENTLY trying to think of other uses for it, like maybe he could communicate through it too. or for angst he actually has Feeling yknow. so many ideas
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in regard to the icemav convo about american made cars: I think it would be funny if after mav gets his regular license, ice buys him a truck that they can use for transporting stuff to the hangar and when he gifts it to mav all the man can do is laugh bc stamped across the ass is MAVERICK. It’s a 2023 ford maverick (in area 51 bc I’m partial to that color)
and mav likes it, but he doesn’t love driving it bc it’s so big (and he just likes being a passenger princess too much), so ice drives it mostly which inspires a whole lot of jokes about ice liking having maverick’s name stamped on his ass. bradley gags from the other room every time.
if it matters to u, i agree with this hc 150% on rhetoric grounds. thank god for your mind.
however i would like to raise the issue that recent american pickup trucks have become non-useful, overexpensive, and suburban-coded in a way i think ice and mav would reject. the ford maverick was built with the intention of dropping kindergarteners off at school, not of actually doing hard labor. see below infographic for what I mean.
It’s a fucking travesty. Trucks are so ugly and useless now. the maverick is not immune to this. (maverick below)
what good is having a fucking truck if it can’t even hold two REGULAR ASS BIKES in the bed. & when the bed is empty the chassis is unbalanced in a way that leads to more accidents etc. (tbf that was true in the 70s/80s too but im feeling more hateful towards modern trucks rn). In short—the modern American pickup truck is no longer useful, it’s a way to virtue signal to other Americans that you *think * you know what hard labor is, even when you’re driving around in a glorified odyssey with a teeny tiny bed that can barely hold a couple bags of mulch for the back garden
ice & mav don’t even have any little kids anymore, i think they’d consider a backseat useless & a waste of space
SO i would like to offer you a Compromise, which is that ice & mav buy either (or both) a 1974 ford maverick AND/OR a 1990 ford maverick
for the Funny Name & coolness factor (& the “making Bradley vom cause of how cute his parents are” factor), and then soup up, like, a 1984 Chevy C10 for actual towing/hauling purposes.
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It's so important to me that Minkowski and Eiffel and Hera spend December 25th together to celebrate Eiffel's birthday post-canon. And the hope that they spend that day together is a sentiment shared by Gabriel Urbina.
But Minkowski canonically cares about Christmas itself. Minkowski has people in her life whom she could spend Christmas with. And so there will probably have to be a difficult conversation at some point after the Hephaestus crew return to Earth, when someone says how good it will be to have Renée there for Christmas Day again. And Minkowski will have to look at her husband, or her relatives, or her in-laws - people who loved her and mourned her and celebrated upon her return from the dead - and she'll have to tell them that she won't be there on Christmas Day. And if the person who asks knows her at all, they'll see the look on her face and know that there's no negotiating to be done here.
It's not exactly that she doesn't want to celebrate Christmas with the people she used to celebrate Christmas with. But she can do that on any day near the end of December. Spending December 25th with Eiffel and Hera is something she absolutely cannot compromise on.
The main reason she'd give for this is that December 25th is Eiffel's birthday. Whether or not it matters to him as much as it used to, Minkowski wants Eiffel's birthday to get the recognition it deserves, because it was so important to him and he never expected anyone else to care or remember.
A second reason - one she might never speak aloud - is that she's always thought that Christmas is a time for family, and nowadays that means that spending it with Eiffel and Hera feels right to her.
But I think there's a third, perhaps equally important, reason underneath those two. Maybe she doesn't admit it to herself consciously, but I think part of Minkowski believes that the only people who can really understand the complicated way she now feels about December 25th are the two people who were there with her when everything went to hell on Christmas Day.
It was December 25th when they realised they'd made contact with aliens, and when Hilbert locked Minkowski outside the airlock and tried to incapacitate Eiffel and tore out Hera's personality hardware, and when everything Minkowski had thought she knew about the Hephaestus mission fell apart.
How can she exchange gifts with people for whom it isn't the anniversary of the one of the worst days of their life? How can she gather round a Christmas tree with people who've never feared for their lives at the hands of Alexander Hilbert and Goddard Futuristics? How can she eat turkey and trimmings with people who weren't there when the Christmas dinner was never eaten because there was a murderous mutiny from one of the intended guests? How can she spend December 25th with people for whom it's never been a day of betrayal and fear and loss and uncertainty eight lightyears away from Earth?
Eiffel doesn't remember that awful Christmas and that brings its own kind of pain for Minkowski. But he was there, and so was Hera, and so (no matter what anyone else expects) Minkowski needs to be with them on that complicated day.
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