#I have to post things as soon as I write them

[rafesslxt]

Lollipop | Mattheo Riddle

summary: Mattheo always carry‘s around something sweet for you

warnings: cutie mattheo, mention of bj, finger sucking

Imagine Mattheo always has these little heart shaped lolly‘s with him to give them to you in every kind of scenario.

When you‘re nervous before a test he gives you one straight out of his pocket, pulling off the wrapper before handing it to you.

When you‘re rambling and even tho he finds it cute, you‘re distracting him from studying so he takes one out of his drawer and hands you it. You smile at him and put the heart shaped thing in your mouth as soon as you get the wrapper off.

When you‘re with him and his friends and he see‘s you‘re bored because currently they‘re talking about quidditsch, he pulls one out of his jacket, handing it to you with a kiss to your lips.

But sometimes you didn‘t get the wrapper off, trying and trying for yourself because you didn‘t want to bother mattheo anymore so you unintentionally start to sigh and groan as it gets useless. Mattheo of course notices and grins to himself as he sees you strzggling with it. "Need any help?" he ask with a cheeky smirk as you hand it to him. " sorry didn‘t want to bother you matty.." He grabs your chin and pulls you closer, ignoring the words coming out of his friends mouth to give you a hot kiss, hiss teeth tugging at your bottom lip for a second before whispering into your ear. "You‘re never bothering me princess." He then takes the wrapper off and looks at you again. "Open your mouth." he says in a calm voice. You do as he says and he lays it down on your tounge, still looking into your eyes while doing so and smirking again. "Good Girl."

But then one day you‘re sitting in the yard with Mattheo, nervous as hell before writing a important test. "I - I can‘t calm down, this is so important!" you ramble up and down, walking in circles almost. As Mattheo grabs into his pockets, his eyes go wide. "Shit." he mumbles to himself. "M-mattheo? Do you have a lolly for me?" Fuck. You ask him that for the first time from alone and exactly now he doesn‘t have one. Then an idea pops into his head. He bites his lip and shakes his head but pulls you into his lap and says "open up baby" he puts his face beside yours to look at you when he slowly pushes two fingers into your mouth. His eyes go wide when you don‘t hesitate to suck them. His lips part and a smile creeps up on them. "Oh baby wait until we‘re alone then you can suck on something bigger." Mattheo whispers against his neck and plants a kiss there. "Mattheo!" you giggle and slap his shoulder, but still continuing with sucking.

just a little something as I saw I didn‘t post anything in 5 days whoops – but anywaaaaays thank you for reading 🫶🏻

taglist: @sofa-couch26 @nevereverthem @little-miss-naill @kolsangel @itsarajr @jolly4holly @hisparentsgallerryy @slytherinscreamqueen @mixvchelle @littlemadamred @ummmmmmm-username @justarandomcanadiantransdude

xoxo sarah <3

[ask-whitepearl-and-steven]

What’s your favorite part about working on the comic? Specifically the comic; like drawing it, coloring, writing scripts, etc

Oh, that's an interesting question! Let's rate them!

Sketching/Drawing: (9/10) Creating at its finest. For me, this is the distilled elixir of creation. The heart of being a comic artist. I love organizing panels on a page, it's like playing tetris. I love drawing! Points off for requiring so much time. Why can't I just bang my head against a tablet and dump out all the pictures onto the screen at once?

Scripting: (6/10) Pretty standard work. I enjoy it well enough, but it gets points taken off for requiring so much re-writing and emotional turmoil. Sometimes, I will rework a line 3-4 times and think it works great, but inevitably something will come along to make me think it would have been better to have the character say that OTHER thing instead.

Lineart: (11/10) Excellent. Stupendous. This is drawing, if drawing required no braincells. It's meditation! I'm listening to a 2 hour long video essay about evolution or manta rays or ancient trees. I'm happy, I'm in my lane, I'm flourishing. (This would have been 12/10 except for those times when you're drawing the same line 17 times and are stuck in a ctrl+z loop.)

Coloring: (-2/10) Don't like it. Cannot recommend it. People tell me they like this part? I'm skeptical. It's tedious. It's boring. It's like one of those baby games where you put cubes into a square hole, etc, but sometimes the cubes the misshapen and don't go in smoothly. At best it's just 10 minutes of clicking with a bucket tool. At worst, it's coloring within the lines, which I have been OVER since I was 4.

Rendering values, special effects: (5/10) This is fine. It's simply fine. I can enjoy it. It's interesting, but a bit repetitive, but it takes less effort than coloring, with more variety, so I respect it.

Posting: (4/10) This is a trap. There IS a typo, and you WILL see it as soon as you click Post. Or as soon as the post hits 100 notes. Whichever one is more painful. But on the other hand... commints! But on the other-other hand... people misunderstanding your characters' intentions and being a whole clown in the comments about it! It's a mixed bag.

[coffe-and-tea-time]

KEEP PRETENDING TO SLEEP! KEEP PRETENDING TO SLEEP!!!

HEHEHEHEHEHE I WAS WAITING TO COOK THIS

Coffee insanely speaking! Thanks Dear, you gimme the perfect excuse to write a second part just in time although I expected the option of talking to him to come first. Not that I'm complaining lol

Post where this suggestion came from

↪︎ ☾ I love to see you ....................................... .......................................☆ I love to hear you↩︎

TW: yandere behavior, delusions, murder of self-preservation, stalking, obssesion, somewhat willing reader, kinda denying of bad decisions

Of course, the best option is to stay still, not because you are enjoying this no no, of course not...

Despite his soft voice that sounds rather familiar, you can't really recall who or where. So the safest option is just giving in at the moment, you didn't know how he could react so the safer the better, isn't it?

A smile starts creeping on your face against your will, seems like you are a rather bad actor when it's required, huh? 

“Oh, I'm really glad, you seem like you're finally having a good dream… will it be too greedy if I want to be inside that little dream of yours? Well, if you find that greedy, you won't be able to handle me later”

Hearing a close mouthed giggle following the whisper makes your heart flutter softly, like this is some kind of really romantic scene in his mind. You were able to hear the faint sound of footsteps, he seems like he's doing a little room tour, making it a little hard to hear him.

“Oh Dear, you were researching that thing again?”

It seems like he found his way into your phone, what was he referring to?

“Why do you keep reading so much about romance? Are these words good enough to keep your focus?... Maybe I have to start practicing oral expression? It's been a while since I felt like that, last time was when you downloaded that stupid dating sim… This is truly irritating, the names they use, the way they ‘communicate’ to you; do no justice, I can express myself way better, my love, and how my eyes change when I see you walking by… just... please, I need only one chance, and I promise you won't have a room left for doubts”

Even though he made the effort to lower his voice in order to 'not wake you up', it's clear how his tone is changing with every word depending on the topic; First, a low hint of infatuation, then, what sounds closer to a plead and, finally,...was that...hopelessness?

Honestly, in a normal situation, you would be annoyed by someone searching through your phone but only an idiot would think this man would judge you even if you had pictures of dead people there, more like he's genuinely looking for more of you, despite the fact that it's really not the ‘proper’ way, you can't say it didn't work.

“My beloved Cherry, what can i do for you to talk to me? Those characters seem to steal your attention quickly… I would be lying if I sad I'm not a little hopeful because of them though, you seem to have quite the specific taste, Cherry, and I believe I fit perfectly on them... if only I could find the right moment to get into your routine, to be part of your life…”

Weird that he worries about getting to talk to you with an ideal scene but not worrying about stalking you, but maybe it's kind of understable? Since well, everyone likes to check on their crush on social media even if they take a while to actually talk, even if this guy took it a little too far, he sounds... harmless like his wish is just to win your affection…

wait a second…

Are you truly relaxed in this kind of situation? What is going on with you? Why? Why… well, can't say you didn't ask for this, even as a joke, you know this time is different because it's real, but… why does reality feel like a fantasy right now? Is it because of him?

“Huh, I come here as a routine by now, I still get the same queries, I’m dying to find the answers soon..”

Sensing that lightly sweet fragrance once more makes you know he’s approaching your ‘sleeping’ form once again, making it easy to hear him despite his constant whispering.

“Would you let me cuddle you? Would you let me kiss you? Would you mind if I were clingy? Would you mind if I get jealous? Would you mind if it seems like I already know more about you than I should? I want to hold you my dear, I can’t wait for the day I can just snuggle with you every time we want… I really can’t wait anymore, I need to be closer to you… I guess I have no option other than to talk to you out of the blue, I dislike to be so imprudent, but I promise I will make up for it once you accept me in your life, Love”

You feel a gentle hand slightly caress your cheek as a little peck is placed on your forehead, making you almost smile like a fool if it weren’t for the fact that pretending to sleep is your priority in this sweet moment, unexpected but called for moment.

“Sweet dreams Cherry, I have to prepare what I should say tomorrow, I will put all of my efforts to be my best self to make a good first impression, I hope I snatch enough of your interest to be on your mind even for a moment”

Oh, he is definitely gonna be stuck in your mind for a while, as you try your best to focus on the sounds, you catch his steps as he seems to walk away… but you keep up with your act just in case.

So, tomorrow, huh? Seems like once again you have important decisions in your hand, should you indulge in your fantasy and let him get near you? It also sounds fun to go to him first… But, maybe you should try to avoid him? It’s the safer choice, but do you really want that? He seems safe enough not to raise any of your flags, he seemed so caring for you…

sorry for any misspellings or weird sentence structure ❣

images from pinterest

[natt-writes]

~5 Writing tips that actually help~

(These tips are meant for fiction books, especially fantasy. so if you’re writing nonfiction a decent amount of these won’t apply to you. Sorry!)

Find your writing voice.

one of the biggest issues I find in things written by beginners is a lack of emotional connection with the narration. Sure the story can be great, but without personality, without looks into the characters minds, without little quips here and there, it really isn’t all that interesting. Something that really helped me to realize this was a book called the tragical tale of birdie bloom. It’s a kids book but it honestly has such a good narrator (and storyline tbh) that you can look past the little kiddy-ness. I recommend you check the book out if you’re looking for some inspiration. I will be making a post about how to develop your writing and character voices soon so if you want some extra help with that, stay tuned!

2. Get to know your characters.

I know that you all probably already know this, but characters are one of, if not the most important part of a book. Readers don’t want to read about a flat, boring character who just feels like a vessel for the horrifying amount of trauma you add to your story. They want to read about people that feel real, people with flaws and feelings and hobbies and backstories. When I wanted to develop my characters I started going through the drafts, the plot outlines, everything and seeing what the characters did, said, felt. Then I took their basic backstory and started lining things up. Like if a character decided to get into a fight with another character, I would see what had happened to them that might have caused this. Maybe they had been abused as a child and thought that any disagreement meant they had to fight for their life. Maybe this person reminded them of a former enemy. After you start to figure out what connects the characters to the big plot points, you can then start to develop subtle things. You could start writing something, realize this situation would have triggered a character, and then drop subtle hints towards them feeling uncomfortable. Go nuts with it, after all you can never over-analyze a character.

3. Describe things uniquely.

Descriptions are what help us to understand what’s going on in a scene. They can tell us about the tasty drink a character is enjoying, the slick dress that someone is wearing or the way a characters muscles tense when a certain someone enters the room. But sometimes descriptions a fall a bit flat and that can ruin the experience for the reader. Something I always try to remember is to try and come up with new words describe something, for example; “her eyes were a beautiful shade of brown.” Is a very basic and over used description, instead you could try; “her eyes sparkled as she sat across from me, gleaming a rich chocolate shade as the light from the candles reflected off of them”. This is a much stronger sentence as it gives both environment hits and a description of the eyes, all while staying away from overused terms. I often see this theme in stories written by beginners, things being described in a very straight forward manner. And of course this is ok once in a while, especially if this isn’t a very important topic, but it still sounds better when you branch away from that basic sentence structure. I always like to use descriptive sentences to push things forward. Here is another example; “she was wearing a fluffy green dress with lots of lace. She walked over to the door and opened it.” Vs “the lacy trim of her green dress dragged on the floor as she walked towards the door. She smiled wide as she held it open, inviting her guests into the building.” Making strong sentences is very important, so please toy around with different words, structures, etc, until the sentence fits the type of book you’re trying to write.

4. Make trauma realistic.

Yes, even if you’re writing a fantasy book, characters experiences have to be realistic. Something that always gets on my nerves is when writers come up with a good idea for some trauma, so they just give to a character, even when it doesn’t suit them at all. if you are going to give a character trauma you need to explain it, set it up so it actually fits into their character arc, then have the character actually be affected by it. They can’t just randomly be like “I got shot by a dude.” And that’s it if there is no way that character could have gotten shot given their life experiences. Also if you want a character to be relatively unaffected after an extremely traumatic event you have to plan it out so that they have a specific and consistent trauma response that makes them not react shortly after an event like that. Characters are supposed to be like people, and no two people react to trauma the same way, so you do have some leeway if necessary, but people also don’t just stay the same after something horrible happens, they are affected by it and that has to be accurately portrayed. This does get easier the more you get to know the characters though, as soon you will know how they react to things and how to plan trauma that suits them.

5. Make a plot outline.

I cannot stress this enough, make a plot outline. Making a plot outline literally saved my book, and they are really easy to make! I recommend you download a spreadsheet app like XL spreadsheets or Apple numbers but you could even use google docs if you want. You want to put in all the chapters and then give each chapter at least six spots to write scenes. Add a spot for adding the main event of the chapter/a summery of what you have to write. This will help you to understand what you have to write for that chapter and how it fits into the next chapter. After that you start to fill all the scene boxes in with your plot information. Having a plot outline is great as it can be super vague and messy, but still hold all your ideas. It also helps to prevent unnecessary rewrites later, as you can just edit the plot outline before you start writing the first draft. You can even make a plot outline after you’ve started writing your book. That’s what I did and I promise, it still is very helpful. (Example of a plot outline below.)

[novlr]

I once saw a piece of writing advice that spoke to the idea that you should start and end a chapter differently. I suppose the idea was that it helps keep the story moving along. I thought it was good advice but didn't like the post and therefore cannot find the full explanation of this point. Do you have any advice like this? For starting and ending a chapter?

As a creative writer, you’re always looking for ways to improve your craft and keep your readers engaged. One piece of advice that can help you achieve this is by starting and ending chapters differently.

This technique can help keep your story moving forward and maintain your reader’s interest, but it is not the only technique you should employ. Like any other part of your writing, it’s all about variation, and knowing what serves your story best is the most fundamental part of improving your writing’s craft.

Starting a chapter

When it comes to starting a chapter, there are several techniques you can employ to grab your reader’s attention and propel your story forward. One effective method is to begin with action, throwing your character into the middle of a scene and immediately drawing the reader in. Alternatively, you can introduce a new character to shake up the story’s dynamics or change the setting to signal a shift in the narrative.

Opening with dialogue is another great way to quickly establish the scene and provide context for the reader. You might also consider posing a question that piques their curiosity or describing a vivid sensory experience to immerse them in the moment. Ultimately, the key is to experiment with different approaches and find what works best for the chapter you’re writing.

Ending a chapter

When it comes to ending a chapter, there are several effective techniques you can use to keep your readers engaged and eager to turn the page. One popular method is to end with a cliffhanger. You can then open the next chapter with something mundane. An example of this would be the shocking entrance of someone unexpected at the end of one chapter, then opening the next chapter with the revelation that is just the goofy uncle the character hasn’t seen in a while. Alternatively, you can resolve a minor conflict, giving the reader a sense of satisfaction while still leaving larger issues unresolved to continue into the next chapter.

Another option is to introduce a new complication, presenting an obstacle or twist that raises the stakes and propels the story forward. You might also consider ending with a revelation, where a character discovers something important or experiences a significant realisation that shifts their perspective.

Creating a sense of anticipation by hinting at what’s to come in the next chapter is another effective way to keep readers engaged, or you can end with a strong image or emotion that leaves a lasting impression on the reader. Experiment using these endings with the opening examples above, and you’ll soon find that there’s a rhythm you develop that suits your writing style.

Variation is key

The key to effectively starting and ending chapters is to mix things up and keep your readers on their toes. Don’t rely on the same techniques every time; instead, experiment with different approaches to find what works best for your story. By varying your chapter beginnings and endings, you’ll create a more engaging and dynamic reading experience that will resonate with readers.

For some chapters, a clear break will work really well, like the example of a cliffhanger that opens the next chapter with something far more ordinary than the reader was expecting. But other chapters will be well served by a simple continuation of the scene. Pacing isn’t dictated on a chapter-by-chapter basis alone; it’s all about the overall arc of the story and how everything fits together. There are no hard and fast rules for how to begin and end a chapter, so in the end, it all comes down to trial and error and seeing what feels right in service of the story you want to tell.

Additional tips

In addition to the techniques mentioned above, there are a few more tips to keep in mind when starting and ending chapters. Varying your chapter lengths can help keep the pacing dynamic and prevent the story from feeling predictable (although some stories are served by consistent length, so do follow your intuition here). Using transitions, like transitional phrases or imagery, can smoothly connect the end of one chapter to the beginning of the next.

Experimenting with different techniques and reading widely to study how other authors begin and end their chapters can provide valuable inspiration and insight. And don’t be afraid to rewrite your chapter openings and endings in as many versions as you like to see what works for you.

Ultimately, trust your instincts; if a particular starting or ending technique feels right for your chapter and serves your story well, then that’s the one you should go with.

[you-remind-me-of-the-babe]

It’s Sunday! How’d that happen again so soon?

Here’s a little more from my Time Travel WIP, Back and Back and Back. Keeping the name, since I got a lot of positive feedback on it. As a reminder, this story features an older Simon who travels back in time and visits with a young Baz throughout his childhood. At some point, I might start worrying about sharing all the good bits on Tumblr before I’ve actually started posting this thing. Then again, I always love seeing tons of snippets in advance as a reader. Gets me hyped for when the thing finally gets published. So here you go!

“So,” he says, folding his legs in and scooting around to sit cross legged to face me. “Catch me up. What’s been going on lately?”

“Well, I’ve been taking tennis lessons at the club this summer. And Father gave me a violin for my eleventh birthday,” I remind him. “So I’ve been taking lessons for that, too. I’ve only been playing for six months but I quite like it.”

“Wait,” he puts his hands up. “You’re eleven now?”

I nod.

“So you’re starting at Watford soon?”

“I leave tomorrow,” I say quietly, pulling my knees up and hugging them to my chest.

It’s how I knew he’d come. He always comes when something important is happening. I prepared the [redacted] three days ago, and have been out here everyday, waiting.

He starts to smile, though it falters a bit. He forces it back in place, though it looks strained.

“That’s great, Baz.”

I feel the corners of my mouth tweak up. I’ve gotten quite used to his nickname for me over the years. I think I might even start using it with other people, when I get to school.

I’m loving writing these past bits. I’ve yet to find the rhythm of the parts in the present, though. Setting things up and having to wait for the conflict or character connections is always the least fun part of writing though. At least for me. Hopefully, I’ll hit my stride soon. Wish me luck!

Tags, tag backs, etc. I’m still working my way through posts from this last week, but I continue to love seeing all you guys are sharing! @whatevertheweather @cutestkilla @artsyunderstudy @emeryhall @whogaveyoupermission @thewholelemon @facewithoutheart @shrekgogurt @bookish-bogwitch @ivelovedhimthroughworse @aristocratic-otter @hushed-chorus @roomwithanopenfire @monbons @noblecorgi @forabeatofadrum @that-disabled-princess @youarenevertooold @prettygoododds @ileadacharmedlife @chen-chen-chen-again-chen @ic3-que3n @wellbelesbian @run-for-chamo-miles @rimeswithpurple @best--dress @mooncello @blackberrysummerblog @iamamythologicalcreature @valeffelees @orange-peony @angelsfalling16 @raenestee and anyone else who’d like to share!

[lilolilyr]

@theevilqueenreadstoo and I want to start a bingo as S3 is on soon!

Hacks Season 3 Bingo game:

If you have ideas/predictions for what might happen in the third season of Hacks HBO, write them down in reblogs/replies here on this post or in the bingo thread of the Avorah discord server!

Once s3 starts, everyone who wants to play gets a randomly generated bingo card and we'll see how many of our predictions will come through, and whether anyone gets a Bingo :D

Details below the cut:

~~~ continue reading ~~~

You don't need to have discord/be on the Hacks discord server to play, just let me know that you want a bingo card and I will send one your way!

(but of course the server is fun and please do join!)

Please keep your predictions short, we want to put them on a bingo sheet, a few words/ one short sentence, max!

It can be stuff that is likely to happen or things you hope will happen but are not so likely, but please nothing completely obvious (eg Ava and Deborah will be in scenes together) and nothing completely unrealistic (eg: they'll go to space), we want to make fair bingo cards

No content we already know will happen from the trailer etc, but ideas for repeats of s1&2 are okay, eg 'D mentions Ava's giant hands again'

Predictions can be about any characters or plot lines, ship related or otherwise, and also about behind the scenes stuff like what music might play, what cast will join as what character, etc!

Have fun playing :)

[fictional-mind21]

🎶ALL MY LOVE🎶

Characters: Reader, Bucky, Dot (Bucky's girlfriend)

Synopsis: No matter the circumstances, you and Bucky Barnes would always be linked

Warnings: Small mentions of alcohol, pining for someone else while in a relationship and I guess [???] miscommunication [????]

Word Count: Too lazy to check

a/n: I feel like this is sort of messy writing structure but 🤷‍♀️ (I couldn't get this song out of my head and then this popped out)

+ This is the first I've posted in A WHILE, if you missed me, MY BAD 😳

‼️‼️Before you start reading this know that:

Italics = song lyrics (if they have parentheses around them that means they're being said by one of the characters)

Blue = Bucky's POV and thoughts

Regular white is Reader's POV and thoughts‼️‼️

It's been 61 days, more precisely 2 months since you and Bucky last spoke. Dot, his girlfriend, had given him an ultimatum.

Your friendship or their relationship.

After a restless night's of sleep he'd gone over to your house to break the news to you.

You told him you understood that she felt threatened by your close relationship and it was best to cut ties so he could pursue his happiness.

There ain't a drop of bad blood, it's all my love

You were his happiness

He was your best friend after all and what kind of best friend would you be if you stood in the way of his happiness?

You were his happiness

He was also the guy who gave you your first kiss due to silly little middle schooler games.

Well, I leaned in for a kiss thirty feet from where your parents slept

And I look so confident, babe, I swear, I was scared to death

I smiled stupid the whole way home

The guy who you'd fallen in love with BUT who'd found love elsewhere, so of course you were letting him go.

Now you were at Tony's annual New Years party watching him from across the room being all lovey-dovey with Dot and feeling like you were at the top of Mount Everest.

Cold and lacking oxygen.

It was wrong.

Here he was rubbing noses with Dot when the past 2 months had been an emotional agony for him, a hole in chest where you used to be.

2 whole months of not being able to get you out of his head.

As soon as he stepped out of your apartment that night, he felt wrong. He wished you'd have told him to stay. Filled his head with delusion and told him to choose you because you couldn't live without him.

Even if it wasn't wrong, it was too late. He'd made his choice and you'd obviously never choose him as anything more than a friend. He was crazy to think about such things.

You burrowed in under my skin, what I'd give to have you out for me

How could he have been so stupid? How had he not realized his feelings for you before? He had to get you out of his head before he messed up what he had with Dot. He'd be dammed if he messed up the relationship that sacrificed his and yours.

He'd been so immersed in his thoughts that he didn't hear Dot calling him.

"Babe I'm gonna head to the bathroom, you gonna be ok?"

"Yeah"

As she walked away, he walked across the room towards the bar. Less for the drinks more so to stretch him legs and get a breath of fresh air. He took a seat nearest to the balcony and one look across the bar had him realizing THIS WAS A BAD IDEA.

He hadn't realized you'd come to the party.

There you were talking to a group of people smiling and laughing, like nothing was wrong in the world. Yet here he was yearning to be in your presence.

As the group walks away he has to force himself to look away or you'll feel him staring.

As the group you were talking to walks away you look back to where Bucky was with Dot only to see it empty.

As you question if they left already you sense something familiar. A feeling of warmth, one which you're first instinct is to blame on the alcohol, but the drink in front of you has been sitting in front of you untouched for so long that all the ice has melted and the drink has gone warm.

As you look to your left you find the culprit and butterflies erupt in your stomach.

It's Bucky. He's only a few feet away but it's the most bittersweet distance you've ever been from someone. You thought seeing him across the room was hard but here you are and the need to be near him has NEVER been stronger. Or at least that's what you think until he makes eye contact with you and your heart stops.

You got all my love while I'm still out here

His heart stops and he almost drops the drink he's been swirling around to distract himself from looking at you.

Because you're looking at him and he's looking back at you, mesmerized. His breathing becomes shaky as flashbacks of you and him flood his mind. Soon he sees you walking towards him.

As you're walking towards him you see his breathing start to slow down, and maybe that should be sign a sign to stop what you're doing and walk away but you don't.

"Buck, you ok?"

"Yeah you know me d-oll, hate these parties, just got a little overwhelmed but I'm good now"

Was he though? Because although his shaky breathing subsided he still felt like he could go into cardiac arrest at any moment.

Write me a list of how it is, of how it was, of how it has to be

"So how have things been?"

"Well, doll , now that you mention it things have been good"

"That's good"

Now I know your name, but not who you are

"What about you, anything new and exciting?"

I wanna hear all of it no matter how insignificant you think it is

"Well actually ..........

As he listens to you he can't help but think "God I've missed the sound of your voice". Suddenly he feels a smile on his lips, one that was always only meant for you.

When you realize he's smiling you ask him "what's wrong?"

"Absolutely nothing"

"I'm rambling, aren't I? I'm sorry" you say letting out a nervous laugh

"Don't apologize, I don't mind." I could listen to you talk all day

As time goes on you guys start talking which turns into laughing, a laugh he missed and had trouble forgetting the sound of, a laugh only he could pull out of you.

Suddenly, and what feels like too soon, Dot appears and she looks upset.

"Seriously Bucky? There way a super long line and I've been looking for you everywhere"

"I've been here the whole time Dot"

"With her?"

"She's got a name Dot"

"Bucky you promised, you know how I feel about this" Despite the previous semi rude comment she made, you can hear the hurt in her voice which adds to the guilt creeping up on you. You were not about to let Bucky's happiness turn into something tragic all because you couldn't walk away.

"Hey, Dorothea?"

She looks at you

"Listen, I'm really sorry, this was all my fault. I was the one who-"

"It wasn't her fault, she saw me get a little overwhelmed with the crowd and came over to help and then we got to talking. I'm sorry, Dot I didn't mean to dismiss your feelings"

"We should go, Buck"

All it takes is one certain word out of her mouth to make your whole evening crumble. A word that makes you face the fact that the guy standing in front of you will never be yours, at least not in the way you want him to be

BUCK.

GOD THIS WAS A BAD IDEA. What were you thinking coming to this party?!!

"No need, I was already on my way out. Don't lie. Don't leave please, I need you Hope you guys have a wonderful time and take care"

If you need me, dear I'm the same as I was

[livingbrother]

LO and it's portrayal of S/A

A rant by someone who just finished EP. 98 and is incredibly furious

Cw: Mentions of S/A, it's effects, too much swearing, ED mention, personal stuff that happened to yours truly, lots of other stuff too, just no idea what to tag it as

Don't read this if you're not mentally doing well, I don't want you getting hurt because of my post, I love you, feel better soon

Boy. Oh fucking boy. I just got through episode 98 of this shit show and, I'll just say, I am beyond furious. Livid, in fact.

For context, I am a survivor or sexual abuse and mental abuse, I have dealt with those who act sort of like Apollo, I was never raped, but I was molested as a child. I, as a survivor, feel nothing but rage at how Rachel portrayed Apollo being a rapist. The way he acts is incredibly unrealistic for an abuser, as somebody who dealt with two abusers with Narcissistic Personality Disorder (I'm not saying everyone who has NPD are villains, I'm just saying what I went through), I see what Rachel was trying, but oh so tragically failed, to do. He tried to control, manipulate, and gaslight Persephone. Only for none of it to work, that's not how ANY of it fucking works!

Where is the fucking control, other than just fucking raping her? I get he wants to take the power away from her and be the one to control her, but I've seen none of that! I get she has PTSD over it (I'LL GET TO THIS POINT AGAIN). I NEVER GOT THE SENSE THAT SHE WAS POWERLESS EXCEPT FOR THAT ONE SCENE. I HAVE NEVER SEEN HER QUESTION IF THAT WAS HIS INFLUENCE PICKING HER DRESSES, OR FUCKING EVEN HER FOOD! WHEN I WAS LIVING WITH ONE OF MY ABUSERS, SHE'D PICK OUT MY OUTFITS, ONE'S I HATED, AND I STILL CHOOSE SOME OF THOSE OUTFITS, TO THIS DAY! WHERE WAS HER LOSS OF CONTROL? SHE NEVER FELT ISOLATED, SHE NEVER FELT LIKE SHE WAS TRAPPED. YES. SHE WAS TRAPPED IN THAT ONE ROOM WITH HIM, BUT EVEN THEN! SHE HAD LEVERAGE OVER HIM WITH THE FUCKING LYRE. Ugh.

About her realizing she was raped, um. Excuse me? A lot of victims don't realize they were raped or abused until like, months or years later. I'm glad for the ones who instantly realized it, good for them. Given Persephone's personality and experience with the world, she wouldn't have known it was rape because she's not accustomed to dating and sexual culture. On top of that, she isn't really seen actually distressed when she remembers, oh, and lets not forget that she WAS FUCKING FINE WITH TOUCH AND PHYSICAL FLIRTING DAYS AFTER HER ASSAULT. Let me remind you that I have been through this thing myself, you do not just omg I was just assaulted! time to go let someone touch me! Nonono, you spend years jumping when people touch you, years of moving when someone tries to grab your shoulder, years of pushing someone's hand off your arm, years screaming when you get a hug. And then, maybe from flashbacks, maybe from googling things, you discover you were molested! And then it alllllll makes sense. I understand if she became hypersexual, cause same, but that usually doesn't set in until a good long while.

I also hate how Apollo is written, he should have stayed as a shitty ex boyfriend or whatever the fuck Rachel was gonna make him, he just comes across as a cartoonish villain than an abuser. The man just fucking rubs his hands together and fucking goes I'll get you next time my pretty! I fucking HATE his writing so goddamn much. I understand wanting to make him pushy, egotistical, and insecure, they're some of the hallmarks of the pushy nice guy she was going for. But when it comes to him being abusive, it's like watching a bad joke. Rapists don't usually, you know, CATCH FEELINGS FOR THEIR VICTIM (correct me if I'm wrong), unless it's to lure them back in to hurt them again. She made him so obviously evil it hurts, abusers don't usually act that way, they put on a pretty smile, act kind, and behind closed doors, act shitty. I respect 97-98 for getting that part right, but too many times, too many fucking times Rachel has gotten that wrong. I have dealt with this myself, my mother did this exact thing, she even put on the pretty smile for me so even I, somebody who knew he was being tormented, questioned whether or not I was being abused! We never see this with Persephone! We never see her getting gaslit with this, she never questions her reality! She knows everything that's going on for sure! I know what Rachel was aiming for, and she failed miserably!

God, on top of this, we never really get to see Persephone's PTSD unless the story fuckin says Apollo's here! She's never really fucking affected by her rape, we don't see her jump from touches, refuse sexual advanced from Hades, yeah, sure, we see her afraid of camera flashes, but that's about it!!!!!!!! She never really experiences the effects of s/a! I developed an ED and agoraphobia from my abuse! Where the fuck is that?! That would have been a lot more fucking interesting than the slop we fucking got!

I know I've missed some things, but I need to calm down before I pop a blood vessel. I might revisit this post when I'm less angry, I just needed to rant.

[coldfanbou]

🤠One last time If she's a trainer for coaching female idols in the gym, I think she would actually earn a decent amount💰 and following

Sohee decides to assist you in Kinktober. Would you choose:

Short bursts of explosive sex so that you get post nut clarity and could keep on writing after you recovered

VS

Work through your whole Kinktober list as soon as possible first. Channeling all your sexual frustration into the time left in October, constantly have sex with her until the month ends

Lovely question Whisky

Sohee would earn so much by helping others train. She's kept in really good shape throughout her career, and I think she would provide such a good base for getting them comfortable with the training.

As for the second part, oof, that is one tough question. Because, on one hand, there's a reward at the end that, depending on when I finish, could possibly be nearly an entire month of sex with her. It's a good motivator, but on the other hand, the more I fall behind, the less of a reward I get. On the other side of things, these short bursts would keep things moving along quickly and act as a refresher but would end when I finish kinktober which would probably happen pretty early.

I'm going to have to go with the second option. It would have me keep working and then being able to spend the rest of the time solely focused on fucking her brains would be a great relief.

P.S. Damn she's hot

[majorproblems77]

Sacred realm, Sacred realm, Sacred realm!!!!!

OH BOY, I AM EXCITED ABOUT THIS ONE

Prepare yourself for the most excited screaming you've ever heard because this update is wonderful and I love it and I'm so excited about it that I'm writing this instead of sleeping and it will be worth it.

Set the clock its 12.45am lets see if I can do this before I have to go to bed for the morning shift.

Alright, now for the important stuff! Sacred realm belongs to @zelda-the-sacred-realm, and all art from the comics belongs to the comic artist. I've got their permission to do these!

Link to the comic can be found here! :D

Now, get some popcorn and if your like me probably an energy drink too and lets goooooo!

Firstly...

HI

HELLO THERE

OH MY

Big evil big bad. Who's hair is stunning i could never ngl.

(Investigates)

It's awesome to see the black knight like this. (I believe that's right? Correct me if I'm wrong.)

Though im trying to figure out what he found unexpected? Is it Sky? Is Sky the unexpected thing? Good, No body expects the blorbo to come out of the medallion and whoop ass.

Self-sacrificing boy please you are in pain

Cinnamon roll link please i know you're not used to this, but he's got this

He's so damn pretty dammit, pretty boy right here. Hylia chose him for his looks first, 10/10.

Yesssssssssss

GET THEM! GET IT!

THE FACT THAT THEY JUMP IN FRONT OF HIM IS GIVING ME SO MUCH LIFE THEY ARE LIKE PROTECTIVE UNCLES OF THE SMALL CINAMON ROLL.

Like low key look how Sky is moving he's pushing towards time but moving more to the right to do so then time is. Which would indicate that he's moved rather quickly to get in front of this thing.

They have to protect the small hero and it gives me life.

Okay, this all but confirms this isn't the first time they've done this.

Oh and it has to be said

BY THE POWER OF STUBBORN FRIENDSHIP!

That's a practised spell

(using a few panels from this update here) Chapter 4 - part 1

So, I think that the last time the spirits gathered was sometime around when Twilight was still alive, we know that Time had direct contact with Twilight because of the comic panels in the last update.

We also know that Time recognised Sky when he first appeared in the last update.

So there one of two explanations

The medallion or something akin to it has been used in a previous hero's journey. And so some of the spirit already know each other

Or being a spirit grants them foresight that they can just fight with each other like this.

Im more inclined to lean towards the first one at this stage because of that recognition from time but to be honest I think we need to meet Twilight first before we get any answers about that.

I am also going to assume the element that time yields is Electricity (Or time haha.)

It looks like lightning, but we've also seen him use a time spell so I'm not entirely sure at this stage.

Gonna lean towards lighting tho, it suits him

YEAH GET HIM!

He looks so tired, and the lines against him have been growing longer. I assume its more and more of the barrier sucking his energy away.

Pretty boy alert

i am once again an advocate for the Sky is the Best Bean Club he just needs a nap he's going to be fine

Also, Medalion jails for Sky because he's eepy.

I assume this is how we are going to keep Sky out of this arch, he is too tired and is resting from doing this now. I hope we see you soon blorbo!

HA

This made me chuckle, Time just grabbing him by the waist like the child he is brings me joy (Im aware Link isn't a child but he is in the cinnamon roll outfit right now so he is a child)

And time is older than him and is at current the only one who can help with the current predicament.

We interupt the end of this post for a Sky appreciation segment because he is the best bean and is my blorbo and got a bunch of great panels this update

He

Being the hero

Jumping into harm's way

The face of determination

He

Sleepy

Sleepy boy we got sleepy sky and I love him

Okay im done, We shall get back to the end now.

That's everything from me! :D

I hope you enjoyed my rambling please do let me know if you spotted anything I didn't! Thanks for hanging out with me and for uhh, also hanging out as I yell excitedly about my blorbo because, to be honest, I love him and it wouldn't be something from me if I didn't soooo....

Yeah!

Thanks again to the artist for letting me do this! I really appreciate it!

Have a great night!

[hephaestuscrew]

It's so important to me that Minkowski and Eiffel and Hera spend December 25th together to celebrate Eiffel's birthday post-canon. And the hope that they spend that day together is a sentiment shared by Gabriel Urbina.

But Minkowski canonically cares about Christmas itself. Minkowski has people in her life whom she could spend Christmas with. And so there will probably have to be a difficult conversation at some point after the Hephaestus crew return to Earth, when someone says how good it will be to have Renée there for Christmas Day again. And Minkowski will have to look at her husband, or her relatives, or her in-laws - people who loved her and mourned her and celebrated upon her return from the dead - and she'll have to tell them that she won't be there on Christmas Day. And if the person who asks knows her at all, they'll see the look on her face and know that there's no negotiating to be done here.

It's not exactly that she doesn't want to celebrate Christmas with the people she used to celebrate Christmas with. But she can do that on any day near the end of December. Spending December 25th with Eiffel and Hera is something she absolutely cannot compromise on. 

The main reason she'd give for this is that December 25th is Eiffel's birthday. Whether or not it matters to him as much as it used to, Minkowski wants Eiffel's birthday to get the recognition it deserves, because it was so important to him and he never expected anyone else to care or remember.

A second reason - one she might never speak aloud - is that she's always thought that Christmas is a time for family, and nowadays that means that spending it with Eiffel and Hera feels right to her.

But I think there's a third, perhaps equally important, reason underneath those two. Maybe she doesn't admit it to herself consciously, but I think part of Minkowski believes that the only people who can really understand the complicated way she now feels about December 25th are the two people who were there with her when everything went to hell on Christmas Day.

It was December 25th when they realised they'd made contact with aliens, and when Hilbert locked Minkowski outside the airlock and tried to incapacitate Eiffel and tore out Hera's personality hardware, and when everything Minkowski had thought she knew about the Hephaestus mission fell apart.

How can she exchange gifts with people for whom it isn't the anniversary of the one of the worst days of their life? How can she gather round a Christmas tree with people who've never feared for their lives at the hands of Alexander Hilbert and Goddard Futuristics? How can she eat turkey and trimmings with people who weren't there when the Christmas dinner was never eaten because there was a murderous mutiny from one of the intended guests? How can she spend December 25th with people for whom it's never been a day of betrayal and fear and loss and uncertainty eight lightyears away from Earth?

Eiffel doesn't remember that awful Christmas and that brings its own kind of pain for Minkowski. But he was there, and so was Hera, and so (no matter what anyone else expects) Minkowski needs to be with them on that complicated day.

[muscariii]

I don't have much time to draw because of school but I managed to do some lazy drawings today.

I actually wanted to make something with colors and stuff but I just can't find any time to do that. At least this week since I have a lot of studying on my head right now. But maybe I'll manage to draw more on the weekend!!

So for now here's a usual Nerevar and Rasha thing :3

They're really fun to draw for me. I feel like I keep making both of their hair longer and longer so uh... Whoops :T

[sideblogforweirdshit]

Whump Reference Post for Fingernail Removal Torture

 Hi whump writers of Tumblr! I recently made a little introduction post in which I said I’d be making reference posts. This is one I already had typed up, because for some reason this was the first thing I thought of.

There are no images attached, but I’m putting the rest of the post under a readmore since the majority of the content is semi-graphic written description of the how-to’s and wherefore’s and such of fingernail removal torture.

To be clear: I will be going into as much depth as I possibly can without using images. The content of this post will be purely academic. There will be no artistic liberties taken. This post is meant to be as accurate to (and descriptive of) a real-life situation as possible.

I hope some part of this post eventually winds up being a helpful resource for someone!

1) Not as painful as it’s made out to be

-It's painful, but definitely not to the extent it’s shown in movies or whatnot. A lot of the "pain" comes from the shock factor of seeing your body without something it’s always had, as well as the inherent "wrongness" that comes with experiencing a part of your body being removed.

2) There is very very thin film of skin between the fingernail and the finger.

-If one is careful in removing the fingernail by peeling it back slowly, one can preserve this thin piece of skin. -If one pulls the fingernail back quickly and without taking care, this thin film will rip, and the nail will pull away with bits of flesh attached.

3) The flesh under the nail will be vertically striated.

-If one uses the peel-back method, and is careful to not let the thin film of skin between the nail and the flesh rip, the skin/flesh underneath the nail will be as visibly striated as the fingernail itself. If you look closely at your fingernail right now, you’ll see that there are many tiny grooves from the tip of your nail to the base. This is true for all human fingernails. If the nail is peeled back with sufficient care, those striations will be echoed on the skin underneath the nail.

4) The  “peel entirely off” method versus the  "peel back and then stop" method versus the "pull out entirely" method.

-The “peel entirely off” method is how I will refer to the method of grasping firmly the tip of the fingernail in some sort of vice (usually pliers) and then peeling it backwards, moving the pliers from the nail at the tip of the finger towards the hand itself. Using this method, the nail will remain firmly grasped in the pliers the entire time. The movement of the pliers only stops when the base of the nail is ripped entirely out of the finger. This will necessarily result in ripping out a fair bit of skin past the cuticles, as the technical base of the nail (aka “nail matrix”) is generally around half a centimeter hand-wards past the cuticles (and follows the curve of the nail, so is deeper than the cuticles as well). Due to the nature of skin, I would expect a tear reminiscent of an extremely deep hangnail that goes from the base of the cuticles to at least halfway between the first and second knuckle (and at most goes to the second knuckle). In this case, it is not guaranteed that the nail will grow back. There is a chance it’ll come back, but there is also a chance that the nail matrix is permanently damaged and will not be able to grow a new nail. Since every human is different, there’s not an exact science to determining where a person’s nail matrix is before it’s ripped out. A (very) general rule of thumb is to follow the curve of the existing fingernail, and draw a point on that curve before it hits bone. Obviously, this is extremely subjective.

-The “peel back and then stop” method is how I will refer to what is essentially the previous method, but one stops before the nail-ripping goes past the cuticle and snips off the peeled part, leaving a milimeter or so of fingernail existing on the nailbed. In this case, it is assured that the nail matrix is undisturbed, and the fingernail will grow back. This is the method I will assume is taken for the future steps

-The “pull out entirely” method is how I will refer to the situation where one grasps the protruding part of the nail firmly, and applies force away from the hand and in the direction the finger points. In this case, there’s a large chance that the nail will rip. This depends largely on the care taken with the pulling object (pliers, usually) to grab the nail exactly parallel with the sides of the pliers. If any part of the pliers digs into the nail at a singular location, this will create a point at which pressure will build up, and the nail will likely rip at this location. The strength of the individual’s nails also affects the ripping. The individual’s nail strength can vary based on nourishment as well as on a general person-to-person basis. Personally, I do not recommend this method.

-If one wants to make the removal definitely permanent, there’s the possibility of peeling it back all the way down and out, and then chemically burning where one assumes the nail matrix is. (Some serious irl hikers do this to their toenails on purpose, to reduce the chances of getting ingrown toenails from being laced into hiking boots for days on end.) Removing the nail permanently will obviously reduce the opportunity to peel it off again, but will give a permanent Horrific Aspect to the victim.

5) For the first three days, the exposed flesh will be painful.

-The entire tip of the finger will be a constant deep and throbbing pain. Any deviation from this norm will be an increase in pain, never a decrease (save medication or an ice-bath-for-full-minutes immersion to the point of numbness).

-Any contact with the exposed nailbed will increase the pain. Knocking the exposed flesh against anything, even extremely gently, will result in a visible bright red welt under the thin layer of skin (bright red on light skin only! on darker skin, the welt will still be visible, but will show as a dark red-brown). It is a visual similar to an extremely tiny, non-protruding blood blister. Knocking the nailbed against something less gently will result in fully scraping off that delicate outer layer of skin.

-Using the finger for anything will be painful (though not unbearably so), and it may even be painful to bend the finger at all.

-Any moisture on the exposed flesh (including anything from regular water to antibiotic ointment) will hurt a lot. This will intensify the throbbing at least twofold across the entire nailbed, and will also result in an amount of stinging as if one had just realized one had been stung by a bee.

6) For treatment and healing thereof (if quick healing is desired)

For those first three days, any bandaid application is inadvisable -The exposed flesh will be so tender and vulnerable that any bandaid (even the non-stick kind) will stick to the exposed flesh and rip it upon removal. I can only assume this is in part due to the curvature of the finger, which means that any wrapping-around type bandaid will inherently put pressure on the nailbed, resulting in sticking.

-To promote healing, the first three days should be without any sort of covering on the wound.

After the first three days, a scab will form. -At this point, the pain will be much less. it might be uncomfortable to bump the nailbed into objects, but it will not be the same pain as in the first three days.

-The wound will also be much less sensitive to moisture.

-When the scab starts to crack (usually a vertical crack), one should apply antibiotic ointment and a bandaid. At this point in the proess, it is desired for the scab to remain as consistently moist as possibly. This will help the scab fall off when it is ready to do so.

-At this point, the finger can be used normally (within reason) without much (if any) pain.

After two or three days with the bandaid covering, the scab will start to fall off.

-One may expedite this process if one is careful.

-At this point, the skin on the nailbed is sensitive to the touch, but not to the point of pain.

-There will be some dry, loose skin around the edges of the nailbed.

-The previously visible striation will no longer be there.

-Pressure on the exposed nailbed will not be necessarily painful, but it will feel decidedly Odd. Though not painful, It will be an extremely sensitive area.

-The nailbed will be a delicate pinkish color.

Around a week after the initial scab falls off, there will appear to be another scab. It will be a relatively thin layer of dry, dead skin.

-If the nail is allowed to grow normally, it is likely that it will cover this second scab before it has the chance to fall off.

-If the stub of the fingernail is trimmed routinely, it is possible for the scab to fall off, leaving only relatively smooth unblemished skin where the nailbed is. This skin will be roughly the same color and texture as the skin on the tip of the finger. 

7) The rate at which fingernails grow back is extremely slow

-The average growth rate is about 3.5 milimeters per month. There are several factors that can cause this to vary:

-Fingernails on the dominant hand grow back faster than the nails on the non-dominant hand.

-Fingernails grow back faster than toenails.

-Nails grow back faster in warm weather than in cold weather.

-Depending on the nail and the aforementioned conditions, one can expect a total regrowth time of anywhere from three to six months (or more).

8) Life Without Fingernails

-Fingernails affect a large part of our everyday lives. We mostly use them when we’re manipulating objects with our hands, and we use them to scratch. It doesn’t seem like a lot, but it’s a lot. It’s hard to explain just how weird it is to not have fingernails to someone who’s never experienced it, but here goes:

-Fingernails are the Hard Backs used to brace our fingers against a hard shell when we manipulate something with our hands. If you pinch your fingers together right now, you’ll see a white band along the top of your fingernail. This is where the pressure from the pinching goes; it’s braced against your nail.

-Picking something up without fingernails feels extremely odd the first few hundred times you do it. It takes a long time to get used to it.

-Writing is even worse. Without the hard shell backing your fingers, the pencil tends to slip out of your grip more often. If you usually have long enough fingernails that you balance your pen/pencil on them, you’re extremely likely to have the pencil completely slip out of your grip multiple times a sentence.

-You don’t realize how much you unconsciously scratch itchy parts of your body until you no longer have the ability to do so. If you’re only missing a few nails, you have to consciously adjust your hand so that you can scratch with the existing ones. If you’re missing all of them, you have to actively find an external object to alleviate the itch.

Some places on the body one can scratch with their teeth, but for most places, one needs to either find an “itch stick,” or rub that part of their body on something scratchy. A lot of clothing is scratchy enough to work for this. One needs to learn how to vary the pressure so that one can alleviate the itch without tearing through the skin or scratching themselves.

Pros:

-Body horror

Fingernail removal is a more mentally significant mutilation than cuts or burns, if only because it draws on the "that was there and now it's not" aspect of body horror.

-Can be inflicted more than once

Since fingernails grow back, they can be removed again and again and again. Though it may take some time for the nails to regrow, it isn't even close to the type of permanent that’s chopping off a finger or a toe.

-Helplessness

Since it takes a few days for the nailbeds to heal enough to be able to use one's fingers, a complete removal of all fingernails will take away one's ability to use their hands. Even after this initial period of extreme sensitivity, the lack of fingernails is something most people aren’t prepared for. The previous section explaining how fingernails affect daily life is significant here.

 Cons:

-Can’t repeat often.

Once a fingernail is off, it's not coming back for at least three months (likely longer). It doesn't have the relatively quick reset time that burns or cuts do.

-Relatively short amount of time in pain

All of the pain is in the first few days. It is inconvenient afterwards, but there is little to no pain at this time.

-Amount of care needed

One needs to be relatively careful inflicting this. Fingernails are not as resilient as you'd think, and the likelihood of them ripping before you can finish ripping them off is fairly large if you're not being careful.

If you have a short-tempered or impatient whumper, this might not be their particular wheelhouse.

 Conclusion

Overall, I’d say that the effectiveness depends entirely on the desired result. The time it takes for the fingernails to regrow versus the amount of time in which the subject is in pain is not a very productive ratio, so if you’d want your whumper doing a particular torture regularly, I wouldn’t recommend this.

However, if the whumper’s goal is to appeal to the body horror aspect without permanent damage, this is a great option. The fact that it takes nails so long to regrow gives the victim a sense of horrified freakishness. It also has the added benefit of reducing the victim’s maneuverability far after the fact.

The semi-visible nature of this method of torture can be effective if one wishes to horrify characters outside the whumper/whumpee relationship. You don’t immediately look at other people’s hands when you meet them, and as such it might take a while for outside characters to notice the lack of fingernails (especially if they’re past the three day mark). But once they notice, it will be hard to look away.

[kicktwine]

alphinaud and alisaie are an example of siblings written by people who know siblings very well and choose to have them call each other brother and sister, proving that telling people not to write this quirk because it gives away that you’re an only child is just shorthand for how it’s a common warning indicator of thoughtless sibling writing and isn’t actually the problem itself

[marciaillust]

so like uh. uhh. superhero/journalist au revamped